Switched Novel Quotes

Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written.

Who am I to deny my Master pleasure, simply because it is not at the hands of myself? He is free to do as he will, because of the life that he has given me. I am thankful for him, for the fact that out of all of us, I am the one that he chooses to keep and care for as his own.

...some hours later they were down at the railroad tracks standing close together by the switch lights. The huge night moved overhead scattering drops of itself.

She saw the shallow lines beaded with blood in her long mirror, and when he told her that she was beautiful, she believed him.

He switched off the car and spun. The woman disappeared. He flipped forward and saw the reflection. The woman stuck out her tongue. “What the hell?” Cole said. “I want answers and I want them now.” “Answers about what?” “I’ve been watching you watching her, all day long,” he said. “Don’t deny it.” “What exactly are you saying?” Karlee jerked her head forward, and her mouth fell open. He felt like a crazy fool. “You know what I’m talking about. The... uh...thing that is sitting in the back seat of this car?

The weight of him pressed me out. I felt covered, safe; something dark in me retreated and, for what felt like the first time in the arms of a man, I felt safe. I was still me -- the switch was not flicked, but the terrible feeling haunting me then didn't reach me. Which is one of the things that love can feel like. Peter stayed there for some time. He may have fallen asleep at some point. And so it is that when I hear stories of how thin he became, I can't reconcile them with the weight of the boy who pinned me to myself, made me feel the place in me where I attached to the world.

And when he ran the blades over her she felt light as a feather, floating happily into that place where pain and pleasure walked hand in hand, fully clear and conscious and she looked out to the darkness that lay outside of their artificial day. All too soon it was gone, her vision dimming and her breaths evening as she found somewhere darker which centred around the golden light of her Master’s voice as he spoke to her.

Do you have change for a dollar? Geryon heard Geryon say. No. Herakles stared straight at Geryon. But I'll give you a quarter for free. Why would you do that? I believe in being gracious. Some hours later they were down at the railroad tracks standing close together by the switch lights. The huge night moved overhead scattering drops of itself. You're cold, said Herakles suddenly, your hands are cold. Here. He put Geryon's hands inside his shirt.

The jet switched everything, one setting gone and the other there, like a conjuring act. This disorienting and instantaneous change of scene made places seem like channels on TV.

I continued past the door of the Pink Room to look round her door. She was propped on her pillows with The Sentimental Bloke and Persuasion beside her on the covers and a torrid bodice-ripper in her hands. Nice Marty Holden from the Book Exchange had been bringing romance novels by the boxful and she was getting through two a day, switching to Jane Austen when her brain needed decontaminating.

It was a roaring spring morning with green in the sky, the air spiced with sand sagebrush and aromatic sumac. NPR faded from the radio in a string of announcements of corporate supporters, replaced by a Christian station that alternated pabulum preaching and punchy music. He switched to shit-kicker airwaves and listened to songs about staying home, going home, being home and the errors of leaving home.

my mind switches to what it would be like to be with her, to lose my way with her, to whisper longings into her ear, to devour and be devoured. To wake up in the same bed and talk and laugh and be in comfortable silence with her. To give her breakfast. Toast. Blackcurrant jam. Pink grapefruit juice. Maybe some watermelon. Sliced. On a plate. She would smile, and I see it in my mind, the smile, and I would dare to feel happy with another human being.

Frasier stepped in and reached for a wall switch. A crystal light fixture popped on, raining down variegated light. The building revealed itself to be like a geode---rocky on the outside but sparkling with unexpected decadence inside. It was small, just one room. The furniture was covered with white sheets, but everything else she could see was lovely---the golden parquet floor, the whitewashed rafters, and the long kitchen counter on the far wall, which sported kitschy, pale pink appliances.

It had been a shitty night, so it was fitting that it should end with rain. He closed his eyes and lay where he was, ready for it to stop. The rain, the cold, the pain, the aches, the blood choking the back of his throat, the metallic taste on his tongue. He wanted an off switch to his life; to get it over with. There wasn't much point fighting; he didn't have anything to fight for. He had his family and Levi, but something in his heart said that wasn't enough anymore. He didn't want to be alone.

Clamor is prohibited in the Cloud Recesses,” Lan Wangji stated. “Then scream for help quietly,” Wei Wuxian said. “Also, when I tear off your clothes, do your very best to keep me at bay. Cover and protect your chest for dear life. Don’t let me tear off anything.” There was momentary silence from under the blanket. “That sounds complicated,” said Lan Wangji, at last. “That’s complicated?!” Wei Wuxian blurted. “Mn,” Lan Wangji affirmed. “Nothing for it, then,” Wei Wuxian said. “Let’s switch. You can rape me instead—

Nowhere is the sense of medium felt more strongly, even by the casual reader, than in a story about to end. For the novelist the problem is no longer how to tell his tale, but how to close it down; how to switch imaginative energies which have been used in sustaining the tale, into energies which will not just stop it, but will resolve it. The process of telling must be made to predicate its own conclusion. For the reader, in sight of an ending, the mode of attention shifts, the rhythm alters, and a pressure of significance begins to build up behind the closing chapters. The pace of the narrative begins to slow, the 'ever after' looms, past and present emerge in ever sharper juxtaposition. It is this heightened attention to the medium that characterises the ending and we are not surprised to find that for some novelists 'endings' seem to play false to the narrative which leads to them. 'Conclusions are the weak points of most authors', George Eliot wrote, 'but some of the fault must lie in the very nature of a conclusion which is at best a negation'.

If we have lagged behind, dear brother, let us not be ashamed of it! So much is thrown away and lost on the road of the so called "times", that it is all right if there is someone to pick it up. I always fancy that the day will come when people will suddenly discover that they have lost what is behind them, and have nothing to gain from what is in front of them. That a moment may arise in their lives when they put the headlines and best-sellers aside and remember the verse of a hymn which they learned as children. That they will switch off the wireless for a while, and embrace the vast silence which ensues.

I feel so far away from them, on the top of this hill. It seems as though I belong to another species. They come out of their offices after their day of work, they look at the houses and the squares with satisfaction, they think it is their city, a good, solid, bourgeois city. They aren’t afraid, they feel at home. All they have ever seen is trained water running from taps, light which fills bulbs when you turn on the switch, half-breed, bastard trees held up with crutches. They have proof, a hundred times a day, that everything happens mechanically, that the world obeys fixed, unchangeable laws. In a vacuum all bodies fall at the same rate of speed, the public park is closed at 4 p.m. in winter, at 6 p.m. in summer, lead melts at 335 degrees centigrade, the last streetcar leaves the Hotel de Ville at 11.05 p.m. They are peaceful, a little morose, they think about Tomorrow, that is to say, simply, a new today; cities have only one day at their disposal and every morning it comes back exactly the same. They scarcely doll it up a bit on Sundays. Idiots. It is repugnant to me to think that I am going to see their thick, self-satisfied faces. They make laws, they write popular novels, they get married, they are fools enough to have children. And all this time, great, vague nature has slipped into their city, it has infiltrated everywhere, in their house, in their office, in themselves. It doesn’t move, it stays quietly and they are full of it inside, they breathe it, and they don’t see it, they imagine it to be outside, twenty miles from the city. I see it, I see this nature . . . I know that its obedience is idleness, I know it has no laws: what they take for constancy is only habit and it can change tomorrow. What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they’d think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present.

I could feel the adrenaline—adrenaline called into being by her fear—shoot through my limbs as I contemplated switching to a more pliant body. It would be nice to be alone again. To have my mind to myself. This world was very pleasant in so many novel ways, and it would be wonderful to be able to appreciate it without the distractions of an angry, displaced nonentity who should have had better sense than to linger unwanted this way. Melanie squirmed, figuratively, in the recesses of my head as I tried to consider it rationally. Maybe I should give up…. The words themselves made me flinch. I, Wanderer, give up? Quit? Admit failure and try again with a weak, spineless host who wouldn’t give me any trouble? I shook my head. I could barely stand to think of it. And… this was my body. I was used to the feel of it. I liked the way the muscles moved over the bones, the bend of the joints and the pull of the tendons. I knew the reflection in the mirror. The sun-browned skin, the high, sharp bones of my face, the short silk cap of mahogany hair, the muddy green brown hazel of my eyes—this was me. I wanted myself. I wouldn’t let what was mine be destroyed.

Cassidy had been created by Clarence Mulford, writer of formula western novels and pulpy short stories. In the stories, Cassidy was a snorting, drinking, chewing relic of the Old West. Harry Sherman changed all that when he bought the character for the movies. Sherman hired Boyd, a veteran of the silent screen whose star had faded, to play a badman in the original film. But Boyd seemed more heroic, and Sherman switched the parts before the filming began. As Cassidy, Boyd became a knight of the range, a man of morals who helped ladies cross the street but never stooped to kiss the heroine. He was literally black and white, his silver hair a vivid contrast to his black getup. He did not smoke, believed absolutely in justice, honor, and fair play, and refused to touch liquor. Boyd’s personal life was not so noble. Born in Ohio in 1898, he had arrived in Hollywood for the first golden age, working with Cecil B. DeMille in a succession of early silents. By the mid-1920s he was a major star. Wine, women, and money were his: he drank and gambled, owned estates, married five times. But it all ended when another actor named William Boyd was arrested for possession of whiskey and gambling equipment.

Fresh Pasta Dough Recipe INGREDIENTS: 1 ½ cups flour ½ cup semolina flour (pasta flour) 2 whole eggs, at room temperature 3 egg yolks, at room temperature DIRECTIONS: In a large bowl, whisk together the flour and the semolina. Create a well in the center and add the eggs and egg yolks. Using a fork, break up the eggs then gradually start to draw flour from the edges of the well into the mixture. If the dough gets too firm to mix with the fork switch to mixing with your hands. Continue to work in flour until the dough no longer sticks to your hands; you may not need to incorporate all of the flour. (I used a bit more than what the recipe called for.) Transfer the dough to a lightly floured surface and knead the dough for 8 to 10 minutes or until it is smooth and pliable. Wrap the dough tightly in plastic wrap and allow to rest for at least 30 minutes. If using a pasta roller: Divide the dough into 4 pieces. Starting with the machine set to the widest setting, pass the dough through the rollers. Fold the dough into thirds and pass it through again 2 more times. Continue passing the pasta through the machine, reducing the setting a few notches each time. You may need to dust a bit with flour if the dough sticks to the rollers at all. Once you reach your desired thickness, use the cutting attachment to cut the pasta sheet into fettuccine. Dust the cut pasta with more flour to prevent sticking and repeat with the remaining dough. If using a rolling pin: Divide the dough in half. Dust your surface with flour and sprinkle generously on your rolling pin. *Roll out the dough as thin and as evenly possible, adding flour as needed to prevent sticking. Use a paring knife (a pizza cutter works great!) to cut your dough into even ribbons, then set aside, dusting the cut pasta with more flour. Repeat with the remaining dough. (At this point, the pasta can be transferred to a sealable plastic bag and frozen for up to 3 months; do not defrost before cooking.) Cook the pasta in a large pot of generously salted boiling water, checking for doneness after just 1 minute; fresh pasta cooks very quickly. As soon as it is al dente, no more than 3 or 4 minutes, drain, reserving some of the cooking water if desired for saucing the pasta. Toss with your sauce, loosen with some of the reserved cooking water as needed and serve immediately. *Note:  You must get the dough as thin as possible and cut them into small strips, otherwise, it will be too thick and end up having the texture of dumplings.

The kid in the newspaper was named Stevie, and he was eight. I was thirty-nine and lived by myself in a house that I owned. For a short time our local newspaper featured an orphan every week. Later they would transition to adoptable pets, but for a while it was orphans, children your could foster and possibly adopt of everything worked out, the profiles were short, maybe two or three hundred words. This was what I knew: Stevie liked going to school. He made friends easily. He promised he would make his bed every morning. He hoped that if he were very good we could have his own dog, and if he were very, very good, his younger brother could be adopted with him. Stevie was Black. I knew nothing else. The picture of him was a little bigger than a postage stamp. He smiled. I studied his face at my breakfast table until something in me snapped. I paced around my house, carrying the folded newspaper. I had two bedrooms. I had a dog. I had so much more than plenty. In return he would make his bed, try his best in school. That was all he had to bargain with: himself. By the time Karl came for dinner after work I was nearly out of my mind. “I want to adopt him,” I said. Karl read the profile. He looked at the picture. “You want to be his mother?” “It’s not about being his mother. I mean, sure, if I’m his mother that’s fine, but it’s like seeing a kid waving from the window of a burning house, saying he’ll make his bed if someone will come and get him out. I can’t leave him there.” “We can do this,” Karl said. We can do this. I started to calm myself because Karl was calm. He was good at making things happen. I didn’t have to want children in order to want Stevie. In the morning I called the number in the newspaper. They took down my name and address. They told me they would send the preliminary paperwork. After the paperwork was reviewed, there would be a series of interviews and home visits. “When do I meet Stevie?” I asked. “Stevie?” “The boy in the newspaper.” I had already told her the reason I was calling. “Oh, it’s not like that,” the woman said. “It’s a very long process. We put you together with the child who will be your best match.” “So where’s Stevie?” She said she wasn’t sure. She thought that maybe someone had adopted him. It was a bait and switch, a well-written story: the bed, the dog, the brother. They knew how to bang on the floor to bring people like me out of the woodwork, people who said they would never come. I wrapped up the conversation. I didn’t want a child, I wanted Stevie. It all came down to a single flooding moment of clarity: he wouldn’t live with me, but I could now imagine that he was in a solid house with people who loved him. I put him in the safest chamber of my heart, he and his twin brother in twin beds, the dog asleep in Stevie’s arms. And there they stayed, going with me everywhere until I finally wrote a novel about them called Run. Not because I thought it would find them, but because they had become too much for me to carry. I had to write about them so that I could put them down.

It is a painful irony that silent movies were driven out of existence just as they were reaching a kind of glorious summit of creativity and imagination, so that some of the best silent movies were also some of the last ones. Of no film was that more true than Wings, which opened on August 12 at the Criterion Theatre in New York, with a dedication to Charles Lindbergh. The film was the conception of John Monk Saunders, a bright young man from Minnesota who was also a Rhodes scholar, a gifted writer, a handsome philanderer, and a drinker, not necessarily in that order. In the early 1920s, Saunders met and became friends with the film producer Jesse Lasky and Lasky’s wife, Bessie. Saunders was an uncommonly charming fellow, and he persuaded Lasky to buy a half-finished novel he had written about aerial combat in the First World War. Fired with excitement, Lasky gave Saunders a record $39,000 for the idea and put him to work on a script. Had Lasky known that Saunders was sleeping with his wife, he might not have been quite so generous. Lasky’s choice for director was unexpected but inspired. William Wellman was thirty years old and had no experience of making big movies—and at $2 million Wings was the biggest movie Paramount had ever undertaken. At a time when top-rank directors like Ernst Lubitsch were paid $175,000 a picture, Wellman was given a salary of $250 a week. But he had one advantage over every other director in Hollywood: he was a World War I flying ace and intimately understood the beauty and enchantment of flight as well as the fearful mayhem of aerial combat. No other filmmaker has ever used technical proficiency to better advantage. Wellman had had a busy life already. Born into a well-to-do family in Brookline, Massachusetts, he had been a high school dropout, a professional ice hockey player, a volunteer in the French Foreign Legion, and a member of the celebrated Lafayette Escadrille flying squad. Both France and the United States had decorated him for gallantry. After the war he became friends with Douglas Fairbanks, who got him a job at the Goldwyn studios as an actor. Wellman hated acting and switched to directing. He became what was known as a contract director, churning out low-budget westerns and other B movies. Always temperamental, he was frequently fired from jobs, once for slapping an actress. He was a startling choice to be put in charge of such a challenging epic. To the astonishment of everyone, he now made one of the most intelligent, moving, and thrilling pictures ever made. Nothing was faked. Whatever the pilot saw in real life the audiences saw on the screen. When clouds or exploding dirigibles were seen outside airplane windows they were real objects filmed in real time. Wellman mounted cameras inside the cockpits looking out, so that the audiences had the sensation of sitting at the pilots’ shoulders, and outside the cockpit looking in, allowing close-up views of the pilots’ reactions. Richard Arlen and Buddy Rogers, the two male stars of the picture, had to be their own cameramen, activating cameras with a remote-control button.

Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East, and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.  Intent on combining his creativity with his experience, Tim began writing thrillers in 1996 from an apartment overlooking Moscow’s Gorky Park. Decades later, his passion for creative writing continues to grow every day. His home office now overlooks a vineyard in Northern California, where he lives with his wife Elena and their two daughters. Tim grew up in the Midwest, and graduated from Hanover College with a BA in Philosophy and Mathematics. After military service and work as a financial analyst and foreign-exchange trader, he earned an MBA in Finance and an MA in International Studies from the University of Pennsylvania’s Wharton and Lauder Schools.  Thank you for taking the time to read about the author. Tim is most grateful for his loyal fans, and loves to correspond with readers like you. You are welcome to reach him directly at tim@timtigner.com.

Washington University found that adding a single extra gene dramatically boosted a mouse’s memory and ability. These “smart mice” could navigate mazes faster, remember events better, and outperform other mice in a wide variety of tests. They were dubbed “Doogie mice,” after the precocious character on the TV show Doogie Howser, M.D. Dr. Tsien began by analyzing the gene NR2B, which acts like a switch controlling the brain’s ability to associate one event with another. (Scientists know this because when the gene is silenced or rendered inactive, mice lose this ability.) All learning depends on NR2B, because it controls the communication between memory cells of the hippocampus. First Dr. Tsien created a strain of mice that lacked NR2B, and they showed impaired memory and learning disabilities. Then he created a strain of mice that had more copies of NR2B than normal, and found that the new mice had superior mental capabilities. Placed in a shallow pan of water and forced to swim, normal mice would swim randomly about. They had forgotten from just a few days before that there was a hidden underwater platform. The smart mice, however, went straight to the hidden platform on the first try. Since then, researchers have been able to confirm these results in other labs and create even smarter strains of mice. In 2009, Dr. Tsien published a paper announcing yet another strain of smart mice, dubbed “Hobbie-J” (named after a character in Chinese cartoons). Hobbie-J was able to remember novel facts (such as the location of toys) three times longer than the genetically modified strain of mouse previously thought to be the smartest. “This adds to the notion that NR2B is a universal switch for memory formation,” remarked Dr. Tsien. “It’s like taking Michael Jordon and making him a super Michael Jordan,” said graduate student Deheng Wang. There are limits, however, even to this new mice strain. When these mice were given a choice to take a left or right turn to get a chocolate reward, Hobbie-J was able to remember the correct path for much longer than the normal mice, but after five minutes he, too, forgot. “We can never turn it into a mathematician. They are rats, after all,” says Dr. Tsien. It should also be pointed out that some of the strains of smart mice were exceptionally timid compared to normal mice. Some suspect that, if your memory becomes too great, you also remember all the failures and hurts as well, perhaps making you hesitant. So there is also a potential downside to remembering too much.

The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224

Such people will suddenly tell you they have another plan, and they always do it the moment things start getting difficult. But it’s their everlasting switching that’s the dangerous thing, not what they choose.

and to whose unsurpassable mastery of ballistics and biomass energetics we owe our third sun that now shines above us with its own famous on-off switch....

Like Frank Schirrmacher, the neuroscientist Daniel Levitin places such attention-flitting, task-switching behavior within the context of our evolutionary reflex, the novelty bias that pulls our attention immediately toward anything new: “Humans will work just as hard to obtain8 a novel experience as we will to get a meal or a mate. . . . In multitasking, we unknowingly enter an addiction loop as the brain’s novelty centers become rewarded for processing shiny new stimuli, to the detriment of our prefrontal cortex, which wants to stay on task and gain the rewards of sustained effort and attention. We need to train ourselves to go for the long reward, and forgo the short one.” Levitin wrote that passage in a book largely written for adult executives. His worthy lessons for adults, however, are magnified when considering young children. The child’s prefrontal cortex and the entire underlying central executive system have not yet learned the “rewards of sustained effort and attention,” much less the planning and inhibition that would allow a child to “forgo the short one.” In other words, switching between sources of attention for the child’s brain makes the perfect biological-cultural storm for adults look like a gentle downpour. With little prefrontal development on their side, children are completely at the mercy of one distraction after another, and they quickly jump from one “shiny new stimulus” to another. Levitin claims that children can become

Diriday is the perfect mount for me." In that low, deep, beastly growl, he replied, "It's good to know you'll... ride... as I wish." She flushed. Her toes curled, and her nipples tightened into firm beads that ached to be touched. How had he done it? She'd said the most obvious thing, and he'd made it clear he wasn't talking about the horse. He pried her bare fingers from the rail of the stall and kissed them. "I find Lady Gertrude is a good chaperon," he said. Eleanor nodded, stricken dumb by the brief brush of his lips that had sent goose bumps racing up her arms. He placed her hand on his shoulder. "So good, you and I haven't had a moment alone together." "We're alone now." Unwise to remind him! He crooned with satisfaction, "So we are." "So we should go now." She tried to step away, to obey her instincts and flee. Mr. Knight maneuvered her so that her back was to the post. "Fortunately, Lady Gertrude doesn't ride, and doesn't see that our being together now is a cause of concern." "It's not." Eleanor tried to speak firmly, yet she ended on a questioning note. "Lady Gertrude has no imagination." In the dim light, his eyes watched her relentlessly, like a falcon watches a fleeing morsel. In slow increments, he extended his free hand and wrapped it around her waist. "I find myself wondering about you." When had the situation turned dangerous? "I'm easily understood." "You're a mystery, one I find myself compelled to solve. I want to know whether you like to kiss with your mouth closed... or open." She gasped in shock. "Where you find most pleasure when a man's mouth, my mouth, roams your body." She wanted to gasp once more, but the gratification she saw in his face stopped her. Yes, he shocked her. He enjoyed shocking her. But she hated being so craven. She yearned to take him back, and out of the depths of that need, she found the nerve to reply, "You may ask me those questions, and mayhap, if I wish, I'll reply. But don't imagine you yourself can discover the answers." "Ask. What a novel idea." A small smile played across his velvet lips. "Yes, you could tell me, of course, but I find I like to make discoveries on my own." Pulling her close against his body, he sealed them together. Discoveries? She could tell him about discoveries. She did like being embraced so tightly that her breasts pressed against his chest; and that, and the amusement in his gaze, were reasons enough to leave- at once. With a twist, she freed herself and ran. He sprang after her. Two stalls down, he caught her by the waist. He swung her against the gate and held her hard against him. She stared into his pale blue eyes and with all her heart wished she had some experience in these matters, for she had never felt so helpless in her life. "I'm not going to hurt you." His voice was deep and heated. "I'm not going to ravish you. I'm just going to kiss you.

You can easily switch the letters of a word around to see another hidden meaning. Such is life. A life can be defined by it's blessings or hardships. It's all a matter of how you look at it.

The starting point is to understand the sources of difficulty we face when attempting to switch frames. There are four in particular: the cognitive energy required to create a novel frame; the need to step away from the familiar; the necessity of identifying a frame that fits the circumstances; and wise timing to recognize the right moment to reframe.

Women tend to imagine man’s romanticism as an on-off switch within their reach.

So, following the same thought process I usually turned to for issues like these, I mentally switched gears and quit my worrying.

It was like a switch flipped inside him. Whereas moments ago his kisses had been gentle and restrained, now he was a man unleashed. His hands slid down my body and gripped my ass, hauling me closer to him, the chill of his touch seeping through the fabric of my clothes and down to my skin. My arms wrapped instinctively around his neck, and he held me tight, tighter, as he ravished my mouth, his tongue tracing the seam of my lips before delving inside. He smelled incredible--- like the laundry detergent he must have used on his shirt, cool male skin, and his own uniquely Reggie scent. It was indescribably erotic, what we were doing. I moaned against the pleasure already rising inside me. "I'm going to make you feel so good tonight," he promised against my lips. "Can I tell you what I plan to do?" There was a hint of wickedness in his voice. I melted against him. "Yes." My hands slid into his hair, tugging hard on the strands of messy gold. He groaned--- he liked that, I thought through my haze of lust; I'd have to file that away for later--- and gripped my ass hard. "Tell me." It took him a moment to regain composure enough to respond. "I'm going to bend you over every flat surface in this apartment like we are in one of those filthy Regency novels Frederick pretends he doesn't read," he murmured against my cheek.

My life experience has brought me to believe that putting serious effort into any field of study is well worth the effort, even if one switches to a completely different field later. In fact, the more weapons you have at your disposal, the more assets you can deploy to protect the people in your social spheres.

Switching from one religion to another is like repeating the same error in a different form. As humanity grows wiser, the only meaningful conversion is beyond religion itself.

Rabbits can stop their hearts out of fear, if in danger, or cornered. It saves them from the grisly death that was coming; like flicking a switch, they just turn themselves off and die on the

Thinking about all the good things and the scary things about him, I was glad that romance novel moment didn’t exist. It was the stupidest thing I ever wished for, like asking to get struck by lightning, when all I needed to do was turn on a light switch.

Temptation Bundling One approach to fighting wayward urges involves “temptation bundling,” in which subjects couple a “want” activity with a “should.” In one experiment, Milkman divided participants into three groups. The full group was allowed to listen to audio novels of their choice only at the gym; after their workouts, the novels were locked away. The intermediate group was allowed to keep the audio novels but was encouraged to listen only at the gym. The third, unrestricted group was not limited in any way and could listen to novels whenever they chose. At the start of a nine-week intervention, the full group visited the gym 51 percent more often than the unrestricted group. The intermediates visited the gym 29 percent more than the unrestricteds. Meaning: pairing a “want” activity (listening to a juicy audiobook) with a “should” one (going to the gym) was a strong incentive to exercise. The method was so valuable that when the experiment was done, 61 percent of the participants opted to pay the gym to restrict access to their audiobooks. The effect fades over several months, though, so people have to switch the “want” activity to stay engaged. Even so, these results open up multitudes of possibilities. If we pair an unappealing chore with something we like to do, we increase the odds that we’ll perform the challenging task. For example, you could buy yourself an item of clothing every week you lose some weight. This will force you to assess your body and give you a reward for being disciplined. This is temptation bundling, but it’s also giving yourself a break from a constant stream of “should” activities. It recharges your brain and makes you stronger for the next time a little self-control is required (see below, “Don’t Overdo It”). Another method of improving self-control is the use of precommitment devices, which allow you to lock in good behavior tomorrow based on your good intentions today. An example of this is a website called stickK.com that helps people create commitment contracts. On the site you create a contract with yourself in which you set a goal—for example, losing ten pounds by a specified date. You deposit money into an account and then you select a trainer or coach to referee and confirm whether or not you achieved your goal. If you don’t hit your target, you lose that money. The process ensures that once tomorrow becomes today, you’ll feel a strong pinch if you break the contract. For example, you can commit to giving $500 to charity if you don’t achieve your goal by the specified date. Or choose an anticharity, meaning if you fail you must give money to an organization you don’t want to help, such as the opposing political party, which is an extra incentive not to fail. Using precommitment devices is a way of forcing your future self to do what your present self thinks it should.

On Fridays, my mother used to get her nails done and would come home complaining about the smell of the nail polish. On Saturdays, she used to go to the street market and would come home complaining about the smell of the fish. On Tuesdays, she used to go to the supermarket and would come home complaining about the price of things. Sometimes I would go with her to the manicurist and the manicurist would paint my nails pink. I didn’t complain about the smell of the nail polish. After my mother died, I wondered if all these places would save her a space for a while. The space that she would have occupied in the queue at the supermarket. The lettuce or the potatoes that she would have bought at the street market. The potential brushstrokes of nail polish in the bottle. I wondered if the space that a person occupies in the world survives the person themself. If the stage remains set for a while, the props ready, the cue repeated several times, waiting for the person to come on again. And if the connections are only undone slowly, the threads breaking, the lights switching off, the person dying slowly for the world after they have died for themself. If there are two deaths, one intimate and individual, the other public and collective, two deaths that happen at different paces.

Know what’s nice about you, Lily?” he said, laughter still threading his voice. “I can’t imagine,” she snapped. “You never change.” “Neither do you. You’re as obnoxious as ever.” “That’s me. Ran on the obnoxious ticket,” he agreed complacently. “Landslide victory.” She was driving like a maniac, switching lanes as though she were in a chase scene in a cops and robbers film. Throughout, Sean remained aggravatingly relaxed. His fingers threaded behind his neck, he merely observed in a bored drawl, “By the way, we have speed limits in Coral Beach.” “Tough. I can’t get to May Ellen’s fast enough, if it means I get to be rid of you.” He sighed. “There you go, breaking my heart. I was hoping we’d have time to reminisce. No?

The world is a huge space, but the space that will take you in - and it doesn't have to be very big - is nowhere to be found. You seek a voice, but what do you get? Silence. You look for silence, but guess what? All you hear over and over and over is the voice of this omen. And sometimes this prophetic voice pushes a secret switch hidden deep inside your brain.

ABOUT THE AUTHORS Photograph by Bob Lampert Charlotte Elkins wrote her first novel while working at the MH de Young Museum in San Francisco. Published under the pseudonym Emily Spenser, it was the first of her five romance novels that have sold in twenty countries. She switched to writing mysteries when she realized how much fun it was to collaborate with her husband, Aaron. Their first novel, A Wicked Slice, was published in 1989; since then, they have co-written four more novels starring a golf-pro-turned-sleuth and several short stories, one of which, “Nice Gorilla,” won the Agatha Award for Best Short Story of the year.   Aaron

year, they made a switch to chemicals: a move that nobody could understand till they won a billion-dollar government contract. Within three months.” “Such a huge contract

When Flora got married, she was fourteen. Now she has three kids and the village wells are dry and the nearest reliable water source is a two-hour walk from her home. Here in the Funhalouro District adolescent moms like Flora spend about six hours a day searching for and transporting water. Yesterday she walked three hours to harvest water lilies from a lake so her kids would have something to eat. And what do our most enlightened leaders suggest we do? Switch to e-billing. Buy three LED bulbs and get a free tote bag. Earth has eight billion people to feed and the extinction rate is a thousand times higher than it was at pre-human levels. This is not something we fix with tote bags. Excerpt from: "Cloud Cuckoo Land: A Novel" by Anthony Doerr. Scribd. This material may be protected by copyright.

Something about her staring into my eyes while I fuck her flips a switch in my body, making me absolutely feral.

Love means 'nothing' in tennis, but it means 'every-thing in life.

Love means 'nothing' in tennis, but it means 'everything' in life.

Love means 'nothing' in tennis, but it means everything in life.

More than half of the world’s electricity passes through motors—in vehicles and appliances, in heating and cooling systems, in industrial machinery. Even when the motors themselves are efficient, poor controls can waste up to half the energy they consume. One novel improvement is a lighter type of motor—a “switched reluctance motor”—that allows for variable speeds and can run forward or backward.

We’re about to send a picture out over the network.” “But how?” “Watch and see,” Penny advised. In the center of the room stood two machines with cylinders, one for transmitting pictures to distant stations, the other for receiving them. On the sending cylinder was wrapped a glossy 8 by 10 photograph of a fire. As Penny spoke, an attendant pressed a starter switch on the sending machine. There was a high pitched rasp as the clutch threw in, and the cylinder bearing the picture began to turn at a steady measured pace. “It’s a complicated process,” Penny said glibly. “A photo electric cell scans the picture and transmits it to all the points on the network. Salt here could tell you more about it.

So often,” says Ian Ross, who worked in Jack Morton’s department at Bell Labs doing transistor development in the 1950s, “the original concept of what an innovation will do”—the replacement of the vacuum tube, in this case—“frequently turns out not to be the major impact.”1 The transistor’s greatest value was not as a replacement for the old but as an exponent for the new—for computers, switches, and a host of novel electronic technologies.

WHAT TO DO WITH YOUR PAST Serve it with lemons and curdled milk with shortbread biscuits make the day gray spots of rain. Make a quilt out of the villains crochet the heroes together in a hat Wear the hat. Use the quilt as a picnic blanket. Bring your friends. Watch the squirrels be tiny monkeys dare-deviling the trees. Exclaim things! Each lemon, sup of tea, cookie is a bite into the future / will digest, exit, and swim. Digest. Exit. Swim. Drink the curdled milk and get sick watch your friends clean up hold your hair back / hat on hand you a tissue. When you wash the vomit out of the villainous quilt each time it gets weaker Picnic often.

My letter,” Bella said in Yiddish that was a bit garbled, but perfectly understandable. “I want my letter back and she won’t give it to me. Why doesn’t she understand my English?” “That’s Yiddish you’re speaking,” Yetta said. “No, it’s not,” Bella said irritably. “It’s the English I learned in the factory.” “It’s Yiddish! You must have learned Yiddish because there were so many of us Jews in the factory. Listen”—Yetta switched languages—“English sounds like this.” Bella stared up at Yetta, her eyes seeming to grow in her pale face. “I don’t even know what Yiddish is,” she said, in Yiddish….. “Bella learned Yiddish by mistake,” Yetta said. “She thought she was speaking English.” “Wish I could learn a new language just by mistake,” Jane said. “I’ve been studying Italian for weeks, and it’s totally useless.

As the Stoics say: “Do what you must; let happen what may.” We can inoculate ourselves against the bite of disappointment by switching from external to internal goals: not winning the tennis match but playing our best game; not seeing our novel published but writing the best, most honest one we are capable of writing. Nothing more, nothing less.

THE HIPPOCAMPUS: TRACKING THREATS AND MAKING MEMORIES The hippocampus is a seahorse-shaped structure in the center of the limbic system. In my live workshops, the analogy I pick for the hippocampus is that of the military historian. Its most vital job is to compare incoming information with the memory of past threats. If there’s a match, it sounds the alarm by activating the amygdala, which in turn switches on the whole fight-flight-freeze (FFF) system. 3.6. The hippocampus: tracking threats and recording memories. By deciding which signals to pass to the amygdala and which to ignore, the hippocampus regulates our emotions. Some people have an active hippocampus that effectively regulates emotion. Others do not; these unfortunates have a hair-trigger response to their own emotions. They become angry, fearful, or anxious at the slightest stimulus. Their behavior is dictated by their emotions. The hippocampus is also the seat of learning. Novel experiences produce the growth of new synaptic connections in the hippocampus. Go take a class in Mandarin Chinese, learn pickleball, date a new love interest, experiment with recipes from a Hungarian cookbook—your hippocampus will start to grow new connections. But the most essential function of the hippocampus is to catalog the bad stuff of the past, and if anything coming our way in the present resembles that bad stuff, it makes a match and turns on the FFF response.

Men came to think that socialism was a switch that transformed the poverty-stricken into the wealthy, but in truth, socialism is the vehicle by which the State equalizes poverty amongst its citizens.

Lachlan Kite woke at sunrise, crept out of bed, changed into a pair of shorts and running shoes and set out on a four-mile loop around the hills encircling the cottage in Sussex. The news of Xavier’s death had hit him as hard as anything he could recall since the sudden loss of Michael Strawson, his mentor and father figure, to a cancer of the liver which had ripped through him in the space of a few months. Though he had seen Xavier only fitfully over the previous ten years, Kite felt a personal sense of responsibility for his death which was as inescapable as it was illogical and undeserved. Usually, pounding the paths around the cottage, feeling the soft winter ground beneath his feet, he could switch the world off and gain respite from whatever problems or challenges might face him upon his return. Kite had run throughout his adult life—in Voronezh and Houston, in Edinburgh and Shanghai—for just this reason: not simply to stay fit and to burn off the pasta and the pints, but for his own peace of mind, his psychological well-being. It was different today, just as it had been on the afternoon of Martha’s call when Kite had immediately left the cottage and run for seven unbroken miles, memories of Xavier erupting with every passing stride.

The Test of Death -Would you believe someone you trust and swear to tell you the truth? -No -Why? -He may say what he thinks is the truth, which is not so, and I believe that the truth is not given, but taken, snatched, you have to fight to get it, the truth is not free. – We sent you to carry out a dangerous, sensitive task, a matter of life or death, and we sent someone you know is a deceiver and a liar to share it with you, we do not trust him either, but we need him? Do you accept it with him? -Maybe yes and maybe no -How? -Trust here has no place, even if I trust him, I may not implement it with him, and I may implement it with someone I do not trust, everyone in a certain circumstance has the ability of betrayal and treachery, as they have the capacity for honesty and sincerity, I will not trust anyone with a dangerous operation like this, but I will trust the plan; if the plan had taken all possibilities into consideration, including the possibilities of treachery, and if we put alternative plans in case of emergency, I would trust the plan itself, and implement it with those whose presence is required. -What is brainwashing? -It is a radical transformation of ideas in a short period of time, without a convincing reason or explanation. – How does the process work? -The primitive method is by coercive means, such as physical or psychological torture, to implant thoughts directly into the victim’s head. -What is the most advanced method? -By manipulating the surrounding environment of the victim, and passing ideas into his brain indirectly, to convince him that it is the product of chance, or for supernatural reasons such as your pre-written destiny, or that God has chosen you for this moment, and the more convincing the environment, and the more serendipitous, the quality of the process better. -How do you know you are being brainwashed? -I watch my thoughts, if I suddenly decide to switch them without a clear and convincing reason, and within a short period of time, then I have to study the changes in the environment around me, new people, targeted ads on social media, random videos, and everything around me seem to happen by chance It is directly or indirectly related to new ideas. Then research and focus, analyze and elicit, to try and discover the process. -What is long-term brainwashing? -A traditional brainwashing process, but it takes a relatively long time, such as repeating the idea to be cultivated weekly instead of repeating it daily, and this happens if the victim is intelligent and careful observation, so the process is done carefully and slowly so as not to discover it. -Which is more powerful, short-term or long-term brainwashing? -The short; the mind quickly ignores, when passing the idea in separate periods of time, it ignores the old ones, and buries them away in its memory, thus their impact decreases, so we are forced to plant the idea a thousand times instead of a hundred, to increase the momentum and compensate for the lack of influence of the old ideas, and with the presence of spaced periods of time when the process takes a long time, and the chance of discovering the target becomes greater. -What is a mind injection, and how is it done? -It is the process of implanting the ideas that are required to be implanted in it, in direct or indirect ways, and each has its own method and method of injection, some of them rush and some of them take longer than the necessary time, and in both cases, the injection does not take its desired effect, but it is possible that the effect is completely reversed. -How do you know that the injection process is going well? -The new and reprehensible reactions of the victim, especially the spontaneous ones. Which is issued near the end of the injection process.

If your goal starts to become unattainable, reengaging means switching to something still within your grasp. If you are struggling to put pen to paper on your novel, it’s switching from trying to write a chapter to simply outlining your thoughts. Reengaging allows you to shift the target slightly, so that instead of slamming on the brakes, you find something that you can manage in the moment. It’s moving from reaching the peak to getting down in one piece. Inner drive brings clarity, allowing you to listen to your body so that you can make the right decision during difficult moments.

I sat in front of the TV hour after hour watching the news about how Trump was fucking up the government’s response to the spreading corona virus infection. Why didn’t he invoke the federal government’s power under the Defense Production Act as soon as the virus hit Washington State? All the experts knew how fast-spreading and dangerous this corona virus could be? Instead, he ignores the CDC’s advice and downplays the risk to the nation’s health. Not until mid April, when it’s way too late, does Trump finally use some of the government’s power under the DPA, and even then it’s a half-assed measure. Not enough testing, not enough ventilators, not enough PPE, not enough swabs. The number of infections kept rising. By the end of March the US led the world in infections and deaths caused by the virus. What does Trump do? He refuses to wear a mask. He’s not going to look like a weakling. Testing? Overrated. It increases the number of infections. Why doesn’t the country have enough PPE and ventilators? Obama’s fault. The President is in charge, but if there’s any failure, it’s the fault of governors and mayors. He keeps repeating his mantra, “The situation is under control.” Pence’s team will whip the virus. Or was it Jared’s team? This virus isn’t as bad as the flu. America always wins. Doesn’t matter who or what the enemy is, we always triumph. We’re going to kill that little bug. Those people wearing masks are doing it to spite me, Donald J. Trump, the greatest President in history. “The situation is under control.” But the deaths keep mounting. It surpasses annual deaths from auto accidents, 34,000. It surpasses US deaths in the Vietnam War, 58,000. Next, it’s going to surpass total deaths of US soldiers in World War I, 116,500, and it’s not going to stop there. What the fuck!? This is the United States of America! We’re supposed to have the best healthcare in the world, the best of everything. We’re Number One! Yeah, Trump made America great again. He said with him as President America would win so much we’d get tired of winning. Right on, man! We are Number One – in corona virus infections and deaths! After spending all day switching back and forth among the cable news networks on TV, I’d turn off the television and get on my laptop and rant on Twitter about what an idiot the President was. That was my life during the lockdown. From "Anarchist, Republican... Assassin

Prepare with pen and paper. Always have your notebook and something to write with nearby when you read. Your goal is to be prepared for insight. In addition to reading for pleasure, you will now use words as research and write down what you learn. If you prefer, you can dictate into a recorder or type into the Notes section of your phone. Immerse. Get inside the words, the sentences, the story arc. Don't simply stay on the surface of what you're reading, no matter how shallow it seems. Go deep. Examine. If that cereal box makes you excited to eat the sugar doodles, ask yourself what it is about the words and their formatting is doing that for you. If you read that redwood plaque and walk away feeling smart, ask yourself how it pierced your busy mind. If—especially if—you're reading a novel, and you connect with a character, or you find yourself yanked out of the story, or you read a sentence twice to savor the citrus taste of it, or anything else of note happens, study that situation like a lover's face. Write down what you think is happening (“ main character makes stupid choices,” “too many adverbs,” “lots of smells make me feel like I'm right there,” “each chapter ends with a hook,” etc.) because transcribing information flips a switch in our brain, waking up the records guy who then goes over to pick up what you wrote and file it somewhere so you can access it later.

Wallace Wimple appears for the first time as the man who inadvertently switches coats with McGee. Wilcox, through Quinn’s craftiness, unleashes a drawn-out plug like a sentence in a Henry James novel just to say he does not know Wimple.

As long as I was alone, in off mode, I only needed enough fuel—not a feast—to get by. Once I hit the on button, my troubles would begin in earnest. I would have to deal with parents enslaved to a program, incapable of knowing me as a flesh-and-blood human being, have chummy conversations with coworkers, and otherwise explain myself to other people. I would constantly have to be me, and that would drive me crazy. I cherished the time I had to myself, since it was only then that I could chill out and stop being me—it’s impossible to truly switch off when other people are around.

ABOUT THE AUTHOR Tim Tigner began his career in Soviet Counterintelligence with the US Army Special Forces, the Green Berets. That was back in the Cold War days when, “We learned Russian so you didn't have to,” something he did at the Presidio of Monterey alongside Recon Marines and Navy SEALs. With the fall of the Berlin Wall, Tim switched from espionage to arbitrage. Armed with a Wharton MBA rather than a Colt M16, he moved to Moscow in the midst of Perestroika. There, he led prominent multinational medical companies, worked with cosmonauts on the MIR Space Station (from Earth, alas), chaired the Association of International Pharmaceutical Manufacturers, and helped write Russia’s first law on healthcare. Moving to Brussels during the formation of the EU, Tim ran Europe, Middle East and Africa for a Johnson & Johnson company and traveled like a character in a Robert Ludlum novel. He eventually landed in Silicon Valley, where he launched new medical technologies as a startup CEO. In his free time, Tim has climbed the peaks of Mount Olympus, hang glided from the cliffs of Rio de Janeiro, and ballooned over Belgium. He earned scuba certification in Turkey, learned to ski in Slovenia, and ran the Serengeti with a Maasai warrior. He acted on stage in Portugal, taught negotiations in Germany, and chaired a healthcare conference in Holland. Tim studied psychology in France, radiology in England, and philosophy in Greece. He has enjoyed ballet at the Bolshoi, the opera on Lake Como, and the symphony in Vienna. He’s been a marathoner, paratrooper, triathlete, and yogi.

Similarly, when an author switches back and forth between wildly different genres, she also alienates her readers.

The lights are pretty, but they always are, it’s not their fault. I’d love someone to switch me on like that and watch me be just what I was meant to be.

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San Lang…how about we switch it up?” “Switch what?” Hua Cheng asked. “...You on top and me on the bottom,” Xie Lian replied. “Top, bottom; isn’t it all the same?” Hua Cheng asked.