“
Against my will I am sent to bid you come in to dinner.
BENEDICK
Fair Beatrice, I thank you for your pains.
BEATRICE
I took no more pains for those thanks than you take
pains to thank me: if it had been painful, I would
not have come.
BENEDICK
You take pleasure then in the message?
BEATRICE
Yea, just so much as you may take upon a knife's
point ... You have no stomach,
signior: fare you well.
Exit
BENEDICK
Ha! 'Against my will I am sent to bid you come in
to dinner;' there's a double meaning in that...
”
”
William Shakespeare (Much Ado About Nothing)
“
Because I liked you better
Than suits a man to say,
It irked you, and I promised
I'd throw the thought away.
To put the world between us
We parted stiff and dry:
'Farewell,' said you, 'forget me.'
'Fare well, I will,' said I.
If e'er, where clover whitens
The dead man's knoll, you pass,
And no tall flower to meet you
Starts in the trefoiled grass,
Halt by the headstone shading
The heart you have not stirred,
And say the lad that loved you
Was one that kept his word.
”
”
A.E. Housman (A Shropshire Lad)
“
Sweet Beatrice, wouldst thou come when I called thee?
BEATRICE
Yea, signior, and depart when you bid me.
BENEDICK
O, stay but till then!
BEATRICE
'Then' is spoken; fare you well now...
(Much Ado About Nothing)
”
”
William Shakespeare
“
Upon the hearth the fire is red,
Beneath the roof there is a bed;
But not yet weary are our feet,
Still round the corner we may meet
A sudden tree or standing stone
That none have seen but we alone.
Tree and flower, leaf and grass,
Let them pass! Let them pass!
Hill and water under sky,
Pass them by! Pass them by!
Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.
Apple, thorn, and nut and sloe,
Let them go! Let them go!
Sand and stone and pool and dell,
Fare you well! Fare you well!
Home is behind, the world ahead,
And there are many paths to tread
Through shadows to the edge of night,
Until the stars are all alight.
Then world behind and home ahead,
We'll wander back to home and bed.
Mist and twilight, cloud and shade,
Away shall fade! Away shall fade!
Fire and lamp and meat and bread,
And then to bed! And then to bed!
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
When he’d made it thirty strides or so Logen turned around and looked back. The pot was sitting forlorn by the lake, already filling up with rainwater. They’d been through a lot together, him and that pot. “Fare you well, old friend.” The pot did not reply.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
Minn, I love you the way you're today, nonetheless before
I wanted fate to fare you better
Fate is faring me best with you by my side
I'm not perfect
So do I
I'm still adjusting with the new me
W'll get through it together
We've never had anything to do with each other before
We'll start from step one
We need time to work things out
We have forever
”
”
Hlovate (Versus)
“
Fare thee well my nightingale
I lived but to be near you
Though you are singing somewhere still
I can no longer hear you
”
”
Leonard Cohen (The Flame)
“
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help)
“
O voyagers, O seamen,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.'
So Krishna, as when he admonished Arjuna
On the field of battle.
Not fare well,
But fare forward, voyagers.
”
”
T.S. Eliot
“
Well, I am going to exercise my prerogative of roaring and show you how fares nobility. Watch me.
”
”
Jack London (The Sea Wolf)
“
Planning is helpful. If you don’t know what you want, you’ll seldom get it. But, no matter how well you plan, you will fare better if you expect the unexpected. The unexpected, by nature, comes unseen, unthought, unenvisioned. All you can do is plan to go unplanned, prepare to be unprepared, make going with the flow part of your agenda, for the most successful among us envision, plan, and prepare, but cast all aside as needed, while those who are unable to go with the flow often suffer, if they survive.
”
”
David W. Jones (Moses and Mickey Mouse: How to Find Holy Ground in the Magic Kingdom and Other Unusual Places)
“
Only cut off a buttock of each of those ladies,' said he,'and you'll fare extremely well; if you must go to it again, there will be the same entertainment a few days hence; heaven will accept of so charitable an action, and send you relief.
”
”
Voltaire (Candide)
“
Fare you well, my brother! Death is good! Thus, indeed, I would die, for I have made me a mat of men to lie on," he cried with a great voice.
”
”
H. Rider Haggard (Nada the Lily)
“
Tessa was only half way down the corridor when they caught up to her -Will and Jem, walking on either side of her. "you didn't really think we weren't going to come along, did you?" Will asked, raising his hand and letting his witchlight fare up between his fingers, lighting the corridor to daylight brightness. Charlotte, hurrying along ahead of them, turned and frowned, but said nothing.
"I know you can't leave anything well alone," Tessa replied, looking straight ahead. "But I though better of Jem."
"Where Will goes, I go," Jem said good-naturedly. "And besides, I'm as curious as he is.
”
”
Cassandra Clare (The Infernal Devices: Clockwork Angel (The Infernal Devices: Manga, #1))
“
Moon, that against the lintel of the west
Your forehead lean until the gate be swung,
Longing to leave the world and be at rest,
Being worn with faring and no longer young,
Do you recall at all the Carian hill
Where worn with loving, loving late you lay,
Halting the sun because you lingered still,
While wondering candles lit the Carian day?
Ah, if indeed this memory to your mind
Recall some sweet employment, pity me,
That even now the dawn's dim herald see!
I charge you, goddess, in the name of one
You loved as well: endure, hold off the sun.
”
”
Edna St. Vincent Millay (Unknown Book 7720699)
“
All of you, fare well, and may you shelter in the palm of the Creator’s hand.
”
”
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
“
Now goes under, and I watch it go under, the sun
That will not rise again.
Today has seen the setting, in your eyes cold and senseless as the sea,
Of friendship better than bread, and of bright charity
That lifts a man a little above the beasts that run.
That this could be!
That I should live to see
Most vulgar Pride, that stale obstreperous clown,
So fitted out with purple robe and crown
To stand among his betters! Face to face
With outraged me in this once holy place,
Where Wisdom was a favoured guest and hunted
Truth was harboured out of danger,
He bulks enthroned, a lewd, an insupportable stranger!
I would have sworn, indeed I swore it:
The hills may shift, the waters may decline,
Winter may twist the stem from the twig that bore it,
But never your love from me, your hand from mine.
Now goes under the sun, and I watch it go under.
Farewell, sweet light, great wonder!
You, too, farewell,-but fare not well enough to dream
You have done wisely to invite the night before the darkness came.
”
”
Edna St. Vincent Millay
“
Among university professors, for example, getting tenure is a major hurdle and milestone, and at most universities tenure depends heavily on having published some high-quality, original work. One researcher, Bob Boice, looked into the writing habits of young professors just starting out and tracked them to see how they fared. Not surprisingly, in a job where there is no real boss and no one sets schedules or tells you what to do, these young professors took a variety of approaches. Some would collect information until they were ready and then write a manuscript in a burst of intense energy, over perhaps a week or two, possibly including some long days and very late nights. Others plodded along at a steadier pace, trying to write a page or two every day. Others were in between. When Boice followed up on the group some years later, he found that their paths had diverged sharply. The page-a-day folks had done well and generally gotten tenure. The so-called “binge writers” fared far less well, and many had had their careers cut short. The clear implication was that the best advice for young writers and aspiring professors is: Write every day. Use your self-control to form a daily habit, and you’ll produce more with less effort in the long run.
”
”
Roy F. Baumeister (Willpower: Rediscovering Our Greatest Strength)
“
With you, thought Rubashov and looked at the whitewashed wall behind which the other stood—in the meantime he had
probably lit a cigarette and was blowing the smoke against the wall — with you I have no accounts to settle. To you I owe
no fare. Between you and us there is no common currency and no common language. ... Well, what do you want now?
”
”
Arthur Koestler (Darkness at Noon)
“
Dear Mr. Wedgewood,
Welcome to the Flying Rose. I hope you have settled to sea comfortably. Your lot may improve in direct proportion to your willingness. I do look forward to more of your fare. Let me lay out my proposal: You will, of a Sunday, cook for me, and me alone, the finest supper. You will neither repeat a dish nor serve foods that are in the slightest degree mundane. In return I will continue to keep you alive and well, and we may discuss an improvement of your quarters after a time. Should you balk in any fashion you will find yourself swimming home, whole or in pieces, depending upon the severity of my disappointment. How does this strike you?
In anticipation,
Capt. Hannah Mabbot
”
”
Eli Brown (Cinnamon and Gunpowder)
“
Your narrative may fail to grip if you haven't taken any care to find out how well or badly your audience member is faring (or feeling).
”
”
Christopher Hitchens (Mortality)
Neil Gaiman (Neverwhere (London Below, #1))
“
You could choose to live in either America or Denmark. In high-tax Denmark, your disposable income after taxes and transfers would be around $15,000 lower than in the States. But in return for your higher tax bill, you would get universal health care (one with better outcomes than in the US), free education right up through the best graduate schools, worker retraining programs on which the state spends seventeen times more as a percentage of GDP than what is spent in America, as well as high-quality infrastructure, mass transit, and many beautiful public parks and other spaces. Danes also enjoy some 550 more hours of leisure time a year than Americans do. If the choice were put this way—you can take the extra $15,000 but have to work longer hours, take fewer vacation days, and fend for yourself on health care, education, retraining, and transport—I think most Americans would choose the Danish model.
”
”
Fareed Zakaria (Ten Lessons for a Post-Pandemic World)
“
Whether plagues are managed quickly doesn't just depend on hardworking doctors and scientists. It depends on people who like to sleep in on weekends and watch movies and eat French fries and do the fantastic common things in life, which is to say, it depends on all of us. Whether a civilization fares well during a crisis has a great deal to do with how the ordinary, nonscientist citizen responds. A lot of the measures taken against plagues discussed in this book will seem stunningly obvious. You should not, for instance, decide diseased people are sinners and burn them at a literal or metaphorical stake, because it is both morally monstrous and entirely ineffective. But them a new plague crops up, and we make precisely the same mistakes we should have learned from three hundred years ago.
”
”
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
“
Dating is all about getting to know somebody, without wasting a lot of time or money. What is the price of love? You’ve got the cost of dinner, a movie, and cab fare for you and your date, as well as the entire film crew documenting your evening. So you add all that up, and subtract various coupons and bulk discount rates you might qualify for. But what about time? You can make more money, but you can’t make more time if you waste it. That’s why you have to be efficient with your dating. Don’t date one on one. Take 10 women out at once, assembly line style, and forget the small talk. Focus on hard-hitting topics, and give them all questionnaires to fill out. I think the women will appreciate your honest and novel approach. Of course it’s possible that nine out of ten women might be offended. But who cares? All you need is one.
”
”
Jarod Kintz (This Book is Not for Sale)
“
there are some things that do not fare well in high definition. She resents the pores, the wrinkles, the nose hairs, the impossibly whitened teeth shoved right up in front of your eyes so you can’t ignore them the way you would in real life.
”
”
Margaret Atwood (Stone Mattress: Nine Tales)
“
Well, then, biting, kicking, wanton imprisonment and beheading – is that what our nature entails? No; rather, acts of kindness, cooperation and good will. And so, whether you like it or not, a person fares poorly whenever he acts like an insensitive brute.
”
”
Epictetus (Discourses and Selected Writings (Classics))
“
Tell me something," Xcor drawled.
"Yes?"
"Is his piggish head still attached to that weak little body of his?"
Assail chuckled. "No."
"Do you know that is among my favorite ways of killing?"
"A warming for me, Xcor?
...
"No," he declared. "Just something we have in common. Fare thee well, Assail, for what is left of this night."
"Yourself as well. And in the words of our mutual acquaintance, I must needs go. Afore I am forced to slaughter the doggen butler who is pounding, at this very instant, upon the door I have locked."
Xcor threw his head back and laughed as he ended the call.
"You know," he said to his fighters, "I rather like him.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
The moral of that story, I think, is that being poor will kill you. Or perhaps the moral is that brides never fare well in stories, and one should avoid either being a bride, or being in a story. After all, stories can sense happiness and snuff it out like a candle.
”
”
Carmen Maria Machado (The New Voices of Fantasy)
“
m walkin’ down that long, lonesome road, babe
Where I’m bound, I can’t tell
But goodbye’s too good a word, gal
So I’ll just say fare thee well
I ain’t sayin’ you treated me unkind
You could have done better but I don’t mind
You just kinda wasted my precious time
But don’t think twice, it’s all right
”
”
Bob Dylan (Bob Dylan: The Playboy Interviews (Singles Classic) (50 Years of the Playboy Interview))
“
Society at large can't make up its mind about men. Having spent the last thirty years redefining masculinity into something more sensitive, safe, manageable, and, well, feminine, it now berates men for not being men. ... "Where are the real men?" is regular fare for talk shows and new books. You asked them to be women, I want to say.
”
”
John Eldgedge
“
Sikon: Farewell!
Knemon: I don't want a farewell from any of you!
Sikon: Then don't fare well!
”
”
Menander (of Athens)
“
Power of Words
Every word that you speak,
Will either make you feel strong or weak.
When you use words, be aware,
People who use the right words, well in life they fare.
”
”
Ron Sen (The Verses of Life)
“
Well, come again tomorrow. Fare thee well.
A fiend like thee might bear my soul to hell.
”
”
William Shakespeare (Twelfth Night, or What you Will)
“
7) Good luck, and may the... "well you know the rest or do you?
”
”
Noel Johnson (THE HUNGER GAMES FAN QUIZ UNOFFICIAL INTERACTIVE CHALLENGE GAME.: Find out how you would fare in the Arena in this interactive challenge game. Can you become the overall winner?)
“
The page-a-day folks had done well and generally gotten tenure. The so-called “binge writers” fared far less well, and many had had their careers cut short. The clear implication was that the best advice for young writers and aspiring professors is: Write every day. Use your self-control to form a daily habit, and you’ll produce more with less effort in the long run.
”
”
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
“
Many Pagans will tell you that polytheism is an attitude and a perspective that affect more than what we consider to be religion. They might well say that the constant calls for unity, integration, and homogenization in the Western world derive from our long-standing ideology of monotheism, which remains the majority tradition in the West. They might add that monotheism is a political and psychological ideology as well as a religious one, and that the old economic lesson that one-crop economies generally fare poorly also applies to the spiritual realm.
”
”
Margot Adler (Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America)
“
I feel life today is too competitive to be enjoyable. Even if you don't want it to be, life is one intense competition, and how well you fare in it will determine your happiness and success. Most people just want to look like a winner more than they want to be a winner. I detest the competitiveness that permeates the society and how everything revolves around establishing yourself as a unique individual and honing skills that you can advertise in the market place. Contrary to popular belief, competition is not always beneficial. It adds a lot of unwanted frustration and stress. It can be destructive to one's self-esteem. Competition makes us imitate our competitors and we lose our identity in the midst of it. Why does it matter how successful someone else is in comparison to me? To be honest, I don't really care about being successful now. I just want the freedom to do anything I want without having to worry about social standards.
”
”
Sai Pradeep
“
Greybeard Halt is a friend of mine
He lives on Redmont hill
Greybeard Halt never took a bath
And they say he never will!
Fare thee well, Greybeard Halt
Fare thee well, I say
Fare thee well, Greybeard Halt
I’ll see you on your way
Greybeard Halt, he lost a bet
He lost his winter cloak
When winter comes, Halt stays warm
By sleeping 'mongst the goats.
Fare thee well, Greybeard Halt
Fare thee well, I say
Fare thee well, Greybeard Halt
I'll see you on your way.
Greybeard Halt, he lives with goats
That's what I’ve heard tell
He hasn’t changed his socks for years
But the goats don't mind the smell!
Fare thee well, Greybeard Halt
Fare thee well, I say
Fare thee well, Greybeard Halt
I’ll see you on your way
Greybeard Halt is a fighting man
I’ve heard common talk
That Greybeard Halt, he cuts his hair
With his saxe knife and fork!
Fare thee well, Greybeard Halt
Fare thee well, I say
Fare thee well, Greybeard Halt
I’ll see you on your way
”
”
John Flanagan (The Sorcerer of the North (Ranger's Apprentice #5, part 1/2))
“
The truth is, Sidonie, I don’t fare well with women.” He spoke coolly, and without looking at her. “It is my own fault, of course. I…I neglect them. I forget where I’m supposed to be, and when I’m supposed to be there. I’m irresponsible. I drink to excess, gamble to excess, and sometimes I brawl. I never remember special occasions. And I very often go to sleep before they’ve…well, never mind that.” Devellyn fell silent for a moment. “And I cheat on them,” he quietly added. “Dreadfully. Did I mention that?”
“You did not,” she answered. “But a full disclosure of one’s fidelity, or even one’s skill in the bedroom, is not, strictly speaking, necessary before having dinner with someone.”
Devellyn smiled down at her a little wearily. “Ah, Sid, I have no charm at all, have I?” he said almost regretfully.
”
”
Liz Carlyle (The Devil to Pay (MacLachlan Family, #1))
“
Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief? Fare you well. Had you such a loss as I, I could give better comfort than you do. I will not keep this form upon my head When there is such disorder in my wit.
”
”
Yiyun Li (Things in Nature Merely Grow)
“
The absence of trust is clearly inimical to a well-run society. The great Jane Jacobs noted as much with respect to the very practical business of urban life and the maintenance of cleanliness and civility on city streets. If we don't trust each other, our towns will look horrible and be nasty places to live. Moreover, she observed, you cannot institutionalize trust. Once corroded, it is virtually impossible to restore.
”
”
Tony Judt (Ill Fares the Land)
“
Just so we know where we stand, darling."
"I'll tell you just where we stand, darling.I don't need your insulting offer.I'm running my life my way."
"And that's been such a rousing success so far."
"I know what I'm doing.Take that ridiculous smirk off your face."
"I can't.It sticks there every time you say you know what you're doing." But he tucked all the papers back in his briefcase, closed it. "I'll say this,I don't think it's an entirely moronic idea-this place."
"Well,I'll sleep easy now, knowing I have your approval."
"Approval's a little strong.It's more like hopeful resignation." He gave the banister a last wiggle. "But I believe in you,Margo."
Temper died into confusion. "Damn you, Josh.I can't keep up with you."
"Good." He strolled over, flicked a finger down her cheek. "I think you're going to make something out of this shop that'll surprise everyone. Especially you." He leaned down,and when he kissed her this time it was light and friendly. "Got cab fare?"
"Excuse me?"
Grinning, he pulled keys out of his pocket. "Fortunately, I had a spare set to the Jag. Don't work too late, duchess."
She didn't smile until he was well out of sight.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
But the question is, historically, part of the group that you're a part of - whether it's racial, gender, religious, whatever - how has your group fared historically? The groups that you're a part of? Like, for me, as an atheist, Jew, I'm gonna go on, uh - oh and Emma Goldman is one of my great heroes and I really think that anarchism is a fantastic principle by which to fashion a utopian society even if we can't get there. Like historically, that does not go well.
”
”
Jacob Appelbaum
“
For once, Watson didn't look the worse for wear. He never fared well on planes across the Atlantic, sleeping fitfully or not at all, but this morning his hair was so extravagantly tousled, I knew he'd spent the whole flight unconscious. Though the red lines near his temple (striated; elastic?) flummoxed me until -
"You had on a sleeping mask," I said, delighted beyond all sense. "Tell me, was it one of those with the eyelashes printed on it? Was it silk? Was it your mother's, or -?"
He pulled it from his pocket and tossed it to me; I caught it one-handed. Black silk, sans eyelashes. "You're a jerk," he said, laughing. "I bought it in the terminal."
"Why would I be a jerk? I'm only asking about your beauty sleep.
”
”
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
“
The Crow country is good country. The Great Spirit has put it exactly in the right place; while you are in it you fare well; whenever you go out of it, which ever way you travel, you fare worse . . . There is no country like Crow country. —ARAPOOSH, CROW, 1833
”
”
Terri Jean (365 Days Of Walking The Red Road: The Native American Path to Leading a Spiritual Life Every Day (Religion and Spirituality))
“
And he was leveling the pistol on Gideon as if he itched to fire it. “What do you want with me? Is it gold you want?”
“There’s only one thing I want of you, and that’s Sara,” Gideon said bluntly, ignoring the pistol. “I want my fiancé. Either you take me to her, or I hold you and your ship captive until you do.”
“Or I could shoot you and your cursed pirates. Even now my men have yours under their guns and can pick them off at will if I command it.”
Gideon sneered at him. “Barnaby!” he shouted. “How fare the earl’s men and their guns?”
Barnaby and the other fifteen men emerged from behind the forward house, pushing a group of disarmed and disgruntled sailors ahead of them. “Oh, they fare quite well, Captain. As for their guns, let’s just say we’ve added to our arsenal substantially today.
”
”
Sabrina Jeffries (The Pirate Lord)
“
Whether a civilization fares well during a crisis has a great deal to do with how the ordinary, nonscientist citizen responds. A lot of the measures taken against the plagues discussed in this book will seem stunningly obvious. You should not, for instance, decide diseased people are sinners and burn them at a literal or metaphorical stake, because it is both morally monstrous and entirely ineffective. Everyone would probably theoretically agree with this statement. But then a new plague crops up, and we make precisely the same mistakes we should have learned from three hundred years ago.
”
”
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
“
And you, good yeomen, Whose limbs were made in England, shew us here The metal of your pasture; let us swear That you are worth your breeding; which I doubt not, For there is none of you so mean and base That hath not noble luster in your eyes.” (Act 3, Sc. 1.) The rank and file always fare well before a battle.
”
”
William Shakespeare (Complete Works of William Shakespeare)
“
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in."
"Ah, oysters!" Stepan Arkadyevich became thoughtful.
"How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!"
"They're Flensburg, Your Excellency. We've no Ostend."
"Flensburg will do -- but are they fresh?"
"Only arrived yesterday."
"Well, then, how if we were to begin with oysters, and so change the whole program? Eh?"
"It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here."
"Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child.
"No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner."
"I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..."
"Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes.
"With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit."
The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich.
"What shall we drink?"
"What you like, only not too much. Champagne," said Levin.
"What! to start with? You're right though, I dare say. Do you like the white seal?"
"Cachet blanc," prompted the Tatar.
"Very well, then, give us that brand with the oysters, and then we'll see."
"Yes, sir. And what table wine?"
"You can give us Nuits. Oh, no -- better the classic Chablis."
"Yes, sir. And your cheese, Your Excellency?"
"Oh, yes, Parmesan. Or would you like another?"
"No, it's all the same to me," said Levin, unable to suppress a smile.
”
”
Leo Tolstoy (Anna Karenina)
“
How fares the thumb, boy? well? Aye, merry, ’tis the sign of the penis. With the women, look you, observe the ear. The parts appear and come together. So obesity and malice. So grumbling and nagging. So gossip, envy, spite, and avarice. Slowly settling into. So feminine weakness. Heartless piety. Savage morals. They come together. No more goody geedge. Ruthless, lifelong revenge. Zrrr. Grease in a cold pan. Stay off from gingerly lobed and delicately whorled ones. Thus appear the parts. Mind your uncle, boy, who knows. And the men then. Lewd speech and slovenly habits. And the peasant’s suspicion, his cruelty and rancor, his anger, drunkenness, pig-headed ignorance and bestiality. Inevitable they should be parts. Hoolyhoohoo. All in the normal course of nature. And they were saying we had evolved. What did it mean? But, he said in a voice that was clearly audible, I protest this world of unilluminated cocks. He caught the sense of his own words—so absurd—and his body began to shake—half in laughter, half in despair.
”
”
William H. Gass (Omensetter's Luck)
“
tax farming is absurdly inefficient. In the first place, it discredits the state, represented in the popular mind by a grasping private profiteer. Secondly, it generates considerably less revenue than a well-administered system of government collection, if only because of the profit margin accruing to the private collector. And thirdly, you get disgruntled taxpayers.
”
”
Tony Judt (Ill Fares The Land: A Treatise On Our Present Discontents)
“
You are not meant for heaven, says the Devil. Maybe it's because you love no one but yourself. Or maybe it's because you cultivate beauty instead of goodness. And don't use your father as an excuse. Plenty of people have worse fathers and have made something of their lives instead of acting hoity-toity and waiting for some prince to rescue them. Then again, your father is so noxious that I'm not surprised you wear the stench of his sins, like your mother did. Good woman on the surface, but to marry a man like your father... Well, that requires the kind of soul that ends in my clutches. I checked on her before I came. Somewhere in the fifth circle and on her way down. Still thinks she belongs in heaven, poor lass. Those kinds never fare well. The pain is twice as bad when you resist it. What I'm saying is that your soul is going to come to me one way or another like Mummy's did and like Daddy's will, so might as well play my game and try to snatch more time up here where you can keep pretending you're better than everyone else and your angels are guarding you. Do we have a deal? Lovely. Now tell me. What is my name?
”
”
Soman Chainani (Beasts and Beauty: Dangerous Tales)
“
Those dramatic serial novel romances are exciting, but one never knows how they'll fare on the rocks of everyday life. There's something rare and intensely beautiful in a person who knows you well and loves you anyway. Ordinary men and everyday romances are the sweetest and deepest. ... There's a wonderful charm to ordinary, everyday moments, and the people who remain through them.
”
”
Joanna Davidson Politano (Finding Lady Enderly)
“
They had him. They just stood and watched him, each with the faint suggestion of that intolerable slow smile upon his face. They raised their eyes, un-speaking, looked at us as we rolled past, with the obscene communication of their glance and of their smile.
And he—he too paused once from his voluble and feverish discourse as we passed him. He lifted his eyes to us, his pasty face, and he was silent for a moment. And we looked at him for the last time, and he at us-this time, more direct and steadfastly.
And in that glance there was all the silence of man's mortal anguish. And we were all somehow naked and ashamed, and somehow guilty. We all felt somehow that we were saying fare-well, not to a man but to humanity; not to some nameless little cipher out of life, but to the fading image of a brother's face.
We lost him then. The train swept out and gathered speed-and so farewell.
”
”
Thomas Wolfe (I Have a Thing to Tell You)
“
Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories.
“Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating.
She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse.
“I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs.
Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way.
Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late.
”
”
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
“
The only ghosts, I believe, who creep into this world, are dead
young mothers, returned to see how their children fare. There is
no other inducement great enough to bring the departed back.
They glide into the acquainted room when day and night, their
jailers, are in the grip, and whisper, "How is it with you, my
child?" but always, lest a strange face should frighten him, they
whisper it so low that he may not hear. They bend over him to
see that he sleeps peacefully, and replace his sweet arm beneath
the coverlet, and they open the drawers to count how many little
vests he has. They love to do these things.
What is saddest about ghosts is that they may not know their
child. They expect him to be just as he was when they left him,
and they are easily bewildered, and search for him from room to
room, and hate the unknown boy he has become. Poor, passionate
souls, they may even do him an injury. These are the ghosts that
go wailing about old houses, and foolish wild stories are
invented to explain what is all so pathetic and simple. I know
of a man who, after wandering far, returned to his early home to
pass the evening of his days in it, and sometimes from his chair
by the fire he saw the door open softly and a woman's face
appear. She always looked at him very vindictively, and then
vanished. Strange things happened in this house. Windows were
opened in the night. The curtains of his bed were set fire to.
A step on the stair was loosened. The covering of an old well in
a corridor where he walked was cunningly removed. And when he
fell ill the wrong potion was put in the glass by his bedside,
and he died. How could the pretty young mother know that this
grizzled interloper was the child of whom she was in search?
All our notions about ghosts are wrong. It is nothing so petty
as lost wills or deeds of violence that brings them back, and we
are not nearly so afraid of them as they are of us.
”
”
J.M. Barrie (The Little White Bird (Peter Pan, #0.5))
“
Did you like my novel?" she couldn't resist asking.
"Yes, I did. At first I thought it would be typical silver-fork fare. But I liked the way your well-bred characters began to unravel. I liked the portrayal of decent people moved to deception, violence, betrayal... you don't seem to shrink from anything in your writing."
"Critics say my work is lacking in decency."
"That's because your underlying theme- that ordinary people are capable of extraordinary things in their private lives- makes them uncomfortable.
”
”
Lisa Kleypas (Suddenly You)
“
Rebel Yell"
Last night a little dancer came dancin' to my door
Last night a little angel came pumping on the floor
She said "Come on baby I got a license for love
And if it expires pray help from above"
Because
In the midnight hour she cried- "more, more, more"
With a rebel yell she cried- "more, more, more"
In the midnight hour babe- "more, more, more"
With a rebel yell- "more, more, more"
More, more, more.
She don't like slavery, she won't sit and beg
But when I'm tired and lonely she sees me to bed
What set you free and brought you to me babe
What set you free I need you here by me
Because
In the midnight hour she cried- "more, more, more"
With a rebel yell she cried- "more, more, more"
In the midnight hour babe- "more, more, more"
With a rebel yell- "more, more, more"
He lives in his own heaven
Collects it to go from the seven eleven
Well he's out all night to collect a fare
Just so long, just so long it don't mess up his hair.
I walked the world with you, babe
A thousand miles with you
I dried your tears of pain, babe
A million times for you
I'd sell my soul for you babe
For money to burn with you
I'd give you all, and have none, babe
Just to, just to, just to, to have you here by me
Because
In the midnight hour she cried- "more, more, more"
With a rebel yell she cried- "more, more, more"
In the midnight hour babe- "more, more, more"
With a rebel yell she cried "more, more, more"
More, more, more.
Oh yeah little baby
She want more
More, more, more, more, more.
Oh yeah little angel
She want more
More, more, more, more.
”
”
Billy Idol
“
While a husband or wife might be able to cope with the missing part, children do not fare as well. Babies are not able to rely on reason or intellect to measure the stability of the world around them, so by design, they depend heavily on their senses. There are certain aspects of the marriage relationship that children need to witness routinely. Children need to see an on-going love relationship that includes Mom and Dad enjoying each other as friends and not just parents. They also need to see their parents talking, laughing, working together and resolving conflicts with a mutual respect for each other. We cannot over emphasize this point: the more parents demonstrate love for each other, the more they saturate their child’s senses with confidence of a loving, safe and secure world. That marriage relationship provides children with a layer of love and security that cannot be achieved through the direct parent-child relationship—even during the baby years. When you put all of these factors together, they add up to a healthy home environment.
”
”
Gary Ezzo (On Becoming Baby Wise: Giving Your Infant the Gift of Nighttime Sleep)
“
Soba noodles with eggplant and mango This dish has become my mother’s ultimate cook-to-impress fare. And she is not the only one, as I have been informed by many readers. It is the refreshing nature of the cold buckwheat noodles the sweet sharpness of the dressing and the muskiness of mango that make it so pleasing. Serve this as a substantial starter or turn it into a light main course by adding some fried firm tofu. Serves 6 1/2 cup rice vinegar 3 tbsp sugar 1/2 tsp salt 2 garlic cloves, crushed 1/2 fresh red chile, finely chopped 1 tsp toasted sesame oil grated zest and juice of 1 lime 1 cup sunflower oil 2 eggplants, cut into 3/4-inch dice 8 to 9 oz soba noodles 1 large ripe mango, cut into 3/8-inch dice or into 1/4-inch-thick strips 12/3 cup basil leaves, chopped (if you can get some use Thai basil, but much less of it) 21/2 cups cilantro leaves, chopped 1/2 red onion, very thinly sliced In a small saucepan gently warm the vinegar, sugar and salt for up to 1 minute, just until the sugar dissolves. Remove from the heat and add the garlic, chile and sesame oil. Allow to cool, then add the lime zest and juice. Heat up the sunflower oil in a large pan and shallow-fry the eggplant in three or four batches. Once golden brown remove to a colander, sprinkle liberally with salt and leave there to drain. Cook the noodles in plenty of boiling salted water, stirring occasionally. They should take 5 to 8 minutes to become tender but still al dente. Drain and rinse well under running cold water. Shake off as much of the excess water as possible, then leave to dry on a dish towel. In a mixing bowl toss the noodles with the dressing, mango, eggplant, half of the herbs and the onion. You can now leave this aside for 1 to 2 hours. When ready to serve add the rest of the herbs and mix well, then pile on a plate or in a bowl.
”
”
Yotam Ottolenghi (Plenty: Vibrant Vegetable Recipes from London's Ottolenghi)
“
Tensions spread from the front office to backstage. At the Raleigh, North Carolina, stop the first week, Mickey Hart told manager Cameron Sears he didn’t want to see Weir on his bus that night. In the middle of Hart’s spaghetti dinner, however, Weir climbed aboard Hart’s bus and started making his way down the aisle. “Don’t you RatDog this band,” shouted Hart. Weir unceremoniously dumped Hart’s plate of spaghetti on his lap. Judo black-belt Hart leaped out of his seat, slapped a quick move on his erstwhile bandmate, threw him down to the floor—“You understand that I love you,” he told Weir—and escorted him off the bus. Nobody said a word.
”
”
Joel Selvin (Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip)
“
And why, I pray you? Who might be your mother, That you insult, exult, and all at once, Over the wretched? What though you have no beauty— As, by my faith, I see no more in you Than without candle may go dark to bed— Must you be therefore proud and pitiless? Why, what means this? why do you look on me? I see no more in you than in the ordinary Of nature’s sale-work. ’Od’s my little life, I think she means to tangle my eyes too! No, faith, proud mistress, hope not after it. ’Tis not your inky brows, your black silk hair, Your bugle eyeballs, nor your cheek of cream That can entame my spirits to your worship. You foolish shepherd, wherefore do you follow her, Like foggy south, puffing with wind and rain? You are a thousand times a properer man Than she a woman. ’Tis such fools as you That makes the world full of ill-favor’d children. ’Tis not her glass, but you that flatters her, And out of you she sees herself more proper Than any of her lineaments can show her. But, mistress, know yourself, down on your knees, And thank heaven, fasting, for a good man’s love; For I must tell you friendly in your ear, Sell when you can, you are not for all markets. Cry the man mercy, love him, take his offer; Foul is most foul, being foul to be a scoffer. So take her to thee, shepherd. Fare you well.
”
”
William Shakespeare (William Shakespeare: The Complete Works (Illustrated))
“
Where men can't live gods fare no be�tter. You'll see. It's be�tter to be alone. So I hope that's not true what you said because to be on the road with the last god would be a terrible thing so I hope it's not true. Things will be be�tter when everybody's gone.
They will?
Sure they will.
Better for who?
Everybody.
Everybody.
Sure. We'll all be better off. We'll all breathe easier.
That's good to know.
Yes it is. When we're all gone at last then there'll be nobody here but death and his days will be numbered too. He'll be out in the road there with nothing to do and nobody to do it to. He'll say: Where did everybody go? And that's how it will be. What's wrong with that?
”
”
Cormac McCarthy (The Road)
“
I asked once before, do you always court trouble, Miss Click, or does it just seem tae follow you where’er you go?” She flushed. So word of her run-in with Hero McClary had reached the doctor as well. Her face grew pinker, not from his mention of the feud but from his intense scrutiny. She managed as calmly as she could, “As I told Colonel Barr, the matter is settled.” His eyes sparked. “Nae, no’ settled. Nothing is ever settled with a clan like the McClarys. It matters no’ that you’re a woman. It matters greatly that you live alone.” She swallowed, not taking her eyes from his, and saw the warning and concern in their blueness. Wearily, elbows on the table, she rested her face in her hands. Gently but firmly his fingers encircled her wrists like iron bands and brought them back down. “Look at me, Lael, and say that you’ll come tae the fort, just for the winter.” Lael. Lay-elle. In his Highland brogue, it sounded like no name she had ever heard, yet she bristled at his familiarity. Her resistance to the notion of forting up doubled. “Nay,” was all she said as she looked away. Releasing her, he looked down at the bowl of food Ma Horn had set before him. Did he find turnips and greens disagreeable fare? Or was he regretting saying her given name? In a few days’ time, “Miss Click” had changed to “Lael.” “I’d best be going,” she said but made no move to do so. “Nae . . . stay.
”
”
Laura Frantz (The Frontiersman's Daughter)
“
MAC. Fear not then any longer the hostile spear of the Argives; for I myself, old man, before I am commanded, am prepared to die, and to stand for slaughter; for what shall we say if the city thinks fit for our sakes to encounter a great danger, but we putting toils on others, avoid death when we can be saved? Not so, since this would be ridiculous for suppliants sitting at the shrines of the Gods to mourn, but being of such a sire as we are, to be seen to be cowards; how can this seem good! it were more noble, I think, (which may it never happen!) to fall into the hands of the enemy, this city being taken, and afterward, being born of a noble father, having suffered dreadful things, to see Hades none the less; but shall I wander about, driven from this land, and shall I not indeed be ashamed if any one says, "Why have ye come hither with your suppliant branches, yourselves being too fond of life! Depart from the land, for we will not aid cowards." But neither, indeed, if these die, and I myself am saved, have I any hope to fare well; for before now many have in this way betrayed their friends. For who would choose to have me, a solitary damsel, for his wife, or to raise children from me? therefore it is better to die than to have such an unworthy fate as this; and this may even be more seemly for some other, who is not illustrious as I. Lead me then where this body must needs die, and crown me and begin the rites, if you think fit, and conquer your enemies; for this life is ready for you, willing, and not unwilling; and I promise to die for these my brethren, and for myself; for not caring for life, I have found this most glorious thing to find, namely, to leave life gloriously.
”
”
Euripides (The Tragedies of Euripides, Volume I.)
“
Why did you help AgriGen for so long?"
The doctor's eyes narrow. "The same reason you run like a dog for your masters. They paid me in the coin I wanted most."
Her slap rings across the water. The guards start forward, but Kanya is already drawing back, shaking off the sting in her hand, waving away the guards. "We're fine. Nothing is wrong."
The guards pause, unsure of their duty and loyalties. The doctor touches his broken lip, examines the blood thoughtfully. Looks up. "A sore spot, there. . . How much of yourself have you already sold?" He smiles showing teeth rimed bloody from Kanya's strike. "Are you AgriGen's then? Complicit?" He looks into Kanya's eyes. "Are you here to kill me? To end my thorn in their side?" He watches closely, eyes peering into her soul, observant, curious. "It is only a matter of time. They must know that I am here. That I am yours. The Kingdom couldn't have fared so well for so long without me. Couldn't have released nightshades and ngaw without my help. We all know they are hunting. Are you my hunter, then? Are you my destiny?"
Kanya scowls. "Hardly. We're not done with you yet."
Gibbons slumps. "Ah, of course not. But then, you never will be. That is the nature of our beasts and plagues. They are not dumb machines to be driven about. They have their own needs and hungers. Their own evolutionary demands. They must mutate and adapt, and so you will never be done with me, and when I am gone, what will you do then? We have released demons upon the world, and your walls are only as good as my intellect. Nature has become something new. It is ours now, truly. And if our creation devours us, how poetic will that be?"
"Kamma," she murmurs.
"Precisely.
”
”
Paolo Bacigalupi (The Windup Girl)
“
A Safety Travel with Sinclair James International
Traveling to somewhere completely foreign to you may be challenging but that is what travelers always look for. It can be a good opportunity to find something new and discover new places, meet new people and try a different culture. However, it can involve a lot of risk as well. You may be surprised to find yourself naked and penniless on the side of the road trying to figure out what you did wrong. These kinds of situations come rarely when you are careful and cautious enough but it is not impossible.
Sinclair James International Travel and Tours, your Australian based traveling guide can help you travel safely through the following tips:
1. Pack all Security Items
In case of emergencies, you should have all the safety tools and security items with you. Carry a card with your name and number with you and don’t forget to scribble down the numbers of local police station, fire department, list of hospitals and other necessary numbers that you may need. Place them in each compartment and on your pockets. If ever you find yourself being a victim of pick pocketing in Manila, Philippines or being driven around in circles in the streets of Bangkok, Thailand, you will definitely find these numbers very helpful. It is also advisable to put your name and an emergency number in case you are in trouble and may need someone else to call.
2. Protect your Passport
Passports nowadays have RFID which can be scanned from a distance. We have heard some complaints from fellow travelers of being victims of scams which involves stealing of information through passports. An RFID blocking case in a wallet may come in handy to prevent hackers from stealing your information.
3. Beware of Taxis
When you exit the airport, taxis may all look the same but some of them can be hiding a defective scam to rob tourists during their drive. It is better to ask an official before taking a taxi as many unmarked ones claim that they are legitimate. Also, if the fare isn’t flat rate, be sure you know the possible routes. Some drivers will know better and will take good care of you, but others will take longer routes to increase the fare. If you know your options, you can suggest a different route to avoid paying too much.
4. Be aware of your Rights
Laws change from state to state, and certainly from country to country, but ignorance to them will get you nowhere. In fact, in many cases you can get yourself out of trouble by knowing the laws that will affect you. When traveling to other countries, make sure to review the laws and policies that can affect your activities. There are a lot of misconceptions and knowing these could save you a headache. Sinclair James International
”
”
James Sinclair
“
In American law, there is the Constitution and the whole body of common law precedent, and very little of that supports socialism. Consequently, if you are a Left-wing graduate student or professor in literature or law and you are confronted with the Western legal or literary canon, you have two choices. You can take on the opposing traditions, have your students read the great books and the great decisions, and argue with them in your classes. That is very hard work and also very risky—your students might come to agree with the wrong side. Or you can find a way to dismiss the whole tradition, so that you can teach only books that fit your politics. If you are looking for shortcuts, or if you have a sneaking suspicion that the right side might not fare well in the debate, then deconstruction is seductive. Deconstruction allows you to dismiss whole literary and legal traditions as built upon sexist or racist or otherwise exploitative assumptions.
”
”
Stephen R.C. Hicks (Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault)
“
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home.
But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world.
He said, “This is not a sitting room.”
“Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.”
His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.”
Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown.
“Wait,” he said. “What are the stakes?”
She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.”
But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them.
“Hmm,” he said, and they each put in their ante.
Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage.
“How do you know?” she said.
“How do I know what?”
“That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her.
She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated.
Kestrel realized that Arin had been waiting to answer her question. He was watching her.
“I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.”
“Well,” said Kestrel, uncomfortable, “it is no longer what it was.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Section four people who don’t under stand homophones If ewe due naught no watt a homophone is, eye well X plane. Homophones R words, that win herd, sound the same, butt R naught spelt the same and mien differ rent things. Watt eye yam saying hear is that the English language ran out of words and had two reuse a phew. If some one is reading this too ewe rite now than it mite seam grate, butt just no that the purse son who reeds this is half-ing a reel pane full thyme. If ewe half know clew how two spell some thing and you’re teacher tells ewe two spell it buy “sounding it out,” ask hymn ab out home a phones, cause if the “sound ding it out” method was a hole lot moor ack U rate oar bet her than guess sing, wood home F owns X cyst? Ewe sea, hoe Moe phones own Lee X cyst sew you’re tea chair has a ree sun too mark down you’re pay purse. All so sew ewe sound like ewe half Ben drink king when ewe send text mess ages you sing voice two text. Two bee fare, English spell ling never maid much scents too beg in with.
”
”
James Rallison (The Odd 1s Out: The First Sequel)
“
Anne, did you ever get on a street car and then discover that you hadn’t any money with you to pay your fare? I did, the other day. It’s quite awful. I had a nickel with me when I got on the car. I thought it was in the left pocket of my coat. When I got settled down comfortably I felt for it. It wasn’t there. I had a cold chill. I felt in the other pocket. Not there. I had another chill. Then I felt in a little inside pocket. All in vain. I had two chills at once. “I took off my gloves, laid them on the seat, and went over all my pockets again. It was not there. I stood up and shook myself, and then looked on the floor. The car was full of people, who were going home from the opera, and they all stared at me, but I was past caring for a little thing like that. “But I could not find my fare. I concluded I must have put it in my mouth and swallowed it inadvertently. “I didn’t know what to do. Would the conductor, I wondered, stop the car and put me off in ignominy and shame? Was it possible that I could convince him that I was merely the victim of my own absentmindedness, and not an unprincipled creature trying to obtain a ride upon false pretenses? How I wished that Alec or Alonzo were there. But they weren’t because I wanted them. If I HADN’T wanted them they would have been there by the dozen. And I couldn’t decide what to say to the conductor when he came around. As soon as I got one sentence of explanation mapped out in my mind I felt nobody could believe it and I must compose another. It seemed there was nothing to do but trust in Providence, and for all the comfort that gave me I might as well have been the old lady who, when told by the captain during a storm that she must put her trust in the Almighty exclaimed, ‘Oh, Captain, is it as bad as that?’ “Just at the conventional moment, when all hope had fled, and the conductor was holding out his box to the passenger next to me, I suddenly remembered where I had put that wretched coin of the realm. I hadn’t swallowed it after all. I meekly fished it out of the index finger of my glove and poked it in the box. I smiled at everybody and felt that it was a beautiful world.
”
”
L.M. Montgomery (Anne of the Island: Book 3 in the Anne of Green Gables Series)
“
Mr. Grayson was just…explaining the workings of the ship.” She attempted to tug her hand from Gray’s grasp, shooting him a pained look when he refused to relinquish his prize.
Gray said smoothly, “Actually, we were discussing debts. Miss Turner still owes me her fare, and I-“
“And I told you, you’ll have it today.” Beneath that abomination of a skirt wrapped about his leg, she planted her heel atop his booted toe and transferred all her weight onto it. Firmly. Once again, Gray regretted trading his old, sturdy boots for these foppish monstrosities. Her little pointed heel bit straight through the thin leather.
With a tight grimace, Gray released her hand. He’d been about to say, and I have her handkerchief to return. But just for that, he wouldn’t.
“Good afternoon, then.” A sweet smile graced her face as she stomped down on his foot again, harder. Then she turned and flounced away.
He made an amused face at Jonas. “I think she likes me.”
“In my cabin, Gray.”
Gray gritted his teeth and followed Joss down the hatch. Whether he liked being Gray’s half brother or not, Joss was damn lucky right now that he was. Gray wouldn’t have suffered that supercilious command for any bond weaker than blood.
“You gave me your word, Gray.”
“Did I? And what word was that?”
Joss tossed his hat on the wood-framed bed and stripped off his greatcoat with agitated movements. “You know damn well what I mean. You said you wouldn’t pursue Miss Turner. Now you’re kissing her hand and making a spectacle in front of the whole ship. Bailey’s already taking bets from the sailors as to how many days it’ll take you to bed her.”
“Really?” Gray rubbed the back of his neck. “I hope he’s giving even odds on three. Two, if you’ll send young Davy up the mast again. That got her quite excited.”
Joss glared at him. “Need I remind you that this was your idea? You wanted a respectable merchant vessel. I’m trying to command it as such, but that’ll be a bit difficult if you intend to stage a bawdy-house revue on deck every forenoon.”
Gray smiled as Joss slung himself into the captain’s chair. “Be careful, Joss. I do believe you nearly made a joke. People might get the idea you have a sense of humor.”
“I don’t see anything humorous about this. This isn’t a pleasure cruise around the Mediterranean.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
That?” cried Charley with astonishment. “A loaf of bread and a flagon of wine? Of course it’s very well painted.” “Yes, you’re right; it’s very well painted; it’s painted with pity and love. It’s not only a loaf of bread and a flagon of wine; it’s the bread of life and the blood of Christ, but not held back from those who starve and thirst for them and doled out by priests on stated occasions; it’s the daily fare of suffering men and women. It’s so humble, so natural, so friendly; it’s the bread and wine of the poor who ask no more than that they should be left in peace, allowed to work and eat their simple food in freedom. It’s the cry of the despised and rejected. It tells you that whatever their sins men at heart are good. That loaf of bread and that flagon of wine are symbols of the joys and sorrows of the meek and lowly. They ask for your mercy and your affection; they tell you that they’re of the same flesh and blood as you. They tell you that life is short and hard and the grave is cold and lonely. It’s not only a loaf of bread and a flagon of wine; it’s the mystery of man’s lot on earth, his craving for a little friendship and a little love, the humility of his resignation when he sees that even they must be denied him.” Lydia
”
”
W. Somerset Maugham (Christmas Holiday (Vintage International))
“
The extraordinary increase in prison admissions due to parole and probation violations is due almost entirely to the War on Drugs. With respect to parole, in 1980, only 1 percent of all prison admissions were parole violators. Twenty years later, more than one third (35 percent) of prison admissions resulted from parole violations. To put the matter more starkly: About as many people were returned to prison for parole violations in 2000 as were admitted to prison in 1980 for all reasons. Of all parole violators returned to prison in 2000, only one-third were returned for a new conviction; two-thirds were returned for a technical violation such as missing appointments with a parole officer, failing to maintain employment, or failing a drug test. In this system of control, failing to cope well with one's exile status is treated like a crime. If you fail, after being released from prison with a criminal record - your personal badge of inferiority - to remain drug free, or if you fail to get a job against all the odds, or if you get depressed and miss an appointment with your parole officer (or if you cannot afford the bus fare to take you there), you can sent right back to prison - where society apparently thinks millions of Americans belong.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
TO MY DOG BLANCO
My dear dumb friend, low lying here,
A willing vassal at my feet, —
Glad partner of my home and fare.
My shadow in the street, —
I look into your great brown eyes,
Where love and loyal homage shine,
And wonder where the difference lies
Between your soul and mine.
For all of good that I have found
Within myself or human kind
Hath royally informed and crowned
Your gentle heart and mind.
I scan the whole broad earth around
For that one heart which, real and true,
Bears friendship without end or bound.
And find the prize in you.
I trust you as I trust the stars;
Nor cruel loss, nor scoff, nor pride.
Nor beggary, nor dungeon bars.
Can move you from my side.
As patient under injury
As any Christian saint of old;
As gentle as a lamb with me,
But with your brothers bold.
More playful than a frolic boy,
More watchful than a sentinel —
By day and night your constant joy
To guard and please me well.
I clasp your head upon my breast —
The while you whine and lick my hand —
And thus our friendship is confessed.
And thus we understand.
Ah, Blanco I Did I worship God
As truly as you worship me,
Or follow where my Master trod,
With your humility —
Did I sit fondly at His feet.
As you, dear Blanco, sit at mine,
And watch Him with a love as sweet.
My life would grow divine.
- Josiah Gilbert Holland
”
”
Robert Frothingham (Songs of Men, an Anthology Selected and Arranged By Robert Frothingham)
“
A week is a long time to go without bedding someone?” Marcus interrupted, one brow arching.
“Are you going to claim that it’s not?”
“St. Vincent, if a man has time to bed a woman more than once a week, he clearly doesn’t have enough to do. There are any number of responsibilities that should keep you sufficiently occupied in lieu of…” Marcus paused, considering the exact phrase he wanted. “Sexual congress.” A pronounced silence greeted his words. Glancing at Shaw, Marcus noticed his brother-in-law’s sudden preoccupation with knocking just the right amount of ash from his cigar into a crystal dish, and he frowned. “You’re a busy man, Shaw, with business concerns on two continents. Obviously you agree with my statement.”
Shaw smiled slightly. “My lord, since my ‘sexual congress’ is limited exclusively to my wife, who happens to be your sister, I believe I’ll have the good sense to keep my mouth shut.”
St. Vincent smiled lazily. “It’s a shame for a thing like good sense to get in the way of an interesting conversation.” His gaze switched to Simon Hunt, who wore a slight frown. “Hunt, you may as well render your opinion. How often should a man make love to a woman? Is more than once a week a case for unpardonable gluttony?”
Hunt threw Marcus a vaguely apologetic glance. “Much as I hesitate to agree with St. Vincent…”
Marcus scowled as he insisted, “It is a well-known fact that sexual over-indulgence is bad for the health, just as with excessive eating and drinking—”
“You’ve just described my perfect evening, Westcliff,” St. Vincent murmured with a grin, and returned his attention to Hunt. “How often do you and your wife—”
“The goings-on in my bedroom are not open for discussion,” Hunt said firmly.
“But you lie with her more than once a week?” St. Vincent pressed.
“Hell, yes,” Hunt muttered.
“And well you should, with a woman as beautiful as Mrs. Hunt,” St. Vincent said smoothly, and laughed at the warning glance that Hunt flashed him. “Oh, don’t glower—your wife is the last woman on earth whom I would have any designs on. I have no desire to be pummeled to a fare-thee-well beneath the weight of your ham-sized fists. And happily married women have never held any appeal for me—not when unhappily married ones are so much easier.” He looked back at Marcus. “It seems that you are alone in your opinion, Westcliff. The values of hard work and self-discipline are no match for a warm female body in one’s bed.”
Marcus frowned. “There are more important things.”
“Such as?” St. Vincent inquired with the exaggerated patience of a rebellious lad being subjected to an unwanted lecture from his decrepit grandfather. “I suppose you’ll say something like ‘social progress’? Tell me, Westcliff…” His gaze turned sly. “If the devil proposed a bargain to you that all the starving orphans in England would be well-fed from now on, but in return you would never be able to lie with a woman again, which would you choose? The orphans, or your own gratification?”
“I never answer hypothetical questions.”
St. Vincent laughed. “As I thought. Bad luck for the orphans, it seems.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
All at once I recognized the face I’d only glimpsed at my uncle’s table. “Sir, are you--are you Iolaus, great Herakles’s nephew?”
He gave an uncomfortable laugh and scratched his head. “I can’t deny it. How did you know me?”
“I saw you at dinner.” That was the truth, even if he’d believe I’d done so from a place at the servants’ table, not the king’s. “I’ve heard the poets sing of your exploits. It’s an honor to meet you.”
His mouth curved into a charming smile. “The real honor would be to meet Herakles. Surely you’ve heard what some of the other hunters say about me? That Lord Oeneus allowed me to join the hunt only because of my uncle’s deeds, not mine.”
“If you ask me, some of the men who scoff at you wouldn’t fare so well if anyone looked closely at their claims to fame,” I replied hotly. “Everyone knows that you were the one who helped Herakles slay the nine-headed Hydra!”
“Yes, well…” He took a deep breath. “Lad, did you ever see a nine-headed beast of any sort, mouse or monster?”
“No, but--”
“No one has, including me and my uncle. But the poets who sing for their living know they won’t earn a full belly from spinning tales about how Herakles and his nephew slew an ordinary swamp snake; a monstrously big swamp snake, as thick around the body as a pillar, but with just one head, after all.”
“Oh.” I was deeply disappointed.
“Now, now, cheer up.” Iolaus put on a jolly face. “No need to lose heart just because my adventures are such trivial things. All the more reason for you to grow up strong and brave and perform truly heroic deeds. Show the rest of us how it’s done, eh?
”
”
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
“
For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage just referred to, that without potentiality there is no change. He reverts to the Megaric view of the matter, which Aristotle took such trouble to correct. But this is not our affair. The fact is that even if you believe in a Megaric world there is no such thing as a Megaric novel; not even Paterson. Change without potentiality in a novel is impossible, quite simply; though it is the hopeless aim of the cut-out writers, and the card-shuffle writers. A novel which really implemented this policy would properly be a chaos. No novel can avoid being in some sense what Aristotle calls 'a completed action.' This being so, all novels imitate a world of potentiality, even if this implies a philosophy disclaimed by their authors. They have a fixation on the eidetic imagery of beginning, middle, and end, potency and cause.
Novels, then, have beginnings, ends, and potentiality, even if the world has not. In the same way it can be said that whereas there may be, in the world, no such thing as character, since a man is what he does and chooses freely what he does--and in so far as he claims that his acts are determined by psychological or other predisposition he is a fraud, lâche, or salaud--in the novel there can be no just representation of this, for if the man were entirely free he might simply walk out of the story, and if he had no character we should not recognize him. This is true in spite of the claims of the doctrinaire nouveau roman school to have abolished character. And Sartre himself has a powerful commitment to it, though he could not accept the Aristotelian position that it is through character that plot is actualized. In short, novels have characters, even if the world has not.
What about time? It is, effectively, a human creation, according to Sartre, and he likes novels because they concern themselves only with human time, a faring forward irreversibly into a virgin future from ecstasy to ecstasy, in his word, from kairos to kairos in mine. The future is a fluid medium in which I try to actualize my potency, though the end is unattainable; the present is simply the pour-soi., 'human consciousness in its flight out of the past into the future.' The past is bundled into the en-soi, and has no relevance. 'What I was is not the foundation of what I am, any more than what I am is the foundation of what I shall be.' Now this is not novel-time. The faring forward is all right, and fits the old desire to know what happens next; but the denial of all causal relation between disparate kairoi, which is after all basic to Sartre's treatment of time, makes form impossible, and it would never occur to us that a book written to such a recipe, a set of discontinuous epiphanies, should be called a novel. Perhaps we could not even read it thus: the making of a novel is partly the achievement of readers as well as writers, and readers would constantly attempt to supply the very connections that the writer's programme suppresses. In all these ways, then, the novel falsifies the philosophy.
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
It will be seen that this mere painstaking burrower and grubworm of a poor devil of a Sub-Sub appears to have gone through the long Vaticans and street-stalls of the earth, picking up whatever random allusions to whales he could anyways find in any book whatsoever, sacred or profane. Therefore you must not, in every case at least, take the higgledy-piggledy whale statements, however authentic, in these extracts, for veritable gospel cetology. Far from it. As touching the ancient authors generally, as well as the poets here appearing, these extracts are solely valuable or entertaining, as affording a glancing bird's eye view of what has been promiscuously said, thought, fancied, and sung of Leviathan, by many nations and generations, including our own. So fare thee well, poor devil of a Sub-Sub, whose commentator I am. Thou belongest to that hopeless, sallow tribe which no wine of this world will ever warm; and for whom even Pale Sherry would be too rosy-strong; but with whom one sometimes loves to sit, and feel poor-devilish, too; and grow convivial upon tears; and say to them bluntly, with full eyes and empty glasses, and in not altogether unpleasant sadness — Give it up, Sub-Subs! For by how much the more pains ye take to please the world, by so much the more shall ye for ever go thankless! Would that I could clear out Hampton Court and the Tuileries for ye! But gulp down your tears and hie aloft to the royal-mast with your hearts; for your friends who have gone before are clearing out the seven-storied heavens, and making refugees of long-pampered Gabriel, Michael, and Raphael, against your coming. Here ye strike but splintered hearts together — there, ye shall strike unsplinterable glasses!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Nikolay Anastasyevitch Ananyev, the engineer, was a broad-shouldered, thick-set man, and, judging from his appearance, he had, like Othello, begun the "descent into the vale of years," and was growing rather too stout. He was just at that stage which old match-making women mean when they speak of "a man in the prime of his age," that is, he was neither young nor old, was fond of good fare, good liquor, and praising the past, panted a little as he walked, snored loudly when he was asleep, and in his manner with those surrounding him displayed that calm imperturbable good humour which is always acquired by decent people by the time they have reached the grade of a staff officer and begun to grow stout. His hair and beard were far from being grey, but already, with a condescension of which he was unconscious, he addressed young men as "my dear boy" and felt himself entitled to lecture them good-humouredly about their way of thinking. His movements and his voice were calm, smooth, and self-confident, as they are in a man who is thoroughly well aware that he has got his feet firmly planted on the right road, that he has definite work, a secure living, a settled outlook. . . . His sunburnt, thicknosed face and muscular neck seemed to say: "I am well fed, healthy, satisfied with myself, and the time will come when you young people too, will be wellfed, healthy, and satisfied with yourselves. . . ." He was dressed in a cotton shirt with the collar awry and in full linen trousers thrust into his high boots. From certain trifles, as for instance, from his coloured worsted girdle, his embroidered collar, and the patch on his elbow, I was able to guess that he was married and in all probability tenderly loved by his wife.
”
”
Anton Chekhov (Love)
“
No one acts in a void. We all take cues from cultural norms, shaped by the law. For the law affects our ideas of what is reasonable and appropriate. It does so by what it prohibits--you might think less of drinking if it were banned, or more of marijuana use if it were allowed--but also by what it approves. . . .
Revisionists agree that it matters what California or the United States calls a marriage, because this affects how Californians or Americans come to think of marriage.
Prominent Oxford philosopher Joseph Raz, no friend of the conjugal view, agrees: "[O]ne thing can be said with certainty [about recent changes in marriage law]. They will not be confined to adding new options to the familiar heterosexual monogamous family. They will change the character of that family. If these changes take root in our culture then the familiar marriage relations will disappear. They will not disappear suddenly. Rather they will be transformed into a somewhat different social form, which responds to the fact that it is one of several forms of bonding, and that bonding itself is much more easily and commonly dissoluble. All these factors are already working their way into the constitutive conventions which determine what is appropriate and expected within a conventional marriage and transforming its significance."
Redefining civil marriage would change its meaning for everyone. Legally wedded opposite-sex unions would increasingly be defined by what they had in common with same-sex relationships.
This wouldn't just shift opinion polls and tax burdens. Marriage, the human good, would be harder to achieve. For you can realize marriage only by choosing it, for which you need at least a rough, intuitive idea of what it really is. By warping people's view of marriage, revisionist policy would make them less able to realize this basic way of thriving--much as a man confused about what friendship requires will have trouble being a friend. . . .
Redefining marriage will also harm the material interests of couples and children. As more people absorb the new law's lesson that marriage is fundamentally about emotions, marriages will increasingly take on emotion's tyrannical inconstancy. Because there is no reason that emotional unions--any more than the emotions that define them, or friendships generally--should be permanent or limited to two, these norms of marriage would make less sense. People would thus feel less bound to live by them whenever they simply preferred to live otherwise. . . .
As we document below, even leading revisionists now argue that if sexual complementarity is optional, so are permanence and exclusivity. This is not because the slope from same-sex unions to expressly temporary and polyamorous ones is slippery, but because most revisionist arguments level the ground between them: If marriage is primarily about emotional union, why privilege two-person unions, or permanently committed ones? What is it about emotional union, valuable as it can be, that requires these limits?
As these norms weaken, so will the emotional and material security that marriage gives spouses. Because children fare best on most indicators of health and well-being when reared by their wedded biological parents, the same erosion of marital norms would adversely affect children's health, education, and general formation. The poorest and most vulnerable among us would likely be hit the hardest. And the state would balloon: to adjudicate breakup and custody issues, to meet the needs of spouses and children affected by divorce, and to contain and feebly correct the challenges these children face.
”
”
Sherif Girgis
“
There now,” she said to the flowers in an encouraging tone, “you have food and air. You’ll be very happy and pretty in no time.”
“Are you talking to the flowers?” Ian asked from behind her.
Elizabeth started and turned around on an embarrassed laugh. “They like it when I talk to them.” Knowing how peculiar that sounded, she reinforced it by adding, “Our gardener used to say all living things need affection, and that includes flowers.” Turning back to the garden, she shoveled the last of the compost around the flowers, then she stood up and brushed off her hands. Her earlier ruminations about him had abolished so much of her antagonism that as she looked at him now she was able to regard him with perfect equanimity. It occurred to her, though, that it must seem odd to him that a guest was rooting about in his garden like a menial. “I hope you don’t mind,” she said, nodding toward the garden, “but the flowers couldn’t breathe with so many weeds choking them. They were crying out for a little room and sustenance.”
An indescribable expression flashed across his face. “You heard them?”
“Of course not,” Elizabeth said with a chuckle. “But I did take the liberty of fixing a special meal-well, compost, actually-for them. It won’t help them very much this year, but next year I think they’ll be much happier…”
She trailed off, belatedly noticing the worried look he gave the flowers when she mentioned fixing them “a meal.” “You needn’t look as if you expect them to collapse at my feet,” she admonished, laughing. “They’ll fare far better with their meal than we did with ours. I am a much better gardener than I am a cook.”
Ian jerked his gaze from the flowers, then looked at her with an odd, contemplative expression. “I think I’ll go inside and clean up.” She walked away without looking back, and so she did not see Ian Thornton turn halfway around to watch her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A new wife is not a matter. She is my family. Their Graces have had thirty years to spend holidays with us, and this my first—” Westhaven sighed, took a sip of punch, and glanced over at Val. “It doesn’t get easier the longer you’re married. You still fret, more in fact, once the babies start coming.” Val’s head cocked, as if he’d just recalled his brother was also his friend. “Well, as to that…” Val smiled at his punch. Baby Brother sported a devastating smile when he wanted to, but this expression was… St. Just lifted his mug. “Congratulations, then. How’s Ellen faring?” “She’s in fine spirits, in glowing good health, and I’m a wreck. I think she sent me off to Peterborough with something like relief in her eye.” Westhaven was staring morosely at his grog. “Anna isn’t subtle about it anymore. She tells me to get on my horse and not come back until I’ve worked the fidgets out of us both. She’s quite glad to see me when I return, though. Quite glad.” For Westhaven, that was the equivalent of singing a bawdy song in the common. St. Just propped his mug on his stomach. “Emmie says I’m an old campaigner, and I get twitchy if I’m confined to headquarters too long. Winnie says I need to go on scouting patrol. The reunions are nice, though. You’re right about that.” Val took a considering sip of his drink then speared St. Just with a look. “I wouldn’t know about those reunions, but I intend to find out soon. Dev, you are the only one of us experienced at managing a marching army, and I’m not in any fit condition to be making decisions, or I’d be on my way back to Oxfordshire right now.” “Wouldn’t advise that,” Westhaven said, still looking glum. “Your wife will welcome you sweetly into her home and her bed, but you’ll know you didn’t quite follow orders—our wives are in sympathy with Her Grace—and they have their ways of expressing their…” Both brothers chimed in, “Disappointment.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Well, there really isn’t too much to tell. First I started not to ride the bus because I wasn’t feeling well, however, after leaving the drug store and getting some medicine, a bus came along which was almost empty, so I took it rather than a cab. After the bus had gone a couple of blocks, it became full, then these white people got on. I only noticed them though, when the motorman said, “Alright, let me have those seats!” The two persons across from me moved and the man sitting with me … The motorman then said, “Didn’t you hear me? I said, let me have those seats!” I then told him that I was not going to move because I got on first and paid the same fare, and I didn’t think it was right for me to have to stand so someone else who got on later could sit down. I made up my mind that I was not going to move even if there were seats in back. I was tired of being humiliated. The bus driver then went on for another block to the circle downtown. The circle in downtown Montgomery was once the center of the city’s slave trade. Parks continued: There he stopped and called the police. When they came, they asked me why I didn’t move back, and I told them the same thing I told the motorman. Then they talked to the driver secretly, however, I did hear one say “NAACP,” and “Are you sure you want to press charges.” The driver said that he did, and that he would come down after his next trip. The policemen were reluctant, but they had no choice. When we got to the jail and the charges were made, I was photographed and finger-printed. I then started to one of the fountains to get some water, but was told that I could not drink from the fountain, so a policeman got the water in a glass for me. After this, I called my husband and told him I was in jail and that my bond would be $100. He and my mother were horrified, after explaining why I was there, they sort of calmed down a bit, and I finally got home.
”
”
Jonathan Eig (King: A Life)
“
No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,
”
”
Louisa May Alcott (Little Women)
“
John Bradshaw, in his best-seller Homecoming: Reclaiming and Championing Your Inner Child, details several of his imaginative techniques: asking forgiveness of your inner child, divorcing your parent and finding a new one, like Jesus, stroking your inner child, writing your childhood history. These techniques go by the name catharsis, that is, emotional engagement in past trauma-laden events. Catharsis is magnificent to experience and impressive to behold. Weeping, raging at parents long dead, hugging the wounded little boy who was once you, are all stirring. You have to be made of stone not to be moved to tears. For hours afterward, you may feel cleansed and at peace—perhaps for the first time in years. Awakening, beginning again, and new departures all beckon.
Catharsis, as a therapeutic technique, has been around for more than a hundred years. It used to be a mainstay of psychoanalytic treatment, but no longer. Its main appeal is its afterglow. Its main drawback is that there is no evidence that it works. When you measure how much people like doing it, you hear high praise. When you measure whether anything changes, catharsis fares badly. Done well, it brings about short-term relief—like the afterglow of vigorous exercise. But once the glow dissipates, as it does in a few days, the real problems are still there: an alcoholic spouse, a hateful job, early-morning blues, panic attacks, a cocaine habit. There is no documentation that the catharsis techniques of the recovery movement help in any lasting way with chronic emotional problems. There is no evidence that they alter adult personality. And, strangely, catharsis about fictitious memories does about as well as catharsis about real memories. The inner-child advocates, having treated tens of thousands of suffering adults for years, have not seen fit to do any follow-ups. Because catharsis techniques are so superficially appealing, because they are so dependent on the charisma of the therapist, and because they have no known lasting value, my advice is “Let the buyer beware.
”
”
Martin E.P. Seligman (What You Can Change and What You Can't: The Complete Guide to Successful Self-Improvement)
“
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FUVRSL
“
When Musk took delivery of his F1, CNN was there to cover it. “Just three years ago I was showering at the Y and sleeping on the office floor,” he told the camera sheepishly, “and now obviously, I’ve got a million-dollar car… it’s just a moment in my life.” While other McLaren F1 owners around the world—the sultan of Brunei, Wyclef Jean, and Jay Leno, among others—could comfortably afford it, Musk’s purchase had put a sizable dent in his bank account. And unlike other owners, Musk drove the car to work—and declined to insure it. As Musk drove Thiel up Sand Hill Road in the F1, the car was the subject of their chat. “It was like this Hitchcock movie,” Thiel remembered, “where we’re talking about the car for fifteen minutes. We’re supposed to be preparing for the meeting—and we’re talking about the car.” During their ride, Thiel looked at Musk and reportedly asked, “So, what can this thing do?” “Watch this,” Musk replied, flooring the accelerator and simultaneously initiating a lane change on Sand Hill Road. In retrospect, Musk admitted that he was outmatched by the F1. “I didn’t really know how to drive the car,” he recalled. “There’s no stability systems. No traction control. And the car gets so much power that you can break the wheels free at even fifty miles an hour.” Thiel recalls the car in front of them coming fast into view—then Musk swerving to avoid it. The McLaren hit an embankment, was tossed into the air—“like a discus,” Musk remembered——then slammed violently into the ground. “The people that saw it happen thought we were going to die,” he recalled. Thiel had not worn a seat belt, but astonishingly, neither he nor Musk were hurt. Musk’s “work of art” had not fared as well, having now taken a distinctly cubist turn. Post-near-death experience, Thiel dusted himself off on the side of the road and hitchhiked to the Sequoia offices, where he was joined by Musk a short while later. X.com’s CEO, Bill Harris, was also waiting at the Sequoia office, and he recalled that both Thiel and Musk were late but offered no explanation for their delay. “They never told me,” Harris said. “We just had the meeting.” Reflecting on it, Musk found humor in the experience: “I think it’s safe to say Peter wouldn’t be driving with me again.” Thiel wrung some levity out of the moment, too. “I’d achieved lift-off with Elon,” he joked, “but not in a rocket.
”
”
Jimmy Soni (The Founders: The Story of Paypal and the Entrepreneurs Who Shaped Silicon Valley)
“
The assessment will be guided by insights from research in particle physics, astrophysics, and cosmology that allow us to predict how the universe will unfold over epochs that dwarf the timeline back to the bang. There are significant uncertainties, of course, and like most scientists I live for the possibility that nature will slap down our hubris and reveal surprises we can’t yet fathom. But focusing on what we’ve measured, on what we’ve observed, and on what we’ve calculated, what we’ll find, as laid out in chapters 9 and 10, is not heartening. Planets and stars and solar systems and galaxies and even black holes are transitory. The end of each is driven by its own distinctive combination of physical processes, spanning quantum mechanics through general relativity, ultimately yielding a mist of particles drifting through a cold and quiet cosmos.
How will conscious thought fare in a universe experiencing such transformation? The language for asking and answering this question is provided once again by entropy. And by following the entropic trail we will encounter the all-too-real possibility that the very act of thinking, undertaken by any entity of any kind anywhere, may be thwarted by an unavoidable buildup of environmental waste: in the distant future, anything that thinks may burn up in the heat generated by its own thoughts. Thought itself may become physically impossible.
While the case against endless thought will be based on a conservative set of assumptions, we will also consider alternatives, possible futures more conducive to life and thinking. But the most straightforward reading suggests that life, and intelligent life in particular, is ephemeral. The interval on the cosmic timeline in which conditions allow for the existence of self-reflective beings may well be extremely narrow. Take a cursory glance at the whole shebang, and you might miss life entirely. Nabokov’s description of a human life as a “brief crack of light between two eternities of darkness”6 may apply to the phenomenon of life itself.
We mourn our transience and take comfort in a symbolic transcendence, the legacy of having participated in the journey at all. You and I won’t be here, but others will, and what you and I do, what you and I create, what you and I leave behind contributes to what will be and how future life will live. But in a universe that will ultimately be devoid of life and consciousness, even a symbolic legacy—a whisper intended for our distant descendants—will disappear into the void.
Where, then, does that leave us?
”
”
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
“
Gray burst into the galley. “Miss Turner is not eating.”
The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam.
“And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up.
“She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently.
“Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?”
“Her dress no longer fits properly. The neckline of her bodice is too loose.”
Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter.
“Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.”
“It’s not that she’s a beautiful lady-“
Gabriel looked up sharply.
“It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.”
“Wouldn’t that be the captain’s duty?”
Gray narrowed his eyes.
“And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.”
Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?”
“This, and biscuit.”
“I’ll order the men to trawl for a fish.”
“Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly.
Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them.
Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him.
Gabriel stopped pounding. “Sit down, Gray. Rest your bones.”
With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him.
Milk.
Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.”
The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.”
Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.”
“Gray.”
“Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.”
He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple.
“Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.”
“Your mother?”
He grinned again. “No.”
She blinked.
“Oh, now don’t look so disappointed,” he said. “It’s my sister.”
Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look.
But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves.
He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum.
“And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.”
Sophia sucked in her breath.
“So call me Gray.” He released her hand abruptly.
Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well.
She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’”
He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram.
S.H.
“You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.”
His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Dear Frodo, Bad news has reached me here. I must go off at once. You had better leave Bag End soon, and get out of the Shire before the end of July at latest. I will return as soon as I can; and I will follow you, if I find that you are gone. Leave a message for me here, if you pass through Bree. You can trust the landlord (Butterbur). You may meet a friend of mine on the Road: a Man, lean, dark, tall, by some called Strider. He knows our business and will help you. Make for Rivendell. There I hope we may meet again. If I do not come, Elrond will advise you. Yours in haste
GANDALF. PS. Do NOT use It again, not for any reason whatever! Do not travel by night! PPS. Make sure that it is the real Strider. There are many strange men on the roads. His true name is Aragorn. All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king. PPPS. I hope Butterbur sends this promptly. A worthy man, but his memory is like a lumber-room: thing wanted always buried. If he forgets, I shall roast him. Fare Well!
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
You think language honest?” Ouster laughed for longer than was polite. “You haven’t dipped your quill yet, obviously, with that fresh outlook. Anyone who exchanges the simplest of pleasantries is a disciple of Wael. Who knows what’s really being said when words are used. A well met and farewell could start a war with what lies beneath their surface.” Ouster grunted, staring at the floor. Into memory, the boy corrected. “Best riddle ever made, stuffing our minds with feelings and wants, and then giving us the paltry fare of words with which to speak it. Though... lies have power, too. And if you repeat the words of a lie often enough...” The wry smile returned.
”
”
Chris Avellone (The House of Wael)
“
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deserved compassion, and help. Rutledge would see to it. Hamish said, “You could na’ let Mowbray hang for murder. He never touched a soul. She’ll fare well enough. You must na’ fret.” It wasn’t clear whether he was speaking of Aurore or Joanna Daulton. Rutledge said, “No.” But he knew he would remember Aurore’s face and her stillness, and the French way she had of shrugging, whenever he thought of Jean. They were inextricably linked, because he and Simon were linked. He could still see the pistol beside the chair, he could smell the powder and the blood. There but for the grace of God go I … . But Hamish said into the roar of the engine and the sound of the wind whispering through the open car, “Not now. Not yet.
”
”
Charles Todd (Search The Dark (Inspector Ian Rutledge, #3))
“
I could no longer feel or move my right hand, no surprise under the circumstances, and normally a fairly simple problem to fix. You take off two of the three gloves you wear and jam the affected hand beneath your coat against your bare chest. When it’s warmed sufficiently, you take it back out, put on the gloves and go about your business. Now, I had been in very cold places, but what happened next was a complete shock. When I pulled those two outer gloves off, the skin on my hand and my arm immediately froze solid, even underneath that third expedition-weight glove. The shooting pain of instant frostbite so startled me that I lost my grip on the glove in my left hand, which the wind grabbed—whoooooosh—and sent into outer space. There was another pair of gloves in the pack on my back. But they might as well have been under my bed at home. In such a storm, there was no way I could take off that pack, put it down and rummage through it. The wind was strong enough to lift me bodily off the ground and drop me, which at one point it did. I didn’t have the time, or presence of mind, to consider my exposed right hand and forearm’s probable fate, or how I might fare in the future as a one-handed pathologist. I did reinsert my hand under my coat, a frozen Napoleon. Life and death were now the issue for all of us, with the odds against the former lengthening each moment.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
[Stephen] Hawking’s contributions to the fields of cosmology and quantum mechanics are essentially unparalleled. His book “A Brief History of Time” is a wonderful window into these contributions as expressed by one of the deepest of thinkers and most powerful of educators.
As Hawking’s muscle control continued to decay, he wrote entire books using just the muscle of his cheek to get the right letter, sometimes only faring as well as one or two words per minute. To anyone who has used an Apple TV remote, you know how wildly infuriating it is to even type out an entire YouTube title by scrolling through individual letters - now imagine writing an entire original book about astrophysics. Using your cheek.
It honestly puts me to shame, as I struggle to challenge my old ways of writing music to find new ways to create. But Hawking showed that it is possible, through the heroic task of staring disability and obscurity in the face and typing out a loud and stunningly clear: “No.
”
”
Michael Bihovsky
“
Delta Airlines Customer Service Number +1-855-653-5007
In the event that you are wanting to fly anyplace then creating Delta Airlines Customer service can be very useful for you. The help presented by this carrier has been acclaimed by numerous travelers which is obvious by the titanic speed of its development rate. Delta Airlines has become one of the fundamental transporters of the US by developing huge amounts at a time in each conceivable viewpoint. The authority site of the carrier says that it puts stock in uniting individuals than simply carrying individuals to a spot. Indeed, they are trying to do they are saying others should do which is noticeable by the quantity of individuals picking Delta over some other carrier each and every day. The records say that 91 million individuals make Delta Airlines flight reservations consistently. The carrier has been effectively made its spot in the market by serving the travelers beginning around 1929.
Baggage allowance is the biggest concern of all passengers regardless of the airline they select to fly with. The airlines charge a baggage fee from the passengers that exceed the baggage allowance limit. But passengers will find a crystal clear policy mentioned on the Delta airlines official site with no hidden charges. The airlines suggests the passengers to check the baggage policy before making any Delta Airlines reservations online.
Please note that the baggage allowance with Delta reservations is determined by the origin of the flight and the destination of the flight along with the type of fare purchased by the passenger. Though the following information on baggage allowance is provided on the standard basis:
Carry-on Baggage
The passengers are allowed to carry one carry on baggage on board with Delta reservations.
The size of the carry-on baggage must not exceed the dimensions of 22″ x 14″ x 9″ or 56 x 35 x 23 cm.
The weight of the carry-on baggage must not be more than seven (7) kgs or fifteen (15) lbs.
The baggage must fit in the overhead bin or under the seat in front of your seat
The size of the carry-on baggage must not exceed 45 linear inches or 114 cms.
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The passengers are allowed to carry one personal item along with the carry-on baggage.
The personal item can be a jacket, a laptop, a purse, a camera bag, a briefcase.
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”
Gambley
“
Fare you well, old friend.’ The pot did not reply.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
Weir had become a modern-day troubadour—an ancient archetype certain to be recognized by Joseph Campbell, the myth expert and author of Hero with a Thousand Faces, the book on which film director George Lucas partially based his Star Wars trilogy. Campbell was one of dozens of unlikely people to stumble into the Dead camp. At Mickey Hart’s invitation, Campbell attended a Grateful Dead concert. Campbell told Hart he could tell “the band is tied at the heart. You are shaking hands with the ancients.” Campbell was guest of honor at a dinner party Hart threw at his home that Weir also attended.
”
”
Joel Selvin (Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip)
“
Traveller, you have come a long way led by that star.
But the kingdom of the wish is at the other end of the night.
May you fare well, /companero/; let us journey together joyfully
Living on catastrophe, eating the pure light.
”
”
James Hollis (Under Saturn's Shadow: The Wounding and Healing of Men)
“
The next night was an off night in Virginia Beach, and Hart sent a room service spaghetti dinner to Weir and his girlfriend, Natascha. “I love you more than spaghetti,” read the note. When he joined them for the dinner, they sat down talking like nothing had ever happened the night before. Brothers will fight.
”
”
Joel Selvin (Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip)
“
The Grateful Dead has always worked as a democracy,” Hart continued. “Phil’s the odd man out. So he took his marbles and split, like a little boy would. That’s his prerogative; God bless him, I wish him well. But believe me, we don’t miss him. We’re having a great time without him. It couldn’t be better. If someone doesn’t want to play with you, you don’t play with them. We have no fight with him; he’s sort of at odds with himself. I think that liver transplant didn’t go so well. He might have gotten the liver of a jerk.
”
”
Joel Selvin (Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip)
“
This is the Orlando, the city of joy and wonders! If you are out with your family having the time of your life, sourcing for a perfect place to get a feed is part of the fun! Below, I have gathered some of the best restaurants in Orlando suitable for children so that you can narrow down the best restaurant to go eat in with your whole family. Whether it be a simple take away or a sit down meal after an activity filled day, Orlando is filled with excellent restaurants. We are now going to look for some nice places to enjoy some delicious food!
The Qualities to Look for When Searching for Restaurants to Bring You Kids to
Now not every restaurant is primarily super fun for children but there are restaurants that make the effort to make it fun for the children. Here’s what to look for:Here’s what to look for:
Special Menus for Children: Select restaurants that have kids’ menu with a lot of options on the list. This does not refer to just the standard fare of chicken nuggets and french fries; places to eat with healthy and compelling options are marked.
Entertainment and Activities: It is always those restaurants that offer some content that will entertain the children as they wait for the food to cook can be a god send. Imagine, colouring books plane areas or an interactive table game.
Family-friendly Atmosphere: This means the atmosphere of the restaurant should be quite informal and on the same note, children should be encouraged and any restrictions regarding them should be put to a stop. This ensemble involves; patient and understanding staff regarding the children and well arranged sitting arrangements that will easily contain strollers and high chairs.
Convenient Amenities: Facilities concerning the exchange of diapers at restrooms and high chairs and booster seats are quite acceptable in dining for families.
Healthy and Nutritious Options: However, the top kid-friendly restaurants go one step further than ensuring that children like the food, and choose dishes that are also healthy. More desirable products features would be that they are healthy meals that also allow the choice of specific amendments according to ones preference.
”
”
Kidrestaurant
“
Liam had seen warriors playing chess, and started to pepper me with questions about the rules. As the dishes were removed, nothing would satisfy him but that we play a game. "I know your memory is not like ours," he spoke eagerly as he pulled a wooden box out from under the platform. "So I bartered for this."
He pulled out the first piece with a flourish and pressed it into my hand. I studied it as he set the rest out on the board. The carving was amazing. It was a fierce warrior of the Plains on a galloping horse, poised to fling a lance at his opponent. But it was plain wood, with no color distinction.
Then I glanced at the board and realized that it wouldn't be a problem telling the pieces apart. One side was the Firelanders, clearly, lean and fierce warriors of both sexes, armed to the teeth. The others were all chubby city-dwellers, unarmored, with no weapons, cowering in fear of their attackers. Even the castles looked afraid somehow.
I arched an eyebrow at Liam, and he had the grace to look embarrassed. "The set is well carved," he offered as if in apology.
I chuckled. "Well, let's just see how you fare against me, Warlord.
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Elizabeth Vaughan (Warlord (Chronicles of the Warlands, #3))
“
Fuck you,” Dean snarled, stepping forward a pace. “You're a pussy. You've always been a pussy. And I'm not going to die at the hands of a pussy, so do your worst. We'll see how you fare once you fail at killing me, but succeed at pissing me the fuck off.
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Amber Lynn Natusch (From the Ashes (Force of Nature #1))
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She sighed hard and shook her head, realized she was still staring at the same recipe card in her hand. She propped it against the monitor and read again, Elegant French Pork and Beans, by Carmine Grosz of Huron, South Dakota. She scanned the recipe, which called for haricot beans- a not inelegant bean, Olivia thought. Two kinds of sausage, two cuts of pork. Leeks. Well. This looked like a midwesternized cassoulet- definitely better than the usual "Casserole Corner" fare, which was largely made up of recipes containing endless and minute variations on the same hot dishes, issue after issue. For a couple of years there, chicken and broccoli had been all the rage: Chicken Broccoli Divan, Chicken Broccoli 'Divine', Chicken Broccoli Supreme ("Them's fightin' words," Ruby had told Vivian). Chicken Broccoli Surprise, Chicken Broccoli 'Rice' Surprise (David: "Where's the surprise? You've just listed all the ingredients in the title"). Elegant Company Chicken-Broccoli Casserole. "Which is the inelegant part," Olivia had asked over the phone from college, because she was studying ambiguous reference in her Linguistic Description of Modern English class, "the company or the casserole?
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Susan Gilbert-Collins (Starting from Scratch)
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You might, for example, be excused for declining an invitation to dinner when the menu offered was dead calf with fungus in heated dough, scorched ground tubers, and cabbage stalks, all swilled down with rotten grape juice, and topped off with the dust of burnt berries in scalding water diluted with congealed oozings from the udders of a cow. You might well decline such a bill of fare but you would miss an excellent meal of veal and mushrooms, roast potatoes and spring greens, chased by a bottle of hock and finished with a steaming cup of coffee and cream. What's in a name? Just about everything.
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Paul Roche
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I know what I am. I left the better part of my sanity on battlefields all over France and Spain. I am a bastard, regardless of whose bastard, and I will fare best if I maintain a mundane little existence here in the most isolated reaches of society, where I can stink of horses and spend most of my day outdoors. I have setbacks, as you call them. I never know when a sound or a word or a memory will rise up and shoot me out of my saddle. Sometimes I drink too much, and often I want to drink too much. But I am human, Emmie. I will not shackle myself to a woman who feels only pity and gratitude and affectionate tolerance for me. I won’t.” “So what do you want of me?” Emmie asked, bewildered. He gave a bitter snort of laughter. “A fairy tale. I wanted a goddamned fairy tale, where you love me and we have Winnie here with us and more children, and they tear all over the property on their ponies and the table is noisy with laughter and teasing and the house always smells wonderful because you are my wife and the genie in our kitchen. On the bad nights, you are there for me to love and to love me, and the bad nights gradually don’t come so often. I want—” “What?” Emmie asked, her throat constricting with pain. “Devlin, what?” “Just that,” he said tiredly. “I want that small, mundane, bucolic existence. A wife, children, love, and a shared life here at Rosecroft. That is my idea of what makes peace meaningful. It can’t be built on pity or convenience or simple affection, Em. Not with me. I’ll run you off in less than two years, but we’ll have a child by then, so you’ll stay, and next thing, we’ll have separate bedrooms, and the brandy decanter will seldom stay full for long. I won’t live that way, and I won’t let it happen to you or our children either.” Another
”
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Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
“
Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower and leaf and grass, Let them pass! Let them pass! Hill and water under sky, Pass them by! Pass them by! Still round the corner there may wait A new road or a secret gate, And though we pass them by today, Tomorrow we may come this way And take the hidden paths that run Towards the Moon or to the Sun. Apple, thorn, and nut and sloe, Let them go! Let them go! Sand and stone and pool and dell, Fare you well! Fare you well! Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We’ll wander back to home and bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade! Fire and lamp, and meat and bread, And then to bed! And then to bed!
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
What is the worldly life like? People will cook out the vegetables of you [people will take your benefit]; If a mango is unripe, they will grate and make pickle; If a mango is ripe, they will suck out all the juice and pulp from it. That is why the worldly existence with these people is very difficult. Instead one would fare well even if he were to remain in satsang.
”
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Dada Bhagwan (Worries)
“
Goodbye, sir, & fare well. You’re in the clear.
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John Berryman (The Dream Songs)
“
Reading. Well Reading is...It´s really much more than that. A page of print is like a secret passage that leads you to Worlds so fare away, you cannot imagine them until the magic of reading carries you there
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Peggy Christian (The Bookstore Mouse)
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Strategy 1 is to rely on willpower. Make no mistake, willpower can work; we do not advocate giving in to passions without mounting efforts at restraint. For any real problem with which you continue to struggle, however, you have already likely tried willpower and not fared so well. Strategy 2 is to create an alternative option that is better than the behavior that is causing problems. Roller coasters are safer than cars. Nutrasweet has fewer calories than sugar. Strategy 3 is to remove (or reduce) your ability to engage in the bad activity. Lock the refrigerator overnight. Don’t take any credit cards to the casino. And don’t hang out with other smokers. Strategy 4 is to take an action that changes your desires before you reach a decision point. Take a nicotine vaccine so that you will not enjoy a cigarette. Eat a protein bar just before going to a barbecue with junk food. Arrange for automatic payroll deductions that lock up your money in savings accounts and reduce your access to discretionary cash. What
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Terry Burnham (Mean Genes: From Sex To Money To Food: Taming Our Primal Instincts)
“
My once young, vibrant, beautifully sculpted Adonis body… well, young anyway… was now no more than some grisly, bile-inducing 3D jigsaw puzzle. My poor head had fared even worse. It having taken on the dimensions of a Domino’s Pizza. An Ultimate Deep Dish with extra pepperoni and tomato sauce topping. One dropped from a great height and then flamencoed on.
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Ian Atkinson (Life's a Bastard Then You Die, Part 1)
“
McCarthy. My name’s McCarthy. Mrs Georgia Layton McCarthy and don’t worry about it. We won’t be needing the attendance of Kurt Wade. We’ll get by with the other fifty-odd rock and pop stars that’re all giving their time for free and making absolutely no demands for transport, not even a contribution towards their bus fare. So you can tell Kurt from me, that he can go and fuck himself with the rough end of a pineapple, and when he’s finished, perhaps he might choose to make a small donation to the Maca Music and More foundation, seeing as my husband had more talent, grace and humility in his little toenail than Kurt fucking Wade will ever have even if he lives for a millennium.
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Lesley Jones (The Story of Me (Carnage #2))
“
All that glisters is not gold;
Often have you heard that told.
Many a man his life hath sold
But my outside to behold -
Gilded tombs do worms infold;
Had you been as wise as bold,
Young in limbs, in judgement old,
Your answer had not been inscrolled -
Fare you well; your suit is cold.
”
”
William Skakespeare
“
Miss Price is a delightful young lady and a fine painter.” Vincent regarded her with narrowed eyes. “Ah yes, I am well aware of your scheme to throw her in the path of Sir Thomas Lawrence.” Sally shook her head vigorously. “It is not like that, my lord. We do not want him seducing her. We wanted to place him in your path so you may tell us how he fares, since we aren’t allowed to see for ourselves.” “And so she may receive the guidance she desires for her portraits,” Maria chimed in. “She is very talented for one of such youth and inexperience and—” He held up a hand. “I know what your intentions are. And I am not overly worried about the painter toying with her heart. He has to be past fifty by now—” “Fifty-three,” they both interrupted. “And balding and gout-ridden if your wishes have come true. At any rate, I would not permit her to be alone with the man for a second, and neither will her chaperone.” Maria nodded. “That woman is a dragon if I’ve ever seen the like.” “So
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”
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
“
Ten years ago, it was rare to find a restaurant that had a social media strategy; now, it’s hard to find one that doesn’t. Within a few years, it will be just as hard to find a company without an AI strategy. Companies that aren’t working toward developing an AI strategy today are likely to fare as well as companies that decided not to pursue a web strategy in 2002 or a mobile strategy in 2008. It’s absolutely required if you want to compete in the market.
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Alyssa Simpson Rochwerger (Real World AI : A Practical Guide for Responsible Machine Learning)
“
12:55 a.m.: i’m ready to go. At this point in the evening, the liquor fairy alights gently upon my shoulder and coos sweetly in my ear, “BITCH, YOU CAN’T AFFORD TO PARTY LIKE THIS,” and the gears in my brain slowly grind into motion, trying to recall exactly how many drinks I’ve had, and how much those drinks cost apiece, and whether or not anyone would notice if I tried to squeeze myself out of the tiny bathroom window and hitchhike home. I don’t feel stupid until I’m locked in a bathroom stall doing drunk calculus on a paper towel to determine if I can pay both my bar tab and my card payment that month. It was cute to throw that flimsy piece of plastic with 67% APR at the bartender two hours ago, but now I can’t find my friends and I know they’ve been running up my bill all night. What if I actually get my cell phone shut off because these bitches are too stuck up for well liquor? “Three vodkas divided by the light bill times the minimum payment plus cab fare back to my hotel—shit, I gotta go!!
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”
Samantha Irby (Wow, No Thank You.)
“
She’ll make you watch her cubs while she goes to carouse at the floating ghost palaces,” said the younger. “She’ll leave you alone all the time, and a fox would never do that to you.” The turnip-head patriarch was shaken in vigorous agreement, but the son only looked on nervously because he had few illusions about what kind of husband he would be, and even fewer about how well he would fare against a tiger in a matrimonial duel.
”
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Nghi Vo (When the Tiger Came Down the Mountain (The Singing Hills Cycle, #2))
“
I believe in God,” says my nan, in a way that makes the idea of an omnipotent, unifying frequency of energy manifesting matter from pure consciousness sound like a chore. An unnecessary chore at that, like cleaning under the fridge. I tell her, plucky little seven-year-old that I was, that I don’t. This pisses her off. Her faith in God is not robust enough to withstand the casual blasphemy of an agnostic tot. “Who do you think made the world, then?” I remember her demanding as fiercely as Jeremy Paxman would later insist I provide an instant global infrastructure for a post-revolutionary utopia. “Builders,” I said, thinking on my feet. This flummoxed her and put her in a bad mood for the rest of the walk. If she’d hit back with “What about construction at a planetary or galactic level?” she’d’ve had me on the ropes. At that age I wouldn’t’ve been able to riposte with “an advanced species of extraterrestrials who we have been mistakenly ascribing divine attributes to due to our own technological limitations” or “a spontaneous cosmic combustion that contained at its genesis the code for all subsequent astronomical, chemical, and biological evolution.” I probably would’ve just cried. Anyway, I’m supposed to be explaining the power of forgiveness, not gloating about a conflict in the early eighties in which I fared well against an old lady. Since getting clean from drugs and alcohol I have been taught that I played a part in the manufacture of all the negative beliefs and experiences from my past and I certainly play a part in their maintenance. I now look at my nan in another way. As a human being just like me, trying to cope with her own flaws and challenges. Fearful of what would become of her sick daughter, confused by the grandchild born of a match that she was averse to. Alone and approaching the end of her life, with regret and lacking a functioning system of guidance and comfort. Trying her best. Taking on the responsibility of an unusual little boy with glib, atheistic tendencies, she still behaved dutifully. Perhaps this very conversation sparked in me the spirit of metaphysical inquiry that has led to the faith in God I now have.
”
”
Russell Brand (Revolution)
“
In this system of control, failing to cope well with one’s exile status is treated like a crime. If you fail, after being released from prison with a criminal record—your personal badge of inferiority—to remain drug free, or if you fail to get a job against all the odds, or if you get depressed and miss an appointment with your parole officer (or if you cannot afford the bus fare to take you there), you can be sent right back to prison—where society apparently thinks millions of Americans belong.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
Society at large can't make up its mind about men. Having spent the last thirty years redefining masculinity into something more sensitive, safe, manageable and, well, feminine, it now berates men for not being men. Boys will be boys, they sigh. As though if a man were to truly grow up he would forsake wilderness and wanderlust and settle down, be at home forever in Aunt Polly's parlor. "Where are all the *real* men?" is regular fare for talk shows and new books. *You asked them to be women,* I want to say. The result is a gender confusion never experienced at such a wide level in the history of the world. How can a man know he is one when his highest aim is minding his manners?
And then, alas, there is the church. Christianity, as it currently exists, has done damage to masculinity. When all is said and done, I think most men in the church believe that God put them on the earth to be a good boy. The problem with men, we are told, is that they don't know how to keep their promises, be spiritual leaders, talk to their wives, or raise their children. But, if they will try real hard they can reach the lofty summit of becoming … a nice guy. That's what we hold up as models of Christian maturity: Really Nice Guys. We don't smoke, drink, or swear; that's what makes us *men*. Now let me ask my male readers: in all your boyhood dreams growing up, did you ever dream of becoming a Nice Guy? (Ladies, was the prince of your dreams dashing … or merely nice?
”
”
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
“
At Landmark Theatres, we focus on enhancing your escape through the diversity of our curated content: Films, Music, Sports, Gaming, Live Events, etc. We are known for historic theatres and those with neighborhood charm and contemporary locations. We are offering the regular movie concession fare you expect, as well as drinks at many locations. We are also focused on bringing you a state-of-the-art presentation and a safe environment for you to experience it.
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Landmark at the Glen Movie Theater
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Then you will find the Chicana with a husband who was not able to fare so very well in the "Society" and perhaps has had to face defeat. She is the woman that really suffers. Quite often the man will not fight the real source of his problems, be it discrimination or whatever, but will instead come home and take it out on his family. As this continues, his Chicana becomes the victim of his machismo and woeful are the trials and tribulations of that household.
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Enriqueta Vasquez (Enriqueta Vasquez And the Chicano Movement: Writings from El Grito Del Norte (Hispanic Civil Rights) (Spanish Edition))
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But good mother Twisk!’ cried Madouc. ‘Have you forgotten? I shall soon return to Thripsey Shee!’ ‘True,’ sighed Twisk, ‘presuming that you avoid the dangers of the forest.’ ‘Are these then so terrible?’ ‘Sometimes the forest is sweet and clear,’ said Twisk. ‘Sometimes evil lurks behind every stump. Do not explore the morass which borders on Wamble Way; the long-necked heceptors will rise from the slime. In the gully nearby lives the troll Mangeon; avoid him as well. Do not fare west along Munkins Road; you would come to Castle Doldil, the seat of three-headed Throop the ogre. He has caged many a brave knight and devoured many more, perhaps including gallant Sir Pellinore.
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Jack Vance (The Complete Lyonesse (Lyonesse, #1, #2 and #3))
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We speak of many things as we go, and I question him about his bills and rent and how he's faring...
"I'm okay," he says..."You know what I'm gonna do when I get home right now? I'm gonna sit down with my lady and my two morritos. But well...I don't eat, I just watch them eat...And I just look at 'em and thank God they're in my life...It's a father thing." The duty to delight is to stare at your family as they eat, anchored in the surest kind of gratitude-- the sort that erases sacrifice and hardship and absorbs everything else. Jesus says, "My ways are not your ways," but they sure could be. In the utter simplicity of breathing, we find how naturally inclined we are to delight and to stay dedicated to gladness. We bask in God's unalloyed joy, and we let loose that same joy in whoever is in front of us. We forget what a vital part of our nature this is.
(p149-150)
”
”
Gregory Boyle
“
Between ourselves, I think they use too many rich sauces. One never gets the true flavor of the meat or vegetable. Her Majesty's favorite accompaniment to roast beef is a horseradish cream sauce that is so hot the meat must taste like paper. Most of the vegetables the queen eats are made into purees. And her meat is often turned into ragouts and terrines. Some dishes mix too many flavors. The queen loves butter and cream with everything. So bad for her." And I grinned.
He nodded as if he understood. "So you have a palate that appreciates the taste of good ingredients?"
"I do."
"And how did you develop this?"
"I must have inherited it from my father, who had lived well and appreciated fine food. I was apprenticed to a good cook who produced simple English fare- pork chops, roast lamb, roast pheasant, chicken, sole, lobster. There was a sauce to accompany them, but it never overwhelmed the flavor of the meat or fish.
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Rhys Bowen (Above the Bay of Angels)
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Unlike many traditional airlines, + 1- 833 - 845 - (1858) Breeze Airways charges for full-size carry-on bags. This means that if you want to bring a standard roller bag into the cabin, you’ll need to pay a fee similar to a checked bag.
When You Add Carry-On
Estimated Fee
During Booking
~$35–$40
After Booking (Online/App)
~$45
At the Airport
~$50+
Important:
One personal item is always free.
Your personal item must fit underneath the seat in front of you.
Typical personal items include a small backpack, purse, or briefcase.
Overweight and Oversized Baggage Fees
If your checked bag exceeds + 1- 833 - 845 - (1858) Breeze Airways' standard weight or size limits, extra fees apply.
Overweight Bags (51–99 lbs):
Additional fee of around $50–$75 per bag (in addition to the checked bag fee).
Oversized Bags (over 62 inches):
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Breeze Airways does not accept any bag over 99 pounds.
Always weigh and measure your luggage before heading to the airport to avoid these hefty charges.
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Skis and Snowboards
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Surfboards
”
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Estimated Fee (First Bag)
During Booking
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After Booking (via App/Online)
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At the Airport Counter
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Each passenger is allowed to check up to three bags. + 1- 833 - 845 - (1858) However, remember that fees apply per bag, and the more bags you add, the higher your total cost.
Breeze Airways Checked Bag Size and Weight Limits:
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Checked bags that exceed these limits will incur additional fees (more on that below).
Breeze Airways Carry-On Baggage Fees
Unlike many traditional airlines, + 1- 833 - 845 - (1858) Breeze Airways charges for full-size carry-on bags. This means that if you want to bring a standard roller bag into the cabin, you’ll need to pay a fee similar to a checked bag.
When You Add Carry-On
Estimated Fee
During Booking
~$35–$40
After Booking (Online/App)
~$45
At the Airport
~$50+
Important:
One personal item is always free.
Your personal item must fit underneath the seat in front of you.
Typical personal items include a small backpack, purse, or briefcase.
Overweight and Oversized Baggage Fees
If your checked bag exceeds + 1- 833 - 845 - (1858) Breeze Airways' standard weight or size limits, extra fees apply.
Overweight Bags (51–99 lbs):
Additional fee of around $50–$75 per bag (in addition to the checked bag fee).
Oversized Bags (over 62 inches):
Additional fee of about $75 per bag.
Breeze Airways does not accept any bag over 99 pounds.
Always weigh and measure your luggage before heading to the airport to avoid these hefty charges.
Special Items and Sports Equipment
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Skis and Snowboards
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Before you finalize your booking, + 1- 833 - 845 - (1858) it's essential to understand Breeze Airways baggage fees to avoid unexpected expenses and plan your trip smartly. + 1- 833 - 845 - (1858) In this guide, we’ll break down everything you need to know about checked bags, carry-on bags, + 1- 833 - 845 - (1858) special items, fee-saving tips, and more.
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The short answer is no.
Breeze Airways offers three fare options: + 1- 833 - 845 - (1858) Nice, Nicer, and Nicest. The basic Nice fare, which is often the lowest-priced option, + 1- 833 - 845 - (1858) does not include any checked or full-size carry-on bags. Only one personal item (like a purse, laptop bag, or small backpack) + 1- 833 - 845 - (1858) is allowed for free under this fare type.
If you want to bring additional luggage, you must either purchase bags separately or book a higher-tier fare.
Nicer Fare: Typically includes one checked bag and additional perks like extra legroom seating.
Nicest Fare: May include both a checked bag and a carry-on, along with premium extras like priority boarding.
To avoid extra charges, it’s important to choose the right fare based on how much luggage you intend to bring.
Breeze Airways Checked Baggage Fees
If you need to check a bag with Breeze Airways, + 1- 833 - 845 - (1858) here’s what you can expect to pay depending on when you add baggage:
When You Add Bags
Estimated Fee (First Bag)
During Booking
~$35
After Booking (via App/Online)
~$45
At the Airport Counter
~$50+
Each passenger is allowed to check up to three bags. + 1- 833 - 845 - (1858) However, remember that fees apply per bag, and the more bags you add, the higher your total cost.
Breeze Airways Checked Bag Size and Weight Limits:
Weight limit: 50 pounds (23 kg) per bag
Size limit: 62 linear inches (length + width + height combined)
Checked bags that exceed these limits will incur additional fees (more on that below).
Breeze Airways Carry-On Baggage Fees
Unlike many traditional airlines, + 1- 833 - 845 - (1858) Breeze Airways charges for full-size carry-on bags. This means that if you want to bring a standard roller bag into the cabin, you’ll need to pay a fee similar to a checked bag.
When You Add Carry-On
Estimated Fee
During Booking
~$35–$40
After Booking (Online/App)
~$45
At the Airport
~$50+
Important:
One personal item is always free.
Your personal item must fit underneath the seat in front of you.
Typical personal items include a small backpack, purse, or briefcase.
Overweight and Oversized Baggage Fees
If your checked bag exceeds + 1- 833 - 845 - (1858) Breeze Airways' standard weight or size limits, extra fees apply.
Overweight Bags (51–99 lbs):
Additional fee of around $50–$75 per bag (in addition to the checked bag fee).
Oversized Bags (over 62 inches):
Additional fee of about $75 per bag.
Breeze Airways does not accept any bag over 99 pounds.
Always weigh and measure your luggage before heading to the airport to avoid these hefty charges.
Special Items and Sports Equipment
Breeze Airways makes traveling with special items relatively simple. + 1- 833 - 845 - (1858) You can check sports gear and other special items, + 1- 833 - 845 - (1858) but they must comply with size and weight limits. Some examples include:
Golf Clubs
Skis and Snowboards
Bicycles
Surfboards
”
”
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Guideposts (Daily Guideposts 2014)
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Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands.
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She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers.
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Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
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Jack Welch (Winning)
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David Reagan (Living for Christ in the End Times: Coping with Anarchy & Apostasy)
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As Ross entered the kitchen, he saw Ernest sitting at the scrubbed wooden table. The boy wolfed down a plate of breakfast as if it were the first decent meal he'd had in months. Sophia stood at the range with the scrawny cook-maid, apparently showing her how to prepare the morning's fare. "Turn them like this," Sophia was saying, expertly flipping a row of little cakes on a griddle pan. The kitchen atmosphere was especially fragrant today, spiced with frying bacon, coffee, and sizzling batter.
Sophia looked fresh and wholesome, the trim curves of her figure outlined by a white apron that covered her charcoal-gray dress. Her gleaming hair was pinned in a coil at the top of her head and tied with a blue ribbon. As she saw him standing in the doorway, a smile lit her sapphire eyes, and she was so dazzlingly pretty that Ross felt a painful jab low in his stomach.
"Good morning, Sir Ross," she said. "Will you have some breakfast?"
"No, thank you," he replied automatically. "Only a jug of coffee. I never..." He paused as the cook set a platter on the table. It was piled with steaming batter cakes sitting in a pool of blackberry sauce. He had a special fondness for blackberries.
"Just one or two?" Sophia coaxed.
Abruptly it became less important that he adhere to his usual habits. Perhaps he could make time for a little breakfast, Ross reasoned. A five-minute delay would make no difference in his schedule.
He found himself seated at the table facing a plate heaped with cakes, crisp bacon, and coddled eggs. Sophia filled a mug with steaming black coffee, and smiled at him once more before resuming her place at the range with Eliza. Ross picked up his fork and stared at it as if he didn't quite know what to do with it.
"They're good, sir," Ernest ventured, stuffing his mouth so greedily that it seemed likely he would choke.
Ross took a bite of the fruit-soaked cake and washed it down with a swallow of hot coffee. As he continued to eat, he felt an unfamiliar sense of well-being. Good God, it had been a long time since he'd had anything other than Eliza's wretched concoctions.
For the next few minutes Ross ate until the platter of cakes was demolished. Sophia came now and then to refill his cup or offer more bacon. The cozy warmth of the kitchen and the sight of Sophia as she moved about the room caused a tide of unwilling pleasure inside him.
”
”
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
“
She was not at the concert any more. She looked around the rustic room, blinking. What the hell?
The singer had her in his arms still. There was no balcony between them now.
His hands slid into her hair, keeping her head still. "Not yet," he begged, sliding his lips down her throat, nuzzling her jaw. "There's time yet, Toireasa," he murmured. "Time to say fare thee well properly,."
"We should have returned to Ireland, Breandan," she whispered, as he loosened the ties on her gown and dropped it from her shoulders. The words came to her naturally, even as a tiny voice was raging in her mind, "What on earth are you saying, Taylor?" But that voice was being drowned out by the pure sensuousness he was stirring in her.
”
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Teal Ceagh (Kiss Across Time (Kiss Across Time #1))
“
She was the avatar of the town as it used to be in some Old South utopia that only existed if you were white and well-to-do and Baptist and didn’t notice how folks who weren’t all of those things had fared.
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Joshilyn Jackson (The Almost Sisters)
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Joy that true did prove,
Fare you well, my faithful love.
Life and death must part
Heart is torn from heart -
Wait for me in higher sphere -
There is no second life down here.
”
”
Erich Wolfgang Korngold (Die Tote Stadt, The Dead City: Opera In Three Acts Founded On G. Rodenbach's Das Trugbild (1921) (English and German Edition))
“
The story says we can only fare well if we proceed with an awareness of the way things are, including a willingness to admit not knowing where we are going. The youngest brother has a long road to travel in the story before it can be said that he fully understands the way things are (with his brothers, for instance). He endures painful lessons in treachery and betrayal, and he pays a high price for his naivete before finally owning the full range of his energy and wisdom. These are symbolized by his ultimately riding straight down the middle of a road paved in gold and marrying the princess (I haven’t told you about her) and becoming King—a fully developed man, not of his father’s kingdom but of his own.
”
”
Jon Kabat-Zinn (Wherever You Go, There You Are)
“
When Boice followed up on the group some years later, he found that their paths had diverged sharply. The page-a-day folks had done well and generally gotten tenure. The so-called “binge writers” fared far less well, and many had had their careers cut short. The clear implication was that the best advice for young writers and aspiring professors is: Write every day. Use your self-control to form a daily habit, and you’ll produce more with less effort in the long run.
”
”
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
“
rather than rushing headlong into things with a mind that is sorely out of touch with large parts of ourself, a mind driven by narrow ambition and ideas of personal gain. The story says we can only fare well if we proceed with an awareness of the way things are, including a willingness to admit not knowing where we are going.
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”
Jon Kabat-Zinn (Wherever You Go, There You Are)
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