Letters To Juliet Quotes

How could you not know?" His voice was full of wonderment. "You changed me utterly. You were like a...like a bright, wonderful bloom in a garden full of weeds. Like a graceful capital on a page of plain script, a letter decorated with the deepest, finest colors in all Erin. Like a flame, Caitrin. Like a song.

Claire: Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet

Life is the messy bits.

Letters tell the truths a person will not speak. They contain the deepest of feelings, the wisest of stories. Letters are powerful. They contain messages of hope, love, change.

Men can be like toddlers, Juliet. Sometimes all they need is something shiny to distract them.

Then why is it that I feel like a schoolboy on sunday? It’s nearly tomorrow and I don’t want to go.

I am madly, deeply, truly, passionately in love with you. -Charlie

The first duty of an Author is --- I conceive --- a faithful allegiance to Truth and Nature; his second, such a conscientious study of Art as shall enable him to interpret eloquently and effectively the oracles delivered by those two great deities. --- Charlotte Bronte

Letters tell the truths a person will not speak. They contain the deepest of feelings, the wisest of stories. Letters are powerful. They contain messages of hope, love, change.

One of the great joys in life is having ones hair brushed.

Wait!” Juliet pulls away from her father, and once again, she’s breathless and looking up at me. “Declan.” I hold myself at a distance. The spell is broken. “Juliet.” She closes that distance, though, and then does one better. She grabs the front of my shirt and pulls me forward. For half a second, my brain explodes because I think we’re going to have a movie moment and she’s going to kiss me. And then it’s going to be super awkward because of her father. But no, she’s only pulling me close to whisper. Her breath is warm on my cheek, sweet and perfect. “We were wrong,” she says. “You make your own path.” Then she spins, grabs her father’s hand, and leaves me there in the middle of the cemetery.

What' and ‘if’ two words as nonthreatening as words come. But put them together side-by-side and they have the power to haunt you for the rest of your life: ‘What if?'..." "I don't know how your story ended. But I know that if what you felt then was love - true love - then it's never too late. If it was true then it why wouldn't it be true now? You need only the courage to follow your heart..." "I don't know what a love like that feels like... a love to leave loved ones for, a love to cross oceans for... but I'd like to believe if I ever felt it. I'd have the courage to seize it. I hope you had the courage to seize it, Claire. And if you didn't, I hope one day that you will.

The most beautiful woman in any room is the woman with the most joy in her heart

Giulietta pressed the letter against her heart. "I know what you are thinking. You wish to protect me...And you think Romeo will cause me pain. Great love, you believe, carries the seeds of great sorrow. Well, perhaps you are right...but I should rather choose to have my eyes burnt in their sockets than to have been born without.

No, when we speaking about love, is never too late. - Lorenzo

The most beautiful woman in any room is the woman with the most joy in her heart.

coddiwompler: someone who travels in a purposeful manner towards a vague destination.

Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet

Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like: love to leave loved ones for, love to cross oceans for, but I'd like to believe if I ever were to feel it, that I'd have the courage to seize it. And Claire, if you didn't, I hope one day that you will. All my love, Juliet

Zoe is survived by her husband, Charles, and her daughter, Juliet. Survived. This guy is right. The words we use to surround death are bizarre. Like we’re hiding something. I guess the obituary wouldn’t read right if it said something like, Zoe died on the way home from the airport, after nine months on assignment in a war zone, leaving her husband, Charles, and her daughter, Juliet, with a Welcome Home cake that would sit in the refrigerator for a month before either of them could bear to throw it away. So maybe we are hiding something.

I once wrote you a letter and you never replied, which makes me wonder if you ever received it. This time it's a more personal delivery - and I need a reply, even if it's not the one I want. I'm listening to you - I can hear every word, however softly you speak - and I'm half-agony, half-hope. You're saying that men are realists - that, when the woman they love is no longer available, they move on. Well, believe me, I tried - and I thought I had. But seeing you again, after so many years, just proved how little I knew... You told me to trust myself. So here I am back in Bath, putting everything on the line for a second chance with you. Is that what you want, too? Whatever your answer, remember this: I may not deserve you - when I think of how I've behaved, I know I've shown little self-control and even less forgiveness - but I've never stopped loving you. You're talking about heartless men... But I have a heart, and it's the same one you almost broke ten years ago, and it belongs to you, and only you, even more than it did then. And yes, I'm a realist: if you no longer love me, I will accept it. But don't say that only a woman can keep on loving someone who's no longer part of her life! Because I will keep on loving you until there are no stars in the sky. Tell me tonight how you feel. If there's any chance of you loving me back, then I'll wait for you as I should have waited before. If not, say the word and I'll leave you in peace. But I'll never forget you, or what we had, or what might have been. Rick

What is truth? It is the story that is told.

home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.

Thank you for always being there, Seth. I’ve always felt your presence around me, even when it was through a letter or a computer screen. Thank you,

stop seeing me as an old lady and see me as I really am. The body you see before you does not represent the mind or the soul.

If you believe something will happen, half the battle is over.

Make me a channel of your peace, Where there’s despair in life let me bring hope, Where there is darkness, only light, And where there’s sadness, ever joy.

Juliet placed a hand on mine. ‘Better by far you should forget and smile, than that you should remember and be sad.

simply believe in love, my love, and everything will always be all right.

One woman sent me on a letter written to her by her daughter, and the young girl's words are a remarkable statement about artistic creation as an infinitely versatile and subtle form of communication: '...How many words does a person know?' she asks her mother. 'How many does he use in his everyday vocabulary? One hundred, two, three? We wrap our feelings up in words, try to express in words sorrow and joy and any sort of emotion, the very things that can't in fact be expressed. Romeo uttered beautiful words to Juliet, vivid, expressive words, but they surely didn't say even half of what made his heart feel as if it was ready to jump out of his chest, and stopped him breathing, and made Juliet forget everything except her love? There's another kind of language, another form of communication: by means of feeling, and images. That is the contact that stops people being separated from each other, that brings down barriers. Will, feeling, emotion—these remove obstacles from between people who otherwise stand on opposite sides of a mirror, on opposite sides of a door.. The frames of the screen move out, and the world which used to be partitioned off comes into us, becomes something real... And this doesn't happen through little Audrey, it's Tarkovsky himself addressing the audience directly, as they sit on the other side of the screen. There's no death, there is immortality. Time is one and undivided, as it says in one of the poems. "At the table are great-grandfathers and grandchildren.." Actually Mum, I've taken the film entirely from an emotional angle, but I'm sure there could be a different way of looking at it. What about you? Do write and tell me please..

It was a bond that represented the safety and easiness of family. A bond that is usually lobbed into the back of the dresser drawer, stashed away, forgotten and allowed to loiter with the unused Christmas cards, nutcrackers and Sellotape, until the day came along when you actually needed it, and you opened the drawer with a rummage saying to yourself, ‘I just know I left it in there somewhere.

I rushed up garret when the letter came, and tried to thank god for being so good to us, but I could only cry, and say, “I’m glad! I’m glad!” Didn’t that do as well as a regular prayer? For I felt a great many in my heart.

the most beautiful woman in any room is the woman with the most joy in her heart, not with the fewest wrinkles on her face. Wrinkles are beautiful badges of honour – they represent all the fun and laughter and tears in your life. Iron out the lines and you iron out your life, and that is something I would never do.

.. I am free to walk on the moors - but when I go out there alone - everything reminds me of the times when others were with me and the the moors seem a wilderness, featureless, solitary, saddening. My sister Emily had a particular love for them, and there is not a knoll of heather, not a branch of fern, not a young bilberry leaf not a fluttering lark or linnet but reminds me of her. The distant prospects were Anne's delight, and when I look around, she is in the blue tints, the pale mists, the waves and shadows of the horizon. In the hillcountry silence their poetry comes by lines and stanzas into my mind: once I loved it, now I dare not read it, and am driven often to wish I could taste one draught of oblivion and forget much that, whilde mind remains, I never shall forget. Many people seem to recall their departed relatives with a sort of melancholy complacency - but I think these have not watched them through lingering sickness nor witnessed their last moments - it is these reminiscences that stand by your bedside at night, and rise at your pillow in the morning. (Charlotte's letter to Williams, in which she express how much she misses her sisters)

Everybody’s Free (To Wear Sunscreen)” Ladies and Gentlemen of the class of '99: Wear sunscreen. If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now. Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine. Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday. Do one thing everyday that scares you. Sing. Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours. Floss. Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself. Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how. Keep your old love letters; throw away your old bank statements. Stretch. Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t. Get plenty of calcium. Be kind to your knees; you’ll miss them when they’re gone. Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s. Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own. Dance. even if you have nowhere to do it but in your own living room. Read the directions, even if you don’t follow them. Do not read beauty magazines; they will only make you feel ugly. Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future. Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young. Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel. Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders. Respect your elders. Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out. Don’t mess too much with your hair, or by the time you're 40, it will look 85. Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth. But trust me on the sunscreen. Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)

hadn’t laughingly stuck the letter in Charlotte’s mailbox and forgotten about it, sleeping in the next morning and nursing their hangovers

Perhaps you can go along without us, explaining to the Wilkinsons that Miss Emily and myself have other business to attend to? Also, you might explain that it would be unfair to all the other men if the Wilkinsons were to meet Miss Emily before she’s read all the letters.

And in an upstairs bedroom of the elegant house, the newest de Montforte was being born. Charles was as distraught as Lucien had ever seen him, pacing back and forth in the drawing room while above, Amy screamed in pain as another contraction seized her. Charles blanched.  Droplets of sweat beaded his brow. "Do sit down, Charles," Lucien murmured, not looking up from where he sat calmly writing a letter.  The duke, along with his siblings and Juliet — whose presence Amy had specifically requested — had arrived a fortnight ago so they could all be together for the grand event.  "I daresay you're expending as much effort on delivering this child as Amy is." "Yes, I wonder which one will be more exhausted when it's over?" teased Gareth, lounging on a nearby sofa and bouncing a leg over one bent knee. Charles kept pacing.  "I won't sit down, I can't sit down, I can't rest, I can't eat, I can't think until I know that both of them are all right!" Gareth, with his new son Gabriel in his arms and Charlotte playing on the floor nearby, fought hard to contain his laughter.  Having recently gone through the same hell as Charles was currently experiencing — and behaving just as abominably — he considered himself quite the expert on such matters.  He looked at Charles and grinned. "Yes, Luce is quite right, Charles.  All you're doing is wearing a hole in the carpet.  Amy'll be just fine." "But those screams!  I cannot bear to hear them!" Lucien dipped his quill in the ink bottle.  "Then go outside, my dear Charles, so that you do not have to hear them." For answer, Charles only threw himself down in the nearest chair.  Raked a hand through his hair.  Jumped to his feet, poured himself a drink, and continued his pacing. Moments

Charles, what are you saying?" "It doesn't matter what I'm saying, Amy, sweet Jesus, forget I said anything and please —" he plunged his hand into his pocket, found the letter from Juliet, and held it out to her — "please, just read this before any more time passes, I beg of you, please read it and show me that someone in my life still cares for me and that this world has not been turned completely upside down, I beg of you Amy, read it and read it now!" He drew back, trembling, hands pressed against his sightless eyes as he tried to get himself under control.  He felt her hands against his shoulders, heard her soft voice only inches away. "Charles, please, it's all right —" "It's not all right, can you not see?  My army has rejected me, my own brother toys with me in the name of discipline, and here I am in my darkest hour and who is it that I want to reach for, who is it that I want to hold, who is it that I need more than any other person on earth?" "Charles —" "It's you, Amy, can't you see it, can't you feel it, can't you understand that you are the very center of my existence?!  You, not Juliet.  You.  God damn it, I need you." He pushed away from her and bent his head to his balled fist, his mouth twisted in pain and self-loathing for these needs he could not control, these feelings he should never have. "I'm sorry," Amy whispered, reeling with shock at what he'd just confessed.  "I didn't know . . ." "Juliet is the one I should want right now, not you," he was saying, hoarsely.  "It is she who holds my heart, who wears my ring, who carries my unborn baby . . . Oh, God help me, Amy, read the letter.  Read the damned letter now, so that I may be reminded where my heart lies, so that I may be reminded of my promise to the woman who loves me, so that I may be reminded of who I was and who I seek to remain.  Read it so that I may know that she, at least, is still there for me when everyone on whom I thought I could depend, has abandoned me . . ." Amy,

I cannot believe you would take such an unpardonable risk!"  cried Charles, leaping to his feet.  "When I bade Juliet to come here should anything happen to me, I thought you, not Gareth would be responsible for her!  Gareth can't even be responsible for buckling his own shoes for God's sake, let alone a wife and baby!" Lucien had been previously content to suffer Charles's anger, but now his expression hardened.  "You are judging your brother most unfairly, Charles, and I will not tolerate your abusing him in this manner.  He would be much wounded if he were to hear you speak of him so.  I know that Gareth was once irresponsible and dissolute, but he has made much of himself, Charles.  He is a loving husband and a playful, adoring father, and his days of debauchery are far behind him.  Go ahead and be angry, as you have every right to be, but do not be angry with him.  If you must assign blame to anyone, assign it where it is due.  That is, assign it to me." "Yes, you and your infernal meddling!  I hope you're damned proud of yourself!" "I was — until I got your letter saying you were not dead, after all.  But really, Charles.  Even you must admit that Gareth, with his light heart and carefree spirit, is much better suited to Juliet, who is as serious-minded as you are.  My only regret is that something has reduced you to this pathetic wreckage I see standing before me, and I was not there to help you.  But as sorry as I feel for you, Charles, I will tell you this.  If you do anything to sabotage your brother's and Juliet's newfound happiness, I assure you I will be most irate indeed.

You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.

I uh ... think I'd better go," Juliet said. "A pity, that."  He lifted the glass to his lips, his eyes watching her from above its rim. "I cannot talk you into staying, then?" "No. But I'll come back later if you like. Maybe I can bring your supper up to you or something...." "Would you? I would like that. In fact, I would like that very much indeed. Otherwise boredom will force me to read those silly letters, and I confess, Miss Paige, that I would much rather spend the time with you."  He grinned. "And Charlotte, if you will bring her." "I will bring her." "Good. I am looking forward to getting to know both my niece and her lovely mama. When you return, I want to hear all about America, your sea-crossing, everything. And I want a full report on how — Oh, dear —"  He suddenly started and blinked several times in rapid succession, as though the whiskey had just caught him very much by surprise (which in itself was no surprise, Juliet thought, given the amount he had downed and the speed with which he had consumed it). He shook his head, slowly, and tipped it back against the pillows with an apologetic little smile. "That is to say, I want a full report on how Lucien is treating you." "You shall have it then, Lord Gareth."  She plucked the empty glass from his hand and placed it back on the table. "But for now, I think you had better rest." "Yes ... I fear I have no choice about that, given the way those spirits have just hit me!  I am sorry, Miss Paige; I have no wish to be rude, it usually takes much more than three glasses to get me to this state ... but oh, isn't it strange, how the loss of a little blood seems to carry a man's vitality off with it, as well...." "I wouldn't know."  She smiled and moved forward to gently pull the sheet up over his chest. He looked up at her through his lashes and gave her a slow, sleepy smile, content to let her fuss over him, grateful for the attention, a man completely at ease in the company of a woman. "Thank you," he murmured, smiling as he let his eyes drift shut. "I think I shall enjoy ... my dreams." She

Would you like something to eat?" "No." "A little water to drink, then?" "I do not want anything." "But you must be hungry . . . thirsty . . ." "Please, child.  Just leave me alone." He needed to grieve in privacy, to try to come to terms with what had happened to him, to think what to do next.  He needed to contact his commanding officer, Lieutenant Colonel Maddison; he needed to get a letter off to Lucien in England; and oh, God, he needed Juliet.  Badly.  He dug his knuckles into his eyes to stop the sudden threat of tears.  Oh, so very, very badly — He wiped a hand over his face, and as he did, his elbow hit a tankard the girl, who was getting to her feet, was holding, sloshing its contents all down his chin and neck. Charles's temper, normally under as tight a control as everything else about him, exploded. "Plague take it, woman, just leave me the devil alone!  I am in torment enough without someone trying to nanny me!" "I'm only trying to help —" "Then go away and leave me be, damn you!" he roared, plowing his fingers into his hair and gathering great hunks of it in his fists.  "Go away, go away, go away!" Stunned silence.  And then he heard her get to her feet. "I'm sorry, Captain de Montforte.  I should have realized that you'd need time to come to terms with what's happened to you."  A pause.  "I'll leave this jug of hard cider next to you in case you get thirsty.  It's not as potent as rum, but maybe it'll let you escape from your troubles for a while."  Her voice had lost its sparkle, and Charles knew then — much to his own dismay and self-loathing — that she was a sensitive little thing beneath that cheerfulness, and that he'd hurt her feelings.  He suddenly felt like a monster, especially when her voice faltered and she said, "I'll be just across the room, peeling vegetables for supper . . . if you need anything, just call and I'll be right there." She

Ah —" he gave a rueful, bland little smile — "I see that you, too, think I'm cruel and heartless. But Andrew cannot focus his mind, and attentions, on a single project. He has an annoying and unproductive habit of hitting upon an idea, then failing to follow it through."  He took a sip of his coffee and smiled benignly at Juliet. "If I do not mock and challenge him, he will never design his flying machine." "You're a very manipulative man, Your Grace. Do you always employ such methods to get others to behave as you would wish?" Again, that derisive little smile. "Only when it is necessary, Miss Paige. Now, be a good girl and take those letters up to Gareth, would you? I find that the scent of them is giving me a headache.

Better by far you should forget and smile, than that you should remember and be sad.

Where Angels Sing, by Edward Nancarrow When from this empty world I fall And the light within me fades I’ll think, my love, of a sweeter time When life was light, not shade With bluebirds from this world I’ll fly And to a cove I’ll go To wait for you where angels sing And when it’s time, you’ll know To meet me on the far side where We once led Mermaid home And finally, my love and I Will be, as one, alone

Thein Pe was the political writer par excellence. His very first work of fiction wove a nationalist message into a romance partly inspired by Romeo and Juliet.52 Khin Myo Chit is the story of a Burmese Muslim girl who is unable to give up her religion to marry the young Buddhist she loves. Nor can she ask the young man to convert to her religion as this would have an adverse effect on his nationalist activities. The couple decide to part and the girl dies of a broken heart, leaving a letter urging the young man to carry on with the struggle for Burma’s independence. Thein

What” and “if” are two words as non-threatening as words can be, but put them together side by side and they have the power to haunt you for the rest of your life.’ LETTERS TO JULIET, SCREENPLAY BY JOSÉ RIVERA AND TIM SULLIVAN

What” and “if” are two words as non-threatening as words can be, but put them together side by side and they have the power to haunt you for the rest of your life.’ LETTERS TO JULIET, SCREENPLAY BY JOSÉ RIVERA AND TIM SULLIVAN The most common reason why our ideas stay in our head is because of two little words: ‘What if?’ What if it doesn’t work out? What if people don’t like it? What if no one buys? What if people laugh? What if I can’t do this? What if I get the pricing wrong? What if it’s not good enough?

while unwelcome, are not abhorrent.

Less” liberates. “Less” gives us the possibility of the pause. “Less” makes work smarter and more productive. Microsoft Japan conducted an in-house study looking at the effects of a four-day workweek and found that it increased productivity by 40 percent while overhead costs decreased by nearly a quarter. Charles Darwin and Charles Dickens both worked four to five hours a day and on that schedule wrote nineteen and twenty-one books, respectively (with time for letter writing, social lunches, and extended midday strolls). Less can be the new more if we give it a chance.

But Edward and I knew differently, and we knew it from the first, ‘Hello’. Because that was the thing with love at first sight, it was like the birth of time – the big bang of the universe itself. It was the ignition of a silent understanding exchanged in body language – in the blink of an eye, the angle of the head and the positioning of the body. It was that first spark of a silent understanding that set in motion an unstoppable series of events. A motion that creates a kind of energy that forever links two people in an impenetrable and invisible connectedness. A connectedness that almost always brings a heady emotional mix of absolute joy and unbearable pain.

Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet

A guided meditation is like sending your subconscious an email newsletter while hypnosis is like sending your subconscious a handwritten letter.

Lottie was dozing on a large sofa by the bay window. A King Charles Spaniel lay by her feet. An

the wide-plank wood floors formed a loop around the

Love's Great Adventure by Stewart Stafford Look out for the wandering eye, And the fervour that follows it, A jewel clasped is the first part, Guarding against theft is trickier. Surreptitious teases acted out then, The Rubicon crossed and drained, Love, blind to impediment boundaries, Prized contagion spread as lightning. Rival houses intrude to spoil it, To still the fluttering of butterflies, And the bosom of Eros heaving, Unstoppable to every homo sapien. Here, I'll act as Cupid's emissary, Whisper lovers' spells in my ear, I'll parrot them to her to the letter, So lured, she'll have me over you. Groggy from humid moon nectar, On summertime clouded visions, A second an hour, as a day a year, Arousal of fire in swelled chests. Stallions of the Venus chariot, Borne freely to the new Arcadia, Feet skimming over terra firma, The youthful mask smothers all. © Stewart Stafford, 2023. All rights reserved.

The third letter was housed in a blue envelope. Beth didn’t pause to brace herself before opening it. Whatever Mags had to say, it couldn’t be worse than the month she had just survived. No longer filled with anxiety at the thought of a thirty-five-year-old secret about her parents or Mags’ blunt statements about Beth’s life choices, she dove in.   Dearest

It is a revelation to be truly seen.