“
Bran was stripping her futon down to the bare mattress when she entered her apartment. It was sort of like watching the president mowing the White House lawn or taking out the trash.
”
”
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
“
Lovey-dovey bullshit. Now let me tell you about what happens when you betray everything you hold dear and the bitch doesn’t return the favor. Oh, wait, you know that lesson already. The problem is you take the leap and you don’t know until it’s too late to pull back if you’re going to land on a foam-covered mattress or jagged rocks where you lie impaled, slowly bleeding and wishing you’d just die already. (Jaden)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
This thing got a pump?” he asked as he pulled the heavy air mattress out.“No, Ty, you have to blow it up,” Deuce answered in a flat voice. “We’ll take turns, should have it done by August (Armed & dangerous)
”
”
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
“
I want to feel you press me down into my mattress and take me.
”
”
Ella Frank (Take (Temptation, #2))
“
I think, maybe,
I fell in love with your
patterns and inconsistencies,
like the way you squeak
in your sleep.
And the way your heart beats.
I want to be your heartbeat
just to be that much
closer to you,
living there inside your chest,
making a home
under your flesh.
And waking up to
sunshine is nice,
I guess,
but waking to your smile
is like having sunshine
in my bed every morning,
warmth radiating
from your side
of the mattress.
And I would love to make
you a regular thing;
pillow talk in evenings,
coffee and muffins in the morning,
making everyday
as stunning as this one.
take me in small doses;
I'll take you all at once.
”
”
Charlotte Scott
“
I'm Writing my stoy. But i'm also plotting my escape from this prison cell.
This is my plan.
I will do it with words.
I will write them by day.
I will write them by night.
I will write them on the walls,
the stalls, the halls.
I will write them in big bold ink
on posters i hang on the concrete blocks.
I will write them on little pieces of paper
I stuff on the mattress and the pillow.
I will write them with fingers
bent and cramped from use.
I will write them in blood
if i have to,
but only my own.
And i will keep writing them,
again, and again, and again,
until i fill this prison cell so full of words,
that the bars bend and buckle and burst
because they cannot contain them
And then
I will
be free.
”
”
Carolee Dean (Take Me There)
“
I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove.
”
”
Ken Kesey (One Flew Over the Cuckoo’s Nest)
“
The family which takes its mauve an cerise, air-conditioned, power-steered and power-braked automobile out for a tour passes through cities that are badly paved, made hideous by litter, lighted buildings, billboards and posts for wires that should long since have been put underground. They pass on into countryside that has been rendered largely invisible by commercial art. (The goods which the latter advertise have an absolute priority in our value system. Such aesthetic considerations as a view of the countryside accordingly come second. On such matters we are consistent.) They picnic on exquisitely packaged food from a portable icebox by a polluted stream and go on to spend the night at a park which is a menace to public health and morals. Just before dozing off on an air mattress, beneath a nylon tent, amid the stench of decaying refuse, they may reflect vaguely on the curious unevenness of their blessings. Is this, indeed, the American genius?
”
”
John Kenneth Galbraith
“
It was 1976.
It was one of the darkest days of my life when that nurse, Mrs. Shimmer, pulled out a maxi pad that measured the width and depth of a mattress and showed us how to use it. It had a belt with it that looked like a slingshot that possessed the jaw-dropping potential to pop a man's head like a gourd. As she stretched the belt between the fingers of her two hands, Mrs. Shimmer told us becoming a woman was a magical and beautiful experience.
I remember thinking to myself, You're damn right it had better be magic, because that's what it's going to take to get me to wear something like that, Tinkerbell! It looked like a saddle. Weighed as much as one, too. Some girls even cried.
I didn't.
I raised my hand.
"Mrs. Shimmer," I asked the cautiously, "so what kind of security napkins do boys wear when their flower pollinates? Does it have a belt, too?"
The room got quiet except for a bubbling round of giggles.
"You haven't been paying attention, have you?" Mrs. Shimmer accused sharply. "Boys have stamens, and stamens do not require sanitary napkins. They require self control, but you'll learn that soon enough."
I was certainly hoping my naughty bits (what Mrs. Shimmer explained to us was like the pistil of a flower) didn't get out of control, because I had no idea what to do if they did.
”
”
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
“
Another fallacy comes creeping in whose errors you should be meticulous in trying to avoid. Don't think our eyes, our bright and shining eyes, were made for us to look ahead with. Don't suppose our thigh bones fitted our shin bones and our shins our ankles so that we might take steps. Don't think that arms dangled from shoulders and branched out in hands with fingers at their ends, both right and left, for us to do whatever need required for our survival. All such argument, all such interpretation is perverse, fallacious, puts the cart before the horse. No bodily thing was born for us to use. Nature had no such aim, but what was born creates the use. There could be no such thing as sight before the eyes were formed. No speech before the tongue was made, but tongues began long before speech were uttered. and the ears were fashioned long before a sound was heard. And all the organs I feel sure, were there before their use developed. They could not evolve for the sake of use be so designed. But battling hand to hand and slashing limbs, fouling the foe in blood, these antedate the flight of shining javelins. Nature taught men out to dodge a wound before they learned the fit of shield to arm. Rest certainly is older in the history of man than coverlets or mattresses, and thirst was quenched before the days of cups or goblets. Need has created use as man contrives device for his comfort. but all these cunning inventions are far different from all those things much older, which supply their function from their form. The limbs, the sense, came first, their usage afterwards. Never think they could have been created for the sake of being used.
”
”
Lucretius (The Way Things Are)
“
She flew in, all fiery flashing eyes and flushed cheeks, her bosom heaving beneath black wool.
She was magnificent.
"Tell them to let her go!" Séraphine ordered him imperiously. "Tell them to let her go right now."
She stood over him, her lips wet, her body shaking with her rage, and he wanted to take her and roll her beneath him and fuck her into the mattress.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,—a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter.
”
”
Charles Dickens (Oliver Twist)
“
She’s wearing her hair in a bun, like a ballerina’s. Buns are so sexy. They used to be a treat to take apart: it was like opening a gift. Heads with the hair pulled back into buns are so elegant and confined, so maidenish; then the undoing, the dishevelment, the wildness of the freed hair, spilling down the shoulders, over the breasts, over the pillow. He enumerates in his head: Buns I have known.
”
”
Margaret Atwood (Stone Mattress: Nine Tales)
“
I relaxed back into the mattress as other elements in the room began to filter though my senses, namely the extraordinary warmth at my back. The air was filled with the smell of masculine skin and hints of cologne, soap, and dryer sheets.
Hank was back. And his scent wasn't the only thing surrounding me; his arm was thrown over my hip and my back was tucked nicely against his front. ...
It was nice. Good. Right, even. And then another feeling struck me in a novel way. Protected. I felt protected. A disbelieving laugh bubbled in my throat as I lay there, a small smile parked on my face.
I was always the one out there protecting people. And after Will and I had split, I'd had no one to go to for comfort, to let all my guards down, to take a rest from being the caregiver, provider, guard, and detective. To let someone else be tough for a while.
Had to admit, I liked it. And I never thought in a gazillion years I'd find this feeling with an off-worlder. I liked Hank's strength, his power, his quirky humor, even the badass attitude he caught sometimes.
I was in so much trouble.
”
”
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
“
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
”
”
Delia Owens (Where the Crawdads Sing)
“
Lessons: Diversity = resilience. Abundance = resilience. to survive catastrophe, you need a surplus, a reservoir, money under the mattress, food in the fridge. If you're already starving, you won't survive a famine. Take the world down to the bone and the only thing that flourishes are boneyards; the only thing that expands is collapse.
”
”
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
“
The world," said Pavone, "will swing to the left. The whole world except America. The world will swing, not because people read Karl Marx, or because agitators will come out of Russia, but because, after the war is over, that will be the only way they can turn. Everything else will have been tried, everything else will have failed. And I am afraid that American will be isolated, hated, backward, we will all be living there like old maids in a lonely house in the woods, locking the doors, looking under the beds, with a fortune in the mattress, not being able to sleep, because every time the wind blows and a floor creaks, we will think the murderers are breaking in to kill us and take our treasure...
”
”
Irwin Shaw (The Young Lions)
“
She’d given up faking it – no more cardboard moaning – so the act would take place in eerie silence, enclosed in a pink, sickly sweet aura of fabric softener.
”
”
Margaret Atwood (Stone Mattress: Nine Tales)
“
If I forget you, let my right hand be forgotten,” her mouth was saying. “Add more also, if aught but death part me and thee.” And, unsteadily: “Griddle.” The hands must have withdrawn; she found herself facedown on the mattress, sobbing as she had not sobbed since she was a child. Someone said, “Everybody out. Go—” But this was more than she could take stock of. Harrow was too amazed by her body’s expanding capacity for despair. It was as though her feeling doubled even as she looked at it, unfolding, like falling down an endless flight of stairs. She dug her hands into the mattress and she cried for Gideon Nav.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
Sans clothing, Owen climbed over her and settled into the middle of the mattress. Like he was a magnet - or her North Star - Megan's body turned to press into the nook along the side of his tall frame. His bareness managed to be soft and hard at the same time - the skin soft and smooth, the muscles hard and ridged. She inhaled deeply, taking his crisp, clean scent into her, and let out a long exhale that relaxed her into him further. Now. Now she could be content to never move again.
”
”
Laura Kaye (North of Need (Hearts of the Anemoi, #1))
“
He just dips his head and his hot, wet mouth surrounds me again. My hips shift on the mattress, pure lust sizzling in my cock and balls as my best friend works me over. I keep one hand tangled in his hair. The other claws at the sheet, bunching it tight between my fingers. My heart is pounding. It’s all I can hear, a frantic thump-thump rattling my ribcage. That and the sounds Jamie is making. Husky groans, wet pops, a deep growl as he takes me almost all the way to the back of his throat.
”
”
Sarina Bowen (Him (Him, #1))
“
Heartache is so physically real that it needs to be recognized as a sickness, an ailment, a cancer of love. A broken heart is a sad, angry, powerful thing that shakes you by the collar and demands your respect, and it's pummeling me into the mattress, shattering me to pieces. It's as real as the actual heart in my chest. In some ways, it's more real because it flows throughout your whole body, wrapping around your bones and your organs and your blood. It's in everything you do, every breath you take.
”
”
Karina Halle (Racing the Sun)
“
When things around you
Are not in your hands,
If you feel like
You can't find yourself,
You should go out
Into nature.
Take the silence with you.
Sit on a grass mattress
There will be thoughts
Waiting for you
Don't dismiss them
Gently pat the leaves
See the flowers
Smiling and nodding beside you.
Walk up to them
I believe nature can
Inspire our creativity
You can pinch flowers
To make a beautiful bouquet.
Lift up your soul
By burying all
That makes you not you.
... A BOUQUET FOR THE SOUL...
”
”
Sithi Fathima
“
now my weary limbs turned to it for support; so that, in turn, thighs, hips, shoulders burrowed into, trying to adhere at every angle to, the sheets that covered its mattress, as if my fatigue, like a sculptor, had wished to take a cast of an entire human body.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
You said imagination is good," protested Iggy, tumbling off the mattress in alarm. "You said it can take us places we've never been before!"
"Well, the only place you're going now is your own bunk, and you've certainly been there before," Jozef retorted. "Now march!
”
”
Sarah Beth Brazytis (Treasures of Darkness (Lighten Our Darkness #2))
“
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Around a mouthful of cookie, Sara answered, “To get in your bed.” He jerked, nearly sending his drink crashing to the floor. “What did you just say?” Taking a large sip of milk, Sara said, “I’m not entirely certain why, but all the aunties used to say Lestara wanted to get in your bed. I assumed you had a particularly comfortable mattress.
”
”
Danielle L. Jensen (The Endless War (The Bridge Kingdom, #4))
“
As a teenager, he made screaming noises at night in his room, like a deranged person. He threw his electrical pencil sharpener at the walls. His mother was downstairs in bed, crying a little, mostly asleep. Brian, in his room, felt as if he might explode, might already—in a slow and minuscule and lingering way—be exploding. He needed to explode. He lay there motionless, but he also lay there exploding. He smooshed his head into his mattress, making sounds like, 'aaaghh,' and 'ngggg,' and then went downstairs. He stood in the doorway of his mother’s bedroom. He started yelling things. His mother woke, warm and puffy from sleep, and—after Brian finished yelling—whispered that she was sorry for being a bad mother. Her face, ensconced in hair and pillow, was dramatic and friendless as something cocooning. She looked like a little girl, and Brian stood there, taking this in—trying to get at the meaning of things, to fit at once into his mind all the false and watery moments of his life. He stood there, and he looked. He looked some more. And then he went back to his room. He wrote down on paper: 'Don’t hurt anyone again.
”
”
Tao Lin (Bed)
“
Did you find anything special?' Blackie asked.
T. nodded. 'Come over here,' he said, 'and look.' Out of both pockets he drew bundles of pound notes. 'Old Misery's savings,' he said. 'Mike ripped out the mattress, but he missed them.'
'What are you going to do? Share them?'
'We aren't thieves,' T. said. 'Nobody's going to steal anything from this house. I kept these for you and me - a celebration.' He knelt down on the floor and counted them out - there were seventy in all. 'We'll burn them,' he said, 'one by one,' and taking it in turns they held a note upwards and lit the top corner, so that the flame burnt slowly towards their fingers. The grey ash floated above them and fell on their heads like age. 'I'd like to see Old Misery's face when we are through,' T. said.
'You hate him a lot?' Blackie asked.
'Of course I don't hate him,' T. said. 'There'd be no fun if I hated him.' The last burning note illuminated his brooding face. 'All this hate and love,' he said, 'it's soft, it's hooey. There's only things, Blackie,' and he looked round the room crowded with the unfamiliar shadows of half things, broken things, former things. 'I'll race you home, Blackie,' he said. ("The Destructors")
”
”
Graham Greene (Shock!)
“
Yes,I was thinking about a nap,then..." He shrugged and glanced away. He didn't have to wait long.
"Oh,dear! The mattress was too lumpy, wasn't it?" Her rich voice lowered with false compassion. "I'm so sorry about that. Red refuses to purchase new mattress ticking when-"
"You misunderstood," Dougal said. "I didn't intend to take a nap, just to rest. However, the bed was so comfortable that I fell asleep anyway."
Sophia opened her mouth,then closed it. She'd spent hours stuffing his feather mattress with straw, wood chips, stones,and sticks. How could he posibly have slept? "How...how fortunate for you.My bed is as hard as a rock."
He leaned forward, so close that his lapel brushed her cheek, the scent of sandalwood engulfing her as he whispered in her ear, "Perhaps you need another opinion...about your bed.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
Cam reached for her left hand. Taking the signet ring between his fingers, he drew it off easily and gave it to her. “Here. Although I’d rather you left it on.”
Amelia’s mouth fell open. She examined her hand, then the ring, and hesitantly pushed it back on the same finger. It slid over her knuckle and back again with ease. “How did you do that?”
“I helped you to relax.” He ran a coaxing hand along her spine. “Put it back on, Amelia.”
“I can’t. That would mean I’ve accepted your proposal, and I haven’t.”
Stretching like a cat, Cam rolled her flat again, his weight partially supported on his elbows. Amelia drew in a quick breath as she felt him still firm within her. “You can’t lie with me twice and then refuse to marry me.” Cam lowered his head to kiss her ear. “I’ll be ruined.” He worked his way to the soft place behind her earlobe. “And I’ll feel so cheap.”
Despite the seriousness of the matter, Amelia had to bite back a smile. “I’m doing you a great favor by refusing you. You’ll thank me for it someday.”
“I’ll thank you right now if you’ll put the damned ring back on.”
She shook her head.
Cam pushed a bit farther inside her, making her gasp. “What about my personal endowments? Who’s going to take care of them?”
“You can take care of them”— she squirmed to the side to set the ring on the bedside table—“ all by yourself.”
Cam moved with her obligingly. “It’s much more satisfying when you’re involved.”
As he reached to retrieve the ring, his body shifted higher in hers. She tensed in surprise. He felt harder inside her, thicker, his desire gaining new momentum. “Cam,” she protested, glancing at the closed door. She grabbed for his wrist, trying to keep his hand away from the ring. He grappled with her playfully, turning until they had completed a full revolution across the mattress and she was under him again.
He was rampantly aroused now, teasing her with slow lunges. Twisting beneath him, Amelia pushed at his dark head as he began to kiss her breasts. “But … we just finished…”
Cam lifted his head. “Roma,” he said, as if by way of explanation, and settled back over her.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
A chorus of applause erupts inside my chest. I wrack my brain for possible options. “There’s a recliner in the storage room.” Brance grunts. “We’ll need a bed. Where do you live?” I point toward the street. “About ten minutes away.” His grin speaks of secrets between the sheets. “Take me to your house. We’re gonna test your mattress springs.” I wink at him, but say nothing. It’ll be a fun surprise for him to discover the memory foam.
”
”
Harloe Rae (Ask Me Why)
“
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark.
First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched.
Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good.
Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste.
I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!”
I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
”
”
Cicely Tyson (Just as I Am)
“
When his pointer finger trailed toward my belly button, I jumped and stepped back. I was so close to the bed that my legs folded and I ended up falling onto the mattress. My shoulder screamed in protest, and I bit down on my lip to keep from crying out.
“I—uh…” he said, stumbling over his words, his cheeks turning slightly pink.
I pushed up onto one elbow. “Sorry for feeling me up?” I finished for him.
He grinned. “That wasn’t feeling you up. When I feel you up, you’ll know it.
”
”
Cambria Hebert (Torch (Take It Off, #1))
“
I’m insatiable? I am?” Alessandro asked cocking an eyebrow as he ran his warm hands along the satin material covering her body. “Alessandro. You’re alive. I can touch you, look into your eyes and hear your arrogant English voice. We’re gonna spend the rest of our lives together, that’s plenty romantic for me.” Bree pressed her mouth against him. He tasted of coffee and peppermint. He nibbled slightly on her lower lip before pulling away. “Darling, that sounds lovely, but my wedding night fantasy was more along the lines of fucking you into the mattress.” Bree smacked his shoulder. “Patience, Dardano. Tonight we take things slow, the mattress fucking will come in time. Now, get on your back and let me put my hands on you and assure myself that you’re real.” Alessandro sighed but did as she ordered. “Now if you feel anything-” “I certainly hope so or we have a very big problem,” Alessandro joked. She smacked his chest. “If you feel any pain you let me know and we’ll stop.” “Says the woman who’s smacked me twice in the past five minutes,” Alessandro said, but his eyes were shining with amusement.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
I imagined each experience going on in that city, the world that was taking up my chest and throat, and I wanted to experience all of them. For every person sitting on a roof top staring at the stars, every person driving out to the desert with their lover and a mattress in the back of their pickup, every adrenalin shot of stepping on a stage or movie set, every hand and breath casting music into the night, every kiss that felt like the first, every breath stealing glance, every dance, every burst of camera light, everything – I wanted to do it all. I was a moment chaser.
”
”
Jackie Haze (Borderless)
“
I scrambled onto the bed, lunging for him, feeling what was his arm, then his stomach, then his shoulders. His skin was freezing as I gripped his shoulders and shouted his name.
No response, and I slid a hand up his neck, to his mouth- to make sure he was still breathing, that this wasn't his power floating away from him-
Icy breath hit my palm. And bracing myself, I rose up on my knees, aiming blindly and slapping him.
My palm stung- but he didn't move. I hit him again, pulling on that bond between us, shouting his name down it like it was a tunnel, banging on that wall of ebony adamant within his mind, roaring at it.
A crack in the dark.
And then his hands were on me, flipping me, pinning me with expert skill to the mattress, a taloned hand at my throat.
I went still. 'Rhysand.' I breathed. Rhys, I said, through the bond, putting a hand against that inner shield.
The dark shuddered.
I threw my own power out- black to black, soothing his darkness, the rough edges, willing it to calm, to soften. My darkness sang his own a lullaby, a song my wet nurse had hummed when my mother had shoved me into her arms to go back to attending parties.
'It was a dream,' I said. His hand was so cold. 'It was a dream.'
Again, the dark paused. I sent my own veils of night brushing up against it, running star-flecked hands down it.
And for a heartbeat, the inky blackness cleared enough that I saw his face above me: drawn, lips pale, violet eyes wide- scanning.
'Feyre,' I said. 'I'm Feyre.' His breathing was jagged, uneven. I gripped the wrist that held my throat- held, but didn't hurt. 'You were dreaming.'
I willed that darkness inside myself to echo it, to sing those raging fears to sleep, to brush up against that ebony wall within his mind, gentle and soft...
Then, like snow shaken from a tree, his darkness fell away, taking mine with it.
Moonlight poured in- and the sounds of the city.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
It was still dark when Jack left on Friday morning. He sat beside me on the bed and pulled my sleeping body upward, holding me. I awakened with a murmur, and he held my head in one hand, long fingers cupping firmly around my skull. His rich baritone was soft in my ear. “You do what you have to. I won’t stand in the way. But when I come back, you’re not shutting me out, you hear? I’m going to take you somewhere . . . a nice long vacation . . . and we’re going to talk, and I’m going to hold you while you cry until you feel better. And we’ll get you through this.” He kissed my cheek and smoothed my hair, and lowered me back to the mattress.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Declan began to purr in his chair. The Doc rolled his eyes and looked at Declan. "You're cleared for extracurricular activity." He turned to Kari. "You, however need to take it easy. No extracurricular activity for you. The back of your skull was crushed. It was so soft, I was afraid your brains were going to leak out. So, just to be clear, don't let him pound you into the mattress."
Kari smirked. "So just not on my back then."
The doctor threw his hands up in the air. "Fine! Fuck your brains out, literally. Don't come crying to me when you're dead." He crossed the room and opened the door. He was about to shut it behind him when he looked over his shoulder and winked.
”
”
Alanea Alder (My Guardian (Bewitched and Bewildered #6))
“
Shocked, she uttered a hoarse protest and shifted beneath him, but he soothed her with his hands, stroking her legs and hips, resettling her on the mattress. "Lie still. You don't have to do anything, my love. Let me take care of you. Yes. You can touch me if you... mmm, yes..." He purred as he felt her trembling fingers touch his glistening hair, the back of his neck, the hard slope of his shoulders.
He moved lower, his hair-roughened legs sliding along the insides of hers, and she realized that his face was just above the triangle of fiery red curls. Flooded with embarrassment, she automatically reached down to cover the private area with her hand.
St. Vincent's erotic mouth lowered to her hip, and she felt him smile against her tender skin. "You shouldn't do that," he whispered. "When you hide something from me, I want it all the more. I'm afraid you're filling my head with the most lascivious ideas... you'd better take your hand away, sweet, or I might do something really depraved." As her shaking hand withdrew, he let one fingertip wander into the springy hair, delicately searching the cushiony softness. "That's right... obey your husband," he whispered wickedly, stroking farther, deeper, until he had separated the cluster of curls. "Especially in bed. How beautiful you are. Open your legs, my love. I'm going to touch inside you. No, don't be afraid. Will it help if I kiss you here? Be still for me..."
Evie sobbed as his mouth searched through the triangle of brilliant red hair. His warm, ruthlessly patient tongue found the little peak half concealed beneath the vulnerable hood. His long, agile finger probed the entrance of her body, but he was momentarily dislodged as she jerked in surprise.
Whispering reassurances against her swollen flesh, St. Vincent slid his finger inside her again, deeper this time. "Innocent darling," came his soft murmur, and his tongue tickled a place so excruciatingly sensitive that she quivered and moaned. At the same time, his finger stroked her inner softness with a languid rhythm.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
”
”
Harper Dallas (Ride (The Wild Sequence, #1))
“
He must know, because he gathers me off the mattress in his arms. I am completely, utterly surrounded by him, by the perfect tension of this moment, and Jack begins to push in and out of me, in and out, delicious rhythm and drawn-out friction. I cannot take it. It’s too brilliantly, stupidly good. My head lolls back against his pillow, and his lips find my jaw, nip my chin, bite my neck. “I’m going to fuck you everywhere, Elsie.” He licks the hollow of my throat. “Between today and the day we die, I’m going to fuck you everywhere.” I nod. Let him know that he can. There is a tight, liquid pool blooming inside my stomach, twitches of pleasure making their way down my limbs, surging up my spine.
”
”
Ali Hazelwood (Love, Theoretically)
“
All changed! Even the thing with the spades. All of a sudden the Negroes are out of the hip scene, except for a couple of pushers like Superspade and a couple of characters like Gaylord and Heavy. The explanation around Haight-Ashbury is that Negroes don’t take to LSD. The big thing with spades on the hip scene has always been the quality known as cool. And LSD freaking well blows that whole lead shield known as cool, like it brings you right out front, hang-ups and all. Also the spades don’t get much of a kick out of the nostalgia for the mud that all the white middle-class kids who are coming to Haight-Ashbury like, piling into pads and living freaking basic, you understand, on greasy mattresses on the floor that the filthiest spade walkup in Fillmore wouldn’t have, and slopping up soda pop and shit out of the same bottle, just passing it around from mouth to mouth, not being hung up on that old American plumbing & hygiene thing, you understand, even grokking the weird medieval vermin diseases that are flashing through every groin—crab lice! you know that thing, man, where you first look down at your lower belly and see these little scars, they look like, little scabs or something, tiny little mothers, and like you pick one, root it out, and it starts crawling! Oh shit! and then they’re all crawling and you start exploring your mons pubis and your balls and they’re alive. It’s like a jungle you never saw before,
”
”
Tom Wolfe (The Electric Kool-Aid Acid Test)
“
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal.
I turn off the ignition and look at her. "So, how are you and Toraf doing?"
She cocks her head at me. "What does that have to do with driving?"
Aside from delaying it? "Nothing," I say, shrugging. "Just wondering."
She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine."
"He didn't seem to think so."
She shoots me a look. "He can be oversensitive sometimes. I explained that to him."
Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself.
She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-"
"Now who's being oversensitive?" I say, grinning. She does love him.
"Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity.
Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first."
It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod.
She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic.
"D is for drive, right?" she says.
"Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive."
"I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move.
"Okay, now you'll want to step on the right pedal, which is the gas-"
The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it.
"Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled.
"Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry.
"Are you freaking kidding me? You're the one driving!
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
(From Chapter 9: Hearts and Gizzards)
I’m lying on the hard and narrow bed, on the mattress made of coarse ticking, which is what they call the covering of a mattress, though why do they call it that as it is not a clock. The mattress is filled with dry straw that crackles like a fire when I turn over, and when I shift it whispers to me, hush hush. It’s dark as a stone in this room, and hot as a roasting heart; if you stare into the darkness with your eyes open you are sure to see something after a time. I hope it will not be flowers. But this is the time they like to grow, the red flowers, the shining red peonies which are like satin, which are like splashes of paint. The soil for them is emptiness, it is empty space and silence. I whisper, Talk to me; because I would rather have talking than the slow gardening that takes place in silence, with the red satin petals dripping down the wall.
I think I sleep.
[...] I’m outside, at night. There are the trees, there is the pathway, and the snake fence with half a moon shining, and my bare feet on the gravel. But when I come around to the front of the house, the sun is just going down; and the white pillars of the house are pink, and the white peonies are glowing red in the fading light. My hands are numb, I can’t feel the ends of my fingers. There’s the smell of fresh meat, coming up from the ground and all around, although I told the butcher we wanted none. On the palm of my hand there’s a disaster. I must have been born with it. I carry it with me wherever I go. When he touched me, the bad luck came off on him.
I think I sleep.
I wake up at cock crow and I know where I am. I’m in the parlour. I’m in the scullery. I’m in the cellar. I’m in my cell, under the coarse prison blanket, which I likely hemmed myself. We make everything we wear or use here, awake or asleep; so I have made this bed, and now I am lying in it.
”
”
Margaret Atwood (Alias Grace)
“
Stopping outside my brother’s bedroom door, I take a deep breath and try to prepare myself for whatever happens next. I knock on his door and hear an unhappy groan echo from inside the room. I grin despite the reason for my visit. Where I have always been an early riser, my brother will sleep the day away if he’s allowed. I knock again and call out, “Eir, can I come in? I need to talk to you.”
I hear muffled sounds that indicate he most likely has his head buried under his pillow in an effort to block out my voice. I knock again anyway. “Eirnin — come on, it’s after ten. Time to start your day.” I hear something soft thump against the other side of the door and have to bite my lip to keep from laughing. I count to ten in my head and then shout, “I’m counting to five and then I’m coming in, Eir!” We call this fair warning in our house.
“No counting!” I hear him bellow, no longer muffled. The mattress groans, I hear two large feet hit the floor and he says, “Why do you hate sleep and the people who enjoy it?
”
”
Allana Kephart (Resistance (The Dolan Prophecies Series, #1))
“
Stopping outside my brother’s bedroom door, I take a deep breath and try to prepare myself for whatever happens next. I knock on his door and hear an unhappy groan echo from inside the room. I grin despite the reason for my visit. Where I have always been an early riser, my brother will sleep the day away if he’s allowed. I knock again and call out, “Eir, can I come in? I need to talk to you.”
I hear muffled sounds that indicate he most likely has his head buried under his pillow in an effort to block out my voice. I knock again anyway. “Eirnin — come on, it’s after ten. Time to start your day.” I hear something soft thump against the other side of the door and have to bite my lip to keep from laughing. I count to ten in my head and then shout, “I’m counting to five and then I’m coming in, Eir!” We call this fair warning in our house.
“No counting!” I hear him bellow, no longer muffled. The mattress groans, I hear two large feet hit the floor and he says, “Why do you hate sleep and the people who enjoy it?
”
”
Melissa Simmons (Resistance (The Dolan Prophecies Series, #1))
“
It was as she remembered, a haven of comfort and serenity. With a glad sigh, she kicked off her shoes and sat down on the side of the bed.Smiling, she patted the mattress beside her.
Her husband scowled. It seemed to have become his habit. "We aren't here to relax."
"Wolscroft may not even be in the area. It could take days for this to be settled."
"He's here," Dragon said with certainty. "He will know what happened at Winchester, and he will be looking for a way to stop us before we can threaten him further."
Privately, Rycca believed the same but she saw no reason to stress it. Nothing would happen until dark. Of that she was confident. Which meant...
"We have hours to fill.Any ideas?"
When he realized her meaning,he looked startled. With a laugh,she scrambled off the bed and went to him.
"Oh,Dragon,for heaven's sake, do you really want to mope around here all day? I certainly don't. I still haven't gotten over being afraid Magnus was going to kill you,and I simply don't want to think about death anymore. I want to celebrate life."
"There are three hundred men out there-"
"Which is why we're in here." She raised herself on tiptoe, bit the lobe of his ear, and whispered, "I promise not to yell too loudly."
A shudder ran through him. Even as his big hands stroked her back,he said, "Warriors don't mope."
"No,of course they don't.It was a poor choice of words.But you'll be pacing back and forth, looking out the windows, or you'll go get that whetstone I noticed in the stable and sharpen your sword endlessly, or you'll be staring off into space with that dangerous look you get when you're contemplating mayhem. You'll be totally oblivious to me and-"
He laughed despite himself and drew her closer. "Enough! Heaven forbid I behave so churlishly."
"Speaking of heaven..."
With the covers kicked back,the bed was smooth and cool.They undressed each other slowly, relishing the wonder of discovery that still came to them fresh and pure as their very first time.
"Remember?" Rycca murmured as she trailed her lips along his broad, powerfully muscled shoulder and down the solid wall of his chest. "I was so nervous..."
"Really?" Fooled me....Ah..."
"I'd never seen anything so beautiful as you."
"Not...beautiful...you are..."
"I can't believe how strong you are. Why am I never afraid with you?"
"Know I'd die 'fore hurting you? Sweetheart..."
"Ohhh! Dragon...please..."
His hands and lips moved over her, sweetly tormenting. She clutched his shoulders, her hips rising, and welcomed him deep within her. Still he tantalized her, making her writhe and laughing when she squeezed him hard with her powerful inner muscles. But the laughter turned quickly to a moan of delight.
She looked up into his perfectly formed face,more handsome than any man had a right to be, and into his tawny eyes that were the windows of a soul more beautiful than any physical form. A piercing sense of blessedness filled her that she should be so fortunate as to love and be loved by such a man.
Her cresting cry was caught by him, hismouth hard against hers, the spur to his own completion that went on and on,seemingly without end.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
And she says..."
I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea.'I'm in love with someone else'?"
Nonna snorted hard enough to shake the mattress. "With who? There is no one else like Michelangelo. He is king of the sea! In love with someone else. Pah."
"Okay.Fine.Tell me what she said."
"Nonna leaned toward me, eyes bright. "She says, 'You do not see me.' And my bisnonno, he says, 'Of course I see you! Every day I see you by the seawall. I see you in my mind, too, in pearls and furs and silks. So, here,here I offer you these things.' And she says..."
"Thank you?"
"Per carita!"
"'No,thank you?'"
"Ah,Fiorella. I think you are not the child of my child! Rifletti. Use that good brain."
"Nonna..."
"She says, 'You do not see me!' And she sends him away."
I wasn't sure I was getting the point. Here's an ordinary girl in ratty clothes who's going to end up a nun if she doesn't get married. Along comes a decent guy with money, promising to take her away from it all...Wasn't that where is usually faded to Happily Ever After?
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Yawning, I crawl into bed as Aron sharpens his knives, and I'm just about to drift off to sleep when the lumpy hay mattress sinks in on one side, and then a big body crawls into bed next to me.
"For real?" I groan as Aron promptly shoves his way onto the narrow mattress and proceeds to take up most of the bed. "You don't even have to sleep."
“You know this is how I protect you best.”
"What's going to attack me while I sleep?" I ask, yawning.
"A wizard could send poisonous snakes to rise up from the floor, creep into bed and kill you."
Jesus. I'm awake now. I roll onto my back and stare up at the ceiling as Aron shifts next to me, trying to get comfortable. "So undead, snakes from the floor, gods wandering the earth…anything else I should know about in this world of yours so I can never sleep again? Dragons? Killer mermen?"
"Don't be foolish. Mermen are long dead."
"You didn't say dragons were."
"Do not go looking for dragons, then," he says, and I don't know if he's joking or not.
"I'm not a big fan of this whole place, just so you know."
"Neither am I.
”
”
Ruby Dixon (Bound to the Battle God (Aspect and Anchor #1))
“
The rain-sifted light was weaker now, coming in through the transom windows in pallid silver and dark rainbow dapples. Through heavy-lidded eyes, she watched the play of muted color and shadow across Tom's shirt. Eventually, his long-boned, eloquent hands slid up over her knees and beneath the legs of her drawers. He untied her white lace garters and rolled her silk stockings down into neat circles. After dropping them to the floor, he unfastened his shirt and discarded it, taking his time, letting her look her fill.
His body was beautiful, built with the long, efficient lines of a rapier, every inch wrought with tough muscle. A light furring of hair covered his chest and narrowed down toward his midriff. Cassandra sat up on the mattress and touched the black fleece, her fingertips as shy and fleet as a hummingbird in flight.
Still standing by the side of the bed, Tom reached out to gather her against his chest.
Cassandra shivered at the feel of being surrounded by so much bare skin and body hair, so much hardness. "Did you ever imagine we would be doing this?" she said in a wondering tone.
"Sweet darling... I imagined it about ten seconds after we met, and I haven't stopped since.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The leader of the Red Guards stepped up to Nien Cheng. “We are the Red Guards. We have come to take revolutionary action against you!” Nien Cheng held up the copy of the Constitution and looked the leader in the eye. “It’s against the Constitution to enter a private house without a search warrant.” The man grabbed the Constitution out of Nien’s hand and threw it on the floor. “The Constitution is abolished. It was a document written by the Revisionists within the Communist Party. We recognize only the teachings of our Great Leader Chairman Mao.” One of the Red Guards took the stick he was carrying and smashed the mirror hanging over a wooden chest in the entryway. Another guard replaced the mirror with a blackboard that bore a quotation from Mao: “When the enemies with guns are annihilated, the enemies without guns still remain. We must not belittle these enemies.”2 With that, the young guards tore through the house, smashing furniture, dumping shelves of books onto the floor, slashing priceless paintings by Lin Fengmian and Qi Baishi. On a rampage, the eager students looted the closets and drawers, tearing most of Nien Cheng’s clothing and linens. They overturned the bed mattresses and hacked them to pieces. Then they smashed her music recordings. Pressing on, they found the food pantry and dumped flour, sugar, and canned goods onto the ravaged clothing. They broke several bottles of red wine, pouring it over the mess.
”
”
Charles W. Colson (The Good Life)
“
Carrying her over to his bed, he slowly laid her on it. She sank into the mattress with a dreamy murmur of a sigh.
Though the protective impulse he had felt toward her earlier had returned full force, the soft and sensual moan from her lips filled him with a moment's blinding lust.
Dear God. A tremor of hunger ran through him. His stare traveled over her lax face and down her white neck to her creamy chest. He swallowed hard, gazing at her breasts.
Somehow, he became fixated on them again.
Heart pounding, he moved slowly and with caution sat on the edge of the bed. Desire slammed through his veins, but he only meant to look. She was a harlot, she wouldn't care, as long as he had money, which he did, lots of it. Yet it amazed him that such beauty could be purchased for the taking. She was exquisite, with the dusky fringe of her lashes fanned above her cheeks in sleep.
The thick and wavy cloud of her satiny brown hair flowed back from the pale oval of her face and spilled across his pillow.
He marveled at the creamy shimmer of her complexion in the firelight, her flushed cheeks like delicate pink-tinted porcelain. His gaze traveled over her smooth forehead, the delicate twin arches of her light brown eyebrows, and her small, prettily formed nose.
He would not have guessed her any common sort of wench. Then his attention strayed to her pink lips in ever-growing desire, a gathering smolder darkening his eyes.
She had a very charming chin, slightly pronounced, and hinting at a firm stubbornness of character. He wanted to nibble its smooth rounded curve.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
He looks around in amazement, taking in the mess. 'Where- Do you really sleep here? Perhaps you ought to set fire to your rooms as well.'
'Maybe,' I say, guiding him to my bed. It is strange to put my hand on his back. I can feel the warmth of his skin through the thin linen of his shirt, can feel the flex of his muscles.
It feels wrong to touch him as though he were a regular person, as though he weren't both the High King and also my enemy.
He needs no encouragement to sprawl on my mattress, head on the pillow, black hair spilling like crow feathers. He looks up at me with his night-coloured eyes, beautiful and terrible all at once. 'For a moment,' he says, 'I wondered if it wasn't you shooting bolts at me.'
I make a face at him. 'And what made you decide it wasn't?'
He grins up at me. 'They missed.'
I have said that he has the power to deliver a compliment and make it hurt. So, too, can he say something that ought to be insulting and deliver it in such a way that it feels like being truly seen.
Our eyes meet, and something dangerous sparks.
He hates you, I remind myself.
'Kiss me again,' he says, drunk and foolish. 'Kiss me until I am sick of it.'
I feel those words, feel them like a kick in the stomach. He sees my expression and laughs, a sound full of mockery. I can't tell which of us he's laughing at.
He hates you. Even if he wants you, he hates you.
Maybe he hates you the more for it.
After a moment, his eyes flutter closed. His voice falls to a whisper, as though he's talking to himself. 'If you're the sickness, I suppose you can't also be the cure.'
He drifts off to sleep, but I am wide awake.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
”
”
Jean-François Lyotard (Libidinal Economy)
“
An extensive biomedical literature has established that individuals are more likely to activate a stress response and are more at risk for a stress-sensitive disease if they (a) feel as if they have minimal control over stressors, (b) feel as if they have no predictive information about the duration and intensity of the stressor, (c) have few outlets for the frustration caused by the stressor, (d) interpret the stressor as evidence of circumstances worsening, and (e) lack social support-for the duress caused by the stressors. Psychosocial stressors are not evenly distributed across society. Just as the poor have a disproportionate share of physical stressors (hunger, manual labor, chronic sleep deprivation with a second job, the bad mattress that can't be replaced), they have a disproportionate share of psychosocial ones. Numbing assembly-line work and an occupational lifetime spent taking orders erode workers' sense of control. Unreliable cars that may not start in the morning and paychecks that may not last the month inflict unpredictability. Poverty rarely allows stress-relieving options such as health club memberships, costly but relaxing hobbies, or sabbaticals for rethinking one's priorities. And despite the heartwarming stereotype of the "poor but loving community," the working poor typically have less social support than the middle and upper classes, thanks to the extra jobs, the long commutes on public transit, and other burdens. Marmot has shown that regardless of SES, the less autonomy one has at work, the worse one's cardiovascular health. Furthermore, low control in the workplace accounts for about half the SES gradient in cardiovascular disease in his Whitehall population.
”
”
Anonymous
“
Not only was the four-poster- a lofty structure that would have put princesses and peas to shame- a place of rest and relaxation but it was, and had been for quite some time now, a portal for her magic carpet escapades. It was there that Estelle first began to practice what Marjan had called "eating at the edge of a ready 'sofreh'."
Estelle always followed the same routine when assembling her dinner 'sofreh' on her bed. First, she would spread the paisley blanket Marjan had given her, tucking the fringed ends in tight around the sides of her mattress. Then, having already wetted a pot of jasmine tea, she would dig a trivet into the blanket's left corner and place the piping pot on top of it.
Following the Persian etiquette of placing the main dishes at the center of the 'sofreh', Estelle would position the plate of saffron 'chelow' (with crunchy 'tadig'), the bowl of stew or soup that was the day's special, and the 'lavash' or 'barbari' bread accordingly. She would frame the main dishes with a small plate of 'torshi', pickled carrots and cucumbers, as well as a yogurt dip and some feta cheese with her favorite herb: balmy lemon mint.
Taking off her pink pom-pom house slippers, Estelle would then hoist herself onto her high bed and begin her ecstatic epicurean adventure. She savored every morsel of her nightly meal, breathing in the tingle of sumac powder and nutmeg while speaking to a framed photograph of Luigi she propped up on its own trivet next to the tea.
Dinner was usually Persian, but her dessert was always Italian: a peppermint cannoli or marzipan cherry, after which she would turn on the radio, always set to the 'Mid-West Ceili Hour', and dream of the time when a young Luigi made her do things impossible, like when he convinced her to enter the Maharajah sideshow and stand on the tallest elephant's trunk during carnival season in her seaside Neapolitan town.
”
”
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
“
There are things I can confess only after swallowing a bottle of ink. How i crushed a moth between my palms before it rushed to the fireplace. These hands that are used to killing things midflight. Like my mother tongue. Before I can roll out my rounded R and O. Because women like me are believed to practise witchcraft and blackmagic. We swallow men and spit out their bones. These hands that danced with your ghosts on the bluest 4 AMs. These hands that raised a knife to its throat. How deep was the longing to be nothing more than an empty bed, an empty room. If someone asks you tell them writing was the closest I came to witchcraft. Poetry was the closest I came to being possessed. I wanted to leave behind more than emptiness so I wrote.
.
They say it takes 7 seconds for the eyes to become accustomed to the darkness. I glide across the dark room like the light was never here. Your body imprint on the mattress lost to the frenzied waltz of sunray and dust. How easy was it to just grab a handful of you before you dissolved. If someone asks tell them loving you was the closest I came to seeing god.
.
On some nights I open the curtains and you are the moon. I am the darkness surrounding it. Which is to say I don't know how to love without being consumed. If they ask you tell them remembrance was the closest I came to being sick.
.
Once I met a homeless man who spoke in madness because he had forgotten his mother tongue. How long do you hide yourself from the world before you forget your beginning. Like him - I too am full of silence. My beloved - a handful of you, your body. There are things I could only tell the moths but they no longer visit. I have put off the fireplace. Which is to say they too don't know how to love something that won't kill them.
.
My phone always autocorrects I love you to I live you and what is love if not living the other person. One summer afternoon our bodies turned into each other's. Your breath played lye strings on my neck. If they ask you tell them that was the closest I came to being alive.
”
”
Ayushee Ghoshal (4 AM Conversations (with the ghosts of old lovers))
“
He frowned down at her. “You need to settle down and listen to me.”
“You need to fuck off and—”
She never got the next word out because he flipped her over on her stomach. While she cursed and tried to move him he tied her hands together with something, then wrapped some silky cloth around her head, forcing it between her lips. Bound and gagged, he moved her back over so she was on her back again. Beyond pissed, she struggled against her bindings, trying to get free so she could kill him.
To her disgust he just grinned and watched her writhe on her mattress until she finally lay there in a sweaty, panting heap, with her hands still bound and her mouth still gaged.
“Done with your tantrum?” he asked in a quiet voice.
“Fuck you,” she said, or at least tried to say.
It must have come through loud and clear because he smiled at her, a predatory smile that actually made her wet. Damn her hormones had bad taste and timing. He licked his lips and her pussy throbbed. “Oh, you’ll be begging me to fuck you by the time I’m done with you.”
She glared, then rolled over on her stomach so she could flip him off with both bound hands. “See, this is why I love you. I love you, Amanda. You’re it for me. All I want, the only woman I want.”
He leaned down and brushed her hair back from her face with a gentle touch.
“Hold still and I’ll let you up. I’m sorry if I scared you.”
“Wait,” she said in a garbled voice. “You love me?”
He smiled and began to unbutton his shirt, slowly, revealing his magnificent body an inch at a time.
“That’s right, I love you. I love how brave you are, how smart, how classy and yet at the same time you can cuss up a blue streak. I love how you take care of me, how I’m the only one who gets to see the soft, feminine side of you that comes out when you make love. I love your temper, your kindness, and how you devour me with your eyes, like you want to eat me alive. Kind of like you’re doing right now.”
“I don’t love you,” she mumbled through the gag.
“Liar,” he whispered into her ear, tracing the shell with the tip of his tongue.
”
”
Ann Mayburn (The Fighter's Secretary)
“
No,” she croaked, trying to shrink away from him. “You’re not supposed to be here. Don’t come near me; you’ll catch it. Please go—” “Quiet,” Kev said, sitting on the edge of the mattress. He caught Win as she tried to roll away, and settled his hand on her forehead. He felt the burning pulse beneath her fragile skin, the veins lit with raging fever. As Win struggled to push him away, Kev was alarmed by how feeble she had grown. Already. “Don’t,” she sobbed, writhing. Weak tears slid from her eyes. “Please don’t touch me. I don’t want you here. I don’t want you to get sick. Oh, please go. … ” Kev pulled her up against him, her body living flame beneath the thin layer of her nightgown, the pale silk of her hair streaming over both of them. And he cradled her head in one of his hands, the powerful battered hand of a bare-knuckle fighter. “You’re mad,” he said in a low voice, “if you think I would leave you now. I’ll see you safe and well no matter what it takes.” “I won’t live through this,” she whispered. Kev was shocked by the words, and even more by his own reaction to them. “I’m going to die,” she said, “and I won’t take you with me.” Kev gripped her more closely, letting her fitful breaths blow against his face. No matter how she writhed, he wouldn’t let go. He breathed the air from her, taking it deep into his own lungs. “Stop,” she cried, trying desperately to twist away from him. The exertion caused her flush to darken. “This is madness. … Oh, you stubborn wretch, let me go!” “Never.” Kev smoothed her wild, fine hair, the strands darkening where her tears had tracked. “Easy,” he murmured. “Don’t exhaust yourself. Rest.” Win’s struggles slowed as she recognized the futility of resisting him. “You’re so strong,” she said faintly, the words born not of praise, but damnation. “You’re so strong. … ” “Yes,” Kev said, gently using a corner of the bed linens to dry her face. “I’m a brute, and you’ve always known it, haven’t you?” “Yes,” she whispered. “And you’re going to do as I say.” He cradled her against his chest and gave her some water. She took a few painful sips. “Can’t,” she managed, turning her face away. “More,” he insisted, bringing the cup back to her lips. “Let me sleep, please—” “After you drink more.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
Sylphid was beginning to play professionally, and she was subbing as second harpist in the orchestra at Radio City Music Hall. She was called pretty regularly, once or twice a week, and she’d also got a job playing at a fancy restaurant in the East Sixties on Friday night. Ira would drive her from the Village up to the restaurant with her harp and then go and pick her and the harp up when she finished. He had the station wagon, and he’d pull up in front of the house and go inside and have to carry it down the stairs. The harp is in its felt cover, and Ira puts one hand on the column and one hand in the sound hole at the back and he lifts it up, lays the harp on a mattress they keep in the station wagon, and drives Sylphid and the harp uptown to the restaurant. At the restaurant he takes the harp out of the car and, big radio star that he is, he carries it inside. At ten-thirty, when the restaurant is finished serving dinner and Sylphid’s ready to come back to the Village, he goes around to pick her up and the whole operation is repeated. Every Friday. He hated the physical imposition that it was—those things weigh about eighty pounds—but he did it. I remember that in the hospital, when he had cracked up, he said to me, ‘She married me to carry her daughter’s harp! That’s why the woman married me! To haul that fucking harp!’ “On those Friday night trips, Ira found he could talk to Sylphid in ways he couldn’t when Eve was around. He’d ask her about being a movie star’s child. He’d say to her, ‘When you were a little girl, when did it dawn on you that something was up, that this wasn’t the way everyone grew up?’ She told him it was when the tour buses went up and down their street in Beverly Hills. She said she never saw her parents’ movies until she was a teenager. Her parents were trying to keep her normal and so they downplayed those movies around the house. Even the rich kid’s life in Beverly Hills with the other movie stars’ kids seemed normal enough until the tour buses stopped in front of her house and she could hear the tour guide saying, ‘This is Carlton Pennington’s house, where he lives with his wife, Eve Frame.’ “She told him about the production that birthday parties were for the movie stars’ kids—clowns, magicians, ponies, puppet shows, and every child attended by a nanny in a white nurse’s uniform. At the dining table, behind every child would be a nanny. The Penningtons had their own screening room and they ran movies. Kids would come over. Fifteen, twenty kids.
”
”
Philip Roth (I Married a Communist (The American Trilogy, #2))
“
My dear Marwan,
in the long summers of childhood,
when I was a boy the age you are now,
your uncles and I
spread our mattress on the roof
of your grandfathers’ farmhouse
outside of Hom.
We woke in the mornings
to the stirring of olive trees in the breeze,
to the bleating of your grandmother's goat,
the clanking of her cooking pots,
the air cool and the sun
a pale rim of persimmon to the east.
We took you there when you were a toddler.
I have a sharply etched memory
of your mother from that trip.
I wish you hadn’t been so young.
You wouldn't have forgotten the farmhouse,
the soot of its stone walls,
the creek where your uncles and I built
a thousand boyhood dams.
I wish you remembered Homs as I do, Marwan.
In its bustling Old City,
a mosque for us Muslims,
a church for our Christian neighbours,
and a grand souk for us all
to haggle over gold pendants and
fresh produce and bridal dresses.
I wish you remembered
the crowded lanes smelling of fried kibbeh
and the evening walks we took
with your mother
around Clock Tower Square.
But that life, that time,
seems like a dream now,
even to me,
like some long-dissolved rumour.
First came the protests.
Then the siege.
The skies spitting bombs.
Starvation.
Burials.
These are the things you know
You know a bomb crater
can be made into a swimming hole.
You have learned
dark blood is better news
than bright.
You have learned that mothers and
sisters and classmates can be found
in narrow gaps between concrete,
bricks and exposed beams,
little patches of sunlit skin
shining in the dark.
Your mother is here tonight, Marwan,
with us, on this cold and moonlit beach,
among the crying babies and
the women worrying
in tongues we don’t speak.
Afghans and Somalis and Iraqis and
Eritreans and Syrians.
All of us impatient for sunrise,
all of us in dread of it.
All of us in search of home.
I have heard it said we are the uninvited.
We are the unwelcome.
We should take our misfortune elsewhere.
But I hear your mother's voice,
over the tide,
and she whispers in my ear,
‘Oh, but if they saw, my darling.
Even half of what you have.
If only they saw.
They would say kinder things, surely.'
In the glow of this three-quarter moon,
my boy, your eyelashes like calligraphy,
closed in guileless sleep.
I said to you,
‘Hold my hand.
Nothing bad will happen.'
These are only words.
A father's tricks.
It slays your father,
your faith in him.
Because all I can think tonight is
how deep the sea,
and how powerless I am to protect you from it.
Pray God steers the vessel true,
when the shores slip out of eyeshot
and we are in the heaving waters, pitching and tilting,
easily swallowed.
Because you,
you are precious cargo, Marwan,
the most precious there ever was.
I pray the sea knows this.
Inshallah.
How I pray the sea knows this.
”
”
Khaled Hosseini (Sea Prayer)
“
Stick to a sleep schedule. Go to bed and wake up at the same time each day. As creatures of habit, people have a hard time adjusting to changes in sleep patterns. Sleeping later on weekends won’t fully make up for a lack of sleep during the week and will make it harder to wake up early on Monday morning. Set an alarm for bedtime. Often we set an alarm for when it’s time to wake up but fail to do so for when it’s time to go to sleep. If there is only one piece of advice you remember and take from these twelve tips, this should be it. Exercise is great, but not too late in the day. Try to exercise at least thirty minutes on most days but not later than two to three hours before your bedtime. Avoid caffeine and nicotine. Coffee, colas, certain teas, and chocolate contain the stimulant caffeine, and its effects can take as long as eight hours to wear off fully. Therefore, a cup of coffee in the late afternoon can make it hard for you to fall asleep at night. Nicotine is also a stimulant, often causing smokers to sleep only very lightly. In addition, smokers often wake up too early in the morning because of nicotine withdrawal. Avoid alcoholic drinks before bed. Having a nightcap or alcoholic beverage before sleep may help you relax, but heavy use robs you of REM sleep, keeping you in the lighter stages of sleep. Heavy alcohol ingestion also may contribute to impairment in breathing at night. You also tend to wake up in the middle of the night when the effects of the alcohol have worn off. Avoid large meals and beverages late at night. A light snack is okay, but a large meal can cause indigestion, which interferes with sleep. Drinking too many fluids at night can cause frequent awakenings to urinate. If possible, avoid medicines that delay or disrupt your sleep. Some commonly prescribed heart, blood pressure, or asthma medications, as well as some over-the-counter and herbal remedies for coughs, colds, or allergies, can disrupt sleep patterns. If you have trouble sleeping, talk to your health care provider or pharmacist to see whether any drugs you’re taking might be contributing to your insomnia and ask whether they can be taken at other times during the day or early in the evening. Don’t take naps after 3 p.m. Naps can help make up for lost sleep, but late afternoon naps can make it harder to fall asleep at night. Relax before bed. Don’t overschedule your day so that no time is left for unwinding. A relaxing activity, such as reading or listening to music, should be part of your bedtime ritual. Take a hot bath before bed. The drop in body temperature after getting out of the bath may help you feel sleepy, and the bath can help you relax and slow down so you’re more ready to sleep. Dark bedroom, cool bedroom, gadget-free bedroom. Get rid of anything in your bedroom that might distract you from sleep, such as noises, bright lights, an uncomfortable bed, or warm temperatures. You sleep better if the temperature in the room is kept on the cool side. A TV, cell phone, or computer in the bedroom can be a distraction and deprive you of needed sleep. Having a comfortable mattress and pillow can help promote a good night’s sleep. Individuals who have insomnia often watch the clock. Turn the clock’s face out of view so you don’t worry about the time while trying to fall asleep. Have the right sunlight exposure. Daylight is key to regulating daily sleep patterns. Try to get outside in natural sunlight for at least thirty minutes each day. If possible, wake up with the sun or use very bright lights in the morning. Sleep experts recommend that, if you have problems falling asleep, you should get an hour of exposure to morning sunlight and turn down the lights before bedtime. Don’t lie in bed awake. If you find yourself still awake after staying in bed for more than twenty minutes or if you are starting to feel anxious or worried, get up and do some relaxing activity until you feel sleepy.
”
”
Matthew Walker (Why We Sleep The New Science of Sleep and Dreams / Why We Can't Sleep Women's New Midlife Crisis)
“
Between my straw mattress and the bed planks, I had actually found an old scrap of newspaper, yellow and transparent, half-stuck to the canvas. On it was a news story, the first part of which was missing, but which must have taken place in Czechoslovakia. A man had left a Czech village to seek his fortune. Twenty-five years later, and now rich, he had returned with a wife and a child. His mother was running a hotel with his sister in the village where he’d been born. In order to surprise them, he had left his wife and child at another hotel and gone to see his mother, who didn’t recognize him when he walked in. As a joke he’d had the idea of taking a room. He had shown off his money. During the night his mother and his sister had beaten him to death with a hammer in order to rob him and had thrown his body in the river. The next morning the wife had come to the hotel and, without knowing it, gave away the traveler’s identity. The mother hanged herself. The sister threw herself down a well. I must have read that story a thousand times. On the one hand it wasn’t very likely. On the other, it was perfectly natural.
”
”
Albert Camus (The Stranger)
“
There are seven main factors influencing your sleep quality. To improve it, maintain a consistent sleep schedule, make your bedroom relatively cool, and make your sleep area as dark and quiet as possible. Get a new mattress if you've been sleeping on the same mattress for more than 10 years. Avoid blue light before sleep. If you can’t stop your racing mind, get out of bed and write down all your thoughts. Avoid caffeine 7 to 8 hours before going to sleep. Don’t eat heavy meals two to three hours before going to sleep.
”
”
Martin Meadows (How to Relax: Stop Being Busy, Take a Break and Get Better Results While Doing Less)
“
My own job in Kenya was to help the refugees who had settled in the sprawling slums of Nairobi start their own businesses so they could support themselves and their families. Much of the work consisted of visiting the refugees in their small shacks, which often contained nothing more than a mattress, a kerosene lantern, a cooking pot, some boxes, and a few plastic pails to hold water and food. This kind of poverty—in which human beings are unable to satisfy their basic needs—is not something to which Jesuits, or anyone, aspires. Dehumanizing poverty is something that many Jesuits spend their entire lives combating, whether through direct work with the poor or advocacy on their behalf. The Jesuit goal of voluntary poverty in imitation of Christ is different from the involuntary poverty that is a scourge for billions across the globe. But the two are inextricably connected: living simply means that one needs less and takes less from the world, and is therefore more able to give to those who live in poverty. Living simply can aid the poor.
”
”
James Martin (The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life)
“
Gentry was reclining on his side, propped up on one elbow, the broad outline of his shoulders obscuring most of the light shed by the bedside lamp. His body was so large and sheltering, his self-confidence so substantial, that it seemed as if she could wrap it around herself like a blanket and stay safe forever.
Shrewdly, he understood her Achilles' heel- that terrible need for sanctuary- and he did not hesitate to make use of it. He slid his arm over her waist, his hand resting on the middle of her back, his thumb brushing along the stiff arc of her spine. "I'll take care of you, Lottie. I'll keep you safe and provide all the comforts you require. All I want in return is for you to enjoy yourself with me. That isn't so terrible, is it?"
He had Lucifer's own skill of making what he sounded perfectly reasonable. Discerning her weakness, he leaned over until the solid weight of his body was poised above her and his thigh pressed into the mattress between her legs. "Kiss me," he whispered. The sweet, drugging spice of his breath and skin sent her thoughts scattering like dry leaves in the wind.
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
Walls shift as the day’s warmth rushes out and coolness from the garden flows in to take its place. Couches exhale. In the attic, objects made of suede and velvet stir. Forgotten horsehair mattresses sigh and wonder. Something flutters.
”
”
Grace Dane Mazur (The Garden Party)
“
Well, look at what we have here...” I slurred, taking in the incredible sight before me. All that exposed skin. From her flat stomach to her prominent hip bones to her long, thin legs. I had to get my mouth on her.
I pulled off my shirt before crawling onto the foot of the mattress, gripping my twelve fingers around three of her ankles, landing my lips on one of her four shins. I pushed her six knees apart with all intentions of kissing her on her pretty lace panties, but I couldn’t coordinate.
Why’d I have to go and drink so much? What feeds me destroys me.
I kissed her stomach instead, pinning her hips to the mattress, sliding my body on top of hers. I grabbed her wrists in my clutches and imprisoned her arms above her head. I was only working with a semi, and I couldn’t understand why with this beautiful girl underneath me, I wasn’t raging hard. I figured I could buy some time until my cock caught up to my eyes.
Whiskey dick is a thing, people.
”
”
T. Torrest (Trip)
“
If you’ve never stayed at a hostel in Europe, consider yourself lucky. The sheets’ stains look like a topographical map, and the mattresses feel like they’ve been through a Sharknado. You feel like you need a shower after you take a shower. And the wannabe hippies sleeping in the Che and anarchist shirts on the half-dozen bunks around you smell and snore and make you yearn for the relative opulence of an American truck stop.
”
”
Michelle Fields (Barons of the Beltway: Inside the Princely World of Our Washington Elite--and How to Overthrow Them)
“
He brushed her hair until it was nearly dry. He had to reach forward to catch the brandy glass. Lazy delight swirled through her at the glance of his hand over hers. Each stroke of the brush leached away another layer of resistance. After all the fear and anger, she slid into a fog of languorous docility. Perhaps soon he'd take her to bed. Surely he hadn't meant it when he said she'd sleep alone.
He set the brush aside and lifted her into his arms. She murmured sleepily and nestled into his chest. She was warm. He was warm. Everything was delicious warmth. She smothered a yawn and shut her eyes.
Jonas...
She might have spoken his name aloud. She nuzzled his chest, drawing in more rain-fresh scent. She thought he growled softly in his throat. She wasn't sure. She was so tired, she wasn't sure about much.
He set her down on the bed, the mattress sagging beneath her, and pulled up the covers. His arms slipped away with what felt like reluctance and the loss pierced her drowsiness. She whimpered in protest and waited for him to slide in beside her.
She kept her eyes shut. Looking at him veered too near to admitting she'd stopped fighting. She heard him sigh. His clean scent flooded her senses when he pressed his lips to her forehead then briefly kissed her mouth.
”
”
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
“
Granada is a wicked, sinister place. It was bad enough during the war—but it’s getting worse. Much worse.” “Where do they take the babies?” Rose pulled her shawl tight around her. It wasn’t cold. But what Lola had described chilled her to the core. She pictured Juanita, tucking cloves of garlic under the mattress of Rafaelito’s cradle. Clearly there was something much worse than snakes lurking out there. “They send them to families the government approves of so they’ll grow up as payos, not Gypsies. To save the race. That’s what General Franco says.” It was horribly familiar. Like Hitler all over again. Rose was only too aware of Franco’s Nazi sympathies. But she had never imagined that the evil doctrine of racial purity would outlive Hitler; that in a time of supposed peace, babies would be snatched from their mothers because of their kawlo rat. Their dark blood. “It’s not only the babies they’re
”
”
Lindsay Jayne Ashford (The Snow Gypsy)
“
know this will be a hard thing to get through your head and might even take me several years, but what you do with any given person on a mattress has nothing to do with where the balance of power is.
”
”
Laura Argiri (The God in Flight)
“
I am not offended by war in the same way that I am not offended by rain. Both are “motivated” by need. I was at Anzio. I lived in a continual state of ambivalence: guilty but glad. Glad I wasn’t the GI enjoying that final “no-wake-up-call” sleep on his blood-padded mud mattress. It would be interesting to hear his comment if we could grab a handful of his hair, drag his head out of the dirt and ask his opinion on the questions that are posed every decade, the contemporary shouts of: “How long are we going to put up with Cuba’s nonsense?” “Just how many insults can we take from Russia?” I was at Salerno. I can take a lot of insults.
”
”
Lenny Bruce (How to Talk Dirty and Influence People)
“
There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone.
Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy.
I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact.
I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting.
As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.
”
”
Carole Matthews (The Chocolate Lovers' Club)
“
We are supposedly living in a golden age of pleasure. So many tantalizing options lie only a click away: gourmet food, memory-foam mattresses, kinky sex, gadgets galore. Pleasure decoys, all of them, Epicurus would say. Like any good decoy, they look real, and so we take aim. If we fail to hit the target, we blame ourselves for poor marksmanship and reload. Stop aiming at decoys, counsels Epicurus. Better yet, stop shooting altogether. “Not what we have but what we enjoy constitutes our abundance,” he says, noting that, with the right mind-set, even a small pot of cheese can convert a simple meal into a lavish feast.
”
”
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
“
view of the brick wall next door. Once inside, Ronnie took it all in. Not that there was much to take in. A mattress in the middle of the floor, a portable TV, a stack of books—mostly mysteries, I’m embarrassed to say. Some gay porn magazines. Under his breath he said, “Thank God. I’ve arrived just in time.
”
”
Marshall Thornton (Year of the Rat (Dom Reilly Mysteries, #1))
“
Shhh, kitten.” He placed his finger onto my lips before he continued, “I wanted this as much as you did, and I’m a grown man. If your daddy has a problem with what we did, then I’ll let him know that he can take it up with me.” His nose burrowed into my hair, making it harder for me to speak. My eyes drifted closed, and I settled into the mattress, feeling more at ease than I ever had before.
”
”
J.L. Beck (Daddy's Bestfriend)
“
Callum could hardly believe that she was here. In his arms. In his bed. He buried his nose in her hair and smelled deeply. The salt. The earthiness. The heather. For nearly a thousand years, he’d sifted through rosewater baths and heavy perfumes and those goddamn azaleas that surrounded his club to find this, the smell of her. If he closed his eyes, he could take them back to that heather-stuffed mattress in the little cottage by the sea, with nothing but the sound of her sleeping breath and a crackling fire, the delicate seashells clinking together in the rafters as the wind shook the house. He squeezed her tighter against his chest and let himself live in that memory, his eyes closed, at home in his mind with her in his arms. Callum didn’t know how long they lay there. Hours, at least. It was hard for him to grasp time. When a person was immortal, the difference between minutes and hours felt rather insignificant. He wondered, briefly, if it was the same for her. She seemed perfectly content to lie there. Let the night pass into day. Let the sun rise. Let the world crumble to dust around them. He would lie here with her in his arms until the very sun burned out. And then he’d hold her in the dark.
”
”
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))
“
Oh my God, is he going to take me across the street, up to his room, toss me on his mattress, and have his way with me? How am I already this incredibly turned on again? Surely I must have some kind of Horny-for-the-Hammers disorder.
”
”
Liz Archer (Ten Hammers (Ten of a Kind #1))
“
the other, I whimper as my pussy pulses with growing arousal. I stroke his smooth head, barely able to keep on my feet. When he withdraws, we stare at each other for several long seconds. Then I know exactly what to do. Somehow Mack must have read my mind because he helps guide me down to my knees in front of him. I reach over to undo his trousers and pull his cock out of his underwear. He’s already fully erect. I swipe a drop of liquid off the tip with my thumb. When he’s scooted a few inches closer to the edge of the mattress, he reaches over to remove the clip from my bun so my hair falls loose down my back. He takes my head in both his big hands and guides it forward toward his groin. I hold him steady with my fingers around the base of his hard shaft, giving him a few teasing licks that make his breath hitch. Then I slide my mouth around him until my lips meet my hand. I suck hard. His whole body twitches as he gasps out, “Fuck!” Thrilling with excitement from his responsiveness, I take a minute to coordinate a rhythm of sucking and squeezing with my hand. The muscles of his thighs on either side of me are tensing up as I work. He’s taking long, loud, thick breaths. When I’ve gotten comfortable, I speed up my rhythm and apply harder suction with my mouth. “Oh fuck, Anna.” He’s still holding my head in position with both hands, and they tighten in my hair, like he’s fisting handfuls of it. “That’s right. That’s good. Just like that.
”
”
Claire Kent (Beacon (Kindled #8))
“
How do you want me? On my back so you can play with my breasts as you fuck me?” I demonstrate just that as I lie down. “Or do you prefer me like this?” I say, twisting over the mattress until my knees are beneath me, arms keeping me upright. “Taking me from behind as deep as you want, gripping my hair and watching my ass bounce with every thrust?”
“You don’t have to do that,” he says.
I pause. “Do what?”
“You don’t have to play a part, or check with me, or gauge my wants like it’s your job to please me. I just want you.
”
”
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
“
She shoved me out of the bed! The realization hit him as hard as the floor. His feline grace failed him. Far from hanging its head in shame, his inner lion rolled in mirth, tufted tail practically wagging. Not funny.
Except it was. He had a feeling this more assertive side of Arabella was his fault. Since the moment they’d met, he’d encouraged her to not take any shit, and apparently she’d decided to start with him. Dammit. When he’d told her to not let the world stomp all over her, he should have specified his exemption.
I’m her mate. Isn’t there a rule that says she can’t kick me out of bed?
Except she’d yet to realize what he had. Was it only a day ago since his life changed? Not even. At this rate, he’d be picking out fucking China patterns by noon.
Completely emasculated and by a woman who wanted nothing to do with him.
Flipping to his knees, he sat up and rested his chin on the mattress.
Arabella faced him, eyes wary, breathing shallow as she waited for his reaction. More like she waited to see if he’d explode.
She’d learn.
Hayder would never harm her, but he would use his infamous kitty-cat eyes against her.
He stared. You know you want me. You know you need me. Come on, baby. Melt. Melt for your lion.
She stared right back.
Hmm, this wasn’t working as planned.
He let the left side of his lip curl into a grin, tugging his cheek and popping his infamous dimple.
“I know what you’re doing.”
“What?”
“Trying to manipulate me into letting you back into bed.”
“Is it working?”
For a moment her expression shifted, a quick flip of emotions as she struggled to answer. “Yes it’s working. But I wish it wasn’t.”
“Why? Why fight it?”
“Because I think I need time.”
It turned out there was something more powerful than his dimple. Her honesty.
He groaned. “I think you were sent to kill me. Fine. If you insist, I’ll respect you even if I’d rather debauch you.”
Her eyes widened.
“Respect doesn’t mean I’m going to lie, baby. I want you. Bad. But I’ll listen to what you want. For now.”
And, yes, he said it ominously.
Let her think about it. Think about him. Soon even she wouldn’t be able to deny they were meant for each other.
He stood, all six foot plus naked feet of him.
And, yes, that did put a certain part of his anatomy in perfect view of a certain shocked gaze.
A sucked-in breath, cheeks that darkened, a certain awareness sizzling between them. She couldn’t hope to hide her pleasure or interest in what she saw.
“Sweet dreams, baby.” He winked and then turned, resisting an urge to catch her staring at his ass.
He knew she was. He could feel the crazy heat as she traced his path out of the room.
Go back. Want to snuggle. His lion couldn’t understand why they were back in the living room with its cramped couch that wouldn’t allow him to stretch out. Why couldn’t they snuggle in the nice warm bed and, even better, cuddle with a nice warm mate?
Respect, my furry friend. A lion had no use for respect though. His worldview was much simpler. Ours. Bed. Hungry. Not hungry for a steak but, rather, a sweet, creamy pie.
Hayder groaned. No need to keep reminding him of what he was missing. He knew. He hated it, but her wants had to take precedence over his.
Argh.
”
”
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
“
By the time Google was telling Semel $1 billion, $3 billion, and then $6 billion, they had a plan. Now it was time to put that plan into action. It was time to go to the mattresses. At first, they called it Project Godfather. They called it that because, in the movie The Godfather, there’s a montage where, as Al Pacino’s Michael Corleone has his godson baptized in church, his hit men take out all of his family’s enemies at once. That was the plan Decker, Weiner, and Coppel had come up with for Yahoo. They were going to have Yahoo’s M&A team take out the entire search industry—except Google, of course—all at once.
”
”
Nicholas Carlson (Marissa Mayer and the Fight to Save Yahoo!)
“
The serum wears off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall.
“Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to…smell flowers, or whatever you wanted to do while you were on that stuff.”
“I’ll kill them,” I say. “I will kill them.”
“Don’t bother. We’re leaving soon anyway,” he says, closing the door behind him. He takes the hard drive from his back pocket. “I thought we could hide this behind your dresser.”
“That’s where it was before.”
“Yeah, and that’s why Peter won’t look for it here again.” Tobias pulls the dresser away from the wall with one hand and wedges the hard drive behind it with the other.
“Why couldn’t I fight the peace serum?” I say. “If my brain is weird enough to resist the simulation serum, why not this one?”
“I don’t know, really,” he says. He drops down next to me on the bed, jostling the mattress. “Maybe in order to fight off a serum, you have to want to.”
“Well, obviously I wanted to,” I say, frustrated, but without conviction. Did I want to? Or was it nice to forget about anger, forget about pain, forget about everything for a few hours?
“Sometimes,” he says, sliding his arm across my shoulders, “people just want to be happy, even if it’s not real.”
He’s right. Even now, this peace between us comes from not talking about things--about Will, or my parents, or me almost shooting him in the head, or Marcus. But I do not dare to disturb it with the truth, because I am too busy clinging to it for support.
“You might be right,” I say quietly.
“Are you conceding?” he says, his mouth falling open with mock surprise. “Seems like that serum did you some good after all…”
I shove him as hard as I can. “Take that back. Take it back now.”
“Okay, okay!” He puts up his hands. “It’s just…I’m not very nice either, you know. That’s why I like you so--”
“Out!” I shout, pointing at the door.
Laughing at himself, Tobias kisses my cheek and leaves the room.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
You should go home and get some sleep,” Harper said drowsily, letting the pain medication help take her under.
Trent stood up, lowered the head of the gurney, and lifted Harper’s head to fluff the pillow before gently lowering her back down.
“I’ll see you in the morning,” Harper said, refusing to acknowledge the fear she suddenly felt at being left alone. The light went off in the room and Harper’s heart started to race. She needed the light on.
The mattress sagged as Trent sat down on the side of the bed. She felt him lean forward and heard him kick off his shoes. He pulled his legs up onto the single gurney and lay down on his side, carefully putting his arm around her. The warmth of his breath behind her ear, the sweetness of his lips against her skin eased the pressure she’d felt building inside.
“Yeah, you will, darlin’. I’ll be right here.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
Marcus woke again to find Sanga lying asleep on his bed, and he quietly climbed off his own mattress, standing still for a moment to allow the slight feeling of dizziness to pass. Walking quietly on bare feet, he made his way up the corridor to the latrine, then went in search of his wife. Felicia was delighted to see him on his feet, despite her immediate concern for his well-being, which were quickly dispelled when he waved her away and turned a full circle with his arms out.
‘Well, you seem to be spry enough that I think we can assume the effects of the mandrake have completely worn off. You won’t be able to speak or eat solid food for some time yet though.’
‘And that’s why I brought this for him.’ They turned to find the tribune standing in the doorway with a smile on his face, a small iron pot dangling from one hand. ‘There’s a food shop at the end of the street whose proprietress was only too happy to lend me the pot in the likelihood of getting your business for the next few weeks. Pass me a cup and I’ll pour you some.’
Marcus found his glass drinking tube and took a sip at the soup, nodding his thanks to the tribune. Scaurus sat in silence until the cup was empty, watching as the hungry centurion consumed the soup as quickly as its temperature would allow.
‘That’s better, eh? There’s more in the pot for when I’m gone. I’d imagine you’ll be spending another night in here just to be sure you’re over the worst of it, but that ought to keep you going until morning. And now, Centurion, to business? First Spear Frontinius tells me that you passed a message requesting a conversation with me, although from the look of things most of the speaking will be done by me.’
Marcus nodded, reaching for his tablet and writing several lines of text. He handed the wooden case to Scaurus, who read the words and stared back at his centurion with his eyebrows raised in astonishment. ‘Really? You’re sure of this?’
After thinking for a moment, Marcus held out his hand and took the tablet back. He smoothed the wax and wrote another statement. Scaurus looked grimly at the text, shaking his head.
‘You got that close to him?’
Marcus wrote in the tablet again. Scaurus read the text aloud, a wry smile on his face. ‘“Take a tent party with you.” A tent party? I’ll need a damned century if he’s as dangerous as you say. And the nastiest, most bad-tempered officer in the First Cohort. Do any names spring to mind, Centurion?
”
”
Anthony Riches (The Leopard Sword (Empire, #4))
“
Day made quick work of drying his body, brushed his teeth, and walked back into the bedroom. God was already in bed, his large form taking up the entire right side of the California king-size mattress. The starch white sheet was draped loosely over his lower half. Day walked over and grabbed the two bottles of water and set them on his nightstand just in case he needed it. He climbed onto the tall bed and was grabbed by strong hands and settled on top of his naked lover.
“Cash,” Day moaned.
“Shhh. Just need to hold you,” God said quietly as he rested his chin on top of Day’s wet hair and squeezed him hard against him, protecting him as if someone might come in the middle of the night and try to snatch him away.
Day rose and fell slightly with God’s steady breaths. It was only nine thirty but it wasn’t long before Day’s exhaustion had him drifting off to sleep.
”
”
A.E. Via
“
Wriggling out of his grasp she braced herself on his shoulders and tried to stand. Next thing she knew, he had her around the legs and took her down to the mattress in some sort of super-fast ninja move. She screamed and laughed, and he was laughing every bit as hard as he came down on top of her. And, oh God, his laughter was a sweet and sexy rumble that lit her up inside.
“You fight dirty, Easy,” she said around her chuckles.
“I haven’t had this much fun in so long.”
She caressed his face with her fingers. “Me neither. Between overloading on classes and my epilepsy, I often feel like a little old lady trapped in the body of a twenty-year-old. All I need is some cats.”
“Cats are awesome,” he said. “When I was a kid, I used to sneak stray cats into the house, just for a night or two. I’d keep them in my room and bring up bowls of milk and cans of tuna for them.”
“Aw, you were a sweet little boy, weren’t you?” she asked, loving how he was opening up to her. The closeness, the sharing, the way his big body was lying on her legs and hips, leading him to prop his head up on her lower stomach—both her heart and her body reacted.
“Maybe for about five minutes.” He winked. “Mostly, I was a hell-raiser. Growing up, we didn’t live in the best neighborhood. Drug dealers on the corner, gang activity trying to pull in even the younger kids, crack house one block over. All that. Trouble wasn’t hard to find.” He shrugged. “Army straightened me out, though.”
“Well, we lived in a nice neighborhood growing up and here my father was the freaking drug dealer on the corner. Or close enough, anyway.” Jenna stared at the ceiling and shook her head. “Sorry, I didn’t mean to get serious.”
His thumb stroked along her side, sliding the cotton of her borrowed shirt against her skin in a way that almost tickled. “Don’t apologize. Our histories are what they are, you know?”
She nodded and gave him a little smile. “Yeah.”
Shifting off her, Easy stretched out alongside her and propped his head up on his arm. “I’m thirty, Jenna,” he said out of nowhere.
And he was telling her this because? He thought their age difference was too great? He thought she was too young? He was worried she would think he was too old? Probably D) all of the above. Thing was, all she saw when she looked at Easy was a guy she really freaking liked. One who’d saved her life, helped make her sister safe, and gave her a sense of security she hadn’t felt in years. He was hot as hell, easy to talk to, and one of the kindest guys she’d ever known. Maybe some of that was because he was older. Who knew?
“And I need to know this because?” she asked, resting her head on her arm.
The muscles of his shoulders lifted into a shrug, but his face was contemplative. “Because there’s clearly something going on between us.”
Heat rushed across her body. She held up a hand, and he laced his fingers between hers. “When I look at you, I don’t see a bunch of differences, Easy.”
“What do you see then?”
Warmth flooded into Jenna’s cheeks, and she chuckled. He’d said that she was beautiful, after all, so why couldn’t she give him a compliment in return? “A really hot guy I’d like to get to know more.”
A smug smile slipped onto his face, and she might’ve rolled her eyes if it weren’t so damn sexy. “Really hot, huh?”
“Well, kinda hot, anyway.”
“Nuh-uh,” he said, tugging her hand to his chest. “Can’t take it back now.”
Cheeks burning and big smile threatening, she rolled onto her side to face him.
They lay there, side by side, her chest almost touching his, looking at each other. Tension and desire and anticipation crackled in the space between them, making it hard to breathe.
“What do you see when you look at me?” she whispered, half-afraid to ask but even more curious to hear what he’d say. Did he mostly see someone who was too young for him? Or a needy girl he had to save and babysit?
”
”
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
“
That’s very trusting.” Iris watches Anke search our backpacks.
“We’re saving people’s lives. We thought we could be,”Anke says. I’m more fixated on her arm in my backpack than on what she’s saying, though. That bag is nearly empty, but it’s mine. She’s messing it up. Her hands might not even be clean.
When she does stop, I immediately wish she hadn’t. “Denise,” she says, “I need to search your bed next.”
My gaze flicks to my pillow. “I. I. Could I.”
“She doesn’t like people touching her bed.” Iris stands, guarding me.
“You’re touching it,” Captain Van Zand’s brother says.
Iris shoots him a withering look. “I sat at the foot, which is the only place that’s OK for even me to touch, and I’m her sister.”
Anke’s sigh sounds closer to a hiss. “Look, we have more rooms to search.”
I squirm. No. Not squirm. I’m rocking. Back and forth. “Wait,” I say.
“You can’t—” Iris goes on.
“Just ’cause she’s too precious to—” the man argues.
“Wait,” I repeat, softer this time, so soft that I’m not even sure Iris hears it. “Can I, can I just, wait. I can lift the sheets and mattress myself. You can look. Right? Is that good? Right? Is that good? If I lift them?” I force my jaw shut.
No one says anything for several moments. I can’t tell if Anke is thinking of a counterargument or if she really is trying to make this work. Her lips tighten. “OK. If you listen to my instructions exactly.”
“You’re indulging her?” Captain Van Zand’s brother says. “She’s just being difficult. Have you ever seen an autistic kid? Trust me, they’re not the kind to take water scooters into the city like she did.”
“Denise, just get it done,” Anke snaps.
I don’t stand until they’re far enough away from the bed, as if they might jump at me and touch the bed themselves regardless. I blink away tears. It’s dumb, I know that—I’m treating Anke’s hands like some kind of nuclear hazard—but this is my space, mine, and too little is left that’s mine as is. I can’t even face Iris. With the way she tried to help, it feels as though I’m betraying her by offering this solution myself.
I keep my head low and follow Anke’s orders one-handed. Take off both the satin and regular pillowcases, show her the pillow, shake it (although I tell her she can feel the pillow herself: that’s OK, since the pillowcases will cover it again anyway)—lift the sheets, shake them, lift the mattress long enough for her to shine her light underneath, let her feel the mattress (which is OK, too, since she’s just touching it from the bottom) . . .
They tell us to stay in our room for another hour.
I wash my hands, straighten the sheets, wash my hands again, and wrap the pillow in its cases.
“That was a good solution,” Iris says.
“Sorry,” I mutter.
“For what?”
Being difficult. Not letting her help me. I keep my eyes on the sheets as I make the bed and let out a small laugh.
”
”
Corinne Duyvis (On the Edge of Gone)
“
Sergeant wheels the chair back to the door. Melanie takes this in, and reads it right. She won’t be needing the chair again. She won’t be going back to her cell. Tales the Muses Told is lying under her mattress back there, and she crashes head first into the realisation that she may never see it again. Those pages that smell of Miss Justineau are now, and perhaps for ever, inaccessibly distant. She
”
”
M.R. Carey (The Girl With All the Gifts)
“
He stepped closer, pushing her shoulders. Her calves hit the back of the bed. She straightened. “Hey! How’d that happen?” “I’m tricky that way,” he said. His tone was amused, but his eyes were hot and hungry. “How did you know I wasn’t going to say no?” “Princess, if you were going to say no, you’d have said it a long time ago.” He lifted her and tossed her on the mattress, where she landed in an unceremonious heap. She scrambled back and he climbed onto the bed, looking like a predator slinking through the brush. “You’re very mean.” She was breathless now with anticipation. He grabbed her ankles. “And don’t you forget it.” Oh
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s gaze slid over her body, lingering a fraction too long on her breasts before looking back into her eyes. “He said he could make more money, but there was only one of her. In the end, his family relented, and he whisked her into Chicago high society.” “It sounds like a fairy tale.” “It was,” Mitch said, his tone low and private. The story and his voice wrapped her in a safe cocoon where the world outside this room didn’t exist. “In the sixty years they were together, they never spent more than a week a part. He died of a heart attack and she followed two months later.” She studied the bedspread, picking at a piece of lint. “I guess if you’re going to get married, that’s the way to do it.” “Any
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
When another contraction hit I gripped the side of the bed and tried not to inhale too deeply, I knew Brandon would come right back to my side if he knew what was going on. But since I couldn’t hear them, I’d forgotten about the monitors and within seconds his hand pried my fingers from the thin mattress and held it tight until it was over. When I relaxed, he kissed my hand and went back to his dinner. Another
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
I know you are, and I know you don’t even have to do what you’ve been doing. So thank you, but could you just humor me, and help me pick out a color? Please?” “Sure,” he said softly, and didn’t bother standing as he crawled over to the mattress. His brow drew together as he studied the different colors, and picked them up individually, before picking up two at a time and setting one aside. I laughed softly and raised my hands in surrender when he glared at me. “This one.” He dropped the electric blue polish in my lap and sat back but stayed close to the mattress. “You’re trying to turn me into a girl,” he grumbled and ran his hands through his shaggy hair. “Um, not? You just have to put up with me because you signed up for the job of taking care of me. Lucky you.” He grunted and watched as I started with my toes first, and then made my way to my fingernails. “You having fun watching me?” “I wouldn’t say fun is the right word, but it’s something to do. And your concentration face is cute.” Rolling my eyes, I let the cute slide, even though I would have normally punched Mason’s or Kash’s arm if they had called anything I did cute. Not now, though. I’d take the cute title and wear it proudly if it meant being near them. Funny
”
”
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))