Rough Stone Rolling Quotes

How much?" Angelo hesitated, trying to estimate what the traffic would bear, since a flat cat on Mars had roughly the cash value of still another kitten on a Missouri farm. Still, the boys must be rich or they wouldn't be here—just in and with spending money burning holes in their pockets, no doubt. Business had been terrible lately anyhow. "A pound and a half," he said firmly. Castor was surprised at how reasonable the price was. "That seems like quite a lot," he said automatically. Angelo shrugged. "It likes you. Suppose we say a pound?" Castor was again surprised, this time at the speed and the size of the mark-down. "I don't know," he murmured. "Well . . . ten per cent off for cash.

Whore!” he snarls, slamming me into the wall so hard stars burst in my eyes. I hiss at him, the tiger in me threatening to emerge and rip out his throat, but a shout brings me back to myself. “Zahra!” I turn my head and see Aladdin running toward us. When he sees that it’s Darian holding me roughly against the wall, his face twists into such rage that he seems unrecognizable. He crashes into Darian before the prince has a chance to say anything. The two slam into the ground, Aladdin throwing a punch that cracks against Darian’s jaw. “Stop it!” I cry. “Prince Rahzad!” The boys ignore me, rolling and thrashing like dogs. Leave them! Zhian roars. Let me out! “How dare you touch her?” Aladdin spits, grabbing Darian by the hair and pressing the prince’s face into the stone floor. “You bastard!” “I didn’t give her anything she didn’t ask for,” Darian hisses back. “Get off me or I’ll have you executed!

Another general would have let them go and been glad of it. But he saw that if they secured that high ground they might regroup and come at us again, this time with their archers positioned to advantage. So he called us to ranks with a curdling cry. I glimpsed his face through the crowd of men. It was bloodied, dirt-streaked, avid. Then he turned, fist to the sky, and sprinted. He set the pace for the fleetest of his runners, youths who could give him a decade. Even uphill, he seemed to fly over the loose stones that slid out from underfoot and left me skidding and swearing. I fell behind, and lost sight of him. Others—younger men, better fighters—overtook me, swarming to him, compelled by his courage. When I finally glimpsed him again, he was above me on a long, slender ridge, in the thick of fierce fighting. Trying to narrow the distance between us, I lost my footing entirely on the uncertain ground. I slipped. Metal, leather and flesh scraped against rough limestone that bit like snaggleteeth. I could not control my fall until I planted my foot into something that gave softly under my weight. The man had been attempting to crawl away, dragging himself with his remaining hand while a slime of blood pulsed from the stump of his sword arm. My boot, mashing his neck flat into stone, had put an end to that. When I lifted my foot, the man gave a wet gargle, and was still. I scraped the mess off my boot onto the nearest rock and went on. When I reached the ridge, the king was making an end of another fighter. He was up close, eye to eye. His sword had entered just above the man’s groin. He drew it upward, in a long, slow, arcing slash. As he pulled the blade back—slick, dripping—long tubes of bowel came tumbling after. I could see the dying man’s eyes, wide with horror, his hands gripping for his guts, trying to push them back into the gaping hole in his belly. The king’s own eyes were blank—all the warmth swallowed by the black stain of widening pupils. David reached out an arm and pushed the man hard in the chest. He fell backward off the narrow ledge and rolled down the slope, his entrails unfurling after him like a glossy ribband. I was engaged myself then, by a bullnecked spearman who required all my flagging strength. He was bigger than me, but clumsy, and I used his size against him, so that as I feinted one way, he lunged with his spear, overbalanced and fell right onto the dagger that I held close and short at my side. I felt the metal grating against the bone of his rib, and then I mustered enough force to thrust the tip sharply upward, the blade’s full length inside him, in the direction of his heart. I felt the warm wetness of his insides closing about my fist. It was intimate as a rape.

Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?

We are but stones in the ocean. Wall construction begins, the tide rolls in. Stores close, the sea breeze blows. Rations diminish, the ocean floor is blemished. Challenges arise, the waves intensify. Tempers heighten, the current strengthens. Conditions turn dire, the swells become higher. Illnesses shake, the storm clouds break. Fighting for each day, an undertow tries to pull us away. Calm seas comfort us, making us feel whole. Rough seas polish us, smoothing out our soul.

Nuances of shade and colour in the sand and rock; desert textures - fine, rough, ordered, chaotic, ridged with salt-crust; a broken and wind-swept landscape blends seamlessly into hidden valleys gentled with acacia trees; the smoothness of an ancient lake-bed followed by long struggles with soft sand; rolling hills tessellated with smooth black stones, so ordered it could be a mosaic; salt pans, still wet and yielding under our tyres, the surface cracked and wrinkled like elephant-skin; fine, milky, wind-blown dust so thick that the lower half of a body or motorbike simply disappears below waist height and strange half-people move mysteriously, seemingly unconnected with the ground; crisp-edged dunes lie on the hard desert surface, sculpted by the wind's hand; gnarled acacia trees, lonely patriarchs, seem to crouch and writhe against the heat, standing incongruous in the sand - disparate images flicker through my mind, blend and come together, separate and coalesce like slides flashed briefly against a wall and then they blend again.

Not long after this attempt, the issue arose again. A conference on November 8 instructed Joseph Smith to review the commandments and 'correct those errors or mistakes which he may discover by the holy Spirit.' Correcting 'errors' in language supposedly spoken by God again raised the question of authenticity. If from God, how could the language be corrected? Correction implied Joseph's human mind had introduced errors; if so, were the revelations really his productions? The editing process uncovered Joseph's anomalous assumptions about the nature of revealed words. He never considered the wording infallible. God's language stood in an indefinite relationship to the human language coming through the Prophet. The revealed preface to the Book of Commandments specified that the language of the revelations was Joseph Smith's: 'These commandments are of me, and were given unto my servants in their weakness, after the manner of their language, that they might come to understanding.' They were couched in language suitable to Joseph's time. The idioms, the grammar, even the tone had to be combrehensible to 1830s Americans. Recognizing the pliability of the revealed words, Joseph freely edited the revelations 'by the Holy Spirit,' making emendations with each new edition. He thought of his revelations as imprinted on his mind, not graven in stone. With each edition, he patched pieces together and altered the wording to clarify meaning. The words were both his and God's.

To protect their own deepest commitments, believers want to shield their prophet’s reputation. On the other hand, people who have broken away from Mormonism—and they produce a large amount of the scholarship—have to justify their decision to leave. They cannot countenance evidence of divine inspiration in his teachings without catching themselves in a disastrous error. Added to these combatants are those suspicious of all religious authority who find in Joseph Smith a perfect target for their fears. Given the emotional crosscurrents, agreement will never be reached about his character, his inspiration, or his accomplishments.

In graduate school, Jim had studied Albert Camus’ essay The Myth of Sisyphus. (Camus begins: “The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.” At the end of the essay, Camus refutes its beginning: “The struggle itself toward the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.”)

Sufia began to grind turmeric with a giant stone shaped like a rolling pin. She passed the stone back and forth over the turmeric bulb, smashing it into a rough paste, and then went over it again and again until it turned smooth, darkening to the colour of crushed marigolds.