Swept Away Movie Quotes

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I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .
Tennessee Williams (The Glass Menagerie)
I feel like we’re in an action movie like True Lies. I’m Jamie Lee Curtis, and you’re Arnold Schwarzenegger.” “I’ll be back,” Jakob said in a deep Austrian accent, and I laughed.
J.S. Cooper (Resolution (Swept Away #3))
So Patrice continued to ponder her feelings. She wasn’t, as she’d heard in a movie, swept away. But she didn’t want to live her life by movie examples.
Louise Erdrich (The Night Watchman)
A major defining factor was my wanting him to be part of the DC Universe. Because if someone as powerful as the Sandman was running all the dreams in the world, a natural question would be “Why haven’t we heard about him by now?” The answer I came up with was “He’s been locked away.” And that solution formed an image in my head of a naked man in a glass cell. My next question was “How long had he been trapped there?” The movie Awakenings hadn’t been made yet, but I’d read Oliver Sacks’s book a few months earlier, so I knew about the encephalitis lethargica, or “sleepy sickness,” that had swept Europe in 1916. Scientists to this day don’t understand what caused it, and I loved the idea of blaming it on the Sandman’s imprisonment, so I determined the length of his stay to be seventy-two years—ending in late 1988, when the series debuted. And so on; each plot point just seemed to naturally lead to the next one.
Hy Bender (The Sandman Companion)
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
Then again: from the critic's point of view, one of the truly wonderful things about the Star Wars universe is that the territory is so sprawling and borrows from so many sources that it's possible to find just about anything here, if you look hard enough. For example, the story of the original movie can also be summarized as, "A restless young boy chafes at life on the dusty old family farm, until he meets a wizard and is swept away to a wondrous land where he meets some munchkins, a tin man, a cowardly lion and Harrison Ford as the scarecrow.
David Brin (Star Wars on Trial: Science Fiction And Fantasy Writers Debate the Most Popular Science Fiction Films of All Time (Smart Pop series))
I didn’t want to go, but his arms were underneath me, easing me toward the edge of the gurney and a waiting wheelchair padded with pillows. I was afraid any resistance would result in another game of hospital gown peekaboo. He settled me so gently in the soft wheelchair that my hip and my back hardly hurt. Pushing me past the curtain and into the bustling emergency room, he leaned close, over me, to say, “I fixed it. They’re going to lose the records of your visit, so you’ll never get billed. But you’re my girlfriend.” “What do you mean, I’m your girlfriend?” What delicious blackmail was this? And was it worth the price? Perhaps I could stand it. ‘I had to make them think I have a vested interest in you,” he whispered. “They never would have agreed to lose your records if I told them you were my friend at twelve years old but not so much at eighteen and I had pretty much walked in and stolen the birthright to your family farm. See? Shhh. Hey, Brody.” He slapped hands with another man in scrubs wheeling an empty gurney in the opposite direction. The man eyed me, waggled his eyebrows at Hunter, and kept going. “Couldn’t you have said we’re friends and left it at that?” I needed to keep up the façade that I did not like the idea at all. At the same time, I was a little afraid Hunter would call the charade off. “I have a lot of friends,” he explained, wheeling me into a waiting room marked X-RAY. he rounded the wheelchair and knelt in front of me. Behind him, a door stood ajar. A contraption I assumed to be an X-ray machine was visible through the crack. He glanced over his shoulder at the door, then turned back to me. “Sorry about this,” he murmured as he slid both hands into my hair and kissed me. All I could do at first was feel. His lips were on mine. His hands held me steady, so I couldn’t have shrugged away if I’d tried, but I would not try. Bright tingles spread from my lips across my face and down my neck to my chest. I longed to pull him closer for more. I reminded myself that we were faking this for a reason. I didn’t want to make the kiss deeper than necessary in case it turned him off. Hunter deepened it. His tongue pressed past my teeth and swept inside my mouth. One of his hands released my hair and caressed my shoulder, traveling down. The farther his hand went, the higher I felt. My hip hardly hurt and my back pain was gone. I wondered how low his hand would go. I never found out. A shadow stood in the doorway and cleared its throat. I stopped kissing Hunter back and braced for him to jump away. He did back off, but very slowly. He sat back on his haunches and glared at the X-ray tech as if she had a lot of nerve. His cheeks were bright red. “So, Hunter,” she said mischievously. “This is your girlfriend.” “Hullo.” I gave her a small wave. “And you got hit by a taxi while you were crossing the street to visit Hunter? That is so romantic! Have you seen Sleepless in Seattle?” “Not romantic,” I said flatly. “I hate that movie. They don’t meet until the last scene. They don’t kiss at all.” Too late I realized I sounded like I was begging Hunter for more. “But in that movie,” the tech said, “they talk about An Affair to Remember. Have you seen that? Deborah Kerr is crossing the street to meet Cary Grant and gets hit by a car. Years later he comes back to her and she’s paralyzed from the waist down.” “You call that romantic?” I heard myself yelling. “That is repulsive!” Hunter stood and put a heavy hand on my shoulder as he pushed my wheelchair past the tech and through the doorway to the X-ray machine. “Erin is in a lot of pain,” he murmured to the tech, “and she doesn’t want to think about being paralyzed from the waist down.” After that the tech was a lot nicer, because Hunter had a way with people. Hunter lifted me onto the table and left the room so he wouldn’t be irradiated or see my bony ass.
Jennifer Echols (Love Story)
My company provides personal guarding services to foreign dignitaries, billionaires, politicians, sports teams, movie and Broadway stars---" "Movie and Broadway stars?" Zara grabbed his tie and yanked him forward until they were almost nose to nose. "Names. Give me names. Who have you guarded? A-list? B-list? Anyone from Hamilton?" Her full attention was on him now and it was hard not to get pulled into the depths of her liquid brown eyes. "Our client list is confidential." "Did you work for Lin-Manuel Miranda?" She tipped her head back and gave the kind of groan he'd only ever heard from a woman between the sheets. "What was he like? Tell me. No. Don't tell me. We're in public and I can't be responsible for what might happen if you do." His mouth opened but no words came out. He'd convinced himself there was no chemistry between them. But now, with her face only inches away, he was almost overwhelmed with the desire to taste the curve of her lips. "C'mon, Jay." She leaned close, the gold flecks in her eyes sparkling, her voice a husky purr that he felt as a throb in his groin. Had he ever met a woman with eyelashes so long? He could swear that every time she blinked, they swept over her cheeks. "Just one name," she pleaded. "One itty-bitty little name for me to fantasize about when I'm alone in bed tonight." She ran her tongue over her bottom lip, slow and sensual. "Or even better, an introduction. I'll make it worth your while." Jay swallowed hard, loosened his collar. Need, tightly controlled, began to unravel. He knew he shouldn't ask, but the words came out just the same. "What do you mean worth my while?" "What do you want, Jay?" Her breath whispered against his cheek. "What is your greatest desire? World domination? Ten glamor models in a limo? Your own island? An endless supply of samosas? Six blue silk ties? A perfectly balanced set of accounts? A night of hot sex, no strings attached...?
Sara Desai (The Singles Table (Marriage Game, #3))
It wasn’t hard to access back catalogues of stuff from his own time, of course, the big movies, many of the TV series – though there were baffling blanks, and he had the sense that there had been some major loss of data over the centuries. A burning of the library of Alexandria, that had swept away, for instance, a 2030s big-budget remake of Blake’s Seven. He had found a reference to its existence, and that was all. An agonising loss.
Stephen Baxter (World Engines: Destroyer: A post climate change high concept science fiction odyssey)
Zane continued to look at her. Even better, he kept her hand in his, his thumb rubbing up and down the length of her fingers. Over and over. Up and down. It was very rhythmic. And sexual. Her thighs took on a life of their own, getting all hot and shaking slightly. Her mouth went dry, her breasts were jealous of the attention her hand was getting and her hormones were singing the “Hallelujah Chorus.” Obviously she needed intensive therapy…or maybe just sex. Zane’s eyes darkened. The muscles in his face tightened, and he stared at her with a hawkish expression. Had he been anyone else, she would have sworn that he’d just had a physical awakening of his own. Awareness crackled around them, like self-generated lightning. The tightness in her chest eased just enough for her to suck in a breath, which was really good, because the next second it all came rushing out again when he kissed her. Just like that. With no warning, Zane Nicholson bent his head and claimed her mouth. It wasn’t a movie-perfect kiss. They didn’t magically melt into each other. Instead their noses bumped, and somehow the hand still holding hers got trapped between them. But all that was fairly insignificant when compared with the intense, sensual heat generated by the pressure of his lips on hers. That part was exactly right. Not too hard, not too soft. When he moved against her, need shot through her body. Had she been breathing again, she would have whimpered. Had he tried to pull away, she would have fallen at his feet and begged him not to stop. Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away.
Susan Mallery (Kiss Me (Fool's Gold, #17))