Sylvia Plath Best Quotes

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August rain: the best of the summer gone, and the new fall not yet born. The odd uneven time.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Why can’t I try on different lives, like dresses, to see which fits best and is more becoming?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
There are times when a feeling of expectancy comes to me, as if something is there, beneath the surface of my understanding, waiting for me to grasp it. It is the same tantalizing sensation when you almost remember a name, but don't quite reach it. I can feel it when I think of human beings, of the hints of evolution suggested by the removal of wisdom teeth, the narrowing of the jaw no longer needed to chew such roughage as it was accustomed to; the gradual disappearance of hair from the human body; the adjustment of the human eye to the fine print, the swift, colored motion of the twentieth century. The feeling comes, vague and nebulous, when I consider the prolonged adolesence of our species; the rites of birth, marriage and death; all the primitive, barbaric ceremonies streamlined to modern times. Almost, I think, the unreasoning, bestial purity was best. Oh, something is there, waiting for me. Perhaps someday the revelation will burst in upon me and I will see the other side of this monumental grotesque joke. And then I'll laugh. And then I'll know what life is.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
So much working, reading, thinking, living to do. A lifetime is not long enough. Nor youth to old age long enough. Immortality and permanence be damned. Sure I want them, but they are nonexistent, and won't matter when I rot underground. All I want to say is: I made the best of a mediocre job. It was a good fight while it lasted. And so life goes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
This was the best time of the day, when I could lie in the vague twilight, drifting off to sleep, making up dreams inside my head the way they should go.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over. The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
Why can’t I try on different lives, like dresses, to see which one fits best?
Sylvia Plath
Remember how you asked me where would I like to live best, the country or the city?" "And you said..." "And I said I wanted to live in the country and in the city both?
Sylvia Plath (The Bell Jar)
It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual…
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
This woman lawyer said the best men wanted to be pure for their wives, and even if they weren't pure, they wanted to be the ones to teach their wives about sex. Of course they would try to persuade a girl to have sex and say they would marry her later, but as soon as she gave in, they would lose all respect for her and start saying that if she did that with them she would do that with other men and they would end up by making her life miserable.
Sylvia Plath
Sylvia was an early literary manifestation of a young woman who takes endless selfies and posts them with vicious captions calling herself fat and ugly. She is at once her own documentarian and the reflexive voice that says she is unworthy of documentation. She sends her image into the world to be seen, discussed, and devoured, proclaiming that the ordinariness or ugliness of her existence does not remove her right to have it.
Alana Massey (All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers)
And times there are when you feel very wise and ageless. You are sunning on the rocks, the water splashing at your feet, when a small chubby freckle faced girl of about ten approaches you, her hand holding something that is invisible, but evidently quite precious. 'Do you know,' she asks earnestly, 'do starfish like hot or cold water best?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Joan was the beaming double of my old best self, specially designed to follow and torment me.
Sylvia Plath (The Bell Jar)
When I was doing the Mademoiselle application my husband would peer over my shoulder and say, "What are you doing competing with the best brains in the country? Why don't you just wash the dishes?" When the telegram came from Mademoiselle, I ran outside and shouted, "Guess who has the best brains in the country?
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
I give and give; my whole life will be a saying of poems and a loving of people and giving of my best fiber to them.
Sylvia Plath
Almost, I think, the unreasoning, bestial purity was best.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
How best beauty’s born of hardihood.
Sylvia Plath (The Collected Poems)
Remember how you asked me where I like to live best, the country or the city?”                 “And you said...”                 “And I said I wanted to live in the country and in the city both?”                 Buddy nodded.                 “And you,” I continued with a sudden force, “laughed and said I had the perfect setup of a true neurotic and that that question came from some questionnaire you’d had in psychology class that week?”                 Buddy’s smile dimmed.                 “Well, you were right. I am neurotic. I could never settle down in either the country or the city.”                 “You could live between them,” Buddy suggested helpfully. “Then you could go to the city sometimes and to the country sometimes.”                 “Well, what’s so neurotic about that?”                 Buddy didn’t answer.                 “Well?” I rapped out, thinking, You can’t coddle these sick people, it’s the worst thing for them, it’ll spoil them to bits.                 “Nothing,” Buddy said in a pale, still voice.                 “Neurotic, ha!” I let out a scornful laugh. “If neurotic is wanting two mutually exclusive things at one and the same time, then I’m neurotic as hell. I’ll be flying back and forth between one mutually exclusive thing and another for the rest of my days.
Sylvia Plath (The Bell Jar)
Winter Landscape, with Rocks Water in the millrace, through a sluice of stone, plunges headlong into that black pond where, absurd and out-of-season, a single swan floats chaste as snow, taunting the clouded mind which hungers to haul the white reflection down. The austere sun descends above the fen, an orange cyclops-eye, scorning to look longer on this landscape of chagrin; feathered dark in thought, I stalk like a rook, brooding as the winter night comes on. Last summer's reeds are all engraved in ice as is your image in my eye; dry frost glazes the window of my hurt; what solace can be struck from rock to make heart's waste grow green again? Who'd walk in this bleak place? Sylvia Plath was one of the first and best of the modern confessional poets. She won a Pulitzer Prize posthumously for her Collected Poems after committing suicide at the age of 31, something she seemed to have been predicting in her writing and practicing for in real life.
Sylvia Plath
I gathered all my news of Joan into a little, bitter heap, though I received it with surface gladness. Joan was the beaming double of my old best self, specially designed to follow and torment me.
Sylvia Plath (The Bell Jar)
Almost, I think, the unreasoning, bestial purity was best. Oh, something is there, waiting for me. Perhaps someday the revelation will burst in upon me and I will see the other side of this monumental grotesque joke. And then I'll laugh. And then I'll know what life is.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
new green honeydew melon: not as good as yesterday (probably, by freak of fortune, the best most delectable melon in the world), wild cold honey-flavored melon-flesh; creamy texture, refreshing, sweet the way sunlight would taste, coming through the clear glassy green bulk of waves.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Her father was right. Her poems are powerful. They are not Sylvia Plath, but there was only one Sylvia Plath. 'The thing was,' said Frieda, 'if I'm lying on my death bed, who would I have pleased by not living how I need to live, in order to have a happy, or reasonable, or successful, or productive, or even a completely non-successful, but, you know, quite muddling-along-in-an-OK-fashion life? It's up to us how we get from A to B to C to D. I might never light up the sky. None of us might. It doesn't matter. What matters is: did you do the best you could with the tools you had at hand?
Christina Patterson (The Art of Not Falling Apart)
two over-lapping circles, with a certain strong riveted centre of common ground, but both with separate arcs jutting out in the world. A balanced tension, adaptable to circumstances, in which there is an elasticity of pull, tension, yet firm unity . . . . I do not believe . . . that artistic creativity can best be indulged in masterful singleness rather than in marital cooperation. I think that a workable union should heighten the potentialities in both individuals.
Sylvia Plath
For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Oh, yes indeed, after she died. I had read nothing of hers before she died. I have never read any of her poetry. I’m not interested in poetry. I like novels. I like memoirs. Best of all, I like biographies. I think I write rather well myself.
Janet Malcolm (The Silent Woman: Sylvia Plath and Ted Hughes)
I remember once reading about Sylvia Plath. She was a young divorcee with two small children when she wrote some of her best poetry—at 4 or 5 A.M., before the kids woke. That’s how much she wanted it.
M.J. Ryan (This Year I Will...: How to Finally Change a Habit, Keep a Resolution, or Make a Dream Come True)
Sylvia Plath's achingly powerful The Bell Jar weaves her personal battle with depression into the tapestry of fiction. Ned Vizzini's best-selling It's Kind of a Funny Story was inspired by his own psychiatric hospitalization. The House on Mango Street, by Sandra Cisneros, contains
Jessica Lourey (Rewrite Your Life: Discover Your Truth Through the Healing Power of Fiction)
113 Alvarez would include Plath and Anne Sexton in his second edition in 1966, realizing too late that it was not Hughes but Plath whose work best articulated the sound and sense of the new poetry. He later called her exclusion from the first edition a “terrible mistake.
Heather Clark (Red Comet: The Short Life and Blazing Art of Sylvia Plath)
Plath was a summa cum laude graduate of one of the best English literature programs in the United States, and a Fulbright Scholar, yet he wrote to Anne Stevenson in 1986, “as for her mastery of literature I was mainly astounded—and I mean astounded—by what she had not read.
Emily Van Duyne (Loving Sylvia Plath: A Reclamation)
What follows is my best effort to shed as much light as possible on events that have not simply been forgotten or left in the dark, but relegated to the attic, or the ash can, or the metaphorical darkness of fear and shame, and to reignite Plath's fire in the parlor where her fans squint to read by flickering gaslight; above them, the man searches the attic for the jewels he hid too well.What follows is my best effort to shed as much light as possible on events that have not simply been forgotten or left in the dark, but relegated to the attic, or the ash can, or the metaphorical darkness of fear and shame, and to reignite Plath's fire in the parlor where her fans squint to read by flickering gaslight; above them, the man searches the attic for the jewels he hid too well.
Emily Van Duyne (Loving Sylvia Plath: A Reclamation)
From this experience also, a faith arises to carry back to a human world of small lusts and deceitful pettiness. A faith, naïve and child like perhaps, born as it is from the infinite simplicity of nature. It is a feeling that no matter what the ideas or conduct of others, there is a unique rightness and beauty to life which can be shared in openness, in wind and sunlight, with a fellow human being who believes in the same basic principles. Yet, when such implicit belief is placed in another person, it is indeed shattering to realize that a part of what to you was such a rich, intricate, whole conception of life has been tossed off carelessly, lightly – it is then that a stunned, inarticulate numbness paralyzes words, only to give way later to a deep hurt. It is hard for me to say on paper what I believe would best be reserved for a lucid vocal discussion. But somehow I did want you to know a little of what your surprising and perhaps injudiciously confidential information did to me yesterday. A feeling that there was no right to condemn, but that still somehow there was a crumbling of faith and trust. A feeling that there was a way to rationalize, to condone, if only by relegating a fellow human from the unique to the usual.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)