Necklace Set Quotes

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You aren't going to go crazy," I said firmly. "You're stronger than you think. The next time you feel that way, find something to focus on, to remind you of who are." "Like what? Got some magic object in mind?" "Doesn't have to be magic," I said. I racked my brain. "Here." I unfastened the golden cross necklace. "This has always been good for me. Maybe it'll help you." I set it in his hand, but he caught hold of mine before I could pull back
Richelle Mead
Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches, when I said I could do nothing in a dress, she said I wasn't supposed to do things that required pants. Aunt Alexandra's vision of my deportment involved playing with small stoves, tea sets, and wearing the Add-A-Pearl necklace she gave me when I was born; furthermore, I should be a ray of sunshine in my father's life. I suggested that one could be a ray of sunshine in pants as well, but Aunty said that one had to behave like a sunbeam, that I was born good but had grown progressively worse every year.
Harper Lee (To Kill a Mockingbird)
You cannot take this with you, goodman. The wedding band on your hand is queer enough. The flower is too much." "Give me a petal then," I say. "I thought you would ask for that." He pulls out a necklace. It is the Sigil of Andromedus. My Sigil, I remember. It is golden. He drops it in my hand. "Whisper her name." I do and the Pegasus unfurls like a haemanthus bud. He sets a petal in the center. It closes again. "This is your heart. Then guard it with metal.
Pierce Brown (Red Rising (Red Rising Saga, #1))
I would pore for hours over the stalls of worn necklaces, sets of gilt spoons, sugar tongs in the shape of hen's feet or midget hands, clocks that didn't work, flowered china, spotty mirrors and ponderous furniture, the flotsam left by those receding centuries in which, more and more, I was living.
Margaret Atwood (Lady Oracle)
My attention was like cooking butter, not spreadable at the best of times. And when it was spreadable, it could destroy your toast by setting it ablaze. I was unpredictable, even to myself.
Shoeburn Ruffet (Shoeburn and the Ill-Fitting Necklace (The Ruffet Conundrum #1))
If you wish to know who is really the lover, look then not at the boy who sits by her side, looks boldly into her eyes and twists the flowers in her necklace around his fingers and steals the hibiscus flower from her hair that he may wear it behind his ear. Do not think it is he who whispers softly in her ear, or says to her 'Sweetheart, wait for me to-night. After the moon has set, I will come to you,' or who teases her by saying she has many lovers. Look instead at the boy who sits far-off, who sits with bent head and takes no part in the joking. And you will see that in his eyes are always turned softly on the girl. Always he watches her and never does he miss a movement of her lips. Perhaps she will wink at him, perhaps she will raise her eyebrows, perhaps she will make a sign with her hand, he must always be wakeful and watchful or else he will miss it.
Margaret Mead
As a warm-up, Lambiase sets up A.J. with his cousin. The cousin has blond hair with black roots, overly plucked eyebrows, a heart-shaped face, and a high-pitched voice like Michael Jackson. She wears a low-cut top and a push-up bra, which creates a small, sad shelf for her name necklace to rest. Her name is Maria. In the middle of mozzarella sticks, they run out of conversation.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
He paused, opening the velvet box and revealing a white gold or platinum necklace, the chain comprised of delicate but wide filigree sections with diamonds set in star shapes at each of the links.
Penny Reid (Marriage and Murder (Solving for Pie: Cletus and Jenn Mysteries, #2))
Before settling in to work, we noticed a large travel case on the mantelpiece. I unsnapped the latches and lifted the top. On one side there was a large desert scene on a marble base featuring miniature gold figurines, as well as a glass clock powered by changes in temperature. On the other side, set in a velvet case, was a necklace half the length of a bicycle chain, encrusted with what appeared to be hundreds of thousands of dollars’ worth of rubies and diamonds—along with a matching ring and earrings. I looked up at Ben and Denis. “A little something for the missus,” Denis said. He explained that others in the delegation had found cases with expensive watches waiting for them in their rooms. “Apparently, nobody told the Saudis about our prohibition on gifts.” Lifting the heavy jewels, I wondered how many times gifts like this had been discreetly left for other leaders during official visits to the kingdom—leaders whose countries didn’t have rules against taking gifts, or at least not ones that were enforced. I thought again about the Somali pirates I had ordered killed, Muslims all, and the many young men like them across the nearby borders of Yemen and Iraq, and in Egypt, Jordan, Afghanistan, and Pakistan, whose earnings in a lifetime would probably never touch the cost of that necklace in my hands. Radicalize just 1 percent of those young men and you had yourself an army of half a million, ready to die for eternal glory—or maybe just a taste of something better. I set the necklace down and closed the case. “All right,” I said. “Let’s work.
Barack Obama (A Promised Land)
Dutiful How did I get so dutiful? Was I always that way? Going around as a child with a small broom and dustpan, sweeping up dirt I didn't make, or out into the yard with a stunted rake,, weeding the gardens of others -the dirt blew back, the weeds flourished, despite my efforts- and all the while with a frown of disapproval for other people's fecklessness, and my own slavery. I didn't perform these duties willingly. I wanted to be on the river, or dancing, but something had me by the back of the neck. That's me too, years later, a purple-eyed wreck, because whatever had to be finished wasn't, and I stayed late, grumpy as a snake, on too much coffee, and further on still, those groups composed of mutterings and scoldings, and the set-piece exhortation: somebody ought to do something! That was my hand shooting up. But I've resigned. I've ditched the grip of my echo. I've decided to wear sunglasses, and a necklace adorned with the gold word NO, and eat flowers I didn't grow. Still, why do I feel so responsible for the wailing from shattered houses, for birth defects and unjust wars, and the soft, unbearable sadness filtering down from distant stars?
Margaret Atwood (The Door)
Tibet has not yet been infested by the worst disease of modern life, the everlasting rush. No one overworks here. Officials have an easy life. They turn up at the office late in the morning and leave for their homes early in the afternoon. If an official has guests or any other reason for not coming, he just sends a servant to a colleague and asks him to officiate for him. Women know nothing about equal rights and are quite happy as they are. They spend hours making up their faces, restringing their pearl necklaces, choosing new material for dresses, and thinking how to outshine Mrs. So-and-so at the next party. They do not have to bother about housekeeping, which is all done by the servants. But to show that she is mistress the lady of the house always carries a large bunch of keys around with her. In Lhasa every trifling object is locked up and double-locked. Then there is mah-jongg. At one time this game was a universal passion. People were simply fascinated by it and played it day and night, forgetting everything else—official duties, housekeeping, the family. The stakes were often very high and everyone played—even the servants, who sometimes contrived to lose in a few hours what they had taken years to save. Finally the government found it too much of a good thing. They forbade the game, bought up all the mah-jongg sets, and condemned secret offenders to heavy fines and hard labor. And they brought it off! I would never have believed it, but though everyone moaned and hankered to play again, they respected the prohibition. After mah-jongg had been stopped, it became gradually evident how everything else had been neglected during the epidemic. On Saturdays—the day of rest—people now played chess or halma, or occupied themselves harmlessly with word games and puzzles.
Heinrich Harrer (Seven Years in Tibet)
She’d been given gifts before. Earrings, necklaces, bracelets. Weekend trips to the Bahamas or a day at the spa. Expensive—but meaningless—trinkets that showed Dax didn’t have a clue what to give her, that he didn’t listen to her. Things that could be meant for any woman. Nothing that said she was special, that what she thought and wanted mattered. A set of aluminum bleachers full of teenage boys meant more than any of those things combined.
Jeanette Murray (The Game of Love)
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
Hey Kells, Miss you. Come home soon. I figured you'd like something more girlish to go with my amulet. There's also an extra gift in the box, just in case you need it. - Kishan" I set the necklace aside and dug through the box. A small cylinder was wrapped in tissue paper. Unrolling it, a cold, metal canister fell into my palm. It was a can of pepper-spray. On it, Kishan had taped a picture of a tiger with a circle and a slash across its face. At the top were the words "Tiger Repellant" in big black letters.
Colleen Houck
Melissa turned back to the mirror and drew a breath; the girl she knew was gone. In her place was a woman in rustling green silk and emeralds, a woman who would turn heads at the ball. From the top of her powdered head to the soles of her silk shod feet, she was elegantly dressed and more than ready to attend the ball. The earrings fell from her ears in waterfalls of tiny emeralds and her necklace was a heavy engraved affair of gold, the emeralds in the scrolled settings large and dazzling. Green suited her it seemed.
Claire Warner (The Black Lotus (Night Flower, #1))
She continued it to Hugh, 'Darling, do you know what mother and you are going to find beyond the blue horizon rim?' 'What?' flatly. 'We're going to find elephants with golden howdahs from which peep young maharanees with necklaces of rubies, and a dawn sea colored like the breast of a dove, and a white an green house filled with books and silver tea-sets.' 'And cookies?' 'Cookies? Oh, most decidedly cookies. We've had enough of bread and porridge. We'd get sick on too many cookies, but ever so much sicker on no cookies at all.
Sinclair Lewis (Main Street)
What happened to us? It was a question that interested her. Most people seemed to believe that they were experts of their own life story. They had a set of memories that they strung like beads, and this necklace told a sensible tale. But she suspected that most of these stories would fall apart under strict examination--that, in fact, we were only peeping through a keyhole of our lives, and the majority of the truth, the reality of what happened to us, was hidden. Memories were no more solid than dreams...What happened to us? She drew smoke, considering the question. Was it possible that we would never really know? What if we were not, actually, the curators of our own lives?
Dan Chaon (Ill Will)
I saw the power this respect holds in traditional cultures on our family sabbatical to Thailand and Bali. My daughter Caroline studied Balinese dance for two months with a wonderful teacher, and he proposed to stage a farewell recital for her at his school, which is also his home. When we arrived, they set up the stage, got the music ready, and then started to dress Caroline. They took a very long time dressing a six-year-old whose average attention span is about five minutes. First they draped her in a silk sarong, with a beautiful chain around her waist. Then they wrapped embroidered silk fifteen times around her chest. They put on gold armbands and bracelets. They arranged her hair and put golden flowers in it. They put on more makeup than a six-year-old could dream of. Meanwhile, I sat there getting impatient, the proud father eager to take pictures. It was getting dark. “When are they going to finish dressing her and get on with the recital?” Thirty minutes, forty-five minutes. Finally the teacher’s wife came out and took off her own golden necklace and put it around my daughter’s neck. Caroline was thrilled. When I let go of my impatience, I realized what a wonderful thing was happening. In Bali, whether a dancer is six or twenty-six, she is equally honored and respected. She is an artist who performs not for the audience but for the gods. The level of respect that Caroline was given as an artist allowed her to dance beautifully. Imagine how you would feel if you were given that respect as a child. We need to learn respect for ourselves, for one another, to value our children through valuing their bodies, their feelings, their minds. Children may be limited in what they can do, but their spirit isn’t limited.
Jack Kornfield (Bringing Home the Dharma: Awakening Right Where You Are)
Agitatedly she touched the heavy necklace at her throat, worrying the smooth emeralds between her fingers. "Give that to me," Joyce said sharply, watching her. "The necklace?" "Yes, take it off." Joyce watched as Sara unhooked the glittering treasure from her neck. "A peasant woman with a necklace fit for a queen," she sneered. "You don't have the grace or bearing to wear it properly. Give it to me." Her eager fingers wrapped around the necklace, and she snatched it away. Setting it on the seat beside her, she toyed lovingly with the web of emeralds and diamonds. "He gave me presents... a bracelet, a necklace, jeweled combs for my hair... but nothing as fine as this." She smiled at Sara tauntingly. "The day he gave me the combs, he said that he'd imagined making love to me wearing jewels in my golden hair and nothing else. He much prefers blond hair to dark, did you know that?
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
When Vince came into the room, necklace of onyx draped over his throat, and one attached to his arm like a leash, his eyes changed at the sight of her. He turned to Bellamy. “But where’s Adeline?” “We sent her home,” Malik said. “Then who—” “Me,” Charlie said. “If you can make a stupid decision, then I can make one too.” He shook his head. “This is supposed to be a punishment.” “Oh, I know,” she said. “You’re going to be stuck in my head, with all my secrets. Even I don’t know all my secrets. It’s going to be awful.” He appeared to be seriously considering strangling her. “Char.” “She volunteered,” Vicereine said. “And confessed to quite a few crimes just to convince us.” The look he gave her was scathing. “Did she?” “I’ll need your feet to be bare,” Vicereine said, all business now. Charlie reached down to take off her boots. They were already untied, the laces loose from kicking them off in the tower. Vince appeared to be belatedly wondering if he could break free of the onyx chains and escape. She saw him pull against the shining loop over his wrist. It must have held, because his expression set into grim lines. “You don’t know what I’ll be like, after. No one does,” he said under his breath. “You’ll still be you,” Charlie whispered back.
Holly Black (Book of Night (Book of Night, #1))
When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of those in every color.” Her eyes lifted from his smiling lips, dropped to the enormous jewel on her finger, and then widened in shock. “Oh, but-“ she exclaimed, staring at it and straightening in his arms. “It’s glorious. I do mean that, but I couldn’t let you-really, I couldn’t. Ian,” she burst out anxiously, sending a tremor through him when she called him by name, “I can’t let you do this. You’ve been extravagantly generous already.” She touched the huge stone almost reverently, then gave her head a practical shake. “I don’t need jewels, really I don’t. You’re doing this because of that stupid remark I made about someone offering me jewels as large as my palm, and now you’ve bought one nearly that large!” “Not quite,” he chuckled. “Why, a stone like this would pay for irrigating Havenhurst and all the servants’ wages for years and years and years, and food to-“ She reached to slide it off her finger. “Don’t!” he warned on a choked laugh, linking his hands behind her back. “I-“ he thought madly for some way to stop her objections-“I cannot possibly return it,” he said. “It’s part of a matched set.” “You don’t mean there’s more!” “I’m afraid so, though I meant to surprise you with them tonight. There’s a necklace and bracelet and earrings.” “Oh, I see,” she said, making a visible effort not to stare at her ring. “Well, I suppose…if it was a purchase of several pieces, the ring alone probably didn’t cost as much as it would have…Do not tell me,” she said severely, when his shoulders began to shake with suppressed mirth, “you actually paid full price for all of the pieces!” Laughing, Ian put his forehead against hers, and he nodded. “It’s very fortunate,” she said, protectively putting her fingers against the magnificent ring, “that I’ve agreed to marry you.” “If you hadn’t,” he laughed, “God knows what I would have bought.” “Or how much you would have paid for it,” she chuckled, cuddling in his arms-for the first time of her own volition. “Do you really do that?” she asked a moment later. “Do what?” he gasped, tears of mirth blurring his vision. “Spend money heedlessly when you’re disturbed about something?” “Yes,” he lied in a suffocated, laughing voice. “You’ll have to stop doing it.” “I’m going to try.” “I could help you.” “Please do.” “You may place yourself entirely in my hands.” “I’m very much looking forward to that.” It was the first time Ian had ever kissed a woman while he was laughing.
Judith McNaught (Almost Heaven (Sequels, #3))
Swan had used them to send Sophie messages. He fished out the tiny velvet pouch and Sophie caught herself clutching her allergy remedy necklace. She still kept the silver moonlark pin that Calla had given her attached to the cord—a reminder of the friend she’d lost, and a symbol of the role she needed to figure out how to play. “Looks like we’re good,” Sandor said, handing her the small boobrie pin—a strange black bird with bright yellow tail feathers. “Can’t imagine that means anything important.” Sophie couldn’t either. Especially since the Black Swan had been annoyingly silent. No notes. No clues. No answers during their brief meetings. Apparently they were “regrouping.” And it was taking forever. At least the Council was doing something—setting up goblin patrols and trying to arrange an ogre Peace Summit. The Black Swan should at least be . . . Actually, Sophie didn’t know what they should be doing. That was the problem with having her friend join the enemy. “There you are!” a familiar voice said behind her. “I was starting to think you’d ditched us.” The deep, crisp accent was instantly recognizable. And yet, the teasing words made Sophie wish she’d turn and find a different boy. Fitz looked as cute as ever in his red Level Five uniform, but his perfect smile didn’t reach his trademark teal eyes. The recent revelations had been a huge blow for all of her friends, but Fitz had taken it the hardest. Both his brother and his best friend had run off with the Neverseen. Alvar’s betrayal had made Fitz wary—made him doubt every memory. But Keefe’s?
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I pull back and tell him, “You’re amazing.” He gives me a soft smirk. “That is the general consensus.” I smile. “And I love you.” He sets my feet on the floor but keeps his arms around my waist. “Good. Then you’re going to let me put three locks on the door of whatever apartment you decide to move into. And a chain. And a dead bolt.” I smile wider. “Okay.” Drew slowly steps forward, backing me up toward the bed. “And you’re not going to bitch when I have a security system installed.” “Wouldn’t dream of it.” We take another step together, almost like we’re dancing. “I’m thinking about buying you one of those ‘I’ve fallen and I can’t get up’ necklaces too.” My eyes squint as I pretend to think about the idea. “We’ll talk about it.” “And . . . you’re going to let me walk you home from work every night.” “Yes.” The back of my legs make contact with the bed frame. “I’m also going to come to every doctor’s appointment with you.” “I didn’t for a second imagine you wouldn’t.” Drew cups my face in his hands. “And one day, I’m going to ask you to marry me. And you’re going to know it’s not because you’re pregnant, or because of some misguided attempt to keep you.” Tears spring into my eyes as we gaze at each other. In a rough voice, he continues, “You’re going to know I’m asking because nothing would make me prouder than to be able to say, ‘This is my wife, Kate.’ And when I do ask, you’re going to say yes.” When I nod, one tear trails down my cheek. Drew wipes it away with his thumb as I promise, “It’s a sure thing.” And then he’s kissing me, with all the passion and desire he’s held in check the last two days. Drew cradles my head as we fall on the bed together.
Emma Chase (Twisted (Tangled, #2))
See my coat over there? I want you to look in the pockets.” CyFi’s heavy coat is a few yards away tossed over the seat of a swing. Lev goes to the swing set and picks up the coat. He reaches into an inside pocket and finds, of all things, a gold cigarette lighter. He pulls it out. “Is that it, Cy? You want a cigarette?” If a cigarette would bring CyFi out of this, Lev would be the first to light it for him. There are things far more illegal than cigarettes, anyway. “Check the other pockets.” Lev searches the other pockets for a pack of cigarettes, but there are none. Instead he finds a small treasure trove. Jeweled earrings, watches, a gold necklace, a diamond bracelet—things that shimmer and shine even in the dim daylight. “Cy, what did you do . . . ?” “I already told you, it wasn’t me! Now go take all that stuff and get rid of it. Get rid of it and don’t let me see where you put it.” Then he covers his eyes like it’s a game of hide-and-seek. “Go—before he changes my mind!” Lev pulls everything out of the pocket and, cradling it in his arms, runs to the far end of the playground. He digs in the cold sand and drops it all in, kicking sand back over it. When he’s done, he smoothes it over with the side of his shoe and drops a scattering of leaves above it. He goes back to CyFi, who’s sitting there just like Lev left him, hands over his face. “It’s done,” Lev says. “You can look now.” When Cy takes his hands away, there’s blood all over his face from the cuts on his hands. Cy stares at his hands, then looks at Lev helplessly, like . . . well, like a kid who just got hurt in a playground. Lev half expects him to cry. “You wait here,” Lev says. “I’ll go get some bandages.” He knows he’ll have to steal them. He wonders what Pastor Dan would say about all the things he’s been stealing lately. “Thank you, Fry,” Cy says. “You did good, and I ain’t gonna forget it.” The Old Umber lilt is back in his voice. The twitching has stopped.
Neal Shusterman (Unwind (Unwind, #1))
thought there might not be a sky: he had an idea that the formless rock went on and on in a great arch overhead—but when he thought about it, that did not seem possible. Christopher always knew in his dream that you could get to Almost Anywhere from The Place Between. He called it Almost Anywhere because there was one place that did not want you to go to it. It was quite near, but he always found himself avoiding it. He set off sliding, scrambling, edging across bulging wet rock, and climbing up or down, until he found another valley and another path. There were hundreds of them. He called them the Anywheres. The Anywheres were mostly quite different from London. They were hotter or colder, with strange trees and stranger houses. Sometimes the people in them looked ordinary, sometimes their skin was bluish or reddish and their eyes were peculiar, but they were always very kind to Christopher. He had a new adventure every time he went on a dream. In the active adventures people helped him escape through cellars of odd buildings, or he helped them in wars, or in rounding up dangerous animals. In the calm adventures, he got new things to eat and people gave him toys. He lost most of the toys as he was scrambling back home over the rocks, but he did manage to bring back the shiny shell necklace the silly ladies gave him, because he could hang it around his neck. He went to the Anywhere with the silly ladies several times. It had blue sea and white sand, perfect for digging and building in. There were ordinary people in it, but Christopher only saw them in the distance. The silly ladies came and sat on rocks out of the sea and giggled at him while he made sand castles. “Oh clistoffer!” they would coo, in lisping voices. “Tell uth what make you a clistoffer.” And they would all burst into screams of high laughter. They were the only ladies he had seen without clothes on. Their skins were greenish and so was their hair. He was fascinated by the way the ends of them were big silvery tails that could curl and flip
Diana Wynne Jones (The Chronicles of Chrestomanci, Vol. I: Charmed Life and The Lives of Christopher Chant)
Ethan! What on earth are you doing?" "Excuse us,please.It is very warm in here and my wife has begun to feel a little faint." With a smile fixed on his face,giving a series of the same brief explanation,he carried her through the crush,out the front door of the mansion,along the gravel drive to where his carriage was parked. "Home,Jennings," he said to the coachman as a footman opened the door. "And don't spare the horses." Setting her swiftly on the carriage seat, he climbed in and took a place beside her. "Are you insane?" Grace stared at him with disbelief as the matched pair of grays stepped into their traces and the coach jolted forward. "We can't just leave. We're the guests of honor! What will people think?" "They will thank that I am ravenous for my wife's lovely body,and I am." "But-" "Another word,Grace, and I swear I will take you right here." Her eyes widened for an instant, then she sat back on the seat of the carriage, careful to keep facing forward, casting him only an occasional sideways glance. If his body hadn't been throbbing with such urgent need,he might have smiled.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Nonfiction at its best is like fashioning a cabinet. It can be elegant and very beautiful but it can never be sculpture. Captive to facts—or predetermined forms—it cannot fly. Excepting those masters who transcend their craft—great medieval and Renaissance artisans, for example, or nameless artisans of traditional cultures as far back as the caves who were also spontaneous unselfconscious artists. As in fiction, the nonfiction writer is telling a story, and when that story is well-made, the placement of details and events is never random. The parts are not strung out in a line but come around full circle, like a necklace, to set off the others. They resonate, rekindle one another, stirring the reader with a cumulative effect. A good essay or article can and should have all the attributes of a good short story, including structure and design, pacing and effective placement of its parts—almost all the attributes of fiction except the creative imagination, which can never be permitted to enliven fact. The writer of nonfiction is stuck with objective reality, or should be; how his facts are arranged and presented is where his craft appears, and it can be dazzling when the writer is a good one. The best nonfiction has many, many virtues, among which simple truthfulness is perhaps foremost, yet its fidelity to the known facts is its fatal constraint.
Peter Matthiessen
She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
Quickly she shredded the cabbage on the chopping block and tossed it along with the onion and tomatoes in a blue Pyrex bowl. Then she slid the lamb chops, encrusted with fresh rosemary, into the oven. While the lamb baked, she brushed her hair in the washroom and pinned it back again. Then she zipped on a silk floral dress she'd purchased in Bristol and retrieved her grandmother's rhinestone necklace, one of the few family heirlooms her mother packed for her, to clasp around her neck. At the foot of the bed was the antique trunk she'd brought from her childhood home in Balham more than a decade ago. Opening the trunk, she removed her wedding album along with her treasured copy of 'The Secret Garden' and the tubes of watercolors her father had sent with her and her brother. Her father hoped she would spend time painting on the coast, but Maggie hadn't inherited his talent or passion for art. Sometimes she wondered if Edmund would have become an artist. Carefully she took out her newest treasures- pieces of crystal she and Walter hd received as wedding presents, protected by pages and pages of her husband's newspaper. She unwrapped the crystal and two silver candlesticks, then set them on the white-cloaked dining table. She arranged the candlesticks alongside a small silver bowl filled with mint jelly and a basket with sliced whole-meal bread from the bakery. After placing white, tapered candles into the candlesticks, she lit them and stepped back to admire her handiwork. Satisfied, she blew them out. Once she heard Walter at the door, she'd quickly relight the candles. When the timer chimed, she removed the lamb chops and turned off the oven, placing the pan on her stovetop and covering it with foil. She'd learned a lot about housekeeping in the past decade, and now she was determined to learn how to be the best wife to Walter. And a doting mother to their children. If only she could avoid the whispers from her aunt's friends.
Melanie Dobson (Shadows of Ladenbrooke Manor)
For example, say you are given a wrapped package. You believe that the package contains a diamond necklace. However, in reality, the package contains a Game of Thrones DVD box set. No matter how firmly you believe in the diamond necklace, that does not change the actual contents of the package. Your faith in the necklace does not affect the nature of what is actually inside of the box.
Armin Navabi (Why There Is No God: Simple Responses to 20 Common Arguments for the Existence of God)
According to the local historians, Mrs. Cottonwood invested the money in diamonds and sapphires. The largest piece in the collection was a necklace called The Seven Sisters. It was seven sapphires, with two diamonds, set in the swirling formation of the stars.
M.L. Bullock (Seven Sisters (Seven Sisters #1))
You haven't even asked what I'll pay you," Rapunzel said innocently. "You don't have enough," Flynn promised. Then he turned to Gina and said in a theatrical whisper, "This is where she offers her necklace, or a bracelet, or some other rich girl trinket I couldn't pawn even if I wanted...." "How about a crown?" Rapunzel suggested. Flynn grew very, very still. "Uh-oh," Gina said with a wicked grin. "What, um-- what crown?" Flynn asked casually. "The one that you stole. The one that the Stabbingtons want back. The one that you hid, rather obviously, in a tree hollow," Rapunzel said smugly, crossing her arms. "Diamonds, pearls, about my size... You know, that crown?" "That's my crown! Give it back! I stole it fair and square!" Flynn, cried, leaping up. "You mean you stole it from the castle, or you stole it from the Stabbingtons?" Gina asked interestedly. "Doesn't matter," Flynn said, crossing his arms and setting his jaw childishly. "It's mine now." "Well, no, it's mine," Rapunzel said. "At least until you take me to see the lanterns, and home again. Then it's yours." "You must have seen me hide it! In the tree!" "Déduction très brillante," Rapunzel said archly.
Liz Braswell (What Once Was Mine)
In that battle by Sarn Athrad Beren fought his last fight, and himself slew the Lord of Nogrod, and wrested from him the Necklace of the Dwarves; but he dying laid his curse upon all the treasure. Then Beren gazed in wonder on the selfsame jewel of Feanor that he had cut from Morgoth's iron crown, now shining set amid gold and gems by the cunning of the Dwarves; and he washed it clean of blood in the waters of the river. And when all was finished the treasure of Doriath was drowned in the River Ascar, and from that time the river was named anew, Rathloriel, the Goldenbed; but Beren took the Nauglamir and returned to Tol Galen. Little did it ease the grief of Luthien to learn that the Lord of Nogrod was slain and many Dwarves beside; but it is said and sung that Luthien wearing that necklace and that immortal jewel was the vision of greatest beauty and glory has ever been outside the realm of Valinor; and for a little while the Land of the Dead that Live became like a vision of the land of the Valar, and no place has been so fair, so fruitful, or so filled with light.
J.R.R. Tolkien (The Silmarillion)
The chain had an open platinum oval pendant that was shaped like a teardrop. Dangling from the teardrop were three smaller, detachable chains of staggered lengths. At the bottom of the three chains were three different-size settings, one for each of Lily's stones. The largest setting hung lowest, the medium above that, and at the top was a tiny, pea-size setting, waiting for her shy golden stone. Lily ran the small chains through her fingers, finding the clasps that detached them from the teardrop easy to work but stable. They wouldn't come off unless she meant to remove them.
Josephine Angelini (Trial by Fire (Worldwalker, #1))
You admired my necklace last night,” she says. “But you didn’t read the inscription.” I study her face while I lift the gold bar and turn it over. Etched into the gold is the inscription “My heart broke loose on the wind.” For a second, the space of a heartbeat, I can’t breathe. This means so much to me I literally cannot breathe. “When did you get this?” My voice is hushed, reverent with the thought of what that night on the Ferris wheel must have meant to her, too. “Months ago.” She cups one side of my face. “We didn’t even seem to be a possibility when I ordered this.” “But why . . . even then?” Months ago, Bristol was deep freezing me, so it’s hard to imagine that night was on her mind then. That I was on her mind then. “Even if we hadn’t gotten together, I was still going to wear this next to my heart because I knew I would never love anyone else that way.” She shakes her head, eyes bright with conviction. “Not the way I felt that night. That night was awesome, magical, but it was just a glimpse of the man you would become. And I knew even if I couldn’t have you, I’d carry this piece of you with me. This piece of your prophecy.” That poem inspired me in a way I have only ever put into words for one person. The woman sitting in my lap. The woman who has held my heart for years when I wasn’t sure she even wanted it. And the whole time, this night, these moments, burned in her memory like they did mine. I’m torn between spreading her on the table and having my appetizer before the pizza arrives, or kissing her until she’s limp in my arms.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
The necklace we are after is called the Wild Heart," Jack said. "It last sold at auction in November 2015 for $25 million. It features twenty-six oval-shaped flawless pink diamonds and a forty-carat heart-shaped pink diamond. Each diamond is enhanced by a cluster of oval-shaped green marquise emeralds supposedly crafted to resemble the leaves of the phalaenopsis orchid, but which in fact are more like dendrobiums that produce leaves that are opposite one another. The diamonds and emeralds are strategically placed to create a floral effect that makes the necklace resemble Orchidaceae. The gems are set in eighteen-carat white gold and precious platinum." "He likes plants," I explained when I saw a few blank stares. "We met in the hellebore." "It wasn't as romantic as it sounds," Jack said. "She trampled it underfoot like a herd of elephants. I had to go back the next night to repair the damage." "I wasn't trying to make it sound romantic." I heaved a sigh. "I was explaining how I knew that you liked plants." "They probably understood when you said, 'He likes plants.'" Jack's gaze drifted to Cristian. "At least some of them.
Sara Desai (To Have and to Heist)
And what do I get?” His eyebrows raise. “Besides an expensive, shiny fucking ring?” “I have plenty of those already. I’ll make you a deal. I’ll wear this fucking ring if you get my name tattooed on your forehead.” He chuckles as he lies back beside me. “That’s a big fucking no.” “Then no can do,” I say but find myself opening the box again and studying the ring because it’s fucking beautiful. “What if you thread it through a necklace and wear it around your neck as a collar until you come around to the idea?” “It better be a really nice necklace.” “Don’t you have a beautiful necklace from the set I’d bought you that you haven’t yet worn?” He challenges. “I want another one.” I say trying to hide my smirk. His lips crush mine as he smiles. “Anything for my queen.
Kia Carrington-Russell (Cunning Vows (Lethal Vows #3))
As I watched the dark-haired beauty walk into Luca's home on Gino's arm in a red dress that flirted with her curves and only teased at what was underneath, that thing stirred deep within my chest. That same thing I'd noticed when I first saw her sitting there in the setting sun during the wedding ceremony. It was primitive and possessive and utterly unfamiliar to me, and it made me want to sink my knife into Gino's fat gut and gift her with a necklace of his intestines.
Angel Rayne (His Darkness (His Confession Trilogy, #1))
Do you have a frying pan? Not Teflon, I hate that stuff. Cast iron? Or stainless steel?" I found River an old cast iron pan in the cabinet by the sink. I put it on the stove, and I imagined, for a second, Freddie, young, wearing a pearl necklace and a hat that slouched off to one side, standing over that very pan and making an omelet after a late night spent dancing those crazy, cool dances they did back in her day. "Brilliant," River said. He lit the gas stove and threw some butter in the pan. Then he cut four pieces of the baguette, rubbed them with a clove of garlic, and tore a hole out in each. He set the bread in the butter and cracked an egg onto the bread so it filled up the hole. The yolks of the eggs were a bright orange, which, according to Sunshine's dad, meant the chickens were as happy as a blue sky when they laid them. "Eggs in a frame," River smiled at me. When the eggs were done, but still runny, he put them on two plates, diced a tomato into little juicy squares, and piled them on top of the bread. The tomato had been grown a few miles outside of Echo, in some peaceful person's greenhouse, and it was red as sin and ripe as the noon sun. River sprinkled some sea salt over the tomatoes, and a little olive oil, and handed me a plate. "It's so good, River. So very, very good. Where the hell did you learn to cook?" Olive oil and tomato juice were running down my chin and I couldn't have cared less. "Honestly? My mother was a chef." River had the half smile on his crooked mouth, sly, sly, sly. "This is sort of a bruschetta, but with a fried egg. American, by way of Italy.
April Genevieve Tucholke (Between the Devil and the Deep Blue Sea (Between, #1))
Well, in each situation there are gods of love who get people to love one another through different objects like arrows or cherry blossoms,” Angie replied. “What about Freya, though? Did she have something that made people fall in love with each other too?” “Actually, there are some similarities there as well. Freya acquired a necklace that was made by four dwarves. This necklace was called the Brisingamen, and some have referred to the necklace as the necklace of desire.
C.J. Anaya (The Healer - The Complete Set, #1-4)
I know what I said earlier, but Kabul isn’t that bad.” Mrs. Wahdati toyed with her necklace absently. She was looking out the window, a heaviness set on her features. “I like it best here at the end of spring, after the rains. The air so clean. That first burst of summer. The way the sun hits the mountains.
Khaled Hosseini (And the Mountains Echoed)
I have never known them to be into clubs especially Jeannie, who is the stereotypical pastor's kid. The sweater sets and cross necklace stereotype, not the Footloose stereotype.
Carrie S. Allen
Necklacing was common. That’s where people would hold someone down and put a rubber tire over his torso, pinning his arms. Then they’d douse him with petrol and set him on fire and burn him alive.
Trevor Noah (Born A Crime: Stories from a South African Childhood)
I am Gardnerian. As such, I’m barely tolerated here, stranded in a sea of Kelts, allowed to exist only because my aptitude for healing brews is considered useful in this tiny, remote village. It would be easier, perhaps, if my appearance didn’t set me apart so much. My forest-green eyes and dark hair might seem unremarkable, but the black tunic and long skirt I wear, paired with a silver Erthia orb necklace, mark me as one of the First Children. And the way my skin shimmers a faint emerald in the dark—perhaps the most undeniable sign of all—makes it impossible for me to hide what I am. A Gardnerian Mage. Hated by all but my own people.
Laurie Forest (Wandfasted (The Black Witch Chronicles, #0.5))
Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn. Maybe it was a piece of furniture for the house we’d been working on--a love seat, perhaps. Oh, wouldn’t that be the most darling of wedding gifts? A love seat? I’ll bet it’s upholstered in cowhide, I thought, or maybe some old western brocade fabric. I’d always loved those fabrics in the old John Wayne movies. Maybe its legs are made of horns! It just had to be furniture. Maybe it was a new bed. A bed on which all the magic of the world would take place, where our children--whether one or six--would be conceived, where the prairie would ignite in an explosion of passion and lust, where… Or maybe it’s a puppy. Oh, yes! That has to be it, I told myself. It’s probably a puppy--a pug, even, in tribute to the first time I broke down and cried in front of him! Oh my gosh--he’s replacing Puggy Sue, I thought. He waited until we were close enough to the wedding, but he doesn’t want the pup to get any bigger before he gives it to me. Oh, Marlboro Man…you may have just zeroed in on what could possibly be the single most romantic thing you ever could have done for me. In my wildest dreams, I couldn’t have imagined a more perfect love gift. A pug would be the perfect bridge between my old world and my new, a permanent and furry reminder of my old life on the golf course. As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward
Philippa Gregory (Wideacre)
Beth changed her ensemble five times that morning, switching out her shoes, her necklaces, her earrings. I understood. Had I owned more than one suit, I would have done the same thing. As it was, I just sat in a battered old chair in our bedroom and watched her. She was beautiful to me. I could see that she had shaved her legs, supple and taut above the easy grip of her heels. She mussed her hair and pursed her lips at the mirror. “What do you think?” she said finally, turning to me. I stood and went to her, understanding right then that we were already growing older, that we would grow old together. “I think you’re beautiful,” I said. I kissed her. “Hey—watch the lipstick,” she said, swatting me away playfully before pulling me in close again. She set her chin on my shoulder and we slow danced that way, there in our bedroom, the worn carpeting beneath our best scuffed shoes. “I love you,” she said, “even if you’re not a rock star.” “I love you,” I said, “even though you’re not a movie star.” We kissed again and held hands as we walked downstairs, our garments good enough. The
Nickolas Butler (Shotgun Lovesongs)
Shortly before Christmas that year, Patrick, now seven, came along with me to work at our church’s annual Christmas bazaar. As he wandered around, he spotted a small handcrafted necklace and earring set. He thought of Diana’s recent letter and remembered our visit in Washington. As a result, he bought the little jewelry set with his saved-up allowance. We sent it to Diana for Christmas, accompanied by notes from Patrick and me. Later the following January, 1987, Diana wrote to “Dearest Patrick,” telling him she was “enormously touched to be thought of in this wonderful way.” Then she drew a smiley face. “I will wear the necklace and earrings with great pride and they will be a constant reminder of my dear friend in America. This comes with a big thank you and a huge hug, and as always, lots of love from Diana.” Could one imagine a more precious letter? I just felt chills of emotion when I rediscovered it after her death. Diana wrote to me at the same time. Now that the holidays were over, Diana had to return to her official duties--“It’s just like going back to school!” Prince William loved his new school. Diana felt he was ready for “stimulation from a new area and boys his own age…” She described taking William to school the first day “in front of 200 press men and quite frankly I could easily have dived into a box of Kleenex as he look incredibly grown-up--too sweet!” Diana noticed that Patrick and Caroline looked very much alike in our 1987 Christmas photograph. “But my goodness how they grow or maybe it’s the years taking off and leaving us mothers behind!” Diana was a young twenty-six when she wrote that observation. I wonder if she knew then that less than four years later, Prince William would be off to boarding school, truly leaving his mother behind. Again she extended a welcoming invitation. If we could manage a trip to London, “I’d love to introduce you to my two men!” By then, she meant her two sons. She also repeated that our letters “mean a great deal to me…
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
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Melody Edmondson (Book 15 - Inverted Triangle Body Shape with a Short-Waistplacement (Your Body Shape by Waistplacement))
I always have a whole bunch of different stories I'm working on, moving back and forth between them sorta willy-nilly. It's kind of like juggling all day long, every day—it just gets to be sorta routine. And then every now and then, suddenly you notice that something you're juggling has turned into a little diamond, and you pull it out of the air and turn it this way and that and then set it in a necklace or something.
Ben Loory