Taboo Love Quotes

We've searched our database for all the quotes and captions related to Taboo Love. Here they are! All 100 of them:

I felt like an animal, and animals don’t know sin, do they?
Jess C. Scott (Wicked Lovely)
You're not as much of a lost cause as she was. I mean, with her, I had to overcome her deep, epic love with a Russian warlord. You and I just have to overcome hundreds of years' worth of deeply ingrained prejudice and taboo between our two races. Easy.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
What a strange world this is when you can have as much sex as you like but love is taboo.
Jeanette Winterson (Powerbook)
Peace can be made only by those who are peaceful, and love can be shown only by those who love. No work of love will flourish out of guilt, fear, or hollowness of heart, just as no valid plans for the future can be made by those who have no capacity for living now.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
Because that was the problem with society. It cared too much about who you fell in love with but never about why. The why matters.
L.J. Shen (Defy (Sinners of Saint, #0.5))
I want to take you under the moonlight.
Kassandra Cross (Carrie's First Time (Carrie #1))
Genuine love comes from knowledge, not from a sense of duty or guilt.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
There is a strange taboo in our society against ending something merely because it is not pleasant-- life, love, a conversation, you name it, the etiquette is that you must begin in ignorance & persevere in the face of knowledge, & though I naturally believe that this is profoundly wrong it's not nice to go around constantly offending people.
Helen DeWitt (The Last Samurai)
Why the anchor?" "Because sometimes, it's nice to feel like there's someone who can save you.
L.J. Shen (Defy (Sinners of Saint, #0.5))
If you think you can stand looking and not touching for eight months, you're welcome to try." "Try' being the operative word," he said, sighing. "No, I can't. And I don't want to try.
Leah Raeder (Unteachable)
We must avoid possession," he said. "But, oh, let me kiss you.
Anaïs Nin
I'm done with the pouting," he said. "Done with being moody—well, I mean, I'm always a little moody. That's what Adrian Ivashkov's all about. But I'm done with the excessive stuff. That didn't get me anywhere with Rose. It won't get me anywhere with you." "Nothing will get you anywhere with me," I exclaimed. "I don't know about that." He put on an introspective look that was both unexpected and intruiging. "You're not as much of a lost cause as she was. I mean, with her, I had to overcome her deep, epic love with a Russian warlord. You and I just have to overcome hundreds of years' worth of deeply ingrained prejudice and taboo between our two races. Easy.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
What's a book boyfriend and how do I find them so I can kick their asses?
M.D. Saperstein (Hey There, Delilah (A Taboo Love, #1))
I pull out my e-reader and get back to my fictional boyfriend. Lord knows he won't cheat on me.
M.D. Saperstein (Hey There, Delilah (A Taboo Love, #1))
What a strange world it is where you can have as much sex as you like but love is taboo. I'm talking about the real thing, the grand passion, which may not allow affection or convenience or happiness. The truth is that love smashes into your life like an ice floe, and even if your heart is built like the Titanic you go down. That's the size of it, the immensity of it. It's not proper, it's not clean, it's not containable.
Jeanette Winterson (The PowerBook)
She had assumed they would see each other every day but she hadn’t really thought about the implications of having an affair with a married man. It wasn’t going to be a normal relationship.
Kassandra Cross (Carrie's First Time (Carrie #1))
I think I like you," I muttered, pressing my face to his muscled torso in a hug. I felt his heartbeat under my ear. "I think I like you back.
L.J. Shen (Defy (Sinners of Saint, #0.5))
Even the idea of not being in his life was a big enough pain to steal my breath.
V. Theia (It Was Love (Taboo Love Duet #1))
I know what he tasted like now, it’s less than twenty-four hours ago his tongue thrusted down my throat licking my kidneys.
V. Theia (It Was Love (Taboo Love Duet #1))
She loved the fact he was older than her and more experienced, he had so much to teach her and she couldn’t wait to learn.
Kassandra Cross (Carrie's First Time (Carrie #1))
Nothing will get you anywhere with me," I exclaimed. "I don't know about that." He put on an introspective look that was both unexpected and intriguing. "You're not as much of a lost cause as she was. I mean, with her, I had to overcome her deep, epic love with a Russian warlord. You and I just have to overcome hundreds of years' worth of deeply ingrained prejudice and taboo between our two races. Easy.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I’m telling you, men make women stupid. What with their gorgeous dicks and stupid, sexy crooked, villainous smiles and good smelling necks. All of them make us stupid at one time or another.
V. Theia (It Was Always Love (Taboo Love #2))
Like any southern woman would do. I choose to bury my feelings in carbs. There’s no problem carbs cannot fix. I can be my awkward, unsophisticated, tongue-tied self, but by god I’ll do it with cheesy carbs in my blood stream.
V. Theia (It Was Love (Taboo Love Duet #1))
I’ll make coffee and we can go ahead with not talking about how fucking spectacular you are when you come.
V. Theia (It Was Love (Taboo Love Duet #1))
I was done for. Destroyed. Made whole again.
V. Theia (It Was Love (Taboo Love Duet #1))
This state of affairs is known technically as the "double-bind." A person is put in a double-bind by a command or request which contains a concealed contradiction... This is a damned-if-you-do and damned-if-you-don't situation which arises constantly in human (and especially family) relations... The social doublebind game can be phrased in several ways:The first rule of this game is that it is not a game. Everyone must play. You must love us. You must go on living. Be yourself, but play a consistent and acceptable role. Control yourself and be natural. Try to be sincere. Essentially, this game is a demand for spontaneous behavior of certain kinds. Living, loving, being natural or sincere—all these are spontaneous forms of behavior: they happen "of themselves" like digesting food or growing hair. As soon as they are forced they acquire that unnatural, contrived, and phony atmosphere which everyone deplores—weak and scentless like forced flowers and tasteless like forced fruit. Life and love generate effort, but effort will not generate them. Faith—in life, in other people, and in oneself—is the attitude of allowing the spontaneous to be spontaneous, in its own way and in its own time.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
It’s no big deal, I suppose. I’m sure queer men kiss women all the time, but what is fathomless in questions for me is this is Noah. My Noah.
V. Theia (It Was Love (Taboo Love Duet #1))
Now what did you say about my legend cock?
V. Theia (It Was Love (Taboo Love Duet #1))
Let me see those lips worship like I know they can.
V. Theia (It Was Love (Taboo Love Duet #1))
How long can a person live on their heart has stopped beating? Minutes? Days? Decades? I only wish I was asking for a naïve friend.
V. Theia (It Was Always Love (Taboo Love #2))
I fell in love with a beautiful friendship.
V. Theia (It Was Love (Taboo Love Duet #1))
I fucking worship and adore you. My heart is only yours.
V. Theia (It Was Love (Taboo Love Duet #1))
That fucking guy. He’s like a bad case of herpes.
V. Theia (It Was Love (Taboo Love Duet #1))
Sometimes having a pretend fake boyfriend sucked.
V. Theia (It Was Love (Taboo Love Duet #1))
I don’t need to be a Sheldon Cooper to add up that math equation.
V. Theia (It Was Always Love (Taboo Love #2))
He’s my person. My everything. I can’t function without a heavy dose of Noah frequently. He’s my drug of choice. My happy and my all.
V. Theia (It Was Always Love (Taboo Love #2))
He is utterly…overwhelming. Unapproachable. Daunting. With an arrogance in its own zip-code.
V. Theia (It Was Always Love (Taboo Love #2))
A dick so good it was a long club of perfectness.
V. Theia (It Was Always Love (Taboo Love #2))
It’s official. I am dead, attending my own funeral. Here lies Sena Black. She had a promising life but died of aggravated pussy failure.
V. Theia (It Was Love (Taboo Love Duet #1))
Life and love generate effort, but effort will not generate them.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
He not only rocked my body in ways I’d never experienced before, but we connected on a level that surpassed friendship. We fucked with a single-minded need to extinguish and reconstruct.
V. Theia (It Was Always Love (Taboo Love #2))
Nick: I had a great time. ;) Delilah: Are you winking at me? Nick: No, I had something in my emoticon eye :)~
M.D. Saperstein (Hey There, Delilah (A Taboo Love, #1))
If I needed proof my attachment to him was alive and strong as ever it took one brush against my forearm to feel every hormone sit up and bark. It’s sexual longing, sure. But my heart has always been involved with Noah on some level.
V. Theia (It Was Love (Taboo Love Duet #1))
I missed you, lion.
V. Theia (It Was Love (Taboo Love Duet #1))
The syncopated rhythm of our breathing was deafening in the silence surrounding us, as if we’d walked into a bubble and locked the outside world out.
V. Theia (It Was Love (Taboo Love Duet #1))
A lot of men not only fear emotional pain, they are afraid to be transparent and vulnerable. To let an outsider even glimpse their confusion or suffering is a taboo that starts in adolescence and becomes more entrenched with adulthood.
Michael R. French (Why Men Fall Out of Love: What Every Woman Needs to Understand)
If that’s how you react to my bringing over a baked Ziti, I now question the poor pizza boy, you know he’s all of eighteen, right? You can’t be accosting that boy, Noah, doesn’t matter how grateful you are he brings you a cheese pie.
V. Theia (It Was Love (Taboo Love Duet #1))
The worst possible sexual education: a taboo imposed by the Catholic church plus romantic literature elevating love to unreal heights plus the obscene language of my peers. After all, I was nearly born in the nineteenth century, and I have no tender feelings for it.
Czesław Miłosz
What we had wasn’t so unique. People who were not on the same destiny signup sheet could still fall in love. We were prime examples. But what Noah and I had was so much more than love. It was attachment. A deep bond of trust and attraction that grew so slowly over time
V. Theia (It Was Always Love (Taboo Love #2))
But did he know that I'd already forgiven him for having rejected me?
Maryam Schonbeck (My Heresy: A romantic story that will get you thinking.)
He had a sadness in his eyes that Carrie recognised as regret.
Kassandra Cross (Carrie's First Time (Carrie #1))
The startling truth is that our best efforts for civil rights, international peace, population control, conservation of natural resources, and assistance to the starving of the earth—urgent as they are—will destroy rather than help if made in the present spirit. For, as things stand, we have nothing to give. If our own riches and our own way of life are not enjoyed here, they will not be enjoyed anywhere else. Certainly they will supply the immediate jolt of energy and hope that methedrine, and similar drugs, give in extreme fatigue. But peace can be made only by those who are peaceful, and love can be shown only by those who love. No work of love will flourish out of guilt, fear, or hollowness of heart, just as no valid plans for the future can be made by those who have no capacity for living now.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
You are so beautiful,” he whispered, kissing her softly on the lips. “I can’t believe I got to have you.” “You’re the only one who has,” Carrie smiled, “And I wouldn’t have had it any other way.
Kassandra Cross (Carrie's First Time (Carrie #1))
I couldn't speak. It wasn't because I was frightened. I was entranced, frozen in place by a crisp, terrifyingly icy beauty. Her gorgeousness seemed like a taboo, something forbidden to approach or even speak of, never mind touch.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
How could I know what we’d have, kitten? My beautiful, perfect, maddening friend who I fucking worship the ground she walks on. I was as surprised as you were. But I know this; I’ve been moving toward you my entire life. I just didn’t know it. And now I’m here, I’ll stop anyone who tries to interfere.
V. Theia (It Was Always Love (Taboo Love #2))
It is our custom to consume the person we love. Taboo flesh: swollen genitalia nipples the scrotum the vulva the soles of the feet the palm of the hand heart and liver taste best. Cannibalism is blessed. I'll wear your jawbone round my neck listen to your vertebrae bone tapping bone in my wrists. I'll string your fingers round my waist - what a rigorous embrace. Over my heart I'll wear a brooch with a lock of hair. Nights I'll sleep cradling your skull sharpening my teeth on your toothless grin. Sundays there's Mass and communion and I'll put your relics to rest.
Gloria E. Anzaldúa (Borderlands/La Frontera: The New Mestiza)
Yes, Mel. That's exactly why I left without explaining. Because I think about you before I think about myself. Always remember that, Little Ballerina. Always.
L.J. Shen (Defy (Sinners of Saint, #0.5))
You feel pretty ,manly to me," I breathed out, all jelly-legged with half-mast eyes. "And you feel like a woman worthy of a fight, Ms.Greene.
L.J. Shen (Defy (Sinners of Saint, #0.5))
It is the desire for irreverence as much as anything else that brought me first to poetry. The need to make fun of authority, break taboos, celebrate the body and its functions, claim that one has seen angels in the same breath as one says that there is no god.
Charles Simic (The Monster Loves His Labyrinth)
My wounds were someone else’s lesson. What would I tell them? Maybe not to fall in love with your gay best friend. That would be a good start. But I can’t regret it. Love wasn’t to blame for my own stupidity. I loved loving Noah, even unrequited, it served a purpose in my life, it’s filled a hole for years and that was my own doing, my eyes were open.
V. Theia (It Was Always Love (Taboo Love #2))
If someone was in the house, I’m sure to be murdered. I’ve hardly got any muscle mass to speak of, I’m mostly gristle and ass fat and I could barely survive an hour long hot yoga class staring at the hot instructor so my chances of chasing off a home invader is slim to fucking I’m in big trouble. My arms were noodle limp, hardly weapons of mass destruction.
V. Theia (It Was Always Love (Taboo Love #2))
In Afghanistan a woman’s longing for love is taboo. It is forbidden by the tribes’ notion of honor and by the mullahs. Young people have no right to meet, to love, or to choose. Love has little to do with romance; on the contrary, love can be interpreted as committing a serious crime, punishable by death.
Åsne Seierstad (The Bookseller of Kabul)
But peace can be made only by those who are peaceful, and love can be shown only by those who love. No work of love will flourish out of guilt, fear, or hollowness of heart, just as no valid plans for the future can be made by those who have no capacity for living now.
Alan W. Watts (The Book on the Taboo Against Knowing Who You Are)
This was the Noah effect.
V. Theia (It Was Love (Taboo Love Duet #1))
You want to be someone's reason to masturbate tonight, not have them wonder what church you're collecting for.
V. Theia (It Was Love (Taboo Love Duet #1))
Noah is the crème de la crème of fuckable men. He’s the hot caramel sauce on a Sundae. The frosting on the cake. The… dammit, now I want my first dessert.
V. Theia (Forever Love: A Taboo Love Companion)
You do bad things to me, Carrie,” he grinned, “Very bad things.
Kassandra Cross (Carrie's First Time (Carrie #1))
I’m a virgin Mr Cohen,” Carrie said, “I’ve never been with a man before.
Kassandra Cross (Carrie's First Time (Carrie #1))
Normality may be a hallucination, but it's a collective trip, and it takes a lot of energy to come down.
Alexa Tsoulis-Reay (Finding Normal: Sex, Love, and Taboo in Our Hyperconnected World)
It is terrible that we all die and lose everything we love; it is doubly terrible that so many human beings suffer needlessly while alive. That so much of this suffering can be directly attributed to religion—to religious hatreds, religious wars, religious taboos, and religious diversions of scarce resources—is what makes the honest criticism of religious faith a moral and intellectual necessity. Unfortunately, expressing such criticism places the nonbeliever at the margins of society. By merely being in touch with reality, he appears shamefully out of touch with the fantasy life of his neighbors.
Sam Harris (Letter to a Christian Nation)
I love therapy. I don't get the taboo about seeking therapy at all. It's exactly like taking Buzzfeed quizzes. At the end of the day, we all want to know what cocktail we are. But it means so much more when it comes from a shrink. It's like 'Ooh, I really am Liquid Cocaine!
Judy Balan
The litany of what I did want? To be challenged. To not live in the safety of my own little snow globe and be reassured by familiarity and surrounded by what made me comfortable and coddled me. To stand in other people’s shoes and see how they saw the world—especially if they were outsiders and monsters and freaks who would lead me as far away as possible from whatever my comfort zone supposedly was—because I sensed I was that outsider, that monster, that freak. I craved being shaken. I loved ambiguity. I wanted to change my mind, about one thing and another, virtually anything. I wanted to get upset and even be damaged by art. I wanted to get wiped out by the cruelty of someone’s vision of the world, whether it was Shakespeare or Scorsese, Joan Didion or Dennis Cooper. And all of this had a profound effect. It gave me empathy. It helped me realize that another world existed beyond my own, with other viewpoints and backgrounds and proclivities, and I have no doubt that this aided me in becoming an adult. It moved me away from the narcissism of childhood and into the world’s mysteries—the unexplained, the taboo, the other—and drew me closer to a place of understanding and acceptance.
Bret Easton Ellis (White)
Irrevocable commitment to any religion is not only intellectual suicide; it is positive unfaith because it closes the mind to any new vision of the world. Faith is, above all, open-ness—an act of trust in the unknown. An ardent Jehovah’s Witness once tried to convince me that if there were a God of love, he would certainly provide mankind with a reliable and infallible textbook for the guidance of conduct. I replied that no considerate God would destroy the human mind by making it so rigid and unadaptable as to depend upon one book, the Bible, for all the answers. For the use of words, and thus of a book, is to point beyond themselves to a world of life and experience that is not mere words or even ideas. Just as money is not real, consumable wealth, books are not life. To idolize scriptures is like eating paper currency.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
People say 'I love Artists', but what they really know about Artists? They've ever thought about sharing the real madness with us? I believe those extreme passions/emotions in me separated from the real world is the sauce to pull out the inspirations out of me that touch the core of people's hearts, which is usually wandering about deep inside of you unconsciously covered with the social taboo called 'common sense'.
Hiroko Sakai
It's a physical sickness. Etienne. How much I love him. I love Etienne. I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent. I love that. I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die. There's only one thing I don't love about him. Her. If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick. I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape. It turns out I am not a nice person. Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
But it is not merely a taboo against complaint that makes the hardship of motherhood inadmissable: like all loves this one has a conflicted core, a grain of torment that buffs the pearl of pleasure; unlike other loves, this conflict has no possibility of resolution.
Rachel Cusk (A Life's Work: On Becoming a Mother)
I thought you guys were doing some kind of secret role-playing shit.
M.D. Saperstein (Hey There, Delilah (A Taboo Love, #1))
Sixteen and in love when our existence is taboo and still I choose you. I choose you.
Topaz Winters (Heaven or This)
She’s the love of my life. She owns my body.
V. Theia (Forever Love: A Taboo Love Companion)
Love can be given, and it can be earned, but it can’t ever be forced.
V. Theia (Forever Love: A Taboo Love Companion)
Another limit on intimate marriage in the nineteenth century was that many people still held the Enlightenment view that love developed slowly out of admiration, respect, and appreciation of someone’s good character. Coupled with the taboos on expressions of sexual desire, these values meant that the love one felt for a sweetheart often was not seen as qualitatively different from the feeling one might have for a sister, a friend, or even an idea.
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
You don’t have to, baby girl. Not until you’re ready.” He slips an arm beneath my hips, lifting me so his cock can hit a delicious angle inside me. “But when you’re ready, Lily? I’m going to be right here. No matter how long it takes.” He kisses my neck. “Because I love you, too.
Katee Robert (Your Dad Will Do (A Touch of Taboo, #1))
No, madam,' I said to the woman in my ESL English. "That's my mom. I came out her asshole and I love her very much. I am seven. Next year I will be eight. I'm doing fine."... You believed, like many Vietnamese mothers, that to speak of female genitalia, especially between mothers adn sons, is considered taboo- so when talking about birth, you always mentioned that I had come out of your anus. You would playfully slap my head and say,'This huge noggin nearly tore up my asshole!
Ocean Vuong (On Earth We're Briefly Gorgeous)
Does God exist? Unlike many people, this had not been the great inner debate of her life. Under the old Communist regime, the official line in schools had been that life ended with death, and she had gotten used to the idea. On the other hand, her parents’ generation and her grandparents’ generation still went to church, said prayers, and went on pilgrimages, and were utterly convinced that God listened to what they said. At twenty-four, having experienced everything she could experience—and that was no small achievement—Veronika was almost certain that everything ended with death. That is why she had chosen suicide: freedom at last. Eternal oblivion. In her heart of hearts, though, there was still a doubt: What if God did exist? Thousands of years of civilization had made of suicide a taboo, an affront to all religious codes: Man struggles to survive, not to succumb. The human race must procreate. Society needs workers. A couple has to have a reason to stay together, even when love has ceased to exist, and a country needs soldiers, politicians and artists. If God exists, and I truly don’t believe he does, he will know that there are limits to human understanding. He was the one who created this confusion in which there is poverty, injustice, greed, and loneliness. He doubtless had the best of intentions, but the results have proved disastrous; if God exists, he will be generous with those creatures who chose to leave this Earth early, and he might even apologize for having made us spend time here. To hell with taboos and superstitions. Her devout mother would say: “God knows the past, the present, and the future.” In that case, he had placed her in this world in the full knowledge that she would end up killing herself, and he would not be shocked by her actions. Veronika began to feel a slight nausea, which became rapidly more intense.
Paulo Coelho (Veronika Decides to Die)
You love it when I’m disgusting. In fact, the dirtier I talked, the more you screamed. The sooner you admit that, the easier it will be for both of us. I only ask for one day from you, AJ. One day for my lost opportunity.
Jaimie Roberts (A Step Two Close)
Nothing has dwindled in our love. That much, I am sure of. We have always been wild about each other, and I am so happy in the life that we’ve built. But it niggles me more and more that we are parents and not just a couple in love. We used to be Sena and Noah. Do we even have anything to talk about other than the kids anymore?
V. Theia (Forever Love: A Taboo Love Companion)
I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I? Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge. But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.
Katherine Dunn (Geek Love)
Once you break one taboo, others soon come thumgbling down. Once you start rolling downhill, you carry on rolling until you reach the lowest point. For someone with no aim in life and who has never known love, leading a respectable life seems utterly pointless and unbearable.
Rika Yokomori (تانغو طوكيو)
A lot of people like to listen to people talk about death because we don't do it enough...We make it taboo, and I think that gives it too much power...I hope that for some of you, this made sense. That the uncertainty I felt while typing it clicked something into place for you. In a world where we strive to be different, to stand out, to be unique and not be like anyone else, sometimes it's nice to know that we aren't different...We're all scared little apes burdened with thoughts, worries, and uncertainties. Even our fight to be different proves we're the same.
Daniel Sloss (Everyone You Hate is Going to Die: And Other Comforting Thoughts on Family, Friends, Sex, Love, and More Things That Ruin Your Life)
A troubling reality in much of evangelical life is that convincing someone they are saved seems to take precedence over making sure someone actually is saved. This must change. Somehow questioning another person’s salvation became taboo in evangelical culture, when it could possibly be one of the most loving things you can do for another; it could mean the difference between seeds that sprout and bloom and seeds that are snatched away.
Dean Inserra (The Unsaved Christian: Reaching Cultural Christianity with the Gospel)
I pulled the lever repeatedly not even paying attention to whether or not I was winning anything. Her voice startled me. “You look like you have something on your mind.” “I do?” “Who is he, and what did he do?” I’d never see this woman again after today. Maybe I should just let it all out. “You want the long version or the short version?” “I’m ninety, and the dinner buffet opens in five minutes. Give me the short version.” “Okay. I’m here with my stepbrother. Seven years ago, we slept together right before he moved away.” “Taboo…I like it. Go on.” I laughed. “Okay…well, he was the first and last guy I ever really cared about. I never thought I’d see him again. His father died this week, and he came back for the funeral. He wasn’t alone. He brought a girl he supposedly loves. I know she loves him. She’s a good person. She had to go back to California early. Somehow, I ended up at this casino with him. He leaves tomorrow.” A single teardrop fell down my face. “It looks to me like you still care about him.” “I do.” “Well, then you have twenty-four hours.” “No, I don’t plan to screw things up for him.” “Is he married?” “No.” “Then, you have twenty-four hours.” She looked at her watch and leaned on her walker to stand herself up. She gave me her hand. “I’m Evelyn.” “Hi, Evelyn. I’m Greta.” “Greta…fate gave you an opportunity. Don’t fuck it up,” she said before she scooted away on the walker.
Penelope Ward (Stepbrother Dearest)
They were both questing for the behavior that was proper to their station and their unutterable dreams. They both knew intimately the etiquette, the taboos, the protocol of bums. By their talk to each other they understood that they shared a belief in the brotherhood of the desolate; yet in the scars of their eyes they confirmed that no such fraternity had ever existed, that the only brotherhood they belonged to was the one that asked the enduring question: How do I get through the next twenty minutes? They feared drys, cops, jailers, bosses, moralists, crazies, truth-tellers, and one another. They loved storytellers, liars, whores, fighters, singers, collie dogs that wagged their tails, and generous bandits. Rudy, thought Francis, he’s just a bum, but who ain’t?
William Kennedy
Our society has tried to make death invisible, thinking that if we ignore it long enough it will go away. Often we as family and loved ones are so afraid of death that even mentioning the word to terminal patients is taboo. We think the dying are oblivious to what is happening to them. Sadly, a dying person frequently feels afraid to bring it up him or herself. When I enter a hospital room I often hear a sigh of relief. At last, someone is here to help the family come to terms with what is playing out before them. Death has too long been the elephant in the living room, while everyone awkwardly discusses the weather.
Megory Anderson (Sacred Dying: Creating Rituals for Embracing the End of Life)
It isn’t always a matter, we should note, of identifying with the protagonist. No one I know, regardless of how much they love his novel, wants to be Humbert Humbert or Victor Frankenstein, although perhaps for different reasons. Or Heathcliff. Ever want to be Heathcliff? I didn’t think so. They are not the stuff of our fantasy lives, yet we may revel in their world, even while reviling their personalities. Consider Humbert. The narrative strategy Nabokov employs is very daring, since it demands that we identify with someone who is breaking what nearly everyone will consider the most absolute taboo. …Sympathy is out of the question. What the novel requires, however, is that we continue reading, something it audaciously gives us reason to do. The word games and intellectual brilliance helps, certainly; he’s detestable but charming and brilliant. The other element is that we watch him with a sort of appalled fascination: can he really intend that; does he really do this; would he really attempt even that; has he lost all sense of proportion? The answers are, in order, yes, yes, yes, and yes. Pretty clearly, then, there are pleasures in the text that are not inherent in the personality of the main character.
Thomas C. Foster (How to Read Novels Like a Professor: A Jaunty Exploration of the World's Favorite Literary Form)
I keep meeting so many couples who feel trapped by the traditional concept of love. They’re actually stuck in between love and sensuality. They seek more sensuality because love, quite frankly, is just not enough. As I usually say, love is an occupation of the idle. The reason why love today doesn’t work like it used to is because we have outgrown it. Have you looked at couples these days? They are bored out of their minds with each other they don’t know what to do with themselves. Many feel trapped or like they’re letting their lives pass them by. I can’t blame them. Here’s the thing, the concept of love has to be constantly renewed (for every generation), and the only way to renew it is through evolving our sensuality. But sensuality is still a taboo in our society. If only people knew that by consistently upgrading our own sensuality we are essentially making sure that we keep love FOREVER FRESH and relevant to our ever-evolving needs (and every generation), then they would be more embracing towards this idea of sensual living. Remember, human beings are not stagnant creatures. Your partner’s needs are a constantly moving target. In fact, love is a constantly moving target. So how do you build foresight that will help you keep figuring out what (or who) your partner IS BECOMING... daily... weekly... monthly... yearly, so that you can avoid being washed out by their perpetual evolution? I believe that developing your ability to stay consistent with our own sensual growth is highly crucial in this day and age. It’s what’s going to help you survive being washed out, outgrown, or become irrelevant in your partner’s life. You’ve got to keep up. You can’t be lazy or complacent because you’re ‘in love.’ Stop using love as a security. Sensuality is the new security. Sensuality is what’s going to help you keep up with the chase of your partner's constantly evolving nature.
Lebo Grand
Any animal can fuck. But only humans can experience sexual passion, something wholly different from the biological urge to mate. And sexual passion’s endured for millennia as a vital psychic force in human life — not despite impediments but because of them. Plain old coitus becomes erotically charged and spiritually potent at just those points where impediments, conflicts, taboos, and consequences lend it a double-edged character — meaningful sex is both an overcoming and a succumbing, a transcendence and a transgression, triumphant and terrible and ecstatic and sad. Turtles and gnats can mate, but only the human will can defy, transgress, overcome, love: choose. History-wise, both nature and culture have been ingenious at erecting impediments that give the choice of passion its price and value: religious proscriptions; penalties for adultery and divorce; chivalric chastity and courtly decorum; the stigma of illegitimate birth; chaperonage; madonna/whore complexes; syphilis; back-alley abortions; a set of “moral” codes that put sensuality on a taboo-level with defecation and apostasy… from the Victorians’ dread of the body to early TV’s one-foot-on-the-floor-at-all-times rule; from the automatic ruin of “fallen” women to back-seat tussles in which girlfriends struggled to deny boyfriends what they begged for in order to preserve their respect. Granted, from 1996’s perspective, most of the old sexual dragons look stupid and cruel. But we need to realize that they had something big in their favor: as long as the dragons reigned, sex wasn’t casual, not ever. Historically, human sexuality has been a deadly serious business — and the fiercer its dragons, the seriouser sex got; and the higher the price of choice, the higher the erotic voltage surrounding what people chose." -from "Back in New Fire
David Foster Wallace (Both Flesh and Not: Essays)
Notice in Acts 4 that there were “no needy persons among them.” Why? Because they shared with “anyone one who had need.” The expression of neediness in the community allowed the economy of love to flow. But in churches in America and other places where affluence poses special problems, the situation is very different. These cultures are enslaved to the fear of death and death avoidance holds serious sway. In these cultures the expression of need is taboo and pornographic. What results is neurotic image-management, the pressure to be “fine.” The perversity here is that on the surface American churches do look like the church in Acts 4 - there are “no needy persons” among us. We all appear to be doing just fine, thank you very much. But we know this to be a sham, a collective delusion driven by the fear of death. I’m really not fine and neither are you. But you are afraid of me and I’m afraid of you. We are neurotic about being vulnerable with each other. We fear exposing our need and failure to each other. And because of this fear - the fear of being needy within a community of neediness - the witness of the church is compromised. A collection of self-sustaining and self-reliant people - people who are all pretending to be fine - is not the Kingdom of God. It’s a church built upon the delusional anthropology we described earlier. Specifically, a church where everyone is “fine” is a group of humans refusing to be human beings and pretending to be gods. Such a “church” is comprised of fearful people working hard to keep up appearances and unable to trust each other to the point of loving self-sacrifice. In such a “church” each member is expected to be self-sufficient and self-sustaining, thus making no demands upon others. Unfortunately, where there is no need and no vulnerability, there can be no love.
Richard Beck (The Slavery of Death)
Is it true it takes thirteen months for a female to carry and give birth?” “Minimum.” He said it with such casual dismissal that Bella laughed. “That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face. His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm. “I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat. “Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon. “You.” Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on. “Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station. “Because I cannot seem to help myself, lovely little Bella.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
But I can cite ten other reasons for not being a father." "First of all, I don't like motherhood," said Jakub, and he broke off pensively. "Our century has already unmasked all myths. Childhood has long ceased to be an age of innocence. Freud discovered infant sexuality and told us all about Oedipus. Only Jocasta remains untouchable; no one dares tear off her veil. Motherhood is the last and greatest taboo, the one that harbors the most grievous curse. There is no stronger bond than the one that shackles mother to child. This bond cripples the child's soul forever and prepares for the mother, when her son has grown up, the most cruel of all the griefs of love. I say that motherhood is a curse, and I refuse to contribute to it." "Another reason I don't want to add to the number of mothers," said Jakub with some embarrassment, "is that I love the female body, and I am disgusted by the thought of my beloved's breast becoming a milk-bag." "The doctor here will certainly confirm that physicians and nurses treat women hospitalized after an aborted pregnancy more harshly than those who have given birth, and show some contempt toward them even though they themselves will, at least once in their lives, need a similar operation. But for them it's a reflex stronger than any kind of thought, because the cult of procreation is an imperative of nature. That's why it's useless to look for the slightest rational argument in natalist propaganda. Do you perhaps think it's the voice of Jesus you're hearing in the natalist morality of the church? Do you think it's the voice of Marx you're hearing in the natalist propaganda of the Communist state? Impelled merely by the desire to perpetuate the species, mankind will end up smothering itself on its small planet. But the natalist propaganda mill grinds on, and the public is moved to tears by pictures of nursing mothers and infants making faces. It disgusts me. It chills me to think that, along with millions of other enthusiasts, I could be bending over a cradle with a silly smile." "And of course I also have to ask myself what sort of world I'd be sending my child into. School soon takes him away to stuff his head with the falsehoods I've fought in vain against all my life. Should I see my son become a conformist fool? Or should I instill my own ideas into him and see him suffer because he'll be dragged into the same conflicts I was?" "And of course I also have to think of myself. In this country children pay for their parents' disobedience, and parents for their children's disobedience. How many young people have been denied education because their parents fell into disgrace? And how many parents have chosen permanent cowardice for the sole purpose of preventing harm to their children? Anyone who wants to preserve at least some freedom here shouldn't have children," Jakub said, and fell into silence. "The last reason carries so much weight that it counts for five," said Jakub. "Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that it merits being duplicated." "And you have not found life to be good?" asked Bertlef. Jakub tried to be precise, and said cautiously: "All I know is that I could never say with complete conviction: Man is a wonderful being and I want to reproduce him.
Milan Kundera (Farewell Waltz)
Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.
Sigmund Freud (Totem and Taboo Resemblances Between the Psychic Lives of Savages and Neurotics)