Tale Of Two Cities Sacrifice Quotes

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It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
Before I go," he said, and paused -- "I may kiss her?" It was remembered afterwards that when he bent down and touched her face with his lips, he murmured some words. The child, who was nearest to him, told them afterwards, and told her grandchildren when she was a handsome old lady, that she heard him say, "A life you love.
Charles Dickens (A Tale of Two Cities)
There is a man who would give his life to keep a life you love beside you.
Charles Dickens (A Tale of Two Cities)
For you, and for any dear to you, I would do anything. If my career were of that better kind that there was any opportunity or capacity of sacrifice in it, I would embrace any sacrifice for you and for those dear to you. Try to hold me in your mind, at some quiet times, as ardent and sincere in this one thing. The time will come, the time will not be long in coming, when new ties will be formed about you--ties that will bind you yet more tenderly and strongly to the home you so adorn--the dearest ties that will ever grace and gladden you. O Miss Manette, when the little picture of a happy father's face looks up in yours, when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you!
Charles Dickens (A Tale of Two Cities)
For you, and for any dear to you, I would do anything. I would embrace any sacrifice for you and for those dear to you. And when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you.
Charles Dickens (A Tale of Two Cities)
If I may ride with you, Citizen Evrémonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage.' As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger- worn young fingers, and touched his lips. 'Are you dying for him?' she whispered. 'And his wife and child. Hush! Yes.' 'O you will let me hold your brave hand, stranger!' 'Hush! Yes, my poor sister, to the last.
Charles Dickens (A Tale of Two Cities)
Every living creature there held life as of no account, and was demented with a passionate readiness to sacrifice it.
Charles Dickens (A Tale of Two Cities)
If the Republic should demand of you the sacrifice of your child herself, you would have no duty but to sacrifice her. Listen to what is to follow. In the meanwhile, be silent!
Charles Dickens (A Tale of Two Cities)
For you, and for any dear to you, I would do anything....I would embrace any sacrifice for you and for those dear to you.....think now and then that there is a man who would give his life, to keep a life you love beside you!
Charles Dickens (A Tale of Two Cities)
For you, and for any dear to you, I would do anything. If my career were of that better kind that there was any opportunity or capacity of sacrifice in it, I would embrace any sacrifice for you and for those dear to you. Try to hold me in your mind, at some quiet times, as ardent and sincere in this one thing. The time will come, the time will not be long in coming, when new ties will be formed about you—ties that will bind you yet more tenderly and strongly to the home you so adorn—the dearest ties that will ever grace and gladden you. O Miss Manette, when the little picture of a happy father’s face looks up in yours, when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you!
Charles Dickens (A Tale of Two Cities)
Under the condition of biblical embodiment, we can read everything else and find where the image of Jesus Christ is reflected. “Christ plays in ten thousand places,” and it is our joy to find where he is and disclose his presence to the world. When I was in college at a Christian university, we sometimes sought the Christ figure in literature: Uncle Tom in Uncle Tom’s Cabin or Sydney Carton in A Tale of Two Cities. We looked for those characters that best imitated Christ in their meekness, sacrifice, or charity. After Christians fell in love with The Lord of the Rings, they identified several characters as Christ figures: Aragorn the king, Gandalf who dies and is resurrected, the hobbits in their humility. In reality, the most lovely stories will show us thousands of reflections of Christ in the faces of dozens of characters. The truthfulness by which the author depict the human beings in their work determines how much we will be able to see the Human One in the story. We should look for him everythere. However, I caution readers against two fallacies of reading with a biblical lens: first, prioritizing message over narrative, and second, so-called Christian literature that fronts as biblically informed.(p. 43)
Jessica Hooten Wilson (Reading for the Love of God)
Shadows of Hope In the quiet neighborhood of Saint-Michel, nestled within the vibrant city of Montreal, lived Maria, a single mother of two. Maria was a woman of color, navigating the complexities of life as a Black woman in a society that often left her feeling invisible. Every morning, she would rise before dawn, the faint light of the sunrise just beginning to pierce through the heavy curtain of her small apartment. She made coffee while her children, Aisha and Malik, still clung to their dreams in the soft embrace of sleep. The weight of the world pressed down on her shoulders—the bills piling up on the kitchen table, the constant struggle to find stable work, and the fears of raising her children in a society that still bore the scars of racism. Quebec, with its rich culture and beautiful landscapes, often felt hostile. Maria had encountered discrimination at every turn: during job interviews, at the grocery store, and even at her children’s school. The subtle glances and dismissive comments gnawed at her confidence, but she refused to allow despair to set in. One day, Maria stumbled upon a local writing workshop at the community center. It was an escape, a chance to express her thoughts and experiences. At first, she hesitated, worried that her words would not resonate with others. But one evening, as the instructor encouraged them to write about their truth, Maria felt a spark ignite within her. She wrote about her daily struggles, the sacrifices she made, and the joy and laughter her children brought into her life. With each workshop, Maria poured her heart onto the pages—stories of resilience, strength, and the unbreakable bond between a mother and her children. The tales of systemic injustices, the late-night arguments about the fairness of the world, and the moments of triumph—like Aisha’s first dance recital and Malik’s science fair project—all painted a tapestry of her life. Months went by, and her stories began to take shape into a manuscript. Each chapter spoke to the experience of Black women who often felt unheard and unseen. Maria crafted her words with care, articulating the nuances of racism and motherhood, hope and hardship, transforming her painful experiences into powerful narratives. With the encouragement of her workshop peers, she sought out an agent, and to her surprise, her manuscript was accepted by a local publisher. Soon, her book, titled "Shadows of Hope," was scheduled for release. The day of the launch was filled with anxiety and excitement. Friends from the community, fellow single parents, and advocates for racial equality filled the small bookstore. As Maria took the microphone, she saw familiar faces—people who understood her journey. Her voice trembled slightly as she began to read passages from her book, allowing her audience a glimpse into her world. As she recounted the injustices she faced and the love she held for her children, the room filled with a palpable energy. The laughter of the audience mingled with tears of recognition and understanding. Maria realized that she wasn’t alone; her struggles mirrored those of many others, and her words had the power to inspire change. "Shadows of Hope" became a bestseller, resonating not just in Quebec but across Canada. Readers from all walks of life connected with her experiences, leading to conversations about race, motherhood, and resilience. Maria was invited to panels and discussions, her voice becoming a beacon for those seeking to address the inequities that existed in society. Through her newfound platform, Maria dedicated herself to advocating for other women of color. She started mentoring young girls in her community, empowering them to share their own stories and helping them navigate the oppressive spaces they encountered. In her heart, Maria knew that the road ahead would still have its challenges, but she had transformed her pain into purpose. Her journey showed that darkness could give birth to light, that voices mattered.
Michella Augusta