Symphony Best Quotes

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Hearing her laugh is like listening to the best kind of symphony.
Michelle Leighton (Down to You (The Bad Boys, #1))
I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colours richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content. From a knowledge of those limitations and its richness of experience emerges a symphony of colours, richer than all, its green speaking of life and strength, its orange speaking of golden content and its purple of resignation and death
Lin Yutang
Beauty in its best form is kindness, the most valuable currency in the world.
Rebecca McNutt (Bittersweet Symphony)
I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
The Hour-Hand of Life --- Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea – all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
Funny how we do not realize the true value and legacy of a living icon until they suddenly pass away. Truth is, there are many living legends among us, we just do not stop and take time to notice their worth until it's too late.
Germany Kent
Quiet birds rob the universe of beautiful symphonies.
Matshona Dhliwayo
I want more for myself, and I want to give you so much fucking more. So, think of what you’re asking me because I know exactly what I’m asking of you,” his voice cracks with emotion. “This is me fighting dirty for us both, so please just admit it so I can give you the best parts of me, because I want every fucking part of you.
Kate Stewart (Reverse (The Bittersweet Symphony Duet, #2))
She bursts into laughter. I can tell she wasn’t expecting me to say that. But I’m so glad I did. Hearing her laugh is like listening to the best kind of symphony.
Michelle Leighton (Down to You (The Bad Boys, #1))
Live a life abundant in love and rich in spirit, these are the seeds of a fulfilling existence. Be the safe harbor you seek in the world. Follow your dreams, not your fear. Go into the New Year with an open mind and hopeful heart. Don't let the chains of unforgiveness weigh you down. Life is too short to live in a prison of past hurts. The futures is yours for the taking and creating. Life is bittersweet, when we can let darkness and light co-exist as illumination, we can live in true happiness. When we live life at its best, it is a symphony of feelings, of high and low notes, of tragedy and comedy, love and loss, magic and the sublime. It can be quite a spectacular journey when we fully embrace and accept it.
Jaeda DeWalt
I was eighteen now, just gone. Eighteen was not a young age. At eighteen old Wolfgang Amadeus had written concertos and symphonies and operas and oratorios and all that cal, no, not cal, heavenly music. And then there was old Felix M. with his "Midsummer Night's Dream" Overture. And there were others. And there was this like French poet set by old Benjy Britt, who had done all his best poetry by the age of fifteen, O my brothers. Arthur, his first name. Eighteen was not all that young an age then. But what was I going to do?
Anthony Burgess (A Clockwork Orange)
It's no good moaning about what evil bastards they were. Men like that would see that as a compliment. Far better to regard them as an insignificant pimple on the arse of your success, don't you think?' A pause. 'The arse of success?' I shrugged. 'It's been a long day. Best I could come up with, but you know what I mean.
Jodi Taylor (A Symphony of Echoes (The Chronicles of St Mary's, #2))
My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me? You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul
Rod Stewart
Before Jeremiah knew God, God knew Jeremiah: “Before I shaped you in the womb, I knew all about you.” This turns everything we ever thought about God around. We think that God is an object about which we have questions. We are curious about God. We make inquiries about God. We read books about God. We get into late-night bull sessions about God. We drop into church from time to time to see what is going on with God. We indulge in an occasional sunset or symphony to cultivate a feeling of reverence for God. But that is not the reality of our lives with God. Long before we ever got around to asking questions about God, God had been questioning us. Long before we got interested in the subject of God, God subjected us to the most intensive and searching knowledge. Before it ever crossed our minds that God might be important, God singled us out as important. Before we were formed in the womb, God knew us. We are known before we know. This realization has a practical result: no longer do we run here and there, panicked and anxious, searching for the answers to life. Our lives are not puzzles to be figured out. Rather, we come to God, who knows us and reveals to us the truth of our lives. The fundamental mistake is to begin with ourselves and not God. God is the center from which all life develops. If we use our ego as the center from which to plot the geometry of our lives, we will live eccentrically.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea – all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.
Friedrich Nietzsche (Human, All Too Human/Beyond Good and Evil)
Operating theaters are not nearly as popular as dramatic theaters, musical theaters, and movie theaters, and it is easy to see why. A dramatic theater is a large, dark room in which actors perform a play, and if you are in the audience, you can enjoy yourself by listening to the dialog and looking at the costumes. A musical theater is a large, dark room in which musicians preform a symphony, and if you are in the audience you can enjoy yourself by listening to the melodies and watching the conductor wave his little stick around. And a movie theater is a large, dark room in which a projectionist shows a film, and if you are in the audience, you can enjoy yourself by eating popcorn and gossiping about movie stars. But an operating theater is a large, dark room in which doctors preform medical procedures, and if you are in the audience, the best thing to do is to leave at once because there is never anything on display in an operating theater but pain, suffering and discomfort, and for this reason most operating theaters have been closed down or have been turned into restaurants.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
This is me fighting dirty for us both, so please just admit it so I can give you the best parts of me, because I want every fucking part of you.
Kate Stewart (Reverse (The Bittersweet Symphony Duet, #2))
Your story is a symphony, not a note.
Seth Godin (All Marketers are Liars: The Underground Classic That Explains How Marketing Really Works--and Why Authenticity Is the Best Marketing of All)
A few days ago I heard a performance of the Sibelius fifth symphony. As the closing bars approached, I experienced exactly the large, swelling emotion that the music was written to elicit. What would it have been like, I wondered, to be a Finn in the audience at the first performance of the symphony in Helsinki nearly a century ago, and feel that swell overtake one? The answer: one would have felt proud, proud that one of us could put together such sounds, proud that out of nothing we human beings can make such stuff. Contrast with that one´s feelings of shame that we, our people, have made Guantanamo. Musical creation on the one hand, a machine for inflicting pain and humiliation on the other: the best and the worst that human beings are capable of.
J.M. Coetzee
A life well lived is the best antidote to that fatal truth. Be active, not a passive worrywart. Find magic in the moment, joy in making someone smile. Listen to a lover’s sigh; look into the dancing eyes of a child you made feel special. Most of all, marvel at the wonder that eons of evolutionary time and all your unique experiences have joined to comprise the symphony that is YOU.
Philip G. Zimbardo (The Time Paradox: The New Psychology of Time That Will Change Your Life)
The next day, when I came home from the library, there was a small, used red record player in my room. I found my mother in the kitchen and spotted a bandage taped to her arm. “Ma,” I asked. “Where did you get the money for the record player?” “I had it saved,” she lied. My father lived well, had a large house and an expensive imported car, wanted for little, and gave nothing. My mother lived on welfare in a slum and sold her blood to the Red Cross to get me a record player. “Education is everything, Johnny,” she said, as she headed for the refrigerator to get me food. “You get smart like regular people and you don’t have to live like this no more.” She and I were not hugging types, but I put my hand on her shoulder as she washed the dishes with her back to me and she said, in best Brooklynese, “So go and enjoy, already.” My father always said I was my mother’s son and I was proud of that. On her good days, she was a good and noble thing to be a part of. That evening, I plugged in the red record player and placed it by the window. My mother and I took the kitchen chairs out to the porch and listened to Beethoven’s Sixth Symphony from beginning to end, as we watched the oil-stained waters of the Mad River roll by. It was a good night, another good night, one of many that have blessed my life.
John William Tuohy
We are all distinct instruments, playing our separate beautiful notes, and it is our job to play them as best we can—but when we all play together, we produce a magnificent symphony that lifts us all and makes sense of our individual roles.
Laura Lynne Jackson (Signs: The Secret Language of the Universe)
things were created by God and for God, no exceptions. Every note of music. Every color on the palette. Every flavor that tingles the taste buds. Arnold Summerfield, the German physicist and pianist, observed that a single hydrogen atom, which emits one hundred frequencies, is more musical than a grand piano, which only emits eighty-eight frequencies. Every single atom is a unique expression of God’s creative genius. And that means every atom is a unique expression of worship. According to composer Leonard Bernstein, the best translation of Genesis 1:3 and several other verses in Genesis 1 is not “and God said.” He believed a better translation is “and God sang.” The Almighty sang every atom into existence, and every atom echoes that original melody sung in three-part harmony by the Father, Son, and Holy Spirit. Did you know that the electron shell of the carbon atom produces the same harmonic scale as the Gregorian chant? Or that whale songs can travel thousands of miles underwater? Or that meadowlarks have a range of three hundred notes? But the songs we can hear audibly are only one instrument in the symphony orchestra called creation. Research in the field of bioacoustics has revealed that we are surrounded by millions of ultrasonic songs. Supersensitive sound instruments have discovered that even earthworms make faint staccato sounds! Lewis Thomas put it this way: “If we had better hearing, and could discern the descants [singing] of sea birds, the rhythmic tympani [drumming] of schools of mollusks, or even the distant harmonics of midges [flies] hanging over meadows in the sun, the combined sound might lift us off our feet.” Someday the sound will lift us off our feet. Glorified eardrums will reveal millions of songs previously inaudible to the human ear.
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
I do not think we can ever adequately define or understand love; I do not think we were ever meant to. We are meant to participate in love without really comprehending it. We are meant to give ourselves, live ourselves into love’s mystery. It is the same for all important things in life; there is a mystery within them that our definitions and understandings cannot grasp. Definitions and understandings are images and concepts created by our brains to symbolize what is real. Our thoughts about something are never the thing itself. Further, when we think logically about something, our thoughts come sequentially – one after another. Reality is not confined to such linearity; it keeps happening all at once in each instant. The best our thoughts can do is try to keep a little running commentary in rapid, breathless sequence. . . A certain asceticism of mind, a gentle intellectual restraint, is needed to appreciate the important things in life. To be open to the truth of love, we must relinquish our frozen comprehensions and begin instead to appreciate. To comprehend is to grasp; to appreciate is to value. Appreciation is gentle seeing, soft acknowledgement, reverent perception. Appreciation can be a pleasant valuing: being awed by a night sky, touched by a symphony, or moved by a caress without needing to understand why. It can also be painful: feeling someone’s suffering, being shocked by loss or disaster without comprehending the reason. Appreciation itself is a kind of love; it is our direct human responsiveness, valuing what we cannot grasp. Love, the life of our heart, is not what we think. It is always ready to surprise us, to take us beyond our understandings into a reality that is both insecure and wonderful.
Gerald G. May (The Awakened Heart: Opening Yourself to the Love You Need)
Larry smiled a trifle ruefully. "Like Rolla [who is?], I've come too late into a world too old. I should have been born in the Middle Ages when faith was a matter of course; then my way would have been clear to me and I'd have sought to enter the order. I couldn't believe. I wanted to believe, but I couldn't believe in a God who wasn't better than the ordinary decent man. The monks told me that God had created the world for his glorification. That didn't seem to me a very worthy object. Did Beethoven create his symphonies for his glorification? I don't believe it. I believe he created them because the music in his soul demanded expression and then all he tried to do was to make them as perfect as he knew how. I used to listen to the monks repeating the Lord's Prayer; I wondered how they could continue to pray without misgiving to their heavenly father to give them their daily bread. Do children beseech their earthly father to give them sustenance? They expect him to do it, they neither feel gratitude to him for doing so nor need to, and we have only blame for a man who brings children into the world that he can't or won't provide for. It seemed to me that if an omnipotent creator was not prepared to provide his creatures with the necessities, material and spiritual, of existence he'd have done better not to create them." "Dear Larry," I said, "I think it's just as well you weren't born in the Middle ages. You'd undoubtedly have perished at the stake." He smiled. "You've had a great deal of success," he went on. "Do you want to be praised to your face?" "It only embarrasses me." "That's what I should have thought. I couldn't believe that God wanted it either. We didn't think much in the air corps of a fellow who wangled a cushy job out of his C.O. By buttering him up. It was hard for me to believe that God thought much of a man who tried to wangle salvation by fulsome flattery. I should have thought the worship most pleasing to him was to do your best according to your lights.
W. Somerset Maugham (The Razor's Edge)
And the great spirit of darkness spread a shroud over me ... everything was silent--everything. But up in the heights soughed the everlasting song, the voice of the air, the distant, toneless humming which is never silent. I listened so long to this ceaseless faint murmur that it began to bewilder me; it was surely a symphony from the rolling spheres above. Stars that intone a song....
Knut Hamsun (The Best of Knut Hamsun: Boxed Set)
So even that doesn’t make you happy? What about your Seventh Symphony? At least it rallied people. Once you told me how alive you felt then; you said you gave it your all— Didn’t you learn in school, he demanded in a hateful voice, that Ivan the Terrible, having coaxed his architect into, so to speak, putting the very best of himself into building Polrovsky Cathedral, afterwards put out his eyes? Anyway, things are so much easier in our century. LIFE HAS BECOME MORE JOYFUL!
William T. Vollmann (Europe Central)
In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.
Geoff Dyer (But Beautiful: A Book About Jazz)
With this symphony of voices man can play through the eternity of time in less than an hour, and can taste in small measure the delight of God, the Supreme Artist … I yield freely to the sacred frenzy … the die is cast, and I am writing the book—to be read either now or by posterity, it matters not. It can wait a century for a reader, as God Himself has waited 6,000 years for a witness. Within the “symphony of voices,” Kepler believed that the speed of each planet corresponds to certain notes in the Latinate musical scale popular in his day—do, re, mi, fa, sol, la, ti, do. He claimed that in the harmony of the spheres, the tones of Earth are fa and mi, that the Earth is forever humming fa and mi, and that they stand in a straightforward way for the Latin word for famine. He argued, not unsuccessfully, that the Earth was best described by that single doleful word.
Carl Sagan (Cosmos)
Before Jeremiah knew God, God knew Jeremiah: “Before I shaped you in the womb, I knew all about you.” This turns everything we ever thought about God around. We think that God is an object about which we have questions. We are curious about God. We make inquiries about God. We read books about God. We get into late-night bull sessions about God. We drop into church from time to time to see what is going on with God. We indulge in an occasional sunset or symphony to cultivate a feeling of reverence for God. But that is not the reality of our lives with God. Long before we ever got around to asking questions about God, God had been questioning us. Long before we got interested in the subject of God, God subjected us to the most intensive and searching knowledge. Before it ever crossed our minds that God might be important, God singled us out as important. Before we were formed in the womb, God knew us. We are known before we know.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
Why would anyone write anything after Hemingway, or compose a symphony after Beethoven, or paint a landscape after Turner? It isn't necessarily about doing it better. It's about doing it." "Michael, that isn't what I meant. It's just, why should I slave away in the kitchen when I can just come here and pay for someone really talented to do all the work while I enjoy the results?" "Tell her, Mira," Michael says, reaching back into Renata's dish for another taste. I know what Michael means. If someone told me that I could travel anywhere and eat anything I wanted, choosing, if I so desired, to eat only in Michelin-rated restaurants for the rest of my life, but the price for such a gourmand's dream would be that I could never cook again, I'd turn it down without a moment's hesitation. It's about doing your best by a pile of mussels sweet from the sea, or holding a perfect tomato, warm, rosy, and smelling like summer, and knowing that there are a dozen ways that you can prepare it, each one a delicious homage.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Sailing" Well, it's not far down to paradise, at least it's not for me And if the wind is right you can sail away and find tranquility Oh, the canvas can do miracles, just you wait and see Believe me It's not far to never-never land, no reason to pretend And if the wind is right you can find the joy of innocence again Oh, the canvas can do miracles, just you wait and see Believe me Sailing takes me away to where I've always heard it could be Just a dream and the wind to carry me And soon I will be free Fantasy, it gets the best of me When I'm sailing All caught up in the reverie, every word is a symphony Won't you believe me? Sailing takes me away to where I've always heard it could be Just a dream and the wind to carry me And soon I will be free Well it's not far back to sanity, at least it's not for me And if the wind is right you can sail away and find serenity Oh, the canvas can do miracles, just you wait and see Believe me Sailing takes me away to where I've always heard it could be Just a dream and the wind to carry me And soon I will be free Christopher Cross, Christopher Cross (1979)
Christopher Cross
the Bible requires being read "constantly" and "regularly"—"all" of it. To modern readers, accustomed to rather linear, flat narratives that neatly fit into our limited definitions of reality, the Bible can come across to us as a mess. To be sure, one encounters inconsistencies and contradictions, to say nothing of downright bad ideas in the Bible. Scripture has a marvelous way of arguing with itself, correcting itself, one witness giving countertestimony to another. Scripture is a record of a people's determination to hear God truthfully and then to follow God faithfully. The record is in the form of a journey through many centuries. Scripture is the account of the adventure of a journey, not a report on having arrived at a destination. Might I also point out that we ourselves are a mess of inconsistencies, contradictions, and bad ideas? Most of the time it's much easier to see the cultural and historical limitations of the people in the Bible rather than in ourselves. We are still on the journey. It's not a simple song that the Bible wants to teach us to sing. It is a grand symphony that must be heard together with all of its highs and lows, its seemingly dissonant notes that all somehow come together and move in a definite direction.
William H. Willimon (The Best of Will Willimon: Acting Up in Jesus' Name)
Are you making noise with your book marketing or are you creating a symphony?
Judith Briles (Snappy Sassy Salty: Wise Words for Authors and Writers)
You told me that when Catherine died, your mum forced you to move in with her because she didn't know how else to look after you. You said it probably helped your mum more than it helped you. It really got me thinking about the things we do to protect those we love. We all try to do what we think is best but really we have no idea! As often as not we can make things worse. Look at how I spent years being Fiona's mother because I thought I could save her from herself. Did it work? No! Because I was doing what I thought was best because I loved her.
Lucy Robinson (The Unfinished Symphony of You and Me)
It is a fact universally acknowledged that no sane person can really fall in love in one night. At best, it is an obsession. A compeling feeling that this person, this one, out of all the millions of others, is the answer to all of your problems. At worst, it is misplaced horn.
Lucy Robinson (The Unfinished Symphony of You and Me)
Winston Churchill said that the natural state of the human experience is that of battle. From the moment we’re conceived, we battle to survive and thrive. The key, I think, is to learn how to battle better and enjoy the good times as well as the challenging times. Just like a symphony, life has its high and low notes. We don’t go to the symphony to enjoy just the high happy parts of the performance. We sit and embrace the low and sad parts as well. This is what makes up the symphony, and this is what makes up life.
Jay A. Block (101 Best Ways to Land a Job in Troubled Times)
You say doctors will make the best poets. They will search your emotions by the skin; cutting open to reveal and revel with surgical precison. They will play with heavy drugs and blades-- nothing shall hide beneath the armors of bone and muscle. They know the anatomy of the heart too well. They will find the things you have hidden in your chest. I say doctors will never be poets. They are too mechanical, too fast with their edges and ridges. They cannot see the pain as pain but merely as an anomaly. That sadness is black bile not melancholia. They cannot sing to you but only clammer in medical jargon. Poets will use their imperfect words, and perfect rhymes to find the secrets of your rib cage with ease. They will find every flaw of your broken body and make it the best story you've never heard. Doctors, they will put love to define as a momentary rush of adrenaline, an arrythmia for another human caused due to an imbalance of the heart rhythm. Poets will tell you that love is the first jolt of life for them. They will say love is a state of euphoria that takes those irregular rhythms to perfect symphonies. Doctors say that veins carry blood devout of oxygen. I say that they carry your broken emotions to their feelings factory to mend it within its beautiful catacombs. All those doctors will find and fix you with perfect solutions. And these poets will do their best to be your perfect solution. For Aarshia. I am to be a doctor with a poet's heart.
She is the translation of silence, A symphony of the sea, She is best understood without words, Like the prefigure of spring, She is a meaning never heard…
Piyush Rohankar (Narcissistic Romanticism)
Executive decisions for these organizations’ actions will be made by about five hundred people. They will be good people. Patriotic politicians, concerned for the fate of their beloved nation’s citizens; conscientious hard-working corporate executives, fulfilling their obligations to their board and their shareholders. Men, for the most part; family men for the most part: well-educated, well-meaning. Pillars of the community. Givers to charity. When they go to the concert hall of an evening, their hearts will stir at the somber majesty of Brahms’s Fourth Symphony. They will want the best for their children.
Kim Stanley Robinson (The Ministry for the Future)
Finally, every society develops a system of aesthetic standards that get manifested in everything from decorative art, music, and dance to the architecture and planning of buildings and communities. There are many different ways we could examine artistic systems. One way of thinking about it is to observe the degree to which a society's aesthetics reflect clear lines and solid boundaries versus fluid ones. Many Western cultures favor clean, tight boundaries whereas many Eastern cultures prefer more fluid, indiscriminate lines. In most Western homes, kitchen drawers are organized so that forks are with forks and knives are with knives. The walls of a room are usually uniform in color, and when a creative shift in color does occur, it usually happens at a corner or along a straight line midway down the wall. Pictures are framed with straight edges, molding covers up seams in the wall, and lawns are edged to form a clear line between the sidewalk and the lawn. Why? Because we view life in terms of classifications, categories, and taxonomies. And cleanliness itself is largely defined by the degree of order that exists. It has little to do with sanitation and far more to do with whether things appear to be in their proper place. Maintaining boundaries is essential in the Western world; otherwise categories begin to disintegrate and chaos sets in.13 Most Americans want dandelion-free lawns and roads with clear lanes prescribing where to drive and where not to drive. Men wear ties to cover the adjoining fabric on the shirts that they put on before going to the symphony, where they listen to classical music based on a scale with seven notes and five half steps. Each note has a fixed pitch, defined in terms of the lengths of the sound waves it produces.14 A good performance occurs when the musicians hit the notes precisely. In contrast, many Eastern cultures have little concern in everyday life for sharp boundaries and uniform categories. Different colors of paint may be used at various places on the same wall. And the paint may well “spill” over onto the window glass and ceiling. Meals are a fascinating array of ingredients where food is best enjoyed when mixed together on your plate. Roads and driving patterns are flexible. The lanes ebb and flow as needed depending on the volume of traffic. In a place like Cambodia or Nigeria, the road space is available for whichever direction a vehicle needs it most, whatever the time of day. And people often meander along the road in their vehicles the same way they walk along a path. There are many other ways aesthetics between one place and another could be contrasted. But the important point is some basic understanding of how cultures differ within the realm of aesthetics. Soak in the local art of a place and chalk it up to informing your strategy for international business.
David Livermore (Leading with Cultural Intelligence: The New Secret to Success)
Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
The salvation of art derives in the best of modern times from a celebration of the triumph of the autonomous self—as in Beethoven’s Ninth Symphony—and in the worst of times from naming the unspeakable: the strange and feckless movements of the self trying to escape itself. Exhilaration comes from naming the unnameable and hearing it named. If Kafka’s Metamorphosis is presently a more accurate account of the self than Beethoven’s Ninth Symphony, it is the more exhilarating for being so.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
...after a time, one finds that the heart is simply not meant to pound all the time. The world couldn't go on. Regular rhythms are best. Look at nature.
Jude Morgan (Symphony)
2 / 2 "In the symphony of life, the notes of perseverance and passion create the most harmonious melodies. Play them with your heart, and you'll compose a masterpiece of success." Jay J.P. Peak, National Best Selling Author
Jay J.P. Peak (Peak Prosperity Mentoring Group: Niche Marketing, Peak Performance, Successful Advisors)
Alone, what difference can one human being make? More than you think. Change comes incrementally. This is a symphony—not a solo.
John Joseph Adams (The Best American Science Fiction and Fantasy 2022)
Even now, days later, my mind echoed with Isabella’s cries as she came all over my hand. I’d attended countless symphonies, orchestras, and performances headlined by the best and brightest in the music world, but no song had ever sounded as sweet.
Ana Huang (King of Pride (Kings of Sin, #2))
A perfume is a symphony, the sum of the parts, where the whole is far greater than the individual. And yet, excellence stems from individual effort. The artist intuitively understands this circular relationship, and therefore selects only the best ingredients. —DB
Jan Moran (Scent of Triumph: A Novel of Perfume and Passion)
Pregnancy Skincare: Nurturing Your Glow with Expert Care – Motherhood Chaitanya Hospital Pregnancy – a wondrous journey that transforms your world in every conceivable way. As you prepare to welcome a new life into the world, your body takes center stage, and so does your skincare routine. Amidst the excitement and anticipation, the canvas of your skin undergoes its own set of changes. But fret not, for the guidance of best gynecologist obstetricians in Chandigarh and the expert care at Motherhood Chaitanya Hospital can help you navigate the realm of pregnancy skincare with grace and confidence. The Glow and the Challenges Ah, the famed pregnancy glow! While it’s true that many expectant mothers experience a certain radiance, it’s also a time when your skin decides to throw a few curveballs. Hormones like estrogen and progesterone, the maestros behind many pregnancy changes, might lead to increased oil production. This could result in unexpected acne or that elusive “glow” turning into a somewhat excessive shine. And let’s not forget about the infamous melasma, often referred to as the “mask of pregnancy.” This uneven pigmentation might make an appearance on your face, especially if you’re basking in the sun’s rays without proper protection. But worry not, for the guidance of the best gynaecologist in Chandigarh, you can take steps to manage these challenges and let your true radiance shine through. Dos and Don’ts In this symphony of pregnancy skincare, it’s crucial to compose a harmonious routine that nurtures both your skin and the life growing within you. First and foremost, let’s talk hydration. Drinking water is like giving your skin a refreshing dose of vitality, ensuring that it remains supple and resilient. As you venture into the world of skincare products, remember that less is more. Opt for gentle, pregnancy-safe cleansers that cleanse without stripping away your skin’s natural moisture. Ingredients like hyaluronic acid and glycerin can be your skin’s best friends, offering hydration without clogging pores. Ah, the allure of sunscreen! Now more than ever, shielding your skin from the sun’s rays is of paramount importance. Look for a broad-spectrum SPF and ensure that it’s pregnancy-safe. A hat and sunglasses can also join the ensemble of sun protection. Now, as you scan the beauty aisles, you might come across a wide array of products promising miracles. But be cautious – not all ingredients are pregnancy-friendly. Best gynecologist in Sector44C would advise steering clear of retinoids, salicylic acid, and benzoyl peroxide. Instead, embrace the calming embrace of ingredients like chamomile and aloe vera. Treating Yourself with Care Amidst the whirlwind of preparations, don’t forget to treat yourself to moments of self-care. A gentle exfoliation once or twice a week can help slough away dead skin cells and keep your complexion radiant. Opt for exfoliants with natural granules to ensure that your skin is treated with the gentleness it deserves. Expert Support for Your Glow The journey of pregnancy is as unique as a fingerprint, and so is your skin’s response to it. That’s why seeking guidance from the best obstetricians in Chandigarh can make all the difference. As you navigate the realms of pregnancy skincare, remember that the changes your skin undergoes are a testament to the incredible journey you’re on. It’s a journey of growth, transformation, and the anticipation of new beginnings. With the guidance of experts, a touch of self-care, and the support of Motherhood Chaitanya Hospital, you can stride through this journey with confidence, letting your inner glow shine as brightly as your dreams.
Dr. Poonam Kumar
Curled time It was the moment of last reckoning, The last moment for time and life as well, Because for long life had been meandering, Along the highways of time, until they all crashed and fell, They fell into the self terminating moments of time, For time no longer found a reason to tarry in this world, It had lost its melody, its symphony, and its every happy rhyme, Thus forcing time to create moments that always flowed in formations curled, Always moving back to where they began, Thereby cancelling every prospect of future, With future dead, the present too died and moments of time no longer ran, Because there was no present to stand on, no future to go to, and ah the time’s torture, To live in this curled formation, Where every moment ended the moment it began, Time existed but it had lost its original sensation, Now that present didn't exist , future had no existence at all; I wondered whose was this plan, Not the Sky, not the Earth, not the Sun and not at all the Moon, They all existed in their orbits like before, So who could be this senseless goon, Who forced time to lead a curled path, where only past existed now and rest it was forced to ignore, Life existed like a past memory, Where nothing new took place, It was like a devil’s ceremony, Whee the guest of honour was expected to be the grace, And can there be a worst oxymoron than this, Where the devil romances the grace, And when the devil approached her with the desire to kiss, Grace fled into the curled formation of time and thus began the eternal race, Where grace is at the front tip of these curled moments of time, The hungry Devil is chasing her in the last moment riding this curl, Grace who is keen not to commit this crime, Keeps running, as if on the fast moving rollet of life it were a forcefully cast pearl, Where the pearl wants to stop, to feel the moments passing by, But the rollet of life moves relentlessly in the time’s curl, And the pearl turns dizzy when the speed is too high, But the thought about the devil forces it to stay within this endless whirl.
Javid Ahmad Tak (They Loved in 2075!)
Do your worst.” I laughed. “By that, I mean your best. No misunderstandings here when I say: you screw me over, and Garrick won’t be your biggest problem.” “Threats from all sides, I consider that a good start!” Ferd cheered.
Adam A. Fox (A Sinful Symphony)
It was HIM! HIS choice, HIS fault!! I did my best, and HE NEVER TRIED…NEVER!” I sobbed. “I gave it my all, and he still…he still. I’M NOT RESPONSIBLE FOR HIS CHOICES!
Adam A. Fox (A Sinful Symphony)
Reducing absolute truth is like editing a symphony, leaving only dissonant notes of confusion.
Sayem Sarkar
I was eighteen now, just gone. Eighteen was not a young age. At eighteen old Wolfgang Amadeus had written concertos and symphonies and operas and oratorios and all that cal, no, not cal, heavenly music. And then there was old Felix M. with his Midsummer Night's Dream Overture. And then there were others. And there was this like French poet set by old Benjy Britt, who had done all his best poetry by the age of fifteen, O my brothers. Arthur, his first name. Eighteen was not all that young an age, then. But what was I going to do?
Anthony Burgess (A Clockwork Orange)
Don’t you dare judge him, ever. He’s the best man I know. And who in hell are you to talk? When it’s important? Are you serious? He’s been there for the last three years. Where were you?” “In here,” he said, pressing his fingers to my temple before placing his burning hand to my chest, “and in here.” His palm seared me. “And working my ass off to get to this moment. To this. Right now.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
Man’s life is a becoming: and not only becoming, but self-creation. He does not grow under the direction and control of irresistible forces. The force that shapes him is his own will. All his life is an effort to attain to real human nature. But human nature, since man is at bottom spirit, is only exemplified in the absolute spirit of God. Hence man must shape himself in God’s image, or he ceases to be even human and becomes diabolical. This self-creation must also be self-knowledge; not the self-knowledge of introspection, the examination of the self that is, but the knowledge of God, the self that is to be. Knowledge of God is the beginning, the center, and end, of human life. How is the mind to be at once in change and out of change? Only if the mind originates change in itself. For then, as the source and ground of change, it will not be subject to change; while on the other hand, as undergoing change through its own free act, it will exhibit change. This double aspect of the mind as active and passive is the very heart of philosophy [the distinction between fact and act]. The act is out of time in the sense that it creates time, just as it is supernatural in the sense that it creates nature; the fact is temporal, natural, subject to all those laws which constitute its finiteness. But between the act and the fact there is no division: the distinction is only an ideal distinction. In creating the fact, the act realized itself, and does not live apart in a heaven of its own for which it issues mandates for the creation of facts; it lives in the facts which it creates. The life of absolute knowledge is thus the conscious self-creation of the mind, no mere discovery of what it is, but the making of itself what it is. The infinite is not another thing which is best grasped by sweeping the finite out of the way; the infinite is nothing but the unity, or as we sometimes say, the “meaning,” of finite things in their diversity and their mutual connections. To look for the infinite by throwing away the finite would be very much like making the players stop playing in order to hear the symphony. What they are collectively playing is the symphony; and if you cannot hear it for the noise they are making, you cannot hear it at all. The notes are, so to speak, the body of which the symphony is the soul; and in that sense we might say that the finite is the body of which the infinite is the soul; though, if we say that, we must beware of the materialism which would delude us into talking of disembodies spirits, and remember that it is of the essence of spirit to embody itself.
R.G. Collingwood
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
The economy was in a shambles, despite Lenin’s best efforts to fix it. So the Communist Party demanded that people look forward and remember that their own sacrifices would one day flower in the perfect society for their children or their children’s children.
M.T. Anderson (Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad)
There are subtle nuances and nutritive interactions that create disease resistance from the synergy of diverse substances in natural foods. Like a symphony orchestra whose members play in perfect harmony, our body depends on the harmonious interaction of nutrients, both known and unknown. By supplying a rich assortment of natural foods, we best maximize the function of the human masterpiece.
Joel Fuhrman (Eat to Live: The Amazing Nutrient-Rich Program for Fast and Sustained Weight Loss)
Love, she realized, could sometimes come fast, but it didn’t make it any less real. Love could make you hear the cicada buzzing and the breeze singing through the trees and decide it was the most beautiful of symphonies. The sharp smell of pine on the fresh and just cool enough air were the best perfumes in the world.
Cristiane Serruya (Not A Book)
Today I address professionals, business leaders and researchers on how they can contribute with innovative ideas to achieve these ten pillars. These are as follows: 1) A nation where the rural and urban divide has reduced to a thin line. 2) A nation where there is equitable distribution and adequate access to energy and quality water. 3) A nation where agriculture, industry and the service sector work together in symphony. 4) A nation where education with value systems is not denied to any meritorious candidates because of societal or economic discrimination. 5) A nation which is the best destination for the most talented scholars, scientists and investors. 6) A nation where the best of healthcare is available to all. 7) A nation where the governance is responsive, transparent and corruption free. 8) A nation where poverty has been totally eradicated, illiteracy removed and crimes against women and children are absent and no one in the society feels alienated. 9) A nation that is prosperous, healthy, secure, peaceful and happy and follows a sustainable growth path. 10) A nation that is one of the best places to live in and is proud of its leadership.
A.P.J. Abdul Kalam (The Righteous Life: The Very Best of A.P.J. Abdul Kalam)