Mirrors Are Special Quotes

I'm never overwhelmed or under it either; just nicely whelmed. I'm OK. Nothing spectacular but sometimes special. I look in the mirror and see this medium average person. A little tired, a little sad, but not falling apart.

You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel special.

... I ask, 'Do you think Dylan's telling the truth?' Daisy checks her face in a little mirror, then hands it to Jazz. 'You want me to find out?' 'Let's not ruin it by calling them liars.' '...I won't ruin it. I've got this special way of getting the truth out of Dylan.' 'How?' I ask. 'I kick him in the balls.' 'That's pretty special.

You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.” ~ Grace, Sophie, Archer

I have notes in my bathroom, yellow notes, and I stick 'em on the mirror, things that happened that were uplifting boosters for me. Notes that say, "Today is special, make today count." And then I have one note on the mirror in the middle that says, "Look at the other notes.

Opening the door, he nearly did a double take into the mirror behind him. Hooch. Hooch, pushing his shades back up onto his head, and re-shouldering the bergan. Hooch, standing in the doorway. “Been thinking.” Two words, more than usual. “Been around a bit.” Six, speech worthy of a national holiday. “Looking for a station now.” Eleven, whole fucking fireworks. "Central station.” Thirteen, and the heavens came down for Matt. “You still offering?” Sixteen, and the world stopped spinning. Matt stood thinking for a while, not a muscle in his face twitched. Then stepped aside, gestured the other man to follow him. Closed the door. “One condition.” Hooch’s brows rose for a split second. Matt broke into a grin at last, which threatened to split his face. “Promise not to talk too much.

I don't know what the hell you're talking about, but you need to look in the mirror. There's a special circle in Hell for liars and hypocrites, Your Eminence. Perhaps I'll see you there.

Consciousness is a pitiful hostage of its flesh-envelope, whose surges, circuits, and secret murmurings it cannot stay or speed. This is the chthonian drama that has no climax but only an enedless round, cycle upon cycle. Microcosm mirrors macrocosm. Free will is stillborn in the red cells of our body, for there is no free will in nature. Our choices come to us prepackaged and special delivery, molded by hands not our own.

...he'd know about the role of mirror neurons in the brain, special cells in the premotor cortex that fire right before a person reaches for a rock, steps forward, turns away, begins to smile.Amazingly, the same neurons fire whether we do something or watch someone else do the same thing, and both summon similar feelings. Learning form our own mishaps isn't as safe as learning from someone else's, which helps us decipher the world of intentions, making our social whirl possible. The brain evolved clever ways to spy or eavesdrop on risk, to fathom another's joy or pain quickly, as detailed sensations, without resorting to words. We feel what we see, we experience others as self.

Hold childhood in reverence, and do not be in any hurry to judge it for good or ill. Leave exceptional cases to show themselves, let their qualities be tested and confirmed, before special methods are adopted. Give nature time to work before you take over her business, lest you interfere with her dealings. You assert that you know the value of time and are afraid to waste it. You fail to perceive that it is a greater waste of time to use it ill than to do nothing, and that a child ill taught is further from virtue than a child who has learnt nothing at all. You are afraid to see him spending his early years doing nothing. What! is it nothing to be happy, nothing to run and jump all day? He will never be so busy again all his life long. Plato, in his Republic, which is considered so stern, teaches the children only through festivals, games, songs, and amusements. It seems as if he had accomplished his purpose when he had taught them to be happy; and Seneca, speaking of the Roman lads in olden days, says, "They were always on their feet, they were never taught anything which kept them sitting." Were they any the worse for it in manhood? Do not be afraid, therefore, of this so-called idleness. What would you think of a man who refused to sleep lest he should waste part of his life? You would say, "He is mad; he is not enjoying his life, he is robbing himself of part of it; to avoid sleep he is hastening his death." Remember that these two cases are alike, and that childhood is the sleep of reason. The apparent ease with which children learn is their ruin. You fail to see that this very facility proves that they are not learning. Their shining, polished brain reflects, as in a mirror, the things you show them, but nothing sinks in. The child remembers the words and the ideas are reflected back; his hearers understand them, but to him they are meaningless. Although memory and reason are wholly different faculties, the one does not really develop apart from the other. Before the age of reason the child receives images, not ideas; and there is this difference between them: images are merely the pictures of external objects, while ideas are notions about those objects determined by their relations.

One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...

People with NPD have a strong need, in every area of their life, to be treated as if they’re special. To those with NPD, other people are simply mirrors, useful only insofar as they reflect back the special view of themselves they so desperately long to see. If that means making others look bad by comparison—say, by ruining their reputation at work—so be it. Because life is a constant competition, they’re also usually riddled with envy over what other people seem to have. And they’ll let you know

Hey, comrade,” Dima said, tone, choice of words, everything exactly as it would have been in the eighties, in that forsaken country. Vadim peered at him in the mirror. “Yes?” “Are you guys in trouble?” Dima moved closer, stood within touching distance. “I don’t mean your little crusade a while back. I mean the rest.” Vadim inhaled and lowered his gaze for a few moments. “Life isn’t easy, Dima. That’s our set of rules.” “You know you can change them. If he’s fucking around….” “So am I.” “But you’re not happy with it?” “It’s just sex, Dima.” Dima looked at him for a long time. “It’s never just sex for you, though. Am I wrong?” “No. You’re right.” Vadim shook his head. “Rules, Dima. We’re a different case.” Dima reached out and took him by the shoulders, pulling him up and back against him, which made Vadim look at himself in the mirror. “It’s not easy. I wish it was.

That tongue of yours. Lots of people commented on Devon’s tongue. She stuck it out, sometimes, inspecting it in the mirror. There was nothing special about her tongue that she could ever see.

Which on am I?" I drew my left eyebrow in a high, puzzled arch. "Which what?" Crack reached for her makeup kit. "Bottom or fool?" She pulled out a tiny mirror and put another layer of mascara on her giant fake lashes. She used a special oversized mascara brush for her oversized lashes, carried in a big tube. "No. Trixie, Twinkie, or Bubbles?" I asked. "Who, in the show?" She shrugged. "What ever you want, Sugar. Makes no diff to me. A name's just another kind of package. Marketing. Starts the day you're born" p.136

All the comics are sigils. "Sigil" as a word is out of date. All this magic stuff needs new terminology because it's not what people are being told it is at all. It's not all this wearying symbolic misdirection that's being dragged up from the Victorian Age, when no-one was allowed to talk plainly and everything was in coy poetic code. The world's at a crisis point and it's time to stop bullshitting around with Qabalah and Thelema and Chaos and Information and all the rest of the metaphoric smoke and mirrors designed to make the rubes think magicians are 'special' people with special powers. It's not like that. Everyone does magic all the time in different ways. "Life" plus "significance" = magic.

Stop looking in the mirror and forget how you look like; we are all special the way we are.

Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'er-step not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.

For once in my life, I wanted to surrender to romance, to believe love was sparkly and special and not something that made you look in the mirror and shake your head at your own stupidity.

At first he told them that everything was just the same, that the pink snails were still in the house where he had been born, that the dry herring still had the same taste on a piece of toast, that the waterfalls in the village still took on a perfumed smell at dusk. They were the notebook pages again, woven with the purple scribbling, in which he dedicated a special paragraph to each one. Nevertheless, and although he himself did not seem to notice it, those letters of recuperation and stimulation were slowly changing into pastoral letters of disenchantment. One winter night while the soup was boiling in the fireplace, he missed the heat of the back of his store, the buzzing of the sun on the dusty almond trees, the whistle of the train during the lethargy of siesta time, just as in Macondo he had missed the winter soup in the fireplace, the cries of the coffee vendor, and the fleeting larks of springtime. Upset by two nostalgias facing each other like two mirrors, he lost his marvelous sense of unreality and he ended up recommending to all of them that they leave Macondo, that they forget everything he had taught then about the world and the human heart, that they shit on Horace, and that wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.

Actually, the substitution of the reality-principle for the pleasure-principle denotes no dethronement of the pleasure-principle, but only a safeguarding of it. A momentary pleasure, uncertain in its results, is given up, but only in order to gain in the new way an assured pleasure coming later. But the end psychic impression made by this substitution has been so powerful that it is mirrored in a special religious myth. The doctrine of reward in a future life for the—voluntary or enforced—renunciation of earthly lusts is nothing but a mythical projection of this revolution in the mind. In logical pursuit of this prototype, religions have been able to effect the absolute renunciation of pleasure in this life by means of the promise of compensation in a future life; they have not, however, achieved a conquest of the pleasure-principle this way. It is science which comes nearest to succeeding in this conquest; science, however, also offers intellectual pleasure during its work and promises practical gain at the end.

I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death. He smashed that one first. My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven. He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands. 'Daddy?' Buckley said. My brother held the doorknob with his hand. My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him. My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived. 'You are so special to me, little man,' my father said, clinging to him. Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult. 'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.

She had an expressive, conspiratorial smile, which I thought she probably gave to all of her subjects, as if to say: you’re no ordinary subject to me, you’re a special favorite. I knew I would enviously practice this smile later in a mirror.

No one need shave his head or wear special headgear or ochre robes or run away from all that one holds dear. No Sir! You may live in this world and do your duties, earn your livelihood, look after those that need your help, spread the fragrance of love and service, and yet remember to keep in touch with your true Self, the spark from the great fire, the drop from the great ocean, by meditating regularly, so that, in the spotless clear mirror of your heart, Divinity’s reflection glows. From your heart, then, will the serene rays of the spirit proceed and fill other hearts with bliss.

The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. “But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. “He can come in mist which he create, that noble ship’s captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. “He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through.

power dynamic operates in emotional contagion, determining which person’s brain will more forcefully draw the other into its emotional orbit. Mirror neurons are leadership tools: Emotions flow with special strength from the more socially dominant person to the less. One reason is that people in any group naturally pay more attention to and place more significance on what the most powerful person in that group says and does. That amplifies the force of whatever emotional message the leader may be sending, making her emotions particularly contagious. As I heard the head of a small organization say rather ruefully, “When my mind is full of anger, other people catch it like the flu.

I think we’ve met our quota for tearful reunions,” she chuckled against the top of my head. “When this is done, I promise I’m never going to leave the house ever again. We’ll just stay in and order pizza and watch bad television.” Mom pulled away and looked over my shoulder. “Oh, I think you might want to get out every now and then,” she said. I felt the warm weight of Archer’s hand on my waist. “Hey, I like pizza and bad TV.” I turned to him, surprised. “Your chest-“ “Cal,” he said by way of explanation. “I owe that guy, like, a mountain of burgers. It’s getting embarrassing.” Mom flashed me a little smile before saying, “You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.

I'm still learning to like what I see in the mirror and accept that someone can actually love me for who I really am. I'm not a leader. I'm not...special.

Being different doesn’t mean there’s something wrong with you or that you aren’t perfect as you are. It simply means getting special support so you can live your best life.

They do not use lasers, they do not use radio, they do not use hyperwave. What are they using for communication? Telepathy? Written messages? Big mirrors?" "Parrots," Louis suggested. He got up to join them at the door to the control room. "Huge parrots, specially bred for their oversized lungs. They're too big to fly. They just sit on hilltops and scream at each other.

To whom it may concern, I don't know what brought you to this little shed, but I hope you'll be happy here - for however long you need to stay. I've taken the liberty of restocking the woodpile and bringing some new blankets and a few dishes, some matches and a mirror (because even though you may be the only person for twenty miles in any direction, most people feel better when they know what their hair looks like). Help yourself to the canned goods - that's what they're here for. But most of all, be careful and take care of this place. It's special to me. Maddie (and me, too - Logan)

Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it, as many of our players do, I had as lief the town crier spoke my lines. Nor do not saw the air too much with your hand, thus, by use all gently, for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who for the most part are capable of nothing but inexplicable dumb shows and noise. I would have such a fellow whipped for o'erdoing Termagant. It out-herods Herod. Pray you avoid it. Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature. For anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature, to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskillful laugh, cannot but make the judicious grieve, the censure of the which one must in your allowance o'erweigh a whole theatre of others. O, there be players that I have seen play, and heard others praise, and that highly (not to speak profanely), that neither having th' accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men, and not made them well, they imitated humanity so abominably. Reform it altogether! And let those that play your clowns speak no more than is set down for them, for there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too, though in the mean time some necessary question of the play be then to be considered. That's villainous and shows a most pitiful ambition in the fool that uses it. Go make you ready.

This was real life. And the beginning of a special regular story where two people meet and help each other make something beautiful, at the risk of making a mess. No this ain't no movie. This is a mirror. This me. This her. This us. This is real.

All over the world the teenage millions searched for routes out of their dank, personal labyrinths. Signing up for that perfect extracurricular, rehearsing fake smiles before toothpaste-flecked mirrors, rummaging through their personalities to come up with laid-back greetings and clever put-downs to be saved for that special occasion. Lying sprawled on their beds, ankles crossed, while they overanalyzed the lyric sheet of the band that currently owned their soul, until the words became a philosophy.

This particular bit of magic had come from Manuscript. They specialized in mirror magic, glamours, persuasion. Any object could be enchanted, the most famous being a condom that had convinced a philandering Swedish diplomat to hand over a cache of sensitive documents.

Leadership Philosophy: Understand where we have been; focus on the present and plan for the future. Everything has a triangle which encompasses three major points. Discipline, Competence and Trust comprise the first triangle. Trust was the base of the triangle. We were expected to be able to look in the mirror, not out the window. Confidence and familiarity with even the smallest tasks established this. Competence was next. There was always an expectation to focus on the fundamentals, understand the psychology of war, and do the right thing. The final and most crucial ingredient was discipline; discipline in yourself and in your soldiers. To Lieutenant Colonel Bolduc, discipline was not about power, it was about the judicious use of authority and responsibility. Special Forces had a boatload of both.

There are cameras and mirrors watching us everywhere. I fix my hair and try not to look too drunk. At the checkout stand we line up on the border of sanity holding our passports, our visa cards. Some women will make it. Others will be asked to stay with their carts, they will be given different clothes, lobotomies, and schizophrenic outbursts, until they look like they grew out of the pavement without mothers or fathers. A number will be tattooed on their neck and they will be ushered outside through special doors that never let you back in.

Coverts do have a grandiose sense of self, are preoccupied with fantasies of power, require excessive admiration, but they hide these attributes so people will like and trust them. They know if they are obvious about their self-absorbed traits, people won’t like them. They believe they are “special” and entitled, but they know it would turn people off to let that be known. They know they must appear humble to be liked and revered. They know how to play people, how to charm them. They are master manipulators. They don’t have empathy but have learned how to act empathetically. They will look you in the eyes, making you feel special and heard, make sounds and give looks that tell you they care, but they really don’t. They mirror your emotions, so it seems like they have empathy. They have observed and learned how to appear to care. They thrive upon the attention of others. People who think or act as if they are amazing are their energy supply. They have people around them who adore them, respect them, revere them, see them as special and almost perfect, and in some cases seem to worship them.

glassmakers’ that specialized in windows and mirrors, which made perfect sense because Johnny was both a window and a mirror to me. Sometimes, I felt I could see right through him, and other times, when I looked for Johnny, or at Johnny, all I could really see was a reflection of myself.

When an object impacts the Moon at high speed, it sets the Moon slightly wobbling. Eventually the vibrations die down but not in so short a period as eight hundred years. Such a quivering can be studied by laser reflection techniques. The Apollo astronauts emplaced in several locales on the Moon special mirrors called laser retroreflectors. When a laser beam from Earth strikes the mirror and bounces back, the round-trip travel time can be measured with remarkable precision. This time multiplied by the speed of light gives us the distance to the Moon at that moment to equally remarkable precision. Such measurements, performed over a period of years, reveal the Moon to be librating, or quivering with a period (about three years) and amplitude (about three meters), consistent with the idea that the crater Giordano Bruno was gouged out less than a thousand years ago.

There are many well-known arguments for why the Holocaust perpetrated by the Nazis was different. It was higher tech. Death came faster. It was industrial in its scale. All true. But it’s also true that every holocaust is different. Every genocide has its own particular characteristics, and every hated group is hated in its own special way. By sheer numbers of dead, the genocide of Indigenous peoples in the Americas surpasses all others. In terms of modern technologies, the transatlantic trade in kidnapped and enslaved Africans, and the plantations the trade served in the antebellum South and the Caribbean, were highly modern for their times. So cutting-edge, scholars have shown, that the systems developed to transport, insure, depreciate, track, control, and extract maximum wealth from this coerced labor shaped many aspects of modern accounting and human resources management. And as Rinaldo Walcott, a scholar of race and gender, writes in his manifesto On Property, “The ideas forged in the plantation economy continue to shape our social relations.” Among those social relations are modern policing, mass surveillance, and mass incarceration. On what else does the claim to exceptionalism rest?

His likeness? How can I trace it? I have seen Arsène Lupin a score of times, and each time a different being has stood before me… or rather the same being under twenty distorted images reflected by as many mirrors, each image having its special eyes, its particular facial outline, its own gestures, profile, and character. “I myself,” he once said to me, “have forgotten what I am really like. I no longer recognize myself in a glass.” A paradoxical whim of the imagination, no doubt; and yet true enough as regards those who come into contact with him, and who are unaware of his infinite resources, his patience, his unparalleled skill in make-up, and his prodigious faculty for changing even the proportions of his face and altering the relations of his features one to the other. “Why,” he asked, “should I have a definite, fixed appearance? Why not avoid the dangers attendant upon a personality that is always the same? My actions constitute my identity sufficiently.” And he added, with a touch of pride: “It is all the better if people are never able to say with certainty: ‘There goes Arsène Lupin.’ The great thing is that they should say without fear of being mistaken: ‘That action was performed by Arsène Lupin.

The cardinal, in his days as master of the realm, had spoken of God as if He were a distant policy adviser from whom he heard quarterly: gnomic in his pronouncements, sometimes forgetful, but worth a retainer on account of his experience. At times he sent Him special requests, which the less well-connected call prayers;

Desiree had spent years studying Stella. The way she played with her hem, how she tucked her hair behind her ear or gazed up hesitantly before saying hello. She could mirror her sister, mimic her voice, inhabit her body in her own. She felt special, knowing that she could pretend to be Stella but Stella could never be her.

I had often thought about people who lived through strange and compelling times — World War II, the Great Depression, the civil rights movement. These were periods that shaped people in some indelible way. I wondered how this moment would define us. I had never before believed that there was anything special about the era I was growing up in.

There were spaceships again in that century, and the ships were manned by fuzzy impossibilities that walked on two legs and sprouted tufts of hair in unlikely anatomical regions. They were a garrulous kind. They belonged to a race quite capable of admiring its own image in a mirror, and equally capable of cutting its own throat before the altar of some god, such as the deity of Daily Shaving. It was a species which often considered itself to be, basically, a race of divinely inspired toolmakers; any intelligent entity from Arcturus would instantly have perceived them to be, basically, a race of impassioned after-dinner speechmakers. It was inevitable, it was manifest destiny, they felt (and not for the first time) that such a race go forth to conquer stars. To conquer them several times, if need be, and certainly to make speeches about the conquest. But, too, it was inevitable that the race succumb again to the old maladies on new worlds, even as on Earth before, in the litany of life and in the special liturgy of Man...

They want you to be in a special ward,” my mother said. “They don’t have that sort of ward at our hospital.” “I liked it where I was.” My mother’s mouth tightened. “You should have behaved better, then.” “What?” “You shouldn’t have broken that mirror. Then maybe they’d have let you stay.” But of course I knew the mirror had nothing to do with it

Hey, I think I'm losing my mind now Having trouble finding a way out Shined so bright, this star's gonna burn out I take and don't know how to give You know I never mean well I can't help but help myself Been placed right under the spell The mirror shows somebody else Fat stacks and hybrid cars They don't take ya very far Branded with dollar-sign shaped scars We're in a special kind of hell

Today, Arabic numerals are in use pretty much around the world, while the words with which we name numbers naturally differ from language to language. And, as Dehaene and others have noted, these differences are far from trivial. English is cumbersome. There are special words for the numbers from 11 to 19 and for the decades from 20 to 90. This makes counting a challenge for English-speaking children, who are prone to such errors as “twenty-eight, twenty-nine, twenty-ten, twenty-eleven.” French is just as bad, with vestigial base-twenty monstrosities, like quatre-vingt-dix-neuf (four twenty ten nine) for 99. Chinese, by contrast, is simplicity itself; its number syntax perfectly mirrors the base-ten form of Arabic numerals, with a minimum of terms. Consequently, the average Chinese four-year-old can count up to forty, whereas American children of the same age struggle to get to fifteen. And the advantages extend to adults. Because Chinese number words are so brief—they take less than a quarter of a second to say, on average, compared with a third of a second for English—the average Chinese speaker has a memory span of nine digits, versus seven digits for English speakers. (Speakers of the marvelously efficient Cantonese dialect, common in Hong Kong, can juggle ten digits in active memory.)

That particular fear has the texture you can neither forget nor describe. It is like the fear of the victims of an earthquake, of people who have lost faith in the stillness of the earth. And yet it is not the same. It is without analogy for it is not comparable to the fear of nature, which is the most universal of human fears, nor to the fear of violence of the state, which is the commonest of modern fears. It is the fear that comes from the knowledge that normalcy is utterly contingent, that spaces that surround one, the streets that one inhabits, can become, suddenly and without warning, as hostile as a desert in a flash flood. It is this that sets apart the thousand million people who inhabit the subcontinent from the rest of the world - not language, not food, not music - it is the special quality of loneliness that grows out of the fear of the war between oneself and one's image in the mirror.

I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all.

Of these two thousand "I" and "We" people, which am I? Don't try to keep me from asking! Listen, when I'm this out of control! But don't put anything breakable in my way! There is an original inside me. What's here is a mirror for that, for you. If you are joyful, I am. If you grieve, or if you're bitter, or graceful, I take on those qualities Like the shadow of a cypress tree in the meadow, like the shadow of a rose, I live close to the rose. If I separated myself from you, I would turn entirely thorn

So much we once coveted. So much That would have saved us, but lived, Instead, its own quick span, returning To uselessness with the mute acquiescence Of shed skin. It watches us watch it: Our faulty eyes, our telltale heat, hearts Ticking through our shirts. We’re here To titter at gimcracks, the naïve tools, The replicas of replicas stacked like bricks. There’s green money, and oil in drums. Pots of honey pilfered from a tomb. Books Recounting the wars, maps of fizzled stars. In the south wing, there’s a small room Where a living man sits on display. Ask, And he’ll describe the old beliefs. If you Laugh, he’ll lower his head to his hands And sigh. When he dies, they’ll replace him With a video looping on ad infinitum. Special installations come and go. “Love” Was up for a season, followed by “Illness,” Concepts difficult to grasp. The last thing you see (After a mirror—someone’s idea of a joke?) Is an image of an old planet taken from space. Outside, vendors hawk t-shirts, three for eight.

As engine vibrated under him, he tried to tell himself it was all going to work out. It had to. Now that he’d found The One, there was no way in hell he was letting her get away. If that meant he had to move heaven and earth to find a good life for her and her pack mates here in the city, he’d do it. If being with Jayna meant he had to empty out his bank account and sell everything he owned, he was okay with that too. He had friends in other places he could turn to, Family too. His parents owned a huge house and a lot of land outside of Denver. If he showed up with Jayna, her pack, and no job, his family would welcome them with open arms. Okay, maybe his mom would be a little shocked when she found out his girlfriend came with an extended family, but she’d overlook it if there was a possibility of a grandchild in the near future. Becker was still daydreaming about kids with Jayna someday when headlights suddenly appeared in his rear- view mirror. He glanced over, swearing when he saw two vehicles speeding up behind him and closing fast.

Well,Anna.It's Matt or the minivan. I'm not making the choice for you." I choose my ex.We used to be good friends,so I'm sort of looking forward to seeing him again. And maybe Cherrie isn't as bad as I remember.Except she is. She totally is. After only five minutes in her company,I cannot fathom how Bridge stands sitting with her at lunch every day.She turns to look at me in the backseat,and her hair swishes in a vitamin-enriched, shampoo-commercial curtain. "So.How are the guys in Paris?" I shrug. "Parisian." "Ha ha.You're funny." Her lifeless laugh is one of her lesser attributes.What does Matt see in her? "No one special?" Matt smiles and glances at me through the rearview mirror. I'm not sure why,but I forgot that he has brown eyes.Why do they make some people look amazing and others completely average? It's the same with brown hair. Statistically speaking, St. Clair and Matt are quite similar. Eyes: Brown. Hair: Brown. Race: Caucasian. There's a significant difference in height,but still. It's like comparing a gourmet truffle to a Mr. Goodbar. I think about the gourmet truffle. And his girlfriend. "Not exactly.

The vampire live on, and cannot die by mere passing of the time; he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger; that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. But he cannot flourish without this diet; he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him to eat, never! He throws no shadow; he make in the mirror no reflect, as again Jonathan observe. He has the strength of many in his hand—witness again Jonathan when he shut the door against the wolfs, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog; he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. He can come in mist which he create—that noble ship’s captain proved him of this; but, from what we know, the distance he can make this mist is limited, and it can only be round himself. He come on moonlight rays as elemental dust—as again Jonathan saw those sisters in the castle of Dracula. He become so small—we ourselves saw Miss Lucy, ere she was at peace, slip through a hair-breadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire—solder you call it. He can see in the dark—no small power this, in a world which is one half shut from the light. Ah, but hear me through. He can do all these things, yet he is not free. Nay; he is even more prisoner than the slave of the galley, than the madman in his cell. He cannot go where he lists; he who is not of nature has yet to obey some of nature’s laws—why we know not. He may not enter anywhere at the first, unless there be someone of the household who bid him to come; though afterwards he can come as he please. His power ceases, as does that of all evil things, at the coming of the day. Only at certain times can he have limited freedom. If he be not at the place whither he is bound, he can only change himself at noon or at exact sunrise or sunset.

The waters of Skilak are notoriously cold and turbulent. It isn’t unusual to have water temperatures hovering around thirty-eight degrees, even in the summer. The mix of cold water and the glacial ice of the massive Harding Icefield, along with the high mountains that support it and work like a giant wind tunnel, make for a deadly combination that can turn a mirror-smooth lake into the frothing mouth of a monster in an instant. Within minutes, summer warmth combining with the cold can create winds that explode off the ice field in what Alaskans refer to as williwaws—strong gusts that tear down from glacial valleys, often wreaking havoc.

But it is the nature of narcissistic entitlement to see the situation from only one very subjective point of view that says “My feelings and needs are all that matter, and whatever I want, I should get.” Mutuality and reciprocity are entirely alien concepts, because others exist only to agree, obey, flatter, and comfort – in short, to anticipate and meet my every need. If you cannot make yourself useful in meeting my need, you are of no value and will most likely be treated accordingly, and if you defy my will, prepare to feel my wrath. Hell hath no fury like the Narcissist denied. Narcissists hold these unreasonable expectations of particularly favorable treatment and automatic compliance because they consider themselves uniquely special. In social situations, you will talk about them or what they are interested in because they are more important, more knowledgeable, or more captivating than anyone else. Any other subject is boring and won’t hold interest, and, in their eyes, they most certainly have a right to be entertained. In personal relationships, their sense of entitlement means that you must attend to their needs but they are under no obligation to listen to or understand you. If you insist that they do, you are “being difficult” or challenging their rights. How dare you put yourself before me? they seem to (or may actually) ask. And if they have real power over you, they feel entitled to use you as they see fit and you must not question their authority. Any failure to comply will be considered an attack on their superiority. Defiance of their will is a narcissistic injury that can trigger rage and self-righteous aggression. The conviction of entitlement is a holdover from the egocentric stage of early childhood, around the age of one to two, when children experience a natural sense of grandiosity that is an essential part of their development. This is a transitional phase, and soon it becomes necessary for them to integrate their feelings of self-importance and invincibility with an awareness of their real place in the overall scheme of things that includes a respect for others. In some cases, however, the bubble of specialness is never popped, and in others the rupture is too harsh or sudden, as when a parent or caretaker shames excessively or fails to offer soothing in the wake of a shaming experience. Whether overwhelmed with shame or artificially protected from it, children whose infantile fantasies are not gradually transformed into a more balanced view of themselves in relation to others never get over the belief that they are the center of the universe. Such children may become self-absorbed “Entitlement monsters,” socially inept and incapable of the small sacrifices of Self that allow for reciprocity in personal relationships. The undeflated child turns into an arrogant adult who expects others to serve as constant mirrors of his or her wonderfulness. In positions of power, they can be egotistical tyrants who will have their way without regard for anyone else. Like shame, the rage that follows frustrated entitlement is a primitive emotion that we first learn to manage with the help of attuned parents. The child’s normal narcissistic rages, which intensify during the power struggles of age eighteen to thirty months – those “terrible twos” – require “optimal frustration” that is neither overly humiliating nor threatening to the child’s emerging sense of Self. When children encounter instead a rageful, contemptuous or teasing parent during these moments of intense arousal, the image of the parent’s face is stored in the developing brain and called up at times of future stress to whip them into an aggressive frenzy. Furthermore, the failure of parental attunement during this crucial phase can interfere with the development of brain functions that inhibit aggressive behavior, leaving children with lifelong difficulties controlling aggressive impulses.

and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. "But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. "He can come in mist which he create, that noble ship's captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. "He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything,

I undress, look at myself in the mirror with no special acknowledgement of the worn-down woman who looks back at me, and then climb into the shower, turn on the hot water, and once the temperature’s set to exactly where I want it, when the water begins to feel like a womb, I cry into my palms. Under the shower’s waterfall, I squint, sniffle, choke. I cough. I stutter my way through every defeated sound I know, and I hate myself for making them. I hope no one can hear me, and that the shower will keep my secret. I cry like that until I have nothing left in me, until I’ve been emptied, and then I stop and decide that it’s over, that I should stop feeling sorry for myself. That I’ve already held myself together for this long. That I can’t break apart again now.

The pattern, as well as magnitude, of foreign economic activity in Russia provides clues to the sources of Russian economic backwardness. The foreigners specialized in providing what the Russians most lacked—technical and scientific skills, efficient and honest management and, to a secondary extent, capital. Russian managers were notorious for their inefficiency and corruption. A French observer in 1904 referred to "the extraordinary waste—to be polite—that reigns among Russian administrators."210 Even after trained Russians began to emerge over the years into increasingly responsible positions, foreign firms were careful not to use Russian accountants.211 This business corruption mirrored a pervasive corruption in the czarist government,212 which was by no means stamped out under the Communists213 or in the post-Soviet era.

As we prepared for sleep that night I noticed that Lisa was staring at her reflection in the mirror. She looked as young now as the day I met her, no grey upon her jet black hair, face always pale, she rarely sun bathed, dark glittering eyes and finally pearly white teeth. What a woman, always passionate about her affairs and always interested in my work. Shame her family could not attend our wedding. I suppose that is the hazard of marrying a Slav, either the family is dead, scattered or too poor to fly to England. Still it was a happy wedding, a quiet one with a few friends from work. Lisa crawled into bed beside me; her body, always cold, quickly warmed to my touch. Why are women always cold when they first get into bed? We kissed for what seemed an age, caressing each other’s bodies until at last she pushed me onto my back, straddled me and smiled looking down into my eyes. She licked her lips and slowly leant forward. The next morning I checked my neck for any tell-tale signs of our love making. Again Lisa had bitten every inch of my body and left not a mark. I smiled down at her sleeping form, kissed her cheek and went to my study. I had term papers to mark and research for my next set of lectures. Lisa came into my study just after lunch. For a woman just out of bed she looked remarkably well, her hair was untangled, her cheeks full in bloom, there were no signs of tiredness in her eyes at all. I smiled at her as we kissed, then she told me of the theme for the dinner party. Eleven guests as usual and each one would have to be very special. I left her to set up the invitations and planning. This was going to be the Last supper revisited it seemed.

We all have some of what may be termed narcissistic needs, such as the need to be valued, admired, understood, or simply recognized as a unique person. During painful periods, we become much more narcissistic, or self-centered, and our demands for attention, mirroring, validation, etc. increase. However, when we feel better, we generally return to a baseline ability to reciprocate in our relationships. Instead of only taking, we give-and-take by listening, understanding, validating, and supporting others. For NPD individuals, however, they feel endlessly entitled to special consideration and attention. The narcissist somehow never moves past the unique circumstance that requires you to put yourself aside and realize that what's happening for him is more special, more upsetting, or more wonderful. Eventually, you realize that you and your needs are on indefinite hold.

The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.

Preparing a Mirror for Magic It’s best to perform some type of short ritual before using any mirror for magical purposes. Since mirrors are ruled by the element of water, we’ll use water to purify them. The process is simple. Do this ritual at night. You’ll need a vessel of some kind that’s larger than the mirror (a bucket, a large bowl, a bathtub, even a pond, river, or the ocean). Dip the mirror into the water. As you do this, say: What was here . . . Lift the mirror from the water. Say: I wash away. Do this thirteen times, each time completely submersing the mirror, then completely removing it from the water. If the moon is visible in the sky, hold the mirror up to receive its rays for a few moments. Dry the mirror. Holding it in your hands, say these or similar words: You are now a tool of magic. Assist me in my rites! Next, wrap the mirror in blue or white cloth and store in some special place until you have need of it.

You look at yourself in the mirror, and I don’t have a clue who you see looking back at you. It sure as hell isn’t the woman I see.” “I look in the mirror, and the person I see is so . . .” She shook her head. “The way I look, I can’t believe anyone would want me. Not the way you seem to want me.” “Seem to?” Harry looked down at himself. “This is only a seem to? You better come over here and check this out, because when it comes to wanting you, this rates a definitely.” Alessandra laughed softly in disbelief. “See, I just . . . I know you’re nice, so—” “Yeah, I’m always getting erections just to be nice. Come over here, and I’ll be even nicer.” Harry held out his hand. “Come on.” She went to him. “May we turn off the light?” “No! Are you nuts?” It wasn’t the answer she’d been expecting. Harry held tightly to her hand so she wouldn’t pull away. “I want to look at you,” he explained. “I love looking at you anyway, and I’ve just discovered that looking at you while you’re naked is a special treat.

Whenever a person of unveiling sees a form which communicates to him gnosis which he did not have and which he had not been able to grasp before, that form is from his own source, no other. From the tree of himself he gathers the fruits of his cultivation, as his outer form opposite the reflected body is nothing other than himself, even though the place of the presence in which he sees the form of himself presents him with an aspect of the reality of that presence through transformation. The large appears small in the small mirror and tall in the tall, and the moving as movement. It can reverse its form from a special presence, and it can reflect things exactly as they appear, so the right side of the viewer is his right side, while the right side can be on the left. This is generally the normal state in mirrors, and it is a break in the norm when the right side is seen as the right and inversion occurs. All this is from the gifts of the reality of the Presence in which it is manifested and which we have compared to the mirror.

Our potent contemporary cultural sanctuaries shape the Dharma to fit our cultural traditions so that the mirroring needed for spiritual paths to work can occur. It is important to the viability of any path that students see themselves reflected in it. This does not have to be only in terms of race, sexuality, or gender, but also in terms of the true nature of students' lives... The Buddha's teachings that are passed on in Dharma centers can certainly benefit everyone. But we will not recognize our true nature until we honestly look at ourselves. To embark on that path of healing or liberation requires exposure--where we can be comfortably seen without encountering another's guilt, explanation, or justification... Cultural sanctuaries provide a space where appearance doesn't act as a platform to launch diversity campaigns, or provide a basis for special attention, which many people of color do not want. They are refuges in which one can participate in the collective, rather than being perceived as a distinct individual in the midst of sameness.

I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.

The small family living unit lacks space, earth, other animals, seasons, natural temperatures, and so on. The pet is either sterilised or sexually isolated, extremely limited in its exercise, deprived of almost all other animal contact, and fed with artificial foods. This is the material process which lies behind the truism that pets come to resemble their masters or mistresses. They are creatures of their owner’s way of life. Equally important is the way the average owner regards his pet. (Children are, briefly, somewhat different.) The pet completes him, offering responses to aspects of his character which would otherwise remain unconfirmed. He can be to his pet what he is not to anybody or anything else. Furthermore, the pet can be conditioned to react as though it, too, recognises this. The pet offers its owner a mirror to a part that is otherwise never reflected. But, since in this relationship the autonomy of both parties has been lost (the owner has become the-special-man-he-is-only-to-his-pet, and the animal has become dependent on its owner for every physical need), the parallelism of their separate lives has been destroyed.

OUR ABILITY TO RECOGNIZE FAMILIAR THINGS At first glance our ability to recognize familiar things may not seem so unusual, but brain researchers have long realized it is quite a complex ability. For example, the absolute certainty we feel when we spot a familiar face in a crowd of several hundred people is not just a subjective emotion, but appears to be caused by an extremely fast and reliable form of information processing in our brain. In a 1970 article in the British science magazine Nature, physicist Pieter van Heerden proposed that a type of holography known as recognition holography offers a way of understanding this ability. * In recognition holography a holographic image of an object is recorded in the usual manner, save that the laser beam is bounced off a special kind of mirror known as a focusing mirror before it is allowed to strike the unexposed film. If a second object, similar but not identical * Van Heerden, a researcher at the Polaroid Research Laboratories in Cambridge, Massachusetts, actually proposed his own version of a holographic theory of memory in 1963, but his work went relatively unnoticed. to the first, is bathed in laser light and the light is bounced off the mirror and onto the film after it has been developed, a bright point of light will appear on the film. The brighter and sharper the point of light the greater the degree of similarity between the first and second objects. If the two objects are completely dissimilar, no point of light will appear. By placing a light-sensitive photocell behind the holographic film, one can actually use the setup as a mechanical recognition system.7 A similar technique known as interference holography may also explain how we can recognize both the familiar and unfamiliar features of an image such as the face of someone we have not seen for many years. In this technique an object is viewed through a piece of holographic film containing its image. When this is done, any feature of the object that has changed since its image was originally recorded will reflect light differently. An individual looking through the film is instantly aware of both how the object has changed and how it has remained the same. The technique is so sensitive that even the pressure of a finger on a block of granite shows up immediately, and the process has been found to have practical applications in the materials testing industry.

Luigi, the art teacher, holds up his brush, and we all do the same. I’m not quite sure why we’re mirroring his action, but Luigi is very compelling, more than capable of making four excited girls calm down and concentrate on what he’s telling us. I think it’s partly because he’s very serious. Either he doesn’t have a sense of humor, or it’s extremely well hidden. This, as I’m perfectly aware from years of a girls-only school, is a crucially important quality for male teachers. There aren’t that many of them in a girls’ school, and unless they look like the back of a bus, they inevitably become huge crush-objects. Little girls follow them around in packs, giggling madly, turning bright red and running away when the teacher turns to look at them; older girls wear the shortest skirts and tightest tops they can get away with, and do a lot of what Kelly calls hair-flirting. Male teachers are usually pretty good at coping with the flirting techniques: the best way to get under their skin, forge a special bond with them, is to share their sense of humor, make them laugh. The clever girls know this; the pretty ones usually don’t, because they tend to rely too much on their looks. Of course, the ones who are both clever and pretty do especially well, but that’s true for everything in life.

Can I ask you something?" Jamie reaches his hand across his chest and scratches his neck. When I nod, he asks, "What do you see when you look at pictures of yourself?" I swallow. Someone who looks too Asian to be pretty. Because being Asian means I can never be as pretty as the other girls at school—the girls like Mom. I know this because people like Henry and Adam and Mom keep telling me I don't have the right face. I know this because when I look in the mirror, I see what they see—a girl who doesn't belong here. A girl who isn't good enough. But I can't tell him that—he wouldn't understand. "Okay. Well, what do you wish you saw?" He tries again when I remain quiet for so long. Someone with bigger eyes. Lighter hair. A smaller nose. "Someone who looks more like everyone else," I say at last. Jamie runs his thumbs over the edge of his camera. "Do you know how many people would love to have your face? Yeah, you don't look like everyone else in town, but that's special. You stand out because you're unique, and people literally never stop trying to be unique." I twist my mouth. "But I don't want to stand out—not at all. I want to be normal. I want to feel like I belong in the same world as everyone else." If I looked like everyone else, it would probably be easier to make friends. I might even have a mom who cared. That last part really stings. "You might feel that way now, but it isn't like that forever. Wait until you see what the world has to offer besides that small town and your high school. People are different out there.

The vampire live on, and cannot die by mere passing of the time, he can flourish when that he can fatten on the blood of the living. Even more, we have seen amongst us that he can even grow younger, that his vital faculties grow strenuous, and seem as though they refresh themselves when his special pabulum is plenty. "But he cannot flourish without this diet, he eat not as others. Even friend Jonathan, who lived with him for weeks, did never see him eat, never! He throws no shadow, he make in the mirror no reflect, as again Jonathan observe. He has the strength of many of his hand, witness again Jonathan when he shut the door against the wolves, and when he help him from the diligence too. He can transform himself to wolf, as we gather from the ship arrival in Whitby, when he tear open the dog, he can be as bat, as Madam Mina saw him on the window at Whitby, and as friend John saw him fly from this so near house, and as my friend Quincey saw him at the window of Miss Lucy. "He can come in mist which he create, that noble ship's captain proved him of this, but, from what we know, the distance he can make this mist is limited, and it can only be round himself. "He come on moonlight rays as elemental dust, as again Jonathan saw those sisters in the castle of Dracula. He become so small, we ourselves saw Miss Lucy, ere she was at peace, slip through a hairbreadth space at the tomb door. He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire, solder you call it. He can see in the dark, no small power this, in a world which is one half shut from the light. Ah, but hear me through. "He can do all these things, yet he is not free. Nay, he is even more prisoner than the slave of the galley, than the madman in his cell. He cannot go where he lists, he who is not of nature has yet to obey some of nature's laws, why we know not. He may not enter anywhere at the first, unless there be some one of the household who bid him to come, though afterwards he can come as he please. His power ceases, as does that of all evil things, at the coming of the day. "Only at certain times can he have limited freedom. If he be not at the place whither he is bound, he can only change himself at noon or at exact sunrise or sunset. These things we are told, and in this record of ours we have proof by inference. Thus, whereas he can do as he will within his limit, when he have his earth-home, his coffin-home, his hell-home, the place unhallowed, as we saw when he went to the grave of the suicide at Whitby, still at other time he can only change when the time come. It is said, too, that he can only pass running water at the slack or the flood of the tide. Then there are things which so afflict him that he has no power, as the garlic that we know of, and as for things sacred, as this symbol, my crucifix, that was amongst us even now when we resolve, to them he is nothing, but in their presence he take his place far off and silent with respect. There are others, too, which I shall tell you of, lest in our seeking we may need them.

Accordingly, genius is the capacity to remain in a state of pure perception, to lose oneself in perception, to remove from the service of the will the knowledge which originally existed only for this service. In other words, genius is the ability to leave entirely out of sight our own interest, our willing, and our aims, and consequently to discard entirely our own personality for a time, in order to remain pure knowing subject, the clear eye of the world; and this not merely for moments, but with the necessary continuity and conscious thought to enable us to repeat by deliberate art what has been apprehended, and “what in wavering apparition gleams fix in its place with thoughts that stand for ever!”94 For genius to appear in an individual, it is as if a measure of the power of knowledge must have fallen to his lot far exceeding that required for the service of an individual will; and this superfluity of knowledge having become free, now becomes the subject purified of will, the clear mirror of the inner nature of the world. This explains the animation, amounting to disquietude, in men of genius, since the present can seldom satisfy them, because it does not fill their consciousness. This gives them that restless zealous nature, that constant search for new objects worthy of contemplation, and also that longing, hardly ever satisfied, for men of like nature and stature to whom they may open their hearts. The common mortal, on the other hand, entirely filled and satisfied by the common present, is absorbed in it, and, finding everywhere his like, has that special ease and comfort in daily life which are denied to the man of genius.

Reading a screenful of information is quite a different thing from looking. It is a digital form of exploration in which the eye moves along an endless broken line. The relationship to the interlocutor in communication, like the relationship to knowledge in data-handling, is similar: tactile and exploratory. A computer-generated voice, even a voice over the telephone, is a tactile voice, neutral and functional. It is no longer in fact exactly a voice, any more than looking at a screen is exactly looking. The whole paradigm of the sensory has changed. The tactility here is not the organic sense of touch: it implies merely an epidermal contiguity of eye and image, the collapse of the aesthetic distance involved in looking. We draw ever closer to the surface of the screen; our gaze is, as it were, strewn across the image. We no longer have the spectator's distance from the stage - all theatrical conventions are gone. That we fall so easily into the screen's coma of the imagination is due to the fact that the screen presents a perpetual void that we are invited to fill. Proxemics of images: promiscuity of images: tactile pornography of images. Yet the image is always light years away. It is invariably a tele-image - an image located at a very special kind of distance which can only be described as unbridgeable by the body. The body can cross the distance that separates it from language, from the stage, or from the mirror - this is what keeps it human and allows it to partake in exchange. But the screen is merely virtual - and hence unbridgeable. This is why it partakes only of that abstract - definitively abstract - form known as communication.

Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.

I can’t be intelligent,’ Clarissa said miserably. ‘I must be stupid. Mother Ryan says that I’m stupid, and Bob says that I’m stupid, and even Mrs Talbot says that I’m stupid, and–’ She began to cry. She went to a mirror and dried her eyes. Baxter followed. He put his arms around her. ‘Don’t put your arms around me,’ she said, more in despair than in anger. ‘Nobody ever takes me seriously until they get their arms around me.’ She sat down again and Baxter sat near her. ‘But you’re not stupid, Clarissa,’ he said. ‘You have a wonderful intelligence, a wonderful mind. I’ve often thought so. I’ve often felt that you must have a lot of very interesting opinions.’ ‘ Well, that’s funny,’ she said, ‘because I do have a lot of opinions. Of course, I never dare say them to anyone, and Bob and Mother Ryan don’t ever let me speak. They always interrupt me, as if they were ashamed of me. But I do have these opinions. I mean, I think we’re like cogs in a wheel. I’ve concluded that we’re like cogs in a wheel. Do you think we’re like cogs in a wheel?’ ‘Oh, yes,’ he said. ‘Oh, yes, I do!’ ‘I think we’re like cogs in a wheel,’ she said. ‘For instance, do you think that women should work? I’ve given that a lot of thought. My opinion is that I don’t think married women should work. I mean, unless they have a lot of money, of course, but even then I think it’s a full-time job to take care of a man. Or do you think that women should work?’ ‘What do you think?’ he asked. ‘I’m terribly interested in knowing what you think.’ ‘Well, my opinion is,’ she said timidly, ‘that you just have to hoe your row. I don’t think that working or joining the church is going to change everything, or special diets, either. I don’t put much stock in fancy diets. We have a friend who eats a quarter of a pound of meat at every meal. He has a scales right on the table and he weighs the meat. It makes the table look awful and I don’t see what good it’s going to do him. I buy what’s reasonable. If ham is reasonable, I buy ham. If lamb is reasonable, I buy lamb. Don’t you think that’s intelligent?

It cannot be emphasized too strongly how important it is for the therapist to understand the difference between what approval means for the narcissist and what approval means for the borderline. Narcissists need approval to validate the nascent self, to prove they are really talented and brilliant. They require constant validation and mirroring responses from self objects in order to prove their sense of specialness. The borderline, on the other hand, is trying to prove he exists as an entity in itself. Because borderlines have difficulty relying on their perceptual apparatus or their experiences, they need the other to “bear testimony.

Realistically speaking, every teenaged girl spends a lot of time convinced that something is deeply, profoundly wrong with her, and I was no exception. All the world hates a girl, in special and vicious ways that goes way beyond even the mountain of shit we shovel onto young dudes. They get toxic masculinity and we get “you throw like a girl” and “scream like a girl” and “you’re such a pretty girl.” Mansplaining and creepers on BART and whistling out of car windows. I internalized the full measure of girl-hating, hating the sound of my recorded voice, the sight of my photographed face, my own body in the mirror. I hated my handwriting, the loopy letters I’d taught myself to draw when we first moved to America and I’d had to unlearn Russian and figure out the strange English glyphs all the perfect girls could write perfectly. I hated my hair and the way I walked. I hated my tits and I hated my bras. I hated my mother and I hated all the girls in the world, more than anything. Even more than boys. I don’t believe I was special in this regard. There’s a lot of self-hating girls out there in the world. We’re the secret, seething, silent majority. Some starve. Some cut. Some try to screw their way to happiness. Me, I idolized strong, powerful women who seemed to have risen above it all. Never mind that they were drunks or sadists or war criminals. They were leaning in, doin’ it for themselves, and that was what counted. Compared to being trapped in girlhood, alcoholism and war crimes were small potatoes. (less)

He was particularly self-conscious about his hair, which was already beginning to thin and recede. He bought a special electric comb, fitted with a blue light, which was supposed to thicken hair and prevent hair loss, and he would run it through his hair constantly, examining himself in the mirror to see if it was having the desired effect.

Abby,” Robin says, plopping down on the cushion next to Penny, “where did you get Prince? An animal shelter or a breeder?” Nope and nope. “We got him as a present,” I say. Which is kind of true. But Robin would never believe the real truth. I got Prince when my brother and I went into a fairy tale. I know it sounds totally bonkers, but there’s a magic mirror in the basement of my house. And a fairy, Maryrose, is trapped inside it. She takes me and my younger brother, Jonah, through the mirror into different fairy tales. Like Little Red Riding Hood. Cinderella. Beauty and the Beast. I think one day she’s planning to bring us into the story that trapped her so that we can help set her free. Anyway, when Jonah and I fell into the story of Sleeping Beauty, we got Prince as a gift. And then we took him home with us, because he is adorable. Of course, we had to make up a whole story for our parents because they don’t know about Maryrose, the mirror, or the whole traveling-to-fairy-tales thing. My nana does, though. She actually went into Little Red Riding Hood with us.

magic mirror? You’re not going to believe it. It’s very unfortunate. It’s … Penny. Yeah. Penny. Penny, my sometimes friend, knows about Maryrose and the fairy tales and everything. Why? Because one time, Frankie, Robin, Penny, and I all fell into the story of Alice’s Adventures in Wonderland. Maryrose had nothing to do with taking us into Alice. That was all Gluck. Gluck is an evil fairy who’s trying to stop me from freeing Maryrose. He lured me and my friends into the book, and we almost got trapped there forever. Luckily, we escaped. As we were leaving the story, Frankie and Robin got sprinkled with a magical powder that made them lose their memories of the whole experience. But Penny and I did not get sprinkled. Which means that, ever since then, Penny keeps asking if she can sleep over at my house so she can go into a fairy tale with me. But I don’t think that’s the best idea. Fairy tales can be dangerous. Penny would never listen to

A knock came at the door and I stiffened, getting to my feet so that I could open it. Darius stood outside wearing a black tux which looked like it had been made specifically for him. It fit perfectly and my mouth dried up as my gaze roamed over him. His dark hair was slicked back and the rough stubble lining his jaw ached for me to brush my fingers over it. No, no, no. Bad Tory. “Darcy’s not here yet,” I said in place of a greeting. “I can see that,” he replied. Before I could lose myself to the spell of his unfairly good looks, I turned away from him, heading back to the mirror which hung on the wall as I applied another coat of lipstick which wasn’t in any way necessary. He stayed by the door, leaning against the frame as he watched me. “You’re not wearing the dress I sent you.” “This might be a good time for you to realise, I don’t tend to do as I’m told,” I said dismissively. “I think I like this one better anyway.” I turned to look at him in surprise as his gaze slid over me in a way that made heat rise along my skin. “Nice to know you can admit when you’re wrong,” I said. “So you’re actually going to stick to your word about being nice?” Darius flashed me a smile which transformed his face in a way I’d never seen before. “I am. Just try not to fall in love with me though, it could make things awkward when we go back to fighting with each other tomorrow.” I scoffed at that and tossed my lipstick into my clutch just as my Atlas pinged. Darcy: I bumped into Orion by The Orb. He says he’s coming with us and that you should meet us here... I raised an eyebrow in surprise and tapped out a quick response. Tory: Okay, I’ll be there to rescue you from his grumpy face ASAP x “Darcy says she’s going to meet us at The Orb. She ran into your bestie and he told her he can’t bear to spend the evening away from you so he’s tagging along. I just hope that this party isn’t going to be dull, because inviting a teacher has really lowered my expectations for debauchery,” I said as I moved out of my room and locked up behind me. “In all honesty, Lance is more likely to add to the debauchery than detract from it,” Darius said, offering me his arm. “Ooo Lance has a first name. Will he want me using that or is it a special right only given to those who get a tattoo in his honour?” I asked, touching my fingers to Darius’s forearm where I knew the Libra brand sat on his skin beneath the fancy suit. I didn’t take his arm though and started walking down the corridor unassisted. “What makes you think that tattoo is for him?” Darius asked, falling into step with me easily despite the fast pace I set. “Oh is it a secret? I thought everyone knew he was your Guardian and you’ve got that little soul bond thing going on.” “Who told you that?” Darius demanded, his voice dropping an octave. “You just did.” I flashed him a smile and he scowled at me. “Done playing nice so soon?” He released a long breath as we reached the common room but didn’t reply. A lot of eyes turned our way. I guessed the sight of the two of us suddenly hanging out was pretty weird. (Tory)

Olga had never had many friends, in part because she loved to spend time with Abuelita, their minds so much alike. Her mother was so black-and-white—rigid with her principles. Her father, a dreamer, lost in impossible ideals. But to Olga, her grandmother was a hustler who actually got things done. She understood the dance, which they did together, often. Both literally, as Abuelita, glamorous and towering in her heels, loved to dance with young Olga, and also figuratively. With her parents absent for such critical years of her life, Abuelita was never afraid to bend the truth, make someone dead of another person missing, in order to procure special tutoring, or a scholarship, or whatever her grandchildren needed. The truth, Abuelita would say, is so much harder to believe than our lie, no? And it's not like we have bad intentions, si? Yes! Olga would agree. She loved it all. The high heels, the prayer, the laissez-faire relationship with rules and regulations. Whether born that way or formed into shape from necessity, the two women mirrored each other.

Every genocide has its own particular characteristics, and every hated group is hated in its own special way.

6. Material gloss, the principle: A non-mirror surface looks the same in any environment, but a mirror surface changes with the light and the surroundings. The same material can have different visual effects by using different processes and special materials. But it is hard to change the quality of the material by using the same process on different grades of the same material. Some materials have a charm that is not only based on their features, but also on how they interact with the environment. For example, precious metals can reflect light and show a unique visual effect, even if they are very similar to other elements. The best visual effect is when some of the light is reflected and some of it shows the gloss of the material. The second best is when there is no reflection at all. The third best is when there is a mirror-like reflection that creates complex scenes that are hard to control.

Marxism has often been accused of being a mirror image of its political opponents. Just as capitalism reduces humanity to Economic Man, so does its great antagonist. Capitalism makes a deity of material production, and Marx does just the same. But this is to misunderstand Marx's notion of production. Most of the production that goes on, he insists, is not true production at all. In his view, men and women only genuinely produce when they do so freely and for its own sake. Only under communism will this be fully possible; but meanwhile we can gain a foretaste of such creativity in the specialized form of production we know as art... Art is an image of nonalienated labour. It is how Marx liked to think of his own writings...

All these thoughts crowded the creature’s brain, as it explored the memory cells of Jim Brender. With an effort that was a special pain, the thing wrenched its mind from the metal, and fastened its eyes on Jim Brender. It caught the full flood of the wonder in his mind, as he stood up. “Good lord,” said Jim Brender, “who are you?” “My name’s Jim Brender,” said the thing, conscious of grim amusement, conscious, too, that it was progress for it to be able to feel such an emotion. The real Jim Brender had recovered himself. “Sit down, sit down,” he said heartily. “This is the most amazing coincidence I’ve ever seen.” He went over to the mirror that made one panel of the left wall. He stared, first at himself, then at the creature. “Amazing,” he said. “Absolutely amazing.” “Mr. Brender,” said the creature, “I saw your picture in the paper, and I thought our astounding resemblance would make you listen, where otherwise you might pay no attention. I have recently returned from Mars, and I am here to persuade you to come back to Mars with me.” “That,” said Jim Brender, “is impossible.

MIRROR NEURONS ARE SPECIAL NEURONS THAT OBSERVE AND MIMIC THE ACTIONS OF THE AVATAR’S NEURON ACTIVITY INSIDE US JUST THROUGH SEEING. DURING BHAVA SAMADHI DARSHAN, OUR BEING COMES ALIVE AND CELEBRATES WITH THE ENERGY WAVE OF EXISTENCE. OUR VERY MUSCLES LEARN TO IMBIBE AND RADIATE PARAMASHIVA.

Veera Loka Books: A Guide for Kannada Writing Veera Loka Books has arisen as a perceived name in the space of Kannada publishing , flagging a promising future for book fans, journalists, and perusers the same. With an emphasis on advancing Kannada writing, the distributing house has taken critical steps in adding to the rich scholarly legacy of Karnataka. Established with the vision of safeguarding and advancing Kannada language and writing, Veera Loka Books has been instrumental in giving a stage to both laid out and growing journalists to feature their ability. The distributing house has gained notoriety for its obligation to quality and variety in scholarly works, making it a go-to objective for fans of Kannada writing. One of the key angles that separates Veera Loka Books is its devotion to supporting arising authors. The distributing house effectively searches out new voices and furnishes them with the chance to expose their imaginative works. This accentuation on advancing new ability has enhanced the Kannada scholarly scene as well as urged hopeful journalists to seek after their energy for composing. As well as encouraging new ability, Veera Loka Books has likewise been an unflinching ally of laid out journalists, furnishing them with a stage to proceed with their scholarly interests. By distributing a different scope of kinds including fiction, verifiable, verse, and that's only the tip of the iceberg, the distributing house has effectively spoke to a wide crowd, further setting its situation as a guide for Kannada writing. Besides, Veera Loka Books has been proactive in exhibiting the social extravagance of Karnataka through its distributions. By including works that dive into the state's set of experiences, customs, and contemporary issues, the distributing house has commended the social legacy of Karnataka as well as worked with a more profound comprehension of the locale's ethos among its perusers. The obligation to quality and genuineness is obvious in each distribution that bears the Veera Loka Books engrave. The distributing house has maintained thorough norms in altering, plan, and creation, guaranteeing that each book is a demonstration of the rich scholarly custom it addresses. For book fans, Veera Loka Books has turned into a believed wellspring of dazzling scholarly works that mirror the embodiment of Kannada writing. Whether it's investigating the profundities of fiction, acquiring experiences from interesting verifiable, or relishing the excellence of Kannada publishing, perusers can find a horde of drawing in titles that take special care of their different scholarly preferences. All in all, Veera Loka Books remains as an excellent power in the realm of Kannada publishing, supporting the language and its scholarly fortunes. Through its faithful help for both laid out and arising essayists, its festival of Karnataka's social embroidery, and its immovable obligation to quality, Veera Loka Books keeps on enlightening the way for Kannada writing fans, journalists, and perusers.

meme: “I didn’t get my flu shot! Because I’m smart enough to realize that the medical industry prefers a chronically-ill population over a healthy one.” (There is some truth to the second claim, but it has nothing to do with whether or not to get a free flu shot.) These statements sum up a pervasive logic in the more entrepreneurial parts of the wellness sector: doctors and drug companies want you to be sick so they can sell you Band-Aids, while fitness and wellness professionals want you to be well—but first you have to buy whatever they are selling instead. The larger and more profitable the wellness industry grows, the fiercer this competitive perspective becomes, to the point where even going to the doctor or getting a prescription filled can seem like a failure of wellness—clear evidence that you did not juice or train hard enough. Lining up with all of those regular (i.e., toxic, unfit) people to get injected with something that requires no special knowledge or virtue to access and, most suspicious of all in a market system, doesn’t cost any money, can be enough to cause a full-blown identity crisis.

Rosa Luxemburg, years earlier, had sparred with the Bund and advocated a universalism unbound by her Jewish identity. “What do you want with this theme of the ‘special suffering of the Jews’?” a friend asked in 1917. She replied, “I am just as much concerned with the poor victims on the rubber plantations of Putumayo, the black people in Africa with whose corpses the Europeans play catch … I have no special place in my heart for the [Jewish] ghetto. I feel at home in the entire world wherever there are clouds and birds and human tears.” Those lines led her detractors to claim that she minimized Jewish suffering at a time of great hardship. I prefer to see her reaching, however idealistically, for a vision of human solidarity that transcended identity and national borders.

Science is filled with claims that cannot be empirically falsified or verified. A great example would be in the special theory of relativity. The claim that the one-way speed of light is constant is unfalsifiable because we can only measure the round-trip velocity of light. You can send a light signal out and then have it bounce back from a mirror or something to the source and measure the round-trip velocity – how long did it take for the light signal to go out and come back? And that is constant. The light signal always travels at the same velocity in a round-trip. But we can't measure the one-way velocity of light. Theoretically, it's possible that light goes out at one velocity and then comes back at a different one, and we'd never be able to tell. And yet obviously this is part of a scientific theory that's part of the foundations of physics today. And there are many other principles of that sort.

In a democracy, you cannot blame only a leading leader but also the entire leadership, including the voters’ choice, if the party fails to fulfill its promises. Prose, whether in the form of a quotation or something else, expresses various colours of character and life in its context and accurately mirrors society; therefore, read not only the content of the writing but also understand and share what you think will enlighten others’ lives. What are the attributes of a leader? When the nation understands and realizes that, it blocks the route for the leadership, with the foresight, upon dishonest, rude, and immoral ones. Otherwise, the rope of idiocy remains in the hands of idiots. The day you vote is an opportunity to vote not for a leader but for a party manifesto and constructive thoughts and plans. Indeed, you will have good fortune, a bright and joyful social status, and prosperity will always be a part of your society and life. You are the real leader of the universe if you also lead the hearts and not just the minds. The mind keeps the knowledge while the heart showers the fragrance of love towards the soul; it is the base and circle of the knowledge. A leader doesn’t mean to have governmental power; it means to lead its people on the right, secure, equal, fair, and visionary way of life. Be a leader, not a lawyer and judge, not an official; express party program(me) honestly for the nation and face all the challenges before accusing, abusing, and blaming others. Indeed, it shows dignity and venerable leadership. The opposition leaders and those in power can keep reputable the four pillars of democracy in the context of constitutional duties, transparent justice, truth, and honesty; they can also discredit those by their wrong character and fallacious decisions and deeds. Real and true leader neither has a special status nor contradict others. If he keeps the distance in any way or shape If he says things that don’t exist If he brings you in a destructive direction If he what promises, but do not keep his words If he put you naked in the open sky and himself in a comfortable tent If he gives you false hopes rather than the practical helping He is just an opportunist, a cheater, and a liar but not a leader. Promises of the leader before the election build expectations in the minds of voters, and after winning the election, those cause humiliation in the eyes of voters if the leader fails to fulfill them. Therefore, fly not so high that you cannot land easily; be honest with yourself. Political leadership is a significant spirit and defense of the armed forces of any state, whereas the armed forces are a protective shield for them. Both are compulsory for each other, as the political leadership has one point, and the armed forces have zero points, which becomes ten points. Otherwise, it stays one or zero, establishing nothing. A selfish and empty of vision and solution leadership prefers its own political and personal benefits and interests instead of its people; indeed, it collapses in the face of ruffians and traitors of the constitution. As a reality, such a state and all institutions face conspiracies in global affairs; consequently, diplomatic isolation and trade failure become destiny; it leads towards destruction with self-adopted strategy and character.

Her feelings are a perfect mirror of mine. What we have is special, magical, not something that is a trick of the night burned by the light of day. Our souls have travelled the world and found home.

Chongming is the head of Liuhe Immortals and Divine Beasts; it is a Divine Bird that specializes in eating demons, ghosts and evil spirits. For thousands of years, she has stayed in Jiuyi Mountain, guarding the tombs of the Emperors of Kongsang in the Valley of the Kings. It is the guardian of the Great Priest of Jiuyi Temple.

How about you, what are you going to do?” She took his umbrella and knew it was her Master’s special weapon. She watched him stand in the snow with his bare hands, facing thousands of Western warriors. She couldn’t help being afraid and blurted out, “I … We’d better run away!” “Run?” He sneered. “In my whole life, I would rather die than getting cold feet!

If it is true that this is the first portrait of an artist at work, it could be because she came from the northern tradition which specialized in depictions of St Luke painting the Virgin, and she had the wit to adapt this example of a working artist for herself.

I HIGHLY SUGGEST YOU CHECK OUT THE FOLLOWING: The book The Power of Myth by Joseph Campbell, with Bill Moyers, and the PBS special of the same name. The film Finding Joe is also a good intro to Joey Cambs. Anything by Rob Bell, especially Love Wins and What We Talk About When We Talk About God, and his podcast The RobCast. Anything by Eckhart Tolle, most notably The Power of Now (especially as an audio book) and A New Earth. There are also so many great talks on YouTube. Anything by Richard Rohr, particularly Falling Upward, Everything Belongs, and The Universal Christ, and his audio series The Sermon on the Mount. The podcast The Duncan Trussell Family Hour. Anything by Ram Dass, specifically his audio series Experiments in Truth and Love, Service, Devotion, and the Ultimate Surrender, and his books Grist for the Mill, Polishing the Mirror, Be Love Now, and, when you’re ready, Be Here Now. Also the movies Ram Dass, Going Home; and Dying to Know. Anything by Alan Watts, starting with his audio series You’re It!: On Hiding, Seeking, and Being Found. There’s some amazing content on YouTube as well. And lastly, The Lazy Man’s Guide to Enlightenment by Thaddeus Golas.