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One may ask what makes Pai Hsien-yung's fiction still so compelling in the new millennium. I suggest that it is because instead of being a conservative, Pai impresses as a radical, one who relentlessly campaigns for the power of qing - feeling, sentience, love, affect - via a vis human adversities from national vicissitudes or erotic frustrations, and from fanaticism to the doom of life and death. "Qing is of source unknown, yet it grows ever deeper. The living may die of it, by its power the dead live again," wrote Tang Xianzu (1550-1616), the perennial spokesperson of the "cult of qing.
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