“
My tastes are simple: I am easily satisfied with the best.
”
”
Winston S. Churchill
“
I have the simplest tastes. I am always satisfied with the best.
”
”
Oscar Wilde
“
Revenge is a dish that tastes best when served cold.
”
”
Mario Puzo (The Godfather (The Godfather, #1))
“
It’s probably not just by chance that I’m alone. It would be very hard for a man to live with me, unless he’s terribly strong. And if he’s stronger than I, I’m the one who can’t live with him. … I’m neither smart nor stupid, but I don’t think I’m a run-of-the-mill person. I’ve been in business without being a businesswoman, I’ve loved without being a woman made only for love. The two men I’ve loved, I think, will remember me, on earth or in heaven, because men always remember a woman who caused them concern and uneasiness. I’ve done my best, in regard to people and to life, without precepts, but with a taste for justice.
”
”
Coco Chanel
“
She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...
”
”
Markus Zusak (The Book Thief)
“
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
”
”
George R.R. Martin
“
I'm a man of simple tastes. I'm always satisfied with the best.
”
”
Oscar Wilde
“
The partner truly best suited to us is not the one who miraculously happens to share every taste, but the one who can negotiate differences in taste with intelligence and grace.
”
”
Alain de Botton (The Course of Love)
“
I bare my soul and you are suspicious! No, Scarlett, this is a bona fide honorable declaration. I admit that it's not in the best of taste, coming at this time, but I have a very good excuse for my lack of breeding. I'm going away tomorrow for a long time and I fear that if I wait till I return you'll have married some one else with a little money. So I thought, why not me and my money? Really, Scarlett, I can't go all my life waiting to catch you between husbands.
”
”
Margaret Mitchell (Gone with the Wind)
“
Don't worry, Otto. I'm an acquired taste. Most of my best friends had to know me for years before they could even stand my presence. I'm like mold, I usually grow on you very slowly. (Tabitha)
”
”
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
“
Fridays are absolutely without a doubt the best day of the week, five grueling days of the same routine seem to melt at three o'clock on Friday afternoon. There's a sense of magic there, everything smells better, tastes better, and the colors are brighter. As opposed to Sunday evenings when everything begins to get dim all over again.
”
”
Stefanie Ellis (Ashes (The Gray Area, #1))
“
The tears grappled with her face.
Rudy, please, wake up, Goddamn it, wale up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up.."
But nothing cared...
She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled hersel away, she touched his mouth with her fingers. Her hands were tremblin, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolised world of Himmel Street.
”
”
Markus Zusak (The Book Thief)
“
This day will never come again and anyone who fails to eat and drink and taste and smell it will never have it offered to him again in all eternity. The sun will never shine as it does today...But you must play your part and sing a song, one of your best.
”
”
Hermann Hesse (Klingsors letzter Sommer)
“
Bean finds the best apple in our tree and hands it up to me. "You know what this tastes like when you first bite into it?" she asks.
"No, what?"
"Blue sky."
"You're zoomed."
"You ever eat blue sky?"
"No," I admit.
"Try it sometime," she says. "It's apple-flavored.
”
”
Rodman Philbrick (The Last Book in the Universe)
“
I'm suprised he doesn't send Christmas cards," Antonio said. "I can see them now. Tasteful, embossed veilum cards, the best he can steal. Little notes in perfect penmanship,"Happy holidays. Hope everyone is well. I sliced up Ethan Ritter in Miami and scattered his remains in the Atlantic. Best wishes for the new year. Karl.
”
”
Kelley Armstrong (Bitten (Otherworld, #1))
“
You persist in this romantic vision of what it is to be a vampire, but despite my best efforts to curb it I have a taste for blood.
”
”
Deborah Harkness (A Discovery of Witches (All Souls, #1))
“
Neither sugar nor salt tastes particularly good by itself. Each is at its best when used to season other things.
Love is the same way.
Use it to "season" people.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
The best way to verify that you are alive is by checking if you like variations. Remember that food would not have a taste if it weren’t for hunger; results are meaningless without effort, joy without sadness, convictions without uncertainty, and an ethical life isn’t so when stripped of personal risks.
”
”
Nassim Nicholas Taleb (Antifragile: Things that Gain from Disorder)
“
These are delicious! What are they?"
"Double chocolate chip with peanut butter filling."
"They're the second best thing I've ever tasted."
I laughed. "You said the same thing at dinner."
"I recently readjusted the ranking.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
I tap a Malediction out of the box, fire it up, and puff. It tastes like a tire fire in a candy factory next door to a strip club. The best cigarettes ever.
”
”
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
“
My love may be invisible, but that doesn’t mean you can’t taste it. (It tastes like a sonic boom, only not as bitter).
”
”
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
“
The high-school English teacher will be fulfilling his responsibility if he furnishes the student a guided opportunity, through the best writing of the past, to come, in time, to an understanding of the best writing of the present. He will teach literature, not social studies or little lessons in democracy or the customs of many lands. And if the student finds that this is not to his taste? Well, that is regrettable. Most regrettable. His taste should not be consulted; it is being formed.
”
”
Flannery O'Connor
“
Power tastes best when sweetened by courtesy."
-Roose Bolton
”
”
George Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
You love him because this is what you do. Over and over again. You knit yourself right up into these men's lives, these men who will never ever be able to love you back, and then you wonder like a crazy person why you aren't the chosen one at the end. You have to stop doing this...
”
”
Collier Lumpkin (Love, to Taste)
“
Man is a Religious Animal. He is the only Religious Animal. He is the only animal that has the True Religion--several of them. He is the only animal that loves his neighbor as himself and cuts his throat if his theology isn't straight. He has made a graveyard of the globe in trying his honest best to smooth his brother's path to happiness and heaven....The higher animals have no religion. And we are told that they are going to be left out in the Hereafter. I wonder why? It seems questionable taste.
”
”
Mark Twain
“
I am a man of simple tastes easily satisfied with the best
”
”
Winston S. Churchill
“
she said with a smile. "I'm an acquired taste. Most of my best friends had to
know me for years before they could even stand my presence. I'm like mold, I usually grow on you very
slowly.
”
”
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
“
To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.
”
”
George Santayana (The Sense of Beauty: Being the Outline of Aesthetic Theory)
“
The sky isn’t more beautiful if you have perfect skin. Music doesn’t sound more interesting if you have a six-pack. Dogs aren’t better company if you’re famous. P izza tastes good regardless of your job title. The best of life exists beyond the things we are encouraged to crave.
”
”
Matt Haig (The Comfort Book)
“
I know you've all heard the advice, "Show, don't tell." The best writers don't tell you, and quite frankly they don't just show you -- they make you feel it, live it, taste it, touch it. Storytelling is about being in the moment with the characters.
”
”
Josh Lanyon
“
You don’t need fashion designers when you are young. Have faith in your own bad taste. Buy the cheapest thing in your local thrift shop - the clothes that are freshly out of style with even the hippest people a few years older than you. Get on the fashion nerves of your peers, not your parents - that is the key to fashion leadership. Ill-fitting is always stylish. But be more creative - wear your clothes inside out, backward, upside down. Throw bleach in a load of colored laundry. Follow the exact opposite of the dry cleaning instructions inside the clothes that cost the most in your thrift shop. Don’t wear jewelry - stick Band-Aids on your wrists or make a necklace out of them. Wear Scotch tape on the side of your face like a bad face-lift attempt. Mismatch your shoes. Best yet, do as Mink Stole used to do: go to the thrift store the day after Halloween, when the children’s trick-or-treat costumes are on sale, buy one, and wear it as your uniform of defiance.
”
”
John Waters (Role Models)
“
He tastes like cheap alcohol and contradictions, but it is still hands-down the best kiss of my life.
”
”
Christina Lauren (The Unhoneymooners (Unhoneymooners, #1))
“
Remember you will not always win. Some days, the most resourceful individual will taste defeat. But there is, in this case, always tomorrow - after you have done your best to achieve success today
”
”
Maxwell Maltz
“
That was the best ice-cream soda I ever tasted. (Last words.)
”
”
Lou Costello
“
The best books...
The best books of men are soon exhausted--
they are cisterns, and not springing fountains.
You enjoy them very much at the first acquaintance,
and you think you could hear them a hundred times over-
but you could not- you soon find them wearisome.
Very speedily a man eats too much honey:
even children at length are cloyed with sweets.
All human books grow stale after a time-
but with the Word of God the desire to study it increases,
while the more you know of it the less you think you know.
The Book grows upon you: as you dive into its depths
you have a fuller perception of the infinity which remains
to be explored. You are still sighing to enjoy more of that
which it is your bliss to taste.
”
”
Charles Haddon Spurgeon
“
And above all, you must be asking which door is the true one; not which pleases you best by its paint and panelling…the question should never be: ‘Do I like that kind of service?’ but ‘Are these doctrines true: Is holiness there? Does my conscience move me towards this? Is my reluctance to move to this door due to my pride, or my mere taste, or my personal dislike for this particular door-keeper?
”
”
C.S. Lewis (Mere Christianity)
“
Whoever said laughter is the best medicine had clearly never tasted scotch.
”
”
Anne Taintor
“
On rainy afternoons, embroidering with a group of friends on the begonia porch, she would lose the thread of the conversation and a tear of nostalgia would salt her palate when she saw the strips of damp earth and the piles of mud that the earthworms had pushed up in the garden. Those secret tastes, defeated in the past by oranges and rhubarb, broke out into an irrepressible urge when she began to weep. She went back to eating earth. The first time she did it almost out of curiosity, sure that the bad taste would be the best cure for the temptation. And, in fact, she could not bear the earth in her mouth. But she persevered, overcome by the growing anxiety, and little by little she was getting back her ancestral appetite, the taste of primary minerals, the unbridled satisfaction of what was the original food. She would put handfuls of earth in her pockets, and ate them in small bits without being seen, with a confused feeling of pleasure and rage, as she instructed her girl friends in the most difficult needlepoint and spoke about other men, who did not deserve the sacrifice of having one eat the whitewash on the walls because of them. The handfuls of earth made the only man who deserved that show of degradation less remote and more certain, as if the ground that he walked on with his fine patent leather boots in another part of the world were transmitting to her the weight and the temperature of his blood in a mineral savor that left a harsh aftertaste in her mouth and a sediment of peace in her heart.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Men whose only concern is other people's opinion of them are like actors who put on a poor performance to win the applause of people of poor taste; some of them would be capable of good acting in front of a good audience. A decent man plays his part to the best of his ability, regardless of the taste of the gallery.
”
”
Nicolas Chamfort
“
That cake tasted good. But the cake in the garbage tasted better. It was the best cake I ever ate.
”
”
Loretta Ellsworth (In a Heartbeat)
“
You recreate your world to your taste with God's Word in your mouth.
”
”
Jaachynma N.E. Agu (The Prince and the Pauper)
“
Reparenting Affirmations I am so glad you were born. You are a good person. I love who you are and am doing my best to always be on your side. You can come to me whenever you’re feeling hurt or bad. You do not have to be perfect to get my love and protection. All of your feelings are okay with me. I am always glad to see you. It is okay for you to be angry and I won’t let you hurt yourself or others when you are. You can make mistakes - they are your teachers. You can know what you need and ask for help. You can have your own preferences and tastes. You are a delight to my eyes. You can choose your own values. You can pick your own friends, and you don’t have to like everyone. You can sometimes feel confused and ambivalent, and not know all the answers. I am very proud of you.
”
”
Pete Walker (Complex PTSD: From Surviving to Thriving)
“
The bed we loved in was a spinning world
of forests, castles, torchlight, clifftops, seas
where we would dive for pearls. My lover’s words
were shooting stars which fell to earth as kisses
on these lips; my body now a softer rhyme
to his, now echo, assonance; his touch
a verb dancing in the centre of a noun.
Some nights, I dreamed he’d written me, the bed
a page beneath his writer’s hands. Romance
and drama played by touch, by scent, by taste.
In the other bed, the best, our guests dozed on,
dribbling their prose. My living laughing love -
I hold him in the casket of my widow’s head
as he held me upon that next best bed.
- Anne Hathaway
”
”
Carol Ann Duffy (The World's Wife)
“
With books at least, the best experiences are not when you find what you were looking for, but when something quite different finds you, takes you by surprise, shifts your tastes to new territory.
”
”
Tim Parks
“
My taste, which may be the opposite of a tolerant taste, is in this case very far from saying Yes indiscriminately: it does not like to say Yes; better to say No, but best of all to say nothing.
”
”
Friedrich Nietzsche (Twilight of the Idols)
“
The garden is one of the two great metaphors for humanity.
The garden is about life and beauty and the impermanence of all living things.
The garden is about feeding your children, providing food for the tribe.
It’s part of an urgent territorial drive that we can probably trace back to animals storing food.
It’s a competitive display mechanism, like having a prize bull, this greed for the best tomatoes and English tea roses.
It’s about winning; about providing society with superior things; and about proving that you have taste, and good values, and you work hard.
And what a wonderful relief, every so often, to know who the enemy is.
Because in the garden, the enemy is everything: the aphids, the weather, time.
And so you pour yourself into it, care so much, and see up close so much birth, and growth, and beauty, and danger, and triumph.
And then everything dies anyway, right?
But you just keep doing it.
”
”
Anne Lamott (Bird by Bird)
“
Despite the best efforts of critics and the hopes of authors, our tastes in books are probably as inherent & unbudgeable as those in food.
”
”
Alain de Botton
“
Lips that taste of tears, they say,
Are the best for kissing.
”
”
Dorothy Parker (The Poetry and Short Stories of Dorothy Parker)
“
When one is young, one venerates and despises without that art of nuances which constitutes the best gain of life, and it is only fair that one has to pay dearly for having assaulted men and things in this manner with Yes and No. Everything is arranged so that the worst of tastes, the taste for the unconditional, should be cruelly fooled and abused until a man learns to put a little art into his feelings and rather to risk trying even what is artificial — as the real artists of life do.
”
”
Friedrich Nietzsche (Beyond Good and Evil)
“
Goodness is weakness, pleasantness is poisonous, serenity is mediocrity and kindness is for losers. The best reason for committing loathsome and detestable acts – and let’s face it, I am considered something of an expert in this field – is purely for their own sake. Monetary gain is all very well, but it dilutes the taste of wickedness to a lower level that is obtainable by almost anyone with an overdeveloped sense of avarice. True and baseless evil is as rare as the purest good –
”
”
Jasper Fforde (The Eyre Affair (Thursday Next, #1))
“
On the delivery plate of the Nutri-Matic Drink Synthesizer was a small tray, on which say three bone china cups and saucers, a bone china jug of milk, a silver teapot full of the best tea Arthur had ever tasted and a small printed note saying "Wait.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
This principle - that your spouse should be capable of becoming your best friend - is a game changer when you address the question of compatibility in a prospective spouse. If you think of marriage largely in terms of erotic love, then compatibility means sexual chemistry and appeal. If you think of marriage largely as a way to move into the kind of social status in life you desire, then compatibility means being part of the desired social class, and perhaps common tastes and aspirations for lifestyle. The problem with these factors is that they are not durable. Physical attractiveness will wane, no matter how hard you work to delay its departure. And socio-economic status unfortunately can change almost overnight. When people think they have found compatibility based on these things, they often make the painful discovery that they have built their relationship on unstable ground. A woman 'lets herself go' or a man loses his job, and the compatibility foundation falls apart.
”
”
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
“
We cannot count on God to arrange what happens in our lives in ways that will make us feel good.We can, however, count on God to patiently remove all the obstacles to our enjoyment of Him. He is committed to our joy, and we can depend on Him to give us enough of a taste of that joy and enough hope that the best is still ahead to keep us going in spite of how much pain continues to plague our hearts.
”
”
Larry Crabb
“
It was watching Madeline Alby eat cheese with every ounce of her being, like it was the first and best time, that made him realize that he had never really tasted cheese, or crackers, or life. And he didn't want his daughter to live that way. He'd moved her into her own room the night before...He hadn't slept well, and had gotten up five times during the night to check on her, only to find her sleeping peacefully, but he could lose a little sleep if Sophie could go through life without his fears and limitations. He wanted her to experience all the glorious cheese of life.
”
”
Christopher Moore (A Dirty Job (Grim Reaper, #1))
“
Recognize things when they are at their best, in their season, and know how to enjoy them then. The works of nature all amount to a peak of perfection; up to it they wax, beyond it they wane. Only in matters of art have a few gone to the point where they might not be improved. It is the mark of cultivated taste to enjoy everything at its best. But all may not do this, and not all who may, know how. Even the fruits of the spirit have their moment of ripeness, and it is well to recognize this, in order to value it properly and attend to it.
”
”
Baltasar Gracián (The Art of Worldly Wisdom: A Pocket Oracle)
“
Twenty years ago at a conference I attended of theologians and professors of religion, an Indian Christian friend told the assembly, “We are going to hear about the beauties of several traditions, but that does not mean that we are going to make a fruit salad.” When it came my turn to speak, I said, “Fruit salad can be delicious! I have shared the Eucharist with Father Daniel Berrigan, and our worship became possible because of the sufferings we Vietnamese and Americans shared over many years.” Some of the Buddhists present were shocked to hear I had participated in the Eucharist, and many Christians seemed truly horrified. To me, religious life is life. I do not see any reason to spend one’s whole life tasting just one kind of fruit. We human beings can be nourished by the best values of many traditions.
”
”
Thich Nhat Hanh (Living Buddha, Living Christ)
“
Being with Josh is like being touched from the inside out. An unexpected blaze of sunshine on an otherwise bleak winter day. Wrapping your fingers around a mug of hot chocolate after walking home in that frigid lake-effect wind. A fire crackling softly beneath your outstretched hands. The perfect combination of cupcake and icing, the kind where you can’t quite identify all the secret ingredients, but you feel them melting together on your tongue, and you know that for as long you live, this will be the best thing you’ve ever tasted.
”
”
Sarah Ockler (Bittersweet)
“
What foolishness it is to desire more life, after one has tasted
A bit of it and seen the world; for each day, after each endless day,
Piles up ever more misery into a mound. As for pleasures: once we
Have passed youth they vanish away, never again to be seen.
Death is the end of all.
Never to be born is the best thing. To have seen the daylight
And be swept instantly back into dark oblivion comes second.
”
”
Sophocles (Oedipus at Colonus (Focus Classical Library))
“
My heart in the East
But the rest of me far in the West—
How can I savor this life, even taste what I eat?
How, in the bonds of the Moor,
Zion chained to the Cross,
Can I do what I’ve vowed to and must?
Gladly I’d leave
All the best of grand Spain
For one glimpse of the ruined Shrine’s dust.
”
”
Yehuda HaLevi
“
Her perfume enveloped him as he reached for her. His hands smoothed over soft fabric before finding the warmth of her skin. She lifted her mouth to his and kissed him hungrily, greedily.
She tasted so good. Like sin. Like every dirty thought he’d ever had.
”
”
Sarah Mayberry (Her Best Worst Mistake (Elizabeth and Violet #2))
“
He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.
”
”
Markus Zusak (The Book Thief)
“
And therefore, all of those for whom authentic transformation has deeply unseated their souls must, I believe, wrestle with the profound moral obligation to shout form the heart—perhaps quietly and gently, with tears of reluctance; perhaps with fierce fire and angry wisdom; perhaps with slow and careful analysis; perhaps by unshakable public example—but authentically always and absolutely carries a a demand and duty: you must speak out, to the best of your ability, and shake the spiritual tree, and shine your headlights into the eyes of the complacent. You must let that radical realization rumble through your veins and rattle those around you.
Alas, if you fail to do so, you are betraying your own authenticity. You are hiding your true estate. You don’t want to upset others because you don’t want to upset your self. You are acting in bad faith, the taste of a bad infinity.
Because, you see, the alarming fact is that any realization of depth carries a terrible burden: those who are allowed to see are simultaneously saddled with the obligation to communicate that vision in no uncertain terms: that is the bargain. You were allowed to see the truth under the agreement that you would communicate it to others (that is the ultimate meaning of the bodhisattva vow). And therefore, if you have seen, you simply must speak out. Speak out with compassion, or speak out with angry wisdom, or speak out with skillful means, but speak out you must.
And this is truly a terrible burden, a horrible burden, because in any case there is no room for timidity. The fact that you might be wrong is simply no excuse: You might be right in your communication, and you might be wrong, but that doesn’t matter. What does matter, as Kierkegaard so rudely reminded us, is that only by investing and speaking your vision with passion, can the truth, one way or another, finally penetrate the reluctance of the world. If you are right, or if you are wrong, it is only your passion that will force either to be discovered. It is your duty to promote that discovery—either way—and therefore it is your duty to speak your truth with whatever passion and courage you can find in your heart. You must shout, in whatever way you can.
”
”
Ken Wilber (One Taste: Daily Reflections on Integral Spirituality)
“
Queen Alyss, my guards have discovered something you should see."
Her face had relaxed at the sight of him, but her brow at once contracted, her lips thinned with tension.
We've found evidence of suspicious activity in the palace," he said.
What sort of activity?"
You might want to step this way and see for youself. I apologize in advance for you having to set foot in a gaurdsman's quaters."
He led her into his rooms. The boyish portrait of Sir Justice, the fire crystals in the hearth, the elegantly arrayed table: Alyss blinked in puzzlement.
What is all this?"
My best guess, You Majesty, is that it's breakfast, but I can't be sure until we taste it.
”
”
Frank Beddor (Seeing Redd (The Looking Glass Wars, #2))
“
The Latin word for sausage was botulus, from which English gets two words. One of them is the lovely botuliform, which means sausage-shaped and is a more useful word than you might think. The other word is botulism.
Sausages may taste lovely, but it's usually best not to ask what's actually in them. Curiosity may have killed the cat, but it was a sausage-maker who disposed of the body.
”
”
Mark Forsyth (The Etymologicon: A Circular Stroll through the Hidden Connections of the English Language)
“
You promised to be on your best behavior,” I reminded him, breathless.
“You kissed me,” he growled. His voice had gone very deep.
“Well, but you started it by kissing my neck.”
“True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same.
“Why did you stop?” he asked.
“Because you were moving on to other things.”
He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.”
I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again.
“But I can see you still want me.”
I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him.
“Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—”
“Stop it!”
“Sorry, was I saying that out loud?”
“I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!”
“Yes, how very decent of you.” He hadn't moved from his languid position on my bed.
I leaned forward, grabbing a pillow and throwing it at him.
“Pillow fight?” He raised an eyebrow.
“Get off my bed. Please. I'm ready to go to sleep.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist’s suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers. Her hands were trembling, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolished world of Himmel Street. She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on, coughing and searching, and finding.
”
”
Markus Zusak (The Book Thief)
“
My spirit gets nourished in faraway places. Sometimes I wonder if it's a biological need, perhaps a biological flaw, that compels me to seek the excitement and challenge that comes of being in a place where nobody knows me.
Other times I think that my compulsion to settle into communities that are different from the ones I know is related to my passion for experiential learning. I learn best and most happily by doing, touching, sharing, tasting. When I'm somewhere I've never been before, learning goes on all day, every day.
”
”
Rita Golden Gelman (Tales of a Female Nomad: Living at Large in the World)
“
It is our custom
to consume
the person we love.
Taboo flesh: swollen
genitalia nipples
the scrotum the vulva
the soles of the feet
the palm of the hand
heart and liver taste best.
Cannibalism is blessed.
I'll wear your jawbone
round my neck
listen to your vertebrae
bone tapping bone in my wrists.
I'll string your fingers round my waist -
what a rigorous embrace.
Over my heart I'll wear
a brooch with a lock of hair.
Nights I'll sleep cradling
your skull sharpening
my teeth on your toothless grin.
Sundays there's Mass and communion
and I'll put your relics to rest.
”
”
Gloria E. Anzaldúa (Borderlands/La Frontera: The New Mestiza)
“
Second, nothing about adolescence can be understood outside the context of delayed frontocortical maturation. If by adolescence limbic, autonomic, and endocrine systems are going full blast while the frontal cortex is still working out the assembly instructions, we’ve just explained why adolescents are so frustrating, great, asinine, impulsive, inspiring, destructive, self-destructive, selfless, selfish, impossible, and world changing. Think about this—adolescence and early adulthood are the times when someone is most likely to kill, be killed, leave home forever, invent an art form, help overthrow a dictator, ethnically cleanse a village, devote themselves to the needy, become addicted, marry outside their group, transform physics, have hideous fashion taste, break their neck recreationally, commit their life to God, mug an old lady, or be convinced that all of history has converged to make this moment the most consequential, the most fraught with peril and promise, the most demanding that they get involved and make a difference. In other words, it’s the time of life of maximal risk taking, novelty seeking, and affiliation with peers. All because of that immature frontal cortex.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
What is whiter than snow?' he said. 'The truth,' said Grania.
'What is the best colour?' said Finn. 'The colour of childhood,' said she.
'What is hotter than fire?' 'The face of a hospitable man when he sees a stranger coming in, and the house empty.'
'What has a taste more bitter than poison?' 'The reproach of an enemy.'
'What is best for a champion?' 'His doings to be high, and his pride to be low.'
'What is the best of jewels?' 'A knife.'
'What is sharper than a sword?' 'The wit of a woman between two men.'
'What is quicker than the wind?' said Finn then. 'A woman’s mind,' said Grania. And indeed she was telling no lie when she said that.
”
”
Lady Gregory (Gods and Fighting Men: The Story of the Tuatha De Danaan and the Fianna of Ireland)
“
Childhood is a time for pretending and trying on maturity to see if it fits or hangs baggy, tastes good or bitter, smells nice or fills your lungs with smoke that makes you cough. It's sharing licks on the same sucker with your best friend before you discover germs. It's not knowing how much a house cost, and caring less. It's going to bed in the summer with dirty feet on clean sheets. It's thinking anyone over fifteen is 'ancient'. It's absorbing ideas, knowledge, and people like a giant sponge. Childhood is where 'competition' is a baseball game and 'responsibility' is a paper route.
”
”
Erma Bombeck (At Wit's End)
“
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
Beauty is the only human aspect which cannot be captured on any canvas howsoever hard an artist tries. At the most, the undaunted artist can replicate the beauty on paper but what is a replica in comparison to the original! The humbling resemblance can only be respected, not truly adored.
Beauty cannot be imprisoned in the lens of a camera. The images of beauty are a moment of its essence. Beauty cannot be displayed to evoke pleasure for all on a cinema screen. Those are just its imprints, mere illusions of its existence. Beauty cannot be described by words; it cannot be written or read about. There are no suitable words in all the languages of the world, ancient or modern to hold it between a paper and a pen or a script and an eye. Beauty can only be experienced from far, its delightful aroma can only be tasted through one’s eyes and its pleasurable sight can only be felt from the soul.
Beauty can only be best described at its origin through a befuddling silence, the kind that leaves one almost on the verge of a pleasurable death, just because one chooses beauty over life. There is nothing in this world to hold something so pure, so divine except a loving heart. And it is the only manner through which love recognises love; the language of love has no alphabet, no words.
”
”
Faraaz Kazi
“
The Romantic vision of marriage stresses the importance of finding the “right” person, which is taken to mean someone in sympathy with the raft of our interests and values. There is no such person over the long term. We are too varied and peculiar. There cannot be lasting congruence. The partner truly best suited to us is not the one who miraculously happens to share every taste but the one who can negotiate differences in taste with intelligence and good grace.
Rather than some notional idea of perfect complementarity, it is the capacity to tolerate dissimilarity that is the true marker of the “right” person. Compatibility is an achievement of love; it shouldn’t be its precondition.
”
”
Alain de Botton (The Course of Love)
“
Some people might laugh or roll their eyes and accuse me of tired cliches. But there it was-hot food in an empty stomach, water on a parched throat, that first glimpse of home just around the bend, or that first bite of something you thought you'd never have the courage to try, only to realize it was the best thing you'd ever tasted. That was what Finn's kiss was like. And in that moment, I realized I was starving and had been for a long time. I was starving. Hungry for companionship, affection, connection. And strangest of all, hungry for Finn Clyde.
”
”
Amy Harmon (Infinity + One)
“
A man cannot un-see the truth. He cannot willingly return to darkness or go blind once he has the gift of sight, anymore than he can be unborn.
We are the only species capable of self-reflection. The only species with the toxin of self-doubt written into our genetic code. Unequal to our gifts we build, we buy, we consume. We wrap ourselves in the illusion of material success. We cheat and deceive as we claw our way to the pinnacle of what we define as achievement; superiority to other men.
But there is a sickness inside us. Rising like the bile that leaves that bitter taste at the back of our throats. We do our best to deny its existence, dealing in lies and distraction. Until one day the body rebels against the mind and screams out… I am not a well man. Only when we know what ails us can we hope to find the cure.
”
”
Justin Haythe
“
The hall is a place to wait in, a place from which to try the various doors, not a place to live in. For that purpose the worst of the rooms (whichever that may be) is, I think, preferable. It is true that some people may find they have to wait in the hall for a considerable time, while others feel certain almost at once which door they must knock at. I do not know why there is this difference, but I am sure God keeps no one waiting unless He sees that it is good for him to wait. When you do get into your room you will find that the long wait has done you some kind of good which you would not have had otherwise. But you must regard it as waiting, not as camping. You must keep on praying for light; and, of course, even in the hall, you must begin trying to obey the rules which are common to the whole house. And above all you must be asking which door is the true one; not which pleases you best by its paint and panelling. In plain language, the question should never be: 'Do I like that kind of service?' but 'Are these doctrines true: is holiness here? Does my conscience move me towards this? Is my reluctance to knock at this door due to my pride, or my mere taste, or my personal dislike of this particular door-keeper?'
When you have reached your own room, be kind to those who have chosen different doors and to those who are still in the hall. If they are wrong they need your prayers all the more; and if there are your enemies, then you are under orders to pray for them. That is one of the rules common to the whole house.
”
”
C.S. Lewis
“
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts mad in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.
”
”
Derrick Jensen (The Culture of Make Believe)
“
I need to devour you."
Those words manage to knock the air right back out of my lungs, and my head spinsas one of his hands skims around my body. He splays it across the small of my back, pulling me closer to him, and leaning over until his lips are a centimeter from my collarbone.
"Sienna?" he growls, and I murmur to acknowledge him.
"I'm going to taste you."
He wasn't asking me, he was flat out telling me what was going to happen between us, and yet I felt myself nod, felt my body mold against his the moment his warm lips sought out the center of my throat.
"You smell like apples." he wispers harshly before his tongue darts out to trace the column of my thorat. I moan, letting my head fall all the way back.
"And you taste like the best kind of sin.
”
”
Emily Snow (All over You (Devoured, #0.5))
“
I will wake you up early
even though I know you like to stay through the credits.
I will leave pennies in your pockets,
postage stamps of superheroes
in between the pages of your books,
sugar packets on your kitchen counter.
I will Hansel and Gretel you home.
I talk through movies.
Even ones I have never seen before.
I will love you with too many commas,
but never any asterisks.
There will be more sweat than you are used to.
More skin.
More words than are necessary.
My hair in the shower drain,
my smell on your sweaters,
bobby pins all over the window sills.
I make the best sandwiches you've ever tasted.
You'll be in charge of napkins.
I can't do a pull-up.
But I'm great at excuses.
I count broken umbrellas after every thunderstorm,
and I fall asleep repeating the words thank you.
I will wake you up early
with my heavy heartbeat.
You will say, Can't we just sleep in, and I will say,
No, trust me. You don't want to miss a thing.
”
”
Sarah Kay (No Matter the Wreckage: Poems)
“
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close.
"Listen carefully now, Jase Ballenger. I won't repeat myself."
"I'm a good listener."
I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin.
"If I were a color, I'd be red as a rose,
I make your blood rush, and tingle your toes,
I taste of honey and spring, and a good bit of trouble,
But I make the birds sing, and all the stars double.
I can be quick, a mere peck, or slow and divine,
And that is probably, the very best kind."
"Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well.
I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice.
I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits.
Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close."
I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine."
"This isn't going to work. It never would have."
"Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us."
"God Noah..." Her voice broke. "I'm a mess."
A mess? "You 're beautiful."
"I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability."
"Not true. My brothers will love you and you 'll love them. You are not a liability."
"But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?"
Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open.
"Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked.
I forced my head straight and narrowed my eyes. "I love you."
She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours."
To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together."
Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose."
She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me.
I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair.
She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I'll give them my number, too. And my brother Vishous made sure we have the best reception and service in the city. No dead zones. Unless you're around Lassiter, and that's more of a mental thing than anything about cellular networks."
"Um ... Lassiter?" Bitty said.
Rhage nodded. "Yeah, he's this pain in the ass--oh, shit--I mean, sorry, I shouldn't say ass around you, should I? Or shit. And all those other bad words." He poked himself in the head. "I gotta remember that, gotta remember that. Anyway, Lassiter's a fallen angel who we've somehow gotten stuck with. He's like gum on the bottom of your shoe. 'Cept he doesn't smell like strawberries, he hogs the T.V. remote, and on a regular basis. you think to yourself, Is that really the best the Creator could do with an immortal? The guy has the worst taste in television--I mean, the only saving grace is that he isn't addicted to Bonanza ...have you ever watched twelve straight hours of Saved by the Bell? Okay, fine, it was probably only seven, and it wasn't like I couldn't have left--my God, I tell you, though, it's a wonder I escaped with my ability to put my pants on one leg at a time still intact ...
”
”
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
“
The all-powerful Zahir seemed to be born with every human being and to gain full strength in childhood, imposing rules that would thereafter always be respected:
People who are different are dangerous; they belong to another tribe; they want our lands and our women.
We must marry, have children, reproduce the species.
Love is only a small thing, enough for one person, and any suggestion that the heart might be larger than this may seem perverse.
When we are married we are authorised to take possession of the other person, body and soul.
We must do jobs we detest because we are part of an organised society, and if everyone did what they wanted to do, the world would come to a standstill.
We must buy jewelry; it identifies us with our tribe.
We must be amusing at all times and sneer at those who express their real feelings; it's dangerous for a tribe to allow its members to show their feelings.
We must at all costs avoid saying no because people prefer those who always say yes, and this allows us to survive in hostile territory.
What other people think is more important than what we feel.
Never make a fuss--it might attract the attention of an enemy tribe.
If you behave differently you will be expelled from the tribe because you could infect others and destroy something that was extremely difficult to organise in the first place.
We must always consider the look of our new cave, and if we don't have a clear idea of our own, then we must call a decorator who will do his best to show others what good taste we have.
We must eat three meals a day, even if we're not hungry, and when we fail to fit the current ideal of beauty we must fast, even if we're starving.
We must dress according to the dictates of fashion, make love whether we feel like it or not, kill in the name of our country, wish time away so that retirement comes more quickly, elect politicians, complain about the cost of living, change our hair-style, criticise anyone who is different, go to a religious service on Sunday, Saturday or Friday, depending on our religion, and there beg forgiveness for our sins and puff ourselves up with pride because we know the truth and despise he other tribe, who worship false gods.
Our children must follow in our footsteps; after all we are older and know more about the world.
We must have a university degree even if we never get a job in the area of knowledge we were forced to study.
We must never make our parents sad, even if this means giving up everything that makes us happy.
We must play music quietly, talk quietly, weep in private, because I am the all-powerful Zahir, who lays down the rules and determines the meaning of success, the best way to love, the importance of rewards.
”
”
Paulo Coelho (The Zahir)
“
For me… it was excruciating.” He closed his eyes for a moment then focused on her. “It is so painful to truly love someone so much and not have them. For years I practiced tolerating that pain. Around the time I was sixteen I could finally stand to look at you. So, I did, all the damn time. I watched you so carefully. I captured every smile, every frown, every tear from you. I wanted you… but I couldn’t have you. Then one day we became friends and
the pain came back, but I didn’t care because you were my friend, my best friend. But when you kissed me, I realized the feeling I had before was nothing compared to what I felt when we kissed. I felt alive… and guilty and betrayed, because it’s not fair. It’s not fair for me to go through that… to want to kiss you every day, every hour, every minute for the rest of my miserable life, but I want to. I’m afraid that it will get to a point where I need to. I have been in love with you since I was eight years old. I have hated the way my father has treated me, but nothing has hurt me as much as the pain of my mother’s death except seeing you and my brother in bliss. What I want is for you to stay in this room with me. I want to feel how you feel, taste how you taste, and completely fall in you because I’m just… tired of always wanting what I can’t have. I want to make you smile, make you happy… I want to be inside you… I want to give you pleasure in every way… mind, body, and soul… I am completely, madly… and utterly in love with you… and it hurts… because I can’t have you. And it hurts because if there is a chance that I can then it is possible that it will turn out to be my tragedy and misfortune. And all I can say to that … I accept my tragedy… but I don’t wish it.
”
”
Chelsea Ballinger (The Kindness of Kings)
“
I am in a chaos of principles—groping in the dark—acting by instinct and not after example. Eight or nine years ago when I came here first, I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine—if, indeed, they ever discover it—at least in our time.
Gekürzt:
Meine Grundsätze sind in Wirrwarr geraten – ich taste im dunkeln -, handle aus Instinkt und nicht nach Vorbildern. Vor acht oder neun Jahren, […] hatte ich einen schönen Vorrat feststehender Meinungen; aber die sind mir eine nach der andern abhanden gekommen; je älter ich werde , um so weniger sicher bin ich. Eigentlich befolge ich jetzt keine andere Lebensregel, als dass ich Neigungen nachgehe, die weder mir noch sonst jemandem schaden, sondern denen, die ich liebe, wirklich Freude machen. […] Ich spüre, dass etwas in unserem sozialen Gefüge nicht stimmt: aber was es ist, das können nur Männer und Frauen mit besserer Einsicht als ich herausfinden – wenn sie es überhaupt herausfinden können – wenigstens in unserer Zeit.
”
”
Thomas Hardy (Jude: The Shooting Script (Shooting Scripts))
“
We seem normal only to those who don't know us very well. In a wiser, more self-aware society than our own, a standard question on an early dinner date would be; "And how are you crazy?"
The problem is that before marriage, we rarely delve into our complexities. Whenever casual relationships threaten to reveal our flaws, we blame our partners and call it a day. As for our friends, they don't care enough to do the hard work of enlightening us. One of the privileges of being on our own is therefore the sincere impression that we are really quite easy to live with.
We make mistakes, too, because are so lonely. No one can be in an optimal state of mind to choose a partner when remaining single feels unbearable. We have to be wholly at peace with the prospect of many years of solitude in order to be appropriately picky; otherwise, we risk loving no longer being single rather more than we love the partner who spared us that fate.
Choosing whom to commit ourselves to is merely a case of identifying which particular variety of suffering we would most like to sacrifice ourselves for.
The person who is best suited to us is not the person who shares our every taste (he or she doesn't exist), but the person who can negotiate differences in taste intelligently - the person who is good at disagreement. Rather than some notional idea of perfect complementarity, it is the capacity to tolerate differences with generosity that is the true marker of the "not overly wrong" person. Compatibility is an achievement of love; it must not be its precondition.
Romanticism has been unhelpful to us; it is a harsh philosophy. It has made a lot of what we go through in marriage seem exceptional and appalling. We end up lonely and convinced that our union, with its imperfections, is not "normal." We should learn to accommodate ourselves to "wrongness", striving always to adopt a more forgiving, humorous and kindly perspective on its multiple examples in ourselves and our partners.
”
”
Alain de Botton
“
Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.
”
”
Jane Austen (Northanger Abbey)
“
These are lines from my asteroid-impact novel, Regolith:
Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished.
I haven’t faced rejection this brutal since I was single.
He smelled trouble like a fart in the shower.
If this was a kiss of gratitude, then she must have been very grateful.
Not since Bush and Cheney have so few spent so much so fast for so long for so little.
As a nympho for mind-fucks, Lisa took to politics like a pig to mud.
She began paying men compliments as if she expected a receipt.
Like the Aerosmith song, his get-up-and-go just got-up-and-went.
“You couldn’t beat the crap out of a dirty diaper!”
He embraced his only daughter as if she was deploying to Iraq.
She was hotter than a Class 4 solar flare!
If sex was a weapon, then Monique possessed WMD
I haven’t felt this alive since I lost my virginity.
He once read that 95% of women fake organism, and the rest are gay.
Beauty may be in the eyes of the beholder, but ugly is universal.
Why do wives fart, but not girlfriends?
Adultery is sex that is wrong, but not necessarily bad.
The dinosaurs stayed drugged out, drooling like Jonas Brothers fans.
Silence filled the room like tear gas.
The told him a fraction of the truth and hoped it would take just a fraction of the time.
Happiness is the best cosmetic,
He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait.
Cheap hookers are less buck for the bang,
Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect.
During sex, men want feedback while women expect mind-reading.
Cooper looked like a cow about to be tipped over.
His father warned him to never do anything he couldn’t justify on Oprah.
The poor are not free -- they’re just not enslaved. Only those with money are free.
Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus.
The crater looked alive, like Godzilla was about to leap out and mess up Tokyo.
Bush follows the Bible until it gets to Jesus.
When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy.
Cheney called the new Miss America a traitor – apparently she wished for world peace.
Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’
Bush fought a war on poverty – and the poor lost.
Bush thinks we should strengthen the dollar by making it two-ply.
Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris.
America and Iraq fought a war and Iran won.
Bush hasn’t choked this much since his last pretzel.
Some wars are unpopular; the rest are victorious.
So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks.
If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded.
It’s hard for Bush to win hearts and minds since he has neither.
In Iraq, you are a coward if you leave and a fool if you stay.
Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon.
In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans.
With great power comes great responsibility – unless you’re Republican.
”
”
Brent Reilly
“
Jamie leaned over. “And your perfect world?”
“Mmm,” Helen smiled. “Perfect is complicated. Hard to explain.”
“Give it a shot,” I prodded her.
“It’s… beautiful is the best word to describe it,” she said.
Jamie and I nodded.
“Everything that isn’t necessary to getting what we want is gone,” she said, eyes closing, as if she was vividly imagining. “There’s an abundance of it all, thanks to science. Food is everywhere and it overflows and there’s nothing to worry about because we have and we want and we take. We’re, and by we I mean people, we’re everywhere and we spill over into one another and we’re all knit together, physically and mentally. It’s an exquisite landscape of things that don’t ever run out to see and touches and tastes and smells and mating and eating and mindless fighting and eating-mating and fighting-eating and fighting-”
“Okay,” I said, interrupting. I paused, then when I couldn’t think of what to say. “Okay.”
Helen reached down to her plate, used a fingertip to wipe up a bit of frosting, and popped it into her mouth, sucking it off.
“Okay,” I said, still at a bit of a loss for words.
“That’s a mental image that’s going to be with me forever,” Jamie said, dropping his head down until his face was in his hands.
“I don’t see where ethics come into that world,” I said, more to see Jamie’s reaction than out of curiosity.
“No,” Jamie said. “Don’t-”
“The closer you get to perfection, the further you get from ethics,” Helen said, as if it was common sense.
”
”
Wildbow (Twig)
“
The addict’s reliance on the drug to reawaken her dulled feelings is no adolescent caprice. The dullness is itself a consequence of an emotional malfunction not of her making: the internal shutdown of vulnerability.
From the latin word vulnerare, ‘to wound’, vulnerability is our susceptibility to be wounded. This fragility is part of our nature and cannot be escaped. The best the brain can do is to shut down conscious awareness of it when pain becomes so vast or unbearable that it threatens to overwhelm our capacity to function. The automatic repression of painful emotions is a helpless child’s prime defence mechanism and can enable the child to endure trauma that would otherwise be catastrophic. The unfortunate consequence is a wholesale dulling of emotional awareness. ‘Everybody knows there is no fineness or accuracy of suppression,’ wrote the American novelist Saul Bellow in The Adventures of Augie March; ‘if you hold down one thing you hold down the adjoining.’
Intuitively we all know that it’s better to feel than not to feel. Beyond their energizing subjective change, emotions have crucial survival value. They orient us, interpret the world for us and offer us vital information. They tell us what is dangerous and what is benign, what threatens our existence and what will nurture our growth. Imagine how disabled we would be if we could not see or hear or taste or sense heat or cold or physical pain. Emotional shutdown is similar. Our emotions are an indispensable part of our sensory apparatus and an essential part of who we are. They make life worthwhile, exciting, challenging, beautiful and meaningful.
When we flee our vulnerability, we lose our full capacity for feeling emotion. We may even become emotional amnesiacs, not remembering ever having felt truly elated or truly sad. A nagging void opens, and we experience it as alienation, as profound as ennui, as the sense of deficient emptiness…
”
”
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
“
Gate C22
At gate C22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after
the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like he’d just staggered off the boat at Ellis Island,
like she’d been released at last from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.
Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
her saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning,
the way it gathers and swells, sucking
each rock under, swallowing it
again and again. We were all watching–
passengers waiting for the delayed flight
to San Jose, the stewardesses, the pilots,
the aproned woman icing Cinnabons, the man selling
sunglasses. We couldn’t look away. We could
taste the kisses crushed in our mouths.
But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still open from giving birth,
as your mother must have looked at you, no matter
what happened after–if she beat you or left you or
you’re lonely now–you once lay there, the vernix
not yet wiped off, and someone gazed at you
as if you were the first sunrise seen from the Earth.
The whole wing of the airport hushed,
all of us trying to slip into that woman’s middle-aged body,
her plaid Bermuda shorts, sleeveless blouse, glasses,
little gold hoop earrings, tilting our heads up.
”
”
Ellen Bass (The Human Line)
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
”
”
E. Lockhart (We Were Liars)
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie
“
BOWLS OF FOOD
Moon and evening star do their
slow tambourine dance to praise
this universe. The purpose of
every gathering is discovered:
to recognize beauty and love
what’s beautiful. “Once it was
like that, now it’s like this,”
the saying goes around town, and
serious consequences too. Men
and women turn their faces to the
wall in grief. They lose appetite.
Then they start eating the fire of
pleasure, as camels chew pungent
grass for the sake of their souls.
Winter blocks the road. Flowers
are taken prisoner underground.
Then green justice tenders a spear.
Go outside to the orchard. These
visitors came a long way, past all
the houses of the zodiac, learning
Something new at each stop. And
they’re here for such a short time,
sitting at these tables set on the
prow of the wind. Bowls of food
are brought out as answers, but
still no one knows the answer.
Food for the soul stays secret.
Body food gets put out in the open
like us. Those who work at a bakery
don’t know the taste of bread like
the hungry beggars do. Because the
beloved wants to know, unseen things
become manifest. Hiding is the
hidden purpose of creation: bury
your seed and wait. After you die,
All the thoughts you had will throng
around like children. The heart
is the secret inside the secret.
Call the secret language, and never
be sure what you conceal. It’s
unsure people who get the blessing.
Climbing cypress, opening rose,
Nightingale song, fruit, these are
inside the chill November wind.
They are its secret. We climb and
fall so often. Plants have an inner
Being, and separate ways of talking
and feeling. An ear of corn bends
in thought. Tulip, so embarrassed.
Pink rose deciding to open a
competing store. A bunch of grapes
sits with its feet stuck out.
Narcissus gossiping about iris.
Willow, what do you learn from running
water? Humility. Red apple, what has
the Friend taught you? To be sour.
Peach tree, why so low? To let you
reach. Look at the poplar, tall but
without fruit or flower. Yes, if
I had those, I’d be self-absorbed
like you. I gave up self to watch
the enlightened ones. Pomegranate
questions quince, Why so pale? For
the pearl you hid inside me. How did
you discover my secret? Your laugh.
The core of the seen and unseen
universes smiles, but remember,
smiles come best from those who weep.
Lightning, then the rain-laughter.
Dark earth receives that clear and
grows a trunk. Melon and cucumber
come dragging along on pilgrimage.
You have to be to be blessed!
Pumpkin begins climbing a rope!
Where did he learn that? Grass,
thorns, a hundred thousand ants and
snakes, everything is looking for
food. Don’t you hear the noise?
Every herb cures some illness.
Camels delight to eat thorns. We
prefer the inside of a walnut, not
the shell. The inside of an egg,
the outside of a date. What about
your inside and outside? The same
way a branch draws water up many
feet, God is pulling your soul
along. Wind carries pollen from
blossom to ground. Wings and
Arabian stallions gallop toward
the warmth of spring. They visit;
they sing and tell what they think
they know: so-and-so will travel
to such-and-such. The hoopoe
carries a letter to Solomon. The
wise stork says lek-lek. Please
translate. It’s time to go to
the high plain, to leave the winter
house. Be your own watchman as
birds are. Let the remembering
beads encircle you. I make promises
to myself and break them. Words are
coins: the vein of ore and the
mine shaft, what they speak of. Now
consider the sun. It’s neither
oriental nor occidental. Only the
soul knows what love is. This
moment in time and space is an
eggshell with an embryo crumpled
inside, soaked in belief-yolk,
under the wing of grace, until it
breaks free of mind to become the
song of an actual bird, and God.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind.
An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
”
”
Nathaniel Hawthorne (The Scarlet Letter)