Synopsis Quotes

First she would try to kill him, but failing this give him food and her body, breast-feed him back to a state of childishness and even, perhaps, feel affection for him. Then, the moment he was asleep, cut his throat. The synopsis of the ideal marriage.

When the hour comes it is to remind him of a story. Synopsis: A French girl says to her suitor: “Did you ask my father for my hand at nine o’clock this morning, as you said you would?” “I did not,” he. replies. “At nine o’clock I was fighting a duel with swords in the Bois de Boulogne.” “Coward!” she hisses.

This just gets worse and worse," Rob Pierre sighed as he skimmed Leonard Boardman's synopsis of his latest gleanings from the Solarian League reporters covering the PRH. "How can one person—one person, Oscar!—do this much damage? She's like some damned elemental force of nature!" "Harrington?" Oscar Saint-Just quirked an eyebrow and snorted harshly at Pierre's nodded confirmation. "She's just happened to be in the right places—or the wrong ones, I suppose, from our perspective—for the last, oh, ten years or so. That's the official consensus from my analysts, at least. The other theory, which seems to have been gaining a broader following of late, is that she's in league with the Devil.

Someone told me once, ‘It’s time to get you a pair of overalls, boy.’ But I don’t believe in summing up nothin’ – I let my experiences speak for themselves – and even if I did, a synopsis should be singular. That’s why every time I go out to work in the fields, I work naked. It lets my neighbors speak of my experiences for me.

As the chips dissolved on my tong, the embedded video links travelled to my brain. Tapping into my synopsis and taking hold of my senses. They transported me to another time and place. I was no longer in Mackiel's office. I was in the palace. And I was covered in blood.

Lengo la jina la kitabu ni kuishawishi hadhira kusoma dibaji, na lengo la dibaji ni kuishawishi hadhira kusoma salio la kitabu kizima.

According to the biographical notes, Monsieur Julian Carax was twenty-seven, born with the century in Barcelona, and currently living in Paris; he wrote in French and worked at night as a professional pianist in a hostess bar. The blurb, written in the pompous, moldy style of the age, proclaimed that this was a first work of dazzling courage, the mark of a protean and trailblazing talent, and a sign of hope for the future of all of European letters. In spite of such solemn claims, the synopsis that followed suggested that the story contained some vaguely sinister elements slowly marinated in saucy melodrama, which, to the eyes of Monsieur Roquefort, was always a plus: after the classics what he most enjoyed were tales of crime, boudoir intrigue, and questionable conduct. One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. She laughed nervously. She had around her a burning aura of loneliness. "You remind me a bit of Julian," she said suddenly. "The way you look and your gestures. He used to do what you are doing now. He would stare at you without saying a word, and you wouldn't know what he was thinking, and so, like an idiot, you'd tell him things it would have been better to keep to yourself." "Someone once said that the moment you stop to think about whether you love someone, you've already stopped loving that person forever." I gulped down the last of my coffee and looked at her for a few moments without saying anything. I thought about how much I wanted to lose myself in those evasive eyes. I thought about the loneliness that would take hold of me that night when I said good-bye to her, once I had run out of tricks or stories to make her stay with me any longer. I thought about how little I had to offer her and how much I wanted from her. "You women listen more to your heart and less to all the nonsense," the hatter concluded sadly. "That's why you live longer." But the years went by in peace. Time goes faster the more hollow it is. Lives with no meaning go straight past you, like trains that don't stop at your station.

The synopsis looked good, the cover looked nice, you opened the book and began a new life. You found a new home, you met some new friends, you kept on reading, hoping it ould never end. You danced through the pages, you sang out the words you felt all their joy, and all their pain and hurt. The pages cut your fingers, and the words cut your heart, like the author had a knife, and was tearing your soul apart. You laughed with the characters, and with them, you cried, you fell in love with them, too but with them, you died, and when the book reached its end, and your broken heart couldn't heal, you suddenly realized that its not real.

Good cover design is not only about beauty... it’s a visual sales pitch. It’s your first contact with a potential reader. Your cover only has around 3 seconds to catch a browsing reader’s attention. You want to stand out and make them pause and consider, and read the synopsis.

Your identity does not have to be cohesive. Your story doesn’t have to flow. You don’t have to be neatly packaged in a way that other people understand. You have to stop living for your synopsis, the summary we try to piece together in our minds when we imagine people explaining us or evaluating who we are. It doesn’t have to make sense. You’re allowed to be great at a lot of things that don’t necessarily relate to one another. You’re not limited to just one purpose, one talent, one love. You can have a variety of jobs, each of them meaningful at the time you have them. You can be good at a lot of things without lacking in others. You do not have to be a novel; you can be a book of stories.

Sometimes when things seem like they are falling apart, they are actually falling into place.

memory does not store a feature-length film of our experience but instead stores an idiosyncratic synopsis,

Tormented' in a synopsis is a new red flag for bad smut.

The interaction of the two systems is a recurrent theme of the book, and a brief synopsis of the plot is in order.

Did you read one of his follow-up books?” “No, I read the title, and a synopsis.” “A synopsis.” Martin shrugged. “Part of the synopsis.” “Ah, yes,” Phillip said. “You’re an American.

He imagines the synopsis on the back of the Jenny story: when plucky Jenny from Fairfield, Connecticut, took a job as a social worker in the big city, she had no idea what she was getting into.

You only have one chance to make a great first impression. You make that first impression with a great cover, an intriguing synopsis, and professional editing. Let my inner editor polish your ​manuscript ​the 'write' way.

What we find in philosophy is trivial; it does not teach us new facts, only science does that. But the proper synopsis of these trivialities is enormously difficult, and has immense importance. Philosophy is in fact the synopsis of trivialities.

From tender infancy Smith has been an early riser. He sleeps so little that Morpheus barely knows him by sight. When he dreams he only has time for a synopsis. He was the first man to discover that you can cut a sleeping pill in half and enjoy a nap.

Today the formation of God’s people into an army is a matter of coordination, which is based on three matters: life, maturity, and confirmation. These three matters must be fulfilled in order for God’s people to be properly formed, which is to be properly coordinated. (CWWL, 1960, vol. 1, “Synopsis of Numbers,” p. 71)

Majina ya vitabu yanapaswa kuchaguliwa kwa mantiki na kwa makini ya hali ya juu mno, kwa sababu ni miongoni mwa vitu vya kwanza watu wanavyoviona na kuvisoma. Watu wakivutiwa na jina la kitabu, au mwandishi; kitu cha pili watakachovutiwa kuangalia ni dibaji, kusudi wasome muhtasari wa kitabu kizima. Kwa hiyo dibaji inapaswa iandikwe kwa mantiki na kwa makini ileile iliyotumika katika kuchagua jina la kitabu. Lengo la jina la kitabu na dibaji ni kuishawishi hadhira kusoma kitabu na kukifurahia.

I feel sick when I look at the parody synopsis, at the letters from the film company... The novel is 'about' a colour problem. I said nothing in it that wasn't true. But the emotion it came out of was something frightening, the unhealthy, feverish illicit excitement of wartime, a lying nostalgia, a longing for licence, for freedom, for the jungle, for formlessness. It is so clear to me that I can't read that novel now without feeling ashamed, as if I were in a street naked. Yet no one else seems to see it. Not one of the reviewers saw it. Not one of my cultivated and literary friends saw it. It is an immoral novel because that terrible lying nostalgia lights every sentence.

Here's an assignment for you: Write it down. Write down under what circumstances you're willing to quit. And when. And then stick to it.

Survivors don't enjoy the sweetness of life. They simply enjoy the deferral of death.

Psychotropic drugs have also been organized according to structure (e.g., tricyclic), mechanism (e.g., monoamine, oxidase inhibitor [MAOI]), history (first generation, traditional), uniqueness (e.g., atypical), or indication (e.g., antidepressant). A further problem is that many drugs used to treat medical and neurological conditions are routinely used to treat psychiatric disorders.

My journaling method ranges from being a very specific, structured process—listing what I’m grateful for, acknowledging my accomplishments, clarifying what areas I want to improve on, and planning which specific actions I’m committed to taking to improve—to being pretty traditional, just a dated entry with a synopsis of my day. I find both to be very valuable, and it’s nice to mix it up.

You really are one heck of a pretty woman,’ [he] says. …’Pretty is not a good reason to court someone, you know…’ ‘This from the woman who doesn’t read the books with the ugly covers.’ ‘Well, I’m just warning you. I could be a bad book with a good jacket.’ …’Nah, I’ve seen you on the shelf for years. I’ve read the synopsis and the quotes on the back. … it’s enough to make me want to read on….

The lore which he was believed to pass his days brooding upon so that it had rapt him from the companionship of youth was only a garner of slender sentences from Aristotle's poetics and psychology and a Synopsis Philosophiæ Scholasticæ ad mentum divi Thomæ. His thinking was a dusk of doubt and self-mistrust, lit up at moments by the lightnings of intuition, but lightnings of so clear a splendour that in those moments the world perished about his feet as if it had been fire consumed: and thereafter his tongue grew heavy and he met the eyes of others with unanswering eyes, for he felt that the spirit of beauty had folded him round like a mantle and that in reverie at least he had been acquainted with nobility. But when this brief pride of silence upheld him no longer he was glad to find himself still in the midst of common lives, passing on his way amid the squalor and noise and sloth of the city fearlessly and with a light heart.

Over a quarter of the scenario writers were women and many of them were already friends, including June Mathis, Agnes Christine Johnston, Dorothy Farnum, Gladys Unger, and Winifred Eaton Reeve. Most had entered the business at a time when a one-page synopsis of action could be turned into a two-reeler, but they had grown with the industry and were now well paid and highly valued for their abilities. The women were as likely to write jungle films or swashbucklers as tales of female angst and Thalberg maintained that his preference for women writers was a commercial one.

selective serotonin reuptake inhibitor (SSRI) and serotonin–norepinephrine reuptake inhibitors (SNRIs) are now used as primary treatments, with benzodiazepines used as adjuncts. Benzodiazepine abuse is rare, usually found in patients who abuse multiple prescription and recreational drugs.

Your book sells itself—OR doesn’t sell itself—in ten specific ways. We’re going to spend some time talking about each one of them in depth, asking you specific questions to see if you are using each of these aspects of your book to their fullest potential, but let’s start by taking a look at all ten of them together: 1) The Genre 2) The Cover 3) The Title 4) The Back Blurb / Synopsis 5) The Tagline / Extra Promotional Lines 6) Interior Formatting 7) Editing 8) Keywords 9) Categories 10) And YOU as the author (your marketing mindset) Each of these things can make or break book sales.

But trivial as are the topics they are not utterly without a connecting thread of motive. As the reader's eye strays, with hearty relief, from these pages, it probably alights on something, a bed-post or a lamp-post, a window blind or a wall. It is a thousand to one that the reader is looking at something that he has never seen: that is, never realised. He could not write an essay on such a post or wall: he does not know what the post or wall mean. He could not even write the synopsis of an essay; as "The Bed-Post; Its Significance—Security Essential to Idea of Sleep—Night Felt as Infinite—Need of Monumental Architecture," and so on. He could not sketch in outline his theoretic attitude towards window-blinds, even in the form of a summary. "The Window-Blind—Its Analogy to the Curtain and Veil—Is Modesty Natural?—Worship of and Avoidance of the Sun, etc., etc." None of us think enough of these things on which the eye rests. But don't let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try.

Barbara took her accustomed place by the door but as the singing began Margerit beckoned her over to her side. "I haven't been following much except that it's all ancient Greeks and battles and such. What's happening now?" Barbara knelt beside her and leaned close to whisper so as not to disturb the rest of the party. A brief synopsis of what had gone before took up the time while the chorus escorted the principles to the centre of the stage. "I haven't seen this performance before," Barbara added, "but I imagine this will be the grand love duet." As the soprano began, she concentrated on the stage to follow the opening phrases. The chorus had abandoned the field to the principles who faced each other against a backdrop of fluted columns. "O! What strange fate is mine!" Barbara paused as the signature line was repeated several times. "I loved you in the guise of Mars, but now I am betrayed by Venus. The iron in your glance turns soft beneath my touch. I am undone. O Venus, you are cruel to mock me so." It continued on in the same vein until it was the mezzo's turn. Her lyrics ran much parallel with the soprano's. With less concentration required, Barbara ventured a glance to see Margerit's reaction. Margerit turned at the same moment and their eyes met as Barbara whispered Ifis's lines. "O! What a strange fate is mine! In the guise of Mars I love you but now as Venus I'm betrayed. The Iron in my soul turns soft beneath your touch." Unconsciously, Margerit placed a hand on hers where it lay on the arm of her chair. "Fire runs through my veins - I am undone." Fire indeed ran through her veins. Her hand burned sweetly where Margerit touched it and she dared now take it back. Her voice grew husky. "Why do the gods mock me with desire I cannot sate?" Their eyes were still locked and Margerit's lips had parted in a little "o" of wonder. "O Venus, have mercy on one new come to your shrine." When the soprano joined again for the duet, Margerit breathed along with her, "O! What strange fate is mine!" With effort, Barbara wrenched her gaze away.

The complex interplay of the emotions, however, is far beyond the understanding of functional neuroanatomists. Where, for example, are the representations of the id, ego, and and the superego? Through what pathway are ethical and moral judgments shepherded? What processes allow beauty to be in the eye of the beholder? These philosophical questions represent a true frontier of human discovery.

We saw in the discussion of the law of small numbers that a message, unless it is immediately rejected as a lie, will have the same effect on the associative system regardless of its reliability. The gist of the message is the story, which is based on whatever information is available, even if the quantity of the information is slight and its quality is poor: WYSIATI. When you read a story about the heroic rescue of a wounded mountain climber, its effect on your associative memory is much the same if it is a news report or the synopsis of a film. Anchoring results from this associative activation. Whether the story is true, or believable, matters little, if at all. The powerful effect of random anchors is an extreme case of this phenomenon, because a random anchor obviously provides no information at all. Earlier I discussed the bewildering variety of priming effects, in which your thoughts and behavior may be influenced by stimuli to which you pay no attention at all, and even by stimuli of which you are completely unaware. The main moral of priming research is that our thoughts and our behavior are influenced, much more than we know or want, by the environment of the moment. Many people find the priming results unbelievable, because they do not correspond to subjective experience. Many others find the results upsetting, because they threaten the subjective sense of agency and autonomy. If the content of a screen saver on an irrelevant computer can affect your willingness to help strangers without your being aware of it, how free are you? Anchoring effects are threatening in a similar way. You are always aware of the anchor and even pay attention to it, but you do not know how it guides and constrains your thinking, because you cannot imagine how you would have thought if the anchor had been different (or absent). However, you should assume that any number that is on the table has had an anchoring effect on you, and if the stakes are high you should mobilize yourself (your System 2) to combat the effect.

Medications used to treat psychiatric disorders are commonly referred to as psychotropic drugs. These drugs are commonly described by their major clinical application, for example, antidepressants, antipsychotics, mood stabilizers, anxiolytics, hypnotics, cognitive enhancers, and stimulants. A problem with this approach is that these drugs have multiple indicators. For example, selective serotonin reuptake inhibitors (SSRls) are both antidepressants and anxiolytics, and the serotonin-dopamine antagonists (SDAs) are both anxiolytics and mood stabilizers.

Infinite Jest (V?). Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. 'Madame Psychosis' ; no other definitive data. Thorny problem for archivists. Incandenza's last film, Incandenza's death occurring during its post-production. Most archival authorities list as unfinished, unseen. Some list as completion of Infinite Jest (IV), for which Incandenza also used 'Psychosis,' thus list the film under Incandenza's output for Y.T.M.P. Though no scholarly synopsis or report of viewing exists, two short essays in different issues of Cartridge Quarterly East refer to to film as 'extraordinary' and 'far away [James O. Incandenza's] most entertaining and compelling work.' West Coast archivists list the film's gauge as '16...78... n mm.,' basing the gauge on critical allusions to 'radical experiments in viewers' optical perspective and context' as IJ (V?)'s distinctive feature. Though Canadian archivist Tete-Beche lists the film as completed and privately distributed by P.Y.E.U. through posthumous provisions in the filmmaker's will, all other comprehensive filmographies have the film either unfinished or UNRELEASED, its Master cartridge either destroyed or vaulted sui testator.

UKIP SHIPPING FORECAST by Nicholas Pegg After a UKIP councillor claimed widespread flooding in the UK was God’s punishment for allowing same-sex marriage, author/performer Nicholas Pegg wrote his own version of the Shipping Forecast. His recording went viral, receiving 250,000 hits in four days. ‘And now the shipping forecast issued by UKIP on Sunday the 19 January 2014 at 1200 UTC. There are warnings of gays in Viking, Forties, Cromarty, Southeast Iceland and Bongo Bongo land. The general synopsis at midday: Low intelligence expected, becoming Little England by midnight tonight. And now the area forecasts for the next 24 hours. Viking, North Utsire, South Utsire: south easterly gay seven to severe gay nine, occasionally bisexual. Showers – gay. Forties, Cromarty, Forth, Tyne, Dogger, Fisher: women veering southerly 4 or 5, losing their identity and becoming sluts. Rain – moderate or gay. German blight, immigration veering north – figures variable, becoming psychotic. Showers – gay. Humber, Thames, Dover, Wight, Portland, Plymouth: benefit tourism 98%, becoming variable – later slight, or imaginary. Showers – gay. Biscay, Trafalgar: warm, lingering nationalism. Kiss me Hardy, later becoming heterosexual – good. FitzRoy, Sole, Lundy, Fastnet, Irish Sea, Shannon, Rockall, Malin, Hebrides, Bailey: right or extreme right, veering racist 4 or 5, increasing to 5 to 7. Homophobic outburst – back-peddling westerly and becoming untenable. Showers – gay. Fair Isle, Faeroes, South East Iceland: powerbase decreasing, variable – becoming unelectable. Good. And that concludes the forecast.

If I walk along a shore towards a ship which has run aground, and the funnel or masts merge into the forest bordering on the sand dune, there will be a moment when these details suddenly become part of the ship, and indissolubly fused with it. As I approached, I did not perceive resemblances or proximities which finally came together to form a continuous picture of the upper part of the ship. I merely felt that the look of the object was on the point of altering, that something was imminent in this tension, as a storm is imminent in storm clouds. Suddenly the sight before me was recast in a manner satisfying to my vague expectation. Only afterwards did I recognize, as justifications for the change, the resemblance and contiguity of what I call ‘stimuli’— namely the most determinate phenomena, seen at close quarters and with which I compose the ‘true’ world. ‘How could I have failed to see that these pieces of wood were an integral part of the ship? For they were of the same colour as the ship, and fitted well enough into its superstructure.’ But these reasons for correct perception were not given as reasons beforehand. The unity of the object is based on the foreshadowing of an imminent order which is about to spring upon us a reply to questions merely latent in the landscape. It solves a problem set only in the form of a vague feeling of uneasiness, it organizes elements which up to that moment did not belong to the same universe and which, for that reason, as Kant said with profound insight, could not be associated. By placing them on the same footing, that of the unique object, synopsis makes continuity and resemblance between them possible. An impression can never by itself be associated with another impression.

The issues of antidepressant-associated suicide has become front-page news, the result of an analysis suggesting a link between medication use and suicidal ideation among children, adolescents, a link between medication use and suicidal ideation among children, adolescents, and adults up to age 24 in short term (4 to 16 weeks), placebo-controlled trials of nine newer antidepressant drugs. The data from trials involving more than 4.4(K) patients suggested that the average risk of suicidal thinking or behavior (suicidality) during the first few months of treatment in those receiving antidepressants was 4 percent, twice the placebo risk of 2 percent. No suicides occured in these trials. The analysis also showed no increase in suicide risk among the 25 to 65 age group. Antidepressants reduced suicidality among those over age 65. Following public hearings on the subject, in October 2004, the FDA requested the addition of “black box” warnings—the most serious warning placed on the labeling of a prescription medication—to all antidepressant drugs, old and new.

No outlines, ever. Well, except for that synopsis my publisher always insists on. But I consider those necessary evils, and when I begin writing I’ve usually forgotten whatever was in them. Hardly ever does a novel of mine turn out bearing any real semblance to those synopses. That’s part of the business of publishing, not a part of the process of writing. But why do I avoid outlines, well that gets back to writing at a sentence level. The story has not occurred until I write it. Only those broad strokes can exist in my mind and possess any inherent validity. “This will be a story set on Mars, and it’s about a woman looking for her lost lover.” That’s the best I can ever hope for, and I’ve learned that, and I don’t try to force anything more detailed.

There are many things I would like to believe in, because they would accord life coherence. One of them is God. Another is the notion that on the brink of death one’s life dances before one’s eyes in kaleidoscopic fragments: dramas, traumas, transcendent highs, troughs of gloom, or the crystallize moments that encapsulate a certain mood on a certain day, like - for me - the smell of forsythia blossom at nursery school, or a turn of phrase - “ca va tourner au vinaigre “ - used by my mother, bitterly, to someone on the phone, or the pop of the dog fleas Pierre and I picked from our terrier and flicked onto the barbecue, or the appalling intimacy of my first kiss, or the body blow of my mother’s death, or the chaos of Pierre’s wedding, or the aching realization that dawned when my father said “Mesopotamia” instead of “kitchen”, or the night I shouted at Alex and he swerved, or the morning the doctors gave me the final assessment of my paraplegia and, for want of anything better to do, I glanced at the clock and noted that it was 11:23.

Americans with their fixation on individualism might be the nation that flaunts the sharpest sense of self of any people. Ask any American who they are and they will undoubtedly give you a quick synopsis of their personal identity markers including a description of their age, education, occupation, physical skills, mental abilities, values, hobbies, and causes that they support or oppose.

WITH THEM, Joe Fernwright thought, there is not life but merely a synopsis of life. We are a thread that passes through their hands; always in motion, always flowing, we slip by and are never fully grasped. The slipping away is continuous, and carries all of us with it, on and on, toward the dreadful alchemy of the tomb.

May Christ, indeed, be the theme of your song. CONCLUSION If you are like me, this may be the first thing in the book you are reading. We expect a conclusion to tell us something about the premise, scope, and plan of the book. Recognizing this tendency, I will, therefore, offer a brief synopsis of what I have done. After that I will make some concluding remarks that are corollary to this study. Summary The theme of this book is simply finding Christ in the Old Testament, and the purpose is to establish and illustrate the necessary principles of interpretation for discovering what the Old Testament reveals about Christ. Recognizing that not every student of the Bible has the same level

There had been no transcript prepared for this interview, but a brief synopsis was written up by Detective Jane Harmer after she spoke with Dr. Bernhard. I read through the outline of the dialogue that had been exchanged between Dr. Bernhard and Burke and her assessment of the interview. She had expressed concerns about Burke’s “affect” during the interview and indicated that he showed little emotional connection with his family. I came away wanting to know more. It took some time, but I eventually obtained a copy of the video of this interview, and I reviewed it on many occasions. I was troubled by what I saw.

He broke down each scene according to five key criteria: a synopsis (or summary) of the scene; the historical context; the imagery and tone for the “look and feel” of a scene; the core intention; and any potential pitfalls to avoid. In his own words, “I endeavored to distill the essence of each scene into a sentence, expressing in a few words what the point of the scene was.

It was like holding a book, reading the synopsis, knowing you’d absolutely love the fuck out of every page, all to get to that so very bittersweet end, when the story and characters come to a close, only to live on and on in your heart.

The Communist Party and Karl Marx were names I had picked up on since coming to Blantyre, so I read what I could on the subject. The very last English essay I wrote in May 1961, before leaving school, was a biographical sketch of Karl Marx together with a synopsis of The Communist Manifesto, outlining Marx and Frederick Engels’s views of revolution as a consequence of the class struggle.

I have recommended Kevin Kelly’s “1,000 True Fans” to literally millions of people. Many guests in this book have done the same. “If you only read one article on marketing, make it this one” is my common wording. Here’s a highly simplified synopsis: “Success” need not be complicated. Just start with making 1,000 people extremely, extremely happy.

We can all turn authors of voluminous and fervent literature about life: FEARS, TEARS AND YEARS . The synopsis would be as good and as short as the title: THE BEST TEACHER

Cecilia Bertrand had sent through the synopsis of Kelsall’s novel.

general,

a donné aux alliés des rapports détaillés sur les programmes germano-italiens conjoints sur les ovnis et la Vril de Maria Orsic.   ______________________________________   72-Les interrogatoires russes du général Friedrich-Wilhelm Müller en 1945 et 1946. 73-Les séances d’information et les synopsis des déclarations et des notes par le

After a 20-year-old female college student had recovered from her schizophrenic breakdown, she wrote the following description of her experiences during the oneiroid phase: (...) There are no days; no nights; sometimes it's darker than other times—that's all. It's never quite black, just dark gray. There is no such thing as time—there is only eternity. There is no such thing as death—nor heaven and hell—there is only a timeless—hateful—spaceless—worsening of things. You can never go forward; you must always regress into this horrific mess...

Elements of a Proposal Cover letter Author biography Book synopsis Character sketches Chapter-by-chapter outline Three sample chapters Self-addressed stamped envelope Reply card (optional)

Drop

Dakota laughed. “I’ve come a long way from the six-page synopsis.” Or as she more frequently called it, suck-nopsis. An emotionless outline of a proposed book that often veered off course during the writing process. Every writer she knew dreaded writing the things.

I haven’t read it,” Martin repeated. “If you haven’t read the book, I suppose you must have seen the BBC documentary series he made. They ran it in America on PBS.” “No, didn’t see it.” “None of it? There were four episodes.” Martin shook his head. “No, sorry.” “Did you read one of his follow-up books?” “No, I read the title, and a synopsis.” “A synopsis.” Martin shrugged. “Part of the synopsis.” “Ah, yes,” Phillip said.

61 Hours (March 2010)

You know, I’ve been hanging around your place, riding with you, throwing the stick for your dogs, and I never asked you about the husbands. Like, how many? And why you think it didn’t work out?” “What makes you think I feel like telling you?” she asked. “Aw, you’ll tell me,” he said. “You’re just that kinda gal. And I told you about my wife.” “Okay,” she said, still slapping sandwiches together. “The synopsis. The first one was fifteen years older than me, my agent. He’s still my agent—he married the talent, not the person I was. He was very ambitious for me, for us both. He still thinks I divorced him because of his age, but I divorced him because all he cared about was my career. I don’t think he could tell you my favorite color…” “Yellow,” Walt said. Her head snapped around and she stared at him. “Yellow,” she said. “That was easy,” he said. “It’s all around and you wear it a lot. Red’s important, too.” “Right,” she said, shocked. She shook herself. “Okay, number two hit, number three cheated, number four had a child he failed to mention, number five—” “All right, wait,” Walt said. “Is this going to go on for a real long time?” She grinned at him. “Didn’t you look it up on the Internet?” “I did not,” he said, almost insulted. “We’re stopping at five. He had a substance-abuse problem. I didn’t know about it beforehand, obviously. I tried to help, but I was in the way—he needed to be on his own. That’s when I decided that, really, I should quit doing that. Marrying. But please understand, it’s not all my fault—Hollywood doesn’t exactly have a reputation for long, sturdy relationships. I did the best I could.” “I have no doubt,” he said. “Do you say that because you have no doubt? Or are you being a sarcastic ass to a poor woman who had to go through five miserable husbands?” He chuckled. Then he slipped an arm around her waist and kissed her cheek.

Fantasy & Science Fiction, Free Exclusive Digest (Spilogale Inc.) - Your Highlight on Location 642-646 | Added on Tuesday, November 11, 2014 4:24:48 PM F&SF COMPETITION #89 By Carol Pinchefsky | 532 words F&SF COMPETITION #88 "Anagram/Raga Man" IN THIS competition, you were tasked with taking a popular science fiction/fantasy title, rearranging its letters, and creating a synopsis based on both the original and the new title. The results were fabulous—or as we call it now, "usual fob." Thanks to all who rearranged letters for the betterment of humor. ========== Fantasy & Science Fiction, Free Exclusive Digest (Spilogale Inc.) - Your Highlight on Location 649-651 | Added on Tuesday, November 11, 2014 4:25:12 PM Ender's Game = Same Gender Ender Wiggin, turned down for Battle School, becomes a writer. In adolescence, he has feelings that he can't deal with. He becomes a prominent homophobic author. His repressed homosexuality reveals itself when the title of his first novel is an anagram for "Greased Men." —Eric Cline Bowie,

trephining.

Winston knew better than to give a heartfelt synopsis of a grainy black-and-white film that had inadvertently touched his heart and caused him to empathize with a loafer-shod French boy, Doinel, the young, unloved Parisian, running toward the sea in the last reel. Winston had wanted to chase behind him, clasp him on the shoulder...

For patients being seen for supportive psychotherapy or medication management, answering the question, especially if it is not very personal, such as “Do you watch football?,” is quite appropriate.

DON’T CONDUCT THE INTERVIEW IN THE RÉSUMÉ Here’s a good analogy. Your résumé is like a book report. You don’t tell the whole story in a book report; you simply provide a synopsis of the key highlights that STAND OUT as the most important information taken from the book. The same is true when writing a résumé. Your résumé must dangle the carrot, but not tell the whole story. Your résumé must communicate your value and enthusiastically engage the reader, not provide a long-winded, never-ending biography of your professional life. Your résumé must provide highlights of your professional experience that STAND OUT as the most important information that prospective employers would find valuable. Do not tell the whole story; don’t conduct the interview in the résumé.

Bu nedenle, Kant’ın B 160a’da sözünü ettiği sentez gerçek anlamda bir sentez değildir. Burada, duyulur sezgi çokluğunun birliği olarak sezginin arı formlarına yani zaman ve uzama ait olan sentez, kavramsal bir sentez olarak verilmektedir. B 160a’nın gönderimde bulunduğu sentez, synopsis’tir. Çünkü sentez, daha önce irdelendiği gibi, farklı öğeleri bir kavram altında bir araya getirme, birleştirme anlamına geliyorken, synopsis ‘tek’liğin (tek olmanın) verdiği kökensel birliği anlatır.

Diğer yandan, syndosis Kant’ın kullandığı bir kavram değildir. Heidegger için, syndosis zaman ve uzamı sezgi olarak verendir. Bu nedenle, zaman ve uzam, öncelikle sezilebilen bir şey olarak açığa çıkar. Heidegger, bu yolla, zaman ve uzamın hem kendilerinde birer sezgi hem de sezginin formları olma ikilemini açıklığa kavuşturmuş olur: Birlik ya da zaman ve uzama ait tekliğin bütünlüğüne ait olan syndosis aracılığı ile zaman ve uzam, öncelikle, sezgi ya da arı sezilmiş olma biçiminde verilidir ve “sun”a ait olan bu birlik ve syndosis ya da synopsis sonuç olarak zaman-uzama aittir; anlamanın kavramlarına değil. Başka bir deyişle, syndosisin birliği, kavramlarda ve kategorilerde anlamanın sentezine ait olan bir birlik değildir (Heidegger 1965: 50).

Nursing homes show plenty of evidence of neglect and mistreatment not only by staff members, but by family; in fact most cruelly by family who simply abandon the person as the family goes on with their busy lives.

Lie back and enjoy, Clarissima. Last night was a synopsis. Now it's time for the unabridged version.

Tältä ajalta kieleemme tulleet germaaniset lainasanat ovat kuin jännitysnäytelmän synopsis: kuningas, hallita, valta, tuomita, sakko, lunnas, vedonlyönti, juhla, kunnia, kulta, mitta, miekka, raha, rikas, airut, vartija, vakooja, varas, taika, murha, vainaja, peijaiset

As already mentioned this novel was based on the two-part episode of the same name from The Saint, which starred Roger Moore; part one first aired on Sunday, 8 December 1968, and part two first aired on Sunday, 15 December 1968. The script was written by longtime favorite John Kruse with some minor adjustments by script editor Harry Junkin. Charteris loved the script, saying that “The Fiction Makers fulfils all the promise of the synopsis, and the dialogue has a crisp sparkle which has all too often been lacking in other scripts. It’s true that I still somewhat prefer the treatment of the ending which I suggested. But it is simply a splendid job.

and onto her new manuscript. She lets out a big sigh. She can feel her characters’ emotions and sympathise with their thoughts. They are evolving along with the plot she has in store for them. They may take a detour, but she’s confident she’ll be able to steer them back on track. The instinctive passion that tells her this idea will work thrills her like little else. She’s on a roll of creativity. A comforting place where she can forget about her missing husband and Frankie Evans. After an hour, her word count totals seven hundred. That’s more like it. She’ll write a synopsis tomorrow. She allows herself a brief smile. This will keep Hector’s fears

Your consistent energy is the transfer of optimization, and the divine coadjutor is perfectly instructed by your deities power and its synopsis, but not with vehemence stopgap. This exceeds and leverages an enormous amount of impermanent precision, in which the impact of your distinguishable positivity and nerve of spiritual repose, along with its doughtiness, is greatly enhanced without clashes and a blast of uncharted negativity stingo. This is not a somewhat breathtaking discussion. You are not a solo speaker but rather a duet; this is an irrevocable and inalienable gap in life in which your activities are indefeasible. This is the best medicine and fuel for your material livelihood.

Success is falling in love with the process, not the outcome. It’s making your dreams about the journey, about the “doing,” about the day-in-day-out routine and minutiae. The life you want is within the simplicity of your everyday tasks. You can’t only focus on writing the synopsis and then wonder why you don’t have a book yet.

Your [patriarchal] blessing is a prophetic synopsis with excerpts of the blessing you received at Heavenly Father’s hand as you prepared to come to earth.

Creating Space Tourism Desire by JOHN LOK Synopsis How can we persuade the rich people like to catch rockets to fly to space to travel ? What factors may influence rich passengers feel fear to catch rockets to travel space? In my this book, I shall attempt to explain what factors may influence future space tourism market development as well as how to raise rich people entertainment need for space tourism.

Procesory se dnes nenavrhují na rýsovacím prkně, to s miliony tranzistorů ani nejde. Potřebujete na to speciální software, který vyrábí jen Cadence nebo Synopsys, obě americké firmy. Serverový analytický software z větší části běží v cloudu a nelze ho upirátit. Chcete pokračovat v návrhu desky? Potřebujete Altium, Keysight nebo Zuken. Australský, americký či japonský software pro návrh, správu, ladění a výrobu. Bez cloudu už běží jen základní konstrukční funkce. A chcete vyrábět z pokročilých materiálů? Potřebujete služby firem Applied Materials a Lam Research. Nemáte je jak nahradit, protože superčisté materiály na výrobu neuděláte v hale bývalého kravína. Bez těchto společností dnes vyrobíte maximálně procesory schopné řídit žárovky blinkru, ale rozhodně ne procesory pro zaměřování moderních zbraní.

Aderlating is nog immer een wetenschappelijk ondervinding, op zich.

Quoted on page 50 of: JACK PARSONS ON HUMAN POPULATION COMPETITION A short synopsis of his major work by Edmund Davey ISBN: 0-9541978-3-6 "No quantity of atom bombs could stem the tide of billions … who will someday … erupt [from] the poor southern part of the world … into the relatively accessible spaces of the rich Northern Hemisphere looking for survival." President Boumedienne of Algeria.

The view of Ukrainians as constituents of the Russian nation goes back to the founding myth of modern Russia as a nation conceived and born in Kyiv, the “mother of Russian [rather than Rus’] cities.” The Synopsis of 1674, the first printed “textbook” of Russian history, compiled by Kyivan monks seeking the protection of the Muscovite tsars, first formulated and widely disseminated this myth in Russia. Throughout most of the imperial period, Ukrainians were regarded as Little Russians—a vision that allowed for the existence of Ukrainian folk culture and spoken vernacular but not a high culture or a modern literature. Recognition of Ukrainians as a distinct nation in cultural but not political terms in the aftermath of the Revolution of 1917 challenged that vision. The aggression of 2014, backed by the ideology of the “Russian World,” offers Ukrainians today a throwback in comparison with Soviet practices. Nation building as conceived in a future New Russia makes no provision for a separate Ukrainian ethnicity within a broader Russian nation. This is hardly an oversight or excess born of the heat of battle. Less than a year before the annexation of the Crimea, Vladimir Putin himself went on record claiming that Russians and Ukrainians were one and the same people. He repeated that statement in a speech delivered on March 18, 2015, to mark the first anniversary of the annexation of the Crimea. Since the fall of the USSR, the Russian nation-building project has switched its focus to the idea of forming a single Russian nation not divided into branches and unifying the Eastern Slavs on the basis of the Russian language and culture. Ukraine has become the first testing ground for this model outside the Russian Federation.

As times got worse in 1929, these groups and the German public at large kept beating the same drum. “See what the November criminals, the Versailles Treaty, the Allies, the communists, and the Jews have done to Germany?” “Germans have lost everything.” “The people are begging in the streets. The people have no dignity. No honor.” “Hitler will restore Germany’s strength, honor, and dignity!” Just right there, you essentially have a synopsis of every speech made by Hitler and his minions from 1929 until they came to power in 1933.

Why (in the US) did the term stay the same, and the meaning change?​ Because, in fact, the real meaning has not changed.​ In 1858 as in 2008, a “liberal” is a supporter of the Cathedral: i.e., a Whig, a progressive, a Radical, etc.​ It is the Synopsis that shifted, and it is today’s libertarians who are not with the program.

Shrinks are here to edit your emotions with adjectives in order to create a TV Guide synopsis of your issues. Today on an episode of Iris in Therapy, we discover she has never felt heard!

I shrug, wincing. "I hated him until I didn't?" "That's actually a very accurate synopsis." Ethan slides an arm around my shoulders again.

The dosage range of carbamazepine used to facilitate withdrawal is 400 to 500 mg a day. Some clinicians report particular difficulty in tapering and discontinuing alprazolam, especially in persons who have been receiving high dosages for long periods. There have been reports of successful discontinuation of alprazolam by switching to clonazepam, which is then gradually withdrawn.

may decrease the plasma concentrations of benzodiazepines, and smoking may increase the metabolism of benzodiazepines.

The SSRIs may prolong and exacerbate the severity of zolpidem-induced hallucinations. Deaths have been reported when parental lorazepam is given with parental olanzapine.

it is often best if benzodiazepine agents are used in conjunction with psychotherapy and when alternative agents have been tried and proven ineffective or poorly tolerated.

Because insomnia may be a symptom of a physical or psychiatric disorder, hypnotics should not be used for more than 7 to 10 consecutive days without a thorough investigation of the cause of the insomnia.

dysfunction and weight gain. However, the SSRIs are still often preferred because they target common comorbid conditions, such as depression or obsessive-compulsive disorder (OCD). Benzodiazepines and SSRIs can be initiated together to treat acute panic symptoms; use of the benzodiazepine can be tapered after 3 to 4 weeks after the therapeutic benefits of the SSRI have emerged.

The "earth" is archē: it bears the possibility of being above the nothingness, above the flood--seed of the threatened world, on the basis of which everything blooms again. It is "nature" in the sense of perceptual cosmogony, neither in itself nor for God, but our horizon. It is "in itself" and in a certain manner for itself (i.e. attached to itself, as its appearance in my experience proves) without which it would be in the sense of percipere , of synopsis: it is this "preparation for perception" that the Husserlian endpoint of teleology designates.

The combination of benzodiazepines and clozapine (Clozaril) has been reported to cause delirium

The plasma concentrations of triazolam and alprazolam are increased to potentially toxic concentrations by nefazodone (Serzone) and fluvoxamine (Luvox).

Clonazepam has been shown to be an effective treatment for social phobia. In addition, several other benzodiazepines (e.g., diazepam) have been used as adjunctive medications for treatment of social phobia.

additional flumazenil is unlikely to have an effect. Sedation can return in 1 to 3 percent of persons treated with flumazenil. It can be prevented or treated by giving repeated dosages of flumazenil at 20-minute intervals. For repeat treatment, no more than 1 mg (given as 0.5 mg a minute) should be given at any one time, and no more than 3 mg should be given in any 1 hour.

High-potency benzodiazepines, especially triazolam, can cause anterograde amnesia. A paradoxical increase in aggression has been reported in persons with preexisting brain damage.

which may include depression, paranoia, delirium, and seizures.

Antacids and food

An estimated length of therapy should be decided at the beginning of therapy, and the need for continued therapy should be reevaluated at least monthly because of the problems associated with long-term use.