Tags Before Quotes

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And the Grinch, with his Grinch-feet ice cold in the snow, stood puzzling and puzzling, how could it be so? It came without ribbons. It came without tags. It came without packages, boxes or bags. And he puzzled and puzzled 'till his puzzler was sore. Then the Grinch thought of something he hadn't before. What if Christmas, he thought, doesn't come from a store. What if Christmas, perhaps, means a little bit more.
Dr. Seuss (How the Grinch Stole Christmas!)
Clay, if anyone followed anyone, it was me tagging along after you. I didn’t dare order you around.” “Load of shit,” he muttered, but she thought she heard a softening in his tone. “You fucking made me attend tea parties.” She remembered his threat before the first one: “Tell anyone and I’ll eat you and use your bones as toothpicks.” ~ Talin and Clay dialogue
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
He stood up. "Let's go." The sun spilling through the window hit his chest, making his bare skin look even more golden. "That's okay," she sputtered. "You don't have to...tag along." "Yes, I do. I'm your shadow until after breakfast." Oh great. Her gaze slipped down to his open shirt again. Was she going to have to look, or try not to look, at his chest all morning? "Then at least button your shirt." The words were out before she realised how that sounded. The disappointment in his eyes vanished and a sexy twinkle took its place. The twinkle brought out the gold flecks in his irises, which she used to admire so much. "Why?" he asked. "Does it bother you?" She glared at him. "Don't go there.
C.C. Hunter (Whispers at Moonrise (Shadow Falls, #4))
The tag on her chamomile teabag said, There is no trouble that a good cup of tea can’t solve. It sounded like what a gentleman on Downton Abbey would say right before his wife got an impacted tooth and elegantly perished in bed.
Linda Holmes (Evvie Drake Starts Over)
Finally I knelt on the bed and placed my hand on his back. I patted awkwardly, hoping that was protocol for when someone was sobbing their eyes out. "hey." pat, pat. "It's okay. We'll bust out of here before they tag us." pat, pat, pat. I felt lame
Elana Johnson (Possession (Possession, #1))
A slip of the foot may injure your body, but a slip of the tongue will injure your bond.
Amit Kalantri (Wealth of Words)
Time has no meaning in the wyldwood. Day and night don't really exist here, just light and darkness, and they can be as fickle and moody as everything else. A "night" can pass in the space of a blink, or go on forever. Light and darkness will chase each other through the sky, play hide-and-seek or tag or catch-me-if-you-can. Sometimes, one or the other will become offended...and refuse to come out for an indefinite amount of time. Once, light became so angry, a hundred years passed in the mortal realm before it deigned to come out again. And though the sun continued to rise and set in the human world, it was a rather turbulent period for the world of men, as all the creatures who lurked in darkness and shadow got to roam freely under the lightless Nevernever skies.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
And in bed, deep inside the building, are all the headaches that won't go away. The failed kidneys, the rashes, the ragged-edged moles, the lumps on the breast, the coughs that have turned nasty. In the Marie Curie Ward on the fourth floor are the kids with cancer. Their bodies secretly and slowly being consumed. And then there's the mortuary, where the dead lie in refrigerated drawers with name tags on their feet.
Jenny Downham (Before I Die)
Before you worry about the beauty of your body, worry about the health of your body.
Amit Kalantri (Wealth of Words)
The fact that they're shaped like tiny elves!" Keefe said, clapping his hands before he pointed to the label. "Hang on-THEY CALL THEM 'ELF WITCHES'?" "They do, Keefe. They do. And that's not even the best part." "AHHHHHH LOOK AT THEIR LITTLE FACES!" Keefe shouted as he peeled back the plastic cover. "THIS IS THE GREATEST THING I HAVE EVER SEEN---EVER!" "Greater than when you discovered Fitz slept with Mr. Snuggles?" Sophie had to ask. "Um. YEAH. They have names, Foster. NAMES!" He held up one of the cookies and pointed to the name tag the little elf was holding. "This one's Ernie! AHHHH AND THIS ONE IS FAST EDDIE!" he said, snatching a different cookie. "And this one is Bickets! And Elwood! I don't know who named these guys, but whoever they are, they're a genius, I tell you--a GENIUS. - Legacy, chapter 37, page 596-97 hardcover.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Every Who down in Who-ville, the tall and the small, Was singing! Without any presents at all! He HADN'T stopped Christmas from coming! IT CAME! Somehow or other, it came just the same! And the Grinch, with his grinch-feet ice-cold in the snow, Stood puzzling and puzzling, how could it be so? 'It came without ribbons! It came without tags! It came without packages, boxes or bags!' And he puzzled three hours, till his puzzler was sore. Then the Grinch thought of something he hadn't before!
Dr. Seuss (How the Grinch Stole Christmas!)
Before we complicated life with money, machines and missiles we did well with morals, manpower and meetings.
Amit Kalantri (Wealth of Words)
Don't mention your move before you make a move.
Amit Kalantri (Wealth of Words)
Like all canned food, love has an expiration date, a price tag, and a warning label. In order to love, you need to check the price tag to see if you have enough money in your wallet, observe the warnings given in fine print, and finish matters before the expiration date. Only then is it a smooth process for everyone.
Kim Un-Su (The Cabinet)
You realize I have to buy it now? How much is it?" he asked, reaching for the tag. She snatched the shirt out of his reach and carefully plucked off the tag before handing
Jean Oram (Champagne and Lemon Drops (Blueberry Springs, #0))
And the Grinch, with his Grinch-feet ice cold in the snow, stood puzzling and puzzling, how could it be so? It came without ribbons. It came without tags. It came without packages, boxes or bags. And he puzzled and puzzled 'till his puzzler was sore. Then the Grinch thought of something he hadn't before. What if Christmas, he thought, doesn't come from a store. What if Christmas, perhaps, means a little bit more.
Dr. Seuss (How the Grinch Stole Christmas!)
But good writers have a reason for doing things the way they do them, and if you tinker with their work, taking it upon yourself to neutralize a slightly eccentric usage or zap a comma or sharpen the emphasis of something that the writer was deliberately keeping obscure, you are not helping. In my experience, the really great writers enjoy the editorial process. They weigh queries, and they accept or reject them for good reasons. They are not defensive. The whole point of having things read before publication is to test their effect on a general reader. You want to make sure when you go out there that the tag on the back of your collar isn’t poking up—unless, of course, you are deliberately wearing your clothes inside out.
Mary Norris (Between You & Me: Confessions of a Comma Queen)
you brought other people close. look at me, i am still the same i was before ; having just two best friends in my case. and you are not happy with me. you hold grudges. So then free yourself. Remove this tag of best friend and feel free.
shivangi lavaniya
A splendid collection of tea and rocks and books by a seventy-year-old archaeologist, yes, but that sofa is a literary hell! Books open, socks unwashed, cornflakes and chips scattered, undergarments with 34D tags faded—no, they are not washed either. Standing seven feet away, the Monk, with his evolved nose, smells what a woman should smell like around the breastbone that protects a woman’s heart. Before the unwashed, pink and grey briefs can reveal any signs of masturbation, Yuan Yagmur looks away like the perfect, gentle monk who hasn’t touched a woman, at least, not in that way. And, no. He’s not blushing. What monk would blush, witnessing something so human, something as normal as eating or shitting? So, he looks around, as indifferent as he is to most things.
Misba (The Oldest Dance (Wisdom Revolution, #2))
Tag was a tall man, towering well over six feet two if she had to hasten a guess. She’d seen him working out in boxing shorts many times, so didn’t have to speculate at his body type. It was fit and lean with muscles. Definition on every limb, not an ounce of body fat, many would drool over. Not her. She looked at him—not as a woman would—and saw how his jawline was sharp and curved into a strong chin. Dusted in fine wheat colored hair to match that on top of his head. He wore it in the style she’d seen a lot of men wearing here at the gym. Shaved around the sides with a step to the longer hair on top. He kept it neat and swept off to one side. Being in Tag’s presence always put an anxious gallop into her heart. It raced through her chest, and she forced her feet to hold before she skittered off like a lunatic. Lord, she was pathetic to get this worked up over a man who’d been nothing but kind.
V. Theia (Prince Charming (Renegade Souls MC #9))
I've met the folk that have the perfect garlands and sprays and wreaths, the folk that live in Williamsburg-style houses. And I've met the folk that live at the edge of town in two-bedroom ranch houses that have Frosty the Snowman, lights playing tag around the roof, and a Rudolph stuck askew somewhere on the lawn. I'd rather sit in the home of the atter with and errant couch spring poking my derriere because, truthfully, they're glad to have me, and they never look at my shoes and wonder where I'd been before I got there.
Lisa Samson (Songbird)
I hated being around people, couldn’t pay attention to what anyone was saying, couldn’t talk to clients, couldn’t tag my pieces, couldn’t ride the subway, human activity seemed pointless, incomprehensible, some blackly swarming ant hill in the wilderness, there was not a squeak of light anywhere I looked, the antidepressants I’d been dutifully swallowing for eight weeks hadn’t helped a bit, nor had the ones before that (but then, I’d tried them all; apparently I was among the twenty unfortunates who didn’t get the daisy fields and the butterflies but the Sever Headaches and the Suicidal Thoughts); and though the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying the bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark.
Donna Tartt (The Goldfinch)
Denise would never get over it. She knew that. Tommy's bones at the bottom of the well. She and Henry had spent some time with those bones. When the police had finished testing and tagging and photohgraphing them the funeral parlor had given them time before the burial. She'd clutched them to her chest. Run her fingertips along the smooth sockets that had held his shining eyes. There but not there. Some part of her wanted those bones. Wanted to put the femurs under her pillow at night when she went to sleep. To carry his skull around in her purse so she'd be with him always. She understood now how people went crazy and did crazy things.
Sharon Guskin (The Forgetting Time)
One more item slipped out of the bag. It was the metal identification tag from Maureen's cremation, the one I had burned with her just a few weeks before. These tags say with the body through the whole cremation, and leave stuck in with the ashes, which is how sacks of cremated remains found in old storage lockers and attics can still be identified years later. The tag I found was identical (except for the ID number) to the one I was putting in with Matthew now. I imagined his hands sinking into the grey mulch of Maureen's bones and finding the tag. I imagined him pulling the tag out and brushing the dusty metal against his cheek. It was a bizarre honor to have been a part of their last private moment together, the last act of their love story. I cried (sobbed, if we're being honest) standing over Matthew's body, moments before it was loaded into the chamber. Even if all we love will die, I still ached for a love like theirs, to be adored so completely. Had not Disney guaranteed all of us such an ending?
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Some foolish men declare that creator made the world. The doctrine that the world was created is ill advised and should be rejected. If God created the world, where was he before the creation? If you say he was transcendent then and needed no support, where is he now? How could God have made this world without any raw material? If you say that he made this first, and then the world, you are faced with an endless regression. If you declare that this raw material arose naturally you fall into another fallacy, For the whole universe might thus have been its own creator, and have arisen quite naturally. If God created the world by an act of his own will, without any raw material, then it is just his will and nothing else — and who will believe this silly nonsense? If he is ever perfect and complete, how could the will to create have arisen in him? If, on the other hand, he is not perfect, he could no more create the universe than a potter could. If he is form-less, action-less and all-embracing, how could he have created the world? Such a soul, devoid of all morality, would have no desire to create anything. If he is perfect, he does not strive for the three aims of man, so what advantage would he gain by creating the universe? If you say that he created to no purpose because it was his nature to do so, then God is pointless. If he created in some kind of sport, it was the sport of a foolish child, leading to trouble. If he created because of the karma of embodied beings [acquired in a previous creation] He is not the Almighty Lord, but subordinate to something else. If out of love for living beings and need of them he made the world, why did he not take creation wholly blissful free from misfortune? If he were transcendent he would not create, for he would be free: Nor if involved in transmigration, for then he would not be almighty. Thus the doctrine that the world was created by God makes no sense at all, And God commits great sin in slaying the children whom he himself created. If you say that he slays only to destroy evil beings, why did he create such beings in the first place? Good men should combat the believer in divine creation, maddened by an evil doctrine. Know that the world is uncreated, as time itself is, without beginning or end, and is based on the principles, life and rest. Uncreated and indestructible, it endures under the compulsion of its own nature. [By 9th century Jain (the religion of Jainism) Acharya, Jinasena, in his work, Mahapurana, a major Jain text. The Jains have never believed in any gods as creators of the universe, unlike most other religions, and have focused on acting morally on Earth rather than wasting time supplicating the supernatural.]
Jinasena (Mahapurana (महापुराण))
She grabbed the half-filled bucket before Fisher could take a breathe, spun into a shadow and came out with an icy slash that sent Hunter's voice blooming. She flung the bucket at him and ran. "You had mud on your chest and soap in your hair!" she shrieked laughing, dodging him. "Tag, you're it… and oh, yeah, by the way—pay back is a bitch!
L.A. Banks (Bite the Bullet (Crimson Moon, #2))
The truth is - people won't believe you, they won't care for you, they won't give you time or attention, but once you do something that is 'big' in their eyes, you will get it all. Then suddenly you become everyone's friend, everyone seems to have time for you. The people who ignored you earlier will tag you in their posts to gain publicity. And all of a sudden, you become the 'new' inspiration. But the ones who always support you will still call you by your pet name, tease you by those old names and will be there for you like before. The 'key' to life is - knowing who is permanent and who is temporary. The people who are with you in your struggle, are the people who deserve to eat a slice of your success, and the people who are there right after your success, are the ones who should be kept at a distance, for those people would be the first ones to run away if you are in any problem. This life is too short to be lived in any fake fame or publicity. Know your real friends, and know their worth, because if they're lost, the meaning of your life is lost...
Mehek Bassi
I had a system, too, though I was pretty sure I’d ever acknowledged it before, even to myself. My closet was arranged by size: Now, Not That Long Ago, Once Upon a Time, Never Again, and In Your Dreams. I didn’t even have to check the tags to verify the humiliating range of ever-increasing numerals displayed on them. I wondered what size I’d be when I’d finally had enough.
Claire Cook (Wallflower in Bloom)
While Keith negotiated the large, echoing room and over-sized elevator buttons, Carrot Top tagged along behind him, staring up at the ceiling and occasionally picking his nose. “Stop that,” Keith said. “It’s part of my character,” Carrot Top replied. “It’s what boys do.” Keith watched Carrot Top twist his hand around to get what appeared to be a deeply satisfying dig on. Then, as if possessed by some innate reflex, he dope-slapped the leprechaun in the back of the head.Carrot Top whipped around, furious, but before he could speak, Keith said, “It’s what fathers do.
Nicole Kimberling (Charmed and Dangerous)
When someone sees something old they think it’s worth more than something new.” I’ll give them that. The history, imagining who might have stood or sat or eaten at a piece hundreds of years before gives it a value you can’t hang a price tag on, but I’ve never thought it was ten times the value of a new piece. I think some things are better when new, then you can grow old together.
James L. Rubart
Despite the fact that nothing complicates the truth as much as a lie, if the truth is as obvious as it is inescapable, then the fabrication of its banality could be viewed as an act of benevolence.
Daniel Kemp
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
How did you know the dog was a boy before you read the tag?” Looking up at him with her cinnamon-colored eyes, she stated very matter-of-factly, “Boys have penises.” At that moment, Michael was very aware that he, himself, was a boy.
Marissa Clarke (Neighbors with Benefits (Anderson Brothers, #2))
In this world, you are either good or evil. If not, then a court or a teacher or a parent is bound to tag your identity before you've had a chance to figure it out on your own. The gray middle ground, that mucous-thin terrain where most of life resides, is really only a temporary annex, like gestation or purgatory.
Elizabeth L. Silver (The Execution of Noa P. Singleton)
As for Crowley, his reputation grew and grew. His gospel of “Do what thou wilt”—modified and transformed—appealed strongly to the socially liberated sixties generation. He resurfaced as a countercultural icon; his photograph appeared on the cover of the Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band, and his ideas influenced everyone from Dr. Timothy Leary to the rock group Led Zeppelin. He was hailed as a prophet before his time for bringing together eastern and western esoteric traditions, and although he could never quite escape the “Satanist” tag that he had gained in the Edwardian newspapers, this ensured his present-day popularity.
George Pendle (Strange Angel: The Otherworldly Life of Rocket Scientist John Whiteside Parsons)
You know,” she said, and from her tone he knew something was coming, “I used to wonder how come you never brought any trouts home. Always said you caught plenty. So one time I got your creel case open the night before you went on one a your little trips—price tag still on it after five years—and I tied a note on the end of the line. It said, ‘Hello, Ennis, bring some fish home, love, Alma.’ And then you come back and said you’d caught a bunch a browns and ate them up. Remember? I looked in the case when I got a chance and there was my note still tied there and that line hadn’t touched water in its life.” As though the word “water” had called out its domestic cousin, she twisted the faucet, sluiced the plates.
Annie Proulx (Brokeback Mountain)
Her cousins laughed, daring the next wave to wash over before they passed. While they ran, a huge swell rolled along the side of the pier, fat fingers reaching up just in time to pluck them from the pier and win the macabre game of tag. Melora watched, helpless, hardly realizing the gravity of what was happening. It had all been a game. Her cousins were so good at games.
Marie Zhuikov (Eye of the Wolf)
It's not like you ate Filipino food all the time. You loved Emperor's Way takeout, and the friendly Chinese girl there who you were too shy to ask but whose name tag said to call her Ming always gave you extra sauce for your orange chicken. The sweet potato pie from Butter was absolutely to die for, and it made you feel soft and warm the same way Lola's leche flan did. The youngest Manzano once handed you a delicious pastry without prompting or demanding payment before drifting away, seemingly lost in a world of her own. If this was a marketing strategy for their pastelería, it worked. But you could tell that there were differences in the way they cooked and baked, that they took old and treasured recipes and put in their own unique, modern spin to them. Why couldn't you do the same?
Rin Chupeco (Hungry Hearts: 13 Tales of Food & Love)
It was raining outside. The little drops fell on the rooftops, on the streets … maybe also on the mountains….drops of water hung from clotheslines and played tag and sometimes one of them would fall and before it fell it would S T R E T C H and S T R E T C H because you could see it was hard for it to let go. It had been raining for a week…and the clouds were so swollen they were right on the roof tops.
Mercè Rodoreda (The Time of the Doves)
The side of the van was decorated with a magnetic sign that they could easily exchange before an op. For this particular mission, they’d chosen the sign that read Clean Freaks Laundry Services. Yep, they’d let Tag design the signs. There was also a Master Painting Crew sign, Dig It Deep Plumbers, Little Bro Catering, and Adam’s Dog Grooming Services. But it looked like they were in the laundry business today.
Lexi Blake (You Only Love Twice (Masters and Mercenaries, #8))
« James snorted. “I should have guessed you wouldn’t mind having to share, so long as Rupert keeps picking up the tag—” “I don’t share,” Leon said, very calmly, as he set his tray on the table and handed out the drinks. “But I don’t give up without a fight either.” Looking up, he turned all his attention to James. “That’s the thing about people who weren’t born with everything handed to them on a silver spoon—they don’t run away at the first sign they might actually have to work to keep something they want.
Kim Dare (Before He Cheats (Perfect Timing, #7))
David—Tag—Taggert was vibrating like a junkie, though he was clean as a whistle and had been for weeks. He drank too much before he arrived at Montlake, but that wasn’t his problem now. Moses Wright was eyeing him, eyeing everyone, but his eyes had taken on the faraway gleam that made Noah think of pinwheels and John Davis Cutler. He’d been on duty the night they brought Moses Wright in, heavily sedated, and again a few nights later when Tag Taggert had been brought in, shouting and crying. It was an oddly accurate first impression of both.
Amy Harmon (The Smallest Part)
She walked across the room and stood before the shelf bearing the new skull. “What happened to you?” she murmured as she removed the skull's ID tag and tossed it on the work-bench. “An accident? Murder?” She hoped it wasn't murder, but it usually was in these cases. It hurt her to think of the terror the child had suffered before death. The death of a child. Someone had held this girl as a baby, had watched her take her first steps. Eve prayed that someone had loved her and given her joy before she had ended up lost in that hole in the forest.
Iris Johansen (The Face Of Deception (Eve Duncan, #1))
I took a cautious step inside, marveling at the sight before me. A vast conservatory awaited, or what 'once' was a conservatory. Sunlight beamed through the enormous glass roof. I realized that its position at the center of the house precluded its visibility from below. In awe, my heart beating wildly, I lingered in an arbor covered with bright pink bougainvillea, with a trunk so thick, it was larger than my waist. Most of it had died off, but a single healthy vine remained, and it burst with magenta blossoms. I could smell citrus warming in the sunlight, and I immediately noticed the source: an old potted lemon tree in the far corner. 'This must have been Lady Anna's.' I walked along the leaf-strewn pathway to a table that had clearly once showcased dozens of orchids. Now it was an orchid graveyard. Only their brown, shriveled stems remained, but I could imagine how they'd looked in their prime. I smiled when I picked up a tag from one of the pots. 'Lady Fiona Bixby. She must have given them her own names.' Perhaps there hadn't been anything sinister going on in the orchard, after all. Lady Anna was clearly a creative spirit, and maybe that played out in her gardens and the names she gave to her flowers and trees.
Sarah Jio (The Last Camellia)
Our minds are fucking strong, they are our most powerful weapon, but we have stopped using them. We have access to so many more resources today than ever before and yet we are so much less capable than those who came before us. If you want to be one of the few to defy those trends in our ever-softening society, you will have to be willing to go to war with yourself and create a whole new identity, which requires an open mind. It’s funny, being open minded is often tagged as new age or soft. Fuck that. Being open minded enough to find a way is old school. It’s what knuckle draggers do. And that’s exactly what I did.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The union of a zillion streams of information intermingling, flowing into each other, is what we call the cloud. Software flows from the cloud to you as a stream of upgrades. The cloud is where your stream of texts go before they arrive on your friend’s screen. The cloud is where the parade of movies under your account rests until you call for them. The cloud is the reservoir that songs escape from. The cloud is the seat where the intelligence of Siri sits, even as she speaks to you. The cloud is the new organizing metaphor for computers. The foundational units of this third digital regime, then, are flows, tags, and clouds.
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work. As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.” After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
I’m heading into Nephi for a little refreshment and possibly a game of pool. That honky-tonk is still on Main, isn’t it?” “Yeah. We don’t call it a honky-tonk though, Texas. That’s stretching it a little. We call it a bar. But there’s a pool table in the back, and if you’re lucky, someone to play with who can still stand,” Georgia said dryly. “Did ya hear that, Moses? She’s already given me a nickname. Tag 1, Moses 0.” He cackled and let himself out the front door before I could respond. Georgia laughed, but I wanted to follow him out and throw his ass to the ground. Tag didn’t always know when to shut his mouth. But as soon as he was gone, I would have gladly welcomed him back.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
Depending on which flavor of academic scholarship you prefer, that age had its roots in the Renaissance or Mannerist periods in Germany, England, and Italy. It first bloomed in France in the garden of Jean-Jacques Rousseau in the 1780s. Others point to François-René de Chateaubriand’s château circa 1800 or Victor Hugo’s Paris apartments in the 1820s and ’30s. The time frame depends on who you ask. All agree Romanticism reached its apogee in Paris in the 1820s to 1840s before fading, according to some circa 1850 to make way for the anti-Romantic Napoléon III and the Second Empire, according to others in the 1880s when the late Romantic Decadents took over. Yet others say the period stretched until 1914—conveniently enduring through the debauched Belle Époque before expiring in time for World War I and the arrival of that other perennial of the pigeonhole specialists, modernism. There are those, however, who look beyond dates and tags and believe the Romantic spirit never died, that it overflowed, spread, fractured, came back together again like the Seine around its islands, morphed into other isms, changed its name and address dozens of times as Nadar and Balzac did and, like a phantom or vampire or other supernatural invention of the Romantic Age, it thrives today in billions of brains and hearts. The mother ship, the source, the living shrine of Romanticism remains the city of Paris.
David Downie (A Passion for Paris: Romanticism and Romance in the City of Light)
The definition of the word ‘racist’ has evolved…or devolved…or, more accurately, ballooned…over the course of my lifetime. It used to be that a ‘racist’ was simply someone who hated others for their skin color. By that definition, I am not, nor have I ever been, a racist. People give you plenty of reasons to hate them before you even have to consider their melanin levels. Most people I’ve hated have been white—especially the ones who play an infantile, morally hierarchical, status-jockeying game of ‘tag’ by calling me a racist. Another common idea of what constitutes a ‘racist’ is someone who scapegoats other races for their problems. Nah, that’s not me. I blame my parents and, increasingly, myself. So by that definition, I am not a racist.
Jim Goad (The New Church Ladies: The Extremely Uptight World of "Social Justice")
I've always felt we're supposed to be sad as often as we’re happy. Without being forlorn, happiness has no value. I believe out there, whatever or whoever is responsible for the universe has simply made us start at the beginning before more is revealed to us. I don’t believe in a perfect existence. If it were around, we would know about it already. Erase pain and suffering and erase life. We’re being prepared for the next chapter. Being subjected to what’s considered the ultimate state of mind in the universe comes with a price-tag. What steps were at now I have no idea. But I'm excited to get to the end someday. Maybe I’ll come find you and we can swap stories sometime? Until then I value my sadness as much as my happiness. A sadness we all share.
Evan Guerra
We tend to believe that the most important thing about an email is its content, but that’s not exactly right. The most important aspect of an email, from a time management perspective, is how urgently it needs a reply. Because we forget when the sender needs a reply, we waste time rereading the message. The solution to this mania is simple: only touch each email twice. The first time we open an email, before closing it, answer this question: When does this email require a response? Tagging each email as either “Today” or “This Week” attaches the most important information to each new message, preparing it for the second (and last) time we open it. Of course, for super-urgent, email-me-right-now-type messages, go ahead and respond. Messages that don’t need a response at all should be deleted or archived immediately.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
Before my last breath is drawn and the curtain falls and the last flower falls on me I want to live to love to be In this grey world and time of catastrophe this hostile existence with people who need me and whom I nee I would learn to value to discover to be astonished I want to learn who I am who I can be who I would like to be so that the days don’t go unused the hours have goals and the minutes value Whenever I laugh or cry or am silent on my journey to you to myself to God where the ways are uneven and thorny and scarcely known to me I want to set out have already embarked and don’t want to turn back now without having seen the blooming of flowers or heard the rippling of waters having been amazed for life is beautiful Then Friend Death may come and I can say I have lived Translated by Katharine Fournier
Margot Bickel (Pflücke den Tag.)
I push through the door of the market into the fragrance of Stargazer lilies and roses, then coffee brewing and briny oysters fresh from the coast. I stroll the aisles as if in a museum, looking at every item, loading work recipe ingredients into the wire handbasket along with the odd little goodie: Cozy Shock flan, Scharffenberger chocolate. What I'd really like is ice cream: Tillamook Brown Cow or a Dove dark chocolate on chocolate ice cream bar- heaven on a stick- but it would melt long before I could get home. I grab another Scharffenberger bar to compensate. Inside the gourmet deli case, white plastic tags poke out of luscious mounds of cheese, each with handwritten names bordering on the orgasmic: BURRATA WITH TRUFFLES, EVORA, BRESCIANELLA, BLEU D'AUVERGNE. I can almost feel the creamy sensation against my tongue, smell the musk of perfect aging, taste its tang,
Jennie Shortridge (Eating Heaven)
Shepard clears his throat again. “I need to tell you something, a few somethings. Because now is the time to tell you. Before we get serious. But it’s going to make it seem like I think we’re more serious than we are. I just don’t want to miss my window for being honest with you.” “Shepard, you’re making me nervous.” He groans. “I’m sorry. Don’t be nervous.” My hands were on his shoulders. I drop them into my lap. “Don’t pull away,” he says. “Just tell me, Shepard! Are you engaged to more than one demon?” “No! But … you know I’ve been in a lot of unusual magickal situations…” “Right.” “And you know about my thirdborn…” “I know that a giant you call a friend is going to eat your thirdborn.” He closes one eye and bites his bottom lip. “I may also have promised someone my firstborn.” “Shepard, your firstborn…” He squeezes my waist. “It’s all right, I told you—I’m not having kids.” “Who gets your firstborn?” “An imp. Or three.” “Aren’t imps the same as demons?” “Never say that to an imp.” “How did this even happen?” “We were playing impdice. I thought they were joking about the wager.” “We are going to kill these imps.” “Penelope…” He bites his lip again. “There’s more.” “More? Your secondborn?” “No, I’ve got dibs on that one…” He’s grimacing. “But I did lose my last name.” Every time he talks, my jaw drops lower and my eyebrows climb higher. “How on earth did you lose your last name?” “Told it to the wrong fairy.” My hands are in the air. “How have you met so many fairies!” “I fell in with a crew of them…” “Shepard—hell’s spells, is your name even Shepard?” “Yes! I only lost my last name. And I only ‘magickally and profoundly’ lost it; I can still say it, I can still wear name tags. There’s just one more thing—one more big thing…” He closes both eyes for a second. “I have a, um, well … I don’t have a sexually transmitted disease. But I am a carrier. Only other merpeople can get it. So it’s probably not relevant. Unless you want to sleep with a merperson. And also me. Me first. Which I’m not suggesting…” Hell’s spells … Shepard. I climb off his lap.
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
Lieutenant Rider Sinclar stretched an arm upward, neatly catching the ball. He pivoted quickly, but missed tagging Willie by a hair as she ran by him. His mouth set in a line of grim determination, he charged after her. Launching himself forward and wrapping his arms around her, he slammed them both to the desert floor. A puff of dust filled his nostrils and settled on his sweat-dampened face. Winded, it was a moment before the unexpected softness filling Rider's left palm penetrated his senses. "What the..." Naw,couldn't be, he assured himself. But he queezed the soft globe in his hand, and there was no mistaking the pleasantly familiar roundness of a woman's breast. "Lord Almighty! It's a woman!" Willie filled her deflated lungs and gasped angrily. "Now that you got that figured out,get off me! Can't you see that my fingers are touching the base? I'm safe, you damn fool." "Safe?" Rider repeated incredulously, still trying to grasp the fact that he'd just tackled a woman. "Hell, you're lucky that fall didn't break you in two.
Charlotte McPherren (Song of the Willow)
The traumatic aspect of drinking ayahuasca is that in order to heal yourself, you must first confront the wound; by forcing you to deal with your own inner garbage, ayahuasca shows you things about yourself that you might not want to see. I wish that a whole country could drink ayahuasca—not merely every individual citizen of a country, but the country itself, the spirit of the country. I wish that a flag could drink ayahuasca, that we could just fold the Stars and Stripes into the shape of a cup, pour in the tea, and transport Uncle Sam into another dimension. He’d have to fight his way out of some nightmares, but he’d be cleansed. What would he find? William S. Burroughs wrote that when you drink ayahuasca, “The blood and substance of many races, Negro, Polynesian, Mountain Mongol, Desert Nomad, Polyglot Near East, Indian—new races as yet unconceived and unborn, combinations not yet realized—pass through your body.” When Burroughs drank, he actually saw himself transformed into both a black man and a black woman. What if some freedom-hating narcoterrorists snuck into the Fox News studios and put ayahuasca in Sean Hannity’s coffee, just before he went live? What would be the day’s fair and balanced news for America? If America drank ayahuasca and then withdrew into the filthy pit of its own heart, confronting all its fears and hate and finally purging itself of that negative energy, maybe America would come out Muslim: sucked through a black hole by the Black Mind, young Latter-Day Saint crackers with smooth cheeks, short-sleeved white shirts, and name tags confront nightmarish visions of getting swallowed whole by giant grotesque “Jolly Nigger” coin banks and then find themselves vomited back up as Nubian Islamic Hebrews in turbans and robes selling incense on the subways. The “God Hates Fags” pastor, eyes wild with a new passion for Allah, boards a helicopter to drop thousands of Qur’ans upon the small towns below. I want to see ayahuasca’s vine goddess clean out America’s poison. But what would happen if a religion could drink the vine? What if I poured ayahuasca into my Qur’an?
Michael Muhammad Knight (Tripping with Allah: Islam, Drugs, and Writing)
We remembered the delicate fig-shaped island,stranded between the American Empire and peaceful Canada, as it had been years ago, with its welcoming red white-and-blue flag-shaped flower bed,splashing fountains, European casino, and horse paths leading through woods where Indians had bent trees into giant bows. Now grass grew inpatches down to the littered beach where children fished with pop topstied to string. Paint flaked from once-bright gazebos. Drinking fountains rose from mud puddles laid with broken brick stepping stones. Along the road the granite face of the Civil War Hero had been spray-painted black. Mrs. Huntington Perry had donated her prize orchids to the Botanical Garden in the time before the riots, when civic money still ran high, but since her death ion the eroding tax base had forced cutbacks that had laid off one skilled gardener a year, so that plants that had survived transplantation from equatorial regions to bloom again in that false paradise now withered, weeds sprang up amid scrupulous identification tags, and fake sunlight flowed for only a few hours per day. The only thing that remained was the steam vapor, beading the sloping greenhouse windows and filling our nostrils with the moisture and aroma of a rotting world
Jeffrey Eugenides (The Virgin Suicides)
DAY 137 Laser Tag “What, then, shall we say in response to these things? If God is for us, who can be against us?” ROMANS 8:31 A few years ago my daughter was invited to a laser tag birthday party. She was little, and the laser tag vest and gun were huge, which made it hard for her to play. The first time through, she didn’t do well at all. She was an easy target for the more experienced players, and she got shot—a lot! She was pretty discouraged, but before the next round started, one of the dads handed me a vest and said, “Go get ’em, Dad.” I got the message. I followed close behind my daughter and picked off any kids foolish enough to come near her. By the end of the round, the kids knew that she was no longer an easy target. Her daddy was there, and he was not to be messed with. It was awesome. Her score that round vastly improved, bringing a big smile to her face. When we go into the arena alone, it’s easy to get picked on, singled out, and told that we are destined to fail. But when we go into battle with our heavenly Father’s protection and covering, everything changes. Not only do we have a chance to stay alive, we have a guaranteed win. PRAYER Thank you, Father, for fighting for me, keeping me safe, and helping me come through as a victor. In Jesus’ name, Amen.
John Baker (Celebrate Recovery Daily Devotional: 366 Devotionals)
We copy editors sometimes get a reputation for wanting to redirect the flow, change the course of the missile, have our way with a piece of prose. The image of the copy editor is of someone who favors a rigid consistency, a mean person who enjoys pointing out other people's errors, a lowly person who is just starting out on her career in publishing and is eager to make an impression, or, at worst, a bitter, thwarted person who wanted to be a writer and instead got stuck dotting the i's and crossing the t's and otherwise advancing the careers of other writers. I suppose I have been all of these. But good writers have a reason for doing things the way they do them, and if you tinker with their work ,taking it upon yourself to neutralize a slightly eccentric usage or zap a comma or sharpen the emphasis of something that the writer was deliberately keeping obscure, you are not helping. In my experience, the really great writers enjoy the editorial process. They weigh queries, and they accept or reject the for good reasons. They are not defensive. The whole point of having things read before publication is to test their effect on a general reader. You want to make sure when you go out there that the tag on the back of your collar isn't poking up—unless, of course, you are deliberately wearing your clothes inside out.
Mary Norris
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
You’re back,” I said, refusing to embarrass myself further by getting angry. “I took Tag home. He had big plans to train for his next fight old school, like Rocky, but discovered that it’s a little more appealing in the movies. Plus, I don’t do a very good Apollo Creed.” “Tag’s a fighter?” “Yeah. Mixed martial arts stuff. He’s pretty good.” “Huh.” I didn’t know what else to say. I didn’t know anything about the sport. “Didn’t Apollo Creed die in one of the movies?” “Yeah. The black guy always dies at the hands of the white man.” I rolled my eyes, and he grinned, making me grin with him before I remembered that I was embarrassed and ticked off that he had kissed me and left town. It felt a little too much like the past. The grin slipped from my face and I turned away, busying myself shaking out the saddle blankets. “So why did you come back?” I kept my eyes averted. He was quiet for a minute, and I bit my lips so I wouldn’t start to babble into the awkward silence. “The house needs more work,” he replied at last. “And I’m thinking of changing my name.” My head shot up, and I met his smirk with confusion. “Huh?” “I heard there was this new law in Georgia. Nobody named Moses can even visit. So I’m thinking a name change is in order.” I just shook my head and laughed, both embarrassed and pleased at his underlying meaning. “Shut up, Apollo,” I said, and it was his turn to laugh.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
On the phone a few nights later, Peter suddenly says, “You have me, don’t you?” “No!” I haven’t told him I took out John over the weekend. I don’t want him--or Genevieve, for that matter--to have any extra info. It’s down to the three of us now. “So you do have me!” He lets out a groan. “I don’t want to play this game anymore. It’s making me lonely and really…frustrated. I haven’t seen you outside of school for a week! When is this going to be over?” “Peter, I don’t have you. I have John.” I feel a little guilty for lying, but this is how winners play this game. You can’t second-guess yourself. There’s a silence on the other end. Then he says, “So are you going to drive over to his house to tag him out? He lives in the middle of nowhere. I could take you if you want.” “I haven’t figured out my game plan yet,” I say. “Who do you have?” I know it has to be me or Genevieve. He gets quiet. “I’m not saying.” “Well, have you told anyone else?” Like, say, Genevieve? “No.” Hmm. “Okay, well, I just told you, so you obviously owe me that same courtesy.” Peter bursts out, “I didn’t make you, you offered up that information yourself, and look, if it was a lie and you have me, please just freaking take me out already! I’m begging you. Come to my house right now, and I’ll let you sneak up to my room. I’ll be a sitting duck for you if it means I can see you again.” “No.” “No?” “No, I don’t want to win like that. When I get your name, I want to have the satisfaction of knowing I beat you fair and square. My first ever Assassins win can’t be tainted.” I pause. “And besides, your house is a safe zone.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Do you know what I remember?” I ask suddenly. “What?” “The time Trevor’s shorts split open when you guys were playing basketball. And everybody was laughing so hard that Trevor started getting mad. But not you. You got on your bike and you rode all the way home and brought Trevor a pair of shorts. I was really impressed by that.” He has a faint half smile on his face. “Thanks.” Then we’re both quiet and still dancing. He’s an easy person to be quiet with. “John?” “Hmm?” I look up at him. “I have to tell you something.” “What?” “I’ve got you. I mean, I have your name. In the game.” “Seriously?” John looks genuinely disappointed, which makes me feel guilty. “Seriously. Sorry.” I press my hands against his shoulders. “Tag.” “Well, now you have Kavinsky. I was really looking forward to taking him out, too. I had a whole plan and everything.” All eagerness I ask, “What was your plan?” “Why should I tell the girl who just tagged me out?” he challenges, but it’s a weak challenge, just for show, and we both know he’s going to tell me. I play along. “Come on, Johnny, I’m not just the girl who tagged you out. I’m your pen pal.” John laughs a little. “All right, all right. I’ll help you.” The song ends and we step apart. “Thanks for the dance,” I say. After all this time, I finally know what it’s like to dance with John Ambrose McClaren. “So what would you have asked for if you won?” He doesn’t hesitate even one beat. “Your peanut butter chocolate cake with my name written in Reese’s Pieces.” I stare at him in surprise. That’s what he would have wished for? He could have anything and he wants my cake? I give him a curtsy. “I’m so honored.” “Well, it was a really good cake,” he says.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
At the top of Anonybitch’s feed, there is a video of a boy and a girl making out in a hot tub. Anonybitch is particularly famous for her hot tub videos. She tags them #rubadub. This one’s a little grainy, like it was zoomed in from far away. I click play. The girl is sitting in the boy’s lap, her body draped over his, legs hooked around his waist, arms around his neck. She’s wearing a red nightgown, and it billows in the water like a full sail. The back of her head obscures the boy. Her hair is long, and the ends dip into the hot tub like calligraphy brushes in ink. The boy runs his hands down her spine like she is a cello and he is playing her. I’m so entranced I don’t notice at first that Kitty is watching with me. Both of our heads are tilted, trying to suss out what it is we’re looking at. “You shouldn’t be looking at this,” I say. “Are they doing it?” she asks. “It’s hard to say because of her nightgown.” But maybe? Then the girl touches the boy’s cheek, and there is something about the movement, the way she touches him like she is reading braille. Something familiar. The back of my neck goes icy cold, and I am hit with a gust of awareness, of humiliating recognition. That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Editing is the most obvious way of manipulating vision. And yet, the camera sometimes sees what you don’t - a person in the background, for example, or an object moving in the wind. I like these accidents. My first full-length film, Esperanza, was about a woman I befriended on the Lower East Side when I was a film student at NYU. Esperanza had hoarded nearly all the portable objects she had touched every day for thirty years: the Chock Full O’Nuts paper coffee cups, copies of the Daily News, magazines, gum wrappers, price tags, receipts, rubber bands, plastic bags from the 99-cent store where she did most of her shopping, piles of clothes, torn towels, and bric-a-brac she had found in the street. Esperanza’s apartment consisted of floor-to-ceiling stacks of stuff. At first sight, the crowded apartment appeared to be pure chaos, but Esperanza explained to me that her piles were not random. Her paper cups had their own corner. These crenellated towers of yellowing, disintegrating waxed cardboard stood next to piles of newspapers … One evening, however, while I was watching the footage from a day’s filming, I found myself scrutinizing a pile of rags beside Esperanza’s mattress. I noticed that there were objects carefully tucked in among the fraying bits of coloured cloth: rows of pencils, stones, matchbooks, business cards. It was this sighting that led to the “explanation.” She was keenly aware that the world at large disapproved of her “lifestyle,” and that there was little room left for her in the apartment, but when I asked her about the objects among the rags, she said that she wanted to “keep them safe and sound.” The rags were beds for the things. “Both the beds and the ones that lay down on them,” she told me, “are nice and comfy.” It turned out that Esperanza felt for each and every thing she saved, as if the tags and town sweaters and dishes and postcards and newspapers and toys and rags were imbued with thoughts and feelings. After she saw the film, my mother said that Esperanza appeared to believe in a form of “panpsychism.” Mother said that this meant that mind is a fundamental feature of the universe and exists in everything, from stones to people. She said Spinoza subscribed to this view, and “it was a perfectly legitimate philosophical position.” Esperanza didn’t know anything about Spinoza … My mother believed and I believe in really looking hard at things because, after a while, what you see isn’t at all what you thought you were seeing just a short time before. looking at any person or object carefully means that it will become increasingly strange, and you will see more and more. I wanted my film about this lonely woman to break down visual and cultural cliches, to be an intimate portrait, not a piece of leering voyeurism about woman’s horrible accumulations.
Siri Hustvedt (The Blazing World)
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
Toni Morrison (Home)
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
Emma Carroll (Letters from the Lighthouse)
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))
of the benefits of spaying and neutering, it wasn’t until the 1990s that their catchy tag line, “Less born, less killed, less cruelty,” really caught on. In the 1980s, shelters were euthanizing twenty million animals each year. But then birth rates dropped and admission rates dropped, and today, while the three to four million animals they kill annually is a slaughter, it’s also a significant improvement over the massacre that came before.
Steven Kotler (A Small Furry Prayer: Dog Rescue and the Meaning of Life)
But there’s a cheaper way to enjoy the con, and that is to take advantage of all the other factors that “trick” us into enjoying wine more. Like Troy Carter, you can ride to Napa and walk the vineyards before you buy a bottle. If you don’t live near wine country, you can talk to the manager of a wine store about the wines she loves. A nice pair of wine glasses, candles, and a picnic in a beautiful park all lend wine a refined air. All these strategies take advantage of the psychological biases that lead us to enjoy the same wine more than we would in other circumstances. And they do so without the rarefied price tag.
Priceonomics (Everything Is Bullshit: The greatest scams on Earth revealed)
Wait,” Maggs said. “Nobody knows what the incubation period for this thing is, right?” Hartwig didn’t take his eyes off Kindra. “Seemed pretty fast with Ra’at.” “Yeah, but Ra’at got tagged firsthand. Maybe accidental exposure takes longer.” Kindra could hear Maggs’s voice growing more confident as he spoke, warming to his own argument. “Point is, we don’t know. So before somebody does something stupid, how about we all take a step back, strip down, and make sure nobody’s got any open cuts that could have gotten contaminated blood in them.” He looked back at Combat Master Hracken, who still had not spoken. “What do you think?
Joe Schreiber (Red Harvest)
No need to worry about putting it in the right notebook or attaching the right tags. This tool is perfect for capturing what’s running through your head before it runs away.
Jeremy Roberts (Evernote Every Day)
Section One Summary Here’s what you should take away from this section about on-page optimization:         On-page optimization is what you do on your website to influence SERPs on Google.         Doing proper keyword research is the first step to a successful SEO campaign.         Having proper meta tags is essential. Always include your keyword phrase(s) in your meta tags.         The proper meta tags include your title tag, description tag, keywords tag, and robots tag.         Choose your URL carefully. Your URL doesn’t have to have your keyword included but it helps when other sites link to your site. Avoid exact match domains.         How you format your page is important for optimization purposes.         Make sure you design your web pages so Google is forced to read your on-page content first.         Verify that your code is W3C compliant.         Don’t forget to include your keyword phrase(s) in , , and header tags. This signifies the importance of your content to Google.         Label each graphic with an alt tag that includes your keyword phrase.         Place your keyword(s) in the first twenty-five words on your web page and the last twenty-five words on your web page.         Eliminate Flash if it’s the main presentation of your website. Google does not view this favorably.         If you’re going to use JavaScript to enhance the overall visitor experience of your website, place the code in an external file.         Include a sitemap that’s easily accessible by Google. Submit an XML version of your sitemap through Google Webmaster Tools.          Never underestimate the power of internal linking. A good internal linking structure can improve your SERPs.          Keyword development is one of the most important on-page optimization strategies.          Research keywords and competing websites to select ideal keywords.          Research the strength of competing websites before selecting your final keywords using Google PR and authority (ex: number of inbound links).          Page load speed is a significant factor in Google rankings. Ensure that your home page loads more quickly than those of competing
Michael H. Fleischner (SEO Made Simple: Search Engine Optimization Strategies: How to Dominate Google, the World's Largest Search Engine)
Ready?" Aeron called over. Michael span to see him giving a thumbs up to the booth. His eye was drawn down to the huge war hammer hanging from his other hand. "How about we start with a chase? Try to touch the far wall and get back here before I cripple you." He smiled as if he'd said 'tag you', not 'cripple you'.
Dylan Perry (Gods Just Want To Have Fun)
Don't do anything quickly, Tag had told him. And whatever you do, don't hit your brakes. You'll end up in the ditch. He caught something in his headlights. It took him a moment to realize what he was seeing before his heart took off at a gallop. A car was upside down in the middle of the highway, its headlights shooting out through the falling snow toward the river, the taillights a dim red against the steep canyon wall. The overturned car had the highway completely blocked.
B.J. Daniels (Deliverance At Cardwell Ranch (Mills & Boon Intrigue) (Cardwell Cousins, Book 4))
we’re not going to tell you THE ONE AMAZING THING that makes a writer successful. There is no such thing, and if anyone offers to tell you about that one amazing thing — typically just before dropping a large price tag — you should run in the other direction.
Sean Platt (The Indie Author Power Pack: How To Write, Publish & Market Your Book)
A throat cleared behind us. We both turned. Sheriff Jeffries’s fingers fidgeted with his hat. He nodded at Mrs. Latham, and then his gaze locked on me. “Would you care to take a walk before the evening service, Rebekah?” I looked past him, toward the group of children playing tag, then to the babies, Janie included, asleep on a blanket in the shade under the watchful eye of a gray-haired lady. “I think I’d better stay near. For the children.” “Of course. The children.” A faint blush spread across his cheeks, as if he’d forgotten my purpose here. “Another time, then.” He settled his hat back on his head and strode away without giving me a chance to reply. I glanced at Mrs. Latham. My face heated at the merriment in her eyes.
Anne Mateer (Wings of a Dream)
I had no illusions about my role. Prince Charming with a price tag. I was the fantasy lover and like all fantasies, I vanished before dawn.
Jane Harvey-Berrick (At Your Beck & Call)
In the late 1990s, Parachute was the market leader with more than 50 per cent market share. Fresh from its success in taking market share in toothpaste away from Colgate using Pepsodent, HUL entered the coconut oil category to take on Marico. Dadiseth, the then chairman of HUL, had warned Mariwala to sell Marico to HUL or face dire consequences. Mariwala decided to take on the challenge. Even the capital markets believed that Marico stood no chance against the might of HUL which resulted in Marico’s price-to-earnings ratio dipping to as low as 7x, as against 13x during its listing in 1996. As part of its plans to take on Marico, HUL relaunched Nihar in 1998, acquired Cococare from Redcon and positioned both brands as price challengers to Parachute. In addition, HUL also increased advertising and promotion spends for its brands. In one quarter in FY2000, HUL’s advertising and promotional (A&P) spend on coconut oil alone was an amount which was almost equivalent to Marico’s full year A&P budget (around Rs 30 crore). As Milind Sarwate, former CFO of Marico, recalls, ‘Marico’s response was typically entrepreneurial and desi. We quickly realized that we have our key resource engine under threat. So, we re-prioritized and focused entirely on Parachute. We gave the project a war flavour. For example, the business conference on this issue saw Mariconians dressed as soldiers. The project was called operation Parachute ki Kasam. The leadership galvanized the whole team. It was exhilarating as the team realized the gravity of the situation and sprang into action. We were able to recover lost ground and turn the tables, so much so that eventually Marico acquired the aggressor brand, Nihar.’ Marico retaliated by relaunching Parachute: (a) with a new packaging; (b) with a new tag line highlighting its purity (Shuddhata ki Seal—or the seal of purity); (c) by widening its distribution; and (d) by launching an internal sales force initiative. Within twelve months, Parachute regained its lost share, thus limiting HUL’s growth. Despite several relaunches, Nihar failed against Parachute. Eventually, HUL dropped the brand Nihar off its power brand list before selling it off to Marico in 2006. Since then, Parachute has been the undisputed leader in the coconut oil category. This leadership has ensured that when one visits the hair oil section in a retail store, about 80 per cent of the shelves are occupied by Marico-branded hair oil.
Saurabh Mukherjea (The Unusual Billionaires)
With these uneasy thoughts urging me onward, I hurried toward home, praying I would make it in time for dinner and thereby avoid having to answer to my mother. That was the only way my day could get worse. I was forced to adjust that conclusion, however, when I spotted Saadi loitering nearby. The moment he laid eyes on me, I knew he’d been waiting for me, and I groaned. Why couldn’t he leave me alone? “Shaselle!” he called, coming toward me. I gritted my teeth, knowing I could not escape. The traffic on the thoroughfare had thinned, as was generally the case at this time of day, no longer providing the cover I needed to dart past him. He came abreast of me, but I didn’t slow or acknowledge him. “I’m glad I caught you,” he said, and in my peripheral vision, I could see him smoothing that damn bronze hair forward, an impossible task, for as always it kinked upward at the midpoint of his hairline. “Can’t say the same.” “I didn’t take you to my sister.” He sounded like this small mercy should be eliciting gratitude from me. “I realize that.” Saadi exhaled, baffled and exasperated. “How can you be angry with me?” I halted and stared at him in disbelief. “I’m not! You’re the Cokyrian soldier who arrested me when I broke the law. Our relationship ends there. It would be a waste of my time to be angry with you.” “That’s it?” he said, eyebrows rising, and I was sure I detected disappointment. “I thought…I don’t know. I thought you were angry with me before, for not having mentioned I’m Rava’s brother. Weren’t you?” “No,” I lied. I still didn’t understand why it upset me to know that this annoying tag-along was related to the woman I hated with such intensity that my insides burned. But there was no reason to complicate things by letting him know the truth. “Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.” “You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.” I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop. “We’re not friends yet. But you’ve thought about it. And you just thanked me.” “Are you delusional?” “No. You just said thank you to the faceless Cokyrian soldier who arrested you.” “Don’t you ever stop?” I demanded, trying in vain to move around him. “I haven’t even started.” “What does that mean?
Cayla Kluver (Sacrifice (Legacy, #3))
The sound stopped Chris' heart. It was the tinkle of a tag swinging on a collar. It called out through the house and was accompanied by the skittering steps of two dogs running up the stairs. As if to finish off this cruel, audible narrative, two sniffing noses were pressed to the small gap beneath the airing cupboard's door. The little fuckers had found them already! Heavy footsteps ascended the stairs.  Light flooded into the cupboard. Sitting weak and helpless, Chris kept a hold of Michael and stared up at the big man who filled the doorway. It was George. Thank God. Frowning down at them, George scratched his head before closing the door. Tears rushed forwards. It had worked. It had fucking worked! Squeezing Michael's arm, Chris whispered, "I love you, Michael. So much. I love you—" The door flew open again, the second rush of light stinging Chris' sore eyes. Leaning into the tiny space, George lifted Chris to his feet, breaking the connection between father and son as Chris lost his hold on Michael's arm.  Yanking him out of the cupboard, he pushed Chris forward.
Michael Robertson (Crash (Crash, #1))
Oh, please, no. The tag was a six-moon survey permit for Encantada, a cluster world at the edge of the Han System. It was the kind of tag a xenobioform engineer would need among a crew exploring a new world. He'd seen one once before. Five years ago. When she had left him. His balance faltered. Vision narrowed. The universe condensed to a name, printed above the tag code. Mica Sol. Once his. Forever his only. He could've killed her...
Erin Kellison (All That Glitters (Sol, #1))
Her name was Erica Williams before she married Fish. I think she was from Honolulu but I don’t know for sure. As to where she is now? I don’t even know if she’s in the United States. She was so ashamed of Randy. She couldn’t hold her head up. After Bill died, she had a tag sale. Sold most of her things and then just took off.” Cindy
James Patterson (Unlucky 13)
Before You Begin Writing Your Book, Ask Yourself A Very Important Question: What Kind of Results Do I Plan To Receive From Writing This Book? If You Say Money, Then Don't Bother Even Writing The Book.
Chris Mentillo
I Still Have So Much I Wish to Accomplish in My Life, Before I Finally leave This Godforsaken Place -- For Good.
Chris Mentillo (The Unhappy Heiress)
The hallmark of originality is rejecting the default and exploring whether a better option exists. I’ve spent more than a decade studying this, and it turns out to be far less difficult than I expected. The starting point is curiosity: pondering why the default exists in the first place. We’re driven to question defaults when we experience vuja de, the opposite of déjà vu. Déjà vu occurs when we encounter something new, but it feels as if we’ve seen it before. Vuja de is the reverse—we face something familiar, but we see it with a fresh perspective that enables us to gain new insights into old problems. Without a vuja de event, Warby Parker wouldn’t have existed. When the founders were sitting in the computer lab on the night they conjured up the company, they had spent a combined sixty years wearing glasses. The product had always been unreasonably expensive. But until that moment, they had taken the status quo for granted, never questioning the default price. “The thought had never crossed my mind,” cofounder Dave Gilboa says. “I had always considered them a medical purchase. I naturally assumed that if a doctor was selling it to me, there was some justification for the price.” Having recently waited in line at the Apple Store to buy an iPhone, he found himself comparing the two products. Glasses had been a staple of human life for nearly a thousand years, and they’d hardly changed since his grandfather wore them. For the first time, Dave wondered why glasses had such a hefty price tag. Why did such a fundamentally simple product cost more than a complex smartphone? Anyone could have asked those questions and arrived at the same answer that the Warby Parker squad did. Once they became curious about why the price was so steep, they began doing some research on the eyewear industry. That’s when they learned that it was dominated by Luxottica, a European company that had raked in over $7 billion the previous year. “Understanding that the same company owned LensCrafters and Pearle Vision, Ray-Ban and Oakley, and the licenses for Chanel and Prada prescription frames and sunglasses—all of a sudden, it made sense to me why glasses were so expensive,” Dave says. “Nothing in the cost of goods justified the price.” Taking advantage of its monopoly status, Luxottica was charging twenty times the cost. The default wasn’t inherently legitimate; it was a choice made by a group of people at a given company. And this meant that another group of people could make an alternative choice. “We could do things differently,” Dave suddenly understood. “It was a realization that we could control our own destiny, that we could control our own prices.” When we become curious about the dissatisfying defaults in our world, we begin to recognize that most of them have social origins: Rules and systems were created by people. And that awareness gives us the courage to contemplate how we can change them. Before women gained the right to vote in America, many “had never before considered their degraded status as anything but natural,” historian Jean Baker observes. As the suffrage movement gained momentum, “a growing number of women were beginning to see that custom, religious precept, and law were in fact man-made and therefore reversible.
Adam M. Grant (Originals: How Non-Conformists Move the World)
I stumble in behind them, almost tripping on my own feet. They both turn to look at me as I grip the edge of the counter to balance myself. Tag raises an eyebrow at me. "Did you even talk to this girl?" "No" "Damn, dude, she's got you tripping all over yourself, and you don't even know what her voice sounds like? I'd hate to see what happens when you actually have a conversation with her." "I don't know who she is. I've never seen her before, but she drives a nice car. I want to know her.
Michelle Dare (Floating (Ray Point #1))
Now it is customary for presidents to invite friends and donors to the White House. The Clintons, however, took this practice way beyond acceptable boundaries. Commerce Secretary Ron Brown frequently complained that he had become “a m*th*rf*ck*ng tour guide for Hillary” because foreign trade missions had become nothing more than payback trips for Clinton donors. The Clintons arranged for one fat-cat donor without any war experience to be buried at Arlington National Cemetery.12 They essentially converted White House hospitality into a product that was for sale. They had unofficial tags on each perk, and essentially donors could decide how much to give by perusing the Clinton price list. In a revealing statement, Bill Clinton said on March 7, 1997, “I don’t believe you can find any evidence of the fact that I changed government policy solely because of a contribution.”13 Here we see the business ethic of the man; he seems to think it perfectly acceptable to change policy as long as it is only partly because of a contribution. Remember Travelgate? In May 1993, the entire Travel Office of the White House was fired. The move came as a surprise because these people had been handling travel matters for a long time. The official word was that they were incompetent. But a General Accounting Office inquiry showed that the Clintons wanted to turn over the travel business to her friends the Thomasons. Once the scandal erupted, Hillary, in typical Clinton evasive style, claimed to know nothing about it. She said she had “no role in the decision to terminate the employments,” that she “did not know of the origin of the decision,” and that she did not “direct that any action be taken by anyone with regard to the travel office.” But then a memo surfaced that showed Hillary was telling her usual lies. Written by Clinton aide David Watkins to chief of staff Mack McClarty, the memo noted that five days before the firings, Hillary had told Watkins, “We need those people out—we need our people in—we need the slots.” Watkins wrote that everyone knew “there would be hell to pay” if they failed to take “swift and decisive action in conformity with the First Lady’s wishes.”14 Independent counsel Richard Ray concluded after his investigation that Hillary had provided “factually false” testimony to the GAO, the Independent Counsel, and Congress. He decided, however, not to prosecute her. This would be the first, but not the last, time Hillary’s crimes would go unchecked by the long arm of the law. Just as Bill kept up his predatory behavior toward women because he was never arrested for it, Hillary kept up her moneymaking crime schemes because she was never indicted for any of them. In essence, the Clintons’ behavior was encouraged by lack of accountability.
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
I had a lot of difficulties and pain before I was 30.
Rt Rana Announcer
At the time your book was written, the full story of the monarch migration was unknown to humanity." "When did they find it out?" Preston asked. The answer, to Dellarobia's astonishment, was within Ovid's lifetime. He had been just a bit older than Preston when the discovery was announced in the National Geographic, in 1976. A Canadian scientist chased the mystery his whole life, devising a tag that would stick to butterfly wings, recruiting volunteers to help track them, losing the trail many times. And then one winter's day, as an old man on shaky legs, he climbed a mountain in Michoacan to see what must have looked like his dream of heaven... Ovid could still quote passages of the article from memory: They carpeted the ground in their tremulous legions. He said he remembered exactly where he was when he read that article, and how he felt. "Where were you?" "Outside the post office, sitting on a lobster crate. I spent a lot of Saturdays there. My mother let me read the magazines before they went to their subscribers. I was so excited by the photos in that article, I ran all the way down Crown Street, all the way to West End and out a sandy road called Fortuna to the sea. I must have picked up a stick somewhere, because I remember jumping up and whacking every branch I passed, leaving a trail of flying leaves. When I got to the sea I didn't know what to do, so I threw the stick in Perseverance Bay and ran back. It was the happiest day of my life." Dellarobia wanted, of course, to know why. "Why," he repeated, thinking about it. "It was just like any schoolboy. I thought everything in the world was already discovered. Already in my books. A lot of dead stuff that put me to sleep. That was the day I understood the world is still living.
Barbara Kingsolver (Flight Behavior)
at his legs. “Did they do X-rays? Is anything broken?” “Yes, they did X-rays.” He took a sip of water. “I’ll be fine getting to my room, but I don’t know if I’ll want to drive the group to Outlaw tomorrow morning or not. We’ll see what I feel like when I get up tomorrow. But if I’m still hurting, can you drive?” “Of course, but I didn’t realize you were going to Outlaw.” Cat wasn’t sure taking Seth home tonight was a good idea. Before she agreed with the plan, she wanted to talk to the doctor. “Yeah, Jocelyn and Sydney tag teamed me the other day and asked if I’d take them up so they could see the
Lynn Cahoon (A Field Guide to Homicide (Cat Latimer Mystery #6))
THINK before you tweet, meme, post, tag and troll. It could ruin someone's life. Your own included.
Shaune B. Ryder
No commercials are heard on this broadcast. It is clear, from Harlow’s announcement about the end of the war in Europe before the program begins to the reminder by the Jordans in the tag that the job is not finished, that commerce and comedy take a back seat to the state of the world. Jim again shows his quick wit with an ad-lib
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Let me get it,” he says, standing much too close for my comfort. It’s downright suffocating. “Not a chance, darlin’,” I drawl, giving him a dose of his own medicine. I hand the youngish sales lady my tags and bury my gaze inside my purse in search of my wallet. When I look up, I find a loopy smile on her face and it’s directed at him. The happy bastard smiles right back. “Are you two done? Can I pay for these, or would you like to go on a date before you ring me up?” They both turn to stare. She’s cherry red and pushing all the wrong buttons on the register while Dane’s busy scowling at me. I hand her my credit card without taking my eyes off of him. “Did I do something to you, Stella?” The thing is, I’m not mad at him. I’m mad at myself. I cannot believe that I allowed myself to fall under his spell. I don’t blame the sales girl either. She never stood a chance under the magnetic force that is Dane Wylder. I fell for it and I’ve been vaccinated against this particular virulent disease. I have Paul Donovan to thank for that. Turning back to the sales person, I take the receipt she hands me. “I’m sorry,” I murmur. “Hormones––they’re wreaking havoc.” “Oh, I get the same way when I get my period,” she replies in the sweetest drawl. “Thanks for your help,” I tell her in an apologetic tone. With that I walk away from the counter, and the two of them. A second later a big hand grabs a hold of my upper arm. I stop and turn, my expression not a happy one. “You didn’t answer me?” “No, Dane. You did nothing. Like I said, it’s the hormones.” He looks pensive, his sexy lips pursed as he’s mulling this over. “We should get you some ice cream.” I don’t know whether to laugh, or cry. He genuinely thinks ice cream is the solution to our problem? Then again he doesn’t have a problem. I’m the one with the urge. I’m the one with the craving. Unless ice cream comes in a flavor called Sweaty Sex With Dane, I don’t want it…and about as smart as jumping out of a plane with no parachute. The ride will be fast and thrilling and most certainly prove painful when I hit bottom. “What does ice cream have to do with it?” “Maybe it’ll make you nicer. You know, take the edge off.” My eyes automatically narrow. “Maybe we need to give each other space.” “No,” he huffs, arms crossed in front of his broad chest, his shirt straining against the swell of his pecs, expression locked in the determined position. “No?” “No. No space. I see what you’re doing here. This is some kinda female mental jujitsu. You say you want space, but you don’t really want it.” I’m seconds from punching him in the nut sac, which is almost directly in my line of sight. There is something to be said about being short. Or for him being grotesquely tall. “I…I’m going to…I can’t.” I flee to the cosmetics department in search of the Holy Grail, a flat iron, before I do or say something I’ll regret. And find one. Thank the Lord. This goes a small way to propping up my mood. I’m almost tempted to purchase two.
P. Dangelico (Baby Maker (It Takes Two, #1))
Vardy’s rise was truly remarkable. He’d been released by Sheffield Wednesday as a teenager and completely quit football for seven months, before storming up the footballing pyramid in a manner rarely witnessed, starting at eighth-tier Stocksbridge Park Steels, where his wage was £30 a week. Following a conviction for assault, he played for six months with an electronic tag around his ankle and was forced to observe a home curfew from 6 pm every evening, which meant being substituted midway through the second half at away matches and driving home quickly. Then came a move to seventh-tier Halifax Town for £15,000, while he worked full-time at a factory making carbon-fibre splints. Twenty-nine goals in 41 games earned him a transfer to Fleetwood Town, in the fifth tier of English football. He spent just a season there, because 34 goals in 42 matches meant Leicester were prepared to spend £1m to secure his services – a record for a non-league player.
Michael Cox (The Mixer: The Story of Premier League Tactics, from Route One to False Nines)