Horizontal Bar Quotes

We proceeded to make way across the mighty Hooghly River, a monstrous offshoot of the Ganges, where we contemplated for a moment, our thoughts seemingly caught in the roaring southward current; there we gazed, toward where the city transitions into mangrove jungle, and somewhere a bit further to the southwest where all the rivers split infinitely like capillaries, where those famous Bengal tigers trod among the sunderbans. Peering in that direction, Bajju gripped the vertical bars just above the horizontal pedestrian railing, breathing slowly and silently, knees locked, still, despite being on arguably the busiest and loudest bridge in the world.

I pick up the thin, delicate silver chain that has a flat bar that horizontally connects the chain together. I see that the bar is etched with tiny letters that scribe: And though she be but little, she is fierce

You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night the expectation took the colour of my fears.

to see what he has been packing all day makes my center weep with wetness.  Huge, thick and decorated.  He fingers the hoop, which causes his dick to jump and a hiss to shoot from his mouth.  As if the Prince Albert isn’t shocking enough, the second horizontal bar through his bulbous head has my jaw dropping.

My mother is European and expresses her love through food and cuddling. She wasn't the type of mother who would make it to school plays or soccer games, but if you wanted to stay at home sick, she was your girl. Whenever you'd go up to her room to cuddle with her, she'd pull out a Kit Kat or Snickers bar from her night table and look at you with dancing eyes.

Similar to other people, I suffer from my own brand of neurosis – a functional mental and emotional disorder involving emotional distress, indecision, social awkwardness, and interpersonal maladjustment. Unlike other rational people, I also suffer from mental delusions. It is a risky gambit attempting to hold at bay a pressing pack of personal abnormalities and a hazardous stable of personal neuroses including obsessional conduct, and compulsive thoughts while simultaneously straddling the horizontal bars of rationality and irrationality.

As the hush of evening crept over the world and we proceeded over the hill crest towards Wimbledon, Weena grew tired and wanted to return to the house of grey stone. But I pointed out the distant pinnacles of the Palace of Green Porcelain to her, and contrived to make her understand that we were seeking a refuge there from her Fear. You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night the expectation took the colour of my fears. In that darkling calm my senses seemed preternaturally sharpened.

Jobs spent part of every day for six months helping to refine the display. “It was the most complex fun I’ve ever had,” he recalled. “It was like being the one evolving the variations on ‘Sgt. Pepper.’ ” A lot of features that seem simple now were the result of creative brainstorms. For example, the team worried about how to prevent the device from playing music or making a call accidentally when it was jangling in your pocket. Jobs was congenitally averse to having on-off switches, which he deemed “inelegant.” The solution was “Swipe to Open,” the simple and fun on-screen slider that activated the device when it had gone dormant. Another breakthrough was the sensor that figured out when you put the phone to your ear, so that your lobes didn’t accidentally activate some function. And of course the icons came in his favorite shape, the primitive he made Bill Atkinson design into the software of the first Macintosh: rounded rectangles. In session after session, with Jobs immersed in every detail, the team members figured out ways to simplify what other phones made complicated. They added a big bar to guide you in putting calls on hold or making conference calls, found easy ways to navigate through email, and created icons you could scroll through horizontally to get to different apps—all of which were easier because they could be used visually on the screen rather than by using a keyboard built into the hardware.

In Bergotte’s books, which I constantly reread, the sentences were as clear to me as my own thoughts, I perceived them as distinctly as the furniture in my room and the carriages in the streets. Everything was easily visible, if not as one had always seen it, then certainly as one was accustomed to see it now. But a new writer had just started to publish work in which the relations between things were so different from those that connected them for me, that I could understand almost nothing in his writing.... Only I felt that it was not the sentence that was badly constructed, but that I myself lacked the energy and agility to see it through to the end. I would make a fresh start, working really hard to reach the point where I could see the new connections between things. At each attempt, about half-way through the sentence, I would fall back defeated, as I did later in the army in horizontal bar exercises... From then on I felt less admiration for Bergotte, whose transparency struck me as a shortcoming.

. In Bergotte’s books, which I constantly reread, the sentences were as clear to me as my own thoughts, I perceived them as distinctly as the furniture in my room and the carriages in the streets. Everything was easily visible, if not as one had always seen it, then certainly as one was accustomed to see it now. But a new writer had just started to publish work in which the relations between things were so different from those that connected them for me, that I could understand almost nothing in his writing.... Only I felt that it was not the sentence that was badly constructed, but that I myself lacked the energy and agility to see it through to the end. I would make a fresh start, working really hard to reach the point where I could see the new connections between things. At each attempt, about half-way through the sentence, I would fall back defeated, as I did later in the army in horizontal bar exercises... From then on I felt less admiration for Bergotte, whose transparency struck me as a shortcoming.

Formerly there were two ways. One was to take the ferry. This is the way I came on my first visit, and I have to say it was strange. All the passengers – and there weren’t many – went below and lay down on whatever horizontal surface they could find. Many covered their faces with their coats, as if hiding. Just after we left port, the snack bar closed. All this seemed a little odd, and then we hit the open sea and we began to roll and pitch in a weirdly restrained way. I am not the most experienced of sailors, but I have been on a few boats in my time – including once through the Beagle Channel in South America, which isn’t so much a water passage as a trampoline for boats – and I can say that I had never encountered anything quite like this. It wasn’t rough, but just slowly, cumulatively, peculiarly unsettling. The problem, as it was explained to me later, is that the ferry must have a flat bottom to get in among the shallows around St Mary’s, the main port of the Scillies, but this means that it sits on the water like a cork, which guarantees a lot of motion even on the smoothest days. In rough weather, I was told, you will often have the novel experience of being sick on the ceiling.

In Bergotte’s books, which I constantly reread, the sentences were as clear to me as my own thoughts, I perceived them as distinctly as the furniture in my room and the carriages in the streets. Everything was easily visible, if not as one had always seen it, then certainly as one was accustomed to see it now. But a new writer had just started to publish work in which the relations between things were so different from those that connected them for me, that I could understand almost nothing in his writing.... Only I felt that it was not the sentence that was badly constructed, but that I myself lacked the energy and agility to see it through to the end. I would make a fresh start, working really hard to reach the point where I could see the new connections between things. At each attempt, about half-way through the sentence, I would fall back defeated, as I did later in the army in horizontal bar exercises... From then on I felt less admiration for Bergotte, whose transparency struck me as a shortcoming... The writer who had supplanted Bergotte in my estimation sapped my energy not by the incoherence but by the novelty – perfectly coherent – of associations I was not used to making. Because I always felt myself falter in the same place, it was clear that I needed to perform the same feat of endeavour each time. And when I did, very occasionally, manage to follow the author to the end of his sentence, what I discovered was always a humour, a truthfulness, a charm similar to those I had once found reading Bergotte, only more delightful.

at the piece of furniture that appears in Figure 16 on the following page. Hardly a well-designed chair, is it? The seat is so low that you’d practically have to squat on it. The back is too high; the upper bar is a horizontal slab on which you could not lean comfortably. How come? Actually, this is not a chair. It is a church kneeler. The height is right for kneeling. The “back” is in fact the front, and the upper slab is there to rest not one’s back but one’s praying hands. Once this artifact’s real function is recognized, what looked like flaws turn out to be well-designed features. Like the object in Figure 16, reason seems to have an obvious function: to help individuals achieve greater knowledge and make better decisions on their own. After all, if using reason doesn’t help one reach better beliefs and choices, what is it good for? However, like a kneeler used as a chair, reasoning serves this function very poorly.

The contrivance was quite fantastic, and presented the appearance of some new, highly complicated musical instrument. I remember that there were many wires of varying thickness, stretched on a series of concave sounding-boards of some dark, unlustrous metal; and above these, there depended from three horizontal bars a number of square, circular and triangular gongs. Each of these appeared to be made of a different material; some were bright as gold, or translucent as jade; others were black and opaque as jet. A small hammer-like instrument hung opposite each gong, at the end of a silver wire. Averaud proceeded to expound the scientific basis of his mechanism. The vibrational properties of the gongs, he said, were designed to neutralize with their sound-pitch all other cosmic vibrations than those of evil. He dwelt at much length on this extravagant theorem, developing it in a fashion oddly lucid. He ended his peroration: “I need one more gong to complete the instrument; and this I hope to invent very soon. The triangular room, draped in black, and without windows, forms the ideal setting for my experiment. Apart from this room, I have not ventured to make any change in the house or its grounds, for fear of deranging some propitious element or collocation of elements.” More than ever, I thought that he was mad. And, though he had professed on many occasions to abhor the evil which he planned

What Constantine ordered, however, was not a cross-shaped object but rather a long, gilded spear, bisected by a horizontal bar, topped with a golden and gemmed wreath that surrounded two letters, chi and rho: the first two letters of Christos. Like Lactantius, Eusebius explains that this looked like the intersection of the Latin letters X and P. In addition, a banner hung from the bar, embroidered with portraits of the emperor with his two sons.

healthy transcendence is more horizontal than it is vertical. It’s about confronting the realities of the human condition head-on with equanimity, wisdom, and loving-kindness and harnessing all that we are in the service of realizing the best version of ourself so we can help raise the bar for the whole of humanity.[6] With healthy transcendence, we have done the inner work to integrate our whole self, including our deprivation motivations, so that they no longer rule our actions in the world. We see the world on its own terms, and what we see may be intensely beautiful.

The sellers call you, with less insistence than the hookers in bars or the employees at the duty-free shop at the airport.

Reacher and Neagley carried their copy to the door, where the wired-glass window let in some natural light. The American looked exactly like Klopp had described. The artist had done a fine job capturing his words. The wave of blond hair. The skin stretched tight over the skull beneath. The brow and the cheek bones, horizontal and parallel and close together, like two bars on an old-style football helmet, with the eyes flashing out from way behind. The mouth, like a gash. Plus two vertical lines, the nose like a blade, and a crease down the right cheek, as if the most the mouth ever moved was in a lopsided and sardonic smile. The guy was shown in a jacket like Reacher’s. Pale tan denim, authentic in every respect. Under it was a white T-shirt. His collar bones stood out, like his cheek bones. His neck was shown corded with sinew. A hardscrabble guy, no longer young. Neagley

The Dogon Kanaga mask -which is worn in rituals that transport the souls of the deceased- resembles the Ka in ancient Egypt. Interestingly enough it does look like the crab zodiac sign in the form of a double-barred cross with short vertical elements projecting from the tips of each horizontal bar. And this is where the Great Pyramid is located on the circular zodiac of Dendera.

Through the years I experimented with all different types of materials and frames. Finally, I settled upon one that was so simple, easy, and inexpensive to use that it was almost ridiculous. Then I began growing all different types of plants vertically. I originally thought I would need to design some special way to hold up and accommodate heavier fruits such as winter squash and pumpkins, but as it turned out, these plant vines seemed to understand the situation; the stem supporting the heavy fruit grows thicker and heavier as the fruit becomes larger. If you have a framework and support that will hold the plant, the plant will hold the fruit; it is as simple as that! Mother Nature always seems to know best. Pea and bean netting can be stretched taut across a box frame and held in place by four metal posts. Plants will then grow up through the netting and be supported. Best Material I use the strongest material I can find, which is steel. Fortunately, steel comes in tubular pipe used for electrical conduit. It is very strong and turns out to be very inexpensive. Couplings are also available so you can connect two pieces together. I designed an attractive frame that fits right onto the 4 × 4 box, and it can be attached to the wooden box with clamps that can be bought at any store. Or, steel reinforcing rods driven into the existing ground outside your box provide a very steady and strong base; then the electrical conduit slips snugly over the bars. It’s very simple and inexpensive to assemble. Anyone can do it—even you! To prevent vertically grown plants from shading other parts of the garden, I recommend that tall, vertical frames be constructed on the north side of the garden. To fit it into a 4 × 4 box, I designed a frame that measured 4 feet wide and almost 6 feet tall. Tie It Tight Vertically growing plants need to be tied to their supports. Nylon netting won’t rot in the sun and weather, and I use it exclusively now for both vertical frames and horizontal plant supports. It is very strong—almost unbreakable—and guaranteed for twenty years. It is a wonderful material available at garden stores and in catalogs. The nylon netting is also durable enough to grow the heavier vine crops on vertical frames, including watermelons, pumpkins, cantaloupes, winter and summer squashes, and tomatoes. You will see in Chapter 8 how easy it is to train plants to grow vertically. To hold the plants to the frame, I have found that nylon netting with 7-inch square openings made especially for tomato growing works well because you can reach your hand through. Make sure it is this type so it won’t cut the stem of the plant when it blows against it in the wind. This comes in 4-foot widths and can easily be tied to the metal frame. It’s sometimes hard to find, so call around.

Horizontal bar chart If I had to pick a single go-to graph for categorical data, it would be the horizontal bar chart, which flips the vertical version on its side. Why? Because it is extremely easy to read. The horizontal bar chart is especially useful if your category names are long, as the text is written from left to right, as most audiences read, making your graph legible for your audience.

A stylized sun and moon, joined by a horizontal bar, floated above a country divided in two by a river that snaked between them.

Two writings of al-Hassār have survived. The first, entitled Kitāb al-bayān wa t-tadhkār [Book of proof and recall] is a handbook of calculation treating numeration, arithmetical operations on whole numbers and on fractions, extraction of the exact or approximate square root of a whole of fractionary number and summation of progressions of whole numbers (natural, even or odd), and of their squares and cubes. Despite its classical content in relation to the Arab mathematical tradition, this book occupies a certain important place in the history of mathematics in North Africa for three reasons: in the first place, and notwithstanding the development of research, this manual remains the most ancient work of calculation representing simultaneously the tradition of the Maghrib and that of Muslim Spain. In the second place, this book is the first wherein one has found a symbolic writing of fractions, which utilises the horizontal bar and the dust ciphers i.e. the ancestors of the digits that we use today (and which are, for certain among them, almost identical to ours) [Woepcke 1858-59: 264-75; Zoubeidi 1996]. It seems as a matter of fact that the utilisation of the fraction bar was very quickly generalised in the mathematical teaching in the Maghrib, which could explain that Fibonacci (d. after 1240) had used in his Liber Abbaci, without making any particular remark about it [Djebbar 1980 : 97-99; Vogel 1970-80]. Thirdly, this handbook is the only Maghribian work of calculation known to have circulated in the scientific foyers of south Europe, as Moses Ibn Tibbon realised, in 1271, a Hebrew translation. [Mathematics in the Medieval Maghrib: General Survey on Mathematical Activities in North Africa]

The Shen is a circle, representing endless time, eternity, bound to a horizontal bar, the earthly plane once more. It protects life by isolating and enclosing it, defining that which it surrounds, defending it against hostile forces.

It stands across a gentle slope up from the main house, separated by a glade of trees through which the sun rises into our windows every morning; and the sun sets, through those same trees, in the evenings into the windows of the second place. Those windows go from the floor to the ceiling, so that the huge horizontal bar of the marsh and its drama – its sweeping passages of colour and light, the brewing of its distant storms, the great drifts of seabirds that float or settle over its pelt in white flecks, the sea that sometimes lies roaring at the very furthest line of the horizon in a boiling white foam and sometimes advances gleaming and silent until it has covered everything in a glassy sheet of water – seem to be right there in the room with you.

Following up the butt strike, your weapon is now at your left shoulder, held in rifle grip with the right hand palm-down at the handle of the weapon and the left hand palm-up maybe one third to one half the distance up the stick. To execute the rap, bring the right hand in toward the right hip while the left hand pushes the barrel end outward into the opponent's face. The weapon retraces the path it originally took from middle guard to the left shoulder, only in reverse. In practice you will find that the left elbow acts like a shock absorber, causing the end of the stick to snap back. Redirect this rebound up to your right shoulder, while letting your left hand slide down to bat grip. Follow through with an overight strike. Practice these three moves in sequence: underight butt, overleft rap, overight strike from bat grip. Your weapon will trace a 'V,' moving from one shoulder to another. Slam I have also seen this technique referred to as a “bar strike” because you are striking with the portion of the stick between the hands, which is like a bar. The slam is typically performed with the hands palm down in staff grip, equidistant from the ends, and thrown so that the stick is horizontal. Realize, though, that the slam can be thrown with multiple grips in multiple orientations. From the middle guard, throw the stick forward and diagonally, parallel to your adversary, striking him in the chest. Don't just shove the opponent, but aim for an explosive strike that knocks him back on impact. If the attacker crouches and lunges in to tackle, jam the portion of the stick between your hands into the juncture of the opponent's right shoulder and neck.

I stood in the horizontal and vertical cultures of words like a bar in a graph.

The Headquarters of the Bureau of Imperial Affairs, Western Division, was a converted town-house on the edge of the Caelian Hill. It was a two-story structure, lowered over by the six-floor apartment blocks more prevalent in the district. There was little to distinguish Headquarters from private houses elsewhere in Rome. Its façade was bleak and completely windowless on the stuccoed lower story. The upper floor, beyond the threat of graffiti and rubbing shoulders, had been sheathed in marble. The veneering was not in particularly good repair. Missing chips revealed the tufa core. The windows were narrow and barred horizontally. Most of the glazed sashes were swung open for ventilation despite the nip of a breeze to which spring was coming late.

Model visual #5: horizontal stacked bars Figure 6.5 shows the results of survey questions on relative priorities in a developing nation. This is a great deal of information, but due to strategic emphasizing and de-emphasizing of components, it does not become visually overwhelming. Figure 6.5 Horizontal stacked bars Stacked bars make sense here given the nature of what is being graphed: top priority (in first position in the darkest shade), 2nd priority (in second position and a slightly lighter shade of the same color), and 3rd priority (in third position and an even lighter shade of the same color). Orienting the chart horizontally means the category names along the left are easy to read in horizontal text.

In answer, the Wasp now lulled slowly round, firing her heavy carronade as she bore. In a few moments, the rival ships had closed; yard-arm to yard-arm they lay, almost in a mortal embrace. [Yard-arm is the outermost end of a horizontal bar that supports and controls the sail.] Terrific was the thunder of the heavy guns of both. No sooner did a gun spit out its venom of hot lead than its grimy gunner pulled in its smoking muzzle, its equally grimy swabber swabbed it, and it was loaded and thrust through the port again for another merciless discharge of hate. Like demons, these men worked at the breeches, while on the decks and the tops other men fired with pistols and

I picked her up, flipping her upside down and making her squeak in alarm. I threaded her legs through the cage, bending them over the horizontal bar near the top of the cage so she hung from it before me, her mouth lined up perfectly with my cock.

Murderers and rapists, rebels and thieves, were all permanently inked with horizontal bars and small circles on their arms and faces. It was a form of punishment which made them easily identifiable and effectively cut them off from their families and mainstream society.