Bent Nail Quotes

For sure, they don't teach you this in history class, but in colonial times, the person who got left in the stocks overnight was nothing less than fair game for everybody to nail. Men or women, anybody bent over had no way of knowing who was doing the ram job, and this was the real reason you never wanted to end up here unless you had a family member or a friend who'd stand with you the whole time. To protect you. To watch your ass, for real.

He stepped forward and wrapped his arms around the small of my back, tugging me to his chest. I threw my arms around his shoulders, sliding my nails up and down his neck gently. “Stay with me. And with Nathaniel and Lauren. All day. Be happy today.” “That’s it?” He bent down and kissed me richly. “Each time I look at you, I want to see a smile on your beautiful face.” “Will you be looking at me a lot?” “I’m always stealing glances,” he confessed. “You rarely notice.

He bent over the back of sofa inside my apartment and removed my panties. With his Teeth. With his mother-loving teeth! I can't even! Romance novels, schmomance novels, here's how Wallbanger does it

His fingers bent forward at the topmost joint pushing down against the tips of my nails, and his thumb rested lightly against the mole on my index finger. i thought of mosques and churches and prayer mats. Hands clasped together; one hand resting atop the other; fingers interlocked to mime a steeple. What sacred power is invested in hands? This is not to say I was having pious thoughts.

Before Butch knew what was doing, V grabbed his forearm, bent down, and licked the cut, sealing it up quick. Butch yanked out of his roommate's hold. "Jesus, V! What if that blood's contaminated!" "It's fine. Just f-" With a boneless lurch, Vishous gasped and collapsed against the wall, eyes rolling back in his head, body twitching. "Oh, God...!" Butch reached out in horror- Only to have V cut the seizure off and calmly take a drink from his glass. "You're fine, cop. Tastes perfectly okay. Well fine for a human guy which really ain't my 'tail of choice, you feel me?" Butch hauled back and nailed his roommate in the arm with his fist. And as the brother cursed, Butch popped him another one. V glared and rubbed himself. "Christ, cop." "Suck it up, you deserve it.

I’ve found that just saying the word “treehouse” causes people to smile, no matter their age. It is like a password to the inner child’s sanctum, a place both exotic and familiar, a place of memories and dreams. The treehouse doesn’t bring us to the highest elevations. It doesn’t offer the broadest vistas. Yet even a shabby, ramshackle tree shelter—a few old boards held together with bent nails and a rope ladder—will radiate more joy than the swankest hilltop estate.

It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.

What are you giving me?" I said.  "Get along back to your circus, or I'll report you." Now what does this man do but fall back a couple of hundred yards and then come rushing at me as hard as he could tear, with his nail-keg bent down nearly to his horse's neck and his long spear pointed straight ahead.  I saw he meant business, so I was up the tree when he arrived.

Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me. But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall In company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small, things priceless and worthless. A first water diamond, an empty spool bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. in your hand is the brown bag. On the ground before you is the jumble it held so much like the jumble in the bags could they be emptied that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place, who knows?

These changes, I believe, can be the basis of a true Islamic Reformation, one that progresses to the twenty-first century rather than regresses to the seventh. Some of these changes may strike readers as too fundamental to Islamic belief to be feasible. But like the partition walls or superfluous stairways that a successful renovation removes, they can in fact be modified without causing the entire structure to collapse. Indeed, I believe these modifications will actually strengthen Islam by making it easier for Muslims to live in harmony with the modern world. It is those hell-bent on restoring it to its original state who are much more likely to lead Islam to destruction. Here again are my five theses, nailed to a virtual door: 1. Ensure that Muhammad and the Qur’an are open to interpretation and criticism. 2. Give priority to this life, not the afterlife. 3. Shackle sharia and end its supremacy over secular law. 4. End the practice of “commanding right, forbidding wrong.” 5. Abandon the call to jihad. In the chapters that follow, I will explore the source of the ideas and doctrines in question and evaluate the prospects for reforming them. For now, we may simply note that they are closely interrelated.

For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost. For want of a rider, the battle was lost. For want of a battle, the kingdom was lost.

Mr. Lorry came silently forward, leaving the daughter by the door. When he had stood, for a minute or two, by the side of Defarge, the shoemaker looked up. He showed no surprise at seeing another figure, but the unsteady fingers of one of his hands strayed to his lips as he looked at it (his lips and his nails were of the same pale lead-colour), and then the hand dropped to his work, and he once more bent over the shoe. The look and the action had occupied but an instant. "You have a visitor, you see," said Monsieur Defarge. "What did you say?" "Here is a visitor." The shoemaker looked up as before, but without removing a hand from his work. "Come!" said Defarge. "Here is monsieur, who knows a well-made shoe when he sees one. Show him

O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm? The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--

Please, my prince…my Merrick.” Merrick trailed his nails over the dimples of his buttocks before his lips found the shell of his ear. “Anything, Cas. I would give you anything.” Cassius’s breath ghosted out of him as he arched his back, his head sinking to the crook of Merrick’s neck. Cas twisted his mouth, and the way their lips brushed together made Merrick shiver. “I would like to feel your cock inside me.” Merrick gasped as he gripped Cassius’s hair in his fingers, bent his head back, and crushed their lips together. “Take me,” Cassius groaned. “Make me yours.

When I Met My Muse" I glanced at her and took my glasses off—they were still singing, They buzzed like a locust on the coffee table and then ceased. Her voice belled forth, and the sunlight bent. I felt the ceiling arch, and knew that nails up there took a new grip on whatever they touched. “I am your own way of looking at things,” she said. “When you allow me to live with you, every glance at the world around you will be a sort of salvation.” And I took her hand

Astarte has come again, more powerful than before. She possesses me. She lies in wait for me. December 97 My cruelty has also returned: the cruelty which frightens me. It lies dormant for months, for years, and then all at once awakens, bursts forth and - once the crisis is over - leaves me in mortal terror of myself. Just now in the avenue of the Bois, I whipped my dog till he bled, and for nothing - for not coming immediately when I called! The poor animal was there before me, his spine arched, cowering close to the ground, with his great, almost human, eyes fixed on me... and his lamentable howling! It was as though he were waiting for the butcher! But it was as if a kind of drunkenness had possessed me. The more I struck out the more I wanted to strike; every shudder of that quivering flesh filled me with some incomprehensible ardour. A circle of onlookers formed around me, and I only stopped myself for the sake of my self-respect. Afterwards, I was ashamed. I am always ashamed of myself nowadays. The pulse of life has always filled me with a peculiar rage to destroy. When I think of two beings in love, I experience an agonising sensation; by virtue of some bizarre backlash, there is something which smothers and oppresses me, and I suffocate, to the point of anguish. Whenever I wake up in the middle of the night to the muted hubbub of bumps and voices which suddenly become perceptible in the dormant city - all the cries of sexual excitement and sensuality which are the nocturnal respiration of cities - I feel weak. They rise up around me, submerging me in a sluggish flux of embraces and a tide of spasms. A crushing weight presses down on my chest; a cold sweat breaks out on my brow and my heart is heavy - so heavy that I have to get up, run bare-foot and breathless, to my window, and open both shutters, trying desperately to breathe. What an atrocious sensation it is! It is as if two arms of steel bear down upon my shoulders and a kind of hunger hollows out my stomach, tearing apart my whole being! A hunger to exterminate love. Oh, those nights! The long hours I have spent at my window, bent over the immobile trees of the square and the paving-stones of the deserted street, on watch in the silence of the city, starting at the least noise! The nights I have passed, my heart hammering in anguish, wretchedly and impatiently waiting for my torment to consent to leave me, and for my desire to fold up the heavy wings which beat inside the walls of my being like the wings of some great fluttering bird! Oh, my cruel and interminable nights of impotent rebellion against the rutting of Paris abed: those nights when I would have liked to embrace all the bodies, to suck in all the breaths and sup all the mouths... those nights which would find me, in the morning, prostrate on the carpet, scratching it still with inert and ineffectual fingers... fingers which never know anything but emptiness, whose nails are still taut with the passion of murder twenty-four hours after the crises... nails which I will one day end up plunging into the satined flesh of a neck, and... It is quite clear, you see, that I am possessed by a demon... a demon which doctors would treat with some bromide or with all-healing sal ammoniac! As if medicines could ever be imagined to be effective against such evil!

Where Western tales begin by shifting us to another time – ‘Once upon a time’ they say, meaning elsewhen, meaning then rather than now – Russian skazki make an adjustment of place. ‘In a certain land’, they start; or, ‘In the three-times-ninth kingdom …’ Meaning elsewhere, meaning there rather than here. Yet these elsewheres are always recognisable as home. In the distance will always be a woodwalled town where the churches have onion domes. The ruler will always be a Tsar, Ivan or Vladimir. The earth is always black. The sky is always wide. It’s Russia, always Russia, the dear dreadful enormous territory at the edge of Europe which is as large as all Europe put together. And, also, it isn’t. It is story Russia, not real Russia; a place never quite in perfect overlap with the daylight country of the same name. It is as near to it as a wish is to reality, and as far away too. For the tales supplied what the real country lacked, when villagers were telling them, and Afanaseyev was writing them down. Real Russia’s fields grew scraggy crops of buckwheat and rye. Story Russia had magic tablecloths serving feasts without end. Real Russia’s roads were mud and ruts. Story Russia abounded in tools of joyful velocity: flying carpets, genies of the rushing air, horses that scarcely bent the grass they galloped on. Real Russia fixed its people in sluggish social immobility. Story Russia sent its lively boys to seek the Firebird or to woo the Swan Maiden. The stories dreamed away reality’s defects. They made promises good enough to last for one evening of firelight; promises which the teller and the hearers knew could only be delivered in some Russian otherwhere. They could come true only in the version of home where the broke-backed trestle over the stream at the village’s end became ‘a bridge of white hazelwood with oaken planks, spread with purple cloths and nailed with copper nails’. Only in the wish country, the dream country. Only in the twenty-seventh kingdom.

She squirmed with delight, making him groan. Her wriggling must test him. Some devil made her move again. "Jesus, Grace," he gritted out. "You try my limits." "I hope so," she purred. He felt so wonderful inside her. As if he supplied part of her that she only realized now she'd lacked. She bent her knees and tilted her hips so he went deeper. She ran her hands down the tense muscles of his back. He flexed under her touch. "That felt good," she said breathlessly. "Do it again." "If I start, I won't stop." his voice was rough. "Start." She shifted again and felt him shudder. "Grace," he grated out. He withdrew, then plunged into her. Her nails sank into his back and her womb clenched in welcome. With deliberate slowness, he set the familiar rhythm. Except none of this was familiar. Every time he settled in her body, he forged an emotional connection that nothing could sever. On and on he went. Possession. Release. Possession. Release. Every thrust another link in the chain that bound her to him. Eventually his inhuman control fractured and he drove into her faster, more wildly. With every thrust, her excitement built. It echoed how she'd felt when he kissed her between the legs. That had been wonderful, astounding.But this was more powerful. Because he was with her. He pounded into her as though he meant to crush her. She didn't care. She never wanted this spiraling feeling to end. The storm swirled her higher and higher. Ecstasy poised her on a knife edge. She cried out and rose to meet him. He changed the angle of his penetration and went even deeper. The pleasure edged close to pain. She tensed as he pressed hard inside her. Then her womb opened and she took all of him. Her inner muscles convulsed into spasms of delight and she screamed. Violent rapture flung her against the doors of heaven itself. She was lost in a hot, dark world where nothing existed except Matthew. All she could do was hold him and prayed she survived. Through the tempest that blasted her, he reached his climax. He groaned and convulsed in her arms. For this moment, he was unequivocally hers and she reveled in the possession.

Consequently, when Muslims today say they revere Jesus and even that they recognize Christianity as a legitimate faith, they are being disingenuous. For the Christianity that the Koran recognizes is not Christianity as millions practice it around the world today. This is a key source of much of the enduring suspicion and mistrust between Muslims and Christians. The Saudi Sheikh Abd Al-Muhsin Al-Qadhi expatiated on the Koranic view of mainstream Christianity in a recent sermon, in which he also elaborated a contemptuous view of Christian charity:            Today we will talk about one of the distorted religions, about a faith that deviates from the path of righteousness . . . about Christianity, this false faith, and about the people whom Allah described in his book as deviating from the path of righteousness. We will examine their faith, and we will review their history, full of hate, abomination, and wars against Islam and the Muslims. In this distorted and deformed religion, to which many of the inhabitants of the earth belong, we can see how the Christians deviate greatly from the path of righteousness by talking about the concept of the Trinity. As far as they are concerned, God is the Father, the Son, and the Holy Ghost: three who are one.                   . . . They see Jesus, peace be upon him, as the son of Allah. . . . It is the Christians who believe Jesus was crucified. According to them, he was hanged on the cross with nails pounded through his hands, and he cried, “My God, why have you forsaken me?” According to them, this was so that he would atone for the sins of mankind. . . . Regardless of all these deviations from the path of righteousness, it is possible to see many Muslims . . . who know about Christianity only what the Christians claim about love, tolerance, devoting life to serving the needy, and other distorted slogans. . . . After all this, we still find people who promote the idea of bringing our religion and theirs closer, as if the differences were miniscule and could be eliminated by arranging all those [interfaith] conferences, whose goal is political.18 The idea that Christianity is a “distorted, deformed religion” created by people who were bent on rejecting the prophet Muhammad fuels a great deal of Muslim hatred for Christianity, Christians, and the West to this day.

To tell you the truth, I'm curious about this place now. I wouldn't mind exploring. What do you know about it?" "I haven't been in here in years," he said. "I liked coming here as a kid. There was always something to eat, always something interesting to look at, like a puzzle of bent nails or one of Magnus's boxes, things made of beeswax from the local hives." "Isabel said her grandmother used to be in charge of the shop." Gratefully she buried her nose in the fleecy lining of his jacket. 'I'm such a goner,' she thought, lost in the scent of him. "During the harvest season, it was a busy place. Eva sold produce from the orchards, local honey, baked goods, freshly pressed cider.... Man, I'll never forget her cider and homemade donuts.

Blue Eyes, you will say yes to me?” “Tonight? Now?” “Yes, tonight. Before this time between us passes.” When she sat, silent, watching, Hunter lifted her of his lap and rose, drawing her up beside him. She studied his every move, poised as if for flight. Hunter’s hands shook as he unfastened her braids and ran his fingers through the intertwined strands of gold, combing them into a shimmering cloud about her shoulders. Then he framed her face between his palms and slowly bent his head. He wanted so badly to make a glad song inside of her. In his way, he was as terrified of her memories as she was. As his lips drew close to hers, Loretta’s nerves leaped. This was it, no turning back. His mouth came within an inch, then nearer. Her eyes widened. Then their lips touched, silk on silk, their breath mingling, their lashes fluttering closed. Her mind screamed a warning as her senses spun out of control. Something deep within her belly quickened, sending shocks of longing through her. She twisted her face aside, shivering as his mouth trailed across her cheek to her ear. “Hunter?” She grasped his shoulders for support, digging her nails into his flesh. “Hunter?” “I am here. Be easy.” He slid a hand to the nape of her neck and turned her face back to him. “Be easy.

Even with all of this plot to be dispensed, the songs do rise organically out of the script. Doris’s first entrance, in head-to-toe buckskin, finds her astride a stagecoach, belting out the very catchy Sammy Fain/Paul Francis Webster song “The Deadwood Stage (Whip Crack Away).” The rollicking tune and exuberant Day vocal match the physical staging of the song, and character is revealed. Similarly, later in the film there is a lovely quiet moment when Calamity, Bill, the lieutenant, and Katie all ride together in a wagon (with Calamity driving, naturally) to the regiment dance, softly singing the lilting “Black Hills of Dakota.” These are such first-rate musical moments that one is bound to ask, “So what’s the problem?” The answer lies in Day’s performance itself. Although Calamity Jane represents one of Day’s most fondly remembered performances, it is all too much by half. Using a low, gravelly voice and overly exuberant gestures, Day, her body perpetually bent forward, gives a performance like Ethel Merman on film: She is performing to the nonexistent second balcony. This is very strange, because Day is a singer par excellence who understood from her very first film, at least in terms of ballads, that less is more on film. Her understated gestures and keen reading of lyrics made every ballad resonate with audiences, beginning with “It’s Magic” in Romance on the High Seas. Yet here she is, fourteen films later, eyes endlessly whirling, gesturing wildly, and spending most of her time yelling both at Wild Bill Hickok and at the citizens of Deadwood City. As The New York Times review of the film held, in what was admittedly a minority opinion, “As for Miss Day’s performance, it is tempestuous to the point of becoming just a bit frightening—a bit terrifying—at times…. David Butler, who directed, has wound her up tight and let her go. She does everything but hit the ceiling in lashing all over the screen.” She is butch in a very cartoonlike manner, although as always, the tomboyish Day never loses her essential femininity (the fact that her manicured nails are always evident helps…). Her clothing and speech mannerisms may be masculine, but Day herself never is; it is one of the key reasons why audiences embraced her straightforward assertive personality. In the words of John Updike, “There’s a kind of crisp androgynous something that is nice—she has backbone and spunk that I think give her a kind of stiffness in the mind.

She let go of Dan and reached out to grab my hand. Her nails were long, caked with dirt. Her fingers were so bent they couldn’t coil naturally around mine. “Hi,” she said hesitantly. “Are you going to fix me?” I nodded. “I am, sweetheart. I promise.

Grant me the following in the name of our Lord Jesus Christ. Like a leper rotting in flesh, let all avoid me. Like a cripple without limbs, let me not move freely. Remove my cheeks, the tears may not roll down them. Crush my lips and tongue, that I may not sin with them. Pull out my nails, that I may not grasp nothing. Let my shoulders and back be bent, that I may carry nothing. Like a man with tumor in the head let me lack judgment. Ravage my body sworn to chastity leave me with no pride, and have me live in shame. Let no one pray for me. But only the grace of the Lord Jesus Christ have mercy on me.

Ways to Make use of a Router This article demonstrates how to use a router securely as well as uses some tips to stay secure as well as generate a top quality item of work. When utilizing a router, or any power device, always work out risk-free practices. It is necessary to keep in mind that routers are effective tools as well as could be harmful. When utilizing a router, always stay concentrated on just what you are doing, as well as regard the tool being used. safety and security standards: Constantly utilize a sharp router bit. Plain router bits can not only affect the quality of the work surface but could additionally be really unsafe. Plain router bits put much more stress and anxiety on the router and typically end up melting the wood. Utilizing boring router little bits could also catch the timber as well as trigger the router to bent from your hands. Constantly see to it the work is secured down firmly. Wood secures made particularly for this can be bought. Feed the router from delegated right to ensure that the reducing side meets the timber first. Use superficial passes, going deeper right into the timber with each pass. making to deep of a pass can burn the timber, or perhaps cause the router to twist out of one's hands. Do not ever before push the router. enable the router to relocate through the wood a lot more slowly. feeding the router also quickly could trigger the timber to burn, splinter, or chip. Tips and Tricks Fasten a piece of wood the exact same density of the workpiece to the router table or bench so that it could work as a support for the router. This will prevent the router from wobbling while you make it. Utilize an edge guide whenever feasible. Look for knots warps and nails in the timber you are transmitting. Never ever utilize a router on damp timber. There are various techniques that can be attempted when utilizing a router. Various techniques might work better for various types of router little bits being used as well as various kinds of wanted cuts. Edge Profiles: When transmitting side accounts make certain your workpiece is clamped down safely by using a timber clamp. Relocate the router in a counter-clockwise motion around the beyond the work surface. When cutting the inside of an item, reduced clockwise. (You need to also cut clockwise around the top right corner of the item as well as the lower left corner of the item and afterwards walk around the whole piece counter-clockwise. This will stop splintering at the corners.). Make shallow passes with the Side Bit, going deeper with each pass. It might be a good idea to test the router on an item of scrap wood to see simply how shallow making each pass. Different timbers could chip much easier, and for certain items you may have to take even more shallow passes compared to others. * Remember that when reducing a piece with an edge trim bit, the item needs to be sanded prior to directing. Dado Cuts:. Dado cuts make grooves in timber. Dado cuts could be made in wood utilizing a router with a straight router little bit and a router jig or a t-square. Pick straight router bits that will produce the desired groove size. Test the router bit by using the router on a scrap piece of wood to guarantee it will certainly make the preferred cut. Then secure the t-square to the work piece and also make the wanted cuts. Route on the appropriate side of the t-square or jig so that the router presses against the firmly secured jig rather than away from it. This will certainly make certain straight also dado cuts.

I may not have believed in lady luck, but I believed in her fucking sister, irony. That bitch was bent on nailing me to a wall.

also remembers much blood as the flagstone dropped and squashed my finger and I raced to the sink indoors, where it flowed and flowed. And then there were stitches. The result over the years —mustn’t exaggerate—may well have affected my guitar playing, because it really flattened out the finger for pick work. It could have something to do with the sound. I’ve got this extra grip. Also, when I’m fingerpicking it gives me a bit more of a claw, because a chunk came out. So it’s flat and it’s also more pointed, which comes in handy occasionally. And the nail never grew back again properly, it’s sort of bent.

The bone dog came alive at dusk. It was not quite completed, but it was close. She was bent over the left front paw when the skull's jaw yawned open and it stretched as if waking from a long slumber. 'Hush,' she told it. 'I'm nearly done-' It sat up. Its mouth opened and the ghost of a wet tongue touched her face like fog. She scratched the skull where the base of the ears would be. Her nails made a soft scraping sound on the pale surface. The dog wagged its tail, its pelvis, and most of its spine with delight. 'Sit still,' she told it, picking up the front paw. 'Sit, and let me finish.' It sat politely. The hollow eye sockets gazed up at her. Her heart contracted painfully. The love of a bone dog, she thought, bending her head down over the paw again. All that I am worth these days. Then again, few humans were truly worth the love of a living dog. Some gifts you could never deserve.

Newfoundland was beautiful, stunning, get no argument on that score from Gary. Flying in the first time, the Airbus banked over the sea and turned back for the airport so Gary could see the unassailable cliffs plunging into the cold cold waters. There were hues of blue and green and grey down there with weight, colours Gary did not know existed. But the Newfies were hell-bent on despoiling their outpost. Gary had never seen so much litter. He’d never seen so much garish roadside signage — firewood, road salt, discount nail salons. He never got over how ugly were the buildings in St. John’s.

You see this?” Suryo held up a tiny, green plastic toy soldier about 4 cm in height. It was one of those common plastic freebies found in crisp packages. There was something odd, however, about the toy soldier. There was a dark, long nail that was bent around its crotch. “What does this mean?” My grandmother demanded. “A nail around the crotch? Is it a spell to break up our marriages?” Aunt Salma asked. “Not sure,” Suryo sighed. He looked at my grandfather. “It’s over now. We’ll get rid of this.” “Suryo, how long has it been in the pond?” My grandfather asked. “A long time.” “The toy soldier. Is that meant to be my father?” Adam asked. We stopped and stared at him. Suddenly I felt frightened. My father. The soldier. Was this spell also meant to bring harm to my father?

Growing complexity and interdependency may make such outcomes more likely in today’s world, but they are hardly a new phenomenon. A proverb that originated in the Middle Ages and comes in many forms tells us, “For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost. For want of a rider, the battle was lost. For want of a battle, the kingdom was lost.” This version was published by Benjamin Franklin in 1758, and he introduced it with the warning that “a little neglect may breed great mischief.

Rounds: When you see a number of rounds followed by a series of exercises, it means you’ll perform each exercise for the prescribed number of repetitions, then move on to the next exercise, then the next. Once you’ve completed one set of each exercise, that’s one complete round. So, for example: 5 ROUNDS: 20 knee push-ups 20 bent-leg triceps dips 20 Supermans 20 jumping jacks In this instance, you’d do twenty of the first exercise, followed by twenty of the next, and so on. Once you’ve completed twenty of each, that’s one round. Start again, and keep going until you’ve nailed five rounds. You can do this!

Lemm's appearance was not lovely to behold. He was short of stature and bent, with crooked shoulders and indrawn stomach, large flat feet and bluish-white nails on the stuff, horny fingers of his blue-veined red hands; he had a puckered face, hollow cheeks and tightened lips which he was for ever twisting and gnawing at and which, added to his habitual taciturnity, produced an almost gruesome effect. His grey hair strayed in tufts over a low brow, his little immobile eyes smoldered like dying embers; he moved in a lumbering gait, swinging his unwieldy bulk forward at each step. Some of his gestures reminded one of the uncouth preening of a aged owl when it feels it is being observed and can but peer helplessly about with its enormous, timorously blinking and somnolent yellow eyes. A deep gnawing grief had laid its ineffaceable seal on the poor musician; it had marred and maimed his by no means engaging aspect; but to those who were not prone to be influenced by first impressions there was something good, and honest, something uncommon in this ravaged creature.

It's just hair." Margaret moved to his side. "True. But your outward appearance can at times shout to the world what it is you've got going on inside. And right now, I see a man who doesn't care." She scrunched up her nose. "Or perhaps you do but don't want anyone to know it. Is that what you want us all the think - that you're a man past caring?" He didn't know how to respond, so he didn't. Instead, he focused on the mound of potatoes on his plate. The hills and valleys mimicked the mountain ranges he'd hoped to put between himself and his past. She bent near him and added another scoop. "You ought to care. Not because of how everyone sees you but because you're here and you owe it to yourself. You're young yet. It's too soon for you to give up on this life. It's too soon for any of us. Even me and I'm much older than you." She nudged his shoulder. "You need more days of barn building under your belt." "You act like you know my story. But you don't." He set down the fork he'd been holding and turned toward her. "I've got burdens I'm going to be carrying my whole life. And you think something like my hair matters or that a few more days of hammering nails will fix it? All that hammering did was cover my hands with blisters. You don't know a thing." Hurt and anger boiled through his veins. His pain was so real that it tore at him. "You're right. I don't. I can tell you where a barber is and to get down for dinner. I can introduce you to fine folks and point the way to the church. I can beg you to let go of your troubles and reach out to someone. But I can't fix it all." Margaret's voice was just above a whisper. She spoke for his ears only. "But locking yourself up in your room day after day, that's what cowards do. Living in a cave pretending none of this exists won't get you anywhere. Going for a ten-minute walk once a day is not living. That's just dying slowly.

not Small Town turns out to be what New Yorkers want to read, it is very definitely the book this New Yorker needed to write. It is, I came to realize, a post-apocalyptic novel set in New York in the summer of 2002. We’ve had our apocalypse, and we’re New Yorkers, and we’re moving on.

One of the many reasons New York is such a splendid city for writers is that one is constantly in contact with one’s fellow citizens. In most of the rest of the country, people spend all their in-between time in cars. They listen to their radios or natter away on their cell phones—or, alas, both—and they’re effectively insulated from everything going on around them. If a Los Angeleno’s SUV is a culturally sterile environment, a New York subway is a veritable Petri dish, swarming

You can either kill me. Or marry me,” he said. His suggestion slammed into her with the force of a blow. She reeled back. “No!” He bent and began fishing nails out of the bucket. “No to what?” “To both choices. I will neither kill you in cold blood, nor marry an Englishman.” “I’m relieved by the former, but you’ll have to explain the latter. Why won’t you marry me?” “It isn’t obvious?” An intoxicating smile slid across his face. “Not with the taste of you still fresh as the dew on my lips.