Charmed Cast Quotes

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Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Lady of the silver moon Enchantress of the night Protect me and mine within this circle fairly cast. Earth Mother, mother of the sleeping earth, Keep safe all who gather here Within the protective shelter of your arms. By the earth that is Her body, By the air that is Her breath, By the fire that is Her bright spirit, And by the living waters of Her womb, Our circle is cast, None shall come to harm here, From any forces, On any level. As we will, So shall it be done. As we will, So mote it be.
Madelyn Alt (A Charmed Death (A Bewitching Mystery, #2))
Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lift the enchantment. If I don’t – well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
In the county, there’s nothing more dangerous than a woman who speaks her mind. That’s what happened to Eve, you know, why we were cast out from heaven. We’re dangerous creatures. Full of devil charms. If given the opportunity, we will use our magic to lure men to sin, to evil, to destruction.” My eyes are getting heavy, too heavy to roll in a dramatic fashion. “That’s why they send us here.” “To rid yourself of your magic,” he says. “No,” I whisper as I drift off to sleep. “To break us.
Kim Liggett (The Grace Year)
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary – I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady’s face, smiles all round, waiters stepping away with their hands behind their backs – just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I’m sure I wouldn’t even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I’ll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
Donna Tartt (The Goldfinch)
There was something factitious and brittle and thereby utterly feminine about her charm which made me want to crush her, even to crunch her. She had a slight cast in one eye which gives her gaze a strange concentrated intensity. Her eyes sparkle, almost as if they were actually emitting sparks. She is electric. And she could run faster in very high-heeled shoes than any girl I ever met.
Iris Murdoch (The Sea, the Sea)
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
We cast out votes and raised our leaders, charming men and women with white teeth and silver tongues, and we shoved our many hopes and fears into their hands, believing those hands were strong because they had firm handshakes. They failed us, always. There was no way they could not fail us-- they were human, and more importantly, so were we.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
She was simple, not being able to adorn herself, but she was unhappy, as one out of her class; for women belong to no caste, no race, their grace, their beauty and their charm serving them in place of birth and family. Their inborn finesse, their instinctive elegance, their suppleness of wit, are their only aristocracy, making some daughters of the people the equal of great ladies.
Guy de Maupassant (A Piece of String / The Necklace (Tale Blazers))
He would patch their ships and I would cast charms against biting flies and fevers and we would take pleasure in the simple mending of the world.
Madeline Miller (Circe)
What?” Richardson snarled. “No smart retort, Mr. Gautier? Cat swallow your tongue?” Nick gave her a charming grin he didn’t really feel. “No, ma’am. A gator named Sense Formerly Known as Common.” Sneering at him, she tottered her way to her desk so that she could insult someone else and ruin their day. Caleb let out an annoyed breath. -Great,- he projected to Nick. -Now I have to get detention, too. I really hate you, Gautier.- Nick batted his eyelashes at Caleb. -But I wubs you, Caliboo.- That succeeded in wringing a groan out of Caleb. “What was that, Mr. Malphas?” Richardson asked. “Severe intestinal woe caused by an external hemorrhoid that seems to be growing on my right-hand side.” He cast a meaningful glower toward Nick. The class erupted into laughter as Richardson shot to her feet. “Enough!” She slammed her hands on her desk. “For that, Mr. Malphas, you can join Mr. Gautier in after-school detention.” Caleb let out an irritated sigh. --More quality time with my hemorrhoid. Just what I wanted for Christmas. Yippee ki-yay.--
Sherrilyn Kenyon (Instinct (Chronicles of Nick, #6))
Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary
Donna Tartt (The Goldfinch)
The word “charm” comes from the Latin carmen, a song, but also an incantation tied to the casting of a magical spell.
Robert Greene (The Art of Seduction)
When I was no longer of the world, I would miss its extravagant beauty. I would miss the complex and charming layers of subterfuge by which the truth of the world’s mysteries were withheld from us even as we were tantalized and enchanted by them. I would miss the kindness of good people who were compassionate when so many were pitiless, who made their way through so much corruption without being corrupted themselves, who eschewed envy in a world of envy, who eschewed greed in a world of greed, who valued truth and could not be drowned in a sea of lies, for they shone and, by the light they cast, they had warmed me all my life.
Dean Koontz (Saint Odd (Odd Thomas, #7))
At Bealltainn, or May Day, every effort was made to scare away the fairies, who were particularly dreaded at this season. In the West Highlands charms were used to avert their influence. In the Isle of Man the gorse was set alight to keep them at a distance. In some parts of Ireland the house was sprinkled with holy water to ward off fairy influence. These are only a mere handful out of the large number of references available, but they seem to me to reveal an effort to avoid the attentions of discredited deities on occasions of festival once sacred to them. The gods duly return at the appointed season, but instead of being received with adoration, they are rebuffed by the descendants of their former worshippers, who have embraced a faith which regards them as demons. In like manner the fairies in Ireland were chased away from the midsummer bonfires by casting fire at them. At the first approach of summer, the fairy folk of Scotland were wont to hold a "Rade," or ceremonial ride on horseback, when they were liable to tread down the growing grain.
Lewis Spence (British Fairy Origins)
Came the visions of icy beauty, from the land of death where they dwell. Pursuing their prize and grisly duty, came the thieves of the charm and spell. The bells chimed thrice, and death came a-calling. Alluring of shape though seldom seen, they traveled the breeze on a spark. some fed twigs to their newborn queen, while others invaded the dark. the bells chimed thrice, and death came a-calling. some they called and others they kissed as they traveled on river and wave. with resolve they came and did insist: every one touched to a grave. the bells chimed thrice, and death came a-calling. roving to hunt and gathering to dance, they practiced their dark desires by casting a hex and a beautiful trance, before feeding the queen's new fires. the bells chimed thrice, and death came a-calling. till he parted the falls and the bells chimed thrice, till he issued the calls and demanded the price. the bells chimed thrice and death met the mountain. they charmed and embraced and they tried to extoll but he bade them in grace and demanded a soul. the bells fell silent and the mountain slew them all. and the mountain entombed them all.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
When you find a true friend, you will know it. There may be challenges in that relationship, but for all that, it thrives on mutual respect, and honours the virtues exchanged. You need no fists to make a space for yourself. No one clings to your shadow – even as they grow to despise that shadow, and the one who so boldly casts it. Your feelings are not objects to be manipulated, with cold intent or emotion’s blind, unreasoning heat. You are heard. You are heeded. You are challenged, and so made better. This is not a tie that exhausts, nor one that forces your senses to unnatural extremes of acuity. You are not to be tugged or prodded, and your gifts – of wit and charm – are not to be denigrated for the attentions they earn.
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
Some people saw me as Gwendolyn always cast me: simply the loyal sidekick. James was so quintessentially a hero that this didn't bother me. He was the handsomest of us, but more charming than that was his childlike depth of feeling, onstage and off.
M.L. Rio (If We Were Villains)
As the great botanist Bichat long ago said, if everyone were cast in the same mould, there would be no such thing as beauty. If all our women were to become as beautiful as the Venus de’ Medici, we should for a time be charmed; but we should soon wish for variety; and as soon as we had obtained variety, we should wish to see certain characteristics in our women a little exaggerated beyond the then existing common standard.
Charles Darwin
I've been meaning to ask," said Magnus. "When Shinyun and I were fighting in the pentagram in Rome, you shot her. You told me that you could see dozens of illusions of me fighting dozens of her. How did you know which one was really her?" "I didn't," said Alec. "I knew which one was you." "Oh. Was one version of me more handsome than the others?" Magnus said, charmed. "More debonair? Possessed a certain je ne sais quoi?" "I don't know about that," said Alec. "You reached for a knife. You had it in your grasp, and then you let it go." Magnus deflated. "You knew it was me because I'm worse at fighting than she is?" Magnus asked. "Well, that's terrible news. I imagine 'pathetic in combat' is on the top ten list of Shadowhutner turnoffs." "No," said Alec. "Number eleven, just below 'doesn't actually look good in black'?" Alec shook his head again. "Before we were together," he said, "I was angry a lot, and I hurt people because I was in pain. Being kind when you're in pain - it's hard. Most people struggle to do it at the best of times. The demon who cast that spell couldn't imagine it. But among all those identical figures, there was one person who hesitated to hurt somebody, even at the moment of utmost horror. That had to be you.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
She cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary.
Donna Tartt (The Goldfinch)
Upon seeing Evie, her friends rushed toward her with unladylike squeals, and Evie let out her own laughing shriek as they collided in a circle of tightly hugging arms and exuberant kisses. In their shared excitement, the three young women continued to exclaim and scream, until someone burst into the room. It was Cam, his eyes wide, his breathing fast, as if he had come at a dead run. His alert gaze flashed across the room, taking in the situation. Slowly his lean frame relaxed. "Damn," he muttered. "I thought something was wrong." "Everything is fine, Cam," Evie said with a smile, while Annabelle kept an arm around her shoulders. "My friends are here, that's all." Glancing at Sebastian, Cam remarked sourly, "I've heard less noise form the hogs at slaughter time." There was a sudden suspicious tension around Sebastian's jaw, as if he were fighting to suppress a grin. "Mrs. Hunt, Miss Bowman, this is Mr. Rohan. You must pardon his lack of tact, as he is..." "A ruffian?" Daisy suggested innocently. This time Sebastian could not prevent a smile. "I was going to say 'unused to the presence of ladies at the club.'" "Is that what the are?" Cam asked, casting a dubious glance at the visitors, his attention lingering for a moment on Daisy's small face. Pointedly ignoring Cam, Daisy spoke to Annabelle. "I've always heard that Gypsies are known for their charm. An unfounded myth, it seems." Cam's golden eyes narrowed into tigerish slits.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
And then, while she was making them some orangeade, suddenly, just as when the reflector of a lamp that is badly fitted begins by casting all round an object, on the wall beyond it, huge and fantastic shadows which, in time, contract and are lost in the shadow of the object itself, all the terrible and disturbing ideas which he had formed of Odette melted away and vanished in the charming creature who stood there before his eyes.
Marcel Proust (Swann's Way)
Among all the methods by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as the great gust of agitation which, now and then, sweeps over the human spirit. For then the creature in whose company we are seeking amusement at the moment, her lot is cast, her fate and ours decided, that is the creature whom we shall henceforward love. It is not necessary that she should have pleased us, up till then, any more, or even as much as others. All that is necessary is that our taste for her should become exclusive. And that condition is fulfilled so soon as - in the moment when she has failed to meet us - for the pleasure which we were on the point of enjoying in her charming company is abruptly substituted an anxious torturing desire, whose object is the creature herself, an irrational, absurd desire, which the laws of civilised society make it impossible to satisfy and difficult to assuage - the insensate, agonising desire to possess her.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
Individually, the experience of most people was of accelerating impotence and incomprehension. They lived in a world of superstition. They relied on voodoo - charms, fetishes, and crystal balls whose caprices they were helpless to govern, yet without which the conduct of daily life came to a standstill. Faith that the computer would switch on one more time and do as it was asked had more a religious than a rational cast. When the screen went black, the gods were angry.
Lionel Shriver (So Much for That)
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary—I
Donna Tartt (The Goldfinch)
I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the waterspout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country. "Clerval! beloved friend! even now it delights me to record your words, and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart.
Mary Wollstonecraft Shelley (Frankenstein)
A voice: warm and low and gentle, a voice to cast spells, charm snakes, shape the course of dreams.
Gail Honeyman
It was made completely of cast iron except for doors and floorboards—a design that would have given it all the charm and comfort of a cooking pot.
Bill Bryson (At Home: A Short History of Private Life)
Thank you,” said Lee’s voice. “And now we turn to regular contributor Royal, for an update on how the new Wizarding order is affecting the Muggle world.” “Thanks, River,” said an unmistakable voice, deep, measured, reassuring. “Kingsley!” burst out Ron. “We know!” said Hermione, hushing him. “Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.’” “Thanks, River,” said another very familiar voice; Ron started to speak, but Hermione forestalled him in a whisper. “We know it’s Lupin!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Too bad for Dallyn she’d been cast to look good in a leather bathing suit, not for her muscles.  Size mattered.  Jane hit her again and the impact sent the smaller woman flying backwards into the river.
Cassandra Gannon (Vampire Charming (Not Another Vampire, #2))
When I was no longer of the world, I would miss its extravagant beauty. I would miss the complex and charming layers of subterfuge by which the truth of the world's mysteries were withheld from us even as we were tantalized and enchanted by them. I would miss the kindness of good people who were compassionate when so many were pitiless, who made their way through so much corruption without being corrupted themselves, who eschewed envy in a world of envy, who eschewed greed in a world of greed, who valued truth and could not be drowned in a sea of lies, for they shone and, by the light they cast, they warmed me all my life.
Dean Koontz (Saint Odd (Odd Thomas, #7))
Even my charm has its limits, Zoya.” If so, she had yet to encounter them. Zoya cast the king a disbelieving glance. “A handsome monster husband who put a crown on her head? It’s a perfect fairy tale to sell to some starry-eyed girl. She can lock you in at night and kiss you sweetly in the morning, and Ravka will be secure.” “Why do you never kiss me sweetly in the morning, Zoya?” “I do nothing sweetly, Your Highness.” She shook out her cuffs.
Leigh Bardugo (King of Scars (King of Scars, #1))
There: soft fingers on vibrating steel, and a chord shimmered into the air, nebulous and milky, like light from an old, old star. A voice: warm and low and gentle, a voice to cast spells, charm snakes, shape the course of dreams.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary—
Donna Tartt (The Goldfinch)
still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary
Donna Tartt (The Goldfinch)
We try to discover in things, endeared to us on that account, the spiritual glamour which we ourselves have cast upon them; we are disillusioned, and learn that they are in themselves barren and devoid of the charm which they owed, in our minds, to the association of certain ideas; sometimes we mobilise all our spiritual forces in a glittering array so as to influence and subjugate other human beings who, as we very well know, are situated outside ourselves, where we can never reach them.
Marcel Proust (Swann's Way)
Translucent golden hair. Finely-textured white skin. Moist red lips. Delicate and youthful features that made sexual identity difficult to discern, but contradictorily, at the same time cast off a strange and alluring charm that sent a chill up the spine.
Rieko Yoshihara (Ai no Kusabi Vol. 1: Stranger)
... since with women there is neither caste nor rank; and beauty, grace, and charm act instead of family and birth. Natural fineness, instinct for what is elegant, suppleness of wit, are the sole hierarchy, and make from women of the people the equals of the very greatest ladies.
Guy de Maupassant
And though it's a bleak thing to admit all these years later, still I've never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary.
Donna Tartt (The Goldfinch)
His feeling for the South was not so much historic as it was of the core and desire of dark romanticism--that unlimited and inexplicable drunkenness, the magnetism of some men's blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote The Rime of the Ancient Mariner, beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in "mansions," and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers. Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous intrenchment against all new life--when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe--when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.
Thomas Wolfe (Look Homeward, Angel)
THINGS WOULD HAVE TURNED out better if she had lived. As it was, she died when I was a kid; and though everything that’s happened to me since then is thoroughly my own fault, still when I lost her I lost sight of any landmark that might have led me someplace happier, to some more populated or congenial life. Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary
Donna Tartt (The Goldfinch)
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary
Donna Tartt (The Goldfinch)
Above all, he encourages her to paint, nodding with approval at even her most unusual experiments with color, light, rough brushwork [...]. She explains to him that she believes painting should reflect nature and life [...]. He nods, although he adds cautiously that he wouldn't want her to know too much about life - nature is a fine subject, but life is grimmer than she can understand. He thinks it is good for her to have something satisfying to do at home; he loves art himself; he sees her gift and wants her to be happy. He knows the charming Morisots. He has met the Manets, and always remarks that they are a good family, despite Édouard's reputation and his immoral experiments (he paints loose women), which make him perhaps too modern - a shame, given his obvious talent. In fact, Yves takes her to many galleries. They attend the Salon every year, with nearly a million other people, and listen to the gossip about favorite canvases and those critics disdain. Occasionally they stroll in the museums in the Louvre, where she sees art students copying paintings and sculpture, even an unchaperoned woman here and there (surely Americans). She can't quite bring herself to admire nudes in his presence, certainly not the heroic males; she knows she will never paint from a nude model herself. Her own formal training was in the private studios of an academican, copying from plaster casts with her mother present, before she married.
Elizabeth Kostova (The Swan Thieves)
I Love Thee I love thee, as I love the calm Of sweet, star-lighted hours! I love thee, as I love the balm Of early jes'mine flow'rs. I love thee, as I love the last Rich smile of fading day, Which lingereth, like the look we cast, On rapture pass'd away. I love thee as I love the tone Of some soft-breathing flute Whose soul is wak'd for me alone, When all beside is mute. I love thee as I love the first Young violet of the spring; Or the pale lily, April-nurs'd, To scented blossoming. I love thee, as I love the full, Clear gushings of the song, Which lonely--sad--and beautiful-- At night-fall floats along, Pour'd by the bul-bul forth to greet The hours of rest and dew; When melody and moonlight meet To blend their charm, and hue. I love thee, as the glad bird loves The freedom of its wing, On which delightedly it moves In wildest wandering. I love thee as I love the swell, And hush, of some low strain, Which bringeth, by its gentle spell, The past to life again. Such is the feeling which from thee Nought earthly can allure: 'Tis ever link'd to all I see Of gifted--high--and pure!
Eliza Acton
There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
Charlotte Brontë (Shirley)
I believe I will sit,but not on this chair. The settee is the most welcoming piece in the room,especially with you sitting on it." "Yes,but-" He sat,his hip brushing hers. She scrambled to move to one side, but he'd deliberately sat on the edge of her skirt. Her gaze narrowed, and she said stiffly, "I beg your pardon,but you are sitting on my skirt." Dougal smiled and leaned back, resting his arms along the back of the settee so that she was closed in by him. He found himself charmed by the thought. "Lord MacLean, I have asked you kindly to remove yourself from my skirt. Please do so, or I will be forced to take more drastic measures." "Such as?" "Calling for Angus," she said flatly. "In case you didn't notice, my butler is larger than the average servant. He could easily pick you up and break you in two." Dougal quirked a brow. "While that behemoth you call a butler could easily pick me up, he'd have to get close to me first." She smiled smugly, setting Dougal's pride on edge. "I wouldn't try him; he's faster than he looks." She cast a glancedown at Dougal's boot. "Plus, you'd have to race through the barnyard, which could prove fatal to your shine." Damn this woman! She taunted with every phrase, teased with every look. He shifted so that his hip was even more firmly pressed to hers.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes 'with collars of real emeralds growing on their backs.' There was a gem in the brain of the dragon, Philostratus told us, and 'by the exhibition of golden letters and a scarlet robe' the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her color. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspirates, that, according to Democritus, kept the wearer from any danger by fire.
Oscar Wilde (The Picture of Dorian Gray)
The typical accountant is a man, past middle age, spare, wrinkled, intelligent, cold, passive, non-committal, with eyes like a cod-fish; polite in contact but at the same time unresponsive, calm and damnably composed as a concrete post or a plaster of Paris cast; a petrification with a heart of feldspar and without charm of the friendly germ, minus bowels, passion or a sense of humor. Happily they never reproduce and all of them finally go to Hell.
Elbert Hubbard
The only thing in my entire life more important to me than knocking Regulus off his broom is shagging you to celebrate knocking Regulus off his broom," Sirius said with the most genuine look on his face Mia had ever seen, which only caused her to laugh loudly. "Oi!" James glared at his best friend. "My sister!" "Is shagging your mate." Sirius grinned mischievously. "Get over it, Prongs. I'll start being quiet about it when you learn to cast Silencing Charms.
Shaya Lonnie (The Debt of Time)
There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?
Jean Lorrain (Monsieur de Phocas)
Had my parents allowed me, when I read a book, to pay a visit to the country it described, I should have felt that I was making an enormous advance towards the ultimate conquest of truth. For even if we have the sensation of being always enveloped in, surrounded by our own soul, still it does not seem a fixed and immovable prison; rather do we seem to be borne away with it, and perpetually struggling to pass beyond it, to break out into the world, with a perpetual discouragement as we hear endlessly, all around us, that unvarying sound which is no echo from without, but the resonance of a vibration from within. We try to discover in things, endeared to us on that account, the spiritual glamour which we ourselves have cast upon them; we are disillusioned, and learn that they are in themselves barren and devoid of the charm which they owed, in our minds, to the association of certain ideas; sometimes we mobilise all our spiritual forces in a glittering array so as to influence and subjugate other human beings who, as we very well know, are situated outside ourselves, where we can never reach them.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The shop-boys in the neighbourhood had long been in the habit of branding Noah, in the public streets, with the ignominious epithets of 'leathers', 'charity', and the like; and Noah had borne them without reply. But now that fortune had cast in his way a nameless orphan, at whom even the meanest could point the finger of scorn, he retorted on him with interest. This affords charming food for contemplation. It shows us what a beautiful thing human nature sometimes is, and how impartially the same amiable qualities are developed in the finest lord and the dirtiest charity-boy.
Charles Dickens (Oliver Twist)
A yellow-and-brown streak glided from the purple rustling stems to the bank, stretched its neck to the water, drank, and lay still—a big cobra with fixed, lidless eyes. ‘I have no stick—I have no stick,’ said Kim. ‘I will get me one and break his back.’ ‘Why? He is upon the Wheel as we are—a life ascending or descending—very far from deliverance. Great evil must the soul have done that is cast into this shape.’ ‘I hate all snakes,’ said Kim. No native training can quench the white man’s horror of the Serpent. ‘Let him live out his life.’ The coiled thing hissed and half opened its hood. ‘May thy release come soon, brother!’ the lama continued placidly. ‘Hast thou knowledge, by chance, of my River?’ ‘Never have I seen such a man as thou art,’ Kim whispered, overwhelmed. ‘Do the very snakes understand thy talk?’ ‘Who knows?’ He passed within a foot of the cobra’s poised head. It flattened itself among the dusty coils. ‘Come, thou!’ he called over his shoulder. ‘Not I,’ said Kim. ‘I go round.’ ‘Come. He does no hurt.’ Kim hesitated for a moment. The lama backed his order by some droned Chinese quotation which Kim took for a charm. He obeyed and bounded across the rivulet, and the snake, indeed, made no sign.
Rudyard Kipling (Kim (with an Introduction by A. L. Rowse))
Ah, but the Third Hallow is a true Cloak of Invisibility, Miss Granger! I mean to say, it is not a traveling cloak imbued with a Disillusionment Charm, or carrying a Bedazzling Hex, or else woven from Demiguise hair, which will hide one initially but fade with the years until it turns opaque. We are talking about a cloak that really and truly renders the wearer completely invisible, and endures eternally, giving constant and impenetrable concealment, no matter what spells are cast at it. How many cloaks have you ever seen like that, Miss Granger?” Hermione opened her mouth to answer, then closed it again,
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
(Hadley and Mary in the carriage) “Might I repeat how utterly charming you look?” “You are very kind,” she replied, down casting her eyes as a flash of heat invaded her cheeks. “But even if I were dressed in the finest of gowns, I could never be a lady of fashion.” “Never let that disturb you, my pet.” He fingered a mass of curls that had settled over her shoulder just above the expanse of her modestly covered bosom. “I find fashion and beauty are rarely synonymous.” When he caressed a stray lock between thumb and fore!nger and raised it to his lips, Mary felt the dizzying sensation from the roots of her hair to the tips of her toes.
Victoria Vane (Treacherous Temptations)
WHEN SHADOW THREATENED WITH THE FATAL LAW…” When shadow threatened with the fatal law One old Dream, desire and pain of my spine, Grieved at perishing beneath ceilings funereal, It folded its indubitable wing within me. Luxury, O ebony room where, to charm a king, Celebrated garlands writhe in their death, You are but a proud lie spoken by darkness In the eyes of the lone man dazzled by his faith. Yes, I know that, far in deep night, the Earth Casts with great brilliance the strange mystery Under the hideous centuries that darken it less. Space ever alike if it grow or deny itself Rolls in that boredom vile fires as witnesses That genius has been lit with a festive star.
Stéphane Mallarmé (Selected Poetry and Prose)
Tina Gardenia was as happy as a cat with a full belly. She had kept Luca Lowell’s heart safely on her charm bracelet, and it had been wonderful. It was Sunday morning again, and Luca was clunking around in the tiny kitchen on one bare foot and one walking cast, making coffee by the smell of it. Tina snuggled Muffins close to her face. “You’re a handsome boy,” she cooed. “I know you’re talking to the cat,” Luca said. “Why don’t you talk to me like that?” “You already get more than enough compliments, Mr. Lowell.” “How many dunks do I dunk your tea bags?” “You don’t dunk. Just pour the water on and let it steep.” “How’s it going to steep if you’re not dunking?” “Fine,” she said. “Give it... seven dunks.” “Gotcha. Seven dunks.” He started counting them out. Tina nuzzled the ginger cat sprawled out on the couch. “You’re the prettiest boy in the world,” she said. Luca growled, “I heard that.” “Focus on your dunking.” “Darn it. I lost count.” “That’ll teach you for listening in on other people’s private conversations.” Luca snorted and went back to dunking. For the last two weeks, Muffins had been coming to visit at the tiny house regularly, and Luca had been pretending to be a jealous boyfriend. He and the cat were bonding on their own, though, often snuggling up on the couch together, watching their favorite shows. Luca liked true crime shows, and Muffins liked a warm lap and chin scratches.
Angie Pepper
congenial life. Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary—I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down
Donna Tartt (The Goldfinch)
Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home. I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben. Well that was settled then, wasn’t it? Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking. And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world. “Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?” Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.” “You did that?” I asked. “Oh yes, he did,” Rayna nodded. “And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.” “Rayna is particularly charming,” Sage noted. “Thank you, darling.” She batted her eyes at him like a Disney princess. “What happened?” Ben asked. “Piri spiked your drink with garlic?” “You say that like it’s a joke,” Sage said. “I’m pretty sure she did.” “She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.” “Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!
Hilary Duff (Elixir (Elixir, #1))
Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
Gaston Leroux (The Phantom of the Opera)
Witnessing the panoply of beauty in all of nature takes us out of our shell of self-absorption and makes us realize that we are merely bit players in the game of life. Witnessing the majesty of beauty confirms that the real show lies outside us to observe and appreciate and not inside us to transfix us. True beauty charms us into seeing the grandeur of goodness that surrounds us and by doing so, the pristine splendor of nature releases us from wallowing in the poverty of our self-idealization. The bewitching spell cast by the exquisiteness of nature levitates our souls and transforms our psyche. When we see, hear, taste, smell, or touch what is beautiful, we cannot suppress the urge to replicate its baffling texture by singing, dancing, painting, or writing. Opening our eye to the loveliness of a single flower is how we stay in touch with the glorious pageantry of living.
Kilroy J. Oldster (Dead Toad Scrolls)
[New Orleans.] Katrina changed everything. Life here is different, every face altered. Yet we feel and sense the landscape not only in its hurricane-leveled, sodden depressions but — perhaps even more so now in the strangely comforting depths of our shared history. Even in the worst hit areas, not all is dissipated. Dense intricate attachments burrow too deep to underestimate or overlook. This is no featureless town to be rubbed off the map and cast aside. Here the band plays on. Our kindred colors speak to the values of justice, faith and power; to curious combinations of passion, openness, irreverence and loyalty, to the values of individuality, sharing and compassion. Not least, we still enjoy the sounds of music and respond to succulent foods, to the magnificent flowering gardens, to the elements of grace and dreamy escape, and to the languid Southern charm typical of faded days gone by.
T.J. Fisher (Orléans Embrace with The Secret Gardens of the Vieux Carré)
We're a couple of travelers!" I called up to her. "I'm Briony, and this is Ella!" "Grammy said I ought not to talk to strangers!" she called back. "We're not strangers!" Ella shouted. "We're with the union!" I cut her a look and mouthed, Union?, which was silly with this other girl out of earshot. Ella shrugged. There was a pause before the girl called somewhat timidly given we were shouting, "What union?" "We represent the Coalition of Self-Rescuing Princesses," Ella replied. "But I'm not a princess!" "That's fine!" I called, sighing as I prepared to lay on the charm with this ridiculous foible. "We of the Coalition of Self-Rescuing Princesses do not discriminate based on social caste, for we believe that every damsel in distress has the heart of a princess!" "Are you feeling subjugated?" Ella continued. "Yearning to be free, wondering when your prince will come and what's taking him so damn long?
K.B. Shinn (Restless Beauty: A Fractured Faerie Tale)
February 20 MORNING “God, that comforteth those that are cast down.” — 2 Corinthians 7:6 AND who comforteth like Him? Go to some poor, melancholy, distressed child of God; tell him sweet promises, and whisper in his ear choice words of comfort; he is like the deaf adder, he listens not to the voice of the charmer, charm he never so wisely. He is drinking gall and wormwood, and comfort him as you may, it will be only a note or two of mournful resignation that you will get from him; you will bring forth no psalms of praise, no hallelujahs, no joyful sonnets. But let God come to His child, let Him lift up his countenance, and the mourner’s eyes glisten with hope. Do you not hear him sing — “ ’Tis paradise, if thou art here; If thou depart, ’tis hell”? You could not have cheered him: but the Lord has done it; “He is the God of all comfort.” There is no balm in Gilead, but there is balm in God. There is no physician among the creatures, but the Creator is Jehovah-rophi. It is marvellous how one sweet word of God will make whole songs for Christians. One word of God is like a piece of gold, and the Christian is the goldbeater, and can hammer that promise out for whole weeks. So, then, poor Christian, thou needest not sit down in despair. Go to the Comforter, and ask Him to give thee consolation. Thou art a poor dry well. You have heard it said, that when a pump is dry, you must pour water down it first of all, and then you will get water, and so, Christian, when thou art dry, go to God, ask Him to shed abroad His joy in thy heart, and then thy joy shall be full. Do not go to earthly acquaintances, for you will find them Job’s comforters after all; but go first and foremost to thy “God, that comforteth those that are cast down,” and you will soon say, “In the multitude of my thoughts within me Thy comforts delight my soul.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
For even if we have the sensation of being always enveloped in, surrounded by our own soul, still it does not seem a fixed and immovable prison; rather do we seem to be borne away with it, and perpetually struggling to pass beyond it, to break out into the world, with a perpetual discouragement as we hear endlessly, all around us, that unvarying sound which is no echo from without, but the resonance of a vibration from within. We try to discover in things, endeared to us on that account, the spiritual glamour which we ourselves have cast upon them; we are disillusioned, and learn that they are in themselves barren and devoid of the charm which they owed, in our minds, to the association of certain ideas; sometimes we mobilise all our spiritual forces in a glittering array so as to influence and subjugate other human beings who, as we very well know, are situated outside ourselves, where we can never reach them.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
IT is not impossible that among the English readers of this book there may be one who in 1915 and 1916 was in one of those trenches that were woven like a web among the ruins of Monchy-au-Bois. In that case he had opposite him at that time the 73rd Hanoverian Fusiliers, who wear as their distinctive badge a brassard with ' Gibraltar ' inscribed on it in gold, in memory of the defence of that fortress under General Elliot; for this, besides Waterloo, has its place in the regiment's history. At the time I refer to I was a nineteen-year-old lieutenant in command of a platoon, and my part of the line was easily recognizable from the English side by a row of tall shell-stripped trees that rose from the ruins of Monchy. My left flank was bounded by the sunken road leading to Berles-au-Bois, which was in the hands of the English ; my right was marked by a sap running out from our lines, one that helped us many a time to make our presence felt by means of bombs and rifle-grenades. I daresay this reader remembers, too, the white tom-cat, lamed in one foot by a stray bullet, who had his headquarters in No-man's-land. He used often to pay me a visit at night in my dugout. This creature, the sole living being that was on visiting terms with both sides, always made on me an impression of extreme mystery. This charm of mystery which lay over all that belonged to the other side, to that danger zone full of unseen figures, is one of the strongest impressions that the war has left with me. At that time, before the battle of the Somme, which opened a new chapter in the history of the war, the struggle had not taken on that grim and mathematical aspect which cast over its landscapes a deeper and deeper gloom. There was more rest for the soldier than in the later years when he was thrown into one murderous battle after another ; and so it is that many of those days come back to my memory now with a light on them that is almost peaceful.
Ernst Jünger (Storm of Steel)
Among all the methods by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as the great gust of agitation which, now and then, sweeps over the human spirit. For then the creature in whose company we are seeking amusement at the moment, her lot is cast, her fate and ours decided, that is the creature whom we shall henceforward love. It is not necessary that she should have pleased us, up till then, any more, or even as much as others. All that is necessary is that our taste for her should become exclusive. And that condition is fulfilled so soon as—in the moment when she has failed to meet us—for the pleasure which we were on the point of enjoying in her charming company is abruptly substituted an anxious torturing desire, whose object is the creature herself, an irrational, absurd desire, which the laws of civilised society make it impossible to satisfy and difficult to assuage—the insensate, agonising desire to possess her.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.
J.K. Rowling (Harry Potter: The Complete Collection (Harry Potter, #1-7))
Pack what you need for the divination,” he said. Relieved that he believed me capable, I walked to his desk. A detailed map of Hereswith was spread over the wood, river rocks pinning down the four corners. It was a map I had memorized with its crooked, winding streets. Above the desk, shelves lined the walls, burdened with leather-bound spell books, stacks of paper, jars brimming with crushed flowers and salt crystals and swan quills, ornate ink pots, cast-iron spoons with jewels embedded in the handles, silver bowls nestled into each other, a potted fern whose wilting leaves dangled like unrequited love. I gathered what I needed: a bowl that shone like a full moon, pink salt, dried gardenias, a spoon with an emerald chip, a pitcher full of water, a swan quill, a silver inkwell that was crafted as an octopus, its tentacles holding a vial of walnut ink. I charmed them all beneath my breath with a shrinking cantrip—a spell my mother had taught me—until the objects could sit cradled in my palm, and I slipped them into my pocket, where the remedies waited. The objects clinked like musical notes when they met, weightless as air.
Rebecca Ross (Dreams Lie Beneath)
When a journey we have longed to make begins to become a reality, and the mind and sensibility are starting to wonder whether it is really worth the effort, the will, which well knows that, if it turned out the journey could not be made, these feckless masters would immediately long for it to become possible again, lets them loiter in front of the station, having their say, hesitating until the last minute, while it makes sure of buying the tickets and getting us into the train before departure time. It is as invariable as the mind and sensibility are changeable; but because it is silent and never gives its reasons, it seems almost nonexistent; all the other parts of our self march to its tune unawares, though they can always see clearly their own uncertainties. So my mind and sensibility set up a debate on how much pleasure there might be in making the acquaintance of Albertine, while in front of the mirror I considered the vain and fragile charms that they would have preferred to preserve unused for some better occasion. But my will did not lose sight of the time at which I had to leave; and it was Elstir’s address that it gave to the coachman. My mind and sensibility, now that the die was cast, indulged in the luxury of thinking it was a pity. If my will had given a different address, they would have been in a state of panic.
Marcel Proust (In the Shadow of Young Girls in Flower)
During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars: "Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?" And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather. But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more. There was one story that began: "A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..." And another: "Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music." While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience. No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius. Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said: "You will hear him one day, my child! When I am in Heaven, I will send him to you!" Daddy was beginning to cough at that time.
Gaston Leroux (The Phantom of the Opera)
We begin with an onion soup as smoky and fragrant as autumn leaves, with croutons and grated Gruyère and a sprinkle of paprika over the top. She serves and watches me throughout, waiting, perhaps, for me to produce from thin air an even more perfect confection that will cast her effort into the shade. Instead I eat, and talk, and smile, and compliment the chef, and the chink of crockery goes through her head, and she feels slightly dazed, not quite herself. Well, pulque is a mysterious brew, and the punch is liberally spiked with it, courtesy of Yours Truly, of course, in honor of the joyful occasion. As comfort, perhaps, she serves more punch, and the scent of the cloves is like being buried alive, and the taste is like chilies spiced with fire, and she wonders, Will it ever end? The second course is sweet foie gras, sliced on thin toast with quinces and figs. It's the snap that gives this dish its charm, like the snap of correctly tempered chocolate, and the foie gras melts so lingeringly in the mouth, as soft as praline truffle, and it is served with a glass of ice-cold Sauternes that Anouk disdains, but which Rosette sips in a tiny glass no larger than a thimble, and she gives her rare and sunny smile, and signs impatiently for more. The third course is a salmon baked en papillote and served whole, with a béarnaise sauce. Alice complains she is nearly full, but Nico shares his plate with her, feeding her tidbits and laughing at her minuscule appetite. Then comes the pièce de résistance: the goose, long roasted in a hot oven so that the fat has melted from the skin, leaving it crisp and almost caramelized, and the flesh so tender it slips off the bones like a silk stocking from a lady's leg. Around it there are chestnuts and roast potatoes, all cooked and crackling in the golden fat.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
The difference between Plato’s theory on the one hand, and that of the Old Oligarch and the Thirty on the other, is due to the influence of the Great Generation. Individualism, equalitarianism, faith in reason and love of freedom were new, powerful, and, from the point of view of the enemies of the open society, dangerous sentiments that had to be fought. Plato had himself felt their influence, and, within himself, he had fought them. His answer to the Great Generation was a truly great effort. It was an effort to close the door which had been opened, and to arrest society by casting upon it the spell of an alluring philosophy, unequalled in depth and richness. In the political field he added but little to the old oligarchic programme against which Pericles had once argued64. But he discovered, perhaps unconsciously, the great secret of the revolt against freedom, formulated in our own day by Pareto65; ‘To take advantage of sentiments, not wasting one’s energies in futile efforts to destroy them.’ Instead of showing his hostility to reason, he charmed all intellectuals with his brilliance, flattering and thrilling them by his demand that the learned should rule. Although arguing against justice he convinced all righteous men that he was its advocate. Not even to himself did he fully admit that he was combating the freedom of thought for which Socrates had died; and by making Socrates his champion he persuaded all others that he was fighting for it. Plato thus became, unconsciously, the pioneer of the many propagandists who, often in good faith, developed the technique of appealing to moral, humanitarian sentiments, for anti-humanitarian, immoral purposes. And he achieved the somewhat surprising effect of convincing even great humanitarians of the immorality and selfishness of their creed66. I do not doubt that he succeeded in persuading himself. He transfigured his hatred of individual initiative, and his wish to arrest all change, into a love of justice and temperance, of a heavenly state in which everybody is satisfied and happy and in which the crudity of money-grabbing67 is replaced by laws of generosity and friendship. This dream of unity and beauty and perfection, this æstheticism and holism and collectivism, is the product as well as the symptom of the lost group spirit of tribalism68.
Karl Popper (The Open Society and Its Enemies)
Now back to the p—Sealord. Reports aside, what do we really know about this Dilys Merimydion?” “We know that he’s wealthy, he’s a skilled warrior, he’s handsome, charming, and helped save the world from a dread god who would have plunged the whole of Mystral into unending winter,” Autumn added. “Not to ruin your determination to find something wrong with him, Viviana, but that last one tells me all I need to know. The man literally helped save the world.” She shrugged. “I can spend three months of my time being nice to him for that.” Spring sighed. “Yes, yes, but in the reports I’ve read, there isn’t one bad thing about him listed. Not one, and that’s just not normal.” “You’re complaining because the reports say Dilys Merimydion is a good man?” Summer shook her head. “Not just good. Too good. As in too good to be true. I’m just saying, something smells fishy to me." Autumn laughed. “You know, there’s a good joke in that remark.” Spring rolled her eyes. “Don’t. Please. Spare us.” In addition to her addiction to food, Autumn possessed a terrible love for pranks, puns, and bad jokes. Which, of course, she took inordinate glee in inflicting on her family. Autumn sniffed with mock indignation. “As if I would cast my pearls before swine. What were we talking about again? Oh, yes, Dilys Merimydion. The Scrumptious Sealord.” “Oh, dear gods,” Spring groaned. “You’ve nicknamed him. Alliteratively.” “I thought about Delicious Dilys. Or Manly Merimydion. After all, from what Storm said, he’s very easy on the eyes. I don’t know, after ten years of being pursued by the Verminous Vermese, I’m looking forward to being courted by a handsome, young suitor who actually respects women and considers them—gasp!—real human beings. Like men, but without the dangly bits. Shocking, I know, but there you have it.” Summer couldn’t help it. She started laughing. Spring glowered. “Stop that! Don’t encourage her!” She turned the glower on Autumn and said, “Aleta Seraphina Helen Rosalie Violet Coruscate, can you please, for one moment, take this seriously?” “You’re taking it seriously enough for the three of us, dearest Viviana.” Autumn lowered her voice and boomed..."he must be investigated. Something about him smells fishy.” Cupping a hand over her mouth, she quipped to Summer in a loud aside, “I dunno, do you think maybe it’s—you know—the gills?” Summer covered her mouth with both hands and spluttered with laughter.
C.L. Wilson (The Sea King (Weathermages of Mystral, #2))
MY DEAR MISS BROOKE,—I have your guardian's permission to address you on a subject than which I have none more at heart. I am not, I trust, mistaken in the recognition of some deeper correspondence than that of date in the fact that a consciousness of need in my own life had arisen contemporaneously with the possibility of my becoming acquainted with you. For in the first hour of meeting you, I had an impression of your eminent and perhaps exclusive fitness to supply that need (connected, I may say, with such activity of the affections as even the preoccupations of a work too special to be abdicated could not uninterruptedly dissimulate); and each succeeding opportunity for observation has given the impression an added depth by convincing me more emphatically of that fitness which I had preconceived, and thus evoking more decisively those affections to which I have but now referred. Our conversations have, I think, made sufficiently clear to you the tenor of my life and purposes: a tenor unsuited, I am aware, to the commoner order of minds. But I have discerned in you an elevation of thought and a capability of devotedness, which I had hitherto not conceived to be compatible either with the early bloom of youth or with those graces of sex that may be said at once to win and to confer distinction when combined, as they notably are in you, with the mental qualities above indicated. It was, I confess, beyond my hope to meet with this rare combination of elements both solid and attractive, adapted to supply aid in graver labors and to cast a charm over vacant hours; and but for the event of my introduction to you (which, let me again say, I trust not to be superficially coincident with foreshadowing needs, but providentially related thereto as stages towards the completion of a life's plan), I should presumably have gone on to the last without any attempt to lighten my solitariness by a matrimonial union. Such, my dear Miss Brooke, is the accurate statement of my feelings; and I rely on your kind indulgence in venturing now to ask you how far your own are of a nature to confirm my happy presentiment. To be accepted by you as your husband and the earthly guardian of your welfare, I should regard as the highest of providential gifts. In return I can at least offer you an affection hitherto unwasted, and the faithful consecration of a life which, however short in the sequel, has no backward pages whereon, if you choose to turn them, you will find records such as might justly cause you either bitterness or shame. I await the expression of your sentiments with an anxiety which it would be the part of wisdom (were it possible) to divert by a more arduous labor than usual. But in this order of experience I am still young, and in looking forward to an unfavorable possibility I cannot but feel that resignation to solitude will be more difficult after the temporary illumination of hope. In any case, I shall remain,     Yours with sincere devotion,      EDWARD CASAUBON
George Eliot (Middlemarch)
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.” Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.” “Gray.” “Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.” He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple. “Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.” “Your mother?” He grinned again. “No.” She blinked. “Oh, now don’t look so disappointed,” he said. “It’s my sister.” Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look. But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves. He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum. “And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.” Sophia sucked in her breath. “So call me Gray.” He released her hand abruptly. Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well. She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’” He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram. S.H. “You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.” His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
yet discover the charm and wisdom of Donald Trump. Where past presidents might have spent portions of their day talking about the needs, desires, and points of leverage among various members of Congress, the president and Hicks spent a great deal of time talking about a fixed cast of media personalities, trying to second-guess the real agendas and weak spots among cable anchors and producers and Times and Post reporters.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Bakushan had only been open for a couple of months, but expectations were already sky-high. Still, few people had mentioned the food. Instead, everyone was writing about the up-and-coming chef, Pascal Fox. According to nearly every article, he'd dropped out of college and worked at top French restaurants around the world. Then, at twenty-five and on every "30 under 30" list in existence, he had received an offer to take over L'Escalier, a cathedral-ceilinged white-tablecloth institution in Midtown. But just as New York was ready to inaugurate him into a realm of Immortal Chefs synonymous with a certain level of luxurious precision, Pascal had said he would open a place on his own. He didn't have a location or a concept- or so he'd said in his interviews- just a conviction that he didn't want to fall into the trap of being yet another French chef at another fancy restaurant. So there we were, in front of his brand-new place. It was hard to label it. I had read neo-modernist and Asian-American eclectic. The food was hard to pin down, but the inside was just cool, at least from my sidewalk vantage point. It was 5:45 and already there was a forty-five-minute wait for a spot at one of the communal, no-reservation tables. I looked at the crowd while we waited and saw a couple of girls dressed in tight, short dresses. One of them held a food magazine with Pascal Fox's face on the cover against a blurred kitchen background. I stole a peek at the photo. His eyes were a deep black-brown with a streak of gold. His hair was charmingly messed up, longish bits going every which way, casting shadows on his sculpted cheekbones. That was the other thing. Pascal was exceedingly good-looking. I hadn't paid attention to the hype around his looks, but seeing these girls swoon over his photo made his handsomeness hard to ignore. And... the pictures. I'm only human.
Jessica Tom (Food Whore)
His attention was snared by the sight of Catherine Marks, standing in the corner and watching as Beatrix and her partner danced. Marks looked tense as usual, her slender dark-clad figure as straight as a ramrod. She never missed an opportunity to disdain Leo and treat him as if he had all the intellectual prowess of an oyster. And she was resistant to any attempts at charm or humor. Like any sensible man, Leo did his best to avoid her. But to his chagrin, Leo couldn’t stop himself from wondering what Catherine Marks would look like after a good, thorough tupping. Her spectacles cast aside, her silky hair loose and tumbled, her pale body released from the contraption of stays and laces . . . Suddenly nothing at the ball seemed quite so interesting as his sisters’ companion. Leo decided to go bother her.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
June 2: Filming of Niagara begins in Buffalo, with Marilyn playing Rose Loomis, the femme fatale murdered by her co-star, Joseph Cotten. Marilyn stays at the General Brock Hotel in Niagara Falls. Joseph Cotten arranges a cocktail party for cast and crew in his hotel room. Marilyn arrives in a terry cloth robe and drinks orange juice. When a guest observes that “Sherry Netherlands Hotel, New York” is embroidered on the robe, Marilyn replies, “Oh, that. I thought I had stolen this robe, until I paid my bill.” Cotten is amused with her and calls her a “pretty clown, beguiling and theatrically disarming.” On this occasion she is charming. On weekends Marilyn goes to New York City to be with DiMaggio.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
He arched a mocking eyebrow. “Do you plan to stay and watch me dress?” Her blush intensified as she stumbled off the bed. “You’re a devil.” She planted her feet on the floor and struggled to do up her dress. While she fiddled, he wrenched the shirt over his head. Hearing a frustrated hiss, he bit back a smile and the impulse to tell her she was adorable. He stepped up to her. “Let me help.” To his surprise, she presented her back and swept the curtain of hair aside to reveal the graceful line of nape and shoulders. For a forbidden moment, he didn’t move, but inhaled until her flowery scent flooded his senses. “What on earth are you doing?” she asked, turning her head to give him a glimpse of her profile. Her features weren’t delicate. There was too much character in her nose and defiance in her chin. But he dared anyone who saw her ever to forget her. “Considering artistic matters,” he said gently. He set to doing up her gown. Much against his deepest inclinations. Her lips tightened. “Oh?” “You know, I’d never cast you as Cinderella.” He fastened the top hook and lowered his hands to her slim hips. He tempted fate—and self-control—but he couldn’t resist stringing out the physical contact. “You’re more queen than ingénue.” “Well, you’re no Prince Charming.” She wriggled free and faced him. To his regret, her dress once more covered her to the collarbones. “Tch, tch, no need to take your bad temper out on me.” And received a killing glance for his trouble. “It’s a cursed ill wind that landed you on my doorstep,” she muttered, just loudly enough for him to hear. His lips twitched. She wasn’t much good at deception — an appealing quality in a wife. She kept forgetting that she was meant to be a humble housemaid. Humility, like deceit, wasn’t easy for this imperious creature. Any man who took her on would never have the docile wife touted as ideal. But then, Lyle had never settled for the general run of things. If he married Charlotte Warren—and every moment inclined him more toward the outlandish idea—there would be fireworks. Luckily he loved fireworks. “On
Anna Campbell (Stranded with the Scottish Earl)
TO CAST OFF STYES ANCIENT MACEDONIAN CHARM A small wart, which sometimes appears on the lower eyelid and which, from its shape, is known as a little grain of barley, is cured if someone bearing a rare name barks at it like a dog.
Anastasia Greyleaf (Witchcraft: A Handbook of Magic Spells and Potions (Mystical Handbook))
This word of sorcery is a Latin word, which is taken from casting of the lot and therefore he that uses it is called sortiarius a sorte. As to the word of witchcraft, it is nothing but a proper name given in our language. The cause wherefore they were called sortiary, proceeded of their practices seeming to come of lot or chance, such as the turning of the riddle, the knowing of the form of prayers, or such like tokens, if a person diseased would live or die. And in general, that name was given to them for using of such charms and freights as that craft teaches them.
James VI and I (Daemonologie: In Modern English)
Your special someone! In the vastness of her inner mind, In the confines of her selective memories, In the visions of her eyes refined, I want to discover our love stories, In the blinking of her eyelids, In the movement of her hands, In the flickering of her lips and their deliberate wet slides, I wish to create our empire of love lands, In the mere act of her standing and doing nothing, Just standing there staring at time, In her thoughts, in her feelings, and in her everything, I want to be her companion, or a mere shadow always cast on her moment of time, In the idleness of her mind and its moments of thinking, In the days of her life and the nights of her dreams, In the smile that springs from her face when her beautiful eyes are blinking, I wish to be her happy dreams and those infinite love beams, In her playful mood, in her pensive moments, In her feelings that originate from somewhere within her, In her heart beats and her life’s pavements, I want to be her blissful destiny, just like a feeling always living within her, In the moments of her secret confessions, When her heart secretly talks to her mind, In her secret love breeding sessions, I wish to be her passion, her emotion, her feeling, her everything that she wishes to find, In her North, her South, her East and in her West, In her quest to seek her moment of glory, In the adventures of her heart where she is the best, I wish to be the beginning and the end of her life’s every story, In the day when she is awake, And during the night when she is asleep, In the silence of her mind, where she, her darling worlds does make, I wish to be her treasure, her feelings, that always towards me leap, In the sensitivity of her actions, In the beauty that glows on her beautiful face, In her simple, yet charming attractions, I wish to be that ingredient of eternal grace, In the silence of her room, In the tender fluttering of her window curtains, In the beauty of her Summer bloom, I wish to be her heart’s only happy bulletins, In the tip-toeing of her feet, In the humming of her favorite song, In the relaxing rhythm of her every heart-beat, I wish to be her movement, leading her to my heart and memories, where she truly does belong, In the feelings of her passionate kiss, In the passions of her midnight dreams, In the moments of her sensual bliss, I wish to be her desire, and the loveliest dream, that so real seems, In the sunshine of the beautiful Summer day, In the calm of the warm Summer night, In the sweet corner of her room, where, she her dreams of passion does display, I wish to be her anxiety, and her love’s delight, In that every thought where she thinks of someone, In that step that she takes towards that special someone, In her need to be with someone, Irma, I wish to be the only one, that special someone!
Javid Ahmad Tak (They Loved in 2075!)
Your special someone! In the vastness of her inner mind, In the confines of her selective memories, In the visions of her eyes refined, I want to discover our love stories, In the blinking of her eyelids, In the movement of her hands, In the flickering of her lips and their deliberate wet slides, I wish to create our empire of love lands, In the mere act of her standing and doing nothing, Just standing there staring at time, In her thoughts, in her feelings, and in her everything, I want to be her companion, or a mere shadow always cast on her moment of time, In the idleness of her mind and its moments of thinking, In the days of her life and the nights of her dreams, In the smile that springs from her face when her beautiful eyes are blinking, I wish to be her happy dreams and those infinite love beams, In her playful mood, in her pensive moments, In her feelings that originate from somewhere within her, In her heart beats and her life’s pavements, I want to be her blissful destiny, just like a feeling always living within her, In the moments of her secret confessions, When her heart secretly talks to her mind, In her secret love breeding sessions, I wish to be her passion, her emotion, her feeling, her everything that she wishes to find, In her North, her South, her East and in her West, In her every quest to seek her moment of glory, In the adventures of her heart where she is the best, I wish to be the beginning and the end of her life’s every story, In the day when she is awake, And during the night when she is asleep, In the silence of her mind, where she, her darling worlds does make, I wish to be her treasure, her feelings, that always towards me leap, In the sensitivity of her actions, In the beauty that glows on her beautiful face, In her simple, yet charming attractions, I wish to be that ingredient of eternal grace, In the silence of her room, In the tender fluttering of her window curtains, In the beauty of her Summer bloom, I wish to be her heart’s only happy bulletins, In the tip-toeing of her feet, In the humming of her favorite song, In the relaxing rhythm of her every heart-beat, I wish to be her movement, leading her to my heart and memories, where she truly does belong, In the feelings of her passionate kiss, In the passions of her midnight dreams, In the moments of her sensual bliss, I wish to be her desire, and the loveliest dream, that so real seems, In the sunshine of the beautiful Summer day, In the calm of the warm Summer night, In the sweet corner of her room, where, she her dreams of passion does display, I wish to be her sweet anxiety, and her love’s delight, In every thought where she thinks of someone, In every step that she takes towards that special someone, In her every need to be with someone, Irma, I wish to be the only one, that special someone!
Javid Ahmad Tak
I faked a yawn not so subtly and Darius pulled his attention from his fan club back to me again. “Sorry,” he said. “Shall we go?” I almost choked on my own tongue at the sound of him apologising and could only raise my eyebrows in response as he guided me towards the door by placing a hand on the bare skin at the base of my spine. At that exact moment, Marguerite came into the room flanked by three of her friends and her face fell into a mask of absolute horror as she spotted her former boyfriend and me on our way out together. “What the hell is this?” she demanded, tossing her red hair over her shoulder so violently that it whipped her friend in the eye. Darius cast a lazy glance in her direction without replying before increasing the pressure of his hand on my back to get me moving. I stepped forward so that he was no longer touching me and began to head for the door despite the livid mean girl blocking our way out. Marguerite looked like she wanted to set me alight, her hand half raised like she was genuinely considering it. Darius noticed the action and threw an arm around my shoulders which I instantly shrugged back off. “I’m not your date, dude,” I reminded him, not bothering to lower my voice. “If people see us together acting like a couple they’ll give you an easier time,” he said, staying close enough to me that I could feel the heat of his body a heartbeat away from mine. “I’m not a damsel in distress either,” I added. Not that he was the Prince Charming type any other day of the week so I really wasn’t sure why he was taking this act so far. Marguerite seemed to think better of attacking while the Heir clearly had me marked as his but the look in her eyes told me the next time she saw me alone I’d be in for some serious shit from her. I threw her a taunting smirk as we passed because, what the hell? She was clearly gunning for me anyway so why not let her bring it on? “Besides, you’ll be back to your usual self tomorrow, encouraging them all to hate me so what’s the point of pretending?” I asked. That remark didn’t get an answer and we headed downstairs to the exit in silence. To my surprise, Darius stepped forward and opened the door for me. Apparently the asshole could turn on the charm when he wanted to. That just left me wondering which version of him was the act though. Did he do all of the horrible things he did to maintain his position and keep up appearances for the sake of proving his power? Or could he just pour on the sweetness when it suited him to get his own way? He was so hard to read that I had no idea which version was the real him. But I guessed for one night I could indulge in the fantasy that he actually had a few scraps of decency about him. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Net of love! What are these scenes unfolding, Over the water of the lake, Where boats are sailing though water is randomly flowing, Is it a sight of motion with no mistake? As the fisherman casts his net, And its octagonal boundaries gradually sink into the water, Where they now lie in their world wet, And wait as octagonal shapes and one single net, when put together, A shoal of fish swims freely and maybe happily too, As they enter this octagonal mesh that waits in silence, The fisherman feels something stir in his mind too, And pulls the net breaking his wait of prolonged patience, And he smiles at the fish struggling to break free, He holds them one by one and tosses them on the floor, This is how it has always been and this is how it shall always be, The struggle for the floor to be the sky and for the sky to even invade the floor, For what spring and summer tames as beauty, Shall be confounded by the Autumn that appears to appear too soon, For in the temple of life there is no deity, There is only the law of bane and the boon, So I watch the fish wriggle on the floor of the boat, As my thoughts sail away with the one I love, And I cast my net over the vast expanse of fate as I wait, To notice in her the same feeling of love reflecting all over my net of love, That I cast only to seek her attention and few smiles, While her beauty glides throughout the universe, Her charm is rendered eternal across the universe’s infinite miles, And my net of love also gets cast across this endless universe!
Javid Ahmad Tak (They Loved in 2075!)
The priest and his desires Not alone, but a lonely monastery priest, Resisting hard not to venture out and pursue the need for love and passion driven heist, Bound by his sanctum and religion, He tries not to give in to any seduction, Adam and Eve blamed the devil, The priest is baffled to decide who shall he blame for this evil, He rolls and turns restlessly in the bed of his desires, And every night after the Church service he deals with these raging fires, He is dressed in his black robe on the much anticipated Sunday mass, But he is distracted and sees passions and desires cast on peoples faces and even on mosaic glass, At the end of the service he serves all some fine and red wine, And when he stands face to face with a beautiful woman his inner self says “I wish you were mine!’” His Sunday night is spent in her curled hair locks, He is shackled to her beautiful face and desires that fasten around him like unbreakable locks, He often touches his cross that he wears always, Still his nights are restless and now it is so even during the sunny Spring days, He bows before the Altar and makes a solemn confession, “My Lord! her face and her overpowering beauty have become my obsession, Am I still worthy of worshipping you my God? For I have silently started worshiping this feeling of loving her and I do not feel odd, It is her thoughts that possess me even during my sermons, In her absence, not yours My Lord, everything presents itself like bad omens, To tame my wandering thoughts I refer to the Holy Book, But through it too peeps her face and her mesmerising look, I wonder if I shall quit clergy, And adopt this new synergy, I am drowning farther and farther in this mental eclipse, And I only want to think of her beautiful face, her warm skin and her red lips, Shall I forsake my black robe, My Lord, and not Thee? Or Forsake her and thereby my black robe and Thee? Because without her I do not feel anything that is a part of me, And without being me, how can I anything else be, Perhaps I am supposed to be a man of God but not a man, Never to fulfillmy own desires for I am busy fulfilling Your plan, So let me live with my state and the social taboo, While every night I place my desires in the coffin along with the happy morning cuckoo.” The Lord smiles at him, “It is your personal battle and it is grim, You desire her, her face, her charming ways, You think of her during nights and during the bountiful days, But you think of me too and that is enough for me to know, So seek her and kiss her grace, for then you shall better baptise in my glow, And before you fall too low, Rise to your calling and you shall reap as you shall sow, Whether you wear a black robe or her kisses, I shall judge you on how you made others feel with or without your kisses.” Said the Lord in His emphatic voice, And the priest stood up and made the right choice! To love the woman he loved and missed, And he felt something divine within him, whenever her deep beauty he kissed! Source of inspiration : The Thorn Birds 1983 Drama
Javid Ahmad Tak
The priest and his desires Not alone, but a lonely monastery priest, Resisting hard not to venture out and pursue the need for love and passion driven heist, Bound by his sanctum and religion, He tries hard not to give in to any form of seduction, Adam and Eve blamed the devil, The priest is baffled to decide who shall he blame for this evil? He rolls and turns restlessly in the bed of his desires, And every night after the Church service he deals with these raging fires, He is dressed in his black robe on the much anticipated Sunday mass, But he is distracted when he sees passions and desires cast on peoples faces and even on mosaic glass, At the end of the service he serves all some fine and red wine, And when he comes face to face with a beautiful woman, his inner self says “I wish you were mine!’” His Sunday night is spent in her curled hair locks, He is shackled to her beautiful face and desires that fasten around him like unbreakable locks, He often touches his cross that he wears always, Still his nights are restless and now it is so even during the sunny Spring days, He bows before the Altar and makes a solemn confession, “My Lord! her face and her overpowering beauty have become my obsession, Am I still worthy of worshipping you my God? For I have silently started worshiping this feeling of loving her and I do not feel odd, It is her thoughts that possess me even during my sermons, In her absence, not yours My Lord, everything presents itself like bad omens, To tame my wandering thoughts I refer to the Holy Book, But through it too peeps her face and her mesmerising look, I wonder if I shall quit clergy, And adopt this new synergy? I am drowning farther and farther in this mental eclipse, And I only want to think of her beautiful face, her warm skin and her red lips, Shall I forsake my black robe, My Lord, and not Thee? Or Forsake her and thereby my black robe and as well Thee? Because without her I do not feel anything that is a part of me, And without being me, how can I anything else be, Perhaps I am supposed to be a man of God but not a man, Never to fulfil my own desires for I am busy fulfilling Your plan, So let me live with my state and the social taboo, While every night I place my desires in the coffin along with the happy morning cuckoo.” The Lord smiles at him, “It is your personal battle and it is grim, You desire her, her face, her charming ways, You think of her during nights and during the bountiful days, But you think of me too and that is enough for me to know, So seek her and kiss her grace, for then you shall better baptise in my glow, And before you fall too low, Rise to your calling and you shall reap as you shall sow, Whether you wear a black robe or her kisses, I shall judge you on how you made others feel with or without your kisses.” Said the Lord in His emphatic voice, And the priest stood up and made the right choice! To love the woman he loved and missed, And he felt something divine within him, whenever her deep beauty he kissed! Source of inspiration : The Thorn Birds . 1983 Drama
Javid Ahmad Tak (They Loved in 2075!)
At all these studies Ged was apt, and within a month was bettering lads who had been a year at Roke before him. Especially the tricks of illusion came to him so easily that it seemed he had been born knowing them and needed only to be reminded. The Master Hand was a gentle and lighthearted old man, who had endless delight in the wit and beauty of the crafts he taught; Ged soon felt no awe of him, but asked him for this spell and that spell, and always the Master smiled and showed him what he wanted. But one day, having it in mind to put Jasper to shame at last, Ged said to the Master Hand in the Court of Seeming, 'Sir, all these charms are much the same; knowing one, you know them all. And as soon as the spell-weaving ceases, the illusion vanishes. Now if I make a pebble into a diamond-' and he did so with a word and a flick of his wrist 'what must I do to make that diamond remain diamond? How is the changing-spell locked, and made to last?' The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, 'Tolk,' and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. 'This is a rock; tolk in the True Speech,' he said, looking mildly up at Ged now. 'A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond -or a flower or a fly or an eye or a flame-' The rock flickered from shape to shape as he named them, and returned to rock. 'But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow...' He looked down at the pebble again. 'A rock is a good thing, too, you know,' he said, speaking less gravely. 'If the Isles of Earthsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.' He smiled, but Ged left dissatisfied.
Ursula K. Le Guin (A Wizard Of Earthsea)
Infinity of your thoughts Time does not seem to pass, As moments appear to be frozen in an unknown thought, I try hard to bypass, This eerie feeling and the war always lost yet often fought, And I wonder what is this feeling, This enigmatic state of endless time, With which I have now been for very long dealing, A state where time no longer remembers it is time, Then in this moment, Where infinity is cast in a battle with finity, Time remains suspended in an uncertain moment, Where every virtue exists except for certainty, As the war rages and both lose, Infinity retreats to its zone while finity retains its domain, And time that had been held trapped in this noose, Now attains its lost state and claims its lost domain, That spreads across infinity in the subsets of finity, Then my darling Irma, I love you infinitely, Because now there is certainty, And I want you to know, you are my only joy, my moment in time, my eternity, As time resumes its pace, I think of you in the lanes of my mind, And within it I discover our space, Where time still lies trapped, and it does not mind, This existence in a moment where infinity lies everywhere, The infinity of your feelings, your memories and your beauty, And there I lie thinking of you always somewhere, To feed the appetite of our love and its eternity, So if you ever talk to me my love, Maybe I am thinking in this corner feeding the infinity, Of your beauty and our love, To steal from time, from fate, from the Universe, our destiny, Where you lie within me, And we lie in this space of infinity, You loving me and I loving thee, Discovering the charms of your beauty, That is where my love I shall be, If you ever talk to me and you still need to find me, Walk into my mind, but tread softly for you shall be treading over infinity, Where I have spread my feelings just for thee, only thee, And as you behold me, Do not hesitate to wake me up, There in the corner of my mind where I shall always be, Kiss me and wake me up, Then let me cast you into the infinity of my mind and its thoughts, And reveal your own beauty to you, And as you wake up in the infinity of my thoughts, Allow me to cast the veil of infinity bearing your beauty and you, Then let time stop forever, Because now there shall be no need of new thoughts or new feelings, And we shall now exist forever, and forever, In infinities impenetrable ceilings, Where everything is just you and me, Nothing else, and where nothing exists, You and I lying in an eternally amorous state and what a wonder it shall be, Because now there is no identity, I am you and you are me, And both of us surrounded by eternity, In the universe where we have created our own space beyond every scalable limit, And we have become the masters of our own destiny, With nothing to include and nothing to omit, Because there is only one need, Your love for me and my love for you, And there is nothing to worry about or heed, Just your beauty and you, only you, in an endless existence where it is only you, Everywhere, here and there and even that space that time refers to as somewhere, There we lie wound on every loop of infinity, To spread with it everywhere, And believe in the beauty of our singular destiny!
Javid Ahmad Tak (They Loved in 2075!)
Soaking up the onstage elation, my mother kept touring with the Graham Company. She would go away, come home, and go away again. “I think my children are the most wonderful, the best looking, the smartest, and the most awe-inspiring children in the world,” she would recall. “Yet it is as though they are not connected to me. They come to see the show at a matinee wearing lovely clothes that I swear I have never seen before. They meet the cast, charm everyone and are whisked home to do whatever it is they do there. I think about taking them to dinner between shows, but somehow never get around to asking if this is all right. All right with whom? I am afraid to answer my own questions.
Martha Hodes (My Hijacking: A Personal History of Forgetting and Remembering)
Rohan turned his attention to the burgeoning table, taking a leisurely survey of the spread, rather like a wolf looking out over a flock of sheep. "Where to begin?" "I cannot fathom how you are not as stout as the Regent." "I stay active," he drawled with a wicked gleam in his eyes. "A toast to you, my darling." "Honestly," she muttered, but, alas, could not resist him as he lifted his glass of now-red wine in her direction. "To new acquaintances," he said. "And outwitting the Grim Reaper once again. And most of all, to young ladies of remarkable courage. I drink to their health." When he cast her a teasing wink full of outlandish charm, Kate did not know if she would throttle him or swoon.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Their sake It was meant to be so, Their lives were meant to be so, But then when it all began neither of them thought it would be so, They felt time lived for them and forever it shall be so, And they loved, they rejoiced, and they loved it so, Always together under all situations very sure that it will always be so, The woman loved the man and the man loved her equally so, Whether it was a sun kissed day or a moon lit night, it never felt so, Because during the day they experienced light of love and felt so, On silent nights they lit candles of desires and passions, and they obediently lit so, There was never a dark moment in their lives, at least for now it was so, In their lives existed no vitriolic moment because for now it was not meant to be so, They sought ratification from their hearts, and nothing else, and it was so, This agitated the fate, and chance too; and they ployed to not let it be so, They cast them in the world managed by predefined outcome of moments and now for them it was so, No matter what they did, how hard they tried, it was never like before, and how they longed for it to be so, Like before, like those sweet days, because fate and chance did not want it to be so, Maybe they were scared the two lovers would render their existence purposeless, and how could they afford it to be so, And to feed their pride they invented moments with predefined destinies, and made they fight a pre-determined battle, and for them it has been so, Even the bright days appear dark, the moonlit nights seem hopeless, and now for long it has been so, But they still love each other, they still hope, and with them it shall for eternity be so, This has left fate and chance wondering how to rob time of new moments everyday, so that the world of lovers remains so, Trapped in moments coded by malice and extreme cussedness of fate and chance, because they desperately want it to be so, It seems time has realised the evil intentions of the two conspirators and it doesnt want it to be so, Because then time will lose its purpose of existence and it ought not to be so, As it would lead the universe into an endless struggle where all shall be busy keeping the fate and chance pleased, and it cannot be so, For life to be organically progressive the two lovers should be free to desire anything and anytime, as and whenever they wish so, Fate‘s deliberate interference, and chance’s intentional disappearance, would steal from life it's every charm, and life isn't meant to be so, This is why time has stamped all its moments with emptiness that can never be filled by fate or chance, and now it is so, And now the two lovers romance like before, they love like always, and since it has been so, Fate and chance have been disenfranchised from free will, and now it shall be so, it has to be so, Otherwise not just the lovers, love will lose its existence across the universe, that cannot afford to be so, And now the two lovers love each other like before, only that now they respect time more, and what a great wonder it is to realise it and feel so! The lovers loving like before as it was always meant to be so, And now only for their sake the universe shall always be so, Happily existing because the universe is meant to be so!
Javid Ahmad Tak (They Loved in 2075!)
The music of the Lyre, in Greek legend, cast such a spell that Orpheus charmed every living creature with it, even persuading the grim guardians of the Underworld to allow him to rescue his beautiful wife Eurydice from the Land of the Dead. Having been warned to cast no glance upon her until the couple had safely reached the upper world, Orpheus unfortunately lost Eurydice at the last moment by disobeying the fateful order. The story is one of the most popular of the Greek legends, and was the subject of the opera Orpheo ed Euridice by Gluck in 1762, and a ballet by Stravinsky in 1947.
Robert Burnham Jr. (Burnham's Celestial Handbook, Volume Two: An Observer's Guide to the Universe Beyond the Solar System (Dover Books on Astronomy Book 2))
walter was smilling in his sleep as someone who knew a charming secret. the moon was shining on his pillow through the bars of the leaded window... casting the shadow of a clearly defined cross on the wall above his head. in long-after years Anne was to remember that and wonder if it was an omen of Courvelette.. of a cross-marked grave 'somewhere in France'.
L.M.Mongomery
Did I develop my own set of random assumptions by utilizing the very little information available to me? For example, Leo Vodnik had held a magazine titled Construction Engineering Australia. Men are ten times more likely than women to die at work. Is that all it took for me to predict a “workplace accident” as his cause of death? Ethan Chang had his arm in a cast. Was it his injury that made me choose “assault,” together with the fact that injury and violence is a leading cause of death for young adult men? I know I watched Kayla Halfpenny at the airport and saw her knock over her drink and then her phone. Was it my observation of the sweet girl’s clumsiness together with the fact that road traffic injuries are one of the leading causes of death among young adults that led me to say “car accident”? Did I simply make random choices? Is that what led me to pancreatic cancer, the most feared cancer, for the vibrant woman who reminded me of my friend Jill, and breast cancer for the pregnant woman? Did I temporarily believe I was Madame Mae? I must have been thinking of my mother, because I kept saying “fate won’t be fought.” Had I somehow become a strange alchemy of the two of us? Both of us, after all, specialized in predictions. There are certain events in my life that I believe may have had a profound effect on me. For example: the little boy who drowned at the blowhole when I was a child. I have never forgotten the sound of his mother screaming. That boy had brown eyes and dark hair. When I saw that dear little brown-eyed, dark-haired baby, did I think of that poor boy and therefore predict the baby would drown at the same age? Did I look at the young bride, Eve, and remember the charming woman who came to my mother for readings, who was so excited about her forthcoming wedding, the first wedding I ever attended? Did I think of the time I saw her at the shops, her inner light snuffed out, and remember how she died in a fire believed to have been lit by her husband? Why did I choose self-harm for Allegra, the beautiful flight attendant? Was it simply that I saw repressed pain in her eyes from the back injury I now know she suffered on that flight? Was it because I knew the rate of suicide in young females has been steadily increasing over recent years? Was I thinking of death as I boarded the plane and contemplating the fact that everyone on that plane would one day die, and wondering what their causes of death would ultimately be? Well. That’s the only one of my questions I can answer with certainty. Of course I was thinking of death. I had my husband’s ashes in my carry-on bag. I was missing my two best friends. I was thinking of every person I had ever lost throughout my life.
Liane Moriarty (Here One Moment)