“
Admit it. You aren’t like them. You’re not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the “normal people” as they go about their automatic existences. For every time you say club passwords like “Have a nice day” and “Weather’s awful today, eh?”, you yearn inside to say forbidden things like “Tell me something that makes you cry” or “What do you think deja vu is for?”. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others…
”
”
Timothy Leary
“
Many people find bald, unvarnished truths so disturbing, they prefer to ram their heads in the sand and start dreaming at the first sign of scientific reality.
”
”
Charlie Brooker
“
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
”
”
Margery Williams Bianco (The Velveteen Rabbit)
“
Life is like a bad haircut. At first it looks awful, then you kind of get used to it, and before you know it, it it grows out and you gotta get another haircut that maybe won't be so bad, unless of course you keep going to SuperClips, where the hairstylists are so terrible they oughta be using safety scissors, and when they're done you look like your head got caught in a ceiling fan. So life goes on, good haircut, bad haircut, until finally you go bald, and it don't matter no more.
I told this wisdom to my mother, and she said I oughta put it in a book, then burn it. Some people just can't appreciate the profound.
”
”
Neal Shusterman (The Schwa Was Here (Antsy Bonano, #1))
“
I've done lots of jobs. Right now, I'm a hair collector."
"That's good", said Ishvar tentatively. "What do you have to do as a hair-collector?"
"Collect hair."
"And there is money in that?"
"Oh very big business. There is a great demand for hair in foreign countries."
"What do they do with it? Asked Om skeptical."
"Many different things. Mostly they wear it.Sometimes they paint it in different colors-red, yellow, brown, blue. Foreign women enjoy wearing other people's hair. Men also, especially if they are bald.
In foreign countries they fear baldness. They are so rich in foreign countries, they can afford to fear all kinds of silly things.
”
”
Rohinton Mistry (A Fine Balance)
“
The girl in your class who suggests that this year the Drama Club put on The Bald Soprano will be a thorn in people's sides all of her life.
”
”
Fran Lebowitz (Metropolitan Life/Social Studies)
“
Lissa lowered her voice and added, "I might not even go to school anyway. I might defer and join the Peace Corps and go to Africa and shave my head and dig latrines."
"Shave your head?" I said, because, really, this was the most ludicrous part of the whole thing. "You? Do you have any idea how ugly most people's bare heads are? They've got all kinds of bumps, Lissa. And you won't know until it's too late and you're flat-out bald.
”
”
Sarah Dessen (This Lullaby)
“
The sounds of people entering the kitchen snap me out of my thoughts. Before I can react, creepy moaning noises and breathless giggles erupt from the other side of my counter."Oh, Grant," a familiar voice sighs.I pop up suddenly, unable to believe my ears. Guess what I see? Jane, locked in the embrace of a balding middle aged man whom I'm pretty sure is married."Jane!" I gasp.They both scream a little and break apart, wide-eyed.
"Violet!" Jane gasps, holding a hand against her heart."I thought you were a lesbian," I blurt out.
"It's not what it—what? Why would you think I'm a lesbian?""Oh..." I shrug. "Never mind. I should go.
”
”
Nicole Christie (Falling for the Ghost of You)
“
Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people - what an airless, shallow, bald, prominent world it becomes! A world not to be lived in. As we face each other in omnibuses and underground railways we are looking into the mirror that accounts for the vagueness, the gleam of glassiness, in our eyes.
”
”
Virginia Woolf (Between the Acts)
“
So I'm delighted to open up a bit about these particular details, in honor of Valentine's Day (when every balding, chubby, and short actuary wants people - especially the babes out there - to know about his studly past"
From: "My Best Valentine's Day.Ever: a Short Story
”
”
Zack Love (Stories and Scripts: an Anthology)
“
If ever there was a bloke at the very mention of whose name it would be excusable for people to tremble like aspens, that bloke is Sir Roderick Glossop. He has an enormous bald head, all the hair which ought to be on it seeming to have run into his eyebrows, and his eyes go through you like a couple of Death Rays.
"How are you, how are you, how are you?" I said, overcoming a slight desire to leap backwards out of the window.
”
”
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
“
She talks. People talk easily to me. They think a bald albino hunchback can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no values or morals. If I am “good" (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.
”
”
Katherine Dunn (Geek Love)
“
Are you calling me stupid?"says Emby.
"I think I just did."
Hayden laughs. "Hey, the Mouth Breather's right-unwinding does help people. If it wasn't for unwinding, there would be bald guys again-and wouldn't that be horrible?
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
What can turn us from this deserted future, back into the sphere of our being, the great dance that joins us to our home, to each other and to other creatures, to the dead and unborn? I think it is love. I am perforce aware how baldly and embarrassingly that word now lies on the page—for we have learned at once to overuse it, abuse it, and hold it in suspicion. But I do not mean any kind of abstract love (adolescent, romantic, or "religious"), which is probably a contradiction in terms, but particular love for particular things, places, creatures, and people, requiring stands, acts, showing its successes and failures in practical or tangible effects. And it implies a responsibility just as particular, not grim or merely dutiful, but rising out of generosity. I think that this sort of love defines the effective range of human intelligence, the range within its works can be dependably beneficent. Only the action that is moved by love for the good at hand has the hope of being responsible and generous. Desire for the future produces words that cannot be stood by. But love makes language exact, because one loves only what one knows.
”
”
Wendell Berry
“
Golden eagles don`t mate with bald eagles, deer don`t mate with antelope, gray wolves don`t mate with red wolves. Just look at domesticated animals, at mongrel dogs, and mixed breed horses, and you`ll know the Great Mystery didn`t intend them to be that way. We weakened the species and introduced disease by mixing what should be kept seperate. Among humans, intermarriage weakens the respect people have for themselves and for their traditions. It undermines clarity of spirit and mind.
”
”
Russell Means (Where White Men Fear to Tread: The Autobiography of Russell Means)
“
... deep inside you was a frantic longing to be something or someone other than you are. It is the greatest scourge a man can suffer, and the most painful. Life becomes bearable only when one has come to terms with who one is, both in one's own eyes and in the eyes of the world. We all of us must come to terms with what and who we are, and recognize that this wisdom is not going to earn us any praise, that life is not gong to pin a medal on us for recognizing and enduring our own vanity or egoism or baldness or our pot-belly. No, the secret is that there's no reward and we have to endure our characters and our natures as best we can, because no amount of experience or insight is going to rectify our deficiencies, our self-regard, or our cupidity. We have to learn that our desires do not find any real echo in the world. We have to accept that the people we love do not love us, or not in the way we hope. We have to accept betrayal and disloyalty, and hardest of all, that someone is finer than we are in character or intelligence.
”
”
Sándor Márai (Embers)
“
This kind of thing is so awkward and horrible, and from your end, you know it must… Okay, I’m just going to come out and tell you: I’m asking you out. That’s what I’m doing. Please don’t answer yet, because I know you might have a “No” queued up in your head already, but will you please let me say a few things?
I know that being a woman in New York must be hard, because it’s basically disappointing that you try to be nice to men as human beings, and then they respond by just torpedoing to your vagina. And I want you to know that I’m aware that you’re young and beautiful - and I’m not… either of those things. And part of me knows that as soon as my lips stop moving, you’re going to say no. But please think of the fact that it’s low risk what I’m asking.
You just come out with me for a drink, and even if you got up in the middle of the one drink, I wouldn’t hold it against you. Just make a judgement based on nothing horrible would happen if you came out with me. I think you’re so attractive. I’m attracted to you because you’re nice, and you’re a decent person, and those are probably the reasons you want people to be attracted to you, right? Also, you’re horribly cute. I mean, you’re cute as hell.
And I grow on people - women. Some times go by, and you get past the bald head and that I sweat a lot and I’m lumpy… I’ve run out of things to say. Can you just tell me now? Did this work?
”
”
Louis C.K.
“
She was smart like that, and lucky like that, and people loved the hell out of her. They didn’t love the hell out of me; they ran the hell away from me. It wasn’t like I was a bad person or anything, I just … had a lot of accidents. I didn’t mean accidents like I ate glue and then peed myself on a regular basis. I just tripped more than usual, and accidently set things on fire more than what would be considered ‘normal’. I got kicked out of the village school only one moon-cycle before graduation for accidently making one of the teachers bald. How do you accidently make someone bald? That’s a good question. All you really need is a bucket of warm tar to accidently toss onto the back of their head. How do you get a bucket of warm tar? You don’t go looking for it or anything—or at least I didn’t. It was just sitting on the road outside the school and I thought I should carry it inside to ask what it was.
”
”
Jaymin Eve (Trickery (Curse of the Gods, #1))
“
People change, you know. They grow, they shrink, they bald, they get zits, they wrinkle. But each person is attractive in their own way, and they’re attractive to someone else.
No matter how much you change out here”—she motions to, well, all of me—“I’ll always find you attractive because of the person you are in here.
”
”
Cassie Mae (The Real Thing)
“
The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face -- that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat -- that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.
”
”
G.K. Chesterton (The Man Who Was Thursday)
“
The bellboy that showed me to the room was this very old guy around sixty-five. He was even more depressing than the room was. He was one of those bald guys that comb all their hair over from the side to cover up the baldness. I'd rather be bald than do that. Anyway, what a gorgeous job for a guy around sixty-five years old. Carrying people's suitcases and waiting for a tip.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better.
Real women do not have curves. Real women do not look like just one thing.
Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever.
Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions.
Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them.
Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides.
Real women wear high heels and skirts. Or not.
Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to.
Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced.
Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real.
There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body.
I’m going to say it again because it’s important: There is no wrong way to have a body.
And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap.
You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real.
Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
”
”
Hanne Blank
“
I'm bound to say I was not feeling entirely at my ease. There is something about the man that is calculated to strike terror into the stoutest heart. If ever there was a bloke at the very mention of whose name it would be excusable for people to tremble like aspens, that bloke is Sir Roderick Glossop. He has an enormous bald head, all the hair which ought to be on it seeming to have run into his eyebrows, and his eyes go through you like a couple of Death Rays.
”
”
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
“
February 16, 1988
Reasons to live:
1. Christmas
2. The family beach trip
3. Writing a published book
4. Seeing my name in a magazine
5. Watching C. grow bald
6. Ronnie Ruedrich
7. Seeing Amy on TV
8. Other people’s books
9. Outliving my enemies
10. Being interviewed by Terry Gross on “Fresh Air
”
”
David Sedaris (Theft by Finding: Diaries 1977-2002)
“
You know what you need?”
“What?”
“You need to think about what a badass bald man would do in this situation”
“There are no badass bald men. By definition.”
“What about Dwight D. Eisenhower?” Carlos suggested.
“President Eisenhower?”
“Doesn’t he qualify as a badass?” Carlos insisted.
“Look, he may have been president, but he doesn’t exactly come to people’s minds when you ask them to think of a badass.”
“All right. How about Kojak?” Carlos asked.
“That police detective show with Telly Savalas?” Sammy asked.
“Yeah, Kojak. He was a badass. Always cool under pressure.”
“All right,” Sammy replied. “Let’s just say, for the sake of argument, that Kojak was a bald badass. So what?’
“So you have to imagine how Kojak would deal with this situation we have in front of us. He wouldn’t be worried about whether this girl digs bald guys. He would just walk right up to her, knowing that he’s a badass and just take care of business. You see, it’s all in the delivery.”
“The delivery?”
“Yeah, the execution
”
”
Zack Love
“
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote:
***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy …
Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote.
”
”
Misba (The Oldest Dance (Wisdom Revolution, #2))
“
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.
But the Skin Horse only smiled.
”
”
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
“
Indeed, it is curious how instinctively one protects the image of oneself from idolatry or any other handling that could make it ridiculous, or too unlike the original to be believed in any longer. Or is it not so very curious after all? It is a matter of great importance. Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people—what an airless, shallow, bald, prominent world it becomes! A world not to be lived in.
”
”
Virginia Woolf (The Mark on the Wall (ANNOTATED))
“
Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed.
"But what was wrong with the performance?" she asked. "I thought it was wonderful."
"Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!"
Shimamoto laughed. "I wouldn't exactly call that art appreciation."
"This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!"
"Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?"
In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different."
"You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Two walks; two sightings of the bald doc with the scalpel; two old people suffering insomnia and seeing brightly colored visions; two notes. It’s like Noah leading the animals onto the ark, not one by one but in pairs . . . and is another hard rain going to fall? Well, what do you think, old man?
”
”
Stephen King (Insomnia)
“
But I got real tired of people using religion to suit their agendas. God became a mental genie that could be called upon to justify anything.
”
”
Peter Tieryas (Bald New World)
“
one bald statistic stands out above all: only 55 per cent of people who have been a victim or a witness in criminal proceedings would be prepared to go through it again.
”
”
The Secret Barrister (The Secret Barrister: Stories of the Law and How It's Broken)
“
It’s vital in diplomacy to get the upper hand morally before you start killing people,
”
”
Timothy Balding (The Zucchini Conspiracy: A Novel of Alternative Facts)
“
It’s funny, really, all these people voting to elect governments that essentially promise to reduce their rights.
”
”
Timothy Balding (The Zucchini Conspiracy: A Novel of Alternative Facts)
“
As for the ordinary people, one might think that only those who live in terror in dictatorships like Bangistan deserve our absolution for choosing to ignore it.
”
”
Timothy Balding (The Zucchini Conspiracy: A Novel of Alternative Facts)
“
Stated baldly, charity certainly means one of two things–pardoning unpardonable acts, or loving unlovable people.
”
”
G.K. Chesterton (Orthodoxy)
“
He had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large.
Then Trout made a good point, too. 'Well,' he said, 'I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There's a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidentally dumps its load in the ocean, and kills millions of birds and billions of fish, I say, 'More power to Standard Oil,' or whoever it was that dumped it.' Trout raised his arms in celebration. 'Up your ass with Mobil gas,' he said.
”
”
Kurt Vonnegut Jr.
“
In Collegium it had been the fashion, while he had been resident there, to paint death as a grey-skinned, balding Beetle man in plain robes, perhaps with a doctor's bag but more often an artificer's toolstrip and apron, like the man who came in, at the close of the day, to put out the lamps and still the workings of the machines.
Among his own people, death was a swift insect, gleaming black, its wings a blur - too fast to be outrun and too agile to be avoided, the unplumbed void in which he swam was but the depth of a single facet of its darkly jewelled eyes.
”
”
Adrian Tchaikovsky (Dragonfly Falling (Shadows of the Apt, #2))
“
Nobody knew literature and history better than these people, nobody could write better Russian than they, nobody despised our times more profoundly. For these characters civilization meant more than daily bread and a nightly hug. This wasn’t, as it would seem, another lost generation. This was the only generation of Russians that had found itself, for whom Giotto and Mandelstam were more imperative than their own personal destinies. Poorly dressed yet somehow still elegant…broken, growing old, they still retained their love for the non-existent (or existing only in their balding heads) thing called ‘civilization.
”
”
Joseph Brodsky
“
¹Arachnophobia - fear of spiders. ²Verbophobia - fear of words. ³Ichthyophobia - fear of fish. ⁴Ligyrophobia - fear of loud noises. ⁵Chromatophobia - fear of colours. ⁶Phagophobia - fear of swallowing or of eating or of being eaten. ⁷Arithmophobia - fear of numbers. ⁸Peladophobia - fear of bald people. ⁹Pogonophobia - fear of beards. ¹⁰Xenophobia - fear of strangers or foreigners. ¹¹Hippopotomonstrosesquipedaliophobia - fear of long words (and hippos). 7.
”
”
James Warwood (49 Excuses for Not Tidying Your Bedroom (The 49... #1))
“
Of course, it was a lie, and that bald man in a blue suit was definitely harassing her, teasing her with dirty, rude jokes. Nothing physical from the body of a High Grade can heal. No matter if it’s blood or sperm or saliva or even a discarded hair or nail—as some fraudulent religious groups claim, taking advantage of Low Grades’ fascination with the living gods among them. Though, the archive mentions a however as a footnote:
***However, when they pass strong prana (the energy controllable by the evolved, High Grade humans) to the sick or wounded, it heals, no matter whether they are plants or animals. Their prana flows strongly when they feel strong emotions. Some people say their sperm heals, but it’s not the semen. It’s the strong prana-boosts the High Grades experience when they reach climax during intimacy …
Kusha felt a tinge of pride, exponentially multiplied by her Low-Grade inferiority complex, reading this footnote. It worsened when ads started coming up on her HOME page after reading it. The ads had horrible titles:
Dream Youth For The Low Grades.
Alternate Longevity.
A Secret Pleasurable Way To Youth.
Get Your Dream Citizenship With Pleasing Pleasure Contract.
The last one is for non-citizens, of course. At least, she’s a citizen. But when Kusha discovered how many unevolved men and women enter such contracts just for citizenship, it made her face crease. As if she’d caught a nasty smell. For a moment, she even thought, she hated every High Grade in the world, including everyone in her adoptive family. Right now, standing in front of Meera, the hatred swells.
”
”
Misba (The Oldest Dance (Wisdom Revolution, #2))
“
Henry rubbed his balding head and yawned. “Why do I think this is worth the risk?…Because I think Betty knew this would one day happen...One time she even said she believed our own government would conspire with other nations to exterminate God’s people.
”
”
T.C. Avey
“
Instead, I’d been counting the number of dipshit things people had said to me today. I’d been holding strong at fourteen until I made my way to my next class and some kid passing me in the hall asked if I wore that thing on my head because I was hiding bombs underneath and I ignored him, and then his friend said that maybe I was secretly bald and I ignored him, and then a third one said that I was probably, actually, a man, and just trying to hide it and finally I told them all to fuck off, even as they congratulated one another on having drummed up these excellent hypotheses. I had no idea what these asswipes looked like because I never glanced in their direction, but I was thinking seventeen, seventeen, as I got to my next class way too early and waited, in the dark, for everyone else to show up.
These, the regular injections of poison I was gifted from strangers, were definitely the worst things about wearing a headscarf. But the best thing about it was that my teachers couldn’t see me listening to music.
It gave me the perfect cover for my earbuds.
”
”
Tahereh Mafi (A Very Large Expanse of Sea)
“
She talks. People talk easily to me. They think a bald albino hunchback dwarf can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their own less-apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no virtues or morals. If I am “good” (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.
”
”
Katherine Dunn (Geek Love)
“
That’s good,” said Ishvar tentatively. “What do you have to do, as a hair-collector?”
“Collect hair.”
“And there is money in that?”
“Oh, very big business. There is a great demand for hair in foreign countries.”
“What do they do with it?” asked Om, sceptical.
“Many different things. Mostly they wear it. Sometimes they paint it in different colours – red, yellow, brown, blue. Foreign women enjoy wearing other people’s hair. Men also, especially if they are bald. In foreign countries they fear baldness. They are so rich in foreign countries, they can afford to fear all kinds of silly things.
”
”
Rohinton Mistry (A Fine Balance)
“
With that violent grudge against the world which had scorned her, sneered at her, cast her off, beginning with this indignity – the infliction of her unlovable body which people could not bear to see. Do her hair as she might, her forehead remained like an egg, bald, white. No clothes suited her. She might buy anything. And for a woman, of course, that meant never meeting the opposite sex. Never would she come first with any one. Sometimes lately it had seemed to her that, except for Elizabeth, her food was all that she lived for; her comforts; her dinner; her tea; her hot-water bottle at night.
”
”
Virginia Woolf (Mrs. Dalloway)
“
The great chandeliers hang silent. The tables in the vast dining room overlooking the lake are spread with white cloth and silver as if for dinners before the war. At a little after 4, into the green room with the slow walk of aged people, the Nabokovs come. He wears a navy blue cardigan, a blue-checked shirt, gray slacks and a tie. His shoes have crepe soles. He is balding, with a fringe of gray hair. His hazel-green eyes are watering, oysterous, as he says. He is 75, born on the same day as Shakespeare, April 23. He is at the end of a great career, a career half-carved out of a language not his own.
”
”
James Salter
“
He had a point. The planet was being destroyed by manufacturing processes, and what was being manufactured was lousy, by and large.
Then Trout made a good point, too. 'Well,' he said, 'I used to be a conservationist. I used to weep and wail about people shooting bald eagles with automatic shotguns from helicopters and all that, but I gave it up. There's a river in Cleveland which is so polluted that it catches fire about once a year. That used to make me sick, but I laugh about it now. When some tanker accidentally dumps its load in the ocean and kills millions of birds and billions of fish, I say, 'More power to Standard Oil' or whoever it was that dumped it.' Trout raised his arms in celebration. 'Up your ass with Mobil gas,' he said...
'I realized,' said Trout, 'that God wasn't any conservationist, so for anybody else to be one was sacrilegious and a waste of time. You ever see one of His volcanoes or tornadoes or tidal waves? Anybody ever tell you about the Ice Ages he arranges for every half-million years? How about Dutch Elm disease? There's a nice conservation measure for you. That's God, not man. Just about the time we got our rivers cleaned up, he'd probably have the whole galaxy go up like a celluloid collar...
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
All was thus well and tranquil for the rulers of Bangistan, a resolute non-member of any collective organization of men and peoples, with no internal or external opposition to speak of. It could indeed have remained that way for the rest of time. Then the Akims had made their fatal move. They had joined Twitter
”
”
Timothy Balding (The Zucchini Conspiracy: A Novel of Alternative Facts)
“
The Latin Church, which I constantly find myself admiring, despite its occasional astounding imbecilities, has always kept clearly before it the fact that religion is not a syllogism, but a poem. It is accused by Protestant dervishes of withholding the Bible from the people. To some extent this is true; to some extent the church is wise; again to the same extent it is prosperous.
...
Rome indeed has not only preserved the original poetry of Christianity; it has also made capital additions to that poetry -- for example, the poetry of the saints, of Mary, and of the liturgy itself. A solemn high mass is a thousand times as impressive, to a man with any genuine religious sense in him, as the most powerful sermon ever roared under the big top by Presbyterian auctioneer of God. In the face of such overwhelming beauty it is not necessary to belabor the faithful with logic; they are better convinced by letting them alone.
Preaching is not an essential part of the Latin ceremonial. It was very little employed in the early church, and I am convinced that good effects would flow from abandoning it today, or, at all events, reducing it to a few sentences, more or less formal. In the United States the Latin brethren have been seduced by the example of the Protestants, who commonly transform an act of worship into a puerile intellectual exercise; instead of approaching God in fear and wonder these Protestants settle back in their pews, cross their legs, and listen to an ignoramus try to prove that he is a better theologian than the Pope.
This folly the Romans now slide into. Their clergy begin to grow argumentative, doctrinaire, ridiculous. It is a pity. A bishop in his robes, playing his part in the solemn ceremonial of the mass, is a dignified spectacle; the same bishop, bawling against Darwin half an hour later, is seen to be simply an elderly Irishman with a bald head, the son of a respectable police sergeant in South Bend, Ind. Let the reverend fathers go back to Bach. If they keep on spoiling poetry and spouting ideas, the day will come when some extra-bombastic deacon will astound humanity and insult God by proposing to translate the liturgy into American, that all the faithful may be convinced by it.
”
”
H.L. Mencken
“
These sculptors consituteted a new movement, he claimed. Not for them the bald abstraction of their predecessors. Their creations were rooted in a postwar world of broken buildings and broken people. Their language was one of terror and trepidation. They tore into the human form, flaying it, tearing it limb from limb, discarding what they didn’t want. And when they were done, they found themselves presenting to the world an army of creatures—part man, part beast, and sometimes part machine. As one of Harry’s teachers at Corsham had said to him: ‘When you’ve seen the inside of a Sherman tank after a direct hit, it all becomes the same thing.
”
”
Mark Mills (The Savage Garden)
“
Don't be tragic. You are a beautiful girl, and the point of beauty is to make people die for you. At the very least, tell me what qualities he has that make him husband material.
He is as handsome as the most perfect statue--
Which will fade with time and soon he will be bald, grumpy and fatter than me. Handsome is not enough.
”
”
Soman Chainani (Beasts and Beauty: Dangerous Tales)
“
Hell is waiting,” he mused. “Considering what we’re doing here, some might call that a reasonable assumption.” Not prone for vulgarity as a general rule, Mrs. Sigsby said, “Bullshit.” Stackhouse shrugged. His bald head gleamed beneath the light fixture as if Turtle Waxed. “Outsiders is what I meant, people who don’t know the score.
”
”
Stephen King (The Institute)
“
Very well. So, if we accept that the Indian reservations were the first enforced concentrations of groups of people, ethnic in this case …” “Which I don’t,” said Winkelmeier, “it was more complicated than that.” “Surely, surely,” smiled Akim. “It’s always more complicated to explain when the crimes are your own, Winkelmeier, isn’t it?
”
”
Timothy Balding (The Zucchini Conspiracy: A Novel of Alternative Facts)
“
6. The Over-Phobic Excuse Help! There’s a spider¹ under my bed. It’s teasing me because I’m too scared to play Scrabble², Go Fish³, Snap⁴, Twister⁵, Hungry Hippos⁶, Battleships⁷ and Guess Who⁸⁹¹⁰ . . . . . . and then it called me Floccinaucinihilipilification¹¹. AAAAAARGH! ¹Arachnophobia - fear of spiders. ²Verbophobia - fear of words. ³Ichthyophobia - fear of fish. ⁴Ligyrophobia - fear of loud noises. ⁵Chromatophobia - fear of colours. ⁶Phagophobia - fear of swallowing or of eating or of being eaten. ⁷Arithmophobia - fear of numbers. ⁸Peladophobia - fear of bald people. ⁹Pogonophobia - fear of beards. ¹⁰Xenophobia - fear of strangers or foreigners. ¹¹Hippopotomonstrosesquipedaliophobia - fear of long words (and hippos).
”
”
James Warwood (The School Survival Kit: Quick Thinking Excuses for Everyday School Emergencies (The Excuse Encyclopedia Boxsets))
“
He learned that almost all of the world lived in colossal and constant fear.Afraid of everything-the police,officials and courts,the thugs,criminals and mafia;afraid of the establishment and the anti-establishment;afraid of failure and of criticism,of being humiliated and being mocked,of being ugly and bald;afraid of cockroaches and of cats,of the seas and the skies,of lightning and of electricity;afraid of priests and physicians;afraid of dying and of living.More than hope,people's life seemed to be defined by fear.Most hope,it seemed,was only about somehow negotiating the fear successfully.A tiny minority managed to cross the line of fear and this tiny minority then became the shapers of the world in which the rest lived.
”
”
Tarun J. Tejpal (Histoire de mes assassins)
“
Many people pretend to be in thought, proving thought to be a beautiful thing.
But the bald man doesn’t need a comb, the tiger doesn’t need weapons, the fool doesn’t need thought. The person with no needs is practically a sage, but the sage also needs to count the rivers across the iron bridge to pass the time. This is the difference between the sage and the fool.
”
”
Xi Chuan (Notes on the Mosquito: Selected Poems)
“
The obvious thing to say of his appearance was that he would have been extremely handsome if he had not been entirely bald. But, indeed, that would itself be a rather bald way of putting it. Fantastic as it sounds, it would fit the case better to say that people would have been surprised to see hair growing on him; as surprised as if they had found hair growing on the bust of a Roman emperor.
”
”
G.K. Chesterton
“
Olga found that there were many accounts for the Chinese President, perhaps not all of them legitimate, but that certainly wasn’t her problem. She opened one at random and read Xi’s first tweet out loud: “ ‘What is it about dictatorship that you don’t understand?’ ” “Good question!” said Yogi. “Now try Putin.” “‘My thoughts and prayers are with the Ukrainian people. At least what’s left of them’.
”
”
Timothy Balding (The Zucchini Conspiracy: A Novel of Alternative Facts)
“
She bought a plume of blue cotton candy before they left the food booths, and she picked at it while they headed down the row of booths occupied by residents of Bald Slope who had spent all summer making walnut salad bowls and jars of pickled watermelon rind to sell at the festival. Snow flurries began to fall and they swirled around people's legs like house cats. It was magical, this snowglobe world.
”
”
Sarah Addison Allen (The Sugar Queen)
“
People change, you know. They grow, they shrink, they bald, they get zits, they wrinkle. But each person is attractive in their own way, and they’re attractive to someone else.” She stops, taking a deep breath and lets it seep out through her full lips that I can’t stop looking at. “No matter how much you change out here”—she motions to, well, all of me—“I’ll always find you attractive because of the person you are in here.
”
”
Cassie Mae
“
The old man was far older than the old lady, and it was obvious that he was also much crazier. He was bald, purplish, and completely toothless, his mouth like an obscene flabby asshole stuck into the middle of his face, and despite the coldness of the day, he wore neither a shirt nor an undershirt. His shoulders were rounded, and his chest was caved in as though he no longer had any vital organs, and his muscles were as shriveled as if he'd been drying out in the sun for weeks. All in all he was a pretty horrible sight a well as an alarming one. Lowell glanced round at the other yards that were visible from where he stood, half expecting to see more old people proliferating in various degrees of madness and nudity, like some kind of ghastly, pale fungus brought forth from the sterile soil by the sun, but there was no else to be seen. There weren't even any sounds.
”
”
L.J. Davis
“
In an experiment that became an instant classic, the psychologist John Bargh and his collaborators asked students at New York University—most aged eighteen to twenty-two—to assemble four-word sentences from a set of five words (for example, “finds he it yellow instantly”). For one group of students, half the scrambled sentences contained words associated with the elderly, such as Florida, forgetful, bald, gray, or wrinkle. When they had completed that task, the young participants were sent out to do another experiment in an office down the hall. That short walk was what the experiment was about. The researchers unobtrusively measured the time it took people to get from one end of the corridor to the other. As Bargh had predicted, the young people who had fashioned a sentence from words with an elderly theme walked down the hallway significantly more slowly than the others.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
I don’t want to go running down some career path—supposedly such a grand enterprise. What’s so grand about it: people acquiring crooked backs at an early age from stooping at undersized desks, wrinkled hands, pale faces, mutilated workday trousers, trembling legs, fat bellies, sour stomachs, bald spots upon their skulls, bitter, snappish, leathery, faded, insipid eyes, ravaged brows and the consciousness of having been conscientious fools. No thank you!
”
”
Robert Walser (The Tanners)
“
Now look here, Bailey,” she said, “see here, read this,” and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. “Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn’t take my children in any direction with a criminal like that aloose in it. I couldn’t answer to my conscience if I did.
”
”
Flannery O'Connor (The Complete Stories)
“
Mummy and two attendant poets have three bad colds in the head, so I have come here. It is the feast of S. Nichodemus of Thyatira, who was martyred by having goatskin nailed to his pate, and is accordingly the patron of bald heads. Tell Collins, who I am sure will be bald before us. There are too many people here, but one, praise heaven! has an ear-trumpet, and that keeps me in good humor. And now I must try to catch a fish. It is too far to send it to you so I will keep the backbone…
”
”
Evelyn Waugh (Brideshead Revisited)
“
Most people cannot stand being alone for long. They are always seeking groups to belong to, and if one group dissolves, they look for another. We are group animals still, and there is nothing wrong with that. But what is dangerous is not the belonging to a group, or groups, but not understanding the social laws that govern groups and govern us.
When we're in a group, we tend to think as that group does: we may even have joined the group to find "like-minded" people. But we also find our thinking changing because we belong to a group. It is the hardest thing in the world to maintain an individual dissent opinion, as a member of a group.
It seems to me that this is something we have all experienced - something we take for granted, may never have thought about. But a great deal of experiment has gone on among psychologists and sociologists on this very theme. If I describe an experiment or two, then anyone listening who may be a sociologist or psychologist will groan, oh God not again - for they have heard of these classic experiments far too often. My guess is that the rest of the people will never have had these ideas presented to them. If my guess is true, then it aptly illustrates general thesis, and the general idea behind these essays, that we (the human race) are now in possession of a great deal of hard information about ourselves, but we do not use it to improve our institutions and therefore our lives.
A typical test, or experiment, on this theme goes like this. A group of people are taken into the researcher's confidence. A minority of one or two are left in the dark. Some situation demanding measurement or assessment is chosen. For instance, comparing lengths of wood that differ only a little from each other, but enough to be perceptible, or shapes that are almost the same size. The majority in the group - according to instruction- will assert stubbornly that these two shapes or lengths are the same length, or size, while the solitary individual, or the couple, who have not been so instructed will assert that the pieces of wood or whatever are different. But the majority will continue to insist - speaking metaphorically - that black is white, and after a period of exasperation, irritation, even anger, certainly incomprehension, the minority will fall into line. Not always but nearly always. There are indeed glorious individualists who stubbornly insist on telling the truth as they see it, but most give in to the majority opinion, obey the atmosphere.
When put as baldly, as unflatteringly, as this, reactions tend to be incredulous: "I certainly wouldn't give in, I speak my mind..." But would you?
People who have experienced a lot of groups, who perhaps have observed their own behaviour, may agree that the hardest thing in the world is to stand out against one's group, a group of one's peers. Many agree that among our most shameful memories is this, how often we said black was white because other people were saying it.
In other words, we know that this is true of human behaviour, but how do we know it? It is one thing to admit it in a vague uncomfortable sort of way (which probably includes the hope that one will never again be in such a testing situation) but quite another to make that cool step into a kind of objectivity, where one may say, "Right, if that's what human beings are like, myself included, then let's admit it, examine and organize our attitudes accordingly.
”
”
Doris Lessing (Prisons We Choose to Live Inside)
“
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
”
”
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
“
But of course it was a miracle, of course it was blindly, baldly phenomenal that he and Marilyn had not only found each other—out of all the other people on the earth, in the Chicagoland area, in the Behavioral Sciences Building that day so many years ago—but also that they were still here, together, that they hadn’t divorced or murdered each other or, worse, fallen into stagnant suburban silence, dead-eyed dinners and separate beds and hostile jokes about the toilet seat. That they still made each other laugh. That they made love, in their sixties, more often than they had in their thirties. That the sight of her at the end of the day still brought him so much joy.
”
”
Claire Lombardo (The Most Fun We Ever Had)
“
Why I Like Being Baldy
• Never have to pay for a haircut
• No need for styling
• The birds love it
• You can get together with a fellow baldy and pretend to be a pair of tits
• You can pretend to be Ming the Merciless, Emperor of the Galaxy, with more conviction than people with hair
• It makes you look hard
• Richard O’Brien
• You can draw a line down the middle of your head and pretend to be a cock
• A hat will always fit
• No dickies
• Save money on Shampoo
• Time saver should you wish to become ordained into an order of Buddhist monks
Why I Don’t Like Being Baldy
• Can never make a balloon static to entertain a child
• Might get mistaken for Ross Kemp
• Lack of hair
”
”
Steven LaVey (Shorts)
“
How nice it must be, she said, in the country, struggling, as Mr. Whittaker had told her, with that violent grudge against the world which had scorned her, sneered at her, cast her off, beginning with this indignity — the infliction of her unlovable body which people could not bear to see. Do her hair as she might, her forehead remained like an egg, bald, white. No clothes suited her. She might buy anything. And for a woman, of course, that meant never meeting the opposite sex. Never would she come first with anyone. Sometimes lately it had seemed to her that, except for Elizabeth, her food was all she lived for; her comforts; her dinner, her tea; her hot-water bottle at night.
”
”
Virginia Woolf (Mrs Dalloway)
“
Thus — I am Sebastian Knight. I feel as if I were impersonating him on a lighted stage, with the people he knew coming and going — the dim figures of the few friends he had, the scholar, the poet, the painter, — smoothly and noiselessly paying their graceful tribute […]. And then the masquerade draws to a close. The bald little prompter shuts his book, as the light fades gently. The end, the end. They all go back to their everyday life (and Clare goes back to her grave) — but the hero remains, for, try as I may, I cannot get out of my part: Sebastian’s mask clings to my face, the likeness will not be washed off. I am Sebastian, or Sebastian is I, or perhaps we both are someone whom neither of us knows.
”
”
Vladimir Nabokov (The Real Life of Sebastian Knight)
“
This is not very practical,” the minister says, pointing at the ceiling, which is crowded with exposed air ducts, pipes, hanging bald light fixtures, and rough concrete. “All this infrastructure. It is surely not up to code? You know—a code violation?” The rest of the German officials nod in vigorous agreement. Some mutter “code violation” to reinforce her point. “Umm … er … it’s meant to embody the journey of Facebook. To show that we’re only one percent finished. I mean, I understand that before we rented this space, it was finished like those law and lobbyist offices you can see through the window. And then they had to strip back all that luxurious finishing. The carpets and everything.” “You dismantled the furnishing of a proper office to make it look like this? Like it is under construction?” one of the officials inquired, incredulous. “It’s symbolic,” I start to say. This all had sounded much more convincing in California when Sheryl explained it to the New Zealand prime minister. I start to realize that Facebook’s office is reinforcing the idea that Facebook is reckless and feckless and nothing good is going to come from continuing the tour. As the members of the German delegation stare at me in disbelief, with some audibly tutting, I make the executive decision to get to the meeting room as quickly as possible. Better to hurry past all the posters that say things like THINK WRONG, MOVE FAST AND BREAK THINGS, and IS THIS A TECHNOLOGY COMPANY?
”
”
Sarah Wynn-Williams (Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism)
“
Today I: smoke/am overweight/have a shitty attitude/am depressed because: my mom died of cancer/my uncle put his thumb up my butt/my dad hit me with a razor strop” seems kind of overly deterministic to Randy; it seems to reflect a kind of lazy or half-witted surrender to bald teleology. Basically, if everyone has a vested interest in believing that they understand everything, or even that people are capable in principle of understanding it (either because believing this dampens their insecurities about the unpredictable world, or makes them feel more intelligent than others, or both) then you have an environment in which dopey, reductionist, simple-minded, pat, glib-thinking can circulate, like wheelbarrows filled with inflated currency in the marketplaces of Jakarta.
”
”
Neal Stephenson (Cryptonomicon)
“
Sand burns outside their windows in every direction. Compass needles spin in their twinned minds: everywhere they look, they are greeted by horizon, deep gulps of blue. People think of the green pastoral when they think of lovers in nature. Those English poets used the vales and streams to douse their lusts into verse. But the desert offers something that no forest brook or valley ever can: distance. A cloudless rooming house for couples. Skies that will host any visitors’ dreams with the bald hospitality of pure space. In terms of an ecology that can support two lovers in hot pursuit of each other, this is the place; everywhere you look, you’ll find monuments to fevered longing. Craters beg for rain all year long. Moths haunt the succulents, winging sticky pollen from flower to flower.
”
”
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
“
Here's my question: What age are you when you're in Heaven? I mean, if it's Heaven, you should be at your beauty-queen best, and I doubt that all the people who die of old age are wandering around toothless and bald. It opens up a whole additional realm of questions, too. If you hang yourself, do you walk around all gross and blue, with your tongue spitting out of your mouth? If you are killed in a war, do you spend eternity minus the leg that got blown up by a mine?
I figure that maybe you get a choice. You fill out the application form that asks you if you want a star view or a cloud view, if you like chicken or fish or manna for dinner, what age you'd like to be seen as by everyone else. Like me, for example, I might pick seventeen, in the hopes I grow boobs by then, and even if I'm a pruny centegenarian by the time I die, in Heaven, I'd be young and pretty.
Once at a dinner party I heard my father say that even though he was old old old, in his heart he was twenty-one. So maybe there is a place in your life you ear out like a rut, or even better, like the soft spot on the couch. And no matter what else happens to you, you come back to that.
The problem, I suppose, is that everyone's different. What happens in Heaven when all these people are trying to find each other after so many years spent apart? Say that you die and start looking around for your husband, who died five years ago. what if you're picturing him at seventy, but he hit his groove at sixteen and is wandering around suave as can be?
Or what if you're Kate, and you die at sixteen, but in Heaven you choose to look thirty-five, an age you never got to be here on Earth. How would anyone ever be able to find you?
”
”
Jodi Picoult (My Sister's Keeper)
“
This, incidentally, is almost the whole weakness of Nietzsche, whom some are representing as a bold and strong thinker. No one will deny that he was a poetical and suggestive thinker; but he was quite the reverse of strong. He was not at all bold. He never put his own meaning before himself in bald abstract words: as did Aristotle and Calvin, and even Karl Marx, the hard, fearless men of thought. Nietzsche always escaped a question by a physical metaphor, like a cheery minor poet. He said, "beyond good and evil," because he had not the courage to say, "more good than good and evil," or, "more evil than good and evil." Had he faced his thought without metaphors, he would have seen that it was nonsense. So, when he describes his hero, he does not dare to say, "the purer man," or "the happier man," or "the sadder man," for all these are ideas; and ideas are alarming. He says "the upper man," or "over man," a physical metaphor from acrobats or alpine climbers. Nietzsche is truly a very timid thinker. He does not really know in the least what sort of man he wants evolution to produce. And if he does not know, certainly the ordinary evolutionists, who talk about things being "higher," do not know either. Then again, some people fall back on sheer submission and sitting still. Nature is going to do something some day; nobody knows what, and nobody knows when. We have no reason for acting, and no reason for not acting. If anything happens it is right: if anything is prevented it was wrong. Again, some people try to anticipate nature by doing something, by doing anything. Because we may possibly grow wings they cut off their legs. Yet nature may be trying to make them centipedes for all they know.
”
”
G.K. Chesterton (Orthodoxy)
“
We come from the city of Ember,” the boy said. “We left there because our city was dying. We need help.” Mary, Ben, and Wilmer exchanged glances. Mary frowned. “The city of Ember? Where’s that? We’ve never heard of it.” The boy gestured back the way they had come, to the east. “That way,” he said. “It’s under the ground.” The frowns deepened. “Tell us the truth,” said Ben, “not childish nonsense.” This time the girl spoke up. She had long, snarled hair with bits of grass caught in it. “It isn’t a lie,” she said. “Really. Our city was underground. We didn’t know it until we came out.” Ben snorted impatiently, folding his arms across his chest. “Who is in charge here?” He looked at the bald man. “Is it you?” The bald man shook his head and gestured toward the boy and the girl. “They’re as in charge as anyone,” he said. “The mayor of our city is no longer with us. These young people are speaking the truth. We have come out of a city built underground.” The people around him all nodded and murmured, “Yes” and “It’s true.” “My name is Doon Harrow,” said the boy. “And this is Lina Mayfleet. We found the way out of Ember.” He thinks he’s pretty great, thought Torren, hearing a note of pride in the boy’s voice. He didn’t look so great. His hair was shaggy, and he was wearing an old jacket that was coming apart at the seams and grimy at the cuffs. But his eyes shone out confidently from under his dark eyebrows. “We’re hungry,” the boy said. “And thirsty. Will you help us?” Mary, Ben, and Wilmer stood silent for a moment. Then Mary took Ben and Wilmer by the arms and led them aside a few steps. They whispered to each other, glanced up at the great swarm of strangers, frowned, whispered some more. While he waited to hear what they’d say, Torren studied the people who said they came from underground.
”
”
Jeanne DuPrau (The People of Sparks)
“
At low tide, much of the sea changes to land, and then more than seven hundred islands can be counted. People come here to hide, to find something they can’t find on the mainland, to get religion through solitude. From June till September, nearly every day is perfect, with the 10,778-foot volcano of Mount Baker rising from the tumble of the Cascades to the west, blue herons and bald eagles crowding the skies, killer whales breaching offshore. The water is exceptionally clear, the result of a twice-daily shift-change in tide, when it sweeps north toward the Strait of Georgia, then back south toward the Strait of Juan de Fuca. In some places, the rip tides create white water like rapids on a foaming river. Being is bliss. But then the winters come and the tourists all go home and clouds hang on the horizon and unemployment doubles and the island dweller is left with whatever it is that led him to escape the rest of the world.
”
”
Timothy Egan (The Good Rain: Across Time & Terrain in the Pacific Northwest (Vintage Departures))
“
My enlistment came a few years after that world-changing day in September 2001. Instead of expounding on where I was that day—we’ve all heard that story from a million different people a million different times—I’ll just say that I, an impressionable teenager, became swept up in the gross manufactured patriotism that emerged from the rubble and cancerous ashes of those fallen towers. It wasn’t the far-right, red-hat-wearing nationalism that’s disguised as the patriotism we see on television today. It was the red, white, and blue bald eagle Bud Light commercial kind of patriotism. The lifted Chevy Silverado with a yellow Support the Troops magnet and truck nuts kind of patriotism. The please rise from your seats, remove your hat, and place your hand over your heart to recite the National Anthem before you watch young men give each other CTE on the gridiron kind of patriotism. And to quote Lee Greenwood, I was “proud to be an American.
”
”
Dylan Park-Pettiford (Roadside: My Journey to Iraq and the Long Road Home)
“
People are always asking me—and every other writer I know—where story ideas come from. Where do you get your ideas, they ask; how do you ever manage to think them up? It’s certainly the hardest question in the world to answer, since stories originate in everyday happenings and emotions, and any writer who tried to answer such a question would find himself telling over, in some detail, the story of his life. Fiction uses so many small items, so many little gestures and remembered incidents and unforgettable faces, that trying to isolate any one inspiration for any one story is incredibly difficult, but basically, of course, the genesis of any fictional work has to be human experience. This translation of experience into fiction is not a mystic one. It is, I think, part recognition and part analysis. A bald description of an incident is hardly fiction, but the same incident, carefully taken apart, examined as to emotional and balanced structure, and then as carefully reassembled in the most effective form, slanted and polished and weighed, may very well be a short story.
”
”
Shirley Jackson (Come Along With Me)
“
This guy Lobo, whose real and true name was Wolfgang Fink, played better than good flamenco guitar in a place called Mamma Mia in Puerto Vallarta. Had a partner name of Willie Royal, tall gangly guy who was balding a little early and wore glasses and played hot gypsy-jazz violin. They'd worked out a repertoire of their own tunes, "Improvisation #18" and "Gypsy Rock" as examples, played 'em high and hard, rolled through "Amsterdam" and "The Sultan's Dream" with enough power to set you two times free or even beyond that when the day had been tolerable and the night held promise. Lobo, sun worn and hard lined in the face looking over at Willie Royal bobbing and weaving and twisting his face into a mean imitation of a death mask when he really got into it, right wrist looking almost limp but moving his bow at warp speed across the strings, punctuated here and there by Lobo's stabbing ruscados and finger tapping on the guitar top.
Good music, wonderful music, tight and wild all at the same time. On those nights when the sweat ran down your back and veneered your face and the gringitas looked good enough to swallow whole - knowing too they looked just that way and them watching the crowd to see who might be man enough to try it - people would be riding on the music, drinking and clapping in flamenco time, dancing around the dinner tables.
”
”
Robert James Waller (Puerto Vallarta Squeeze)
“
People strut and swagger in front of others, but rarely alone. These are social gestures. Walking, the slowest form of travel, is the quickest route to our more authentic selves. We can't return to some long-lost paradise that probably never was. But we can walk. We can walk to work. We can walk our daughter to school. We can walk alone, to nowhere in particular on a crisp and breezy autumn afternoon.
We walk to forget. We walk to forget the cranky boss, the spat with the spouse, the pile of unpaid bills, the flashing warning light in your Subaru, indicating either that the tire pressure is low or the car is on fire. We walk to forget, if only momentarily, a world that is "too much with us," as William Wordsworth, another fine walker, put it.
We walk to forget ourselves, too. I know I do. The surplus fifteen pounds resistant to every diet known to man, the recidivist nasal hair, the decade-old blemish that suddenly, for reasons known only to it, has decided to self-actualize on the crown of my bald head, spreading like an inkblot. All forgotten when I walk.
Walking is democratic. Barring a disability, anyone can walk. The wealthy walker has no advantage over the impoverished one. Rousseau, despite his literary success, always saw himself as "the son of a worker," what we now call blue-collar. People like that didn't ride in fancy carriages. They walked.
They walked as I do now: attentively, one step at a time, relishing the sturdiness, and the springiness, too, of serious earth.
”
”
Eric Weiner, The Socrates Express
“
Can you please also give me instructions for dancing?”
“Excuse me?”
“I need instructions for dancing. Like how do I move my body to music in front of other people? Break it down. Step by step.”
“Seriously? Dancing isn’t one of those things that come with instructions. It’s not like putting together Ikea furniture.”
“Please help me.”
“Well, first of all, this is not the sort of music that will be playing.” She motions to the pianist, who is bald and bearded, which I’ve always found to be a bizarre combination. You would think you would want cranial and mandibular hair consistency.
“No Ravel’s Bolero. Got it.”
“No classical music, period. They’ll probably just play all the crap that’s on the radio.”
“I amend my original request. I need instructions for dancing to noise.”
“You just move your body to the beat. Feel the music.” Miney puts her arms up and sways to sounds I do not hear. She closes her eyes, leans on the tips of her toes, and jumps. After approximately ninety seconds, she stops and looks at me. “Your turn.”
“I don’t think so.” Miney doesn’t respond. She just waits.
“Fine.” I copy her, jump up and down, though I don’t actually jump down, which is a misnomer. I let gravity do its job. My sneakers make discordant squeaks along the marble floor.
“No. Stop. You look like you’re having a seizure. Think of dancing like having a conversation but with the music instead of with another person. It’s all intuition and instinct.”
“Right. Because I’m good at all three of those things. Intuition, instinct, and having conversations with other people.”
“Little D, sarcasm becomes you.
”
”
Julie Buxbaum (What to Say Next)
“
In an experiment that became an instant classic, the psychologist John Bargh and his collaborators asked students at New York University—most aged eighteen to twenty-two—to assemble four-word sentences from a set of five words (for example, “finds he it yellow instantly”). For one group of students, half the scrambled sentences contained words associated with the elderly, such as Florida, forgetful, bald, gray, or wrinkle. When they had completed that task, the young participants were sent out to do another experiment in an office down the hall. That short walk was what the experiment was about. The researchers unobtrusively measured the time it took people to get from one end of the corridor to the other. As Bargh had predicted, the young people who had fashioned a sentence from words with an elderly theme walked down the hallway significantly more slowly than the others. The “Florida effect” involves two stages of priming. First, the set of words primes thoughts of old age, though the word old is never mentioned; second, these thoughts prime a behavior, walking slowly, which is associated with old age. All this happens without any awareness. When they were questioned afterward, none of the students reported noticing that the words had had a common theme, and they all insisted that nothing they did after the first experiment could have been influenced by the words they had encountered. The idea of old age had not come to their conscious awareness, but their actions had changed nevertheless. This remarkable priming phenomenon—the influencing of an action by the idea—is known as the ideomotor effect. Although
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
The DUCE diverted funds intended for the Fiume adventure, and used them for His own election campaign. He was arrested for the illegal possession of arms, sent parcel bombs to the Archbishop of Milan and its mayor, and after election was, as is well-known, responsible for the assassination of Di Vagno and Matteoti. Since then He has been responsible for the murders of Don Mizzoni Amendola, the Rosselli brothers, and the journalist Piero Gobetti, quite apart from the hundreds who have been the victims of His squadistri in Ferrara, Ravenna and Trieste, and the thousands who have perished in foreign places whose conquest was useless and pointless. We Italians remain eternally grateful for this, and consider that so much violence has made us a superior race, just as the introduction of revolvers into Parliament and the complete destruction of constitutional democracy have raised our institutions to the greatest possible heights of civilisation.
Since the illegal seizure of power, Italy has known an average of five acts of political violence per diem, the DUCE has decreed that 1922 is the new Annus Domini, and He was pretended to be a Catholic in order to dupe the Holy Father into supporting Him against the Communists, even though He really is one Himself. He has completely suborned the press by wrecking the premises of dissident newspapers and journals. In 1923 he invaded Corfu for no apparent reason, and was forced to withdraw by the League of Nations. In 1924 He gerrymandered the elections, and He has oppressed minorities in the Tyrol and the North-East. He sent our soldiers to take part in the rape of Somalia and Libya, drenching their hands in the blood of innocents, He has doubled the number of the bureaucracy in order to tame the bourgeoisie, He has abolished local government, interfered with the judiciary, and purportedly has divinely stopped the flow of lava on Mt Etna by a mere act of will. He has struck Napoleonic attitudes whilst permitting Himself to be used to advertise Perugina chocolates, He has shaved his head because He is ashamed to be seen to be going bald, He has been obliged to hire a tutor to teach Him table manners, He has introduced the Roman salute as a more hygienic alternative to the handshake, He pretends not to need spectacles, He has a repertoire of only two facial expression, He stands on a concealed podium whilst making speeches because He is so short, He pretends to have studied economics with Pareto, and He has assumed infallibility and encouraged the people to carry His image in marches, as though He were a saint. He is a saint, of course.
He has (and who are we to disagree?) declared Himself greater than Aristotle, Kant, Aquinas, Dante, Michelangelo, Washington, Lincoln, and Bonaparte, and He has appointed ministers to serve Him who are all sycophants, renegades, racketeers, placemen, and shorter than He is. He is afraid of the Evil Eye and has abolished the second person singular as a form of address. He has caused Toscanini to be beaten up for refusing to play 'Giovinezza', and He has appointed academicians to prove that all great inventions were originally Italian and that Shakespeare was the pseudonym of an Italian poet. He has built a road through the site of the forum, demolishing fifteen ancient churches, and has ordered a statue of Hercules, eighty metres high, which will have His own visage, and which so far consists of a part of the face and one gigantic foot, and which cannot be completed because it has already used up one hundred tons of metal.
”
”
Louis de Bernières (Corelli’s Mandolin)
“
THE INSTRUCTION OF PTAHHOTEP
Part II
If you are one among guests
At the table of one greater than you,
Take what he gives as it is set before you;
Look at what is before you,
Don’t shoot many glances at him,
Molesting him offends the ka.
Don’t speak to him until he summons,
One does not know what may displease;
Speak when he has addressed you,
Then your words will please the heart.
The nobleman, when he is behind food,
Behaves as his ka commands him;
He will give to him whom he favors,
It is the custom when night has come.
It is the ka that makes his hands reach out,
The great man gives to the chosen man;
Thus eating is under the counsel of god,
A fool is who complains of it.
If you are a man of trust,
Sent by one great man to another,
Adhere to the nature of him who sent you.
Give his message as he said it.
Guard against reviling speech,
Which embroils one great with another;
Keep to the truth, don't exceed it,
But an outburst should not be repeated.
Do not malign anyone,
Great or small, the ka abhors it.
If you plow and there’s growth in the field,
And god lets it prosper in your hand,
Do not boast at your neighbors’ side,
One has great respect for the silent man:
Man of character is man of wealth.
If he robs he is like a crocodile in court.
Don’t impose on one who is childless,
Neither decry nor boast of it;
There is many a father who has grief,
And a mother of children less content than another;
It is the lonely whom god fosters,
While the family man prays for a follower.
If you are poor, serve a man of worth,
That all your conduct may be well with the god.
Do not recall if he once was poor,
Don’t be arrogant toward him
For knowing his former state;
Respect him for what has accrued to him.
For wealth does not come by itself.
It is their law for him whom they love,
His gain, he gathered it himself ;
It is the god who makes him worthy
And protects him while he sleeps.
Follow your heart as long as you live,
Do no more than is required,
Do not shorten the time of “follow-the-heart,”
Trimming its moment offends the ka
Don’t waste time on daily cares
Beyond providing for your household;
When wealth has come, follow your heart,
Wealth does no good if one is glum!
If you are a man of worth
And produce a son by the grace of god,
If he is straight, takes after you,
Takes good care of your possessions.
Do for him all that is good,
He is your son, your ka begot him,
Don’t withdraw your heart from him.
But an offspring can make trouble:
If he strays, neglects your counsel,
Disobeys all that is said,
His mouth spouting evil speech,
Punish him for all his talk
They hate him who crosses you,
His guilt was fated in the womb;
He whom they guide can not go wrong,
Whom they make boatless can not cross.
If you are in the antechamber,
Stand and sit as fits your rank
Which was assigned you the first day.
Do not trespass — you will be turned back,
Keen is the face to him who enters announced,
Spacious the seat of him who has been called.
The antechamber has a rule,
All behavior is by measure;
It is the god who gives advancement,
He who uses elbows is not helped.
If you are among the people,
Gain supporters through being trusted
The trusted man who does not vent his belly’s speech,
He will himself become a leader,
A man of means — what is he like ?
Your name is good, you are not maligned,
Your body is sleek, your face benign,
One praises you without your knowing.
He whose heart obeys his belly
Puts contempt of himself in place of love,
His heart is bald, his body unanointed;
The great-hearted is god-given,
He who obeys his belly belongs to the enemy.
”
”
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
“
Dearly beloved: We have come together in the presence of God to witness and bless the joining together of this man and this woman in Holy Matrimony. The bond and covenant of marriage was established by God in creation, and our Lord Jesus Christ adorned this manner of life by his presence and first miracle at a wedding in Cana of Galilee. It signifies to us the mystery of the union between Christ and his Church, and Holy Scripture commends it to be honored among all people.
The union of husband and wife in heart, body, and mind is intended by God for their mutual joy; for the help and comfort given one another in prosperity and adversity; and, when it is God’s will, for the procreation of children and their nurture in the knowledge and love of the Lord. Therefore marriage is not to be entered into unadvisedly or lightly, but reverently, deliberately, and in accordance with the purposes for which it was instituted by God.
I glanced at Marlboro Man, who was listening intently, taking in every word. I held his bicep in my hand, squeezing it lightly and trying to listen to Father Johnson despite the distraction of Marlboro Man’s work-honed muscles. Everything else was a blur: iron candlesticks attached to the end of each pew…my mother’s olive green silk jacket with the mandarin collar…Mike’s tuxedo…Mike’s bald head…
Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live?
“I will.” I breathed in.
The scent of roses…the evening light coming through the stained-glass window.
Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live?
“I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Starting a little over a decade ago, Target began building a vast data warehouse that assigned every shopper an identification code—known internally as the “Guest ID number”—that kept tabs on how each person shopped. When a customer used a Target-issued credit card, handed over a frequent-buyer tag at the register, redeemed a coupon that was mailed to their house, filled out a survey, mailed in a refund, phoned the customer help line, opened an email from Target, visited Target.com, or purchased anything online, the company’s computers took note. A record of each purchase was linked to that shopper’s Guest ID number along with information on everything else they’d ever bought.
Also linked to that Guest ID number was demographic information that Target collected or purchased from other firms, including the shopper’s age, whether they were married and had kids, which part of town they lived in, how long it took them to drive to the store, an estimate of how much money they earned, if they’d moved recently, which websites they visited, the credit cards they carried in their wallet, and their home and mobile phone numbers. Target can purchase data that indicates a shopper’s ethnicity, their job history, what magazines they read, if they have ever declared bankruptcy, the year they bought (or lost) their house, where they went to college or graduate school, and whether they prefer certain brands of coffee, toilet paper, cereal, or applesauce.
There are data peddlers such as InfiniGraph that “listen” to shoppers’ online conversations on message boards and Internet forums, and track which products people mention favorably. A firm named Rapleaf sells information on shoppers’ political leanings, reading habits, charitable giving, the number of cars they own, and whether they prefer religious news or deals on cigarettes. Other companies analyze photos that consumers post online, cataloging if they are obese or skinny, short or tall, hairy or bald, and what kinds of products they might want to buy as a result.
”
”
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)
“
ONE of the evil results of the political subjection of one people by another is that it tends to make the subject nation unnecessarily and excessively conscious of its past. Its achievements in the old great days of freedom are remembered, counted over and exaggerated by a generation of slaves, anxious to convince the world and themselves that they are as good as their masters. Slaves cannot talk of their present greatness, because it does not exist; and prophetic visions of the future are necessarily vague and unsatisfying. There remains the past. Out of the scattered and isolated facts of history it is possible to build up Utopias and Cloud Cuckoo Lands as variously fantastic as the New Jerusalems of prophecy. It is to the past — the gorgeous imaginary past of those whose present is inglorious, sordid, and humiliating — it is to the delightful founded-on-fact romances of history that subject peoples invariably turn. Thus, the savage and hairy chieftains of Ireland became in due course “the Great Kings of Leinster,” “the mighty Emperors of Meath.” Through centuries of slavery the Serbs remembered and idealised the heroes of Kossovo. And for the oppressed Poles, the mediaeval Polish empire was much more powerful, splendid, and polite than the Roman. The English have never been an oppressed nationality; they are in consequence most healthily unaware of their history. They live wholly in the much more interesting worlds of the present — in the worlds of politics and science, of business and industry. So fully, indeed, do they live in the present, that they have compelled the Indians, like the Irish at the other end of the world, to turn to the past. In the course of the last thirty or forty years a huge pseudo-historical literature has sprung up in India, the melancholy product of a subject people’s inferiority complex. Industrious and intelligent men have wasted their time and their abilities in trying to prove that the ancient Hindus were superior to every other people in every activity of life. Thus, each time the West has announced a new scientific discovery, misguided scholars have ransacked Sanskrit literature to find a phrase that might be interpreted as a Hindu anticipation of it. A sentence of a dozen words, obscure even to the most accomplished Sanskrit scholars, is triumphantly quoted to prove that the ancient Hindus were familiar with the chemical constitution of water. Another, no less brief, is held up as the proof that they anticipated Pasteur in the discovery of the microbic origin of disease. A passage from the mythological poem of the Mahabharata proves that they had invented the Zeppelin. Remarkable people, these old Hindus. They knew everything that we know or, indeed, are likely to discover, at any rate until India is a free country; but they were unfortunately too modest to state the fact baldly and in so many words. A little more clarity on their part, a little less reticence, and India would now be centuries ahead of her Western rivals. But they preferred to be oracular and telegraphically brief. It is only after the upstart West has repeated their discoveries that the modern Indian commentator upon their works can interpret their dark sayings as anticipations. On contemporary Indian scholars the pastime of discovering and creating these anticipations never seems to pall. Such are the melancholy and futile occupations of intelligent men who have the misfortune to belong to a subject race. Free men would never dream of wasting their time and wit upon such vanities. From those who have not shall be taken away even that which they have.
”
”
Aldous Huxley (Jesting Pilate)
“
I no longer require your services." With her head held high, she strode for the door.
Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake.
"You don't want to hear my report?" he called out after her.
She paused near the door. "I don't believe you even have a report."
"I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require."
"A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him.
He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly.
Her eyes went wide. "You're making that up."
"He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think."
That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband."
"He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you."
"You can't be sure of that."
"No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants."
Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese."
He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.”
“Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.”
“I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.”
“Plenty of people don’t get along with their families,” she said stoutly.
“He has a long-established mistress, too.”
A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.”
He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?”
The sigh that escaped her was all the answer he needed.
“I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.”
“With his mad family.”
“He’s already told me about his father, whom I knew about anyway.”
“Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.”
Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“
As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?”
She hesitated, then squared her shoulders. “Marriage, if you must know.”
Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.”
Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
What can turn us from this deserted future, back into the here of our being, the great dance that joins us to our home, to each other and to other creatures, to the dead and the unborn? I think it is love. I am perforce aware how baldly and embarrassingly that word now lies on the page - for we have learned at once to overuse it, abuse it, and hold it in suspicion. But I do not mean any kind of abstract love, which is probably a contradiction in terms, but particular love for particular things, places, creatures, and people, requiring stands and acts, showing its successes or failures in practical or tangible effects. And it implies a responsibility just as particular, not grim or merely dutiful, but rising out of generosity.
”
”
Wendell Berry (Standing by Words)
“
only to be accidentally knocked over by a bald young adult and two people sprinting after him.
”
”
Dakota Krout (Raze (The Completionist Chronicles #4))
“
Warren Buffett didn’t take his rejection by Harvard Business School to heart because, as he says, ‘I always knew I was going to be rich. I don’t think I ever doubted it for a minute.’ Don’t assume that other people are right about you and you are wrong; only you know what you’re truly capable of. Luckily Fred Astaire had already learned to think positively and ignore the negative when he received this famously unfavourable review of a screen test, ‘Can’t sing. Can’t act. Balding. Can dance a little.
”
”
John Middleton (Wallace D. Wattles' The Science of Getting Rich: A modern-day interpretation of a personal finance classic (Infinite Success))
“
You know, Aerosmith will be the thing that kills off your music. Not them directly, mind you. What they represent. Bands are going to sell out. Whatever you think is rebellious now will be used to sell you laxatives in a decade. You'll all get old and conservative. Your Saint Cobain put it well: 'Teenage angst has paid off well. Now I'm bored and old.' It's all about money. You'll get that. You think you are edgy now, but I've seen people like you start to lose their hair and then lose their minds.
”
”
Thomm Quackenbush (The Road to Vent Haven)
“
Rich people who say, “Money can’t buy you happiness,” are bald-faced liars, ’cause being poor sure doesn’t do it for me.
”
”
Priyanka Taslim (The Love Match)
“
Young people see old people and believe that they were born that way. They don’t know that the shrunken, hunchbacked woman at Safeway who asks for their help to reach a can of peaches was once a raging beauty who could outrun any boy. That the bald, freckled head of an elderly gentleman was once full and thick with reflective hair that was indistinguishable from the heads of the thousands of other young men who marched alongside him to war or crowded onto commuter trains with him.
”
”
Laurie Notaro (Excuse Me While I Disappear: Tales of Midlife Mayhem)
“
Dear Halo,
I see you. You are the light around the moon, and I know that you are the light above my head. You are a reflection of what and who I want to be. Therefore, tonight is the perfect time to reflect. There have been so many times, if not all the time, that the halation of light has spread in my life beyond its boundaries and has formed a fog everywhere. However, I have you right above my head to help me direct my path. I have changed. I have worked so hard on—me, Ember. I feel like when it comes to my mom, I am like water in the sink. My emotions go around and around in circles because she has drained me and taken everything from me. She is so good at pulling the plug on everything I’ve worked so hard to accomplish. I never gave away my power—it’s just that I am depleted.
Right now, just for tonight and tomorrow, I am in hibernation as I unfold the memories that once hunted me. These memories have taken me to the highest point, and they most definitely have dragged me to my lowest point. They have dragged me so low to the point that my feelings and emotions are deeper than the sea.
The name I use for Mom is—claustrophobia. She is the person I fear most, for Kace’s sake. Every time I see her, she closes me in—in a confined space in my heart and in my mind. Anxiety takes over me because I knew this day would come—that she would try to get custody of Kace. When I see her, I lose control... seeing her and thinking of her sends my mind to claustrophobia. The memories and remembrance of her close me in, and they trap me every single time—that is why I am in here. I have to control it.
From this day forth, I am not surrounded by death. I am not mentally folding up in a ball. I am a parachute. I am free. I am flying like a bald eagle. I’m going in a direction where I cannot and will not carry dead weight.
From now on, I am dealing with certain people with a long-handled spoon.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
What makes you happy or unhappy is not the world and the people around you, but the thinking in your head. Might as well search for an eagle’s nest on the bed of an ocean—a search for happiness in the world outside you will be just as successful. If it is happiness that you seek, you can stop wasting your energy trying to cure your baldness, building up an attractive body, or changing your residence, your job, your community, your lifestyle, or even your personality. Do you realize that you could change every one of these things—you could have the finest looks, the most charming personality, and the most pleasant of surroundings—and still be unhappy? Deep down, you know this is true. But still you waste your effort and energy trying to get what you know cannot make you happy. Another false belief: If all of your desires are fulfilled, you will finally be happy. Not true. In fact, it is these very desires and attachments that make you tense, frustrated, nervous, insecure, and fearful. Look at your list of your attachments and desires and to each of them, say these words: “Deep down in my heart, I know that even after I have gotten you, I will not get happiness.” Ponder the truth of these words. The fulfillment of desire can, at the most, bring flashes of pleasure and excitement. Don’t mistake them for happiness.
”
”
Anthony de Mello (Stop Fixing Yourself: Wake Up, All Is Well (The Anthony De Mello Legacy Library))
“
The party issued regular edicts saying that men shouldn’t allow the hair on top of their head to grow longer than five centimeters—though an exemption was granted for balding men, who were permitted seven centimeters. If a violation was severe, the offender could be arrested by the Public Standards Police. There were also kyuch’aldae, mobile police units who roamed the streets looking for offenders and had the right to barge into people’s houses without notice. They would look for people who used more than their quota of electricity, a lightbulb brighter than 40 watts, a hot plate, or a rice cooker.
”
”
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)