Monument Latin Quotes

The well-known Latin phrase—meaning “praise God”—was inscribed on the tip of the Washington Monument in script letters only one inch tall. On full display . . . and yet invisible to all. Laus

However, medieval Islam did not display interest in all aspects of Greco-Roman civilization: Islam remained inimical to classical art, drama, and narrative. Moreover, as we saw in chapter 1, during the early Muslim conquests there was a conscious destruction of the monuments of the pre-Islamic past. And in Spain, historian al-Andalusi tells us that such rulers as the Umayyad Abd Allah (888–912) and the dictator Muhammad Ibn Abu Amir al-Mansur (c. 938–1002, known to Christians as Almanzor) had precious books of ancient Greek and Latin poetry, lexicography, history, philosophy and law burned for their presumably impious content.

The statue serves as an act of defiance. The sculptor knew exactly what he was doing. Ezekiel wanted to portray an “accurate” history of the loyal, happy slave, not the “lies” told through books like Uncle Tom’s Cabin, which showed the brutality of slavery. Instead, the artist said the monument represents the South, which fought “for a constitutional right, and not to uphold slavery.”54 Ezekiel created a monument to white supremacy at the final resting place for soldiers who fought and died to create a more just society, including African American soldiers. Inscribed on the monument is the Latin phrase “Victrix causa diis placuit sed victa Catoni,” by the Roman poet Lucan. The English translation reads, “The victorious cause pleased the gods, but the conquered cause pleased Cato.” My Roman history is weak, but the historian Jamie Malanowski broke down the meaning: You have to know your Latin history to know they’re talking about the Roman Civil War, that the dictator Julius Caesar won, and that Cato was pleased with the republicans’ sacrifice. With that background in mind the inscription is a ‘fuck you’ to the Union. It’s that sneaky little Latin phrase essentially saying ‘we were right and you were wrong, and we’ll always be right and you’ll always be wrong.’55

There is more to America’s past than appears on the surface. A strange unrest is apparent among many of the younger historians and archaeologists of the colleges and universities, a sense that somehow a very large slice of America’s past has mysteriously vanished from our public records. For how else can we explain the ever-swelling tally of puzzling ancient inscriptions now being reported from nearly all parts of the United States, Canada, and Latin America?...These inscriptions are written in various European and Mediterranean languages in alphabets that date from 2,500 years ago, and they speak not only of visits by ancient ships, but also of permanent colonies of Celts, Basques, Libyans, and even Egyptians – Barry Fell (America BC) Lewis Spence, one of the latest writers on the subject, concludes that the Toltec and Maya civilizations never originated on American soil but appeared there full blown, with a well-defined art and system of hieroglyphic writing which possesses affinities with the Egyptian – Comyns Beaumont (The Riddle of Prehistoric Britain) There seems little doubt but that the Irish had intercourse with America far earlier than any definite records, nor would it be surprising in view of the comparative proximity of the two – ibid As to so-called Druidical monuments, no argument can be drawn thence, as to the primary seat of this mysticism, since they are to be seen nearly all over the world – James Bonwick (Irish Druids and Old Irish Religions, 1894)

ds mnibus: for this phrase, commonly abbreviated D. M., see “Epitaph of a Young Boy,” in Capvt VII.—fcit: sc. id, i.e., the monument.

A monument to Shakespeare sits on the wall of the local church in Stratford-upon-Avon. It is not known with any certainty who erected it or when, but some version of it must have existed by 1623. It features a bust of a mustachioed man, with an inscription below exhorting passersby to slow down and “read if thou canst”; that is, to figure out its meaning. The inscription proceeds in two parts—a Latin couplet, followed by English verse—but it is notoriously opaque: IUDICIO PYLIUM, GENIO SOCRATEM, ARTE MARONEM, TERRA TEGIT, POPVLUS MæRET, OLYMPVS HABET STAY PASSENGER, WHY GOEST THOV BY SO FAST, READ IF THOV CANST, WHOM ENVIOUS DEATH HATH PLAST, WITH IN THIS MONVMENT SHAKSPEARE: WITH WHOME, QVICK NATURE DIDE WHOSE NAME, DOTH DECK TH[ I] S TOMBE, FAR MORE THEN COST: SIEH ALL TH[ A] T HE HATH WRITT, LEAVES LIVING ART, BVT PAGE, TO SERVE HIS WITT.