“
One of the biggest problems with the world today is that we have large groups of people who will accept whatever they hear on the grapevine, just because it suits their worldview—not because it is actually true or because they have evidence to support it. The really striking thing is that it would not take much effort to establish validity in most of these cases… but people prefer reassurance to research.
”
”
Neil deGrasse Tyson
“
Don’t be afraid, Queen, the blood has long run down into the earth. And on the spot where it was spilled, grapevines are growing today.
”
”
Mikhail Bulgakov (The Master and Margarita)
“
To Earthward"
Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air
That crossed me from sweet things,
The flow of--was it musk
From hidden grapevine springs
Downhill at dusk?
I had the swirl and ache
From sprays of honeysuckle
That when they're gathered shake
Dew on the knuckle.
I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.
Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain
Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.
When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,
The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.
”
”
Robert Frost
“
If something bad smells in the basement, it will eventually make its way to the attic.
”
”
Anthony Liccione
“
I read and am liberated. I acquire objectivity. I cease being myself and so scattered. And what I read, instead of being like a nearly invisible suit that sometimes oppresses me, is the external world’s tremendous and remarkable clarity, the sun that sees everyone, the moon that splotches the still earth with shadows, the wide expanses that end in the sea, the blackly solid trees whose tops greenly wave, the steady peace of ponds on farms, the terraced slopes with their paths overgrown by grape-vines.
”
”
Fernando Pessoa (The Book of Disquiet)
“
A skeptic once said to me, 'I don't believe the Bible because it has miracles.' I said, 'Name one.' He said, 'Turning water into wine. Do you believe that?' I said, 'Yeah, it happens all the time.' He said, 'What do you mean?' I said, 'Well, rain goes through the grapevine up into the grape, and the grape turns into wine. All Jesus did was speed it up a little bit.
”
”
Norman L. Geisler
“
Having been in the presidency from the time of Mandela to that of Zuma, I am one of the privileged few who has seen it all, rather than hearing it via the grapevine. The challenge is say 'the things I could not say' in a responsible way that helps the country to move forward rather than backwards.
”
”
Frank Chikane (Eight Days in September)
“
Let us always love the best in others—and never fear their worst.
”
”
Bill Wilson (The Language of the Heart—Bill W.'s Grapevine Writings)
“
If you deconstruct Italy, you will in the end see a grapevine, a tomato and a small boy hammering a shard of marble.
”
”
Pietros Maneos
“
A good word will spread in the grapevine, bringing forth clusters of grapes and the benevolent of wine; a bad word will spread withering the vines, and choke the potential grapes.
”
”
Anthony Liccione
“
There’s a new wine I want to try. I heard about it through the grapevine.
”
”
Jarod Kintz (How to construct a coffin with six karate chops)
“
Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists.
”
”
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
“
He’s a damned fine catch, and word on the grapevine says he’s a wonder in the sack. A walking, talking wet dream, as one of my friends put it. Ride it while the riding’s good!
”
”
Jess Haines (Enslaved By the Others (H&W Investigations Book 6))
“
How peaceful it was, with the light evening breeze stirring the small leaves of the grapevine that clustered around the electric bulb, making the shadows move and change on the yellow mat below. For a moment he pushed aside the thought of money. From time to time the dark water beside them rippled audibly, as if a tiny fish had come to the surface for an instant and then darted beneath. It was in peaceful moments such as this, his father had said, that men were given to know just a little of what paradise was like, so that they might yearn for it with all their soul,and strive during their time on earth to be worthy of going there.
”
”
Paul Bowles (The Spider's House)
“
Day in, day out! Wind and rain, sleet and snow, sun and storm, we did the same. We heard something on the grapevine, went there, came back, sat in his bedroom, heard something else, went by bus, bike, on foot, sat in someone’s bedroom. In the summer we went swimming. That was it. What was it all about? We were friends, there was no more than that. And the waiting, that was life.
”
”
Karl Ove Knausgård (Dancing in the Dark (My Struggle, # 4))
“
The Stain
That Conner left on our lives will
not vanish as easily. I don’t care
about Mom and her birds.
Their estimation of my brother
doesn’t bother me at all. Neither
do I worry about Dad and
what his lobbyist buddies think.
His political clout has not diminished.
As twins go, Conner and I don’t share
a deep affection, but we do have
a nine-months-in-the-same-womb
connection. Not to mention
a crowd of mutual friends. God,
I’ll never forget going to school
the day after that ugly scene.
The plan was to sever the gossip
grapevine from the start with
an obvious explanation—
accident. Mom’s orders were
clear. Conner’s reputation
was to be protected at all costs.
When I arrived, the rumors
had already started, thanks
to our neighbor, Bobby Duvall.
Conner Sykes got hurt.
Conner Sykes was shot.
Conner Sykes is in the hospital.
Is Conner Sykes, like, dead?
I fielded every single question
with the agreed fabrication.
But eventually, I was forced to
concede that, though his wounds
would heal, he was not coming
back to school right away.
Conner Sykes wasn’t dead.
But he wasn’t exactly “okay.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
Each thing has come into existence for a specific purpose, like a horse or a grapevine. Even the sun would say: “I exist for a purpose,” and also the other gods.18 What, then, is your purpose? To feel pleasure? See if the mind will allow such a thought.
”
”
Marcus Aurelius (The Essential Marcus Aurelius (Tarcher Cornerstone Editions))
“
Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a 'crime' to block away so much sunlight and keep such a landscape from view, especially when you didn't have it all life long, he said. Then the rolling fields of the valley leading up to the hills seemed to sit in a rising mist of olive green: sunflowers, grapevines, swatches of lavender, and those squat and humble olive trees stooping like gnarled, aged scarecrows gawking through our window as we lay naked on my bed, the smell of his sweat, which was the smell of my sweat, and next to me my man-woman whose man-woman I was, and all around us Mafalda's chamomile-scented laundry detergent, which was the torrid afternoon world of our house.
”
”
André Aciman (Call Me by Your Name)
“
You could fill three lifetimes with the things people say about you when you're not there.
”
”
Stewart Stafford
“
You told me nothing would change. Except everything changed. You changed. I changed. We changed.
Because I spent all weekend tortured over you. I was supposed to be having a great time, but all I could think about was you. I've been obsessed with you for years, and I don't even know if I fully realised it. I've heard about you the grapevine – looked you up online. I've gone a decade without laying eyes on you, satisfied that you were doing what you wanted to be doing. But it never felt like this weekend did.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
I am the Dark One, – the Widower, – the Unconsoled
The Aquitaine Prince whose Tower is destroyed:
My only star is dead, - and my constellated lute
Bears the Black Sun of Melancholia.
In the night of the Tomb, You who comforted me,
Give me back Mount Posillipo and the Italian sea,
The flower that my afflicted heart liked so much
And the trellised vineyard where the grapevine unites with the rose.
Am I Amor or Phoebus ?… Lusignan or Biron ?
My forehead is still red from the Queen’s kiss;
I dreamt of the Cave where the mermaid swims…
Twice victorious I crossed Acheron:
Taking turn to play the Orpheus’ lyre
The sighs of the Saint and the Fairy’s screams.
”
”
Gérard de Nerval (Les Chimères)
“
Happiness happens when results exceed expectations.
”
”
Alcoholics Anonymous (The Best of Grapevine)
“
We’re involved with flower, fruit, grapevine.
They speak more than the language of the year.
Out of the darkness a blaze of colors appears,
and one perhaps that has the jealous shine
Of the dead, those who strengthen the earth.
What do we know of the part they assume?
It’s long been their habit to marrow the loam
with their own free marrow through and through.
Now the one question: Is it done gladly?
The work of sullen slaves, does this fruit
thrust up, clenched, toward us, its masters?
Sleeping with roots, granting us only
out of their surplus this hybrid made of mute
strength and kisses — are they the masters?
”
”
Rainer Maria Rilke (Duino Elegies and The Sonnets to Orpheus)
“
Ideally, a Stoic will be oblivious to the services he does for others, as oblivious as a grapevine is when it yields a cluster of grapes to a vintner. He will not pause to boast about the service he has performed but will move on to perform his next service, the way the grape vine moves on to bear more grapes.
”
”
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
“
So, for today, I have become an agnostic, who occasionally experiences violent swings toward faith.
”
”
Alcoholics Anonymous (The Best of Grapevine)
“
Dallas–Fort Worth airport to Grapevine, Texas,
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
Wheat and goats were domesticated by approximately 9000 BC; peas and lentils around 8000 BC; olive trees by 5000 BC; horses by 4000 BC; and grapevines in 3500 BC.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Grapevines say a lot of things. But it’s mostly the wine talking.
”
”
Mick Herron (Spook Street (Slough House, #4))
“
Indeed, for the righteous is attainment - Gardens and grapevines And full-breasted [companions] of equal age And a full cup. No ill speech will they hear therein or any falsehood - [As] reward from your Lord, [a generous] gift [made due by] account, [From] the Lord of the heavens and the earth and whatever is between them, the Most Merciful. They possess not from Him [authority for] speech.
[The Quran, 78:31-37]
”
”
Anonymous (القرآن الكريم)
“
Heard from whom? I always hated this small-town-grapevine nonsense. That’s something I love about the city. The anonymity. No one knows who you are, and no one gives a shit about your business. It’s a beautiful thing.
”
”
Rachel Harrison (Such Sharp Teeth)
“
Heard from whom? I always hated this small-town-grapevine nonsense. That's something I love about the city. The anonymity. No one knows who you are, and no one gives a shit about your business. It's a beautiful thing.
”
”
Rachel Harrison
“
The Voice of my Beloved! Through all my heart it thrills, He leaps upon the mountains, And skips upon the hills. For like a roe or young hart, So swift and strong is he, He looketh through my window, And beckoneth unto me. "Rise up, my love, my fair one, And come away with me, Gone are the snows of winter, The rains no more we see. "The flowers are appearing, The little birds all sing, The turtle dove is calling, Through all the land 'tis spring. "The shoots are on the grapevines, The figs are on the tree, Arise, my love, my fair one, And come away with me. "Why is my dove still hiding? When all things else rejoice, Oh, let me see thee, fair one, Oh, let me hear thy voice." (Cant. 2:8-14)
”
”
Hannah Hurnard (Hinds' Feet on High Places)
“
I remember when I started going out with Dolph Lundgren. The grapevine hummed very quickly. Andy got the news before anyone else. Andy would ring up wanting to know how big Dolph’s dick was. It was that kind of world. Everyone was curious.
”
”
Grace Jones (I'll Never Write My Memoirs)
“
I should have done it a long time ago. When there were three bullets in the gun instead of two. I was stupid. We’ve been over all of this. I didnt bring myself to this. I was brought. And now I’m done. I thought about not even telling you. That would probably have been best. You have two bullets and then what? You cant protect us. You say you would die for us but what good is that? I’d take him with me if it werent for you. You know I would. It’s the right thing to do. You’re talking crazy. No, I’m speaking the truth. Sooner or later they will catch us and they will kill us. They will rape me. They’ll rape him. They are going to rape us and kill us and eat us and you wont face it. You’d rather wait for it to happen. But I cant. I cant. She sat there smoking a slender length of dried grapevine as if it were some rare cheroot. Holding it with a certain elegance, her other hand across her knees where she’d drawn them up. She watched him across the small flame. We used to talk about death, she said. We dont any more. Why is that? I dont know. It’s because it’s here. There’s nothing left to talk about. I wouldnt leave you. I dont care. It’s meaningless. You can think of me as a faithless slut if you like. I’ve taken a new lover. He can give me what you cannot. Death is not a lover. Oh yes he is.
”
”
Cormac McCarthy (The Road)
“
Did love always come joined with a certain amount of trepidation? Along with the good feelings, was there always dread that something wouldn’t go right or that love could be lost? Love and fear seemed twined like stalks of a grapevine—so close they couldn’t be separated.
”
”
Ann Howard Creel (The River Widow)
“
Ode to Joy
Joy, beautiful spark of Divinity,
Daughter of Elysium,
We enter, drunk with fire,
Heavenly one, thy sanctuary!
Thy magic binds again
What custom strictly divided;*
All people become brothers,*
Where thy gentle wing abides.
Whoever has succeeded in the great attempt,
To be a friend's friend,
Whoever has won a lovely woman,
Add his to the jubilation!
Yes, and also whoever has just one soul
To call his own in this world!
And he who never managed it should slink
Weeping from this union!
All creatures drink of joy
At nature's breasts.
All the Just, all the Evil
Follow her trail of roses.
Kisses she gave us and grapevines,
A friend, proven in death.
Salaciousness was given to the worm
And the cherub stands before God.
Gladly, as His suns fly
through the heavens' grand plan
Go on, brothers, your way,
Joyful, like a hero to victory.
Be embraced, Millions!
This kiss to all the world!
Brothers, above the starry canopy
There must dwell a loving Father.
Are you collapsing, millions?
Do you sense the creator, world?
Seek him above the starry canopy!
Above stars must He dwell.
”
”
Friedrich Schiller
“
back home,” George mused, thinking that the Amish girl might have found out the Hoelts’ true aims and character. “Perhaps,” said Nancy doubtfully. “But I think we would have heard of it through the grapevine if she had returned to her family. Later we can stop at the Kreutz farm
”
”
Carolyn Keene (The Witch Tree Symbol (Nancy Drew, #33))
“
You can rest in the fact that minding your own business will more than fill your mind.
”
”
Craig D. Lounsbrough
“
At long last, you have come to realize that service to others is all you have to offer in this life!
”
”
Alcoholics Anonymous (The Best of Grapevine)
“
Most of us need some significance and importance in the eyes of others. We must have some meaning, be it only to one other person.
”
”
Alcoholics Anonymous (The Best of Grapevine)
“
The true sign is that he’s back to writing ‘The Passion of Boris.’ ” “What’s that?” “The history of the Library. Funny stories and statistics. He could dedicate an entire chapter to various ways people ask for The Grapes of Wrath: Grapes of Rats by Steinbaum, Grapes of Gravity, Grapevine Wrath, Vines of Grapes, Gabe’s Wrath, not to mention The Rapes of Wrath.
”
”
Janet Skeslien Charles (The Paris Library)
“
Reorganizations represent opportunity to those who are unhappy with the state of the current organization. As mentioned above, the moment stakeholders hear that there is a reorg brewing, they start working the grapevine to steer the course of the reorg in their favor. When you combine this fact with people’s love of gossip, you’re guaranteed a big, juicy, drawn-out reorganization.
”
”
Michael Lopp (Managing Humans: Biting and Humorous Tales of a Software Engineering Manager)
“
Yes, of course, very well,” the barkeep sputtered. “My best bottle of Paelsian wine. Coming right up.” He disappeared into a back room, returning almost immediately with a dark green glass bottle roughly etched with the Paelsian symbol of a grapevine. As the barkeep uncorked it, Magnus spared a glance at Nic. “That’s forbidden.” Nic gestured toward the bottle. “Bad Prince of Blood. Very bad!” Magnus
”
”
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
“
He said in the fourth verse, “Abide in me, and I in you,” and now as a parallel to this it is, “If ye abide in me, and my words abide in you.” What, then, are Christ’s words and Himself identical? Yes, practically so.
”
”
Charles Haddon Spurgeon (Spurgeon on Prayer & Spiritual Warfare: Harnessing the Power of Prayer and Faith to Overcome Spiritual Battles (Grapevine Classic Books) (The Best of Spurgeon: Devotionals for Christians))
“
Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer.
As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb")
”
”
Michael Shea (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
“
So we need to constantly scrutinize ourselves carefully, in order to make everlastingly certain that we shall always be strong enough and single-purposed enough from within, to relate ourselves rightly to the world without.
”
”
Bill Wilson (The Language of the Heart—Bill W.'s Grapevine Writings)
“
I stopped arguing about religion long ago,”67 Burnham said to one of his comrades, when asked whether he was going to respond to Trotsky’s defense of dialectical materialism. The remark rippled quickly through the revolutionary grapevine to Trotsky, who was so infuriated by it that he fired off another long essay, “An Open Letter to Comrade Burnham,” almost before he’d come down from the last. And with that the last pretenses of comradeship fell away.
”
”
Daniel Oppenheimer (Exit Right: The People Who Left the Left and Reshaped the American Century)
“
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick.
She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?"
I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?"
She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?"
"Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him."
She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?"
The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you.
"It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added.
"Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…"
She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy."
"Um…"
"I'm destroying it, so I suppose it really doesn't matter."
I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
”
”
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
“
The transition to agriculture began around 9500–8500 BC in the hill country of south-eastern Turkey, western Iran, and the Levant. It began slowly and in a restricted geographical area. Wheat and goats were domesticated by approximately 9000 BC; peas and lentils around 8000 BC; olive trees by 5000 BC; horses by 4000 BC; and grapevines in 3500 BC. Some animals and plants, such as camels and cashew nuts, were domesticated even later, but by 3500 BC the main wave of domestication was over.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I'm Ukrainian, actually. And I'm making my signature dish," he said slowly, meeting Ibáñez's stare. "More shocking than Rocky Mountain oysters." He nodded to Volière. "Rarer than ortolan. Maybe just as taboo, though." He turned to Katsuki. "And it does more than just dance around death. It reverses it."
There was silence in the kitchen as they waited for the punch line, anxious to learn if the things they'd heard through the grapevine were true.
"Well?" Volière prompted. "Qu'est-ce que c'est?"
"I don't know." Kostya shrugged. "The Dead haven't fed it to me yet.
”
”
Daria Lavelle (Aftertaste)
“
I threw it over my shoulder and skulked through the moonlit vineyard to see what was going on. I crept to the end of a row and knelt in the warm dirt. Her five brothers were singing melodious songs in Spanish. The stars bent over the little roof; smoke poked from the stovepipe chimney. I smelled mashed beans and chili. The old man growled. The brothers kept right on yodeling. The mother was silent. Johnny and the kids were giggling in the bedroom. A California home; I hid in the grapevines, digging it all. I felt like a million dollars; I was adventuring in the crazy American night.
”
”
Jack Kerouac (On the Road)
“
A Letter To Say, "I'll See You Later"
I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces.
I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy!
I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter.
I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again.
I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.”
I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket.
I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.”
I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.”
I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time.
I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home.
I remember just like it was yesterday having my heart broken but you helped me mend it.
I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock.
I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl.
I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up.
I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way.
I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness.
I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time.
I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.”
I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
”
”
Amanda Strong
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
In awe at the sheer beauty of the setting, Celina stepped onto the balcony, which overlooked a terrace garden of fruit trees.
"It's so beautiful here." She breathed in, catching the scent of fruit trees below. "What type of fruit are you growing?"
"Mostly lemon," Sara said. "But also olive, grapefruit, orange, fig, and pomegranate. With our temperate climate, most everything thrives."
Celina peered over the balcony's edge. To one side, a cliff dropped to the sea, while on the other, a terrace sprawled along the hilltop perch. Flaming pink bougainvillea and snowy white jasmine curled around the corners of grapevine-covered archways that framed the shimmering ocean view.
”
”
Jan Moran (The Chocolatier)
“
I was convinced that they understood my condition, that at the sight of me one of them exclaimed, “Oh! It’s that castaway with the pussy cat Bamphoo was telling me about. Poor boy. Hope he has enough plankton. I must tell Mumphoo and Tomphoo and Stimphoo about him. I wonder if there isn’t a ship around I could alert. His mother would be very happy to see him again. Goodbye, my boy. I’ll try to help. My name’s Pimphoo.” And so, through the grapevine, every whale of the Pacific knew of me, and I would have been saved long ago if Pimphoo hadn’t sought help from a Japanese ship whose dastardly crew harpooned her, the same fate as befell Lamphoo at the hands of a Norwegian ship. The hunting of whales is a heinous crime.
”
”
Yann Martel (Life of Pi)
“
He planned a lot of it out at McClean Hospital, which's out in Belmont, which is where Himself had almost his own private reserved room, by then. He made up a genre that he considered the ultimate Neorealism and got some film-journals to run some proclamatory edictish things he wrote about it, and he got Duquette at M.I.T. and a couple other younger tenure-jockeys who were in on it to start referring and writing little articles in journals and quarterlies about it and talking at art openings and avant-garde theater and film openings, feeding it into the grapevine, hailing some new movement they called Found Drama, this supposedly Neorealism thing that they all declared was like the future of drama and cinematic art, etc.
”
”
David Foster Wallace (Infinite Jest)
“
Set The Controls For The Heart Of The Sun
Little by little the night turns around.
Counting the leaves which tremble at dawn
Lotuses lean on each other in yearning
Under the eaves the swallow is resting
Set the controls for the heart of the sun.
Over the mountain watching the watcher.
Breaking the darkness, waking the grapevine.
One inch of love is one inch of shadow
Love is the shadow that ripens the wine.
Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
Witness the man who raves at the wall
Making the shape of his questions to Heaven
Whether the sun will fall in the evening
Will he remember the lesson of giving?
Set the controls for the heart of the sun.
The heart of the sun, the heart of the sun.
”
”
David Gilmour
“
LIGHT PALE AS MILK guided the old man’s steps over the field to the creek and then to the mountain, stepping into the black wall of pineshadows and climbing up the lower slopes out into the hardwoods, bearded hickories trailing grapevines, oaks and crooked waterless cottonwoods, a quarter mile from the creek now, past the white chopped butt of a bee tree lately felled, past the little hooked Indian tree and passing silent and catlike up the mountain in the darkness under latticed leaves scudding against the sky in some small wind. Light saw him through the thick summer ivy and over windfalls and limestone. Past the sink where on a high bluff among trilobites and fishbones, shells of ossified crustaceans from an ancient sea, a great stone tusk jutted.
”
”
Cormac McCarthy (The Orchard Keeper)
“
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
”
”
Cormac McCarthy (Blood Meridian)
“
Officer Downing pulls into the driveway next to Mom's car. Of course she's home. I don't know why I even wasted hope that she wouldn't be. Maybe because I'm eighteen, which means they don't bother calling your parents to the scene. But even if I'm not a victim of the law, I'm a victim of the small-town grapevine. A victim of flashing blue lights, whispered scorn, and heads shaking in disapproval. And, boy, do I feel like a victim, because not only is she home, she's standing on the front porch, arms crossed. Waiting.
Officer Downing opens the back door to the low-budget cop car that smells like vinyl, BO, and humiliation. I step out. He hands me my backpack, which Rachel was so kind to bring out when we dropped Rayna off at Galen's house. She was also kind enough not to kill me for showing up at her house with a cop.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The transition to agriculture began around 9500–8500 BC in the hill country of south-eastern Turkey, western Iran, and the Levant. It began slowly and in a restricted geographical area. Wheat and goats were domesticated by approximately 9000 BC; peas and lentils around 8000 BC; olive trees by 5000 BC; horses by 4000 BC; and grapevines in 3500 BC. Some animals and plants, such as camels and cashew nuts, were domesticated even later, but by 3500 BC the main wave of domestication was over. Even today, with all our advanced technologies, more than 90 per cent of the calories that feed humanity come from the handful of plants that our ancestors domesticated between 9500 and 3500 BC – wheat, rice, maize (called ‘corn’ in the US), potatoes, millet and barley. No noteworthy plant or animal has been domesticated in the last 2,000 years.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
The transition to agriculture began around 9500–8500 BC in the hill country of south-eastern Turkey, western Iran and the Levant. It began slowly and in a restricted geographical area. Wheat and goats were domesticated by approximately 9000 BC; peas and lentils around 8000 BC; olive trees by 5000 BC; horses by 4000 BC; and grapevines in 3500 BC. Some animals and plants, such as camels and cashew nuts, were domesticated even later, but by 3500 BC the main wave of domestication was over. Even today, with all our advanced technologies, more than 90 per cent of the calories that feed humanity come from the handful of plants that our ancestors domesticated between 9500 and 3500 BC – wheat, rice, maize (called ‘corn’ in the US), potatoes, millet and barley. No noteworthy plant or animal has been domesticated in the last 2,000 years. If our minds are those of hunter-gatherers, our cuisine is that of ancient farmers. Scholars
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Not to hurt feelings but that chapter you assigned? That was all “Columbus is great,” “The Indians sure loved Thanksgiving,” “Let’s brainwash everyone.” I found way better stuff at the library, for example did you know before leaving England to pick up the tobacco the slaves grew, the Englishers filled their empty ships with mud so they didn’t tip in storms? When they got to the New World (which was not new or called America, the America name came from a pickle seller guy who got famous because he lied about doing sex with natives) the Englishers dumped their mud on shore to make room for the tobacco. Guess what was in that mud? Earthworms. But earthworms had been extinct in America since the ice ages, like 10,000 years at least, so the English worms went EVERYwhere and changed the soils and the Englishers also brought other things this place had NEVER known such as: silkworms pigs dandelions grapevines goats rats measles
”
”
Anthony Doerr (Cloud Cuckoo Land)
“
He swore sharply, David Jones’s still-so-familiar voice coming out of that stranger’s body. “Do you have any idea how unbelievably hard it’s been to get you alone?”
Had she finally started hallucinating?
But he took off his glasses, and she could see his eyes more clearly and . . . “It’s you,” she breathed, tears welling. “It’s really you.” She reached for him, but he stepped back.
Sisters Helen and Grace were hurrying across the compound, coming to see what the ruckus was, shading their eyes and peering so they could see in through the screens.
“You can’t let on that you know me,” Jones told Molly quickly, his voice low, rough. “You can’t tell anyone—not even your friend the priest during confession, do you understand?”
“Are you in some kind of danger?” she asked him. Dear God, he was so thin. And was the cane necessary or just a prop? “Stand still, will you, so I can—”
“No. Don’t. We can’t . . .” He backed away again. “If you say anything, Mol, I swear, I’ll vanish, and I will not come back. Unless . . . if you don’t want me here—and I don’t blame you if you don’t—”
“No!” was all she managed to say before Sister Helen opened the door and looked from the mess on the floor to Molly’s stricken expression.
“Oh, dear.”
“I’m afraid it’s my fault,” Jones said in a British accent, in a voice that was completely different from his own, as Helen rushed to Molly’s side. “My fault entirely. I brought Miss Anderson some bad news. I didn’t realize just how devastating it would be.”
Molly started crying. It was more than just a good way to hide her laughter at that accent—those were real tears streaming down her face and she couldn’t stop them. Helen led her to one of the tables, helped her sit down.
“Oh, my dear,” the nun said, kneeling in front of her, concern on her round face, holding her hand. “What happened?”
“We have a mutual friend,” Jones answered for her. “Bill Bolten. He found out I was heading to Kenya, and he thought if I happened to run into Miss Anderson that she would want to know that a friend of theirs recently . . . well, passed. Cat’s out of the bag, right? Fellow name of Grady Morant, who went by the alias of Jones.”
“Oh, dear,” Helen said again, hand to her mouth in genuine sympathy.
Jones leaned closer to the nun, his voice low, but not low enough for Molly to miss hearing. “His plane went down—burned—gas tank exploded . . . Ghastly mess. Not a prayer that he survived.”
Molly buried her face in her hands, hardly able to think.
“Bill was worried that she might’ve heard it first from someone else,” he said. “But apparently she hadn’t.”
Molly shook her head, no. News did travel fast via the grapevine. Relief workers tended to know other relief workers and . . . She could well have heard about Jones’s death without him standing right in front of her.
Wouldn’t that have been awful?
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Ben’s dead,” he says not moving or breaking his stare.
“And?”
“Just thought you should know,” he says, looking at me in the eyes like he’s waiting for me to confess.
“Thanks for waking me up to share the information,” I tell him. “Where’s Venessa?”
“At home,” he says. “Needed to see you first, alone.”
“Quit looking at me like that, partner,” I tell him. “I ain’t left this floor all night.” Which isn’t a lie. Ben’s room is on this floor, but he doesn’t know I know that.
“Even if you did, you know I wouldn’t —”
“Partner,” I tell him straight, letting him figure it out. “I didn’t shut off his life support.”
After he blinks several times he gives me that smirk. He looks around me to my sleeping wife and then back at me and tells me straight, too. “Go back to sleep partner. You look like shit.”
With that he gets up and walks out.
Staring at the door he walks out of, I smile. He gets it. Turns out the staff at that front desk got it, too. They didn’t stop my wife from doing what she needed to do; seems like they had other shit going at that time. Heard through the grapevine one of the women taken and held by Ben happened to work on this very floor. It also turns out the coffee pot wasn’t working and it was an all hands on deck kinda thing to get it fixed. I get it, the women need their coffee. They also didn’t run to his aid until I had my wife safe back in her bed. Those women have husbands and children of their own; I owe them a debt for letting my wife give Ben what he deserved. Those same women respect my wife and the women taken, and they ain’t got no respect for a man, any man, shooting another woman, a pregnant woman, one of theirs, in the stomach.
You just don’t fuck with the female species.
Brawler-K.S. Adkins
”
”
K.S. Adkins
“
Ghost House
I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.
O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.
I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;
The whippoorwill is coming to shout
And hush and cluck and flutter about;
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.
It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me-
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.
They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad-
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.
”
”
Robert Frost (New Enlarged Anthology of Robert Frost's Poems)
“
Then, when he has acquired some skill in discovering the truth in these questions, he should commence to apply himself in earnest to true philosophy, of which the first part is Metaphysics, containing the principles of knowledge, among which is the explication of the principal attributes of God, of the immateriality of the soul, and of all the clear and simple notions that are in us; the second is Physics, in which, after finding the true principles of material things, we examine, in general, how the whole universe has been framed; in the next place, we consider, in particular, the nature of the earth, and of all the bodies that are most generally found upon it, as air, water, fire, the loadstone and other minerals. In the next place it is necessary also to examine singly the nature of plants, of animals, and above all of man, in order that we may thereafter be able to discover the other sciences that are useful to us. Thus, all Philosophy is like a tree, of which Metaphysics is the root, Physics the trunk, and all the other sciences the branches that grow out of this trunk, which are reduced to three principal, namely, Medicine, Mechanics, and Ethics. By the science of Morals, I understand the highest and most perfect which, presupposing an entire knowledge of the other sciences, is the last degree of wisdom.
”
”
René Descartes (The Complete Works of Rene Descartes: Discourse on the Method, Meditations on First Philosophy & More (Grapevine Edition) (The Masters of Philosophy Collection: Timeless Writings))
“
The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.”
---
Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort.
---
Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.”
----
After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.
”
”
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
“
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
”
”
William H. Gass (The Tunnel)
“
We practice readiness to learn—humility and teachability—the state of seeking and receptivity.
”
”
Alcoholics Anonymous (The Best of Grapevine)
“
What Is Acceptance? by Bill W. March 1962
”
”
Alcoholics Anonymous (The Best of Grapevine)
“
All I can do is work to make myself worthy of love.
”
”
A.A. Grapevine Inc. (The Best of The Grapevine, Volumes 1, 2, and 3)
“
Under the lash of alcoholism, we are driven to AA, and there we discover the fatal nature of our situation. Then, and only then, do we become as open-minded to conviction and as willing to listen as the dying can be.
”
”
A.A. Grapevine Inc. (The Best of The Grapevine, Volumes 1, 2, and 3)
“
Success is counted sweetest By those who ne’er succeed. To comprehend a nectar Requires sorest need.
”
”
Grapevine (Greatest Poetry Ever Written [Grapevine Press])
“
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy:
”
”
William H. Gass (The Tunnel)
“
When God made the human soul in His own image, He did so that we might act according to that Divine nature. He never intended the virus of sin to infect that sacred place within man. Sin, therefore, is the unnatural thing. It is a foreign substance defiling man’s heart and life, repelling God’s gaze. Because of this condition in man, sin is natural, worship is unnatural; and so few people really do it.
”
”
A.W. Tozer (Divine Humility: Tozer on Creation, Sin, and How God's Mercy and Grace Redeemed A Rebellious Humanity (Grapevine Press) (The Essential A. W. Tozer: Teachings on Christian Life))
“
To reiterate the thought, if God made everyone, everyone is special. Not only does the nature of our neighbor matter, as far as our words are concerned, but our words reveal the integrity of our inner self. Or rather the disintegration between the two when our words demonstrate an obvious combination of both blessing and cursing out of the same mouth. James calls our attention to our inconsistency here by explaining that a plant’s fruit should correspond with the plant’s nature: Does a spring pour forth from the same opening both fresh and salt water? Can a fig tree, my brothers, bear olives, or a grapevine produce figs? Neither can a salt pond yield fresh water. (James 3:11–12)
”
”
Jackie Hill Perry (Upon Waking: 60 Daily Reflections to Discover Ourselves and the God We Were Made For)
“
The business ‘grapevine’ is a remarkable thing. It is amazing what an accurate picture of the relative points of strength and weakness of each company in an industry can be obtained from a representative cross-section of the opinions of those who in one way or another are concerned with any particular company.” Truer words have rarely been uttered.
”
”
Pulak Prasad (What I Learned About Investing from Darwin)
“
The Raven was just that: a temple. Or it had been. A building now encased the ruins, but the dance floor remained the original, ancient stones of some long-forgotten god’s temple, and the carved stone pillars throughout still stood from that time. To dance inside was to worship that nameless god, hinted at in the age-worn carvings of satyrs and fauns drinking and dancing and fucking amid grapevines. A temple to pleasure—that’s what it had once been. And what it had become again.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
But they don’t have snowless winters or grapevines in northern Newfoundland.
”
”
David S. Brody (Thief on the Cross: Templar Secrets in America (Templars in America, #2))
“
have the ability, by God's grace, to take these troubles in stride and turn them into demonstrations of faith.
”
”
A.A. Grapevine Inc. (Emotional Sobriety: The Next Frontier)
“
Who needed cell phones when you had the town gossip grapevine? She knew that mindset was her anxiety talking, the fear of being out and alone in the world.
”
”
Monica McCallan (Back in Your Arms)
“
Hard woods such as oak and almond catch fire quickly and burn slowly, so they’re ideal when you need sustained heat. Fruit woods—including grapevines and fig, apple, and cherry woods—tend to burn hot and fast and are great for quickly reaching browning temperatures
”
”
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
“
backroad leafmold stonewall chipmunk
underbrush grapevine woodchuck shadblow
woodsmoke cowbarn honeysuckle woodpile
sawhorse bucksaw outhouse wellsweep
backdoor flagstone bulkhead buttermilk
candlestick ragrug firedog brownbread
hilltop outcrop cowbell buttercup
whetstone thunderstorm pitchfork steeplebush
gristmill millstone cornmeal waterwheel
watercress buckwheat firefly jewelweed
gravestone groundpine windbreak bedrock
weathercock snowfall starlight cockcrow
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Robert Francis
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A gust of sharp autumn air blew down the corridor, rippling my skirt and lifting my hair. I spun around, tasting wood smoke. Behind me was a plain wooden wall on which hung a floor-length mirror: its bronze frame was molded into countless nymphs and satyrs frolicking among grapevines.
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Rosamund Hodge (Cruel Beauty)
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I think he’s telling the truth,” she said. “Like prison inmates have grapevines that keep them informed about what’s happening on the outside, these kids have the same sort of system. It’s rather remarkable when you think about it.
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Jean Heller (The Hunting Ground (Deuce Mora #2))
A.W. Tozer (Fellowship with God: Discovering Eternal Rewards Through True Christian Living and Faith in Jesus Christ (Grapevine Edition) (The Essential A. W. Tozer: Teachings on Christian Life))
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The Man Jesus as He appeared in the flesh has been equated with the Godhead and all His human weaknesses and limitations attributed to the Deity. The truth is that the Man who walked among us was a demonstration, not of unveiled deity but of perfect humanity. The awful majesty of the Godhead was mercifully sheathed in the soft envelope of Human nature to protect mankind.
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A.W. Tozer (Divine Humility: Tozer on Creation, Sin, and How God's Mercy and Grace Redeemed A Rebellious Humanity (Grapevine Press) (The Essential A. W. Tozer: Teachings on Christian Life))
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This could have been easily explained by medical experts skilled in helping the public weigh the pros and cons of health decisions. Many media outlets, however, seemed gripped by the fear that anything more than a passing report on possible risks would damage vaccine uptake and provide fodder for the conspiracy crowd. Except the opposite turned out to be true: without easy access to reliable, in-depth information about vaccine risks, rumors about friends of friends falling ill or dropping dead after getting “the jab” coursed through the digital grapevine. A door was left wide open for my doppelganger and other attention-economy hustlers to position themselves as fearless medical investigators, combing through raw vaccine trial data and supposedly suppressed CDC reports that people without medical degrees generally lack the expertise to interpret. Of course that didn’t stop them from cherry-picking every self-reported claim or actual negative reaction to support their incessant cries that a vaccine “genocide” was underway and being covered up by the Big Pharma–funded lackeys in the lamestream media.
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Naomi Klein (Doppelganger: a Trip into the Mirror World)
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We are also in danger of assuming the value of religion without righteousness. Through the various media of public communication, we are being pressured into believing that religion is little more than a beautiful thing capable of bringing courage and peace of mind
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A.W. Tozer (Obedience to Christ: Striving For the Greatest Wisdom of All through Unwavering Devotion and Discipleship (Grapevine Edition) (Christian Teaching Books on God, Jesus Christ & the Church))
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SECOND PARAGRAPH: O my conceited soul! You resemble a grape-vine. Do not become proud! The vine itself did not attach the bunches of grapes; someone else attached them.
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Said Nursi (The Words)
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The Rivière Secrète was no longer a secret. Two riverbanks, covered in wild grapevines and Black Willows, had emerged from the muck of the Marais Foncé. The bateau dipped and bobbed, and Monsieur Lavelle poled hard to keep us steady as the river, pale green and foaming white, hummed toward us. I licked its cold sweet spray from my lips, my body throbbing with excitement.
Anton was moments away."
The Marquise Jeanne Reneau, The Last Lord of Paradise––Generation One
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Vivian LeMay
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That kind of music is like the soundtrack to a date rape at a frat party.
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Primus (Primus, Over the Electric Grapevine: Insight into Primus and the World of Les Claypool)
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BUZZ OSBORNE: I thought that Primus—the first time I heard them—was like a combination of the Residents mixed with Captain Beefheart, and Larry Graham thrown in there. That was my impression of it. Unfortunately for them, they’re lumped into that Red Hot Chili Peppers kind of thing a little bit more than they probably deserve. That is not my thing. That’s not my world. That kind of music is like the soundtrack to a date rape at a frat party. I’ve never been interested in the beer-bong set. And when I lived in San Francisco, when I first moved there in the mid-’80s, it was funk metal bands and bands that sounded like Metallica. And that was it. And the funk metal bands I thought was some of the worst crap that I’d ever heard—even worse than the metal bands. Actually, I once saw one of those bands play a barely ironic version of “Brick House” by the Commodores. I was like, I’m done.
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Primus (Primus, Over the Electric Grapevine: Insight into Primus and the World of Les Claypool)
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But I do venture to suggest to you that we have now reached almost the end of our resources in speech-making; it is not enough that our ears are feasted, that our eyes are feasted, but it is necessary that our hearts have got to be touched and that our hands and feet have got to be moved. We
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Nitin Agarwal (Best Victorian Sensationalism Novels Ever Written: Riveting Works on Mystery, Suspense, Deception & Betrayal (including The Woman in White, Lady Audley's Secret, East Lynne & more!) (Grapevine Books))
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Go where?” Furi looked between them. “I can answer your questions right here.”
“You could if we were the ones with the questions,” Metallica spoke up. “Our Sergeant and First Officer will be questioning you down at the precinct.”
“So you’re the errand boys.”
“And you’re the porn boy,” Metallica quipped back smoothly. “Now that we got job titles out of the way, move it, unless there’s some reason you don’t want to come.”
Furi wanted to flip them both off, but he followed them toward the parking lot. He was sort of glad they weren’t the ones questioning him, because he didn’t like their attitudes.
Metallica opened the back door to a dark Suburban and told him to get in. Furi climbed in and put his seat belt on, just wanting to get this over with and get back before midnight. Furi found himself wondering what precinct Syn was in and if he should tell him soon about his second job. He didn’t want him finding out through the grapevine or hotline. Whatever.
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A.E. Via
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Defeat gives you the courage to experiment. Success can never motivate you the same way. After
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Nitin Agarwal (Best Victorian Sensationalism Novels Ever Written: Riveting Works on Mystery, Suspense, Deception & Betrayal (including The Woman in White, Lady Audley's Secret, East Lynne & more!) (Grapevine Books))
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Meals are occasions to share with family and friends. The ingredients are often simple, but the art lies in orchestrating the sun-warmed flavors. Courses follow in artful and traditional succession, but the showpiece of the meal is tender, juicy meat; this often means lamb or goat grilled or roasted on a spit for hours. Souvlaki--melting pieces of chicken or pork tenderloin on skewers, marinated in lemon, olive oil, and a blend of seasonings--are grilled to mouthwatering perfection. Meze, the Greek version of smorgasbord, is a feast of Mediterranean delicacies.
The cooks of the Greek Isles excel at classic Greek fare, such as spanakopita--delicate phyllo dough brushed with butter and filled with layers of feta cheese, spinach, and herbs. Cheeses made from goat’s milk, including the famous feta, are nearly ubiquitous. The fruits of the sun--olive oil and lemon--are characteristic flavors, reworked in myriad wonderful combinations. The fresh, simple cuisine celebrates the waters, olive groves, and citrus trees, as well as the herbs that grow wild all over the islands--marjoram, thyme, and rosemary--scenting the warm air with their sensuous aromas.
Not surprisingly, of course, seafood holds pride of place. Sardines, octopus, and squid, marinated in olive oil and lemon juice, are always popular. Tiny, toothsome fried fish are piled high on painted ceramic dishes and served up at the local tavernas and in homes everywhere. Sea urchins are considered special delicacies.
Every island has its own specialties, from sardines to pistachios to sesame cakes. Lésvos is well-known for its sardines and ouzo. Zakinthos is famous for its nougat. The Cycladic island of Astypalaia was called the “paradise of the gods” by the ancient Greeks because of the quality of its honey. On weekends, Athenians flock to the nearby islands of Aegina, Angistri, and Evia by the ferryful to sample the daily catch in local restaurants scattered among coastal villages.
The array of culinary treats is matched by a similar breadth of local wins. Tended by generation after generation of the same families, vineyards carpet the hillsides of many islands. Grapevines have been cultivated in the Greek Isles for some four thousand years. Wines from Rhodes and Crete were already renowned in antiquity, and traders shipped them throughout the Greek Isles and beyond. The light reds and gently sweet whites complement the diverse, multiflavored Greek seafood, grilled meats, and fresh, ripe fruits and vegetables. Sitting at a seaside tavern enjoying music and conversation over a midday meze and glass of retsina, all the cares in the world seem to evaporate in the sparkling sunshine reflected off the brightly hued boats and glistening blue waters.
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Laura Brooks (Greek Isles (Timeless Places))
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I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.”
There was a collective groan from the audience, and someone shouted, “Come on, don’t break the guy’s heart.” Someone else added, “That’s cold, Kerry. Even for you.”
She might have blanched a little at that. Cold. She wasn’t cold. She just wasn’t…overly friendly. At least not in the way some of the men in the place--and not only the single ones--hoped she’d be. “Come on now,” she said. “I’m not breaking anything here. You get what you see with me. No subterfuge, no leading anyone to believe anything that isn’t true. You all know that.” She didn’t bother looking at Hardy, though it couldn’t hurt to get him the message again, too. She did look at Cooper again, though, as she added, “Anyone who knows me, knows that.”
His laser-beam gaze didn’t falter for even a blink. She drew in a steadying breath and pasted a big smile on her face. “So then,” she said, clapping her hands together and keeping her fingers woven tightly in front of her, her damp palms belying her I’m-so-in-control-here attitude. “The entertainment portion of the evening is over. Nothing to see here. Let’s shoot some pool, throw some darts, and a round for everyone, on the house.”
That got the rousing cheer she knew it would and she quickly hopped down behind the bar and immediately began setting up glasses. She knew her grand--and not inexpensive--gesture would quiet them for a bit, but she also knew life in the Cove was going to be rife with all sorts of gossip for the next day or two, until something else came along to replace it on their juicy little grapevine. She had no idea where Fergus had suddenly gotten to and was surprised he hadn’t tried to orchestrate something, anything, between Kerry and Cooper. Hopefully with her little demonstration just now, he’d never have the chance.
”
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Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
Apparently you haven’t lived in the area long, Miss Capshaw. Believe me, the citizens of Damascus have a communication system that’s much swifter than WJXK. It’s called the grapevine.” With that, he closed the door and strode back into the police station.
”
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Janice Sims (This Time Forever (The Everett Family Series))