Symmetry And Balance Quotes

Don't confuse symmetry with balance.

Science and religion were not enemies, but rather allies - two different languages telling the same story, a story of symmetry and balance... heaven and hell, night and day, hot and cold, God and Satan. Both science and religion rejoiced in God's symmetry... the endless contest of ight and dark.

Two obsessions are the hallmarks of Nature's artistic style: Symmetry- a love of harmony, balance, and proportion Economy- satisfaction in producing an abundance of effects from very limited means

A tree has both straight and crooked branches; the symmetry of the tree, however, is perfect. Life is balanced like a tree. When you consider the struggles, difficulties, and sorrows as a part of it, then you see it as beautiful and perfect.

The fullness of life's balancing grace will demand the symmetry of recompense for all your loss and pain.

A wall is happy when it is well designed, when it rests firmly on its foundation, when its symmetry balances its part and produces no unpleasant stresses. Good design can be worked out on the mathematical principles of mechanics.

He did not say so, but the words behind the words told me that he would rather have launched me into a good marriage than watch me row against the tide at my own work. It remains that a woman with an incomplete emotional life has herself to blame, while a man with no time for his heart just needs a wife.

the primary organizing principle for human achievement is stability, not progress, meaning that balance, symmetry, and regularity are more to be valued than change, growth, deviation, and ambition.

All the tension and darkness of our embodied life is held in a scaffolding of balance and symmetry, a natural order that is hard to see, like the ocean’s turbulence is held by its depths.

The desire for symmetry, for balance, for rhythm is one of the most inveterate of human instincts.” -The Decoration of Houses

With its symmetry and little dashed isthmus between the two words, ‘hour-glass’ on the page is like the object itself, lying on its side or balanced mid-spin.

Speaking generally, we may say that whatever legal enactments are held to be for the interest of various constitutions, all these preserve them. And the great preserving principle is the one which has been repeatedly mentioned- to have a care that the loyal citizen should be stronger than the disloyal. Neither should we forget the mean, which at the present day is lost sight of in perverted forms of government; for many practices which appear to be democratical are the ruin of democracies, and many which appear to be oligarchical are the ruin of oligarchies. Those who think that all virtue is to be found in their own party principles push matters to extremes; they do not consider that disproportion destroys a state. A nose which varies from the ideal of straightness to a hook or snub may still be of good shape and agreeable to the eye; but if the excess be very great, all symmetry is lost, and the nose at last ceases to be a nose at all on account of some excess in one direction or defect in the other; and this is true of every other part of the human body. The same law of proportion equally holds in states. Oligarchy or democracy, although a departure from the most perfect form, may yet be a good enough government, but if any one attempts to push the principles of either to an extreme, he will begin by spoiling the government and end by having none at all. Wherefore the legislator and the statesman ought to know what democratical measures save and what destroy a democracy, and what oligarchical measures save or destroy an oligarchy. For neither the one nor the other can exist or continue to exist unless both rich and poor are included in it. If equality of property is introduced, the state must of necessity take another form; for when by laws carried to excess one or other element in the state is ruined, the constitution is ruined.

28. It is a capital evil with respect to the question We are discussing to take for granted that the one class of society is of itself hostile to the other, as if nature had set rich and poor against each other to fight fiercely in implacable war. This is so abhorrent to reason and truth that the exact opposite is true; for just as in the human body the different members harmonize with one another, whence arises that disposition of parts and proportion in the human figure rightly called symmetry, so likewise nature has commanded in the case of the State that the two classes mentioned should agree harmoniously and should properly form equally balanced counterparts to each other.

Energy: vibrant color and light Abundance: lushness, multiplicity, and variety Freedom: nature, wildness, and open space Harmony: balance, symmetry, and flow Play: circles, spheres, and bubbly forms Surprise: contrast and whimsy Transcendence: elevation and lightness Magic: invisible forces and illusions Celebration: synchrony, sparkle, and bursting shapes Renewal: blossoming, expansion, and curves

The ten-dimensional universe was a world of light. The entire universe was constructed upon energy exchange between photons. All particles and antiparticles were formed from photons, and their mutual annihilation resulted in yet more photons. Thus, everything occurred at the speed of light, which was infinite. Even more marvelously, because particles and antiparticles balanced each other out, the total energy level of the universe was zero. This was an incredible state of symmetry, and the foundation of the emergence of intelligence in the ten-dimensional universe.” Matter, life, sentience, civilization … in this Edenic universe, everything was part of the same whole. All matter possessed life, and all life possessed sentience, and all sentience existed in a state of harmonious civilization. Unlike the three-dimensional universe, in which lonely stars hung in the vast emptiness of space, the entire universe was a living being. All life was but a part of this one grand Life, and all intelligence but a component of the highest Intelligence. The dark forest state was an impossibility for this transcendent being of unified matter and spirit. Tianming felt awe at the root of his soul. This was the original form of the Master. The ten-dimensional universe was itself alive. Sophon offered more explanations. “The Master is not an individual like a human being; rather, it is the sum of an infinite number of self-aware consciousnesses. Every consciousness shares the awareness of every other consciousness as well as the presence of the universe itself, and yet each possesses an independent will. This is a state of existence simply unimaginable by humans: individual presence absolutely, seamlessly harmonized with the universe, akin to the geometric construction of the Spirit you saw.

I identified ten aesthetics of joy, each of which reveals a distinct connection between the feeling of joy and the tangible qualities of the world around us: Energy: vibrant color and light Abundance: lushness, multiplicity, and variety Freedom: nature, wildness, and open space Harmony: balance, symmetry, and flow Play: circles, spheres, and bubbly forms Surprise: contrast and whimsy Transcendence: elevation and lightness Magic: invisible forces and illusions Celebration: synchrony, sparkle, and bursting shapes Renewal: blossoming, expansion, and curves

A common example from physics is of a pencil balanced on its point. It is symmetric, in that while it is balanced on its point, one direction is as good as another. But it is unstable. When the pencil falls, as it inevitably must, it will fall randomly, in one direction or another, breaking the symmetry. Once it has fallen, it is stable, but it no longer manifests the symmetry- although the symmetry is still there in the underlying laws. The laws describe only the space of what possibly may happen, the actual world governed by those laws involves a choice of one realization from many possibilities.

A Puritan twist in our nature makes us think that anything good for us must be twice as good if it's hard to swallow. Learning Greek and Latin used to play the role of character builder, since they were considered to be as exhausting and unrewarding as digging a trench in the morning and filling it up in the afternoon. It was what made a man, or a woman -- or more likely a robot -- of you. Now math serves that purpose in many schools: your task is to try to follow rules that make sense, perhaps, to some higher beings; and in the end to accept your failure with humbled pride. As you limp off with your aching mind and bruised soul, you know that nothing in later life will ever be as difficult. What a perverse fate for one of our kind's greatest triumphs! Think how absurd it would be were music treated this way (for math and music are both excursions into sensuous structure): suffer through playing your scales, and when you're an adult you'll never have to listen to music again. And this is mathematics we're talking about, the language in which, Galileo said, the Book of the World is written. This is mathematics, which reaches down into our deepest intuitions and outward toward the nature of the universe -- mathematics, which explains the atoms as well as the stars in their courses, and lets us see into the ways that rivers and arteries branch. For mathematics itself is the study of connections: how things ideally must and, in fact, do sort together -- beyond, around, and within us. It doesn't just help us to balance our checkbooks; it leads us to see the balances hidden in the tumble of events, and the shapes of those quiet symmetries behind the random clatter of things. At the same time, we come to savor it, like music, wholly for itself. Applied or pure, mathematics gives whoever enjoys it a matchless self-confidence, along with a sense of partaking in truths that follow neither from persuasion nor faith but stand foursquare on their own. This is why it appeals to what we will come back to again and again: our **architectural instinct** -- as deep in us as any of our urges.

There is no meaning. Only balance. Only symmetry.

I think my sacrifice was a counterweight in the great balance of justice. Because I was willing to give so much, Seka was willing to give so much. My actions in some sense inspired hers, even though neither of us knew what the other was planning. She probably slipped from camp with Mally in her arms the minute I swallowed the fatal dose. The universe loves such symmetry.

On top of a goodly helping of baby lettuce, Grace placed a neat rectangle of grilled salmon, and then precisely five cherry tomatoes, five broccoli florets, five baby carrots, five cucumber slices, and five slices of green bell pepper. She liked the balance and symmetry of the meal she had made. Still, she liked almonds more, and daring to disrupt the balance of the universe, she threw in a spoonful of an unknown number.

Complexity is a delicate business. Chemical and molecular bonds require a particular range of temperature in which to operate. Liquid water exists over a mere one hundred degree range on the centigrade scale. Even Earth-based life is concentrated towards particular climatic zones. The temperature at the Earth's surface keeps it tantalizingly balanced between recurrent ice ages and the roasting that results from a runaway greenhouse effect. Very slight differences in the size of our planet or its distance from the Sun would have tipped the scales irretrievably towards one or other of these fates. That such a delicate balance, which is essentially the outcome of those random symmetry-breakings that we discussed in Chapter 6, should be so crucial suggests that natural complexity may be a rather rare thing in the Universe.

If you believe in yourself and you don’t give-up, the fullness of life’s balancing grace will demand the symmetry of recompense for all your loss and pain.

science and religion were not enemies, but rather allies-two different languages telling the same story, a story of symmetry and balance .

The most general law in nature is equity-the principle of balance and symmetry which guides the growth of forms along the lines of the greatest structural efficiency.

key principles considered fundamental to organic form and the creation of visual imagery: Contrast, Rhythm (or pattern), Balance (and symmetry), Proportion along with Unity/Harmony, Movement and Expression.

When she'd come down to the kitchen after her shower, she'd deliberately left the lights off. She liked the way the cake looked in the bright light of the full moon that was streaming in through the windows. On the kitchen table a wooden spoon sat in a small saucepot, which held crushed hazelnuts that had been soaked and heated in Frangelico, next to the bowl of thick, velvety pastry cream she had prepared earlier. She released one of the layers from its baking pan and settled it onto the cake plate. She had sprinkled them while they were still warm with the same infused brandy, so they were now redolent with a harmonious perfume of filberts and chocolate. She deftly spread some of the pastry cream on the first layer and sprinkled a tablespoon of the crushed nuts on top of it. She added the second layer of cake, more buttery cream, and a dusting of nuts. Angelina always aimed for an extra shading of flavor when she created a recipe, something to complement and embrace the most prominent flavor in a dish, something that tickled the palate and the imagination. Here, she had chosen aromatic, earthy hazelnuts to add an extra dimension of texture and taste. She'd heard someplace that some musical composers said that it was the spaces between the notes that made all the difference; when you were cooking, it was the little details, too. Each layer of the dense cake covered the one beneath it as she laid them on, like dark disks of chocolate eclipsing moons made of creme anglaise instead of green cheese. In short order, the sixth and final layer had efficiently been fixed into place. She took a half step back to check for symmetry and balance, then moved on to the frosting. She poured the mixture of butter, milk, and chocolate that had been resting on the stove top into a mixing bowl, added a pinch of salt, a dash of real vanilla extract, and began whisking it all together with powdered sugar, which she shifted in stages to make sure that it combined thoroughly.

Orange pekoe flavor, with that gold confection dust on the top." She holds one up to demonstrate. "Mascarpone filling." She bites it clean in half and shows me the middle. "Rose jelly in the center." "Sounds good to me. What shall we call it?" "I don't know." I reach over and pick up a macaron, the texture, weight, and balance all perfect. Symmetry, lightness, both shells with excellent feet, wedded together with a smooth filling. Nodding with approval, I place it on my tongue. She is right; the orange and rose flavors melt lustily in your mouth. It's just like Mama- all bright and full of surprises.

Life balance is not about achieving perfect symmetry or equal attention to every aspect. It is about prioritizing what matters most to you at any given time and finding a sustainable equilibrium that aligns with your values and goals.

...He tried to soften the church's position on science by proclaiming that science did not undermine the existence of God, but rather reinforced it. He wrote once that when he looked through his telescope at the spinning planets, he could hear God's voice in the music of the spheres. He held that science and religion were not enemies, but rather allies-two different languages telling the same story, a story of symmetry and balance ... heaven and hell, night and day, hot and cold, God and Satan. Both science and religion rejoiced in God's symmetry ... the endless contest of light and dark.

Jefferson loved order, symmetry, and balance, and there was no place on the mountaintop more orderly, symmetrical, and balanced than the garden,

Usually Jamie’s presence gave Marian a sense of symmetry and rightness, of having been properly balanced. Without him she was like a too-light canoe, at the mercy of the current. He was the calmer one, less impulsive. Ballast. He was not exactly part of her, but he was not entirely other, either, not like Wallace or Caleb or Berit or anyone else.

The human aesthetic response includes an affinity for patterns in which regularity and order are combined with variation and repetition. The simple geometries we find in nature are perhaps at their most concentrated and compelling in the beauty of a flower’s form. Wildflowers, for example, commonly have five petals arranged in pentagonal symmetry. But no matter how elaborate or simple, the structure of any flower displays proportion, balance, and harmony, and we respond to this much as we respond to rhythm and harmony in music. This reaction may be linked to Zeki’s findings on mathematical beauty, for in the evolution of human culture, botanical patterning must surely have played a part in awakening the human mind to the possibilities of abstract beauty and mathematical form. Flowers

Transcendence: help others realize their potential • Self-actualization: realize our own potential, self-fulfillment, peak experiences • Aesthetic: symmetry, order, beauty, balance • Learning: know, understand, mentally connect • Esteem: achieve, be competent, gain approval, independence, status • Belonging: love, family, friends, affection

Energy: vibrant color and light Abundance: lushness, multiplicity, and variety Freedom: nature, wildness, and open space Harmony: balance, symmetry, and flow Play: circles, spheres, and bubbly forms Surprise: contrast and whimsy Transcendence: elevation and lightness Magic: invisible forces and illusions

Simplicity, balance, character, direction and relation of the limbs to each other, with their proportions and general symmetry of the whole, must be apprehended in a flash and put down in long lines, without lingering on less important details of form, for there is little time to hesitate in making a ten-minutes sketch. The quicker we draw, the better, so long as we can keep up the tension of our eyes, brain and hand all working together at the same time. The moment one of these three faculties gets out of gear or tired, the vitality of the drawing is lost. An intelligent model in a good pose inspires us enormously to produce an artistic and living drawing. A drawing done in a few minutes, in a red-hot fever of excitement and with concentrated observation, following the contour of the form from start to finish, is far more living than the often elaborated drawings of a cataleptic, relaxed figure, dumped upon the traditional throne, so often seen in art schools ; for the essence of life figure drawing lies in the outline. There is no short cut, no royal road to excellence : the only way is by persistent study and cultivation of visual memory.

My work is literary and aesthetic, and therefore profoundly moral in nature.” I nodded uncomprehendingly. “What is always omitted from a word or any other symbol?”  He answered his own question:  “The thing that the symbol refers to.  For that reason art—though it concerns itself only with balance and order and symmetry—is always about justice and morality.

Symmetry, lad, is a power unto itself. It is the expression, if you will, of nature's striving for balance.

I’ve been the queen of symmetry and everything had to be in identical balance, no matter how you looked at it. But I’ve realized that sometimes things can be a little different, almost vastly different, yet make perfect sense when they are brought together. Sometimes differences are what make things symmetrical.

It is because, in mathematics, you realise that balance and symmetry is actually in everything, even when it feels like chaos or pain...... But I think La Presencia has given us the understanding that mathematical purity is everywhere. We are inside it. Nothing is random. Not life, not death. Not even randomness. Not even us two here making this dirt into a garden. All of it connects. Everything is part of this whole. This beautiful fabric. Heaven isn't somewhere else. Nor is everyone we have lost. We are tied to them. The strings are in us.