β
There is love in holding and there is love in letting go.
β
β
Elizabeth Berg (The Year of Pleasures)
β
I hadn't realized how much I'd been needing to meet someone I might be able to say everything to.
β
β
Elizabeth Berg (Talk Before Sleep)
β
You are always in my thoughts. When you were little, I knew your whereabouts at any given moment. Now that you are...off on your own, I still always know where you are, because I keep you in my heart.
β
β
Elizabeth Berg
β
There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.
β
β
Elizabeth Berg (The Art of Mending)
β
You are born into your family and your family is born into you. No returns. No exchanges.
β
β
Elizabeth Berg (The Art of Mending)
β
Sometimes serendipity is just intention unmasked.
β
β
Elizabeth Berg (The Year of Pleasures)
β
Don't let your habits become handcuffs
β
β
Elizabeth Berg (The Year of Pleasures)
β
If I were to draw on a paper what gym does for me, I would make one dot and then I would erase it.
β
β
Elizabeth Berg (Joy School (Katie Nash, #2))
β
I cried until my eyes swelled shut, and then I slept, a black, dreamless sleep from which I awoke amazingly refreshed, at least until I remembered.
β
β
Elizabeth Berg (The Year of Pleasures)
β
Kennt ihr Deutschland?
Im SΓΌden die Berge
Im Norden das Meer
Und dazwischen:
Teer.
Aber wirklich nur Teer?
Es gibt doch noch mehr!
Ja, genau.
Stau.
β
β
Marc-Uwe Kling (Die KΓ€nguru-Chroniken (Die KΓ€nguru-Chroniken, #1))
β
I will come back as a little breeze. You will feel me on your face, and you will know that I am still listening. So you can still talk to me.
β
β
Elizabeth Berg (Talk Before Sleep)
β
Never be afraid of doing the thing you know in your heart is right, even if others don't agree.
β
β
Elizabeth Berg (Dream When You're Feeling Blue)
β
Sometimes you know before you know.
β
β
Elizabeth Berg (Range of Motion)
β
Now, on this road trip, my mind seemed to uncrinkle, to breathe, to present to itself a cure for a disease it had not, until now, known it had.
β
β
Elizabeth Berg (The Year of Pleasures)
β
Anything we have, we are only borrowing. Anything. Any time.
β
β
Elizabeth Berg (True to Form (Katie Nash, #3))
β
books are like confort food without the calories
β
β
Elizabeth Berg (Home Safe)
β
I have wanted you to see out of my eyes so many times.
β
β
Elizabeth Berg (The Pull of the Moon)
β
Love is a weapon of Light, and it has the power to eradicate all forms of darkness. That is the key. When we offer love even to our enemies, we destroy their darkness and hatred...
β
β
Yehuda Berg
β
There is love in holding, and there is love in letting go.
β
β
Elizabeth Berg (The Year of Pleasures)
β
One thing I have always been is too short. It's adorable when you're in junior high. After that, it's a pain in the ass for the rest of your life.
β
β
Elizabeth Berg (Talk Before Sleep)
β
Nothing tastes as good as being thin feels.
β
β
Elizabeth Berg (The Day I Ate Whatever I Wanted: And Other Small Acts of Liberation)
β
It is never about how good your voice is; it is only about feeling the urge to sing, and then having the courage to do it with the voice you are given.
β
β
Elizabeth Berg
β
But it seemed to me that this was the way we all lived: full to the brim with gratitude and joy one day, wrecked on the rocks the next. Finding the balance between the two was the art and the salvation.
β
β
Elizabeth Berg (The Year of Pleasures)
β
You must not reduce yourself to a puddle just because the person you like is afraid to swim and you are a fierce sea to them; because there will be someone who was born with love of the waves within their blood, and they will look at you with fear and respect.
β
β
T.B. LaBerge Things I m Still Learning at 25 via tblaberge
β
On many occasions the curious atmospheric effects enchanted me vastly; these including a strikingly vivid mirage - the first I had ever seen - in which distant bergs became the battlements of unimaginable cosmic castles.
β
β
H.P. Lovecraft (At the Mountains of Madness and Other Tales of Terror)
β
I hoped we never had to realize all the opportunities we missed in this life.
β
β
Elizabeth Berg (The Year of Pleasures)
β
Hurt people hurt people. Thatβs how pain patterns gets passed on, generation after generation after generation. Break the chain today. Meet anger with sympathy, contempt with compassion, cruelty with kindness. Greet grimaces with smiles. Forgive and forget about finding fault. Love is the weapon of the future.
β
β
Yehuda Berg
β
Chanel gave women freedom. Yves Saint Laurent (YSL) gave them power.
β
β
Pierre BergΓ©
β
Books don't prattle. Books don't make demands. Yet they give you everything they possess. It's a very satisfying partnership.
β
β
Carol Berg
β
You don't get everything all at once. You wait.
β
β
Elizabeth Berg (Until the Real Thing Comes Along)
β
People say you should give until it hurts. I say you should give until it stops hurting. Know what I mean?
β
β
Elizabeth Berg (Dream When You're Feeling Blue)
β
I like to listen to sad music when Iβm sad. It seems honest. It makes me cry, and sometimes a
good cry is the only thing that can make you feel better.
β
β
Elizabeth Berg (Once Upon a Time, There Was You)
β
I felt myself trapped in line for a ride I was not nearly ready for, looking back but moving forward in the only direction I could go.
β
β
Elizabeth Berg (The Year of Pleasures)
β
The only cities were of ice, bergs with cores of beryl, blue gems within white gems, that some said gave off an odor of almonds.
β
β
Annie Proulx (Shipping News)
β
There are some things you never say good-bye to
β
β
Elizabeth Berg (Dream When You're Feeling Blue)
β
Just one look and then I knew that all I longed for long ago was you
β
β
Elizabeth Berg (Dream When You're Feeling Blue)
β
I always think incipent miracles surround us, waiting only to see if our faith is strong enough. We won't have to understand it; it will just work, like a beating heart, like love. Really, no matter how frightened and discouraged I may become about the future, I look forward to it. In spite of everything I see all around me every day, I have a shaky assurance that everything will turn out fine. I don't think I'm the only one. Why else would the phrase "everything's all right" ease a deep and troubled place in so many of us? We just don't know, we never know so much, yet we have such faith. We hold our hands over our hurts and lean forward, full of yearning and forgiveness. It is how we keep on, this kind of hope.
β
β
Elizabeth Berg (Talk Before Sleep)
β
While the difficult takes time, the impossible just takes a little longer.
β
β
Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
β
The fact that both ego and self say "I" is a source of confusion and misidentification. The well-informed ego says truly, "I am what I know myself to be." The self says merely, "I am.
β
β
Stephen LaBerge (Exploring the World of Lucid Dreaming)
β
The abnormally large female cut the sandwich into four pieces and gave one to each before taking one for herself. They all took a bite and she grinned at their appreciative groans. βSee?β she said around a mouthful of peanut butter and jelly. βIsnβt that good?β
βAnd so decadent,β Berg sighed. βI feel like Iβm eating evil. Pure, unadulterated evil.β
βBut good evil,β Finn added. βThe finest evil ever.β
βCome!β Carl, the unabashed history fan and future historical βre-creatorβ of the lotβan activity Irene had always thought was an incredible waste of time for any human being with a brainβcried out,βLet us tell the others of this glory and what we have learned here today from the enemy She-wolf!β
βHuzzah!β they all cheered and ran out the kitchen back door.
β
β
Shelly Laurenston (Big Bad Beast (Pride, #6))
β
I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.
β
β
Elizabeth Berg (What We Keep)
β
It is such a terrifying thing to see a man cry.
β
β
Elizabeth Berg (The Pull of the Moon)
β
Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
Glanzvoller Stern! wΓ€r ich so stet wie du,
Nicht hing ich nachts in einsam stolzer Pracht!
SchautΕ½ nicht mit ewigem Blick beiseite zu,
Einsiedler der Natur, auf hoher Wacht
Beim Priesterwerk der Reinigung, das die See,
Die wogende, vollbringt am Meeresstrand;
Noch starrt ich auf die Maske, die der Schnee
Sanft fallend frisch um Berg und Moore band.
Nein, doch unwandelbar und unentwegt
MΓΆchtΕ½ ruhn ich an der Liebsten weicher Brust,
Zu fΓΌhlen, wie es wogend dort sich regt,
Zu wachen ewig in unruhiger Lust,
Zu lauschen auf des Atems sanftes Wehen -
So ewig leben - sonst im Tod vergehen!
β
β
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
β
A rewarding relationship occurs when there is a common spiritual goal, shared spiritual values and a mutual desire to build a relationship upon a spiritual foundation and for the purpose of connecting to the light of the creator.
β
β
Yehuda Berg (The Kabbalah Book of Sex & Other Mysteries of the Universe)
β
What is it that makes a family? Certainly no document does, no legal pronouncement or accident of birth. No, real families come from choices we make about who we want to be bound to, and the ties to such families live in our hearts.
β
β
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β
I would make an anonymous call and say, this is someone who cares, do you know what kind of children you have?
β
β
Elizabeth Berg (Joy School (Katie Nash, #2))
β
Come on," Alec said, already stomping down the ramp. "Let's find us a squirrel." He swept the weapon back and forth as he walked, looking for any interlopers. "Or better yet, one of the crazies who might've strayed over here. Too bad these things have to be charged or we could get rid of this virus problem in a jiffy. Sweep these old neighborhoods nice and clean."
Mark joined him on the ground below the Berg, wary that someone might be watching from the ruined homes surrounding them or from the burnt woods beyond those. "Your value of human life brings tears to my eyes," he muttered.
β
β
James Dashner (The Kill Order (The Maze Runner, #0.4))
β
When it's new and important, you have to rest in between times. And anyway, even when I like a person there is a weariness that comes. I can be with someone and everything is fine and then all of a sudden it can wash over me like a sickness, that I need the quiet of my own self. I need to unload my head and look at what I've got in there so far. See it. Think what it means. I always need to come back to being alone for a while.
β
β
Elizabeth Berg (Joy School (Katie Nash, #2))
β
Spirituality is about being able to see what's wrong with ourselves, accepting the idea that we can change, and then showing a willingness to actually transform ourselves.
β
β
Karen Berg (God Wears Lipstick: Kabbalah for Women)
β
Clare, thisβ¦what weβre doing? It has to be all or nothing. And I want all of you. When you cry, I want to be the one holding you. No matter the reason. So please, let me hold you.
β
β
J.L. Berg (When You're Ready (Ready, #1))
β
She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.
β
β
Elizabeth Berg (Home Safe)
β
You work so hard, just to end up at home crying yourself to sleep; remember youβre trying, you are moving mountains that have plagued you since you were young, and youβre trying so hard. Keep fighting, fight until you have won. Fight until you have found your way home, until the sun comes back and your heart learns to love the mornings again.
β
β
T.B. LaBerge
β
Well, most women are full to the brim, that's all...We are, most of us, ready to explode, especially when our children are small and we are so weary with the demands for love and attention and the kind of service that makes you feel you should be wearing a uniform with "Mommy" embroidered over the left breast, over the heart...If a stranger had come up to me and said, "Do you want to talk about it? I have time to listen," I think I might have burst into tears at the relief of it.
β
β
Elizabeth Berg (The Pull of the Moon)
β
I remove my wedding rings and put them in the jewelry box. So many others have done this. I am not the only one. I am not the only one. But here, I am the only one.
β
β
Elizabeth Berg (Open House)
β
I wondered what my father had looked like that day, how he had felt, marrying the lively and beautiful girl who was my mother. I wondered what his life was like now. Did he ever think of us? I wanted to hate him, but I couldn't; I didn't know him well enough. Instead, I wondered about him occasionally, with a confused kind of longing. There was a place inside me carved out for him; I didn't want it to be there, but it was. Once, at the hardware store, Brooks had shown me how to use a drill. I'd made a tiny hole that went deep. The place for my father was like that.
β
β
Elizabeth Berg (We Are All Welcome Here)
β
But in spite of my great desire for intimacy, I've always been a loner. Perhaps when the longing for connection is as strong as it is in me, when the desire is for something so deep and true, one knows better than to try. One sees that this is not the place for that.
β
β
Elizabeth Berg (Never Change)
β
The seasons tell us, everything in organic life tells us, that there is no holding on; still, we try to do just that. Sometimes, though, we learn the kind of wisdom that celebrates the open hand.
β
β
Elizabeth Berg (Never Change)
β
I got tears in my eyes, but they were not the crying kind, they were just the kind that show you your body agrees so much with what your mind just said.
β
β
Elizabeth Berg (Jesenski blues)
β
Memory has no power but what the soul chooses to make of it.
β
β
Carol Berg (Daughter of Ancients (The Bridge of D'Arnath, #4))
β
This is one rule about mixing boys and girls: that a date always comes first.
β
β
Elizabeth Berg (Joy School (Katie Nash, #2))
β
I turn off the radio, listen to the quiet. Which has its own, rich sound. Which I knew, but had forgotten. And it is good to remember.
β
β
Elizabeth Berg
β
As I walked out one harvest night
About the stroke of One,
The Moon attained to her full height
Stood beaming like the Sun.
She exorcised the ghostly wheat
To mute assent in Love's defeat
Whose tryst had now begun.
The fields lay sick beneath my tread,
A tedious owlet cried;
The nightingale above my head
With this or that replied,
Like man and wife who nightly keep
Inconsequent debate in sleep
As they dream side by side.
Your phantom wore the moon's cold mask,
My phantom wore the same,
Forgetful of the feverish task
In hope of which they came,
Each image held the other's eyes
And watched a grey distraction rise
To cloud the eager flame.
To cloud the eager flame of love,
To fog the shining gate:
They held the tyrannous queen above
Sole mover of their fate,
They glared as marble statues glare
Across the tessellated stair
Or down the Halls of State.
And now cold earth was Arctic sea,
Each breath came dagger keen,
Two bergs of glinting ice were we,
The broad moon sailed between;
There swam the mermaids, tailed and finned,
And Love went by upon the wind
As though it had not been.
- Full Moon
β
β
Robert Graves (Poems Selected by Himself)
β
The things that brought me the most comfort now were too small to list. Raspberries in cream. Sparrows with cocked heads. Shadows of bare limbs making for sidewalk filigrees. Roses past their prime with their petals loose about them. The shouts of children at play in the neighborhood, Ginger Rogers on the black-and-white screen.
β
β
Elizabeth Berg (The Year of Pleasures)
β
When you take the small roads you see the life that goes on there, and this makes your own life larger.
β
β
Elizabeth Berg
β
No one wants to mother more vigilantly than a woman who is childless and wishes she wasnβt.
β
β
Elizabeth Berg (The Year of Pleasures)
β
I thought of the priest who'd told me that many religions hold that it is easier to be closely connected to people we love after death than before.
β
β
Elizabeth Berg (The Year of Pleasures)
β
People who donβt feel cared for are not always comfortable being cared for.
β
β
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β
Everybody makes mistakes, sometimes even before we get up in the morning. We canβt help but make mistakes. The important thing is to keep trying. And to apologize when you need to.
β
β
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β
Oh, Arthur, no one even sees you when you get old except for people who knew you when you were young.
β
β
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β
So what is this feadnach? Is it another curse that makes me beholden to slaves and shrews?'
'No, my lord. It is your heart. Difficult as it may be to comprehend, there is a possibility you may have one.
β
β
Carol Berg (Transformation (Rai-Kirah, #1))
β
Well, anyway, her death changed our lives for the better, because it brought a kind of awareness, a specific sense of purpose and appreciation we hadn't had before. Would I trade that in order to have her back? In a fraction of a millisecond. But I won't ever have her back. So I have taken this, as her great gift to us. But. Do I block her out? Never. Do I think of her? Always. In some part of my brain, I think of her every single moment of every single day.
β
β
Elizabeth Berg (The Year of Pleasures)
β
The light is amber, the air still; the daylilies have folded in on themselves. Soon, the hooded blue of dusk will fall, followed by the darkness of night and the sky writing of the stars, indecipherable to us mortals, despite our attempts to force narrative upon them.
β
β
Elizabeth Berg
β
I made cranberry sauce, and when it was done put it into a dark blue bowl for the beautiful contrast. I was thinking, doing this, about the old ways of gratitude: Indians thanking the deer they'd slain, grace before supper, kneeling before bed. I was thinking that gratitude is too much absent in our lives now, and we need it back, even if it only takes the form of acknowledging the blue of a bowl against the red of cranberries.
β
β
Elizabeth Berg (Open House)
β
Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything.
β
β
Elizabeth Berg (Never Change)
β
Remember me in your dreams, as I will you.
β
β
Elizabeth Berg (Dream When You're Feeling Blue)
β
hiraeth, a Welsh word that means a homesickness for a home you cannot return to, or that maybe never was; it means nostalgia and yearning and grief for lost places.
β
β
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β
Do you think that people ever really do believe they will die, that the world will just go along as always without them? I wonder if we aren't all a little surprised at the moment of crossover, if we don't look back over our shoulders saying, Now hold on.
β
β
Elizabeth Berg (The Day I Ate Whatever I Wanted: Stories)
β
You know before you know, of course. You are bending over the dryer, pulling out the still-warm sheets, and the knowledge walks up your backbone. You stare at the man you love and you are staring at nothing; he is gone before he is gone.
β
β
Elizabeth Berg
β
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
β
β
Ernest Hemingway
β
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writerβs assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a manβs life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
β
β
Ernest Hemingway (Death in the Afternoon)
β
For all it's problems and difficulties, life is mostly a wonderful experience, and it is up to each person to make the most of each day. I hope you are successful in your life, but look to the heavens and the earth and especially to other people to find your real wealth. Wherever I am, wherever you go, know that my love goes with you.
β
β
Elizabeth Berg (Dream When You're Feeling Blue)
β
Love is a weapon of Light, and it has the power to eradicate all forms of darkness. That is the key. When we offer love even to our enemies, we destroy their darkness and hatred... What's more, we cast out the darkness inside ourselves. What's left are two souls who now recognize the spark of divinity they both share.
β
β
Yehuda Berg (The 72 Names of God: Technology for the Soulβ’)
β
Always run after opportunities to create peace between people, to find ways to bridge differences, please. Because as long as one person continues to feel separationβ¦
β¦we'll all still feel it.
Close the space between you and someone today. Seeing their essential goodness helps a lot.
β
β
Yehuda Berg
β
You must never check for a person's pulse using your thumb, or you'll feel your own heartbeat. Actually, I plan on doing that if I'm the one who's here when Ruth dies. I plan on giving her my heartbeat before I let her go.
β
β
Elizabeth Berg (Talk Before Sleep)
β
I think, actually, that none of us understands anyone else very well, because we're all too shy to show what matters the most. If you ask me, it's a major design flaw. We ought to be able to say, Here, look what I am. I think it would be quite a relief.
β
β
Elizabeth Berg (True to Form (Katie Nash, #3))
β
Every trial that ever burdened a mortal man, every temptation that ever stormed a human heart, and every blessing that ever delighted a needy soul have been skillfully designed by the Creator for one purpose: to draw men to Himself.
β
β
Jim Berg
β
I am frightened at the prospect of how much I might love you, because I know the price it brings, and just thinking of you has begun the investment process within my heart. It would be easier to never invest at all, to hold all vulnerability close to my chest, not allowing anyone to enter my safe. But what a cruel thing it would be, to deny an opportunity to love a soul as beautiful as yours. Iβm going to hope, and hope, and hope, until one day I do something. Maybe then, weβll be able to find that place that we have both wanted for so long. Maybe then, weβll have each other. Iβm not reaching for stars anymore. Iβm reaching for you, and honestly, thatβs far more beautiful than a night full of dancing flames. I am not good with words, but still my words dance out of chaos, forming something beautiful.
β
β
T.B. LaBerge (Unwritten Letters to You)
β
Uniting two halves of one soul is inevitable, but timing depends upon your level of spirituality. When the time is ripe, true soul mates find one another even if they are worlds apartβ whether physically, on opposite sides of the globe, or spiritually, with contrasting lifestyles and backgrounds.
Hereβs wishing you the courage to keep growing so that you may know β or continue to know β the blessing of oneness.
β
β
Yehuda Berg
β
You will realize, time and again, that life always brings thorns, problems, and pain.
But remember this very important point: the well-lived life is never a destination, but a process. The joy of this adventure is not in finishing it, but in undertaking the journey itself. The joy is in learning how to call forth your courage and your wisdom in times of need. It is in teaching yourself how to grow mentally and spiritually, not in spite of life's tough times, but because of them. It is finding your essence out of the hurt and betrayal you have endured.
β
β
Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
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We ate, we slept, we formed our kaleidoscopic relationships and marched ever forward. We licked chocolate from our fingers. We arranged flowers in vases. We inspected our backsides when we tried on new clothes. We gave ourselves over to art. We elected officials and complained. We stood up for home runs. We marked life passages in ceremonies we attended with impatience and pride. We reached out for new love when what we had died, confessing our unworthiness, confessing our great need. We felt at times that perhaps we really were visitors from another planet. We occasionally wondered if it was true that each of us was making everything up. But this was a wobbly saucer; this was thinking we could not endure; we went back to our elegant denial of unbreachable isolation, to refusing the lesson of being born alone and dying that way, too. We went back to loving, to eating, to sleeping, to marching and marching and marching along.
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Elizabeth Berg (The Year of Pleasures)
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I discovered a long time ago that my happiness is not a condition of my circumstances. Rather, happiness is a choice, and I make it every day. While we cannot control the environment of change that is happening all around us, we can control how we respond to it. We can adapt. We can change. And we can still find happiness, no matter how dark the storms are around us.
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Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
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Actors, painters, dancers, comedians, even just ordinary people doing ordinary things, what are they without an audience of some sort? See, that's what I do. I am the audience. I am the witness, I am the great appreciator that's what I do and that's all I want to do. I worked for a lot of years. I did a lot of things for a lot of years. Now, here I am in the rocking chair, and I don't mind it, Lucille. I don't feel useless. I feel lucky.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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Loving one another isnβt enough to make a relationship last. The real glue that holds a couple (or friends or family) together is the effort both put into helping others who are in need of financial, health, personal or emotional assistance.
Today, sustain your connection to a loved one by finding ways you both can help others, with a genuine heart.
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Yehuda Berg
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Never forget that God has given every single one of us the most astonishing uniqueness. There's no one in the world who can do what you can do, who can think and see the way you do, who can create what you can create. You are a complex mesh of finely woven styles, view-points, abilities, tastes, and gifts. If you don't get to live your life, you've lost an incalculable treasure.
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Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
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Vielleicht, daΓ ich durch schwere Berge gehe
in harten Adern, wie ein Erz allein;
und bin so tief, daΓ ich kein Ende sehe
und keine Ferne: alles wurde NΓ€he
und alle NΓ€he wurde Stein.
Ich bin ja kein Wissender im Wehe,β
so macht mich dieses groΓe Dunkel klein;
bist Du es aber: mach dich schwer, brich ein:
daΓ deine ganze Hand an mir geschehe
und ich an dir mit meinem ganzen Schrein.
It's possible I'm moving through the hard veins
of heavy mountains, like the ore does, alone;
I'm already so deep inside, I see no end in sight,
and no distance: everything is getting near
and everything getting near is turning to stone.
I still can't see very far yet into suffering,β
so this vast darkness makes me small;
are you the one: make yourself powerful, break in:
so that your whole being may happen to me,
and to you may happen, my whole cry.
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Rainer Maria Rilke
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And I pray that you no longer seek happiness from the past, but rather you set your sails forward, to a land that is pure and wonderful. I pray that you no longer stare into the shallows of empty promises, but that you dive into the depth of an ocean of guarantees. May you feel the winds of hope, and smell the scent of joy, may your heart be alive again as it was meant to be. For you are with a better captain, you are with a true sailor, a true leader; You are sailing with Christ, and He is always sure to lead us home.
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T.B. LaBerge
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Odd, the words: βwhile away the timeβ.
How to hold it fast the harder thing.
Who is not fearful: where is there a staying,
where in all this is there any being?
Look, as the day slows towards the space
that draws it into dusk: rising became
upstanding, standing a laying down, and then
that which accepts its lying blurs to darkness.
Mountains rest, outgloried be the stars -
but even there, timeβs transition glimmers.
Ah, nightly refuged in my wild heart,
roofless, the imperishable lingers.
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Wunderliches Wort: die Zeit vertreiben!
Sie zu halten, wΓ€re das Problem.
Denn, wen Γ€ngstigts nicht: wo ist ein Bleiben,
wo ein endlich Sein in alledem? -
Sieh, der Tag verlangsamt sich, entgegen
jenem Raum, der ihn nach Abend nimmt:
Aufstehn wurde Stehn, und Stehn wird Legen,
und das willig Liegende verschwimmt -
Berge ruhn, von Sternen ΓΌberprΓ€chtigt; -
aber auch in ihnen flimmert Zeit.
Ach, in meinem wilden Herzen nΓ€chtigt
obdachlos die UnvergΓ€nglichkeit.
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Rainer Maria Rilke
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When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.
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Elizabeth Berg (Home Safe)
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I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
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Elizabeth Berg (Never Change)
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I just want to say one thing. If I ever write a novel again, it's going to be in defense of weak women, inept and codependent women. I'm going to talk about all the great movies and songs and poetry that focus on such women. I'm going to toast Blanche DuBois. I'm going to celebrate women who aren't afraid to show their need and their vulnerabilities. To be honest about how hard it can be to plow your way through a life that offers no guarantees about anything. I'm going to get on my metaphorical knees and thank women who fall apart, who cry and carry on and wail and wring their hands because you know what, Midge? We all need to cry. Thank God for women who can articulate their vulnerabilities and express what probably a lot of other people want to say and feel they can't. Those peoples' stronghold against falling apart themselves is the disdain they feel for women who do it for them. Strong. I'm starting to think that's as much a party line as anything else ever handed to women for their assigned roles. When do we get respect for our differences from men? Our strength is our weakness. Our ability to feel is our humanity. You know what? I'll bet if you talk to a hundred strong women, 99 of them would say 'I'm sick of being strong. I would like to be cared for. I would like someone else to make the goddamn decisions, I'm sick of making decisions.' I know this one woman who's a beacon of strength. A single mother who can do everything - even more than you, Midge. I ran into her not long ago and we went and got a coffee and you know what she told me? She told me that when she goes out to dinner with her guy, she asks him to order everything for her. Every single thing, drink to dessert. Because she just wants to unhitch. All of us dependent, weak women have the courage to do all the time what she can only do in a restaurant.
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Elizabeth Berg (Home Safe)