Tall Oaks Quotes

Tall oaks branch charmed by the earnest stars Dream and so dream all night without a stir.

Oak, granite, Lilies by the road, Remember me? I remember you. Clouds brushing Clover hills, Remember me? Sister, child, Grown tall, Remember me? I remember you.

An oak tree and a rosebush grew, Young and green together, Talking the talk of growing things- Wind and water and weather. And while the rosebush sweetly bloomed The oak tree grew so high That now it spoke of newer things- Eagles, mountain peaks and sky. "I guess you think you're pretty great," The rose was heard to cry, Screaming as loud as it possibly could To the treetop in the sky. "And now you have no time for flower talk, Now that you've grown so tall." "It's not so much that I've grown," said the tree, "It's just that you've stayed so small.

We all have a purpose,” she said. “Some people are the tall oak trees, and some people are the beautiful bushes. But everyone has a purpose. There is nobody here on earth who doesn’t have a path or a purpose. An innate destiny. Every human being who comes, comes called.

Then, without really realizing it, I start to think of one thing I did wrong for each tree I look at. Wide oak - I didn't tell anyone when Ingrid cut herself. Baby oak - the time I told her I was getting sick of hearing about Jayson's arms and his blue shirt. Tall tree with bare branches - the way I would leave when she got depressed and stopped talking. I should have stayed. I should have just sat quietly , so she knew I was with her.

I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse

He whispers, "You're beautiful." "Thank you." I'm not so scared anymore. If he likes me for who I am, it doesn't matter what kind of underwear I'm wearing. Or that I'm not wearing makeup. Or that I'm over six feet tall. "You're really cute too," I say, giving him another kiss on the lips, digging my fingertips into his abs. "I'v never wanted anyone so much in my life.

If a hundred-foot oak tree had the mind of a human, it would only grow to be ten feet tall!” —T. Harv Eker

Jean-Louis had never had a day's illness in his life. He was tall and as gnarled as an oak. The sun had baked his skin until it had the colour and toughness and stillness of a tree. With advancing years, he had lost his tongue. He now never spoke, considering such an activity pointless.

It was one of those golden autumn afternoons and there were blackberries and splashes of old man's beard in the hedges, and the hawthorn berries were ripening scarlet for the birds when the cold winter came along. There were tall trees here and there on either side, oak and sycamore and ash and occasionally a sweet chestnut.

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

I wished i were seven feet tall. I'd hop up there and attack ol' Samson while the crowd went wild. I'd whip him good, send him flying, and become the biggest hero in Black Oak. But, for now, I could only boo him.

tall oaks from little acorns grow.

But a smell shivered him awake. It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close. The vapors invaded Nicholas' nostrils and his hair rose to their roots. His eyes were as heavy as manhole covers, but he opened them. Through the dying calm inside him snaked a tremble of fear. The trees themselves seemed tense, waiting. The moonlight was a hard shell, sharp and ready to ready be struck and to ring like steel. A shadow moved. It poured like oil from between the tall trees and flowed across dark sandy dirt, lengthening into the middle of the ring. Trees seem to bend toward it, spellbound. A long, long shadow...

I’d always known I loved Hugh, but my feelings for him had deepened over the summer. Like the roots of the tall oak tree in the meadow that sprawled deep beneath the surface of the earth, the love I felt for this boy had taken ahold of my heart to the point where I honestly thought I might die without him.

He said that woman is like the ivy-vine, Which, clinging to its oak, grows lush and tall, But, lacking that support, can't thrive at all.

As she entered the room, she halted abruptly. "Oh, my," she murmured. Somehow she'd managed to forget there were three men in her home, so consumed had she been with thoughts of Grimm. They gathered near the fire, while several maids cleared dozens of platters and dishes from the massive table centered in the Greathall. Yesterday, safe behind the balustrade, Jillian had been struck by how tall and broad the three of them were. Today, standing only a few feet from them, she felt like a dwarf willow in a forest of mighty oaks. Each man stood at least a foot taller than she did. It was downright intimidating to a woman who was not easily intimidated.

At seventeen, he has grown tall, towering over me, lithe and finely muscled. His hair catches the moonlight, warm gold threaded with platinum, bangs parting around small goat horns, eyes of shocking amber, and a constellation of freckles across his nose. He has a trickster's mouth and the swagger of someone used to people doing what he wanted.

When Your Life Looks Back, When your life looks back-- As it will, at itself, at you--what will it say? Inch of colored ribbon cut from the spool. Flame curl, blue-consuming the log it flares from. Bay leaf. Oak leaf. Cricket. One among many. Your life will carry you as it did always, With ten fingers and both palms, With horizontal ribs and upright spine, With its filling and emptying heart, That wanted only your own heart, emptying, filled, in return. You gave it. What else could do? Immersed in air or in water. Immersed in hunger or anger. Curious even when bored. Longing even when running away. "What will happen next?"-- the question hinged in your knees, your ankles, in the in-breaths even of weeping. Strongest of magnets, the future impartial drew you in. Whatever direction you turned toward was face to face. No back of the world existed, No unseen corner, no test. No other earth to prepare for. This, your life had said, its only pronoun. Here, your life had said, its only house. Let, your life had said, its only order. And did you have a choice in this? You did-- Sleeping and waking, the horses around you, the mountains around you, The buildings with their tall, hydraulic shafts. Those of your own kind around you-- A few times, you stood on your head. A few times, you chose not to be frightened. A few times, you held another beyond any measure. A few times, you found yourself held beyond any measure. Mortal, your life will say, As if tasting something delicious, as if in envy. Your immortal life will say this, as it is leaving.

I looked around the garden, the sun feeling warm on my back. "So why are you here? I would think you'd want to be as far away from a hurricane as possible." She looked at me as if I'd just suggested streaking down the beach. It took her a moment to answer. "Because this is home." She wanted to see if the words registered with me, but I just looked back at her, not understanding at all. After a deep breath, she looked up at a tall oak tree beyond the garden, its leaves still green against the early October sky, the limbs now thick with foliage. "Because the water recedes, and the sun comes out, and the trees grow back. Because" -she spread her hands, indicated the garden and the trees and, I imagined, the entire peninsula of Biloxi- "because we've learned that great tragedy gives us opportunities for great kindness. It's like a needed reminder that the human spirit is alive and well despite all evidence to the contrary." She lowered her hands to her sides. "I figured I wasn't dead, so I must not be done

Equality, citizens, is not the whole of society on a level, a society of tall blades of grass and small oaks, or a number of entangled jealousies. It is, legally speaking, every aptitude having the same opportunity for a career; politically all consciences having the same right. Equality has an organ, gratuitous and compulsory education. We must begin with the right to the alphabet.

Then there was a fine noise of rushing water from the crown of an oak at his back, as if a spigot there had been turned. Then the noise of fountains came from the crowns of all the tall trees. Why did he love storms, what was the meaning of his excitement when the door sprang open and the rain wind fled rudely up the stair, why had the simple task of shutting the windows of an old house seem fitting and urgent, why did the first watery notes of a storm wind have for him the unmistakable sound of good news, cheer, glad tidings?

ORGANIC LIFE beneath the shoreless waves Was born and nurs'd in Ocean's pearly caves; First, forms minute, unseen by spheric glass, Move on the mud, or pierce the watery mass; These, as successive generations bloom, New powers acquire, and larger limbs assume; Whence countless groups of vegetation spring, And breathing realms of fin, and feet, and wing. Thus the tall Oak, the giant of the wood, Which bears Britannia's thunders on the flood; The Whale, unmeasured monster of the main, The lordly Lion, monarch of the plain, The Eagle soaring in the realms of air, Whose eye undazzled drinks the solar glare, Imperious man, who rules the bestial crowd, Of language, reason, and reflection proud, With brow erect, who scorns this earthy sod, And styles himself the image of his God; Arose from rudiments of form and sense, An embryon point, or microscopic ens!

You’ve got to determine your own fate. Make your own choices. And I have to let you.” “Thank you,” he forces out. It’s not a polite thing to say among the Folk, but Jude ought to hear it. Those words absolve him of no debt. He’s let her down and possibly made her proud of him, too. His family cares about him in ways that are far too complex and layered for it to come from enchantment, and that is a profound relief. “For listening to you? Don’t worry. I won’t make it a habit.” Walking up to him, she puts her arms around him, bumping her chin against his chest. “You’re so annoyingly tall. I used to be able to carry you on my shoulders.” “I could carry you,” Oak offers. “You used to kick me with your hooves,” she tells him. “I wouldn’t mind a chance for revenge.” “I bet.” He laughs.

The wild things and places belong to all of us. So while I can't fix the bigger problems of race in the United States - can't suggest a means by which I, and others like me, will always feel safe - I can prescribe a solution in my own small corner. Get more people of color "out there." Turn oddities into commonplace. The presence of more black birders, wildlife biologists, hunters, hikers, and fisher-folk will say to others that we, too, appreciate the warble of a summer tanager, the incredible instincts of a whitetail buck, and the sound of wind in the tall pines. Our responsibility is to pass something on to those coming after. As young people of color reconnect with what so many of their ancestors knew - that our connections to the land run deep, like the taproots of mighty oaks; that the land renews and sustains us - maybe things will begin to change.

Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.

Only to see Oak, the heir to Elfhame, standing in a clearing. All my memories of him were of a merry young boy. But he'd become tall and rawboned, in the manner of children who have grown suddenly and too fast. When he moved, it was with coltish uncertainty, as though not used to his body. He would be thirteen. And he had no reason to be in my woods.

Jesse Owens?” Mr. Steiner was the type of man who was very wooden. His voice was angular and true. His body was tall and heavy, like oak. His hair was like splinters. “What about him?

Nestled in the valley, Penhaven College was a little gem of redbrick buildings and green grass, tall oak trees and neatly trimmed hedges, and Vivi loved it more than a person should probably love her workplace. But she did love it. Especially now with the first hint of fall in the air, the leaves orange, the sky purple. Penhaven was always at its best in the autumn.

XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.

That tree can grow immensely high.” Then he stooped down and plucked a beautiful blue primrose that was growing to the side of the trail. “This flower will never grow as tall and majestic as that oak tree. No matter how hard it tries, it will never be an oak tree. But it is no less beautiful, and no less valuable. Some people would try and force a flower to become a tree. But I think we should appreciate the flower for simply being a flower.

He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, "This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch!

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

Hic Jacet Arthurus Rex Quondam Rexque Futurus Arthur is gone…Tristram in Careol Sleeps, with a broken sword - and Yseult sleeps Beside him, where the Westering waters roll Over drowned Lyonesse to the outer deeps. Lancelot is fallen . . . The ardent helms that shone So knightly and the splintered lances rust In the anonymous mould of Avalon: Gawain and Gareth and Galahad - all are dust. Where do the vanes and towers of Camelot And tall Tintagel crumble? Where do those tragic Lovers and their bright eyed ladies rot? We cannot tell, for lost is Merlin's magic. And Guinevere - Call her not back again Lest she betray the loveliness time lent A name that blends the rapture and the pain Linked in the lonely nightingale's lament. Nor pry too deeply, lest you should discover The bower of Astolat a smokey hut Of mud and wattle - find the knightliest lover A braggart, and his lilymaid a slut. And all that coloured tale a tapestry Woven by poets. As the spider's skeins Are spun of its own substance, so have they Embroidered empty legend - What remains? This: That when Rome fell, like a writhen oak That age had sapped and cankered at the root, Resistant, from her topmost bough there broke The miracle of one unwithering shoot. Which was the spirit of Britain - that certain men Uncouth, untutored, of our island brood Loved freedom better than their lives; and when The tempest crashed around them, rose and stood And charged into the storm's black heart, with sword Lifted, or lance in rest, and rode there, helmed With a strange majesty that the heathen horde Remembered when all were overwhelmed; And made of them a legend, to their chief, Arthur, Ambrosius - no man knows his name - Granting a gallantry beyond belief, And to his knights imperishable fame. They were so few . . . We know not in what manner Or where they fell - whether they went Riding into the dark under Christ's banner Or died beneath the blood-red dragon of Gwent. But this we know; that when the Saxon rout Swept over them, the sun no longer shone On Britain, and the last lights flickered out; And men in darkness muttered: Arthur is gone…

As he was walking out of the door he heard his sister’s washing machine stop spinning, mid-cycle, and then her sweet voice as she turned to their mother. “Fucking batteries have shit the bed.” Manny dropped the bucket and ran out the door before his mother could catch him.

The Tower doesn’t reign. It looms. Looms above the Old Oaks. Looms above the park wall. Looms above Tirlin. Thick and tall and blunt, chipped and nicked by seven hundred years of determined attempts to pull it down, the Tower endures. “If a mountain had bones,” said Tervis, “that’s what they’d look like.

It’s finger time!” Steve simply grunted. Li responded like she always had to the request over the past years, by walking over to the tall oak cabinet in his office and pulling out a pack of Vienna Fingers. She then closed the door and walked around the desk and dropped to her knees, crawling the few extra feet under his desk. Li handed the red and white plastic package of cookies to Steve, who slid the tray open while his virtual slave unzipped the trousers of his blue Armani pinstripe suit and then dug deep to find his pleasure source. Twenty seconds later, when both of them had consumed their mid-afternoon snacks, Steve transitioned back into his unrelenting work persona.

The floor was of warm, old oak planks, many of the individual planks extraordinarily long, as if sawn from the mast of a tall ship. There were two working tables in the middle of the room, and around the walls were located a binder’s press, with its tall screw; a camera stand; an industrial sewing machine; a gluing cabinet with exhaust hood; a guillotine table and cutting board; a TRS-80 computer and dot matrix printer on a narrow mahogany desk that might have come from a boat; a partner’s table topped in green leather and gilt edging on which resided no fewer than six typewriters, ranging from a 1920s Underwood to a very recent all-plastic Brother machine; a mid-eighteenth-century highly polished flame mahogany map cabinet of twelve drawers;

The blackjack oak is a hard tree. I chopped ours down. Sitting to the side of our wooded acre. Standing 20-feet tall. The ax was old. Older than I was at the time. A weathered handle hurt the hands. A rusty head barely cut. Chipped away at the tree. Over hours. Over days. And the tree fell. A creak. A crack. A soft thud on sandy ground. My blistered hands dropped the ax. Tired legs limped away. Summers were long then. And trees fell.

IT WAS ONE OF those perfect autumn days so common in stories and so rare in the real world. The weather was warm and dry, ideal for ripening a field of wheat or corn. On both sides of the road the trees were changing color. Tall poplars had gone a buttery yellow while the shrubby sumac encroaching on the road was tinged a violent red. Only the old oaks seemed reluctant to give up the summer, and their leaves remained an even mingling of gold and green.

I walked out this evening to the bottom of the garden and smoked a cigarette. Last week I planted an acer in the furthest bed from the house, in honour of our new baby. The sapling is as tall as me and, by all accounts, it can grow forty feet tall. So, in thirty year's time, if we're still here I can come back and see this tree in its maturity. But the thought depresses me: in thirty years' time I'll be in my mid-sixties and I realize that these forward projections that you make, so unreflectingly, in your life are beginning to run out. Suppose I'd said in forty years' time? That would be pushing it, Fifty? I'll probably be gone by then. Sixty? Dead and buried, for sure. Thank Christ I didn't plant an oak. Is that a good definition of of marking the ageing watershed? That moment when you realize-quite rationally, quite unemotionally-that the world in the not-so-distant future will not contain you: that the trees you planted will continue growing but you will not be there to see them.

My great-grandmother’s estate is about two miles out of town,” Helen said. “Go down Main Street and turn right at the fork.” Ten minutes later she pointed out Twin Elms, From the road one could see little of the house. A high stone wall ran along the front of the estate and beyond it were many tall trees. Nancy turned into the driveway which twisted and wound among elms, oaks, and maples. Presently the old Colonial home came into view. Helen said it had been built in 1785 and had been given its name because of the two elm trees which stood at opposite ends of the long building. They had grown to be giants and their foliage was beautiful. The mansion was of red brick and nearly all the walls were covered with ivy. There was a ten-foot porch with tall white pillars at the huge front door. “It’s charming!” Nancy commented as she pulled up to the porch. “Wait until you see the grounds,” said Helen. “There are several old, old buildings. An ice-house, a smokehouse, a kitchen, and servants’ cottages.

Black women are the tall trees that remain standing in a forest after a fire. They carry themselves like royal oak trees; mighty. untouchable. From below, you can see our tight spirals and our limbs stretching. We have been hurt; our sweet sap coughing out of our mouths and oozing down from our eyes. They cut off our sprouting gardens on our heads. We are trampled down in deforestation…What about the little trees watching our mothers and fathers fall from grace? Is America listening? Why have you lied?

I met an oaktree: as tall as my finger, and it was suffering. Of its four leaves, two were completely yellow. The others were drooping and had no sheen. I could discover no enemy in the neighborhood, nor any excessive competition. Some skillful parasite must have slipped into it. An oak, so what? what's that to a parasite? So, I ripped it out, root and dead leaves, and up you go! It's supposed to be tenacious, but to start living again when it was that far gone, no! it hadn't learned enough for that

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.

In the history of Russian pessimism, the general decrepitude of the university buildings, the gloomy corridors, the grimy walls, the inadequate light, the dismal look of the stairs, cloakrooms and benches, occupy one of the foremost places in the series of causes predisposing...And here is our garden. It seems to have become neither better nor worse since I was a student. I don’t like it. It would be much smarter if, instead of consumptive lindens, yellow acacias, and sparse trimmed lilacs, there were tall pines and handsome oaks growing here. The student, whose mood is largely created by the surroundings of his place of learning, should see at every step only the lofty, the strong, the graceful...God save him from scrawny trees, broken windows, gray walls, and doors upholstered with torn oilcloth.

The frenzies of the chase had by this time worked them bubblingly up, like old wine worked anew. Whatever pale fears and forebodings some of them might have felt before; these were not only now kept out of sight through the growing awe of Ahab, but they were broken up, and on all sides routed, as timid prairie hares that scatter before the bounding bison. The hand of Fate had snatched all their souls; and by the stirring perils of the previous day; the rack of the past night's suspense; the fixed, unfearing, blind, reckless way in which their wild craft went plunging towards its flying mark; by all these things, their hearts were bowled along. The wind that made great bellies of their sails, and rushed the vessel on by arms invisible as irresistible; this seemed the symbol of that unseen agency which so enslaved them to the race. They were one man, not thirty. For as the one ship that held them all; though it was put together of all contrasting things — oak, and maple, and pine wood; iron, and pitch, and hemp — yet all these ran into each other in the one concrete hull, which shot on its way, both balanced and directed by the long central keel; even so, all the individualities of the crew, this man's valor, that man's fear; guilt and guiltiness, all varieties were welded into oneness, and were all directed to that fatal goal which Ahab their one lord and keel did point to. The rigging lived. The mast-heads, like the tops of tall palms, were outspreadingly tufted with arms and legs. Clinging to a spar with one hand, some reached forth the other with impatient wavings; others, shading their eyes from the vivid sunlight, sat far out on the rocking yards; all the spars in full bearing of mortals, ready and ripe for their fate. Ah! how they still strove through that infinite blueness to seek out the thing that might destroy them!

She knows she should feel excited about her acceptance to Emory and the promise of spring break. She should feel infinite and hopeful, like the growing earth around her. Like the sunlight, which stretches longer each day, asking for one more minute, one more oak tree to shimmer on. Like the late March mornings, which arrive carrying a gentle heat, rocking it back and forth over the pavement in the parking lot, letting it crawl forth over the grass and the tree roots, nurturing it while it is still nascent and tender, before it turns into swollen summer. But while the whole earth prepares for spring, Hannah feels a great anxiety in her heart, for something dangerous has grown in her, something she never planted or even wanted to plant. It’s there. She knows it’s there. If she’s truthful with herself, she’s probably known it all along. But now, as the days grow longer and the Garden District grows greener, she can actually see it. It has sprung up at last, and it refuses to be unseen. She tells herself it’s passing. It’s temporary. It’s intensified only because she’s a senior and all of her emotions are heightened. It’s innocent. It’s typical for a girl her age. It’s no more or less of a feeling than everyone else has had at 17. But deep down, deep below the topsoil of her heart, she knows it’s not. Still, she pushes it down inside of her, buries it as far as it can go, suffocates it in the space between her stomach and her heart. She tells herself that she is stronger, that she can fight it, that she has control. That no one else has to know. I can ignore it, she thinks. I can refuse to look at it. I can stomp on it every time it springs up within me. So she lies to herself that everything is normal. That she is normal. She carries herself through the end of the school week by refusing to acknowledge it. By refusing to align her heart with the growing sunlight and the nurturing heat and the flowering plants and the tall, proud trees. ‘You alright?’ Baker asks, when Hannah says goodbye to her after school on Friday. Hannah stomps, buries, suffocates, wishes for death. ‘Yeah,’ she says. ‘I’m good.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

I paused at the top of the spiral staircase, and soaked in the view. In the daylight, the bookstore took on a new life. Motes of dust danced in the sunlight that streamed through the windows. It looked a lot cozier, as the colored glass window ornaments threw rainbows across the bookshelves and pirouetted across the hardwood floors like flecks of dappled sunlight on sand. Bookcases, filled to the brim, reached up to the ceiling, cluttered with so many colors and kinds of books, short and fat, long and wide, that it almost felt like an assault on the senses. The center of the bookstore was open to the second floor, where tall bookshelves towered so high you had to reach them with ladders. Heavy oak beams supported the roof. Planetariums and glass chimes and other ornaments hung from the rafters, catching the morning's golden light and throwing it across the store. The shelves were made from the same deep oak as the ceiling beams and the banisters on the second floor, signs hanging from the eye-level shelves detailing the different sections of the store: MEMOIR, FANTASY, SCI-FI, ROMANCE, SELF-HELP, NATURE, HOW-TO... This place was beautiful. I wondered, briefly, what it would be like to own a place like this. It was magical. A shop that sold the impossible inked onto soft white paper.

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

His brain fumbled for the perfect, Christian thing to say; but, before he could even manage a word, Hermione came to a stop in front of a tall, stone tower. "This is the boys' dormitory," the devout young woman explained kindly; and she gestured to the heavy, oak door beside them. "I would show you inside; but I would hate to cause a scandal.

The meadow was lined along one side with tall oak trees—very big, with lots of scratchy bark. Oak trees are so strong, so immovable—just the ticket when the earth suddenly began to rotate a bit faster than normal. I wrapped my arms around the rough trunk and waited to see what would happen next. Something always happens, it seems. The rotation built up speed like an out of control merry-go-round. I held on tightly so I wouldn’t spin off into the darkness—a helpless victim of centrifugal force. It was frightening but quite exhilarating as well. I stayed like that for hours, my body pressed against the coarse skin of my rescuer, while the earth spun away in the darkness. And the mad twisting didn’t slow until dawn broke over the hillside and cars began appearing on the roadway. Was the world just tired of turning? Or was it all those bodies that slowed it down, exerting some kind of magnetic force against the wild revolution?

The maples had adorned themselves with garnet, the tall oaks wore burnished oranges and deep bronze, and the birches gleamed with yellow as warm as amber. Brightly hued leaves danced all around the fox, swirling to finally join a carpet of bold colors all woven together in a masterpiece only nature could work.

Jane and Noah fell silent as she opened it to the first page, a vibrant watercolor of a forest-green shrub laden with dark purple fruits, with the fruits shown in detail in a separate drawing. 'Aristotelia chilensis--- maqui berries,' said Jane. 'Full of antioxidants and touted as a "superfood" now.' There was a note in pencil at the bottom of the page. 'Leaves used for brewing chicha,' Noah read. 'Whatever that is. "Sore throats, heals wounds, painkiller",' he continued. 'Extraordinary. I can't believe the condition it's in. It's scarcely aged at all.' He turned the page to find a painting of a tall, oak-like tree with dark brown bark, oval-shaped green leaves and dense white flowers. 'Quillaja saponaria--- soapbark,' he read. 'Native soap, for the lungs and good health.

Venerable training ships displayed their chequered hulls by the wooded shore, and whispered of the days of oak and hemp, when the tall three-decker, comely and majestic, with her soaring heights of canvas, like towers of ivory, had not yet given place to the mud-coloured saucepans that fly the white ensign now-a-days and devour the substance of the British taxpayer: when a sailor was a sailor and not a mere seafaring mechanic.

It’s time to own our years. It’s time to own each year and baby and change as beautiful as the body of the tall, wild, wonderful oak so comfortable in her skin.

find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.

Our task, is not to fear the distracting world, but to learn to thrive within it, to become the eye of the storm, calm amidst chaos. To be like the oak that stands tall against the howling winds, not because it is immune to the storm, but because it has learned to weather it. Such is the power of an unyielding focus in a world beset by distractions.

The Way I Feel" The way I feel is like a robin whose babes have flown to come no more like a tall oak tree alone and cryin' when the birds have flown and the nest is bare Now a woman Lord is like a young bird and the tall oak tree is a young man's heart among his boughs you'll find her nesting when the nights are cool she's warm and dry Your coat of green it will protect her her wings will grow your love will too But all too soon your mighty branches will cease to hold her and she'll fly from you Now the way I feel is like a robin whose babes have flown to come no more like a tall oak tree alone and cryin' when the birds have flown and the nest is bare when the birds have flown and the nest is bare Gordon Lightfoot, Lightfoot (1966)

All his life, he has been as strong and tall as an oak tree, towering over the world. She sees through the canopy of leaves and the protective layer of bark that surrounds him. She sees the new green shoots of growth curling towards the light, and the way his roots reach towards stability. All his life, he has needed to be strong, but with her, he can be vulnerable. Underneath the soil, their roots tangle together, like two hands reaching out.

I Won't Be a Part of Letting You Destroy Me" (Verse 1) I've walked through fire, I've danced in the rain, Felt the sting of heartache, the weight of the pain. But there's one thing I've learned, as I've roamed free, I won't be a part of letting you destroy me. (Chorus) I'm standing tall, like an old oak tree, Roots dug deep, where the eye can't see. You may try to break me, try to decree, But I won't be a part of letting you destroy me. (Verse 2) I've seen the darkness, I've chased the light, Fought my demons, every single night. Your words can cut deep, but they won't decree, I won't be a part of letting you destroy me. (Bridge) Like a cowboy ridin' into the sunset, I'll find my peace, without a single regret. Life's a rodeo, wild and free, And I won't be a part of letting you destroy me. (Chorus) I'm standing tall, like an old oak tree, Roots dug deep, where the eye can't see. You may try to break me, try to decree, But I won't be a part of letting you destroy me. (Outro) So here's to the strong, the brave, the free, Here's to the hearts that refuse to flee. I'll take my leave, with my soul decree, I won't be a part of letting you destroy me.

The Monastery of Saint Naum is an ancient foundation, begun in 905 by the saint himself on the shores of Lake Ohrid. Naum chose an enchanting place for his monastery. Lake Ohrid, a pane of still turquoise water shimmering in the mountain air, looks like a droplet of the Aegean plopper in the middle of the Jablanica Mountains. The monastery stands at a point on the shore -- now the boundary between North Macedonia and Albania -- where a series of springs emerge from the base of Mount Galičica. They are ice cold and immensely clear. The point where they emerge from the ground is surrounded by a grove of tall, ivy-covered oaks, in the midst of which stands a single spreading fig tree.

One Day at a Time [Verse] Well, the rooster's crowin', the dawn is breakin' slow, I drag myself outta bed, feelin' kinda low. Coffee's brewin', but it ain't liftin' my soul, Sometimes you wonder, will you make it through the whole. [Chorus] But life's a gift, wrapped in the morning light, Each day means everything's possible, that ain't no slight. You live in the moment, let the worries unwind, Take it easy, friend, one day at a time. [Verse 2] Streets are sleepy, the town’s just wakin’ up, Carryin' burdens, it can all feel too much. But there’s a river of promise, in your own backyard, Just keep movin' forward, though the path may be hard. [Chorus] 'Cause life's a gift, wrapped in the morning light, Each day means everything's possible, that ain't no slight. You live in the moment, let the worries unwind, Take it easy, friend, one day at a time. [Bridge] Every sunset's a chance to start anew, Moonlight whispers, "There's nothing you can't do." Hold onto hope, let tomorrow find its way, Keep the faith in your heart, each and every day. [Verse 3] Neighbors wave from the porch, feeling the same fight, Old song on the radio, makes it all feel right. There's strength in this small town, like an old oak tree, Standing tall through the seasons, so can you and me.

Thea pointed off in the distance, across the water to the line of trees on the southern shore. “Look how small those trees are,” she said. The river was wide and deep, and across the way the trees were miniature lines of bark and leaves. She held her thumb up and took mine to do the same. She squinted, showing me how to measure the size of the trees. “See how small they look,” she said. “But they’re as big as these.” She pointed to the trees, the tulip poplars and grand old oaks, one hundred feet tall, growing near the trail, and I could see perspective, how something so large looked smaller the farther away you got from it. “That feeling you have, how sad you are about your mama, won’t ever go away,” she said. “It’s not supposed to. But one day it’ll be like those trees over there, not like these here.

Jerry walked up to a tall tree, an oak I think. It must have been ten or fifteen blocks high. Jerry started punching the base of it with his bare hands. The wooden block started splintering into small brown particles. After a few seconds we heard

The church in Monmouthshire was small, set back from sight of the main road behind a gathering of tall oak trees. There was little parking available, so

A wise teacher was taking a stroll through the forest with a young pupil and stopped before a tiny tree. “Pull up that sapling,” the teacher instructed his pupil, pointing to a sprout just coming up from the earth. The youngster pulled it up easily with his fingers. “Now pull up that one,” said the teacher, indicating a more established sapling that had grown to about knee high to the boy. With little effort, the lad yanked and the tree came up, roots and all. “And now, this one,” said the teacher, nodding toward a more well-developed evergreen that was as tall as the young pupil. With great effort, throwing all his weight and strength into the task, using sticks and stone he found to pry up the stubborn roots, the boy finally got the tree loose. “Now,” the wise one said, “I’d like you to pull this one up.” The young boy followed the teacher’s gaze, which fell upon a mighty oak so tall the boy could scarcely see the top. Knowing the great struggle he’d just had pulling up the much smaller tree, he simply told his teacher, “I am sorry, but I can’t.” “My son, you have just demonstrated the power that habits will have over your life!” the teacher exclaimed. “The older they are, the bigger they get, the deeper the roots grow, and the harder they are to uproot. Some get so big, with roots so deep, you might hesitate to even try.

The state of New Hampshire boasts a mere eighteen miles of Atlantic Ocean coastline. The Piscataqua River separates the state's southeastern corner from Maine and empties into the Atlantic. On the southwestern corner of this juncture of river and ocean is Portsmouth, New Hampshire. The smaller town of Kittery, Maine, is on the opposite side of the river. The port of Piscataqua is deep, and it never freezes in winter, making it an ideal location for maritime vocations such as fishing, sea trade, and shipbuilding. Four years before the founding of Jamestown, Virginia, in 1603, Martin Pring of England first discovered the natural virtues of Piscataqua harbor. While on a scouting voyage in the ship Speedwell, Pring sailed approximately ten miles up the unexplored Piscataqua, where he discovered “goodly groves and woods replenished with tall oakes, beeches, pine-trees, firre-trees, hasels, and maples.”1 Following Pring, Samuel de Champlain, Captain John Smith, and Sir Ferdinando Gorges each sailed along the Maine-New Hampshire coastline and remarked on its abundance of timber and fish. The first account of Piscataqua harbor was given by Smith, that intrepid explorer, author, and cofounder of the Jamestown settlement, who assigned the name “New-England” to the northeast coastline in 1614. In May or June of that year, he landed near the Piscataqua, which he later described as “a safe harbour, with a rocky shore.”2 In 1623, three years after the Pilgrim founding of Plymouth, an English fishing and trading company headed by David Thomson established a saltworks and fishing station in what is now Rye, New Hampshire, just west of the Piscataqua River. English fishermen soon flocked to the Maine and New Hampshire coastline, eventually venturing inland to dry their nets, salt, and fish. They were particularly drawn to the large cod population around the Piscataqua, as in winter the cod-spawning grounds shifted from the cold offshore banks to the warmer waters along the coast.

Later, while Andrew Demont was in hospital in Halifax, Ed White visited him and told him that the water had been up to Demont’s lips by the time White was able to secure him in the rope-harness. Demont told me that at the top of the shaft he could smell nothing, but that as he started down the ladder, a foul-smelling odor had overwhelmed him. As he looked into the shaft he could see Karl Graeser sitting underwater, with only the very top of his head showing. Andrew said he saw Bobby, his eyes closed, supporting his dad’s head just above the waterline. Andrew said he placed his hand on Bobby’s shoulder, and then he, too, drifted into unconsciousness. Apparently he stayed like that as the water slowly rose around him, until Ed White came to rescue him. Many years later I was told that the gas that overwhelmed the men was probably hydrogen sulphide, a lethal gas that can form when rotting vegetation is combined with salt water. Apparently, it can be odourless or have a foul rotten-egg smell, depending on the concentration. There is no doubt in my mind that there was salt water in the ground near the new shaft. Right beside it were two tall apple trees. The apples that grew on those trees looked like a type we call “Transparents” in Ontario. Those two trees looked exactly like others on the island, but they bore delicious, crisp, tangy fruit, whereas apples from similar trees were tasteless. A local woman told me that when apple trees grow near the sea in a mix of fresh water and salt water, they produce juicy, sharp, flavourful apples. Could the salt water that nurtured those apples have reacted with the coconut fibre, eel grass, and other old vegetation that had lain dormant for so long in the pirates’ beachwork, producing the deadly hydrogen sulphide? Could the “porridge-like” earth that was encountered only at this location on the island be in some way related to this toxic combination? We may never know.

Thinking about such things soothed the creature as it dug at the base of a tall oak tree, deep into the ground, covering itself with dirt and leaves and moss; hiding, healing, waiting.

The waves lapped onto the shore in quiet, relentless ripples. A seagull screeched from somewhere down the shoreline, and another bird replied. She missed home, the comfort of her padded swing, her tall shade trees and scented lilac bushes. If she closed her eyes and blocked out the sound of the waves, she could almost imagine that she was back home in her garden, dozing on her swing under the tall oak— “Hey, Meri!” Jake’s voice shattered the illusion. She craned her head around, following the sound of his voice to an upstairs window. His elbows perched lazily on the ledge. She glared up at him. “Meridith.” “Wanna come take a look?” She’d rather beat the smug grin off his face. “Be right there.” Her bones ached as she climbed the main stairway, a repercussion of her night on the hard floor. Just beyond the guest loft, Jake stood in front of the doorway, making some final adjustment to the latch. It looked different with the area closed off from the hall. The smell of wood and some kind of chemical hung in the air. “What do you think?” He’d already hung the drywall, and the patching was drying, which explained the smell. He swung the door open, showing her the thumb-turn on the other side, then closed the door and demonstrated the lock with the key. Thank you, Vanna. “Are both doors keyed the same?” “Yep.” He threw her the new set of keys, and she caught it clumsily. She’d keep one set in her room and find a hiding spot in the kitchen for the other. He gathered his tools and supplies. Now that he was finished, maybe she could take the kids to the driving range. She could teach them how to tee off. Jake capped the drywall compound, then walked through the new doorway toward the family suite. “Where are you going?” Meridith followed him down the hall. “Patching up the other partition.” “I thought you were done.” “If I get them both patched, they’ll be ready to sand and paint on Monday. You got any more of this green?” “What? I don’t know.” He trotted down the back stairway and unlocked the new door’s thumb-turn. Meridith stopped at the top of the steps, sighing. The sooner he finished, the sooner he’d be out of her life. Out of the house, she corrected herself. That man was not in her life.

Throw me the ball,” I say. Sam looks at me like I’m nuts, so I say, “What? Are you afraid to play with a girl?” He smiles and hurls the ball at me. I take off running with it cradled in my arm. Logan runs after me, but I’m faster than any of them expected. Just before I reach the bench Matt’s sitting on, Logan snakes an arm around my waist, swinging me around. While he holds me tightly, Sam wrestles the ball from me. “That’s cheating!” I scream. “Cheating is allowed!” Sam yells back. “In whose rule book?” I ask, stamping my foot. “What rule book?” Matt says with a chuckle. He hefts himself to his feet. “Me and you against them?” he says. He grins at me. “We can take them any day,” I say, throwing my arms around him. He squeezes me gently and sets me away from him. He rubs my head, messing my hair all up. Logan runs down the field, and I chase him. He turns to catch the ball Sam throws, and as soon as he has it, I tackle him. I hit him as hard as I can. He stumbles with me holding his shirt until I can wrap around his legs. He goes down like a big oak tree falling. He lies on his stomach, but he’s smiling at me. I climb on his back and sit on him, plucking the ball from his grip. I hold it in the air and cheer, flailing my feet wildly. He lets me sit there on top of him for a minute as his breath heaves in and out under me. But then he upends me. He rolls me under him. “You cheated,” he says. His hands hold my wrists in a strong grip. “There’s no rule book, remember?” I giggle when he tickles beneath my ribs. “Stop!” I cry. He looks into my eyes. “I think I might be falling in love with you,” he says softly. My breath catches. “Yeah, me too,” I say. He smiles and gets to his feet, tugging me up beside him. His face is flushed, and he’s grinning. “If you two are done playing lovey-dovey,” Matt yells, “we have a game to win.” He waggles his eyebrows at me.

Mack Gaffey, resident veterinarian and owner of Oak Falls Kennel for the Canine Challenged came to greet him. He was a tall, painfully thin man with a tuft of wiry gray hair sticking out in horns on his head and a pair of thick-rimmed glasses. “Sheriff, glad you could make it.” They shook hands. “Alright Mack,” Al said. “So you’ve had yourself some vandalism, huh?” Mack nodded and lead him around his white GMC. On hood of the van was a fogged-up ZipLock bag. “Some sicko took a dump on my van.” Mack held up the bag so Al could see the giant, steaming turd inside. “It’s human shit, Al. I did the tests this morning.” The sheriff frowned and started wiping the hand he shook Mack’s with against his pants. “Well, this stinks.” “You should smell it out of the bag, Sheriff.

My hate can kill a man. And it has. To look at me, you wouldn’t think it. You couldn’t tell that a brief fire as evil as hell burned within me, eating me up until I was nothing more than a plan of destruction with legs. I’m nothing: tall, slim, and dull. I'm just a skinny reject who’s lost everything, but it’s my own fault and perhaps, partially, Mother’s, fool that she was.

The buzzing beneath my feet intensified as I neared the small pool of water. This had to be the gazing pool I'd heard about. Sheltered by tall, skinny evergreens and shrubs that held heavy clusters of small, delicate white flowers, it was shaded by the canopy of an old live oak tree that had moss growing at the base of its trunk. Curiosity drew me in. Faint ripples pulsed along the water's surface as the small pool burbled gently, peacefully, as if I relieved to be unburdened of its long-held secret about Bee. I studied the burbling, wondering what caused it, because it didn't appear that anyone had placed a running hose beneath its surface. There was no equipment at all. Just clear water. A knee-high mossy stone wall enclosed the pool, and ferns grew along its foundation, nestled snugly, their fronds rustling in the warm breeze. Suddenly I felt the urge to sit and stare into the water, and I absently smiled, thinking the gazing pool had been appropriately named.

What a beautiful day it was today! The sun was warm and the breeze was gentle in ‘my clearing’ in Darkwood Forest. The yellow and red flowers waves and winked at me in the breeze while I worked on my new house of stone, and the dark oak trees stood tall and green against a lovely blue sky! I do love this forest.

SERENNA - "The scene before me resembles a vista from an E.M. Forster novel, a quintessentially English countryside. A meandering brook winds through the meadow catching glittering sunlight from above as it passes through the boughs of weeping willows. To my right, a tall oak tree stands solitary on a rise. I can see a rope swing hanging from one of its boughs

a very tall oak tree. At the

Jim turned back to the window. The organic store had opened up and he could see people through the window, sifting through dates, and chard, and handmade pies, scratching their heads as they tried to work out what the fuck was in the aloe cocktails that cost ten bucks a bottle.

Closing my eyes, I can see the main entrance, the paneled front windows, the wide portico and three gray-black speckled granite steps leading up to the massive front door of whisky-colored oak, often propped open by a heavy curling stone and often manned by one red-coated footman, and inside the spacious hall and its white stone floor, with gray star-shaped tiles, and the huge fireplace with its beautiful mantel of ornately carved dark wood, and to one side a kind of utility room, and to the left, by the tall windows, hooks for fishing rods and walking sticks and rubber waders and heavy waterproofs—so many waterproofs, because summer could be wet and cold all over Scotland, but it was biting in this Siberian nook—and then the light brown wooden door leading to the corridor with the crimson carpet and the walls papered in cream, a pattern of gold flock, raised like braille, and then the many rooms along the corridor, each with a specific purpose, like sitting or reading, TV or tea, and one special room for the pages, many of whom I loved like dotty uncles, and finally the castle’s main chamber, built in the nineteenth century, nearly on top of the site of another castle dating to the fourteenth century, within a few generations of another Prince Harry, who got himself exiled, then came back and annihilated everything and everyone in sight.

Anna Kate I was lost. Truthfully, it wasn’t the worst place to lose one’s way. I stood in the middle of a rutted golden-orange dirt-and-gravel lane riddled with fissures that resembled cracks on an overbaked gingerbread cake. A breeze swooping through the valley cut the humidity and brought with it a burst of pure, clean air swirling with pine scent. Soaring oaks, pines, and black walnut trees cast long shadows. Butterflies skimmed colorful wildflowers standing brightly among the tall weeds and grasses that hugged the lane. I often found peace in the woods, thanks to Zee. For as long as I could remember, whenever she would visit, she’d find a way to sneak me out to the woods to teach me the magic of nature. She lovingly shared how plants, shrubs, trees, and flowers offered alternatives to traditional medicine—all things my mother had also forbidden. “Callows have always been healers and nurturers, Anna Kate, but you must remember that there are many ways to doctor people, physically and emotionally.

And you divorced why?” McKay’s face flushed, but he stood tall. “I made some terrible mistakes and she couldn’t forgive me. Love isn’t invincible, it turns out. It’s actually quite fragile if you forget to work on it. I suppose love and marriage is like everything else. It is what you put in it. I forgot and mine died.

Several tall trees edging the school grounds rustled in the wind — the old oaks nudging each other and the younger willows whispering little fanciful commentaries as they observed the two young people together.

IT WAS ONE OF those perfect autumn days so common in stories and so rare in the real world. The weather was warm and dry, ideal for ripening a field of wheat or corn. On both sides of the road the trees were changing color. Tall poplars had gone a buttery yellow while the shrubby sumac encroaching on the road was tinged a violent red. Only the old oaks seemed reluctant to give up the summer, and their leaves remained an even mingling of gold and green. Everything said, you couldn’t hope for a nicer day to have a half dozen ex-soldiers with hunting bows relieve you of everything you owned.

don’t get carried away, though, I’m talking about a distance of a few blocks that are not at a big angle. We got to the bottom of the mountain just in time. As the sun went down, the sky turned different shades of red and purple. Jerry walked up to a tall tree, an oak I think. It must have been ten or fifteen blocks high. Jerry started punching the base of it with his bare hands. The wooden block started splintering into small brown particles. After a few seconds we heard a popping sound and the tree block disappeared and reappeared as a smaller block, spinning on the ground. Jerry turned to me after picking the small block. “Look. You smash the tree and get the block. You then pick it up from your inventory and turn it into wooden planks.” “Okay, I’ll give it a go,” I told him. I did exactly as I saw him do it. It seemed that it took forever to destroy the wooden block. “Don’t worry, Mike. Chopping down trees will get much easier once we craft the proper tools, you’ll see,” Jerry assured me. Finally, I managed to chop down the tree. Gosh, it took quite some time. I collected the block and turned it into some wooden planks.

It is satisfying, of course, to build up a supply of winter warmth, free except for the labor. But there is also something heady about becoming a part of the forest process. It sounds straightforward enough to say that when I cut firewood I cull and thin my woods, but that puts me in the business of deciding which trees should be encouraged and which should be taken. I like my great tall black walnut, so I have cut the trees around it to give it the space and light it needs to grow generously. Dogwoods don’t care. They frost the woods with white blossoms in the spring, and grow extravagantly in close company. If I clear a patch, within a year or two pine seedlings move in, grow up exuberantly, compete and thin themselves to tolerable spacing. If I don’t cut a diseased tree, its neighbors may sicken and die. If I cut away one half of a forked white oak, the remaining trunk will grow straight and sturdy. Sap gone, a standing dead tree like the one I cut today will make good firewood, and so invites cutting. But if I leave it, it will make a home for woodpeckers, and later for flying squirrels and screech owls. Where I leave a brush pile of top branches, rabbits make a home. If I leave a fallen tree, others will benefit: ants, spiders, beetles and wood roaches will use it for shelter and food, and lovely delicate fungi will grow out of it before it mixes with leaf mold to become a part of a new layer of soil. One person with a chain saw makes a difference in the woods, and by making a difference becomes part of the woodland cycle, a part of the abstraction that is the forest community.

Tyrion had only the vaguest memory of Theon Greyjoy from his time with the Starks. A callow youth, always smiling, skilled with a bow; it was hard to imagine him as Lord of Winterfell. The Lord of Winterfell would always be a Stark. He remembered their godswood; the tall sentinels armored in their grey-green needles, the great oaks, the hawthorn and ash and soldier pines, and at the center the heart tree standing like some pale giant frozen in time. He could almost smell the place, earthy and brooding, the smell of centuries, and he remembered how dark the wood had been even by day. That wood was Winterfell. It was the north. I never felt so out of place as I did when I walked there, so much an unwelcome intruder. He wondered if the Greyjoys would feel it too. The castle might well be theirs, but never that godswood. Not in a year, or ten, or fifty.

She was tall. Her long hair fell to her waist, framing in gold her pale and lovely face. Her eyes were blue. She wore a loose gown of white cambric, embroidered with living green stems of broom and meadowsweet, and a wreath of green oak leaves in here hair.

Mile after mile raced beneath the wheels of the convertible as it steadily neared the old battlefield named for the stream Rocky Run. Late in the afternoon they drove through the little town of Centerville. The main street, paved with red brick, was flanked by two rows of huge live oak trees. Behind them, quaint old houses stood in the shade of spreading magnolias. Farther on, the street led to a square, along which sprawled a handful of stores, a small stately courthouse, and a tall-pillared hotel. A solitary, bewhiskered man sat on the porch of the hostelry, smoking a pipe and rocking. “Looks mighty sleepy around here,” Chet remarked. “I think I’m going to fit right in with this life!” “A peaceful old town,” the general replied, smiling. “My place is a quarter mile down the road.

At General Smith’s directions, Chet presently eased the car off the highway and onto a rutted trail overgrown with weeds. There was no sign of the black sedan or any evidence that a car had recently entered the lane. “This was a fine place once,” the general said. “Those boxwoods over there are all that’s left of a wonderful garden which stretched from the road to the mansion. My father had pictures of the old place.” At the general’s suggestion, Chet stopped the car alongside a low, crumbling wall. “Look over there,” the man continued, extending his arm in a gesture toward a cluster of large oak trees which seemed to form a military phalanx. “That’s where the big white house stood.” The ruins of the old mansion were scarcely visible through the tall grass and brush, which acted as the scar tissue of time to cover the wounds left by the war. The four got out of the car and pushed through the weeds toward the area. The officer stopped and held his two hands parallel in front of him. “The steps to the front portico were right here. They led into the beautiful center hall of one of the most picturesque homes in the whole South. “And look what’s left now—nothing,” General Smith remarked sadly. “Nothing but ghostly memories.

when she turned to Orlando to speak to him, I saw she had what Pa Salt would have termed a Roman nose, which sat prominently in her striking face. She was certainly not classically beautiful and, from the look of her jeans and old sweater, did not care to make herself more so. Yet, there was something very attractive about her and I realized I wanted her to like me—an unusual feeling. “Are you coping back there?” she asked me. “Not far now.” “Yes, thank you.” I leaned my head against the windowpane as the thick hedges, their height exaggerated by the low car, flew by me, the country lanes becoming narrower. It felt so good to be out of London, with only the odd red-brick chimney stack peeping out from behind the wall of green. We turned right, through a pair of old gates that led to a drive so potholed that Marguerite’s and Orlando’s heads bumped against the roof. “I really must ask Mouse to bring the tractor and fill in these holes with gravel before the winter comes,” she commented to Orlando. “Here we are, Star,” she added as she pulled the car to a halt in front of a large, graceful house, its walls formed from mellow red brick, with ivy and wisteria fringing the uneven windows in greenery. Tall, thin chimney stacks, which emphasized the Tudor architecture, reached up into the crisp September sky. As I squeezed myself out of the back of the Fiat, I imagined the house’s interior to be rambling as opposed to impressive—it was certainly no stately home; rather, it looked as if it had gently aged and sunk slowly into the countryside surrounding it. It spoke of a bygone era, one that I loved reading about in books, and I experienced a twinge of longing. I followed Marguerite and Orlando toward the magnificent oak front door, and saw a young boy wobbling toward us on a shiny red bike. He let out a strange muffled shout, tried to wave, and promptly fell off the bike. “Rory!” Marguerite ran to him, but he had already picked himself up. He spoke again, and I wondered if he was foreign, as I couldn’t make out what he was saying. She dusted him down, then the boy picked up the bike and the two of them walked back to us. “Look who’s here,” Marguerite said, turning directly to the boy to speak to him. “It’s Orlando and his friend Star. Try saying ‘Star.’ ” She particularly enunciated the “st” in my name. “Ss-t-aahh,” the boy said as he approached me, a smile on his face, before holding up his hand and opening his fingers out like a shining star. I saw that Rory was the owner of a pair of inquisitive green eyes, framed by dark lashes. His wavy copper-colored hair glowed in the sun, and his rosy cheeks dimpled with happiness. I recognized that he was the kind of child that one would never want to say no to. “He prefers to go by the name ‘Superman,’ don’t you, Rory?” Orlando chuckled, holding up his hand in a fist like Superman taking off into the air. Rory nodded, then shook my hand with all the dignity of a superhero, and turned to Orlando for a hug. After giving him a tight squeeze and a tickle, Orlando set him down, then squatted in front of him and used his hands to sign, also speaking the words clearly. “Happy birthday! I have your present in Marguerite’s car. Would you like to come and get it with me?” “Yes please,” Rory spoke and signed, and I knew then that he was deaf. I rifled through my rusty mental catalog of what I had learned

Morningleaf squealed and struggled to escape his grasp. Star pinned her against a tall oak tree. “You’ll never escape me, red filly,” he said, trying to sound serious while she pretended to be afraid. “Can we play?” said a voice, interrupting the fun. Star looked over and saw Brackentail and the other Sun Herd foals. Star flattened his ears, and Brackentail glared at him, lashing his tail. The brown colt seemed to feel no guilt about abandoning Star at Feather Lake.

There’s also an oak wood log in the corner with a torch and chests on either side. Step 17: Hedges & Lighting Below the house we’ve got a hedge of jungle leaves between the pillars along the red lines and we’ve also got redstone lamps (X) with redstone torches under them. You can also plant tall grass and flowers with bone meal in this area to add some definition. Step 18: Walkway The walkway along the blue line leading up the ladders is made of gravel and the arch represented by the red line is made of oak wood and jungle leaves. Step 19: Walkway Decorations To spice up the walkway a little bit I planted some flowers (X), alternate between yellow and red. There’s also a fence that surrounds the walkway along the red lines. That completes The Tree House, I hope you enjoyed it!

Blindly, Grace pushed away from the velvet-lined wall... Right into the path of a giant as tall and as hard as an oak. A firm hand caught her about the waist as strong fingers captured her wrists. She blinked the sting of unshed tears from her eyes to find herself entangled not with an oak, but with a man possessed of dark brown hair and dangerous golden eyes. A wry smile curved his lips as the orchestra began the opening strains of a waltz.

Pastor Ben Bonner was a balding man with a face lined by laughter and pain, and eyes that always held more hope than despair. Barely as tall as Calum’s chest but stout as an oak, he clasped Calum’s forearm and pulled him into a fatherly embrace.

When you become defensive, blame others, and do not accept and surrender to the moment, your life meets resistance. Any time you encounter resistance, recognize that if you force the situation, the resistance will only increase. You don’t want to stand rigid like a tall oak that cracks and collapses in the storm. Instead, you want to be flexible, like a reed that bends with the storm and survives.

They were all there, sitting around a long worktable. The Library was clearly the crowning achievement of whoever had renovated the Murs farmhouse. They’d hollowed out the space completely, cut away three floors and exposed the roof beams thirty feet up. Morning sunlight lasered in through tall thin windows. Bookshelves soared along the walls, all the way up, which would have been totally impractical except for some tasteful oak platforms that floated magically alongside them, ready to hoist the browser up to whatever level he or she wanted to be at.

bloodied lace, which were both deadly in a very sedate way. "It was totally awesome! Yoyo Hal!" Juergen bounced up and down as an upright version of Hal falling repeatedly out of the tall wind oak only to be recaught and dragged upwards because he insisted on doing commentary in calm even tones. "It's important to note that a strangle vine can have as many as thirty-seven snare vines. Gak! You need to strike the base of the plant, its nerve center, to kill the strangle vine. Fuck! Never tackle one of these alone. Jane!" She stared at Juergen in dismay. He'd seen all that? Live? Unedited? With all the embarrassing parts still intact? How? The mechanic continued to act today's filming. "And you. Rawr!" He mimed the chainsaw. "That rocked! And then Brian! 'Don't try this at home, hire a professional pest control contractor.'" Brian was Brian Scroggins, Pittsburgh Fire Marshal and accidental guest co-host on a regular basis. "Just epic." She fled the embarrassing recount, ignoring the belated, "So how is Hal?