Sylvia Townsend Warner Quotes

We've searched our database for all the quotes and captions related to Sylvia Townsend Warner. Here they are! All 95 of them:

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It is best as one grows older to strip oneself of possessions, to shed oneself downward like a tree, to be almost wholly earth before one dies.
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Sylvia Townsend Warner (Lolly Willowes)
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One doesn’t become a witch to run around being harmful, or to run around being helpful either, a district visitor on a broomstick. It’s to escape all that - to have a life of one’s own, not an existence doled out to by others.
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Sylvia Townsend Warner (Lolly Willowes)
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She was heavier than he expected - women always are.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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Young people are careless of their virginity; one day they may have it and the next not.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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One doesn’t become a witch to run around being helpful either…. It’s to escape all that – to have a life of one’s own, not an existence doled out to you by others, charitable refuse of their thoughts, so many ounces of stale bread of life a day.
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Sylvia Townsend Warner (Lolly Willowes)
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That’s why we become witches: to show our scorn of pretending life’s a safe business, to satisfy our passion for adventure. It’s not malice, or wickedness - well, perhaps it is wickedness, for most women love that - but certainly not malice, not wanting to plague cattle and make horrid children spout up pins and - what is it? - β€œblight the genial bed.
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Sylvia Townsend Warner (Lolly Willowes)
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She had thrown away twenty years of her life like a handful of old rags, but the wind had blown them back again, and dressed her in the old uniform.
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Sylvia Townsend Warner (Lolly Willowes)
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Laura had brought her sensitive conscience into the country with her, just as she had brought her umbrella, though so far she had not remembered to use either.
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Sylvia Townsend Warner (Lolly Willowes)
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During the last few years of her life Mrs. Willowes grew continually more skilled in evading responsibilities, and her death seemed but the final perfected expression of this skill. It was as if she had said, yawning a delicate cat’s yawn, β€œI think I will go to my grave now,” and had left the room.
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Sylvia Townsend Warner (Lolly Willowes)
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There is an amusing sense of superiority in seeing and remaining unseen.
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Sylvia Townsend Warner (Lolly Willowes)
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My blood ran with this ink...
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Sylvia Townsend Warner
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The night was at her disposal. She might walk back to Great Mop and arrive very late; or she might sleep out and not trouble to arrive till to-morrow. Whichever she did Mrs Leak would not mind. That was one of the advantages of dealing with witches; they do not mind if you are a little odd in your ways, frown if you are late for meals, fret if you are out all night, pry and commiserate when at length you return. Lovely to be with people who prefer their thoughts to yours, lovely to live at your own sweet will, lovely to sleep out all night!
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Sylvia Townsend Warner (Lolly Willowes)
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Laura was not in any way religious. She was not even religious enough to speculate towards irreligion.
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Sylvia Townsend Warner (Lolly Willowes)
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She could never feel love for him. Love was what she felt for birdsβ€”a free gift, unrequired, unrequited, invulnerable.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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Laura also thought that the law had done a great deal to spoil Henry. It had changed his natural sturdy stupidity into a browbeating indifference to other people's point of view. He seemed to consider himself briefed by his Creator to turn into ridicule the opinions of those who disagreed with him, and to attribute dishonesty, idiocy, or a base motive to every one who supported a better case than he.
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Sylvia Townsend Warner (Lolly Willowes)
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all her thoughts slid together again like a pack of hounds that have picked up the scent.
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Sylvia Townsend Warner (Lolly Willowes)
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- Still reading, Miss St John? You read a lot, don't you? - It saves me from conversation.
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Sylvia Townsend Warner (Winter in the Air)
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I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things -- like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.) I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels. Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't!
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Terri Windling
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London life was very full and exciting [...] But in London there would be no greenhouse with a glossy tank, and no apple-room, and no potting-shed, earthy and warm, with bunches of poppy heads hanging from the ceiling, and sunflower seeds in a wooden box, and bulbs in thick paper bags, and hanks of tarred string, and lavender drying on a tea-tray.
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Sylvia Townsend Warner (Lolly Willowes)
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At these times she was subject to a peculiar kind of day-dreaming, so vivid as to be almost a hallucination: that she was in the country, at dusk, and alone, and strangely at peace. She did not recall the places which she had visited in holiday-time, these reproached her like opportunities neglected. But while her body sat before the first fires and was cosy with Henry and Caroline, her mind walked by lonely seaboards, in marshes and fens, or came at nightfall to the edge of a wood.
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Sylvia Townsend Warner (Lolly Willowes)
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The amusement she had drawn from their disapproval was a slavish remnant, a derisive dance on the north bank of the Ohio. There was no question of forgiving them. She had not, in any case, a forgiving nature; and the injury they had done her was not done by them. If she were to start forgiving she must needs forgive Society, the Law, the Church, the History of Europe, the Old Testament, great-great-aunt Salome and her prayer-book, the Bank of England, Prostitution, the Architect of Apsley Terrace, and half a dozen other useful props of civilization. All she could do was to go on forgetting them. But now she was able to forget them without flouting them by her forgetfulness.
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Sylvia Townsend Warner (Lolly Willowes)
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It is,” answered Laura with almost violent agreement. β€œIf you are a were-wolf, and very likely you may be, for lots of people are without knowing, February, of all months, is the month when you are most likely to go out on a dark windy night and worry sheep.
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Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
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Wealth, if not a mere flash in the pan, compels the wealthy to become wealthier.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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This new year was changing her whole conception of spring. She had thought of it as a denial of winter, a green spur that thrust through a tyrant's rusty armor. Now she saw it as something filial, gently unlacing the helm of the old warrior and comforting his rough cheek.
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Sylvia Townsend Warner (Lolly Willowes)
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As for her own share in the matter, she felt no shame at all. It had pleased Satan to come to her aid. Considering carefully, she did not see who else would have done so. Custom, public opinion, law, church, and state - all would have shaken their massive heads against her plea, and sent her back to bondage.
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Sylvia Townsend Warner (Lolly Willowes)
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Sitting here, and thus, she had attained to a state which she could never have desired, not even conceived. And being so unforeseen, so alien to her character and upbringing, her felicity had an absolute perfection; no comparison between the desired and the actual could tear holes in it, no ambition whisper, But this is not quite what you wanted, is it?
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Sylvia Townsend Warner (Summer Will Show)
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So Laura is placed for us: mushrooms, crushed flowers, country matters. In London she will miss the greenhouse with its glossy tank, the appleroom, everything β€œearthy and warm.” Laura is an anomaly in the world of easy literary symbolism: she is a spinster, completely uninterested in men. Nevertheless she belongs irrevocably to the sources of life: to earth, seeds, bulbs.
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Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
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Was it for pleasure that you followed them Putting off your slippers at the door To dance barefoot and blood-foot in the snow? No. What then? What glamoured you? No glamour at all; Only that I remembered I was young And had to put myself into a song. How could time bear witness that I was tall, Silken, and made for love, if I did not so? I do not know. - Earl Cassilis's Lady
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Sylvia Townsend Warner (Sylvia Townsend Warner Selected Poems)
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She had forgotten Henry and the unpleasant things she meant to say to him. She had come to the edge of the wood, and felt its cool breath in her face. It did not matter about the donkey, nor the house, nor the darkening orchard even. If she were not to pick fruit from her own trees, there were common herbs and berries in plenty for her, growing wherever she chose to wander. It is best as one grows older to strip oneself of possessions, to shed oneself downward like a tree, to be almost wholly earth before one dies.
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Sylvia Townsend Warner (Lolly Willowes)
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Beside the china-cupboard and beneath Ratafee stood Emma’s harp, a green harp ornamented with gilt scrolls and acanthus leaves in the David manner. When Laura was little she would sometimes steal into the empty drawing-room and pluck the strings which remained unbroken. They answered with a melancholy and distracted voice, and Laura would pleasantly frighten herself with the thought of Emma’s ghost coming back to make music with cold fingers, stealing into the empty drawing-room as noiselessly as she had done. But Emma’s was a gentle ghost.
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Sylvia Townsend Warner (Lolly Willowes)
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Her mind was groping after something that eluded her experience, a something that was shadowy and menacing, and yet in some way congenial; a something that lurked in waste places, that was hinted at by the sound of water gurgling through deep channels and by the voices of birds of ill-omen. Loneliness, dreariness, aptness for arousing a sense of fear, a kind of ungodly hallowednessβ€”these were the things that called her thoughts away from the comfortable fireside.
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Sylvia Townsend Warner (Lolly Willowes)
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Laura took them into her arms. The great fans of orange tracery seemed to her even more beautiful than the chrysanthemums, for they had been given to her, they were a surprise. She sniffed. They smelt of woods, of dark rustling woods like the wood to whose edge she came so often in the country of her autumn imagination.
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Sylvia Townsend Warner (Lolly Willowes)
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After a few months she left off speculating about the villagers. She admitted that there was something about them which she could not fathom, but she was content to remain outside the secret, whatever it was. She had not come to Great Mop to concern herself with the hearts of men. Let her stray up the valleys, and rest in the leafless woods that looked so warm with their core of fallen red leaves, and find out her own secret, if she had one; with autumn it might come back to question her. She wondered. She thought not. She felt that nothing could ever again disturb her peace. Wherever she strayed the hills folded themselves round her like the fingers of a hand.
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Sylvia Townsend Warner (Lolly Willowes)
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It was not beauty at all that she wanted, or depressed though she was, she would have bought a ticket to somewhere or other upon the Metropolitan railway and gone out to see the recumbent autumnal graces of the country-side. Her mind was groping after something that eluded her experience, a something that was shadowy and menacing, and yet in some way congenial; a something that lurked in waste places, that was hinted at by the sound of water gurgling through deep channels and by the voices of birds of ill-omen. Loneliness, dreariness, aptness for arousing a sense of fear, a kind of ungodly hallowedness - these were the things that called her thoughts away from the comfortable fireside.
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Sylvia Townsend Warner (Lolly Willowes)
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They had an assured income, nothing could disturb their calm.
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Sylvia Townsend Warner (Lolly Willowes)
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It may all sound very petty to complain about, but I tell you that sort of thing settles down on one like a fine dust.” -Warner, Lolly Willowes
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Sylvia Townsend Warner
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The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf.
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Sylvia Townsend Warner (Lolly Willowes)
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As Laura stood waiting she felt a great longing. It weighed upon her like the load of ripened fruit upon a tree. She forgot the shop, the other customers, her own errand. She forgot the winter air outside, the people going by on the wet pavements. She forgot that she was in London, she forgot the whole of her London life. She seemed to be standing alone in a darkening orchard, her feet in the grass, her arms stretched up to the pattern of leaves and fruit, her fingers seeking the rounded ovals of the fruit among the pointed ovals of the leaves. The air about her was cool and moist. There was no sound, for the birds had left off singing and the owls had not yet begun to hoot. No sound, except sometimes the soft thud of a ripe plum falling into the grass, to lie there a compact shadow among shadows. The back of her neck ached a little with the strain of holding up her arms. Her fingers searched among the leaves.
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Sylvia Townsend Warner (Lolly Willowes)
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Mr. Arbuthnot certainly was not prepared for her response to his statement that February was a dangerous month. β€œIt is,” answered Laura with almost violent agreement. β€œIf you are a were-wolf, and very likely you may be, for lots of people are without knowing, February, of all months, is the month when you are most likely to go out on a dark windy night and worry sheep.
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Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
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She felt that these clean-shaven men with bristling eyebrows were suavely concealing their doubts of her intelligence and her probity. Their jaws were like so many mouse-traps, baited with commonplaces.
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Sylvia Townsend Warner (Lolly Willowes)
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It was as easy for him to quit Bloomsbury for the Chilterns as for a cat to jump from a hard chair to a soft. Now after a little scrabbling and exploration he was curled up in the green lap and purring over the landscape.
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Sylvia Townsend Warner (Lolly Willowes)
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Sept.17 (1780). When we call loudly thro' the speaking-trumpet to Timothy ( the tortoise), he does not seem to regard the noise. Sept.18. Timothy eats heartily. Oct.3. No ring-ouzels seen this autumn yet. Timothy very dull.
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Sylvia Townsend Warner (The Portrait of a Tortoise: Extracted from the Journals & Letters of Gilbert White)
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Watching these happy beings for whom weeping was impossible, he had become incapable of grief; watching their inconsistencies, he had become incapable of knowing right from wrong; disregarded by them he had become incapable of disappointment.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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And here am I, she thought, fixed in the religious life like a candle on a spike. I consume, I burn away, always lighting the same corner, always beleaguered by the same shadows; and in the end I shall burn out and another candle will be fixed in my stead.
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Sylvia Townsend Warner (The Corner That Held Them)
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She had never wavered for an instant from her conviction that she had made a compact with the Devil; now she was growing accustomed to the thought. She perceived that throughout the greater part of her life she had been growing accustomed to it; but insensibly, as people throughout the greater part of their lives grow accustomed to the thought of their death. When it comes, it is a surprise to them. But the surprise does not last long, perhaps but for a minute or two. Her surprise also was wearing off. Quite soon, and she would be able to fold her hands upon it, as the hands of the dead are folded upon their surprised hearts.
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Sylvia Townsend Warner (Lolly Willowes: or, The Loving Huntsman)
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Brewer the gardener, stamping out the ashes of his bonfire, saw her pass to and fro, a slender figure moving sedately between the unmoving boughs. He alone of all the household had taken his master’s death without exclamation. Death coming to the old was a harmless thought to him, but looking at Laura he sighed deeply, as though he had planted her and now saw her dashed and broken by bad weather.
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Sylvia Townsend Warner (Lolly Willowes)
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It is only for a week or two that a broken chair or a door off its hinges is recognised for such. Soon, imperceptibly, it changes its character, and becomes the chair which is always left in the corner, the door which does not shut. A pin, fastening a torn valance, rusts itself into the texture of the stuff, is irremovable; the cracked dessert place and the stewpan with a hole in it, set aside until the man who rivets and solders should chance to come that way, become part of the dresser, are taken down and dusted and put back, and when the man arrives no one remembers them as things in need of repair. Five large keys rest inside the best soup-tureen, scrupulously preserved though no one knows what it was they once opened, and the pastry-cutter is there too, little missed, for the teacup without a handle has taken its place.
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Sylvia Townsend Warner (The Salutation)
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Her disquiet had no relevance to her life. It arose out of the ground with the smell of the dead leaves ... She compared herself to the ripening acorn that feels through windless autumnal days and nights the increasing pull of the earth below. That explanation was very poetical and suitable. But it did not explain what she felt. She was not wildly anxious either to die or to live; why, then, should she be rent by this anxiety?
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Sylvia Townsend Warner (Lolly Willowes)
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...she had watched the wrong fields.... The weight of all her unhappy years seemed for a moment to weigh her bosom down to the earth; she trembled, understanding for the first time how miserable she had been; and in another moment she was released. It was all gone, it could never be again, and never had been. Tears of thankfulness ran down her face. With every breath she drew, the scent of the cowslips flowed in and absolved her.
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Sylvia Townsend Warner (Lolly Willowes)
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He used his intellect as he used his legs: to carry him somewhere else. He studied astrology, astronomy, botany, chemistry, numerology, fortification, divination, organ building, metallurgy, medicine, perspective, the kabbala, toxicology, philosophy, and jurisprudence. He kept his interest in anatomy and did a dissection whenever he could get hold of a body. He learned Arabic, Catalan, Polish, Icelandic, Basque, Hungarian, Romany, and demotic Greek.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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Stronger than rage, astonishment, contempt, the pleasurable sense that at last she had slapped Frederick's face, the less pleasurable surmise that his slap back would be longer-lasting; stronger even than the desire to see Minna was her feeling that of all things, all people, she most at this moment wished to see Ingelbrecht, and the sturdy assurance that she would find in him everything that she expected. If she had gone up the stairs in the rue de la Carabine on her knees, she could not have ascended with a more zealotical faith that there would be healing at the top; and when he opened the door to her, enquiring politely if her errands had gone well she replied with enthusiasm, "Perfectly. My husband--it was he I went to see--has just threatened to cut me off with a penny." "A lock-out," said Ingelbrecht. "Very natural. It is a symptom of capitalistic anxiety. I suppose he has always been afraid of you." She nodded, and her lips curved in a grin of satisfaction.
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Sylvia Townsend Warner (Summer Will Show)
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It is not hunger and nakedness that worst afflict the poor, for a very little thieving or a small alms can remedy that. No, the wretchedness of the poor lies below hunger and nakedness. It consists in their incessant incertitude and fear, the drudging succession of shift and scheme and subterfuge, the labouring in the quicksand where every step that takes hold of the firm ground is also a step into the danger of condemnation. Not cold and hunger but Law and Justice are the bitterest affliction of the poor. Entering
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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God, an enormous darkness, hung looped over half her sky, an ever-present menace, a cloud waiting to break.
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Sylvia Townsend Warner (Summer Will Show)
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Even Henry and Caroline, whom she saw every day, were half hidden under their accumulations--accumulations of prosperity, authority, daily experience. They were carpeted with experience. No new event could set jarring feet on them but they would absorb and muffle the impact. If the boiler burst, if a policeman climbed in at the window waving a sword, Henry and Caroline would bring the situation to heel by their massive experience of normal boilers and normal policemen.
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Sylvia Townsend Warner
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To-day I wish that I were a tree, And not myself, Confronting spring with a neat little row of poems Like cups and saucers on a shelf. ... But as I am only a woman And not a tree, With piteous human care I have made this poem, And set it now on the shelf with the rest to be. - Wish in Spring
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Sylvia Townsend Warner (Sylvia Townsend Warner Selected Poems)
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I knew a time when Europe feasted well: bodies were munched in thousands, vintage blood so blithely flowed that even the dull mud grew greedy, and ate men; ... Long revel, but at last to loathing turned, and through after-dinner speeches yawned those who still waked to hear them. No one claps. Come, Time, 'tis time to bear away the scraps! - Opus 7
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Sylvia Townsend Warner (Sylvia Townsend Warner Selected Poems)
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The worst of it is, that as a revolutionary she is out of fashion. Before, she was an inspiration. But inspiration is not wanted now, it seems. One must be practical, one must be administrative, one must understand economics and systems. She pines. She said to me, that very evening, 'Our Moses was luckier than he knew, to die before he went into the promised land.
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Sylvia Townsend Warner
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What good? None, possibility. One does not await a revolution as one awaits the grocer's van, expecting to be handed packets of sugar and tapioca.
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Sylvia Townsend Warner (Summer Will Show)
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There is pleasure in watching the sophistries of mankind, his decisions made and unmade like the swirl of a mill-race, causation sweeping him forward from act to act while his reason dances on the surface of action like a pattern of foam. Yes, and the accumulations of human reason, she thought, the proofs we all assent to, the truths established beyond shadow of doubt, these are like the stale crusts of foam that lie along the river-bank and look solid enough, till a cloudburst further up the valley sends down a force of water that breaks them up and sweeps them away.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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You speak with little pity, my man.' 'I'm like the gentry, then. Like the parsons, and the justices, and the lords and ladies. Like that proud besom down to Blandamer.
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Sylvia Townsend Warner (Summer Will Show)
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In London her grief was retracted into sudden realisations of her loss. She had thought that sorrow would be her companion for many years and had planned for its entertainment. Now it visited her like sudden snow-storms, a hastening darkness across the sky, a transient whiteness and rigour cast upon her. She tried to recover the sentiment of renunciation which she had worn like a veil. It was gone, and gone with it was her sense of the dignity of bereavement.
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Sylvia Townsend Warner
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Although she had chosen presents with such care for her relations, Laura was surprised when counter presents arrived from them. She had not thought of them as remembering her. (77)
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Sylvia Townsend Warner
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Dame Salome, with one of those flashes of worldly wisdom which at times emerge from very stupid well-meaning people,
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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Squeezed uncomfortably into a corner the chaplain looked at him with a malevolence so habitual that it was almost indifference.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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It was through him that the novices began to practise levitation.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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Of all menaces to peace and quiet a visionary nun is the worst,
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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his adventure had mastered him, and till it released him there was nothing for it but to submit.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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He had no wish to obtrude himself on bishops.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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No Jews now,’ she chirruped, β€˜to waylay poor little lads and hang them up in cellars. It was a good day for England when they were packed off.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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There is pleasure in watching the sophistries of mankind, his decisions made and unmade like the swirl of a mill-race, causation sweeping him forward from act to act while his reason dances on the surface of action like a pattern of foam.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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Here lay she, still reverberating the pleasure long laid aside and never forgotten.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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But then, what is belief? A thought lodges in the mind, will not out, preserves its freshness and colour and flexibility like the corpse of a saint: is this belief, or is it heresy?
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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Dame Helen agreed that cleverness was not everything. Many saints were simple enough. The prioress remarked that it was not till christian times that simplicity became a virtue; the good characters of the Old Testament were ingenious as well as virtuous. β€˜That was because they were Jews,’ said Dame Beatrix.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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She looked; and it was as if new eyes had been put into her head.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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After all, every man will climb if he can, and not many of them continue so kind to old acquaintances.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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It is not hunger and nakedness that worst afflict the poor, for a very little thieving or a small alms can remedy that. No, the wretchedness of the poor lies below hunger and nakedness. It consists in their incessant incertitude and fear, the drudging succession of shift and scheme and subterfuge, the labouring in the quicksand where every step that takes hold of the firm ground is also a step into the danger of condemnation. Not cold and hunger but Law and Justice are the bitterest affliction of the poor.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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For each one of us lives in his microcosm, the solidity of this world is a mere game of mirrors, there can be no absolute existence for what is apprehended differently by all.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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But the prioress continued to express pleasure in Dame Alice’s common sense, candour, and lack of imagination, so Dame Alice continued to manifest common sense and lack of imagination.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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But we cannot all be saints. Some of us have to be stewards.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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Dame Alice was suffering from nothing more than an indigestion of self-importance.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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The pother about the Visitation had no more relevance to the bishop’s coming than the smell of hot women that was constantly in her nostrils had anything to do with the sun’s journey overhead.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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When a dog has slept in the same corner for so many years no one is likely to enquire into its pedigree.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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His spirits, sharpened by disliking the bishop as an appetite is sharpened by pickles, took an upward turn.
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Sylvia Townsend Warner (The Corner That Held Them (New York Review Books Classics))
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Even desolation is a world to be explored.
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Sylvia Townsend Warner
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Members of the ruling class are unwilling to admit themselves mistaken.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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I think you will come to Balzac yet. When one has disproved all one’s theories, outgrown all of one’s standards, discarded all one’s criterions, and left off minding about one’s appearance, one comes to Balzac. And there he is, waiting outside his canvas tentβ€”with such a circus going on inside.
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Sylvia Townsend Warner (The Element of Lavishness: Letters of Sylvia Townsend Warner & William Maxwell, 1938-1978)
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If one were to include one-tenth of the remarkable people one knows, in one's fiction, no one would accept it. Real life remains one's private menagerie.
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Sylvia Townsend Warner
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The impulse behind fantasy I find to be dissatisfaction with literary realism. Realism leaves out so much. Any consensual reality (though wider even than realism) nonetheless leaves out a great deal also. Certainly one solution to the difficulty of treating experience that is not dealt with in the literary tradition, or even in consensual reality itself, is to 'skew' the reality of a piece of fiction, that is, to employ fantasy. Sometimes authors can't face the full reality of what they feel or know and can therefore express that reality only through hints and guesses. Fantasies often fit this pattern, for example, Edith Wharton's fine ghost story, 'Afterwards.' Wharton can't afford to investigate too explicitely the assumptions and values of the society which provided her with money and position; so although the story 'knows' in a sense that the artistic culture of the wealthy depends on devastatingly brutal commecial practices, none of this can be as explicit as, say, Sylvia Townsend Warner's wonderful historical novel, Summer Will Show, in which the mid-19th century heroine ends by reading the Communist Manifesto. But there are other stories, quite as 'Gothic' in method and tone, which do not fit this pattern. Authors may know what their experience is and yet be unable to name it, not because it is unconscious or unfaceable, but because it is not majority experience. Shirley Jackson strikes me as a writer who does both: for example, clearly portraying Eleanor (in The Haunting of Hill House) as an abused child long before the phrase itself was invented, occasionally using material she doesn't really seem to have understood; and sometimes dislocating reality because conventional forms simply will not express the kind of experience she knows exists. After all, reality is -- collectively speaking -- a social invention and is not itself real. Individually, it is as much something human beings do as it is something refractory that is prior to us and outside us.
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Joanna Russ (How to Suppress Women's Writing)
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He had not been much of a poet, but poet enough for his love-sonnets and satires to weaken his lungs.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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When I had exhausted our library I made several excursionsβ€”to Saint Andrew’s, to Oxford, to the German Universitiesβ€”and read over the shoulders of mortal students. It was sometimes very trying not being able to turn the pages for myself, since I was a quicker reader than they; but invisibility had its drawbacks.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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Therefore, at some point or other of Sir Glamie’s pedigree an Elfin lady must have yielded to a mortal lover, and immortality, like the pox, has run in the family ever since.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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Sir Maugre’s erudition was so wide that whatever anyone said reminded him of something that had no bearing on it.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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The fortune of his game had brought him fairiesβ€”but he had always known fairies were in the pack.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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But the overruling disconcertingness was to find himself unconcerned. It was as if some mysterious oil had been introduced into the workings of his mind. If a thought irked him, he thought of something else. If a project miscarried, a flooding serenity swept him beyond it. He lived a tranquil truant, dissociated from himself as though by a slight agreeable fever.
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Sylvia Townsend Warner (Kingdoms of Elfin)
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Four thousand miles away, across a continent, across an ocean, was an island. And there, secure in the timelessness of all things irretrievably lost, was happinessβ€”like a bird singing or a flower growing. He had possessed it, he had misused itβ€”for to do anything with happiness but to receive it as the ear receives the song of a bird or the nostril the scent of a flower is to misuse it; he had left it. But because he had left it of his own will it had given himβ€”a parting giftβ€”this touchstone to carry forever in his heart, wherewith to try and infallibly dismiss any solace, whether by chance or plotted by the treachery of his desires, that might come to him and say, I too am happiness.
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Sylvia Townsend Warner (The Salutation)