Mer Quotes

We've searched our database for all the quotes and captions related to Mer. Here they are! All 100 of them:

Aphros nodded, a glint of pride in his eyes. “We have trained all the famous mer-heroes! Name a famous mer-hero, and we have trained him or her!” “Oh, sure,” Leo said. “Like…um, the Little Mermaid?” Aphros frowned. “Who? No! Like Triton, Glaucus, Weissmuller, and Bill!” “Oh. ”Leo had no idea who any of those people were. “You trained Bill? Impressive.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Quand tu veux construire un bateau, ne commence pas par rassembler du bois, couper des planches et distribuer du travail, mais reveille au sein des hommes le desir de la mer grande et large. If you want to build a ship, don't drum up people together to collect wood and don't assign them tasks and work, but rather teach them to long for the endless immensity of the sea.
Antoine de Saint-Exupéry
Where's your hat?" He squints at me. "Mer? Is that you? Do I need my scarf? Will it be cold, Mummy?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
His wang is rubbed shiny," Josh elaborates. "For luck." "Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?" "Really?" I ask. "Shiny wang?" "Very," St. Clair says. "Now that's something I've gotta see.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
But you just said you loved me." "I do, Mer. That's the point. I can't make you like me. I can't stand the thought of you hungry or cold or scared. I can't make you a Six.
Kiera Cass (The Selection (The Selection, #1))
Elle est retrouvée! Quoi? -l'Éternité. C'est la mer allée Avec le soleil.
Arthur Rimbaud (Une saison en enfer suivi de Illuminations et autres textes (1873-1875))
I'm going to teach you to ride Princess." "Princess?" "My motorcycle." I laugh. "You named your motorcycle Princess?" "What can I say?" he teases. "I call all my favorite things princess.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I dont know any American girl who can resist an English accent.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It’s a training camp,” Leo realized. He looked at Aphros in awe. “You train heroes, the same way Chiron does?” Aphros nodded, a glint of pride in his eyes. “We have trained all the famous mer-heroes! Name a merhero, and we have trained him or her!” “Oh, sure,” Leo said. “Like…um, the Little Mermaid?
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Mais, vrai, j’ai trop pleuré ! Les Aubes sont navrantes. Toute lune est atroce et tout soliel amer: L’âcre amour m’a gonflé de torpeurs enivrantes. Ô que ma quille éclate ! Ô que j’aille à la mer!
Arthur Rimbaud (Le Bateau ivre)
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Mais vrai, j'ai trop pleuré. Les Aubes sont navrantes. Toute lune est atroce et tout soleil amer: L'âcre amour m'a gonflé de torpeurs enivrantes. O que ma quille éclate! O que j'aille à la mer!
Arthur Rimbaud (Des Ardennes au désert (Oeuvres))
Le monde est oval. On apprend l’eau par la soif, et la terre par le voyage en mer; la passion par les affres, et la paix par les récits de guerre; l’amour par la mort, et les oiseaux par l’hiver.
Emily Dickinson
I’m just realizing, Mer, that no matter what happens . . . there will always be a string tying you to me. I’ll never not worry about you. I’ll never not care about what you do. You’ll always be something to me.
Kiera Cass (The One (The Selection, #3))
Meredith's a big girl. She knows how babies are made, don't you, Mer?" I nod, numb and weary. "'Course I do. Same guy that taught you taught me.
Laura Wiess (Such a Pretty Girl)
Would I like this boy?" I bit my lip to keep from smiling. "Yeah. I think so. He's nice." "So I imagine you'll need a dress?" "Yeah, probably." "And I'll need a gun." "Dad!
Brenda Pandos (Everblue (Mer Tales, #1))
Lorsque l'esprit des hommes te paraîtra étroit, dis-toi que la terre de Dieu est vaste, et vastes Ses mains et Son coeur. N'hésite jamais à t'éloigner, au delà de toutes les mers, au-delà de toutes les frontières, de toutes les patries, de toutes les croyances
Amin Maalouf (Leo Africanus)
And I, the for­mer mys­tic, was think­ing: Yes, man is stronger, greater than God. When Adam and Eve de­ceived You, You chased them from par­adise. When You were dis­pleased by Noah’s generation, You brought down the Flood. When Sodom lost Your fa­vour, You caused the heav­ens to rain down fire and damna­tion. But look at these men whom You have be­trayed, al­low­ing them to be tortured, slaugh­tered, gassed, and burned, what do they do? They pray be­fore You! They praise Your name!
Elie Wiesel (Night (The Night Trilogy, #1))
MOTHER IS WATER I wish I could Shower your head with flowers And anoint your feet with my tears, For I know I have caused you So much heartache, frustration and despair – Throughout my youthful years. I wish I could give you The remainder of my life To add to yours, Or simply erase The lines on your face, And mend all that has been torn. For next to God, You are the fire That has given light To the flame in each of my eyes. You are the fountain That nourished my growth, And from your chalice – Gave me life. Without the wetness of your love, The fragrance of your water, Or the trickling sounds of Your voice, I shall always feel thirsty.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Oh, for God’s sake, Roen! Stop with the Superman crap!” “Not Superman. Mer. Man… Superman is fictional. Mermen are real.
Mimi Jean Pamfiloff
Trust me, Mer, any man who passes up the chance to be with you is the stupid one.” “You tried to pass me up,” I reminded him. “That’s how I know,” he replied with a smile.
Kiera Cass (The Elite (The Selection, #2))
The directness of her question throws me. "I don't know. Sometimes I think there are only so many opportunities...to get together with someone. And we've both screwed up so many times"- my voice grows quiet - "that we've missed our chance." "Anna." Mer pauses. "That is the dumbest thing I've ever heard." "But—" "But what? You love him, and he loves you, and you live in the most romantic city in the world.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
În infinit nu există popas. Dacă ai obosit, îți tragi răsuflarea din mers.
Chris Simion (Ce ne spunem când nu ne vorbim)
Mais Paris est un véritable océan. Jetez-y la sonde, vous n'en connaîtrez jamais la profondeur. Parcourez-le, décrivez-le : quelque soin que vous mettiez à le parcourir, à le décrire ; quelques nombreux et intéressés que soient les explorateurs de cette mer, il s'y rencontrera toujours un lieu vierge, un antre inconnu, des fleurs, des perles, des monstres, quelque chose d'inouï, oublié par les plongeurs littéraires.
Honoré de Balzac (Père Goriot)
You love me?" "Of course I do." My shoulders dropped. "I knew it the day I wanted to punch that idiot's face when he had his hands all over you.
Brenda Pandos (Everblue (Mer Tales, #1))
How do you always know just what to say?" I ask. His laugh rumbles through me. "Practice, I guess." I pull back and give him a quizzical look. "I spent three years imagining what I would say to you if you were mine," he says, tugging me close. "I should hope I know what to say now that I've got you.
Tera Lynn Childs (Fins Are Forever (Fins, #2))
Certes, sous les silences d'antan, -comme, sous la calme surface des eaux, la mêlée des bêtes dans la mer, -je sentais bien grouiller la vie sous-marine des sentiments cachés, des désirs et des pensées qui se nient et qui luttent.
Vercors (Le Silence de la mer)
Adieu, soleil ! s'écria-t-il. Disparais, astre radieux ! Couche-toi sous cette mer libre, et laisse une nuit de six mois étendre ses ombres sur mon nouveau domaine !
Jules Verne (20,000 Leagues Under the Sea)
The beauty of the world is the mouth of a labyrinth. The unwary individual who on entering takes a few steps is soon unable to find the opening. Worn out, with nothing to eat or drink, in the dark, separated from his dear ones, and from everything he loves and is accustomed to, he walks on without knowing anything or hoping anything, incapable even of discovering whether he is really going forward or merly turning round on the same spot. But this affliction is as nothing compared with the danger threatening him. For if he does not lose courage, if he goes on walking, it is absolutely certain that he will finally arrive at the center of the labyrinth. And there God is waiting to eat him. Later he will go out again, but he will be changed, he will have become different, after being eaten and digested by God. Afterward he will stay near the entrance so that he can gently push all those who come near into the opening.
Simone Weil (Waiting for God)
Donc, il faudra que je meure et flotte comme écume sur la mer et n'entende jamais plus la musique des vagues, ne voit plus les fleurs ravissantes et le rouge soleil. Ne puis-je rien faire pour gagner une vie éternelle?
Hans Christian Andersen
Mer had always considered herself a decent judge of liars. But she had forgotten it was possible to lie without ever uttering an untruth.
Emily Lloyd-Jones (The Drowned Woods)
Trangen til å lese tok meg og holdt meg i sitt deilige, berusende grep. Jo mer jeg leste, desto mer hungret jeg. Hvert verk var rikt på løfter; hver side jeg bladde om, var en eventyrferd, tiltrekning fra en annen verden.
Tatiana de Rosnay (The House I Loved)
Démons et merveilles Vents et marées Au loin déjà la mer s'est retirée
Jacques Prévert
Elle est retrouvée Quoi ? – L’Eternité. C’est la mer allée Avec le soleil.
Arthur Rimbaud
Á l’endroit où les fleuves se jettent dans la mer, il se forme une barre difficile á franchir, et de grands remous écumeux où dansent les épaves. Entre la nuit du dehors et la lumière de la lampe, les souvenirs refluaient de l’obscurité, se heurtaient a la clarté et, tantôt immergés, tantôt apparents, montraient leurs ventres blancs et leurs dos argentés.
Boris Vian (L'Écume des jours)
J'ai connu et je connais encore, dans ma vie, des bonheurs inouïs. Depuis mon enfance, par exemple, j'ai toujours aimé les concombres salés, pas les cornichons, mais les concombres, les vrais, les seuls et uniques, ceux qu'on appelle concombres à la russe. J'en ai toujours trouvé partout. Souvent, je m'en achète une livre, je m'installe quelque part au soleil, au bord de la mer, ou n'importe où, sur un trottoir ou sur un banc, je mords dans mon concombre et me voilà complètement heureux. Je reste là, au soleil, le cœur apaisé, en regardant les choses et les hommes d'un œil amical et je sais que la vie vaut vraiment la peine d'être vécue, que le bonheur est accessible, qu'il suffit simplement de trouver sa vocation profonde, et de se donner à ce qu'on aime avec un abandon total de soi.
Romain Gary (Promise at Dawn)
L’amour est une mer dont le femme est la rive.
Victor Hugo
—but they’re minor-level functionaries. They can’t do that kind of shit. And a demon can’t possess another demon—or a half, for that matter. So two plus two, okay? His other half ain’t Ahhazu, it’s incubus. And there’s only one half human, half incubus ever been recorded—” “Maybe Pritkin’s birth wasn’t recorded.” “Bullshit. You know damn well who we got—” “Don’t say it.” “—next door, and John Pritkin ain’t his—” “I’m warning you.” “—name. It’s motherfucking Mer—” “Say it and spend the rest of your life in the Jurassic,” I hissed.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Quand j'étais enfant, le luxe c'était pour moi les manteaux de fourrure et les villas au bord de la mer. Plus tard, j'ai cru que c'était de mener une vie d'intellectuel. Il me semble maintenant que c'est aussi de pouvoir vivre une passion pour un homme ou une femme
Annie Ernaux (Simple Passion)
Le coucher de soleil, le printemps, le bleu de la mer, les étoiles de la nuit, toutes ces choses que nous disons captivantes n’ont de magie que lorsqu’elles gravitent autour d’une femme, mon garçon… Car la Beauté, la vraie, l’ unique, la beauté phare, la beauté absolue, c ’est la femme. Le reste, tout le reste n ’est qu ’accessoires de charme.
Yasmina Khadra
Il faut exiger de chacun ce que chacun peut donner, reprit le roi. L’autorité repose d’abord sur la raison. Si tu ordonnes à ton peuple d’aller se jeter à la mer, il fera la révolution. J’ai le droit d’exiger l’obéissance parce que mes ordres sont raisonnables.
Antoine de Saint-Exupéry (Le Petit Prince)
When you kiss a Mer-male, does it taste like fish?
Nadine Christian (Discovering Daniel)
The sound of shuffling pages filled the room like a delicate rainstorm falling on dried leaves.
Brenda Pandos (Everblue (Mer Tales, #1))
Pleased to meet you," Tellin says, shaking me out of my reverie. "Lily told me much about you last weekend." "Funny." Quince throws me a questioning glance. "She didn't mention you at all.
Tera Lynn Childs (Fins Are Forever (Fins, #2))
Nobody wants to admit that mermaids who survive the dangers of the ocean can still be defeated by their own pain." He links his fingers through mine. He squeezes my hand until I look back. "A mermaid's heart is the most fragile thing in the sea. You've somehow managed to keep yours beating. The shield doesn't matter. What matters is you're a survivor.
Emm Cole (Keeping Merminia (Merminia, #2))
la mer..a berce mon coeur pour la vie
Charles Trenet
Tänker på dig mycket, saknar dig mer
Gunnar Ardelius (I Need You More Than I Love You and I Love You to Bits)
Au-dessus des étangs, au-dessus des vallées, Des montagnes, des bois, des nuages, des mers, Par delà le soleil, par delà les éthers, Par delà les confins des sphères étoilées
Charles Baudelaire (Les Fleurs du Mal)
J'ai grandi dans la mer et la pauvreté m'a été fastueuse, puis j'ai perdu la mer, tous les luxes alors m'ont paru gris, la misère intolérable.
Albert Camus (Noces suivi de L'été)
His eyes go wide while a gasp of wonder passes his lips. He turns his body fully toward us. His lips moving like a fish out of water, gasping for breath. He gives his head a shake and stutters out, “Mer—mermaids. There are fish with women’s bodies or—women with fish bodies sitting upon the rocks. I—I never knew...
A.R. Von (Lady's Destiny)
La sincérité toujours surmonte les obstacles.
Vercors (Le Silence de la mer)
I'm speechless.I think at the rooftops of Paris. he touches my cheek,pulling my gaze back to him.I suck in my breath. "Anna.I'm sorry for what happened in Luxembourg Gardens.Not because of the kiss-I've never had a kiss like that in my life-but because I didn't tell you why I was running away.I chased after Meredith because of you." Touch me again. Please,touch me again. "All I could think about was what that bastard did to you last Christmas. Toph never tried to explain or apologize. How could I do that to Mer? And I ought to have called you before I went to Ellie's,but I was so anxious to just end it,once and for all,that I wasn't thinking straight." I reach for him. "St. Clair-" He pulls back. "And that.Why don't you call me Etienne anymore?" "But...no one else calls you that.It was weird.Right?" "No.It wasn't." His expression saddens. "And every time you say 'St. Clair,' it's like you're rejecting me again." "I have never rejected you." "But you have.And for Dave." His tone is venomous. "And you rejected me for Ellie on my birthday. I don't understand.If you liked me so much,why didn't you break up with her?" He gazes at the river. "I've been confused. I've been so stupid." "Yes.You have." "I deserve that." "Yes.You do." I pause. "But I've been stupid,too.You were right.About...the alone thing.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Les roses de Saadi J'ai voulu ce matin te rapporter des roses ; Mais j'en avais tant pris dans mes ceintures closes Que les noeuds trop serrés n'ont pu les contenir. Les noeuds ont éclaté. Les roses envolées Dans le vent, à la mer s'en sont toutes allées. Elles ont suivi l'eau pour ne plus revenir ; La vague en a paru rouge et comme enflammée. Ce soir, ma robe encore en est tout embaumée... Respires-en sur moi l'odorant souvenir.
Marceline Desbordes-Valmore
Blomst av bare klare ensomheter skal ditt beger fylle noens tørst må du alltid danne torner først Før du samler deg om dette ene: Å bli rose! - Du er mer alene med verket i deg selv enn noen vet Å blomst! Å rene ensomhet!
Jens Bjørneboe (Samlede dikt (Norwegian Edition))
Milyen érdekes, hogy az ember oly könnyen kiönti a szívét egy darab papírnak, miközben szemtől szemben megszólalni sem mer.
Carlos Ruiz Zafón
Having fins in the water was useful to travel quickly, but the bulky appendage left much to be desired for exerting dominance. Something about being unable to sit, legs open, left me feeling feminine.” ~Fin
Brenda Pandos (Everblue (Mer Tales, #1))
Le serpent qui danse Que j'aime voir, chère indolente, De ton corps si beau, Comme une étoffe vacillante, Miroiter la peau! Sur ta chevelure profonde Aux acres parfums, Mer odorante et vagabonde Aux flots bleus et bruns, Comme un navire qui s'éveille Au vent du matin, Mon âme rêveuse appareille Pour un ciel lointain. Tes yeux où rien ne se révèle De doux ni d'amer, Sont deux bijoux froids où se mêlent L’or avec le fer. A te voir marcher en cadence, Belle d'abandon, On dirait un serpent qui danse Au bout d'un bâton. Sous le fardeau de ta paresse Ta tête d'enfant Se balance avec la mollesse D’un jeune éléphant, Et ton corps se penche et s'allonge Comme un fin vaisseau Qui roule bord sur bord et plonge Ses vergues dans l'eau. Comme un flot grossi par la fonte Des glaciers grondants, Quand l'eau de ta bouche remonte Au bord de tes dents, Je crois boire un vin de bohême, Amer et vainqueur, Un ciel liquide qui parsème D’étoiles mon coeur!
Charles Baudelaire (Les Fleurs du Mal)
...et surtout mon corps aussi bien que mon âme, gardez-vous de vous croiser les bras en l'attitude stérile du spectateur, car la vie n'est pas un spectacle, car une mer de douleurs n'est pas un proscenium, car un homme qui crie n'est pas un ours qui danse.
Aimé Césaire (Le Cahier, Discours sur le colonialisme)
Si vous voulez construire un navire, ne racolez pas les gens pour rassembler du bois et ne leur assignez pas quelque tâche ou travail, mais plutôt apprenez-leur à désirer ardemment l'immensité infinie de la mer.
Antoine de Saint-Exupéry
English: Ô, take this eager dance you fool, don’t brandish your stick at me. I have several reasons to travel on, on to the endless sea: I have lost my love. I’ve drunk my purse. My girl has gone, and left me rags to sleep upon. These old man’s gloves conceal the hands with which I’ve killed but one! Francais: Idiot, prends cette danse ardente, au lieu de tendre ton bâton. J'en ai des raisons de voyager encore sur la mer infinie: J'ai perdu l'amour et j'ai bu ma bourse. Ma belle m'a quitté, j'ai ses haillons pour m'abriter. Mes gants de vieillard cachent les mains d'un fameux assassin!
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
Det är underligt med kärlek, sa Sophia. Ju mer man älskar den andra dess mindre tycker den andra om en. Det är alldeles riktigt, anmärkte farmorn. Och vad gör man då? Man fortsätter att älska, svarade Sophia hotfullt. Man älskar värre och värre.
Tove Jansson (The Summer Book)
You deserve better." Mercifully, he kept eating as he spoke. "You've got to stop thinking of me that way. When it's just you and me, I'm not a Five and you're not a Six. We're just Aspen and American. And I don't want anything in the world but you." "But I can't stop thinking that way." He looked at me. "That's how I was raised. Since I was little, it was 'Sixes are born to serve' and 'Sixes aren't meant to be seen.' My whole life, I've been taught to be invisible." He grabbed my hand in a viselike grip. "If we're together, Mer, you're going to be invisible, too. And I don't want that for you." "Aspen, we've talked about this. I know that things will be different, and I'm prepared. I don't know how to make it any clearer." I put my hand on his heart. "The moment you're ready to ask, I'm ready to say yes." It was terrifying to put myself out there like that, to make it absolutely clear how deep my affection ran. He knew what I was saying, But if making myself vulnerable meant he'd be brave, I'd endure it. His eyes searched mine. If he was looking for doubt, he was wasting his time. Aspen was the one thing I was sure of.
Kiera Cass (The Selection (The Selection, #1))
The maid told him that a girl and a child had come looking for him, but since she didn't know them, she hadn't cared to ask them in, and had told them to go on to Mers. "Why didn't you let them in?" asked Germain angrily. "People must be very suspicious in this part of the world, if they won't open the front door to a neighbor." "Well, naturally!" replied the maid. "In a house as rich as this, you have to keep a close watch on things. While the master's away I'm responsible for everything, and I can't just open the door to anyone at all." "That's a mean way to live," said Germain; "I'd rather be poor than live in fear like that. Good-bye to you, miss, and good-bye to this horrible country of yours!
George Sand (La mare au diable)
Ingen ting kan være så rolig og så uendelig som et langt vitermørke, det fortsetter og fortsetter, det er som å leve i en tunnel der mørket stundom fordyper seg til natt og stundom blir dagskumring, man er avskjermet fra alt, beskyttet og mer ensom enn ellers.
Tove Jansson (The True Deceiver)
Si j'ordonnais, disait-il couramment ( le monarque ) , si j'ordonnais à un général de se changer en oiseau de mer, et si le général n'obéissait pas, ce ne serait pas la faute du général. Ce serait ma faute.
Antoine de Saint-Exupéry (Le Petit Prince)
We have come from all the countries of the world and are going to Saintes-Maries de la Mer. Nomads of the enigma, we gather there each year after having carried our mystery through ordinary countryside and fluid towns. Since we become transformed by our wanderings we are despised by those who stand still and retain a memory of giant serpents and metallic green.
Raymond Queneau
Patima din glasul lui Ion îl infiora pe Titu. Îndîrjirea, egoismul și cruzimea cu care omul acesta a urmărit o țintă, fără să se uite în dreapta și în stânga, îl infricoșau, dar îl și mișcau. Se gândi la șovăielile lui din vremea aceasta, la zig-zagurile neputincioase, la alergările lui după țeluri de-abia întrezărite și se simți mic în fața țăranului care a mers drept înainte, trecând nepăsător peste toate piedicile, luptând neobosit, împins de o patimă mare. El se frământă cu dorințe nelămurite, făurește planuri peste puterile lui, trăiește cu visuri fermecate, și alături de dânsul viața înaintează vijelios. Un simțământ de slăbiciune îi strânse inima.
Liviu Rebreanu (Ion)
Don't forget Mer. This government sat by while you went without food. They let my brother get beaten in the square. All the talk in the world won't undo what we are. They put us in a corner we could never get out of on our own, and they're not I'm a rush to pull us out. Mer, they just don't get it.
Kiera Cass
Dans la plaine rase, sous la nuit sans étoiles, d'une obscurité et d'une épaisseur d'encre, un homme suivait seul la grande route de Marchiennes à Montsou, dix kilomètres de pavé coupant tout droit, à travers les champs de betteraves. Devant lui, il ne voyait même pas le sol noir, et il n'avait la sensation de l'immense horizon plat que par les souffles du vent de mars, des rafales larges comme sur une mer, glacées d'avoir balayé des lieues de marais et de terres nues. Aucune ombre d'arbre ne tachait le ciel, le pavé se déroulait avec la rectitude d'une jetée, au milieu de l'embrun aveuglant des ténèbres.
Émile Zola (Germinal)
Elle est retrouvée! -Quoi? -l'Éternité. C'est la mer mêlée Au soleil. Je devins un opéra fabuleux : je vis que tous les êtres ont une fatalité de bonheur : l'action n'est pas la vie, mais une façon de gâcher quelque force, un énervement. La morale est la faiblesse du cerveau. À chaque être, plusieurs autres vies me semblaient dues. Ce monsieur ne sait pas ce qu'il fait : il est un ange.
Arthur Rimbaud (Une saison en enfer suivi de Illuminations et autres textes (1873-1875))
The film festival measured a mile in length, from the Martinez to the Vieux Port, where sales executives tucked into their platters of fruits de mer, but was only fifty yards deep. For a fortnight the Croisette and its grand hotels willingly became a facade, the largest stage set in the world. Without realizing it, the crowds under the palm trees were extras recruited to play their traditional roles. As they cheered and hooted, they were far more confident than the film actors on display, who seemed ill at ease when they stepped from their limos, like celebrity criminals ferried to a mass trial by jury at the Palais, a full-scale cultural Nuremberg furnished with film clips of the atrocities they had helped to commit.
J.G. Ballard (Super-Cannes)
Est-ce que nous voyons la cent millième partie de ce qui existe ? Tenez, voici le vent, qui est la plus grande force de la nature, qui renverse les hommes, abat les édifices, déracine les arbres, soulève la mer en montagnes d’eau, détruit les falaises, et jette aux brisants les grands navires, le vent qui tue, qui siffle, qui gémit, qui mugit, – l’avez-vous vu, et pouvez-vous le voir ? Il existe, pourtant.
Guy de Maupassant (Le Horla et autres nouvelles fantastiques)
A qui écris-tu? -A toi. En fait, je ne t'écris pas vraiment, j'écris ce que j'ai envie de faire avec toi... Il y avait des feuilles partout. Autour d'elle, à ses pieds, sur le lit. J'en ai pris une au hasard: "...Pique-niquer, faire la sieste au bord d'une rivière, manger des pêches, des crevettes, des croissants, du riz gluant, nager, danser, m'acheter des chaussures, de la lingerie, du parfum, lire le journal, lécher les vitrines, prendre le métro, surveiller l'heure, te pousser quand tu prends toute la place, étendre le linge, aller à l'Opéra, faire des barbecues, râler parce que tu as oublié le charbon, me laver les dents en même temps que toi, t'acheter des caleçons, tondre la pelouse, lire le journal par-dessus ton épaule, t'empêcher de manger trop de cacahuètes, visiter les caves de la Loire, et celles de la Hunter Valley, faire l'idiote, jacasser, cueillir des mûres, cuisiner, jardiner, te réveiller encore parce que tu ronfles, aller au zoo, aux puces, à Paris, à Londres, te chanter des chansons, arrêter de fumer, te demander de me couper les ongles, acheter de la vaisselle, des bêtises, des choses qui ne servent à rien, manger des glaces, regarder les gens, te battre aux échecs, écouter du jazz, du reggae, danser le mambo et le cha-cha-cha, m'ennuyer, faire des caprices, bouder, rire, t'entortiller autour de mon petit doigt, chercher une maison avec vue sur les vaches, remplir d'indécents Caddie, repeindre un plafond, coudre des rideaux, rester des heures à table à discuter avec des gens intéressants, te tenir par la barbichette, te couper les cheveux, enlever les mauvaises herbes, laver la voiture, voir la mer, t'appeler encore, te dire des mots crus, apprendre à tricoter, te tricoter une écharpe, défaire cette horreur, recueillir des chats, des chiens, des perroquets, des éléphants, louer des bicyclettes, ne pas s'en servir, rester dans un hamac, boire des margaritas à l'ombre, tricher, apprendre à me servir d'un fer à repasser, jeter le fer à repasser par la fenêtre, chanter sous la pluie, fuire les touristes, m'enivrer, te dire toute la vérité, me souvenir que toute vérité n'est pas bonne à dire, t'écouter, te donner la main, récupérer mon fer à repasser, écouter les paroles des chansons, mettre le réveil, oublier nos valises, m'arrêter de courir, descendre les poubelles, te demander si tu m'aimes toujours, discuter avec la voisine, te raconter mon enfance, faire des mouillettes, des étiquettes pour les pots de confiture..." Et ça continuais comme ça pendant des pages et des pages...
Anna Gavalda (Someone I Loved (Je l'aimais))
Noaptea trecută am visat-o. Eu locuiam pe malul drept al râului iar ea pe malul stâng. Fără să știm, ne rugam amândoi în același timp să primim o iubire adevărată. Și am primit. Ne-am întâlnit într-un vis și așa am aflat că împărțim aceeași iubire. De atunci caut o modalitate de a traversa râul. Nu există pod iar apele sunt adânci și învolburate. Curenți puternici îl străbat. Am mers în aval, am mers în amonte dar nu am găsit nimic. Tot mai caut o punte care să mă ducă la împlinire. Între timp... iubesc și sunt pe jumătate fericit.
Moise D. (Între cer şi pământ)
La Courbe de tes yeux La courbe de tes yeux fait le tour de mon coeur, Un rond de danse et de douceur, Auréole du temps, berceau nocturne et sûr, Et si je ne sais plus tout ce que j'ai vécu C'est que tes yeux ne m'ont pas toujours vu. Feuilles de jour et mousse de rosée, Roseaux du vent, sourires parfumés, Ailes couvrant le monde de lumière, Bateaux chargés du ciel et de la mer, Chasseurs des bruits et sources des couleurs, Parfums éclos d'une couvée d'aurores Qui gît toujours sur la paille des astres, Comme le jour dépend de l'innocence Le monde entier dépend de tes yeux purs Et tout mon sang coule dans leurs regards.
Paul Éluard (Capital of Pain)
If you don't like the path your life has taken, choose another.
Robert G. DeMers (The Iceman)
Comment oublier le monde? Peut-on chercher le bonheur quand tout parle de destruction? Le monde est jaloux, il vient vous prendre, il vient vous retrouver là où vous êtes, au fond d'un ravin, il fait entendre sa rumeur de peur et de haine, il mêle sa violence à tout ce qui vous entoure, il transforme la lumière, la mer, le vent, même les cris des oiseaux. Le monde est dans votre coeur alors, sa douleur vous réveille de votre rêve et vous découvrez que la terre même où vous avez voulu créer votre royaume vous expulse et vous jette à la mer.
J.M.G. Le Clézio
But I had my wand hidden up my sleeve," he assured Padma Patil,... [Ron revising the story in the 2nd task, of how he escaped the merpeople] ... "I could've taken those mer-idiots any time I wanted." "What were you going to do, snore at them?" said Hermoine waspishly. ... Ron's ears went red, and thereafter, he reverted to the bewitched sleep version of events.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Hva vil det forresten si å være gal? Vil det ikke si at man har finere og mer følsomme nerver enn andre vesener, at man har utviklet helt nye sjelelige organer, sjelelige antenner, at man kort sagt ser inn i en verden hvor alle andre er blinde? Kanskje det gale mennesket er et brytningfenomen, det første løst skisserte utkast til en ny mennesketype, en ny art på jorden?
André Bjerke (De dødes tjern)
Wie rau der Morgen war. So weiß, so kühl gegen das sanfte Violett der Nacht; so harsch und bloß nach den reich gekleideten Träumen. So unnachsichtig klar, wie Glassplitter auf der nackten Haut, wenn sie noch weich und verwundbar war unter den Laken. So herzzerreißend licht, wenn man sterben musste.
Lilach Mer (Der siebte Schwan)
Det som binder henne och det som också binder honom är ögonblickets skönhet. Ingenting är ju så vackert som de första ensamma minuterna med någon som skulle kunna älska en och någon man själv skulle kunna älska. Det finns ingenting så tyst som de minuterna, ingenting så mättat med ljuv förväntan. För de få minuterna är det som man älskar, inte för de många som följer. Aldrig mer, vet de, skall något så vackert hända dem. Gladare skall de kanske bli, hetare också och oändligt nöjda med sina egna kroppar och varandras. Men aldrig mer skall det bli så vackert.
Stig Dagerman (A Burnt Child (Quartet Encounters))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Ruhn read the words on each wooden door: Year Three. Year Seven. Year Five. She skidded to a halt, gripping a doorjamb. Ruhn reached her side as she shoved her face up to the glass. Year Nine. A group of teenagers—most of them mer, with striped skin and various coloring—sat in rows of desks in the classroom. Lidia pressed a hand against the door. Tears rolled down her cheeks. And then a boy, golden-haired and blue-eyed, looked away from his teacher and toward the window. The kid wasn’t mer. The ground slid out from under Ruhn. The boy had Lidia’s face. Her coloring. Another boy to his left, also not mer, had dark hair and golden eyes. Lidia’s eyes. Behind them, Flynn grunted with surprise. “You’ve got brothers on this ship?” “They’re not my brothers,” Lidia whispered. Her fingers curled on the glass. “They’re my sons.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Oh! je voudrais tant que tu te souviennes Des jours heureux où nous étions amis En ce temps-là la vie était plus belle Et le soleil plus brûlant qu'aujourd'hui. Les feuilles mortes se ramassent à la pelle Tu vois, je n'ai pas oublié Les feuilles mortes se ramassent à la pelle Les souvenirs et les regrets aussi. Et le vent du Nord les emporte, Dans la nuit froide de l'oubli. Tu vois je n'ai pas oublié, La chanson que tu me chantais... Les feuilles mortes se ramassent à la pelle Les souvenirs et les regrets aussi, Mais mon amour silencieux et fidèle Sourit toujours et remercie la vie. Je t'aimais tant, tu étais si jolie, Comment veux-tu que je t'oublie? En ce temps-là la vie était plus belle Et le soleil plus brûlant qu'aujourd'hui. Tu étais ma plus douce amie Mais je n'ai que faire des regrets. Et la chanson que tu chantais, Toujours, toujours je l'entendrai. C'est une chanson qui nous ressemble, Toi tu m'aimais, moi je t'aimais Et nous vivions, tous deux ensemble, Toi qui m'aimais, moi qui t'aimais. Mais la vie sépare ceux qui s'aiment, Tout doucement, sans faire de bruit Et la mer efface sur le sable Les pas des amants désunis. C'est une chanson qui nous ressemble, Toi tu m'aimais et je t'aimais Et nous vivions tous deux ensemble, Toi qui m'aimais, moi qui t'aimais. Mais la vie sépare ceux qui s'aiment, Tout doucement, sans faire de bruit Et la mer efface sur le sable Les pas des amants désunis.
Jacques Prévert
Et la jeune fille s’était dressée comme pour aller à son tour se tuer, se jeter à son tour dans la mer et après elle avait pleuré parce qu’elle avait pensé à cet homme de Cholen et elle n’avait pas été sûre tout à coup de ne pas l’avoir aimé d’un amour qu’elle n’avait pas vu parce qu’il s’était perdu dans l’histoire comme l’eau dans le sable et qu’elle le retrouvait seulement maintenant à cet instant de la musique jetée à travers la mer. Comme plus tard l’éternité du petit frère à travers la mort
Marguerite Duras (The Lover)
I'm fine.My father's an arse, and my mum is dying and-oh my God,I'm so pissed." St. Clair looked at me again. His eyes were glassy like black marbles. "Pissed.Pissed.Pissed." "We know you're pissed at your dad," I said. "It's okay. You're right, he's a jerk." I mean what was I supposed to say? He just found out his mother has cancer. "Pissed is British for 'drunk,'" Mer said. "Oh," I said. "Well. You're definitely that, too." Meanwhile,The Couple was fighting. "Where have you been?" Rashmi asked. "You said you'd be home three hours ago!" Josh rolled his eyes. "Out.We've been out. Someone had to help him-" "And you call that helping? He's completely wasted. Catatonic. And you! God,you smell like car exhaust and armpits-" "He couldn't drink alone." "You were supposed to be watching out for him! What if something happened?" "Beer. Liquor. Thatsswhat happened. Don't be such a prude,Rash.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
We used to hang out all the time. St. Clair and me.But after you arrived,I hardly saw him. He'd sit next to you in class,at lunch,at the movies. Everywhere. And even though I was suspicious,I knew the first time I heard you call him Etienne-I knew you loved him.And I knew by his response-the way his eyes lit up every time you said it-I knew he loved you,too. And I ignored it,because I didn't want to believe it." The struggle rises inside me again. "I don't know if he loves me.I don't know if he does,or if he ever did.It's all so messed up." "It's obvious he wants more than friendship." Mer takes my shaking mug. "Haven't you seen him? He suffers every time he looks at you.I've never seen anyone so miserable in my life." "That's not true." I'm remembering he said the situation with his father is really terrible right now. "He has other things on his mind,more important things." "Why aren't the two of you together?" The directness of her question throws me. "I don't know.Sometimes I think there are only so many opportunies...to get together with someone.And we've both screwed up so many times"-my voice grows quiet-"that we've missed our chance." "Anna." Mer pauses. "That is the dumbest thing I've ever heard." "But-" "But what? You love him,and he loves you, and you live in the most romantic city in the world." I shake my head. "It's not that simple." "Then let me put it another way.A gorgeous boy is in love with you, and you're not even gonna try to make it work?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Vesnica problema: cea a nivelului spiritual.Daca nu te afli la acelasi nivel cu cineva,nu te poti intelege cu el.Nivelul spiritual se masoara prin gradul de instrainare fata de lume.Dar cum sa stabilesti in chip obiectiv acest grad? Atunci cand vorbesc cu cineva,stiu la ce sa ma astept din partea lui,stiu pana unde pot merge cu el.El insa nu stie. Crede ca ma intelege.Si poate ca ma intelege in felul lui. Caci nimic nu spune ca,intr-un anumit domeniu,n-a mers mult mai departe decat mine.Cu toate astea,de experienta spirituala e capabil doar acela pentru care conteaza din ce in ce mai putine lucruri,pentru care cercul intereselor se restrange pe masura ce merge inainte. Important nu este sa stii,ci sa fii.Or,a fi este isprava cea mai dificila cu putinta.Caci a fi,pe plan spiritual,inseamna sa nu fii nimic pe planul lumii.
Emil M. Cioran (Caiete II)
L'image la plus simple de la vie organique unie à la rotation est la marée. Du mouvement de la mer, coït uniforme de la terre avec la lune, procède le coït polymorphe et organique de la terre et du soleil. Mais la première forme de l'amour solaire est un nuage qui s'élève au-dessus de l'élément liquide. Le nuage érotique devient parfois orage et reombe vers la terre sous forme de pluie pendant que la foudre défonce les couches de l'atmosphère. La pluie se redresse aussitôt sous forme de plante immobile. La vie animale est entièrement issue du mouvement des mers et, à l'intérieur des corps, la vie continue à sortir de l'eau salée. La mer a jouée ainsi le rôle de l'organe femelle qui devient liquide sous l'excitation. La mer se branle continuellement. Les éléments solides contenus et brassés par l'eau animée d'un mouvemnet érotique en jaillissent sous forme de poissons volants.
Georges Bataille (The Solar Anus)
Quince leans in over the map, studying, and I think he’s going to ask me something about the kingdoms or my plan or Daddy’s trident. Instead, without taking his eyes off the map, he asks, “What happens if I fail?” “What?” I whisper. “If I don’t pass the three tests,” he says. “What’s the consequence?” I suck in a shaky breath. This is the part I didn’t want to talk about, the part I hoped he wouldn’t ask about. But I guess he’s too clever—or has learned too much about how mer-world magic works—to assume there won’t be a price. There is, and it’s a big one. “If you fail,” I say, keeping my voice steady, “then you are banished from the water forever.” He lifts his Caribbean-blue eyes to stare into mine. “And?” “And?” I echo. “I know that can’t be it,” he says. “Nothing in your world is ever that simple.” A part of my heart breaks when he calls it my world. I want it to feel like his world, too. But now isn’t the time. He’s right; there’s more to the consequence of failure than him being exiled. “And . . . ,” I say, wishing I didn’t have to tell him this, “I’ll be banished from land.” I swallow hard. “Forever.” He stares into my eyes, unblinking, and I can’t read any sort of reaction. His mind is racing, I’m sure, but everything on the outside is a stone facade. Finally, after what feels like an eternity, he says, “Then I won’t fail.
Tera Lynn Childs
Mais, déjà, l'univers fuyait et s'effaçait. Et tous les lamas, les poissons, les arbres et les vallons, les loutres, les souris, la mer, les coquillages et les hippocampes, les nénuphars, les grenouilles, les dodos, les éléphants et les terriers, les geysers, les fils et les filles, les chiens, les chats, les tourtereaux. Et tous les oursons, les ancêtres, les dieux, les temples et les tramways, les canards et les cochons, les arbres de Noël et les ballons, les cafés, les fleurs, les fées, les photos et les films. Et tous les enfants et les papas, et les mamans, les plages et le sable et le souffle blanc quand il fait froid, la sueur sur le front et la neige dans la télévision.
Sabrina Calvo (Wonderful)
Keep laser-focused on school, and I'll see YOU at Christmas. Josh leans his lanky body over my shoulder and peers at my laptop. "Is it just me,or is that 'YOU' sort of threatening?" "No.It's not just YOU," I say. "I thought your dad was a writer.What's with the 'laser-focused''gentle reminder' shit?" "My father is fluent in cliche. Obviously, you've never read one of his novels." I pause. "I can't believe he has the nerve to say he'll give Seany my best." Josh shakes his head in disgust. My friends and I are spending the weekend in the lounge because it's raining again. No one ever mentions this, but it turns out Paris is as drizzly as London. According to St. Clair,that is, our only absent member. He went to some photography show at Ellie's school. Actually,he was supposed to be back by now. He's running late.As usual. Mer and Rashmi are curled up on one of the lobby couches,reading our latest English assignment, Balzac and the Little Chinese Seamstress. I turn back to my father's email. Gentle reminder... your life sucks.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
- Offre ton identité au Conseil, jeune apprentie. La voix était douce, l’ordre sans appel. - Je m’appelle Ellana Caldin. - Ton âge. Ellana hésita une fraction de seconde. Elle ignorait son âge exact, se demandait si elle n’avait pas intérêt à se vieillir. Les apprentis qu’elle avait discernés dans l’assemblée étaient tous plus âgés qu’elle, le Conseil ne risquait-il pas de la considérer comme une enfant ? Les yeux noirs d’Ehrlime fixés sur elle la dissuadèrent de chercher à la tromper. - J’ai quinze ans. Des murmures étonnés s’élevèrent dans son dos. Imperturbable, Ehrlime poursuivit son interrogatoire. - Offre-nous le nom de ton maître. - Jilano Alhuïn. Les murmures, qui s’étaient tus, reprirent. Plus marqués, Ehrlime leva une main pour exiger un silence qu’elle obtint immédiatement. - Jeune Ellana, je vais te poser une série de questions. A ces questions, tu devras répondre dans l’instant, sans réfléchir, en laissant les mots jaillir de toi comme une cascade vive. Les mots sont un cours d’eau, la source est ton âme. C’est en remontant tes mots jusqu’à ton âme que je saurai discerner si tu peux avancer sur la voie des marchombres. Es-tu prête ? - Oui. Une esquisse de sourire traversa le visage ridé d’Ehrlime. - Qu’y a-t-il au sommet de la montagne ? - Le ciel. - Que dit le loup quand il hurle ? - Joie, force et solitude. - À qui s’adresse-t-il ? - À la lune. - Où va la rivière ? L’anxiété d’Ellana s’était dissipée. Les questions d’Ehrlime étaient trop imprévues, se succédaient trop rapidement pour qu’elle ait d’autre solution qu’y répondre ainsi qu’on le lui avait demandé. Impossible de tricher. Cette évidence se transforma en une onde paisible dans laquelle elle s’immergea, laissant Ehrlime remonter le cours de ses mots jusqu’à son âme, puisque c’était ce qu’elle désirait. - Remplir la mer. - À qui la nuit fait-elle peur ? - À ceux qui attendent le jour pour voir. - Combien d’hommes as-tu déjà tués ? - Deux. - Es-tu vent ou nuage ? - Je suis moi. - Es-tu vent ou nuage ? - Vent. - Méritaient-ils la mort ? - Je l’ignore. - Es-tu ombre ou lumière ? - Je suis moi. - Es-tu ombre ou lumière ? - Les deux. - Où se trouve la voie du marchombre ? - En moi. Ellana s’exprimait avec aisance, chaque réponse jaillissant d’elle naturellement, comme une expiration après une inspiration. Fluidité. Le sourire sur le visage d’Ehrlime était revenu, plus marqué, et une pointe de jubilation perçait dans sa voix ferme. - Que devient une larme qui se brise ? - Une poussière d’étoiles. - Que fais-tu devant une rivière que tu ne peux pas traverser ? - Je la traverse. - Que devient une étoile qui meurt ? - Un rêve qui vit. - Offre-moi un mot. - Silence. - Un autre. - Harmonie. - Un dernier. - Fluidité. - L’ours et l’homme se disputent un territoire. Qui a raison ? - Le chat qui les observe. - Marie tes trois mots. - Marchombre.
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Ceea ce se poate cunoaște din fiecare e,în primul rand,politețea,reținerea sa.Nu trebuie mers mai departe,am cădea în abis.Pe cine ai ucis tu,fie numai în gand,tu care ești îmbrăcat în haine de duminică?Și tu,drăguțo,cate ființe ai vrut să ucizi,pe cine ai mai vrea să ucizi,ai vrea să mă pun la dispoziția ta ca să distrug viețile care te deranjează?.. Din moment ce lumea nu e un paradis,nu poate fi decat un infern,afară doar dacă n-a nimicit dorințele.Unde există dorință,există eșec al dorinței,nemulțumire,infern.Cine nu dorește totul,chiar neștiind că nu dorește totul? Lumea nu îmi aparține,nimic și nimeni nu ne aparține:cine are înțelepciunea să accepte asta cu toată inima,cine acceptă să nu posede nimic?Visez la niște campioni alergători care,la semnalul de pornire în cursă,s-ar invita unul pe altul politicos:"După dumneavoastră,domnule,treceți primul.- Nu,nici nu mă gandesc,după dumneavoastră..
Eugène Ionesco (Fragments of a Journal)
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Are you sure you’re not a witch?” he teased lightly, his teeth nipping at the sensitive lobe of my ear. My stomach twittered excitedly and I leaned into him. “If I’m a witch, you’re a devil,” I returned breathlessly, hoping against hope that he wouldn’t stop, that we could just continue on in our little bubble of oblivion. Jackson chuckled, a sound that sent chills racing down my back. “Now that’s entirely possible,” Jackson admitted, leaning back to grin down into my face. When his eyes settled on mine, his smile died and I fell headlong into the intensity of his sky blue gaze. “I love you.
M. Leighton (Madly & the Jackal (Madly, #3))
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Is that...the Looney Tunes theme?" Mer and St. Clair cock their ears. "Why,yes.I believe it is," St. Clair says. "I heard 'Love Shack' a few minutes ago," Mer says. "It's official," I say. "America has finally ruined France." "So can we go now?" St. Clair holds up a small bag. "I'm done." "Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?" "Shite." Mer pauses. "You didn't get anything for Ellie?" "No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah. "Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?" "You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil." "I've been busy," St. Clair says. I glance at him. "I was just teasing." "Well,you don't have to be such a bloody git about it." "I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-" "Piss off." He snatches his bag back from Mer and scowls at me. "HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting." "We weren't fighting," he and I say together. She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps." "I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits." "Not the hares again," St. Clair says. "You're as bad as Rashmi." We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies. "In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest. "Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message. I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke. "I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died." Her lips pursed and unpursed as she dreamed. "Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for. " I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you." I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been. " I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for." There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round. He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her. I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter. I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him. All I could do was wait and give America the time she seem to need. Really, we all needed it. Time was the only thing that would settle this.
Kiera Cass (Happily Ever After (The Selection, #0.4, 0.5, 2.5, 2.6, 3.3))