“
There is never a second opportunity to make a first impression.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Even if we can’t change the big picture, our choices can alter the details. That’s how we rebel against destiny.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
What is truth? The negation of lies? Or the statement of a fact? And if the fact is a lie, what then is the truth?
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
The sword of destiny has two edges. You are one of them.
”
”
Andrzej Sapkowski
“
The thing about fate, Magnus: even if we can't change the big picture, our choices can alter the details.That's how we rebel against destiny, how we make our mark. What will you choose to do?
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
In this world, is the destiny of mankind controlled by some transcendental entity or law? Is it like the hand of God hovering above? At least it is true that man has no control, even over his own will. Man takes up the sword in order to shield the small wound in his heart sustained in a far-off time beyond remembrance. Man wields the sword so that he may die smiling in some far-off time beyond perception.
”
”
Kentaro Miura (Berserk, Vol. 1 (Berserk, #1))
“
Because I know that in order to unite two people, destiny is insufficient. Something more is necessary than destiny.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
What follows is the first in a collection of tales, primarily of one tixie family, who recorded their exploits more than two thousand years ago. Originally written in their own language, these stories have been translated into modern English for the first time.
”
”
Jack Borden (The Vultures of Doom (The Tixie Chronicles Book 1))
“
Destiny is for people in books about magical swords.
”
”
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
“
I know that look, seeing a dead body for the first time, you never quite get used to it…
”
”
Cade Mengler (The Companions)
“
It has returned to us. Then the end has begun…
”
”
Cade Mengler (The Companions)
“
Doubts. Only evil, sir, never has any. But no one can escape his destiny.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Well, we’re afeared. And what of it? Do we sit down and weep and tremble? Life must go on. And what will be, will be. What is destined can’t be avoided, in any case.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Do you want to break Roach’s back?’ ‘Is it Roach? Roach was a bay, and she’s a chestnut.’ ‘All of my horses are called Roach.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
And now, Elric had told three lies. The first concerned his cousin Yyrkoon. The second concerned the Black Sword. The third concerned Cymoril. And upon those three lies was Elric's destiny to be built, for it is only about things which concern us most profoundly that we lie clearly and with profound conviction.
”
”
Michael Moorcock (The Elric Saga Part I (Elric Saga, #1-3))
“
All souls have a destiny. Some are simply brighter than others.
”
”
Julie Kagawa (Soul of the Sword (Shadow of the Fox, #2))
“
Well, what can I say, it’s a base world,’ he finally muttered. ‘But that’s no reason for us all to become despicable.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Now you’re lying, Dandelion.’ ‘Not lying, just embellishing, and there’s a difference.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Life is full of hazards, selection also occurs in life, Geralt. Misfortune, sicknesses and wars also select. Defying destiny may be just as hazardous as succumbing to it.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
The thing about fate, Magnus: even if we can't change the big picture, our choices can alter the details. That's how we rebel against destiny, how we make our own mark.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
We do not choose our destinies.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Then I saw it, and it just grabbed me. That moment, that breath just before destiny, between innocence and power. He'll pull the sword free. You know it. And in that moment, the world changes. Camelot's born, Arthur's fate is sealed. He'll unite a people, be betrayed by a woman and a friend, and sire the man who'll kill him. In this moment, he's a boy. In the next he'll be a king.
”
”
Nora Roberts (Key of Light (Key Trilogy, #1))
“
Doubts. Only evil, sir, never has any.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
He made her feel small. Since there weren’t too many men out there who could make her feel small, this frightened her a bit. It actually frightened her more than the huge sword slung across his back.
”
”
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
“
That talent lives in within me. Now though, it goes as easily as a sword being put back in a scabbard. It’s done what it was needed for. It’s done the most important thing it will ever be needed for.", FADE by Kailin Gow
”
”
Kailin Gow (Fever (Fade, #4))
“
The idea of a singular hero and a manifest destiny just makes us lazy. There is no destiny. There is choice, there is action, and any other narrative perpetuates a myth that someone else out there will fix our problems with a magic sword and a blessing from the gods.
”
”
Tade Thompson (Rosewater (The Wormwood Trilogy, #1))
“
To me, Madam Yennefer, wisdom includes the ability to turn a deaf ear to foolish or insincere advice.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Only in fables survives what cannot survive in nature. Only myths and fables do not know the limits of possibility.’ Three
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
We do not choose our destinies. Yet we must… we must do our duty, no? Great or small, we must do our duty.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
It was a ceremonial supper. For they were going to part in the morning. In the morning each of them was going to go their own way; in search of something they already had. But they did not know they had it, they could not even imagine it. They could not imagine where the roads they were meant to set off on the next morning would lead. Each of them travelling separately.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Destiny is for people in books about magical swords. It's a lot of crap.
”
”
Ransom Riggs (Hollow City (Miss Peregrine's Peculiar Children, #2))
“
I like elven legends, they are so captivating. What a pity humans don’t have any legends like that. Perhaps one day they will? Perhaps they’ll create some? But what would human legends deal with? All around, wherever one looks, there’s greyness and dullness. Even things which begin beautifully lead swiftly to boredom and dreariness, to that human ritual, that wearisome rhythm called life.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
The thing about fate, Magnus: even if we can't change the big picture, our choices can alter the details. That's how we rebel against destiny, how we make our mark. What will you choose to do?
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Oh Earth, Wait for Me
Return me, oh sun,
to my wild destiny,
rain of the ancient wood,
bring me back the aroma and the swords
that fall from the sky,
the solitary peace of pasture and rock,
the damp at the river-margins,
the smell of the larch tree,
the wind alive like a heart
beating in the crowded restlessness
of the towering araucaria.
Earth, give me back your pure gifts,
the towers of silence which rose
from the solemnity of their roots.
I want to go back to being what I have not been,
and learn to go back from such deeps
that among all natural things
I could live or not live; it does not matter
to be one stone more, the dark stone,
the pure stone which the river bears away.
”
”
Pablo Neruda
“
As you correctly observed, this isn’t a fairy tale, it’s life. Lousy and evil. And so, damn it all, let’s live it decently and well. Let’s keep the amount of harm done to others to the absolute minimum.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
You, the Elder Folk, like to say that hatred is alien to you, that it is a feeling known only to humans. But it is not true. You know what hatred is and are capable of hating, you merely evince it a little differently, more wisely and less savagely. But because of that it may be more cruel.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
The tides are turning.
Everybody else is waking up,
becoming more awake, aware, seeking knowledge,
challenging the assumptions.
'They' call it 'woke' and demean it...
'They' may be--may aspire to be--the authorities,
may judge and smirk and wield their swords,
but 'everybody else' knows what's really happening.
And the forces of change, however resisted,
will continue to awaken
us all.
”
”
Shellen Lubin
“
Wars aren’t waged to destroy. Wars are waged for two reasons. One is power and the other is money.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Geralt groaned softly, as usual when Dandelion was assailed by nocturnal talkativeness.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
I consider waging war against other races idiocy.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Only myths and fables do not know the limits of possibility.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
The Sword of Destiny has two edges. You are one of them. The other is... Death
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
No one is adequate to comprehending the misery of my lot! Fate obliges me to be constantly in movement: I am not permitted to pass more than a fortnight in the same place. I have no Friend in the world, and from the restlessness of my destiny I never can acquire one. Fain would I lay down my miserable life, for I envy those who enjoy the quiet of the Grave: But Death eludes me, and flies from my embrace. In vain do I throw myself in the way of danger. I plunge into the Ocean; The Waves throw me back with abhorrence upon the shore: I rush into fire; The flames recoil at my approach: I oppose myself to the fury of Banditti; Their swords become blunted, and break against my breast: The hungry Tiger shudders at my approach, and the Alligator flies from a Monster more horrible than itself. God has set his seal upon me, and all his Creatures respect this fatal mark!
”
”
Matthew Gregory Lewis (The Monk)
“
You’re supposed to, I think. Just like you were supposed to come to Cairnholm.” “I don’t believe in stuff like that. Fate. The stars. Destiny.” “I didn’t say destiny.” “Supposed to is the same thing,” I said. “Destiny is for people in books about magical swords. It’s a lot of crap.
”
”
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
“
For there are some… things… which there is no way of obtaining, even by magic. And there are gifts which may not be accepted, if one is unable to… reciprocate them… with something equally precious. Otherwise such a gift will slip through the fingers, melt like a shard of ice gripped in the hand. Then only regret, the sense of loss and hurt will remain…
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
There are at the present time two great nations in the world, which started from different points, but seem to tend towards the same end. I allude to the Russians and the Americans. Both of them have grown up unnoticed; and whilst the attention of mankind was directed elsewhere, they have suddenly placed themselves in the front rank among the nations, and the world learned their existence and their greatness at almost the same time.
All other nations seem to have nearly reached their natural limits, and they have only to maintain their power; but these are still in the act of growth. All the others have stopped, or continue to advance with extreme difficulty; these alone are proceeding with ease and celerity along a path to which no limit can be perceived. The American struggles against the obstacles which nature opposes to him; the adversaries of the Russian are men. The former combats the wilderness and savage life; the latter, civilization with all its arms. The conquests of the American are therefore gained with the ploughshare; those of the Russian by the sword. The Anglo-American relies upon personal interest to accomplish his ends, and gives free scope to the unguided strength and common sense of the people; the Russian centres all the authority of society in a single arm. The principal instrument of the former is freedom; of the latter, servitude. Their starting-point is different, and their courses are not the same; yet each of them seems marked out by the will of Heaven to sway the destinies of half the globe.
”
”
Alexis de Tocqueville (Democracy in America)
“
No, Dandelion stuck with his first version. And he never sang it. Never. To no one. Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Many people----women especially----remain trapped in the poverty into which they were born. The successful person from this background is the exception. The American dream is a double-edged sword in that those who are able to carve out their own destiny are also hard-pressed not to condemn those who get struck between the cracks.
”
”
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
“
Damn them all, my love. Your future is your own. Destiny is for the weak. The strong make their own futures, and you were born with a sword for a spine.
”
”
R.L. Martinez (Beneath the Skin (The Witchbreed, #2))
“
Dandelion,’ the Witcher sighed, now genuinely tired. ‘You’re a cynic, a lecher, a womaniser and a liar. And there’s nothing, believe me, nothing complicated about that. Goodnight.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Geralt knew that bonnet and that feather, which were famed from the Buina to the Yaruga, known in manor houses, fortresses, inns, taverns and whorehouses. Particularly whorehouses.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
The mind’s properties, the character, feelings, thoughts. The soul. Which would confirm what most sorcerers and all priests would deny. That the soul is also matter.’ ‘Blasphemy!
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
All of my horses are called Roach.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Right. Fantastic. Now I'm supposed to do something heroic, right?"
"Please. For one thing, you're not the type. Second, I am tired of women and men of destiny. The idea of a singular hero and a manifest destiny just makes us all lazy. There is no destiny. There is choice, there is action, and any other narrative perpetuates a myth that someone else out there will fix our problems with a magic sword and a blessing from the gods.
”
”
Tade Thompson (Rosewater (The Wormwood Trilogy, #1))
“
Through all people, the Music of Love would pour, bringing light to the swords that sped through the darkness. And the light of their blades would lead the constellations to their destination.
”
”
David Paul Kirkpatrick (The Address Of Happiness)
“
I was deprived of the ability to feel so I wouldn’t be able to feel how dreadfully vile is that vileness, so I wouldn’t retreat from it, wouldn’t run horror-stricken from it. Yes, I was stripped of feelings. But not utterly. Whoever did it made a botch of it, Yen.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Oh, Geralt,’ he heard Ciri’s voice. ‘How delightful it is here… Pity you can’t see. There are so many flowers. And birds. Can you hear them singing? Oh, there’s so many of them. Heaps. Oh, and squirrels. Careful, we’re going to cross a stream, over a stone bridge. Don’t fall in. Oh, so many little fishes! Hundreds. They’re swimming in the water, you know. So many little animals, oh my. There can’t be so many anywhere else.’ ‘There can’t,’ he muttered. ‘Nowhere else. This is Brokilon.’ ‘What?’ ‘Brokilon. The Last Place.’ ‘I don’t understand.’ ‘No one understands. No one wants to understand.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
I believe you, why not?’ she finally said. ‘Men like to meet their former lovers, like to relive memories. They like to imagine that erstwhile erotic ecstasies give them some kind of perpetual ownership of their partner. It enhances their self-importance. You are no exception. In spite of everything.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
And I... Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi...
Essi is not Yennefer.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Destiny is for the weak; strong men build their own lives.
”
”
John Marco (The Saints of the Sword (Tyrants and Kings, #3))
“
She was warm and smelt like a wet sparrow.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
What a hideous smile I have, Geralt thought, reaching for his sword. What a hideous face I have. And how hideously I squint. So is that what I look like? Damn.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
A choice which should be respected, for it is the holy and irrefutable right of every woman.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
It might be the destiny of the Jewish race,” he said, “to be the bridge between Asia and Europe, to bring the spirituality of Asia to Europe and the vitality of Europe to Asia.” At
”
”
Barbara W. Tuchman (Bible and Sword: England and Palestine from the Bronze Age to Balfour)
“
Let us be just, my friends! What a splendid destiny for a nation to be the Empire of such an Emperor, when that nation is France and when it adds its own genius to the genius of that man! To appear and to reign, to march and to triumph, to have for halting-places all capitals, to take his grenadiers and to make kings of them, to decree the falls of dynasties, and to transfigure Europe at the pace of a charge; to make you feel that when you threaten you lay your hand on the hilt of the sword of God; to follow in a single man, Hannibal, Caesar, Charlemagne; to be the people of some one who mingles with your dawns the startling announcement of a battle won, to have the cannon of the Invalides to rouse you in the morning, to hurl into abysses of light prodigious words which flame forever, Marengo, Arcola, Austerlitz, Jena, Wagram! To cause constellations of victories to flash forth at each instant from the zenith of the centuries, to make the French Empire a pendant to the Roman Empire, to be the great nation and to give birth to the grand army, to make its legions fly forth over all the earth, as a mountain sends out its eagles on all sides to conquer, to dominate, to strike with lightning, to be in Europe a sort of nation gilded through glory, to sound athwart the centuries a trumpet-blast of Titans, to conquer the world twice, by conquest and by dazzling, that is sublime; and what greater thing is there?"
"To be free," said Combeferre.
”
”
Victor Hugo (Les Misérables)
“
It is easy to let go of the string and think: This isn't me, it's the arrow. My hands do not bear the blood of this boy, it's the arrow that killed him, not me. But the arrow does not dream at night.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher #2))
“
A little sacrifice, he thought, just a little sacrifice. For this will calm her, a hug, a kiss, calm caresses. She doesn’t want anything more. And even if she did, what of it? For a little sacrifice, a very little sacrifice, is beautiful and worth… Were she to want more… It would calm her. A quiet, calm, gentle act of love. And I… Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi… Essi is not Yennefer.
”
”
Andrzej Sapkowski (Sword of Destiny)
“
Don’t mention it,’ the sorcerer patted the neck of his horse, which had been scared by all the yelling from Yarpen and his dwarves. ‘To me, Witcher, calling killing a vocation is loathsome, low and nonsensical. Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it.’ ‘A druidic theory,’ Geralt pronounced. ‘I know it. An old hierophant expounded it to me once, back in Rivia. Two days after our conversation he was torn apart by wererats. It was impossible to prove any upset in equilibrium.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
He approached and leaned on the railing beside her. He felt the warmth emanating from her, and the faint scent of verbena. He liked the scent of verbena, although the scent of verbena was not the scent of lilac and gooseberry.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher #2))
“
And he became more and more miserable, until he felt he would explode like a New Year firecracker, where powder is packed into a paper cylinder, and remains quiet until the fuse is lit and it tears itself apart in the explosion.
”
”
Justin Hill (Crouching Tiger, Hidden Dragon: Sword of Destiny)
“
Tenways showed his rotten teeth. ‘Fucking make me.’
‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’
Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’
And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea.
‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’
‘So what?’
‘So shall I draw?
”
”
Joe Abercrombie (The Heroes)
“
Then the prophetess said to the witcher: "I shall give you this advice: wear boots made of iron, take
in hand a staff of steel. Then walk until the end of the world. Help yourself with your staff to break the land before you and wet it with your tears. Go through fire and water, do not stop along the way,
do not look behind you. And when the boots are worn, when your staff is blunt, once the wind and the heat has dried your eyes so that your tears no longer flow, then at the end of the world you may
find what you are looking for and what you love...
The witcher went through fire and water, he did not look back. He did not take iron boots or a staff
of steel. He took only his sword. He did not listen to the words of prophets. And he did well because she was a bad prophet.
”
”
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
“
That is right,’ the dragon interrupted. ‘Well, it’s the times we live in. For some time, creatures, which you usually call monsters, have been feeling more and more under threat from people. They can no longer cope by themselves. They need a Defender. Some kind of… witcher.’ ‘And
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
I shall tell you. I’ve heard that it has recently become tiresome to negotiate with you witchers. The thing is that, whenever a witcher is shown a monster to be killed, the witcher, rather than take his sword and slaughter it, begins to ponder whether it is right, whether it is transgressing the limits of what is possible, whether it is not contrary to the code and whether the monster really is a monster, as though it wasn’t clear at first glance. It seems to me that you are simply doing too well. In my day, witchers didn’t have two pennies to rub together
”
”
Andrzej Sapkowski (Sword of Destiny)
“
Little dryads fell asleep listening raptly to the wind blowing in the trees. Little witchers fell asleep listening raptly to their aching arms and legs. Our eyes also shone like Braenn’s when we listened to the tales of Vesemir in Kaer Morhen. But that was long ago… So long ago… ‘Well,
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
If you want to make a true picture in your mind of a battle between great modern ironclad ships you must not think of it as if it were two men in armour striking at each other with heavy swords,’ he said. ‘It is more like a battle between two egg-shells striking each other with hammers.
”
”
Andrew Roberts (Churchill: Walking with Destiny)
“
MYSTIC WARRIOR
I’ve fought side by side with him
through the centuries
He holds the sword that doubles rainbows
He negotiates with the moon
Racing with the wind
He annihilates all my demons
He resuscitates my fallen battle horse
Gallops next to me back to the front of the line
and reminds me that courage must be in
my every step in order to win
for just an inkling of terror in the heart
is the strategy of loss
and to stay alive is to further one’s destiny
but one has to struggle beyond simple existence
to attain the outcome of fulfillment
Excerpt: Soulmates by Sondra Faye
”
”
Sondra Faye (Soulmates)
“
It is easy to kill with a bow, girl. How easy it is to release the bowstring and think, it is not I, not I, it is the arrow. The blood of that boy is not on my hands. The arrow killed him, not I. But the arrow does not dream anything in the night. May you dream nothing in the night either,
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
I am you,’ he repeated. ‘No,’ the Witcher countered, ‘you are not. And do you know why? Because you’re a poor, little, good-natured doppler. A doppler who, after all, could have killed Biberveldt and buried his body in the undergrowth, by so doing gaining total safety and utter certainty that he would not be unmasked, ever, by anybody, including the halfling’s spouse, the famous Gardenia Biberveldt. But you didn’t kill him, Tellico, because you didn’t have the courage. Because you’re a poor, little, good-natured doppler, whose close friends call him Dudu. And whoever you might change into you’ll always be the same. You only know how to copy what is good in us, because you don’t understand the bad in us. That’s what you are, doppler.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
You are not. The sword is for her, not for you. Come here, girl with a collar on her neck. Examine the marks etched into the blade. You don’t understand them, naturally. But I shall explain them to you. Look. The line delineated by destiny is winding, but leads to this tower. Towards annihilation, towards the destruction of established values, of the established order. But there, above the tower, do you see? A swallow. The symbol of hope. Take this sword. And may what is to come about, come about.
”
”
Andrzej Sapkowski (The Tower of the Swallow (The Witcher, #6))
“
Emotions, whims and lies, fascinations and games. Feelings and their absence. Gifts, which may not be accepted. Lies and truth. What is truth? The negation of lies? Or the statement of a fact? And if the fact is a lie, what then is the truth? Who is full of feelings which torment him, and who is the empty carapace of a cold skull? Who? What is truth, Geralt? What is the essence of truth?’
‘I don’t know, Yen. Tell me.’
‘No,’ she said and lowered her eyes. For the first time. He had never seen her do that before. Never.
‘No,’ she repeated.
‘I cannot, Geralt. I cannot tell you that. That bird, begotten from the touch of your hand, will tell you. Bird? What is the essence of truth?’
‘Truth,’ the kestrel said, ‘is a shard of ice.
”
”
Andrzej Sapkowski (Sword of Destiny)
“
Your creation was the first step toward the destiny we share. Know this, when the skies darken and this love is tested, we shall not run. When death becomes silence and the battle lines are drawn, we shall fight. On this day, we fall to fate, as one. Your light breathes life into the darkness. It is with duty, honor, and protection I lay my sword at your feet and declare my love, devotion, and loyalty to you in the presence of the supernatural monarchies.” Asher bows his head and places his sword at my feet. “You are mine. My soul is yours. This love…is unbreakable.
”
”
Randi Cooley Wilson (Restoration (The Revelation, #5))
“
He stopped the flyers
And by his rare example made the coward
Turn terror into sport. As weeds before
A vessel under sail, so men obeyed
And fell below his stem. His sword, Death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries. Alone he entered
The mortal gate o' th' city, which he painted
With shunless destiny; aidless came off
And with a sudden reinforcement struck
Corioles like a planet. Now all's his,
When by and by the dim of war gan pierce
His ready sense; then straight his doubled spirit
Requickened what in flesh was fatigate,
And to the battle came he, where he did
Run reeking o'er the lives of men as if
'Twere a perpetual spoil; and till we called
Both field and city ours, he never stood
To ease his breast with panting.
”
”
William Shakespeare (Coriolanus)
“
I say so strange a dreaminess did there then reign all over the ship and all over the sea, only broken by the intermitting dull sound of the sword, that it seemed as if this were the Loom of Time, and I myself were a shuttle mechanically weaving and weaving away at the Fates. There lay the fixed threads of the warp subject to but one single, ever returning, unchanging vibration, and that vibration merely enough to admit of the crosswise interblending of other threads with its own. This warp seemed necessity; and here, thought I, with my own hand I ply my own shuttle and weave my own destiny into these unalterable threads.
”
”
Herman Melville (Moby Dick: or, the White Whale)
“
I think,’ Dandelion said, trembling slightly, ‘that down there in the depths, at the very bottom of this bloody ocean, crouches a huge monster, a fat, scaly beast, a toad with horns on its vile head. And from time to time it draws water into its belly, and with the water everything that lives and can be eaten: fish, seals, turtles – everything. And then, having devoured its prey, it pukes up the water and we have the tide. What do you think about that?
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
If prayers could make a man into a Christian then I would be a saint ten times over by now.
Destiny is all. And now, looking back, I see the pattern of my life’s journey. It began in Bebbanburg and took me south, ever southward, until I reached the farthest coast of England and could go no farther and still hear my own language. That was my childhood’s journey. As a man I have gone the other way, ever northward, carrying sword and spear and ax to clear the path back to where I began. Destiny.
”
”
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and had buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted. No,
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Be fair, my friends! To be the empire of such an emperor, what a splendid destiny for a nation, when that nation is France, and when it adds its genius to the genius of such a man ! To appear and to reign, to march and to triumph, to have every capital for a staging area, to take his grenadiers and make kings of them, to decree the downfall of dynasties, to transfigure Europe at a double quickstep, so men feel, when you threaten, that you are laying your hand on the hilt of God’s sword, to follow in one man Hannibal , Caesar, and Charlemagne, to be the people of a man who mingles with your every dawn the glorious announcement of a battle won, to be wakened in the morning by the cannon of the Invalides, to hurl into the vault of day mighty words that blaze forever, Marengo, Arcola, Austerlitz, lena, Wagram ! To repeatedly call forth constellations of victories at the zenith of the centuries, to make the French Empire the successor of the Roman Empire, to be the grand nation and to bring forth the Grand Army, to send your legions flying across the whole earth as a mountain sends out its eagles, to vanquish, to rule, to strike thunder, to be for Europe a kind of golden people through glory, to sound through history a Titan’s fanfare, to conquer the world twice, by conquest and by resplendence, that is sublime. What could be greater?"
"To be free," said Combeferre.
”
”
Victor Hugo (Les Misérables)
“
Orphan? Humph!’ she growled. ‘I’m a princess, not an orphan. And I have a grandmamma. And my grandmamma is a queen, so you’d better be careful. When I tell her you wanted to give me the strap, my grandmamma will order your head chopped off, you’ll see.’ ‘Ghastly! Ciri, have mercy!’ ‘Not a chance!’ ‘But you’re a good little girl. And beheading hurts awfully. You won’t say anything, will you?’ ‘I will.’ ‘Ciri.’ ‘I will, I will, I will! Afraid, are you?’ ‘Dreadfully. You know, Ciri, you can die from having your head cut off.’ ‘Are you mocking me?’ ‘I wouldn’t dream of it.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
It’s an heirloom, isn’t it?”
... “I got it from my father.”
The tutor ran his hand along the sheathed blade. “This is a remarkable weapon—a knight’s sword—tarnished with time and travel. You don’t use it as often as the others. The bastard and short sword are tools to you, but this—ah—this is something else—something revered. It lays concealed in a paltry sheath, covered in clothes not its own. It doesn’t belong there. This sword belongs to another time and place. It is part of a grand and glorious world where knights were different, loftier—virtuous. It rests in this false scabbard because the proper one has been lost, or perhaps, it waits for a quest yet to be finished. It longs for that single moment when it can shine forth in all its brilliance. When dream and destiny meet on a clear field, then and only then will it find its purpose. When it faces that honorable cause—that one worthy and desperate challenge for which it was forged and on which so much depends—it will find peace in the crucible of struggle. For good or ill, it will ring true or break. But the wandering, the waiting, the hiding will at last be over. This sword waits for the day when it can save the kingdom and win the lady.
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
The world's greatest computer is the brain.
The world's greatest engine is the heart.
The world's greatest generator is the soul.
The world's greatest television is the mind.
The world's greatest radio is the tongue.
The world's greatest camera is the eye.
The world's greatest ladder is faith.
The world's greatest hammer is courage.
The world's greatest sword is accuracy.
The world's greatest photographer is sight.
The world's greatest knife is fate.
The world's greatest spear is intelligence.
The world's greatest submerine is a fish.
The world's greatest aeroplane is a bird.
The world's greatest jet is a fly.
The world's greatest bicycle is a camel.
The world's greatest motorbike is a horse.
The world's greatest train is a centipede.
The world's greatest sniper is a cobra.
The world's greatest schemer is a fox.
The world's greatest builder is an ant.
The world's greatest tailor is a spider.
The world's greatest assassin is a wolf.
The world's greatest ruler is a lion.
The world's greatest judge is karma.
The world's greatest preacher is nature.
The world's greatest philosopher is truth.
The world's greatest mirror is reality.
The world's greatest curtain is darkness.
The world's greatest author is destiny.
”
”
Matshona Dhliwayo
“
Geralt!’ the little girl repeated, clinging to the Witcher’s chest. ‘You found me! I knew you would! I always knew! I knew you’d find me!’ ‘Ciri,’ said the Witcher. Yurga could not see his face hidden among the mousy hair. He saw hands in black gloves squeezing the girl’s back and shoulders. ‘You found me! Oh, Geralt! I was waiting all the time! For so very long… We’ll be together now, won’t we? Now we’ll be together, won’t we? Say it, Geralt! Forever! Say it!’ ‘Forever, Ciri.’ ‘It’s like they said! Geralt! It’s like they said! Am I your destiny? Say it! Am I your destiny?’ Yurga saw the Witcher’s eyes. And was very astonished. He heard his wife’s soft weeping, felt the trembling of her shoulders. He looked at the Witcher and waited, tensed, for his answer. He knew he would not understand it, but he waited for it. And heard it. ‘You’re more than that, Ciri. Much more.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Brastias, general of the Dark Plains rebellion and Annwyl’s second in command, leaned back into the hard wood chair and rubbed his tired eyes. She must be dead. She had to be dead. Annwyl would never disappear this long without word sent. He’d already sent trackers out to find her, but they came back empty-handed, losing her trail somewhere near Dark Glen, a haunted place most men dare not enter.
Of course, Annwyl was not most men. She often dared where others fled. She remained the bravest warrior Brastias knew and he’d met many men over the years who he considered brave.
But Annwyl could be foolhardy and her anger . . . formidable.
And yet every day for two years Brastias thanked the gods for his good fortune. On a whim they had attacked a heavily armed caravan coming from Garbhán Isle. Its cargo had been Annwyl. Dressed in white bridal clothes and chained to the horse she rode, her destiny to be the unwilling bride for some noble in Madron. And based on how heavily armed her procession was, dangerously unhappy about it as well. Once the attack began, one of his men released Annwyl and told her to escape. She didn’t. Instead she took up a sword and fought. Fought, in fact, like a demon sent from the gods of hate and revenge. Her rage a mighty sight to behold. By the time the girl finished, she stood among the headless remains of those she killed. Her white gown completely covered in blood. On that day the men had given her the name Annwyl the Bloody and, as much as she hated it, the name stuck.
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
Geralt looked around, and quickly and easily found what he was hunting for. A second, identical arrow, lodged in the trunk of a pine tree, around six paces behind the corpse. He knew what had happened. The boy had not understood the warning, and hearing the whistle and thud of the arrow had panicked and begun to run the wrong way. Towards the one who had ordered him to stop and withdraw at once. The hissing, venomous, feathered whistle and the short thud of the arrowhead cutting into the wood. Not a step further, man, said that whistle and that thud. Begone, man, get out of Brokilon at once. You have captured the whole world, man, you are everywhere. Everywhere you introduce what you call modernity, the era of change, what you call progress. But we want neither you nor your progress here. We do not desire the changes you bring. We do not desire anything you bring. A whistle and a thud. Get out of Brokilon! Get out of Brokilon, thought Geralt. Man. No matter that you are fifteen and struggling through the forest, insane with fear, unable to find your way home. No matter that you are seventy and have to gather brushwood, because otherwise they will drive you from the cottage for being useless, they will stop giving you food. No matter that you are six and you were lured by a carpet of little blue flowers in a sunny clearing. Get out of Brokilon! A whistle and a thud. Long ago, thought Geralt, before they shot to kill, they gave two warnings. Even three. Long ago, he thought, continuing on his way. Long ago. Well, that’s progress.
”
”
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
“
Now, Mesnilgrand saw himself come to full maturity without the great military career that he had hoped for, his sword rusting in its scabbard, his feelings swelling up into the bitterest kind of rage. [...] An ingenious moralist, preoccupid by how illogical our destinies appear to be, once explained it by hypothesizing that men are like portrairs: the ones who have only their head and shoulders depicted seem larger than they could really have been in life, while others practically disappear, shrunken and reduced to looking like dwarves by the absurd size of their portrait's frame. [...] Back then, people thought he would either kill himself or go mad. He did not kill himself, and his mind stayed whole. He did not go mad. But then, that was because he was mad already, said the jokers—for there are always jokers. But although he did not kill himself—and, given his nature, his comrades chose not to ask him why he did not—he was not the kind of man to let his heart be eaten by a vulture without at least trying to break the vulture's beak.
”
”
Jules Barbey d'Aurevilly (Les Diaboliques)
“
Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.
”
”
J.M. Coetzee (Waiting for the Barbarians)
“
13. If the goal is to build up one's sexual energy, what's the
harm of sleeping with a lot of different women (or men) to increase
your ching chi?
Chia: The goal is not to build up one's sexual energy—it is to
transform raw sexual energy into a refined subtle energy. Sex is
only one means of doing that. Promiscuity can easily lower your
energy if you choose partners with moral or physical weakness.
If you lie with degenerates, it may hurt you, in that you can
temporarily acquire your partner's vileness. By exchanging subtle
energy, you actually absorb the other's substance. You become the
other person and assume new karmic burdens. This is why old
couples resemble each other so closely: they have exchanged so
much energy that they are made of the same life-stuff. This practice
accelerates this union, but elevates it to a higher level of spiritual
experience.
So the best advice I can give is to never compromise your
integrity of body, mind and spirit. In choosing a lover you are
choosing your destiny, so make sure you love the woman with
whom you have sex. Then you will be in harmony with what flows
from the exchange and your actions will be proper.
If you think you can love two women at once, be ready to
spend double the chi to transform and balance their energy. I doubt
if many men can really do that and feel deep serenity. For the sake
of simplicity, limit yourself to one woman at a time. It takes a lot of
time and energy to cultivate the subtle energies to a deep level.
It is impossible to define love precisely. You have to consult
your inner voice. But cultivating your chi energy sensitizes you to
your conscience. What was a distant whisper before may become a
very loud voice. For your own sake, do not abandon your integrity
for the sake of physical pleasure or the pretense that you are doing
deep spiritual exercises. If you sleep with one whom you don't
love, your subtle energies will not be in balance and psychic warfare can begin. This will take its toll no matter how far apart you
are physically until you sever or heal the psychic connection. It's
better to be honest in the beginning.
For the same reason make love only when you feel true tenderness within yourself. Your power to love will thus grow
stronger. Selfish or manipulative use of sex even with someone
with whom you are in love can cause great disharmony. If you feel
unable to use your sexual power lovingly, then do not use it at all!
Sex is a gleaming, sharp, two-edged sword, a healing tool that can
quickly become a weapon. If used for base purposes, it cuts you
mercilessly. If you haven't found a partner with whom you can be
truly gentle, then simply touch no one. Go back to building your
internal energy and when it gets high you will either attract a
quality lover or learn a deeper level within yourself.
”
”
Mantak Chia (Taoist Secrets of Love: Cultivating Male Sexual Energy)