Berg Quotes

We've searched our database for all the quotes and captions related to Berg. Here they are! All 200 of them:

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There is love in holding and there is love in letting go.
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Elizabeth Berg (The Year of Pleasures)
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I hadn't realized how much I'd been needing to meet someone I might be able to say everything to.
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Elizabeth Berg (Talk Before Sleep)
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You are always in my thoughts. When you were little, I knew your whereabouts at any given moment. Now that you are...off on your own, I still always know where you are, because I keep you in my heart.
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Elizabeth Berg
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There are random moments - tossing a salad, coming up the driveway to the house, ironing the seams flat on a quilt square, standing at the kitchen window and looking out at the delphiniums, hearing a burst of laughter from one of my children's rooms - when I feel a wavelike rush of joy. This is my true religion: arbitrary moments of of nearly painful happiness for a life I feel privileged to lead.
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Elizabeth Berg (The Art of Mending)
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You are born into your family and your family is born into you. No returns. No exchanges.
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Elizabeth Berg (The Art of Mending)
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Don't let your habits become handcuffs
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Elizabeth Berg (The Year of Pleasures)
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Sometimes serendipity is just intention unmasked.
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Elizabeth Berg (The Year of Pleasures)
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If I were to draw on a paper what gym does for me, I would make one dot and then I would erase it.
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Elizabeth Berg (Joy School (Katie Nash, #2))
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I cried until my eyes swelled shut, and then I slept, a black, dreamless sleep from which I awoke amazingly refreshed, at least until I remembered.
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Elizabeth Berg (The Year of Pleasures)
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Kennt ihr Deutschland? Im SΓΌden die Berge Im Norden das Meer Und dazwischen: Teer. Aber wirklich nur Teer? Es gibt doch noch mehr! Ja, genau. Stau.
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Marc-Uwe Kling (Die KΓ€nguru-Chroniken (Die KΓ€nguru-Chroniken, #1))
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I will come back as a little breeze. You will feel me on your face, and you will know that I am still listening. So you can still talk to me.
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Elizabeth Berg (Talk Before Sleep)
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Never be afraid of doing the thing you know in your heart is right, even if others don't agree.
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Elizabeth Berg (Dream When You're Feeling Blue)
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Sometimes you know before you know.
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Elizabeth Berg (Range of Motion)
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Now, on this road trip, my mind seemed to uncrinkle, to breathe, to present to itself a cure for a disease it had not, until now, known it had.
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Elizabeth Berg (The Year of Pleasures)
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Anything we have, we are only borrowing. Anything. Any time.
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Elizabeth Berg (True to Form (Katie Nash, #3))
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books are like confort food without the calories
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Elizabeth Berg (Home Safe)
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I have wanted you to see out of my eyes so many times.
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Elizabeth Berg (The Pull of the Moon)
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Love is a weapon of Light, and it has the power to eradicate all forms of darkness. That is the key. When we offer love even to our enemies, we destroy their darkness and hatred...
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Yehuda Berg
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There is love in holding, and there is love in letting go.
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Elizabeth Berg (The Year of Pleasures)
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One thing I have always been is too short. It's adorable when you're in junior high. After that, it's a pain in the ass for the rest of your life.
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Elizabeth Berg (Talk Before Sleep)
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But it seemed to me that this was the way we all lived: full to the brim with gratitude and joy one day, wrecked on the rocks the next. Finding the balance between the two was the art and the salvation.
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Elizabeth Berg (The Year of Pleasures)
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Nothing tastes as good as being thin feels.
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Elizabeth Berg (The Day I Ate Whatever I Wanted: And Other Small Acts of Liberation)
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It is never about how good your voice is; it is only about feeling the urge to sing, and then having the courage to do it with the voice you are given.
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Elizabeth Berg
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You must not reduce yourself to a puddle just because the person you like is afraid to swim and you are a fierce sea to them; because there will be someone who was born with love of the waves within their blood, and they will look at you with fear and respect.
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T.B. LaBerge Things I m Still Learning at 25 via tblaberge
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Hurt people hurt people. That’s how pain patterns gets passed on, generation after generation after generation. Break the chain today. Meet anger with sympathy, contempt with compassion, cruelty with kindness. Greet grimaces with smiles. Forgive and forget about finding fault. Love is the weapon of the future.
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Yehuda Berg
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On many occasions the curious atmospheric effects enchanted me vastly; these including a strikingly vivid mirage - the first I had ever seen - in which distant bergs became the battlements of unimaginable cosmic castles.
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H.P. Lovecraft (At the Mountains of Madness and Other Tales of Terror)
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Books don't prattle. Books don't make demands. Yet they give you everything they possess. It's a very satisfying partnership.
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Carol Berg
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I hoped we never had to realize all the opportunities we missed in this life.
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Elizabeth Berg (The Year of Pleasures)
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Chanel gave women freedom. Yves Saint Laurent (YSL) gave them power.
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Pierre BergΓ©
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You don't get everything all at once. You wait.
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Elizabeth Berg (Until the Real Thing Comes Along)
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People say you should give until it hurts. I say you should give until it stops hurting. Know what I mean?
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Elizabeth Berg (Dream When You're Feeling Blue)
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I like to listen to sad music when I’m sad. It seems honest. It makes me cry, and sometimes a good cry is the only thing that can make you feel better.
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Elizabeth Berg (Once Upon a Time, There Was You)
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I felt myself trapped in line for a ride I was not nearly ready for, looking back but moving forward in the only direction I could go.
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Elizabeth Berg (The Year of Pleasures)
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The only cities were of ice, bergs with cores of beryl, blue gems within white gems, that some said gave off an odor of almonds.
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Annie Proulx (The Shipping News)
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There are some things you never say good-bye to
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Elizabeth Berg (Dream When You're Feeling Blue)
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Just one look and then I knew that all I longed for long ago was you
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Elizabeth Berg (Dream When You're Feeling Blue)
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While the difficult takes time, the impossible just takes a little longer.
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Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
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I always think incipent miracles surround us, waiting only to see if our faith is strong enough. We won't have to understand it; it will just work, like a beating heart, like love. Really, no matter how frightened and discouraged I may become about the future, I look forward to it. In spite of everything I see all around me every day, I have a shaky assurance that everything will turn out fine. I don't think I'm the only one. Why else would the phrase "everything's all right" ease a deep and troubled place in so many of us? We just don't know, we never know so much, yet we have such faith. We hold our hands over our hurts and lean forward, full of yearning and forgiveness. It is how we keep on, this kind of hope.
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Elizabeth Berg (Talk Before Sleep)
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The fact that both ego and self say "I" is a source of confusion and misidentification. The well-informed ego says truly, "I am what I know myself to be." The self says merely, "I am.
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Stephen LaBerge (Exploring the World of Lucid Dreaming)
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The abnormally large female cut the sandwich into four pieces and gave one to each before taking one for herself. They all took a bite and she grinned at their appreciative groans. β€œSee?” she said around a mouthful of peanut butter and jelly. β€œIsn’t that good?” β€œAnd so decadent,” Berg sighed. β€œI feel like I’m eating evil. Pure, unadulterated evil.” β€œBut good evil,” Finn added. β€œThe finest evil ever.” β€œCome!” Carl, the unabashed history fan and future historical β€œre-creator” of the lotβ€”an activity Irene had always thought was an incredible waste of time for any human being with a brainβ€”cried out,β€œLet us tell the others of this glory and what we have learned here today from the enemy She-wolf!” β€œHuzzah!” they all cheered and ran out the kitchen back door.
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Shelly Laurenston (Big Bad Beast (Pride, #6))
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I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.
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Elizabeth Berg (What We Keep)
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It is such a terrifying thing to see a man cry.
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Elizabeth Berg (The Pull of the Moon)
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Bright star, would I were stedfast as thou art-- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors-- No--yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever--or else swoon to death. Glanzvoller Stern! wΓ€r ich so stet wie du, Nicht hing ich nachts in einsam stolzer Pracht! SchautΕ½ nicht mit ewigem Blick beiseite zu, Einsiedler der Natur, auf hoher Wacht Beim Priesterwerk der Reinigung, das die See, Die wogende, vollbringt am Meeresstrand; Noch starrt ich auf die Maske, die der Schnee Sanft fallend frisch um Berg und Moore band. Nein, doch unwandelbar und unentwegt MΓΆchtΕ½ ruhn ich an der Liebsten weicher Brust, Zu fΓΌhlen, wie es wogend dort sich regt, Zu wachen ewig in unruhiger Lust, Zu lauschen auf des Atems sanftes Wehen - So ewig leben - sonst im Tod vergehen!
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John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
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What is it that makes a family? Certainly no document does, no legal pronouncement or accident of birth. No, real families come from choices we make about who we want to be bound to, and the ties to such families live in our hearts.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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I would make an anonymous call and say, this is someone who cares, do you know what kind of children you have?
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Elizabeth Berg (Joy School (Katie Nash, #2))
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A rewarding relationship occurs when there is a common spiritual goal, shared spiritual values and a mutual desire to build a relationship upon a spiritual foundation and for the purpose of connecting to the light of the creator.
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Yehuda Berg (The Kabbalah Book of Sex: And Other Mysteries of the Universe)
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Come on," Alec said, already stomping down the ramp. "Let's find us a squirrel." He swept the weapon back and forth as he walked, looking for any interlopers. "Or better yet, one of the crazies who might've strayed over here. Too bad these things have to be charged or we could get rid of this virus problem in a jiffy. Sweep these old neighborhoods nice and clean." Mark joined him on the ground below the Berg, wary that someone might be watching from the ruined homes surrounding them or from the burnt woods beyond those. "Your value of human life brings tears to my eyes," he muttered.
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James Dashner (The Kill Order (The Maze Runner, #4))
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When it's new and important, you have to rest in between times. And anyway, even when I like a person there is a weariness that comes. I can be with someone and everything is fine and then all of a sudden it can wash over me like a sickness, that I need the quiet of my own self. I need to unload my head and look at what I've got in there so far. See it. Think what it means. I always need to come back to being alone for a while.
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Elizabeth Berg (Joy School (Katie Nash, #2))
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Clare, this…what we’re doing? It has to be all or nothing. And I want all of you. When you cry, I want to be the one holding you. No matter the reason. So please, let me hold you.
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J.L. Berg (When You're Ready (Ready, #1))
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Spirituality is about being able to see what's wrong with ourselves, accepting the idea that we can change, and then showing a willingness to actually transform ourselves.
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Karen Berg (God Wears Lipstick: Kabbalah for Women)
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And a little duct tape on the gunshot wounds will stop the bleeding.” β€œYou’re not a headlight on an old Chevy,” Berg told her.
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Shelly Laurenston (Hot and Badgered (Honey Badger Chronicles, #1))
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Über Berg und Tal, über Feld und Flur werd ich vergehen, verwehen - Ach, alles ereignet sich einmal nur, aber einmal muss alles geschehen ...
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Michael Ende (DIE UNENDLICHE GESCHICHT - AU)
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She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.
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Elizabeth Berg (Home Safe)
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Well, most women are full to the brim, that's all...We are, most of us, ready to explode, especially when our children are small and we are so weary with the demands for love and attention and the kind of service that makes you feel you should be wearing a uniform with "Mommy" embroidered over the left breast, over the heart...If a stranger had come up to me and said, "Do you want to talk about it? I have time to listen," I think I might have burst into tears at the relief of it.
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Elizabeth Berg (The Pull of the Moon)
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You gave me a Ruger?" she asked. "No one has ever given me a..." She took a small step back. "Oh, my God." Charlie couldn't help but smile. "It's you," she cheered. "My giant, helpful blur!" "The name is Berg. Berg Dunn.
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Shelly Laurenston (Hot and Badgered (Honey Badger Chronicles, #1))
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You work so hard, just to end up at home crying yourself to sleep; remember you’re trying, you are moving mountains that have plagued you since you were young, and you’re trying so hard. Keep fighting, fight until you have won. Fight until you have found your way home, until the sun comes back and your heart learns to love the mornings again.
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T.B. LaBerge
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I remove my wedding rings and put them in the jewelry box. So many others have done this. I am not the only one. I am not the only one. But here, I am the only one.
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Elizabeth Berg (Open House)
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I got tears in my eyes, but they were not the crying kind, they were just the kind that show you your body agrees so much with what your mind just said.
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Elizabeth Berg (Jesenski blues)
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I wondered what my father had looked like that day, how he had felt, marrying the lively and beautiful girl who was my mother. I wondered what his life was like now. Did he ever think of us? I wanted to hate him, but I couldn't; I didn't know him well enough. Instead, I wondered about him occasionally, with a confused kind of longing. There was a place inside me carved out for him; I didn't want it to be there, but it was. Once, at the hardware store, Brooks had shown me how to use a drill. I'd made a tiny hole that went deep. The place for my father was like that.
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Elizabeth Berg (We Are All Welcome Here)
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The seasons tell us, everything in organic life tells us, that there is no holding on; still, we try to do just that. Sometimes, though, we learn the kind of wisdom that celebrates the open hand.
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Elizabeth Berg (Never Change)
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But in spite of my great desire for intimacy, I've always been a loner. Perhaps when the longing for connection is as strong as it is in me, when the desire is for something so deep and true, one knows better than to try. One sees that this is not the place for that.
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Elizabeth Berg (Never Change)
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So what is this feadnach? Is it another curse that makes me beholden to slaves and shrews?' 'No, my lord. It is your heart. Difficult as it may be to comprehend, there is a possibility you may have one.
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Carol Berg (Transformation (Rai-Kirah, #1))
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I turn off the radio, listen to the quiet. Which has its own, rich sound. Which I knew, but had forgotten. And it is good to remember.
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Elizabeth Berg
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This is one rule about mixing boys and girls: that a date always comes first.
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Elizabeth Berg (Joy School (Katie Nash, #2))
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Memory has no power but what the soul chooses to make of it.
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Carol Berg (Daughter of Ancients (The Bridge of D'Arnath, #4))
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Oh, Arthur, no one even sees you when you get old except for people who knew you when you were young.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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Everybody makes mistakes, sometimes even before we get up in the morning. We can’t help but make mistakes. The important thing is to keep trying. And to apologize when you need to.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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hiraeth, a Welsh word that means a homesickness for a home you cannot return to, or that maybe never was; it means nostalgia and yearning and grief for lost places.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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As I walked out one harvest night About the stroke of One, The Moon attained to her full height Stood beaming like the Sun. She exorcised the ghostly wheat To mute assent in Love's defeat Whose tryst had now begun. The fields lay sick beneath my tread, A tedious owlet cried; The nightingale above my head With this or that replied, Like man and wife who nightly keep Inconsequent debate in sleep As they dream side by side. Your phantom wore the moon's cold mask, My phantom wore the same, Forgetful of the feverish task In hope of which they came, Each image held the other's eyes And watched a grey distraction rise To cloud the eager flame. To cloud the eager flame of love, To fog the shining gate: They held the tyrannous queen above Sole mover of their fate, They glared as marble statues glare Across the tessellated stair Or down the Halls of State. And now cold earth was Arctic sea, Each breath came dagger keen, Two bergs of glinting ice were we, The broad moon sailed between; There swam the mermaids, tailed and finned, And Love went by upon the wind As though it had not been. - Full Moon
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Robert Graves (Poems Selected by Himself)
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The things that brought me the most comfort now were too small to list. Raspberries in cream. Sparrows with cocked heads. Shadows of bare limbs making for sidewalk filigrees. Roses past their prime with their petals loose about them. The shouts of children at play in the neighborhood, Ginger Rogers on the black-and-white screen.
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Elizabeth Berg (The Year of Pleasures)
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I thought of the priest who'd told me that many religions hold that it is easier to be closely connected to people we love after death than before.
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Elizabeth Berg (The Year of Pleasures)
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No one wants to mother more vigilantly than a woman who is childless and wishes she wasn’t.
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Elizabeth Berg (The Year of Pleasures)
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When you take the small roads you see the life that goes on there, and this makes your own life larger.
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Elizabeth Berg
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People who don’t feel cared for are not always comfortable being cared for.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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The light is amber, the air still; the daylilies have folded in on themselves. Soon, the hooded blue of dusk will fall, followed by the darkness of night and the sky writing of the stars, indecipherable to us mortals, despite our attempts to force narrative upon them.
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Elizabeth Berg
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Well, anyway, her death changed our lives for the better, because it brought a kind of awareness, a specific sense of purpose and appreciation we hadn't had before. Would I trade that in order to have her back? In a fraction of a millisecond. But I won't ever have her back. So I have taken this, as her great gift to us. But. Do I block her out? Never. Do I think of her? Always. In some part of my brain, I think of her every single moment of every single day.
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Elizabeth Berg (The Year of Pleasures)
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I made cranberry sauce, and when it was done put it into a dark blue bowl for the beautiful contrast. I was thinking, doing this, about the old ways of gratitude: Indians thanking the deer they'd slain, grace before supper, kneeling before bed. I was thinking that gratitude is too much absent in our lives now, and we need it back, even if it only takes the form of acknowledging the blue of a bowl against the red of cranberries.
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Elizabeth Berg (Open House)
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Remember me in your dreams, as I will you.
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Elizabeth Berg (Dream When You're Feeling Blue)
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Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything.
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Elizabeth Berg (Never Change)
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Arthur thinks that, above all, aging means the abandonment of criticism and the taking on of compassionate acceptance.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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Do you think that people ever really do believe they will die, that the world will just go along as always without them? I wonder if we aren't all a little surprised at the moment of crossover, if we don't look back over our shoulders saying, Now hold on.
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Elizabeth Berg (The Day I Ate Whatever I Wanted: Stories)
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You know before you know, of course. You are bending over the dryer, pulling out the still-warm sheets, and the knowledge walks up your backbone. You stare at the man you love and you are staring at nothing; he is gone before he is gone.
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Elizabeth Berg
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If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
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Ernest Hemingway
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When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
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Ernest Hemingway (Death in the Afternoon)
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Sie tâten so gerne Tiere, weil es unter Strafe steht, Menschen umzubringen, und weil sie doch so gerne auslâschen, am liebsten sich. Wie die Augen blind werden, im Augenblick des Übergangs von einem beseelten Lebewesen zu einem Fleisch. Seele. Das Wort für den Herzschlag.
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Sibylle Berg (Vielen Dank fΓΌr das Leben)
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Two broken heartsβ€”we would destroy each other before we even had a chance to begin.
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J.L. Berg (Within These Walls (The Walls Duet, #1))
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Well, I’ve said it often enough to others: there are times when you have to hurt badly in order to move. Otherwise, you’ll stay in a place you’ve outgrown.
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Elizabeth Berg (Tapestry of Fortunes)
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Because to me, you’re not just a pretty little flower, You’re the whole world in spring, and Iβ€˜m in love with this season.
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T.B. LaBerge (Unwritten Letters to You)
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She put her hand over her heart. Oh boy. It hurts. It's a real pain. Right here.
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Elizabeth Berg (Dream When You're Feeling Blue)
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The two impulses cannot be separated. The desire to have a life and the desire to disappear from it. The world is unlivable and yet we live in it every day.
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Laura van den Berg (The Third Hotel)
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For all it's problems and difficulties, life is mostly a wonderful experience, and it is up to each person to make the most of each day. I hope you are successful in your life, but look to the heavens and the earth and especially to other people to find your real wealth. Wherever I am, wherever you go, know that my love goes with you.
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Elizabeth Berg (Dream When You're Feeling Blue)
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Love is a weapon of Light, and it has the power to eradicate all forms of darkness. That is the key. When we offer love even to our enemies, we destroy their darkness and hatred... What's more, we cast out the darkness inside ourselves. What's left are two souls who now recognize the spark of divinity they both share.
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Yehuda Berg (The 72 Names of God: Technology for the Soulβ„’)
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Always run after opportunities to create peace between people, to find ways to bridge differences, please. Because as long as one person continues to feel separation… …we'll all still feel it. Close the space between you and someone today. Seeing their essential goodness helps a lot.
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Yehuda Berg
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You must never check for a person's pulse using your thumb, or you'll feel your own heartbeat. Actually, I plan on doing that if I'm the one who's here when Ruth dies. I plan on giving her my heartbeat before I let her go.
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Elizabeth Berg (Talk Before Sleep)
β€œ
Lang nadat ik was opgehouden mijn vaders paden na te lopen, had ik van hem geleerd dat er in sommige levens bergen bestaan waar je niet naar terug kunt keren. Dat je in levens als het mijne en het zijne niet terug kunt naar de berg die het middelpunt is van alle andere, en het begin van je eigen geschiedenis. En dat mensen zoals wij, die op de eerste en hoogste berg een vriend hebben verloren, niets anders rest dan dwalen over de acht bergen.
”
”
Paolo Cognetti (Le otto montagne)
β€œ
We live but a short time, at the longest. How do we make our lives mean something? If we die in glory, with our minds and our hearts fixed on achieving a great goal, we have lived a life that mattered.
”
”
Elizabeth Berg (Dream When You're Feeling Blue)
β€œ
Clare, you have noticed I’m a guy, right? Because if not, I can pull this car over right now and make that abundantly clear.
”
”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
Freedom of speech has a number.It was the WikiLeaks IP Address.
”
”
Daniel Domscheit-Berg (Inside WikiLeaks: My Time with Julian Assange at the World's Most Dangerous Website)
β€œ
We're so far away from those stars
”
”
Elizabeth Berg (Dream When You're Feeling Blue)
β€œ
A family is no place for privacy!
”
”
Elizabeth Berg (Dream When You're Feeling Blue)
β€œ
No one could ever be for me what [he] had been because he had known me when, and that had kept me away from the true reality of my years.
”
”
Elizabeth Berg (The Year of Pleasures)
β€œ
I'll love you forever in darkness and sun, I'll love you past when my whole sweet life is done.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
Frank, saying, Who cares what happens before we’re born and after we die? The question is, what do we do in the meantime?
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
Sometimes I wonder what the world would sound like if everybody stopped their complaining. It sure would be a quiet place.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
I think, actually, that none of us understands anyone else very well, because we're all too shy to show what matters the most. If you ask me, it's a major design flaw. We ought to be able to say, Here, look what I am. I think it would be quite a relief.
”
”
Elizabeth Berg (True to Form (Katie Nash, #3))
β€œ
Every trial that ever burdened a mortal man, every temptation that ever stormed a human heart, and every blessing that ever delighted a needy soul have been skillfully designed by the Creator for one purpose: to draw men to Himself.
”
”
Jim Berg
β€œ
I am frightened at the prospect of how much I might love you, because I know the price it brings, and just thinking of you has begun the investment process within my heart. It would be easier to never invest at all, to hold all vulnerability close to my chest, not allowing anyone to enter my safe. But what a cruel thing it would be, to deny an opportunity to love a soul as beautiful as yours. I’m going to hope, and hope, and hope, until one day I do something. Maybe then, we’ll be able to find that place that we have both wanted for so long. Maybe then, we’ll have each other. I’m not reaching for stars anymore. I’m reaching for you, and honestly, that’s far more beautiful than a night full of dancing flames. I am not good with words, but still my words dance out of chaos, forming something beautiful.
”
”
T.B. LaBerge (Unwritten Letters to You)
β€œ
I want a clean slate with you, Clare. You’re special to me. I don’t know what we’re doing or where it’s going but I’ve never felt anything like this, and I can’t mess that up by doing the same shit I’ve always done.
”
”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
WITHIN THESE WALLS, he became my solace, my sanctuary, and my strength. Like a white knight, he saved me from a life of gray and showed me a world full of color.
”
”
J.L. Berg (Within These Walls (The Walls Duet, #1))
β€œ
Being a gentleman is highly overrated.
”
”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
Reach into the past and remember the reasons you fell in love. Hold on to that, son, and cherish it. Then you must start moving forward again.
”
”
J.L. Berg (Ready for You (Ready, #3))
β€œ
Love is many things. It’s every raw human emotion rolled up into one messy four letter word. There’s no rule book and definitely no guarantees.
”
”
J.L. Berg (Ready for You (Ready, #3))
β€œ
Max said little. His essential quality was always to say little, but by powerful empathy for writers and for books to draw out of them what they had it in them to say and to write.
”
”
A. Scott Berg (Max Perkins: Editor of Genius)
β€œ
Is there any greater mystery than the separateness of each person?
”
”
Laura van den Berg (Find Me)
β€œ
*We give so little when it's in us always to give so much more. It's bothering to listen with an open heart to someone who smells bad. It's hard.
”
”
Elizabeth Berg (The Art of Mending)
β€œ
What girls do to each other is beyond description. No Chinese torture comes close.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
Uniting two halves of one soul is inevitable, but timing depends upon your level of spirituality. When the time is ripe, true soul mates find one another even if they are worlds apartβ€” whether physically, on opposite sides of the globe, or spiritually, with contrasting lifestyles and backgrounds. Here’s wishing you the courage to keep growing so that you may know – or continue to know – the blessing of oneness.
”
”
Yehuda Berg
β€œ
People are stupid. Why are they so stupid? There is an algorithm for the way humans were designed: love and be loved. Follow it and you’re happy. Fight against it and you’re not. It’s so simple, it’s hard to understand.
”
”
Elizabeth Berg (Once Upon a Time, There Was You)
β€œ
How are poets able to unzip what they see around them, calling forth a truer essence from behind a common fact? Why, reading a verse about a pear, do you see past the fruit in so transcendent a way?
”
”
Elizabeth Berg
β€œ
Lifeβ€”it really did go on, even after insurmountable grief, debilitating sorrow and a life waiting to begin. As long as we were able to love and be loved in this world, no heart would ever be beyond repair.
”
”
J.L. Berg (Within These Walls (The Walls Duet, #1))
β€œ
Make time for prayer and reflection; try to understand your value as a man on earth but see, too, your proper place in the scheme of things. It may sound funny to say this, but I have come to see that we are all far more important and less important than we think.
”
”
Elizabeth Berg (Dream When You're Feeling Blue)
β€œ
I think it's a real gift to be able to say that what's in your life is enough. It seems most of us re always wanting more.
”
”
Elizabeth Berg (Until the Real Thing Comes Along)
β€œ
God-loving people have no trouble loving God's law since His laws are reflections of His nature.
”
”
Jim Berg (Changed into His Image: God's Plan for Transforming Your Life)
β€œ
I wish I could leave a trail of gratefulness behind me that you could see, glowing thanks. I would pay to see stars, but I never have to. This to me is one of those miracles.
”
”
Elizabeth Berg (True to Form (Katie Nash, #3))
β€œ
I’ll wait. For however long it takes, Clare. I’m yours.
”
”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
Once you start making decisions in which your heart, mind, and soul are congruent, you'll feel it as a kind of lift, if not liftoff.
”
”
Elizabeth Berg (Tapestry of Fortunes)
β€œ
It will happen when you're not looking for it. Love likes to take you by surprise.
”
”
Elizabeth Berg (Until the Real Thing Comes Along)
β€œ
I don’t think dreams mean anything; they just are. There’s no reason to translate them into logic.
”
”
Aase Berg
β€œ
She honestly wondered sometimes which fate was worse, death or standing behind a curtain and looking out at the street at all the things you felt you could no longer have.
”
”
Elizabeth Berg (Dream When You're Feeling Blue)
β€œ
Who doesn't long for one more time of seeing someone they've loved and lost? And yet what would you say, what would you do, if it were possible?
”
”
Elizabeth Berg (Home Safe)
β€œ
The one to tell. The one to be told by. For him, that was marriage.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
No, love is never foolish. Or unnecessary
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
I miss you,” he says. β€œI still miss you, sweetheart. Every day is like the first day I lost you.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
You know, sometimes marriage is iron. Sometimes it’s tissue paper. And I think the times it’s tissue paper are when you need to keep things to yourself. Or you can end up making a mistake that you’ll regret forever.
”
”
Elizabeth Berg (Once Upon a Time, There Was You)
β€œ
You will realize, time and again, that life always brings thorns, problems, and pain. But remember this very important point: the well-lived life is never a destination, but a process. The joy of this adventure is not in finishing it, but in undertaking the journey itself. The joy is in learning how to call forth your courage and your wisdom in times of need. It is in teaching yourself how to grow mentally and spiritually, not in spite of life's tough times, but because of them. It is finding your essence out of the hurt and betrayal you have endured.
”
”
Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
β€œ
I understand that he is made up of working cells, just like me--crowded and confused pieces of genius that have been tampered with and now, wounded, go along in the way that they are able.
”
”
Elizabeth Berg (Ordinary Life: Stories)
β€œ
Actors, painters, dancers, comedians, even just ordinary people doing ordinary things, what are they without an audience of some sort? See, that's what I do. I am the audience. I am the witness, I am the great appreciator that's what I do and that's all I want to do. I worked for a lot of years. I did a lot of things for a lot of years. Now, here I am in the rocking chair, and I don't mind it, Lucille. I don't feel useless. I feel lucky.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
We ate, we slept, we formed our kaleidoscopic relationships and marched ever forward. We licked chocolate from our fingers. We arranged flowers in vases. We inspected our backsides when we tried on new clothes. We gave ourselves over to art. We elected officials and complained. We stood up for home runs. We marked life passages in ceremonies we attended with impatience and pride. We reached out for new love when what we had died, confessing our unworthiness, confessing our great need. We felt at times that perhaps we really were visitors from another planet. We occasionally wondered if it was true that each of us was making everything up. But this was a wobbly saucer; this was thinking we could not endure; we went back to our elegant denial of unbreachable isolation, to refusing the lesson of being born alone and dying that way, too. We went back to loving, to eating, to sleeping, to marching and marching and marching along.
”
”
Elizabeth Berg (The Year of Pleasures)
β€œ
You have to be different to make a difference. You cannot change anything by adding more of the same. The greatest spiritual impact is made upon people by someone who is different from them. Others must see someone like Christ in us –- not someone like the rest of the world –- if we are to have any godly influence on them.
”
”
Jim Berg
β€œ
I discovered a long time ago that my happiness is not a condition of my circumstances. Rather, happiness is a choice, and I make it every day. While we cannot control the environment of change that is happening all around us, we can control how we respond to it. We can adapt. We can change. And we can still find happiness, no matter how dark the storms are around us.
”
”
Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
β€œ
Loving one another isn’t enough to make a relationship last. The real glue that holds a couple (or friends or family) together is the effort both put into helping others who are in need of financial, health, personal or emotional assistance. Today, sustain your connection to a loved one by finding ways you both can help others, with a genuine heart.
”
”
Yehuda Berg
β€œ
Human beings. They are the ones with the most important job. They are supposed to make what they want out of what they are given.
”
”
Elizabeth Berg (Until the Real Thing Comes Along)
β€œ
Books educate and inspire, and they soothe souls -- like comfort food without the calories.
”
”
Elizabeth Berg (Home Safe)
β€œ
She came to me, and I wanted to be her healer and protector … I needed a night taking care of the little girl who had stolen a piece of my heart.
”
”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
aging means the abandonment of criticism and the taking on of compassionate acceptance.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
The Nazis understand everything except humour.
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”
Mary Berg (The Diary of Mary Berg: Growing up in the Warsaw Ghetto)
β€œ
sometimes when a friendship goes beyond normal borders and you find a sister, rather than an ordinary friend, conversations aren’t necessary.
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”
J.L. Berg (Ready to Wed (Ready, #1.5))
β€œ
I just don't know anymore. God! I'm in a bad mood! It's like walking around in an itchy coat.
”
”
Elizabeth Berg (Range of Motion)
β€œ
I wanted you to know, because you are the only woman I’ve ever wanted to share my bed with, or bring home. Clare, you are my home.
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”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
Loyalty never put blood back in a man's veins.
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”
Carol Berg (Flesh and Spirit (Lighthouse, #1))
β€œ
If a summer were a girl, she'd always be lying stretched out in the grass in a long white dress, her arms over her head, her eyes half closed.
”
”
Elizabeth Berg
β€œ
The truth is, we usually only show our unhappiness to another woman. I suppose this is one of our problems. And yet it is also one of our strengths.
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Elizabeth Berg (Talk Before Sleep)
β€œ
there's always a hope, you never know.
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”
Elizabeth Berg (Until the Real Thing Comes Along)
β€œ
No matter how much he loved me. No matter how much I loved him in return. I would never, ever belong to another person. As long as I lived.
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”
J.L. Berg (Forgetting August (Lost & Found, #1))
β€œ
How wonderful; this world with you in it.
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”
T.B. LaBerge (Unwritten Letters to You)
β€œ
Nothing helped until the day she took a tablet and pencil into the basement and moved the event out of her and onto paper, where it was reshaped into a kind of simple equation: loss equaled the need to love again, more.
”
”
Elizabeth Berg (Home Safe)
β€œ
From the instant of our first meeting I judged him so, though it could be said that I was prejudiced. When one is standing naked on a slave-auction block in a wind cold enough to freeze a demon's backside, one is unlikely to have a fair impression of anyone.
”
”
Carol Berg (Transformation (Rai-Kirah, #1))
β€œ
Never forget that God has given every single one of us the most astonishing uniqueness. There's no one in the world who can do what you can do, who can think and see the way you do, who can create what you can create. You are a complex mesh of finely woven styles, view-points, abilities, tastes, and gifts. If you don't get to live your life, you've lost an incalculable treasure.
”
”
Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
β€œ
It's amazing how smart the body is. Though maybe we could do without loving. I think it's overrated, and I think it's too hard. You should only love your children; that is necessary, because otherwise you might kill them. But to love a man? It's overrated, and it's too hard and I will never, ever do it again.
”
”
Elizabeth Berg (Open House)
β€œ
I was so afraid that I’d never be able to love anyone, and here I was, holding a child I desperately wanted to call my own and upstairs was a woman I would give my life for. Turns out I was always capable of love, I just hadn’t found it yet.
”
”
J.L. Berg (When You're Ready (Ready, #1))
β€œ
M.: Do you think Mahler thought he was doing something avant-garde? O.: I don’t think so. M.: Schoenberg and Alban Berg were certainly conscious of being avant-garde, though. O.: Oh, very much so. They had their β€œmethod”. Mahler had no such thing. M.: So he flirted with chaos, not as a methodology, but naturally and instinctively. Is that what you are saying? O.: Yes. Isn’t that exactly where his genius lies?
”
”
Haruki Murakami (Absolutely on Music: Conversations with Seiji Ozawa)
β€œ
Vielleicht, daß ich durch schwere Berge gehe in harten Adern, wie ein Erz allein; und bin so tief, daß ich kein Ende sehe und keine Ferne: alles wurde NΓ€he und alle NΓ€he wurde Stein. Ich bin ja kein Wissender im Wehe,β€” so macht mich dieses große Dunkel klein; bist Du es aber: mach dich schwer, brich ein: daß deine ganze Hand an mir geschehe und ich an dir mit meinem ganzen Schrein. It's possible I'm moving through the hard veins of heavy mountains, like the ore does, alone; I'm already so deep inside, I see no end in sight, and no distance: everything is getting near and everything getting near is turning to stone. I still can't see very far yet into suffering,β€” so this vast darkness makes me small; are you the one: make yourself powerful, break in: so that your whole being may happen to me, and to you may happen, my whole cry.
”
”
Rainer Maria Rilke
β€œ
Now he understood. After a while, pain simply stopped. It was as though your mind was able to create a firewall beyond which it would not let you venture. You had to have a break from your anguish, or you'd go crazy. It was the psychological equivalent to fainting when physical pain became overbearing.
”
”
Elizabeth Berg (Say When)
β€œ
If you see a sunset and try to describe it to someone in normal words, all you can say is, 'Boy, I saw a great sunset last night.' But if you are a poet, you give it to someone to feel for themselves. Like you make a little seed of what you saw, they swallow it, and it blooms again inside their own hearts.
”
”
Elizabeth Berg (True to Form (Katie Nash, #3))
β€œ
Did she ever think of that, that things experienced in ways different from hers were equally valuable? That the way that he chose to love her was, in fact, loving her, that the face of love depended on the person giving it?
”
”
Elizabeth Berg (Say When)
β€œ
Berge sollte man mit mâglichst wenig Anstrengung und ohne Ehrgeiz ersteigen. Unsere eigene Natur sollte das Tempo bestimmen. Wenn man unruhig wird, geht man schneller. Wenn man zu keuchen anfÀngt, geht man langsamer. Man steigt auf den Berg in einem Zustand, in dem sich Rastlosigkeit und Erschâpfung die Waage halten. Dann, wenn man nicht mehr in Gedanken vorauseilt, ist jeder Schritt nicht mehr bloß ein Mittel zum Zweck, sondern ein einmaliges Ereignis. Dieses Blatt ist gezÀhnt. Dieser Felsen scheint locker. Von dieser Stelle aus ist der Schnee nicht mehr so gut zu sehen, obwohl man ihm schon nÀher ist. Das sind Dinge, die man ohnehin wahrnehmen sollte. Nur auf irgendein zukünftiges Ziel hin zu leben ist seicht. Die Flanken des Berges sind es, auf denen Leben gedeiht, nicht der Gipfel. Hier wÀchst etwas.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
β€œ
Winds shake the leaves and for a moment I smell smoke. I concentrate on the scent, but it vanishes into the aroma of rain and tree bark, the way one life can collapse into another and different people can stir within the same body, like bats thrashing inside a secret hollow.
”
”
Laura van den Berg (What the World Will Look Like When All the Water Leaves Us)
β€œ
It seems like all the time people are making themselves themselves, but they don't really know it. You can only have true visions when you look behind. A person can slide so fast into being something they never really intended. I wonder if you can truly resurrect your own self.
”
”
Elizabeth Berg
β€œ
And I pray that you no longer seek happiness from the past, but rather you set your sails forward, to a land that is pure and wonderful. I pray that you no longer stare into the shallows of empty promises, but that you dive into the depth of an ocean of guarantees. May you feel the winds of hope, and smell the scent of joy, may your heart be alive again as it was meant to be. For you are with a better captain, you are with a true sailor, a true leader; You are sailing with Christ, and He is always sure to lead us home.
”
”
T.B. LaBerge
β€œ
Oh just wait. It takes a lot of time, that's all...You'll have come to a certain kind of appreciation that moves beyond all the definitions of love you've ever had. A certain richness happens only later in life. I guess its' a kind of mellowing. p 80 talking about marriage and husbands
”
”
Elizabeth Berg (The Pull of the Moon)
β€œ
Oh. maybe little kids are trouble, sometimes, but only for a good reason: They are tired. They are hungry. They are afraid. He supposes a great many ills of adults might be cured by a nap or a good meal or a bit of timely reassurance. But adults complicate everything. They are by nature complicators. They learned to make things harder than they need to be and they learned to talk way too much.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
If you believe you will fail, there is no hope for you. You will. Rid yourself of this I-am-a-poor-worm-in-the-dust idea. You are a god, with infinite capabilities. "All things are ready if the mind be so." The eagle looks the cloudless sun in the face.
”
”
J. Berg Esenwein (The Art of Public Speaking)
β€œ
You must not reduce yourself to a puddle just because the person you like is afraid to swim and you are a fierce sea to them. Because there will be someone who was born with love of the waves within their blood, and they will look at you with fear and respect.
”
”
T.B. LaBerge (Unwritten Letters to You)
β€œ
See, that’s what I do. I am the audience. I am the witness. I am the great appreciator, that’s what I do and that’s all I want to do. I worked for a lot of years. I did a lot of things for a lot of years. Now, well, here I am in the rocking chair, and I don’t mind it, Lucille. I don’t feel useless. I feel lucky.
”
”
Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
β€œ
Odd, the words: β€˜while away the time’. How to hold it fast the harder thing. Who is not fearful: where is there a staying, where in all this is there any being? Look, as the day slows towards the space that draws it into dusk: rising became upstanding, standing a laying down, and then that which accepts its lying blurs to darkness. Mountains rest, outgloried be the stars - but even there, time’s transition glimmers. Ah, nightly refuged in my wild heart, roofless, the imperishable lingers. --- Wunderliches Wort: die Zeit vertreiben! Sie zu halten, wΓ€re das Problem. Denn, wen Γ€ngstigts nicht: wo ist ein Bleiben, wo ein endlich Sein in alledem? - Sieh, der Tag verlangsamt sich, entgegen jenem Raum, der ihn nach Abend nimmt: Aufstehn wurde Stehn, und Stehn wird Legen, und das willig Liegende verschwimmt - Berge ruhn, von Sternen ΓΌberprΓ€chtigt; - aber auch in ihnen flimmert Zeit. Ach, in meinem wilden Herzen nΓ€chtigt obdachlos die UnvergΓ€nglichkeit.
”
”
Rainer Maria Rilke
β€œ
Wie een berg sloopt bouwt een nieuwe berg want niets gaat verloren, alles helpt vet om kaarsen te maken, baleinen om eelt weg te snijden, melk om lippen te laten glanzen, beenderen om je je haren te zien kammen een pels om je op neer te leggen zodat de sterrenhemel eindelijk kan ontstaan zolang je er niet bent is er hoop ik wou dat je voor me kwam staan tussen mij en de zon om de zon door je heen te zien stralen om de vlekken onder mijn oogleden te zien wegdrijven en daarna niets meer te zien kom me halen liefste withete zon van me.
”
”
Peter Verhelst (Nieuwe sterrenbeelden)
β€œ
Dreams are a reservoir of knowledge and experience yet they are often overlooked as a vehicle for exploring reality. In the dream state our bodies are at rest, yet we see and hear, move about and are even able to learn. When we make good use of the dream state it is almost as if our lives were doubled: instead of a hundred years we live to be two hundred -- Tibetan Buddhist Tarthang Tulku from
”
”
Stephen LaBerge (Exploring the World of Lucid Dreaming)
β€œ
List 2: Write down everything in your life that you don’t want, like more panic attacks, depression, or partners who are emotionally unavailable. Maybe you’d like to stop smoking, or overeating, or drinking. Be specific and personal. This is about you. This will be your β€œbefore” picture.
”
”
Yehuda Berg (Living Kabbalah: A Practical System for Making the Power Work for You)
β€œ
Poetry is a will to put things right, an imaginary solution, a way of avoiding a catastrophe that already happened. Poetry is an escape, perhaps intelligent, perhaps idiotic, from a senile situation. It is a dialectical movement, it keeps tearing open the wounds while trying to heal them. Here we see the only acceptable path open up towards an existence worthy of human beings. Here the seriousness is unfaltering and absolute. Where it will lead no one knows.
”
”
Aase Berg
β€œ
When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.
”
”
Elizabeth Berg (Home Safe)
β€œ
The fancy things I like are sheets. Pots and pans. And the things I really like aren't fancy at all: old aprons and hankies. Butter wrappers from one pound blocks. Peony bushes, hardback books of poetry. And I like things less than that; the sticky remains at the bottom of the apple crisp dish. The way cats sometimes run sideways. The presence of a rainbow in a puddle of oil. Mayonaise jars. Pussy willows. Wash on a line. The tick-tock of clocks, the blue of the neon sign at the local movie house. The fact that there is a local movie house.
”
”
Elizabeth Berg
β€œ
Impatience is a particularly dangerous habit of the heart because everything worthwhile takes time. Good marriages take time. Spiritual maturity takes time. Financial stability takes time. Effective ministry takes time. Wisdom takes time. People who are not willing to take time cannot have any of the above.
”
”
Jim Berg (Created for His Glory (Created for His Glory Video Series))
β€œ
List 1: Write down everything you could possibly want in your life that could bring you fulfillment and a sense of security. Imagine it, having total peace of mind. Imagine how incredible that would feel! You could stop worrying, stop feeling lost, and stop feeling lonely. You’d have total clarity, great relationships, a sense of meaning and purpose, and a solid place in your community. List those things that would put you in that space.
”
”
Yehuda Berg (Living Kabbalah: A Practical System for Making the Power Work for You)
β€œ
As for mending, I think its good to take the time to fix something rather than throw it away. Its an antidote to wastefulness and to the need for immediate gratification. You get to see a whole process through, beginning to end, nothing abstract about it. You'll always notice the fabric scar, of course, but there's an art to mending. If you're careful, the repair can actually add to the beauty of the think because it is a testimony to its worth.
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Elizabeth Berg (The Art of Mending)
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He tells her that, when Nola first died, he thought he’d die himself, of the sorrow. He says he’d read that grief has a catabolic effect and he thought for sure it would take him right out, this immense and gnawing pain, that it would eat him alive from the inside out. But it didn’t. It took a long time for him to shift things around so that he could still love and honor Nola but also love and honor life, but it happened. And it will happen to her.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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Schon die Vorbereitungen unserer Eltern auf die Berge hatten uns gegen sie und dadurch gegen die Berge aufgebracht, gegen die frische Luft und gegen die von unseren Eltern ununterbrochen herbeigesehnte Ruhe, die sie in den Bergen zu finden glaubten, aber doch nie als in ihnen, wie wir wissen, gefunden haben; schon wie sie von dem neuerlichen bevorstehenden Hochgebirgsaufenthalt gesprochen haben, wie sie ihre Hochgebirgshabseligkeiten eingepackt und uns mit diesem Einpacken ihrer Hochgebirgshabseligkeiten konfrontiert haben, hatte uns gegen ihre Hochgebirgsabsicht und gegen ihre Hochgebirgsleidenschaft und schließlich gegen ihren Hochgebirgswahnsinn aufgebracht und wir waren von dieser ihrer Hochgebirgsabsicht und -leidenschaft, wie von ihrem Hochgebirgswahnsinn abgestoßen gewesen.
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Thomas Bernhard (Goethe schtirbt: ErzΓ€hlungen)
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I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
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Elizabeth Berg (Never Change)
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I’ve never regretted doing anything in my life as much as I’ve regretted not doing it. There were a few times when in my heart I knew the right thing to do, but I listened to other people, or I didn’t have the guts, or it didn’t make sense, or I don’t know.… There was some false voice inside posing as logic when it was really just my own fear talking. The times I didn’t stay true, didn’t stay congruent, I paid the price.
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Elizabeth Berg (Tapestry of Fortunes)
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I think the kind of love that comes after romantic love is the best, richest love of all. At some point, I think we all want someone we can look ugly around, reveal our vulnerabilities to, and, most important, trust. And as a former nurse, I found that when people are at their most vulnerable, at their β€œugliest,” is when they’re the most beautiful. In this novel, I think true love is saying, β€œI see you wholly and I love you anyway.
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Elizabeth Berg (The Story of Arthur Truluv (Mason, #1))
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I was downstairs, reading." " Now?" I strained to see her face. She was smiling, it appeared. "Yes, now," she said. "It's nice, sometimes, to read in the middle of the night. The sky is so dark and soft-looking outside the window, all the stars out. You have just on light on, you know, and it seems to pour onto the page. Makes the book seem better. You are this little island, just up alone with a book. And you heard the night sounds of the house...It's so interesting to me, that sound. Time. The measure of it.
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Elizabeth Berg (What We Keep)
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In the classics section, she had picked up a copy of The Magic Mountain and recalled the summer between her junior and senior years of high school, when she read it, how she lay in bed hours after she should have gotten up, the sheet growing warmer against her skin as the sun rose higher in the sky, her mother poking her head in now and then to see if she'd gotten up yet, but never suggesting that she should: Eleanor didn't have many rules about child rearing, but one of them was this: Never interrupt reading.
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Elizabeth Berg (Home Safe)
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A soulmate is not someone who shares your interests and is attractive to you. A soulmate is someone who is willing to grow with you, who chooses to be with you until the end, and will love you through good and bad. It’s not about sunshine and laughter, it’s about mundane moments filled with unknowns. Love is so much more than a spark you have, or passions shared, it’s working for something deeper and lasting. I think that at the end of all things, we’ll see what really matters, and I think the things we produced with love and grace will be what we have to show. So love with purpose, love beyond yourself, and love knowing that what you are growing is beautiful and good.
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T.B. LaBerge
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Our Lord did not come to this planet, live a perfect life, and become a worthy atonement for the sins of the world so that those who become His children can merely be well adjusted, live morally upright lives, and enjoy personal happiness and success. He died to redeem us from the penalty and power of a sinful heart that keeps us from being useful servants of the living God.
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Jim Berg (Changed into His Image: God's Plan for Transforming Your Life)
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I wasn't sure Lorraine and others like her-ones who were so despairing of marriage, ones who were so sure their expectations could never be met-understood that it was these small moments of caretaking that meant the most, that forged the real relationship. The way one pulled the blanket over the sleeping other, the way one prepared a snack for oneself, but made enough to share. Such moments made for the team of two, which made for one's sword and shield.
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Elizabeth Berg
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You will know what steps to take to move up in your life, what to do when conflict develops, and most important, how to get back on course when you feel yourself slipping. You will find your career advancing to the next level, you will get your most creative juices flowing, you will forever alter the way you raise your children and treat your spouse and give back to your community. And you will do all these things not because you feel you ought to, but because you choose, because you want to, because you're ready to push yourself to the limits of your abilities, to defy the naysayers and ultimately to feel that bone-deep of satisfaction that you lived life to its fullest.
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Art E. Berg (The Impossible Just Takes a Little Longer: Living with Purpose and Passion)
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There are guys bleeding to death who don't know it, they're smiling, they're talking, they don't feel pain because they're in shock, they ask you for some water and then they're dead. On D-day I ran past a guy lying on his spilled guts with his eyes closed and his thumb in his mouth. Eisenhower's speech had been read to us over the loudspeaker by our commander when we crossed the channel that morning. What valor and inspiration were in his words- all about how we were embarked on a great crusade, that the hopes and prayers of a liberty loving people were going with us....I got gooseflesh when he asked for the blessing of almighty god on this great and noble undertaking. But how to reconcile that with spilled guts on a beach and flies in the eyes of some dead nineteen year old kid who traded his life for some words on paper?
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Elizabeth Berg (Dream When You're Feeling Blue)
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On my seventh birthday, my father swore, for the first of many times, that I would die facedown in a cesspool. On that same occasion, my mother, with all the accompanying mystery and elevated language appropriate for a prominent diviner, turned her cards, screamed delicately, and proclaimed that my doom was written in water and blood and ice. As for me, from about that time and for twenty years since, I had spat on my middle finger and slapped the rump of every aingerou I noticed, murmuring the sincerest, devoutest prayer that I might prove my parents' predictions wrong. Not so much that I feared the doom itself - doom is just the hind end of living, after all - but to see the two who birthed me confounded.
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Carol Berg (Flesh and Spirit (Lighthouse, #1))
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I just want to say one thing. If I ever write a novel again, it's going to be in defense of weak women, inept and codependent women. I'm going to talk about all the great movies and songs and poetry that focus on such women. I'm going to toast Blanche DuBois. I'm going to celebrate women who aren't afraid to show their need and their vulnerabilities. To be honest about how hard it can be to plow your way through a life that offers no guarantees about anything. I'm going to get on my metaphorical knees and thank women who fall apart, who cry and carry on and wail and wring their hands because you know what, Midge? We all need to cry. Thank God for women who can articulate their vulnerabilities and express what probably a lot of other people want to say and feel they can't. Those peoples' stronghold against falling apart themselves is the disdain they feel for women who do it for them. Strong. I'm starting to think that's as much a party line as anything else ever handed to women for their assigned roles. When do we get respect for our differences from men? Our strength is our weakness. Our ability to feel is our humanity. You know what? I'll bet if you talk to a hundred strong women, 99 of them would say 'I'm sick of being strong. I would like to be cared for. I would like someone else to make the goddamn decisions, I'm sick of making decisions.' I know this one woman who's a beacon of strength. A single mother who can do everything - even more than you, Midge. I ran into her not long ago and we went and got a coffee and you know what she told me? She told me that when she goes out to dinner with her guy, she asks him to order everything for her. Every single thing, drink to dessert. Because she just wants to unhitch. All of us dependent, weak women have the courage to do all the time what she can only do in a restaurant.
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Elizabeth Berg (Home Safe)
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One day it’s 12:27 am, and you’re sad. Not because of how life is treating you or anything. It’s just because you want someone next to you. Someone, who at the end of the day, will look at you and smile, asking what you want to have for dinner. You’ll realize that you are longing for love, a comfortable and simple love; one that gives you a reason to shut off the computer and just have a conversation. You want a companion who will be there, who will be willing to give you space and who will also keep you close. It’s hard, because as you think, the clock slowly turns to 12:30am, and you are just tired of trying, and you just want it to happen. But it will, and you’ll look back at these late nights, and smile; wishing you could tell your single self that it’s going to be okay, that all the β€œNo’s” were leading you to a beautiful yes. So, as it gets later, you just need to remember that your sadness will be replaced with an overwhelming gratitude that you are loved; and that will be better than all the missed opportunities and made up dreams that you had.
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T.B. LaBerge (Unwritten Letters to You)
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When scientists underestimate complexity, they fall prey to the perils of unintended consequences. The parables of such scientific overreach are well-known: foreign animals, introduced to control pests, become pests in their own right; the raising of smokestacks, meant to alleviate urban pollution, releases particulate effluents higher in the air and exacerbates pollution; stimulating blood formation, meant to prevent heart attacks, thickens the blood and results in an increased risk of blood clots in the heart. But when nonscientists overestimate [italicized, sic] complexity- 'No one can possibly crack this [italicized, sic] code" - they fall into the trap of unanticipated consequences. In the early 1950s , a common trope among some biologists was that the genetic code would be so context dependent- so utterly determined by a particular cell in a particular organism and so horribly convoluted- that deciphering it would be impossible. The truth turned out to be quite the opposite: just one molecule carries the code, and just one code pervades the biological world. If we know the code, we can intentionally alter it in organisms, and ultimately in humans. Similarly, in the 1960s, many doubted that gene-cloning technologies could so easily shuttle genes between species. by 1980, making a mammalian protein in a bacterial cell, or a bacterial protein in a mammalian cell, was not just feasible, it was in Berg's words, rather "ridiculously simple." Species were specious. "Being natural" was often "just a pose.
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Siddhartha Mukherjee (The Gene: An Intimate History)