Shelley Long Quotes

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The greatest feminists have also been the greatest lovers. I'm thinking not only of Mary Wollstonecraft and her daughter Mary Shelley, but of Anais Nin, Edna St. Vincent Millay, and of course Sappho. You cannot divide creative juices from human juices. And as long as juicy women are equated with bad women, we will err on the side of being bad.
Erica Jong
We look before and after, And pine for what is not; Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell Of saddest thought.
Percy Bysshe Shelley (The Complete Poems)
I felt emotions of gentleness and pleasure, that had long appeared dead, revive within me. Half surprised by the novelty of these sensations, I allowed myself to be borne away by them, and forgetting my solitude and deformity, dared to be happy.
Mary Wollstonecraft Shelley (Frankenstein)
Kiss me, so long but as a kiss may last!
Percy Bysshe Shelley
As long as skies are blue, and fields are green Evening must usher night, night urge the morrow, Month follow month with woe, and year wake year to sorrow
Percy Bysshe Shelley
There was always scope for fear,so long as anything I love remained behind
Mary Wollstonecraft Shelley (Frankenstein)
It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own can have departed forever—that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own can have departed forever—that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of the evil, then the actual bitterness of grief commences. Yet from whom has not that rude hand rent away some dear connection? And why should I describe a sorrow which all have felt, and must feel? The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed a sacrilege, is not banished. My mother was dead, but we had still duties which we ought to perform; we must continue our course with the rest and learn to think ourselves fortunate whilst one remains whom the spoiler has not seized.
Mary Wollstonecraft Shelley (Frankenstein)
I felt emotions of gentleness and pleasure, that had long appeared dead, revive within me. Half surprised by the novelty of these sensations, I allowed myself to be borne away by them, and forgetting my solitude and deformity, dared to be happy. Soft tears again bedewed my cheeks, and I even raised my humid eyes with thankfulness towards the blessed sun, which bestowed such joy upon me.
Mary Wollstonecraft Shelley (Frankenstein)
We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell Of saddest thought. Yet if we could scorn Hate, and pride, and fear; If we were things born Not to shed a tear, I know not how thy joy we ever Should come near.
Percy Bysshe Shelley (The Skylark and Adonais - With Other Poems)
I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
Mary Wollstonecraft Shelley (Frankenstein)
These wonderful narrations inspired me with strange feelings. Was man, indeed, at once so powerful, so virtuous and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle, and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased, and I turned away with disgust and loathing.
Mary Wollstonecraft Shelley (Frankenstein)
I will tell my story, and my reader shall judge for me. I will tell my story, and so contrive to pass some few hours of a long eternity, become so worrisome to me.
Mary Wollstonecraft Shelley
Is there such a feeling as love at first sight? And if there be, in what does its nature differ from love founded in long observation and slow growth? Perhaps its effects are not so permanent; but they are, while they last, as violent and intense.
Mary Wollstonecraft Shelley (The Last Man (Epic Story))
Abyssinias "I met a traveler from an antique land Who said: A huge four-footed limestone form Sits in the desert, sinking in the sand. Its whiskered face, though marred by wind and storm, Still flaunts the dainty ears, the collar band And feline traits the sculptor well portrayed: The bearing of a born aristocrat, The stubborn will no mortal can dissuade. And on its base, in long-dead alphabets, These words are set: "Reward for missing cat! His name is Abyssinias, pet of pets; I, Ozymandias, will a fortune pay For his return. he heard me speak of vets -- O foolish King! And so he ran away.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
But I have one want which I have never yet been able to satisfy; and the absence of the object of which I now feel as a most severe evil. I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans. How would such a friend repair the faults of your poor brother!
Mary Wollstonecraft Shelley (Frankenstein)
I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she whom we saw everyday and whose very existence appeared a part of our own can have departed forever - that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard. (...) The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed a sacrilege, is not banished.
Mary Wollstonecraft Shelley (Mary Shelley's Frankenstein (Modern Critical Interpretations))
How long do you mean to be content?
Percy Bysshe Shelley
Was man, indeed, at once so powerful, so virtuous and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased and I turned away with disgust and loathing.
Mary Wollstonecraft Shelley (Frankenstein)
...my father had been born from the minds of writers. I believed the Great Creator had flown these writers on the backs of thunderbirds to the moon and told them to write me a father. Writers like Mary Shelley, who wrote my father to have a gothic understanding of the tenderness of all monsters. It was Agatha Christie who created the mystery within my father and Edgar Allan Poe who gave darkness to him in ways that lifted him to the flight of the raven. William Shakespeare wrote my father a Romeo heart at the same time Susan Fenimore Cooper composed him to have sympathy toward nature and a longing for paradise to be regained. Emily Dickinson shared her poet self so my father would know the most sacred text of mankind is in the way we do and do not rhyme, leaving John Steinbeck to gift my father a compass in his mind so he would always appreciate he was east of Eden and a little south of heaven. Not to be left out, Sophia Alice Callahan made sure there was a part of my father that would always remain a child of the forest, while Louisa May Alcott penned the loyalty and hope within his soul. It was Theodore Dreiser who was left the task of writing my father the destiny of being an American tragedy only after Shirley Jackson prepared my father for the horrors of that very thing.
Tiffany McDaniel (Betty)
. . .To go as a river . .had taken me a long while to understand. . . meant. . .flowing forward against obstacle . . .like the river, I had also gathered along the way all the tiny pieces connecting me to everything else, and doing this had delivered me here, with two fists of forest soil in my palms and a heart still learning to be unafraid of itself. I had been shaped by my kindred— my lost family and lost love; my found friendships, though few; my trees that kept on living and every tree that gave me shelter; every creature I met along the way, every raindrop and snowflake choosing my shoulder, and every breeze that shifted the air; every winding path beneath my feet, every place I laid my hands and head, and every creek like the one before me, rolling off the hillside, gaining strength in gravity, spinning through the next eddy, pushing around the next bend, taking and giving in quiet agreement with every living thing.
Shelley Read (Go as a River)
Our Heavenly Father longs to bless his children in ways we can’t comprehend.   Even when we can’t see through our circumstances, we can trust the Lord to meet our needs.
Shelley Hitz (21 Stories of Faith: Real People, Real Stories, Real Faith)
It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever.
Mary Wollstonecraft Shelley (Frankenstein)
She died calmly; and her countenance expressed affection even in death. I need not describe the feelings of those who dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever - that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of the evil then the actual bitterness of grief commences. Yet from whom has not that rude hand rent away some dear connexion; and why should I describe a sorrow which all have felt, and must feel? The time at length arrives when grief is rather an indulgence than a necessity; and the smile that plays upon the lips, although it may be deemed sacrilege, is not banished. My mother was dead, but we had still duties which we ought to preform; we must continue our course with the rest, and learn to think ourselves fortunate, whilst one remains whom the spoiler has not seized.
Mary Wollstonecraft Shelley (Frankenstein)
It is so long before the mind can persuade itself that she, whom we say every day, and whose very existence appeared a part of our own, can have departed for ever—that the brightness of a beloved eye can be extinguished, and the sound of a voice heard.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
Yes! all is past — swift time has fled away, Yet its swell pauses on my sickening mind; How long will horror nerve this frame of clay? I’m dead, and lingers yet my soul behind.
Percy Bysshe Shelley (Percy Bysshe Shelley)
But my soul, From sight and sense of the polluting woe Of tyranny, had long learned to prefer Hell's freedom to the servitude of heaven.
Percy Bysshe Shelley
Thank you. I realize my methods have dampened your spirits somewhat, but in the long run you will not regret it." She did not answer, simply preceded him to the door of her room. "You look very nice tonight, Claire. May I say that that color suits you admirably." The door closed in his face.
Shelley Adina (Her Own Devices (Magnificent Devices, #2))
I threw myself into the chaise that was to convey me away and indulged in the most melancholy reflections. I, who had ever been surrounded by amiable companions, continually engaged in endeavouring to bestow mutual pleasure—I was now alone. In the university whither I was going I must form my own friends and be my own protector. My life had hitherto been remarkably secluded and domestic, and this had given me invincible repugnance to new countenances. I loved my brothers, Elizabeth, and Clerval; these were "old familiar faces," but I believed myself totally unfitted for the company of strangers. Such were my reflections as I commenced my journey; but as I proceeded, my spirits and hopes rose. I ardently desired the acquisition of knowledge. I had often, when at home, thought it hard to remain during my youth cooped up in one place and had longed to enter the world and take my station among other human beings. Now my desires were complied with, and it would, indeed, have been folly to repent.
Mary Wollstonecraft Shelley (Frankenstein)
Kiss me, so long but as a kiss may last! ― Percy Bysshe Shelley, from “Adonais: An Elegy on the Death of John Keats,” Adonaïs: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (1821)
Percy Bysshe Shelley (Adonais)
Like the ghost of a dear friend dead Is Time long past. A tone which is now forever fled, A hope which is now forever past, A love so sweet it could not last, Was Time long past. There were sweet dreams in the night Of Time long past: And, was it sadness or delight, Each day a shadow onward cast Which made us wish it yet might last - That Time long past
Percy Bysshe Shelley
My life might have been passed in ease and luxury, but I preferred glory to every enticement that wealth placed in my path. Oh, that some encouraging voice would answer in the affirmative! My courage and my resolution is firm; but my hopes fluctuate, and my spirits are often depressed. I am about to proceed on a long and difficult voyage, the emergencies of which will demand all my fortitude: I am required not only to raise the spirits of others, but sometimes to sustain my own, when theirs are failing.
Mary Wollstonecraft Shelley (Frankenstein)
I pulled a dirty black sweatshirt from the laundry basket on my son’s floor and tried to drink in his scent, to savor the essence of my sweet boy. I inhaled it long and hard, wanting to permanently implant all of him in my brain, to make him last forever.
Shelley Ramsey (Grief: A Mama's Unwanted Journey)
There was always scope for fear; so long as anything I loved remained behind.
Mary Wollstonecraft Shelley (Frankenstein)
It seemed to me as if nothing would or could ever be known. All that had so long engaged my attention suddenly grew despicable.
Mary Wollstonecraft Shelley (Frankenstein)
There was always scope for fear so long as anything I loved remained behind. My abhorrence of this fiend cannot be conceived.
Mary Wollstonecraft Shelley (Frankenstein)
I have longed for a friend; I have sought one who would sympathize with and love me.
Mary Wollstonecraft Shelley (FRANKENSTEIN or The Modern Prometheus: uncensored 1818 edition)
She looked at him and he realized how long it
Shelley Noble (Breakwater Bay)
I had to keep my sanity, to center my attention on what made me want to stay alive rather than dwell too long on why I might rather not.
Shelley Read (Go as a River)
I have longed for a friend; I have sought one who would sympathise with and love me.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
He [Shelley] told me that he had had many visions lately; he had seen the figure of himself, which met him as he walked on the terrace and said to him, 'How long do you mean to be content?
Mary Wollstonecraft Shelley
I’ve been around for a long time, seen lots of places, and the one thing I learned was that it sometimes takes a village, not largesse handed down from the haves or the has-beens—something
Shelley Noble (Stargazey Point)
Yes! all is past—swift time has fled away, Yet its swell pauses on my sickening mind; How long will horror nerve this frame of clay? I'm dead, and lingers yet my soul behind. Oh! powerful Fate, revoke thy deadly spell, And yet that may not ever, ever be, Heaven will not smile upon the work of Hell; Ah! no, for Heaven cannot smile on me; Fate, envious Fate, has sealed my wayward destiny.
Percy Bysshe Shelley
I have longed for a friend; I have sought one who would sympathise with and love me. Behold, on these deserts that I have found such a one; but, I fear I have gained him only to know his value, and lose him.
Mary Wollstonecraft Shelley (Frankenstein (Penguin Clothbound Classics))
The Romantic journey was usually a solitary one. Although the Romantic poets were closely connected with one another, and some collaborated in their work, they each had a strong individual vision. Romantic poets could not continue their quests for long or sustain their vision into later life. The power of the imagination and of inspiration did not last. Whereas earlier poets had patrons who financed their writing, the tradition of patronage was not extensive in the Romantic period and poets often lacked financial and other support. Keats, Shelley and Byron all died in solitary exile from England at a young age, their work left incomplete, non-conformists to the end. This coincides with the characteristic Romantic images of the solitary heroic individual, the spiritual outcast 'alone, alone, all, all alone' like Coleridge's Ancient Mariner and John Clare's 'I'; like Shelley's Alastor, Keats's Endymion, or Byron's Manfred, who reached beyond the normal social codes and normal human limits so that 'his aspirations/Have been beyond the dwellers of the earth'. Wordsworth, who lived to be an old man, wrote poems throughout his life in which his poetic vision is stimulated by a single figure or object set against a natural background. Even his projected final masterpiece was entitled The Recluse. The solitary journey of the Romantic poet was taken up by many Victorian and twentieth-century poets, becoming almost an emblem of the individual's search for identity in an ever more confused and confusing world.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
Remember what your own Shelley says: 'The past is Death’s, the future is thine own.’ Take it, while it is still yours, and fix your mind, not on what you may have done long ago to hurt, but on what you can do now to help.
Ethel Lilian Voynich (خرمگس)
Sweet tea with milk, three Oreos, and Bob Roy’s snug and cozy flat helped Sue breathe deeply for the first time in months. She let out a sigh as big as a cresting wave and leaned back into a chair so soft it put the z in cozy. “Okay,” Bob said. “Tell me everything.” She opened up about, well, everything, cued by Bob’s sympathy. He uttered his support at every story, every anecdote: New York was the only place for Sue to be! Shelley and her “yeah, okay” attitude were to be expected from such a see-you-next-Tuesday! The subway was survivable as long as you never made eye contact with anyone. You found an apartment by reading the Rental classifieds in the Times and The Village Voice, but you had to get them early, at seven in the morning, and then you had to hightail it to the apartments with a bag of donuts because the super would always open up for a pretty girl who shared her donuts.
Tom Hanks (Uncommon Type: Some Stories)
I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
Mary Wollstonecraft Shelley (Frankenstein)
There was a long period during which nearly every thinking man was in some sense a rebel. Literature was largely the literature of revolt or of disintegration. Gibbon, Voltaire, Rousseau, Shelley, Byron, Dickens, Stendhal, Samuel Butler, Ibsen, Zola, Flaubert, Shaw, Joyce - in one way or another they are all of them destroyers, wreckers, saboteurs. For two hundred years we had sawed and sawed and sawed at the branch we were sitting on. And in the end, much more suddenly than anyone had forseen, our efforts were rewarded, and down we came. But unfortunately there had been a little mistake. The thing at the bottom had not been a bed of roses after all, it was a cesspool full of barbed wire.
George Orwell (A Collection of Essays)
But it is true that I am a wretch. I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
Mary Wollstonecraft Shelley (Frankenstein)
I lay on my straw, but could not sleep. I thought of the occurrences of the day. What chiefly struck me was the gentle manners of these people: and I longed to join them, but dared not to. I remember too well the treatment I had suffered.
Mary Wollstonecraft Shelley (Frankenstein (Penguin Clothbound Classics))
on the 11th the passage towards the south became perfectly free. When the sailors saw this, and that their return to their native country was apparently assured, a shout of tumultuous joy broke from them, loud and long-continued. Frankenstein, who
Mary Wollstonecraft Shelley (Frankenstein)
I generally rested during the day and travelled only when I was secured by night from the view of man. One morning, however, finding that my path lay through a deep wood, I ventured to continue my journey after the sun had risen; the day, which was one of the first of spring, cheered even me by the loveliness of its sunshine and the balminess of the air. I felt emotions of gentleness and pleasure, that had long appeared dead, revive within me. Half surprised by the novelty of these sensations, I allowed myself to be borne away by them, and forgetting my solitude and deformity, dared to be happy. Soft tears again bedewed my cheeks, and I even raised my humid eyes with thankfulness towards the blessed sun, which bestowed such joy upon me.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
For the moment that I did believe her guilty, I felt an anguish that I could not have long sustained. Now my heart is lightened. The innocent suffers; but she whom I thought amiable and good has not betrayed the trust I reposed in her, and I am consoled.
Mary Wollstonecraft Shelley (Frankenstein)
It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have been extinguished, and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
SWIFTLY walk o'er the western wave, Spirit of Night! Out of the misty eastern cave,-- Where, all the long and lone daylight, Thou wovest dreams of joy and fear Which make thee terrible and dear,-- Swift be thy flight! Wrap thy form in a mantle grey, Star-inwrought! Blind with thine hair the eyes of Day; Kiss her until she be wearied out. Then wander o'er city and sea and land, Touching all with thine opiate wand-- Come, long-sought! When I arose and saw the dawn, I sigh'd for thee; When light rode high, and the dew was gone, And noon lay heavy on flower and tree, And the weary Day turn'd to his rest, Lingering like an unloved guest, I sigh'd for thee. Thy brother Death came, and cried, 'Wouldst thou me?' Thy sweet child Sleep, the filmy-eyed, Murmur'd like a noontide bee, 'Shall I nestle near thy side? Wouldst thou me?'--And I replied, 'No, not thee!' Death will come when thou art dead, Soon, too soon-- Sleep will come when thou art fled. Of neither would I ask the boon I ask of thee, beloved Night-- Swift be thine approaching flight, Come soon, soon!
Percy Bysshe Shelley (The Complete Poems)
You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when they will meet my eyes, when it haunt my thoughts, no more.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
Thus began a long intimate relationship with God, a true Father, and not some mean guy up in the sky with a hammer. But a caring Father who loved me and had a powerful plan for my life. As I lovingly held my newborn daughter Teresa I realized God loved me like I loved my new baby. Amazing.
Shelley Lubben (Truth Behind the Fantasy of Porn: The Greatest Illusion on Earth)
Must I then lose this admirable being? I have longed for a friend; I have sought one who would sympathise with and love me. Behold, on these desert seas I have found such a one; but I fear I have gained him only to know his value and lose him. I would reconcile him to life, but he repulses the idea.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
I ardently desired the acquisition of knowledge. I had often, when at home, thought it hard to remain during my youth cooped up in one place, and had longed to enter the world, and take my station among other human beings. Now my desires were compiled with, and it would, indeed, have been folly to repent.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
Whence are we, and why are we? of what scene The actors or spectators? Great and mean Meet massed in death, who lends what life must borrow. As long as skies are blue and fields are green, Evening must usher night, night urge the morrow, Month follow month with woe, and year wake year to sorrow. - Adonais
Percy Bysshe Shelley (Percy Bysshe Shelley: An Anthology)
It isn’t so long since a test of Anglican orthodoxy was applied to anyone seeking to study or teach at Oxford and Cambridge universities. One of the most celebrated victims of this theocratic policy was Shelley (1792-1811) who was expelled from University College, Oxford, for writing a pamphlet entitled The Necessity of Atheism. He and his poetry were much influenced by the climate of skepticism engendered by the French and Scottish enlightenments, and he himself was to marry the daughter of the freethinker William Godwin. In this extract from A Refutation of Deism, Shelley sets about the propaganda of the creationists.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
It is so long before the mind can persuade itself that she, whom we saw every day, and whose existence appeared a part of our own, can have departed for ever - that the brightness of a beloved eye can be extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein (Spanish Edition))
It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own can have departed forever-that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own can have departed forever—that the brightness of a be- loved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed forever--that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever—that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
I wished for one heart in which I could pour unrestrained my plaints, and by the heavenly nature of the soil blessed fruit might spring from such bad seed. Yet how could I find this? The love that is the soul of friendship is a soft spirit seldom found except when two amiable creatures are knit from early youth, or when bound by mutual suffering and pursuits; it comes to some of the elect unsought and unaware; it descends as gentle dew on chosen spots which however barren they were before become under its benign influence fertile in all sweet plants; but when desired it flies; it scoffs at the prayers of its votaries; it will bestow, but not be sought.
Mary Wollstonecraft Shelley (Mathilda)
It is with considerable difficulty that I remember the original era of my being; all the events of that period appear confused and indistinct. A strange multiplicity of sensations seized me, and I saw, felt, heard, and smelt at the same time; and it was, indeed, a long time before I learned to distinguish between the operations of my various senses.
Mary Wollstonecraft Shelley (Frankenstein)
She wondered at her previous blindness; it was as if she had closed her eyelids, and then fancied it was night. No fear that she should return to darkness; her heart felt so light, her spirit so clear and animated, that she could only wonder how it was she had missed happiness so long, when it needed only that she should stretch out her hand to take it.
Mary Wollstonecraft Shelley (Lodore)
Oh, that some encouraging voice would answer in the affirmative! My courage and my resolution is firm; but my hopes fluctuate, and my spirits are often depressed. I am about to proceed on a long and difficult voyage, the emergencies of which will demand all my fortitude: I am required not only to raise the spirits of others, but sometimes to sustain my own, when theirs are failing.
Mary Wollstonecraft Shelley (Frankenstein)
To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power, which seems omnipotent; To love, and bear! to hope till Hope creates From its own wreck the thing it contemplates! Neither to change, nor falter, nor repent! This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is a long Life, Joy, Empire, and Victory.
Percy Bysshe Shelley
It is so long before the mind can persuade itself that she, whom we saw every day, and whose very existence appeared a part of our own, can have departed for ever -- that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse
Mary Wollstonecraft Shelley (Frankenstein - Original 1818 Uncensored Version)
Soft as an Incarnation of the Sun, When light is changed to love, this glorious One Floated into the cavern where I lay, And called my Spirit, and the dreaming clay Was lifted by the thing that dreamed below As smoke by fire, and in the beauty's glow I stood, and felt the dawn of my long night Was penetrating me with living light: I knew it was the Vision veiled from me So many years - that it was Emily. - Epipsychidion
Percy Bysshe Shelley (Percy Bysshe Shelley: An Anthology)
I need not describe the feeling of those whose dearest ties are rent by the most irreparable evil; the void that presents itself to the soul; and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she, whom she saw every day, and whose very existence appeared a part of our own, can have been extinguished, and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
Is there a feeling as love at first sight ? and if there be, in what does its nature differ from love founded in long observation and slow growth? perhaps its effect are not permanent; but they are, while they last, as violent and intense. We walk the pathless mazes of society vacant of joy till we hold this clue, leading us though that labyrinth of paradise and our nature dim like to an enlightened touch sleeps in formless blank till the fire attain it
Mary Wollstonecraft Shelley
To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased, and I turned away with disgust and loathing.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
My life might have been passed in ease and luxury; but I preferred glory to every enticement that wealth placed in my path. Oh, that some encouraging voice would answer in the affirmative! My courage and my resolution is firm; but my hopes fluctuate, and my spirits are often depressed. I am about to proceed on a long and difficult voyage, the emergencies of which will demand all my fortitude: I am required not only to raise the spirits of others, but sometimes to sustain my own, when their’s are failing.
Mary Wollstonecraft Shelley (Frankenstein)
I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own can have departed forever—that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein by Mary Shelley)
I need not describe the feelings of those whose dearest ties are rent by that mot irreparable evil, the void that presents itself to the soul, and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she whom we saw every day and whose very existence appeared a part of our own, can have departed forever - that the brightness of a beloved eye can have been extinguished and the sound of a voice so familiar and dear to the ear can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein)
I need not describe the feelings of those whose dearest ties are rent by that most irreparable evil; the void that presents itself to the soul; and the despair that is exhibited on the countenance. It is so long before the mind can persuade itself that she, whom we saw every day, and whose existence appeared a part of our own, can have departed for ever—that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
If we see some admirable work of human art, we are at once eager to investigate the nature, the manner, the end of its production; and the contemplation of the works of God stirs us with an incomparably greater longing to learn the principles, the method, the purpose of creation. This desire, this passion, has without doubt been implanted in us by God. And as the eye seeks light, as our body craves food, so our mind is impressed with the . . . natural desire to know the truth of God and the causes of what we observe." --Origen(185-254)
Bruce L. Shelley (Church History in Plain Language)
I displayed from my earliest years the greatest sensibility of disposition. I cannot say with what passion I loved every thing even the inanimate objects that surrounded me. I believe that I bore an individual attachment to every tree in our park; every animal that inhabited it knew me and I loved them. Their occasional deaths filled my infant heart with anguish. I cannot number the birds that I have saved during the long and severe winters of that climate; or the hares and rabbits that I have defended from the attacks of our dogs, or have nursed when accidentally wounded.
Mary Wollstonecraft Shelley
Nobody can remember when the sperm became large enough to see, but we agree on this: once that point was reached, every generation topped the last. They went from guppy to goldfish, and before long they could frighten a schnauzer, and not much later even Great Danes made way for them.... Sperm are ancient creatures, single-minded as coelacanths. They are drawn to the sun, the moon, and dots and disks of all descriptions, including periods, stop signs, and stars. They worship at nail heads, doorknobs and tennis balls. More than one life has been saved by a penny tossed in the air.
Shelley Jackson (The Melancholy of Anatomy)
If I keep looking at her long legs I’m gonna have an accident. “How’s that sister of yours?” I ask, changing the subject. “She’s waiting to beat you again at checkers.” “Is that right? Well, tell her I was goin’ easy on her. I was tryin’ to impress you.” “By losing?” I shrug. “It worked, didn’t it?” I notice her fidgeting with her dress as if she needs to fix it to impress me. Wanting to ease her anxiety, I slide my fingers down her arm before capturing her hand in mine. “You tell Shelley I’ll be back for a rematch,” I say. She turns to me, her blue eyes sparkling. “Really?” “Absolutely.” During the drive, I try and make small talk. It doesn’t work. I’m not a small talk kind of guy. It’s a good thing Brittany seems content without talking.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
These wonderful narrations inspired me with strange feelings. Was man, indeed, at once so powerful, so virtuous and magnificent, yet so vicious and base? He appeared at one time a mere scion of the evil principle and at another as all that can be conceived of noble and godlike. To be a great and virtuous man appeared the highest honour that can befall a sensitive being; to be base and vicious, as many on record have been, appeared the lowest degradation, a condition more abject than that of the blind mole or harmless worm. For a long time I could not conceive how one man could go forth to murder his fellow, or even why there were laws and governments; but when I heard details of vice and bloodshed, my wonder ceased and I turned away with disgust and loathing.
Mary Wollstonecraft Shelley (Frankenstein)
Barbaro IN MEMORY OF BARBARO *2003-2007* CHAMPION FOR THE AGES On January 29, 2007, Barbaro's owners, Gretchen and Roy Jackson, were forced to make the painful decision to put down their beloved horse, who had fought valiantly for nearly a year with an injury so great, almost no one believed he'd survived for so long. The odds had finally caught up with this brave animal. The world mourned Barbaro's death, especially his owners and the caretakers who had lovingly tended him from birth, through his training and brilliant racing career, and through his heroic battle againist his devastating injury. But the example Barbaro left for all of us-the courage and grace with which he fought adversity and faced uncertainty-are here for all time. He is a champion for the ages.
Shelley Fraser Mickle
Love! What had I to love? Oh many things: there was the moonshine, and the bright stars; the breezes and the refreshing rains; there was the whole earth and the sky that covers it: all lovely forms that visited my imagination, all memories of heroism and virtue. Yet this was very unlike my early life although as then I was confined to Nature and books. Then I bounded across the fields; my spirit often seemed to ride upon the winds, and to mingle in joyful sympathy with the ambient air. Then if I wandered slowly I cheered myself with a sweet song or sweeter day dreams. I felt a holy rapture spring from all I saw. I drank in joy with life; my steps were light; my eyes clear from the love that animated them, sought the heavens, and with my long hair loosened to the winds I gave my body and my mind to sympathy and delight.
Mary Wollstonecraft Shelley
But the relationship between the between the two cultural paradigms has always been a dialectical, not cyclical. The romantics were not repeating their ancestors. On the contrary, they brought about a cultural revolution comparable in its radicalism and effects with the roughly contemporary American, French, and Industrial Revolutions. By destroying natural law and by reorienting concern from the work to the artist they tore up the old regime's aesthetic rule book just as thoroughly as any Jacobin [a 18th century political French club] tore down social institutions. In the words of Ernst Troeltsch: "Romanticism too is a revolution, a thorough and genuine revolution: a revolution against the respectability of the bourgeois temper and against a universal equalitarian ethic: a revolution, above all, against the whole of the mathematico-mechanical spirit of science in western Europe, against a conception of Natural Law which sought to blend utility with morality, against the bare abstraction of a universal and equal Humanity." [Unquote Troeltsch] As will be argued in the subsequent chapters, it was Hegel who captured the essence of this revolution in his pithy definition of romanticism as "absolute inwardness" [absloute Innerlichkeit - in German - אינערליכקייט]. It will also be argued that its prophet was Jean-Jacques Rousseau: if not the most consistent, then certainly the most influential of all the eighteenth-century thinkers. Writing in 1907, Lytton Strachey caught Rousseau's special quality very well: "Among those quick, strong, fiery people of the eighteenth century, he belonged to another world -- to the new world of self-consciousness, and doubt, and hesitation, of mysterious melancholy and quiet intimate delights, of long reflexions amid the solitudes of Nature, of infinite introspections amid the solitudes of the heart." Percy Bysshe Shelley, who derided the philosophes as "mere reasoners," regarded Rousseau as "a great poet.
Timothy C.W. Blanning (The Romantic Revolution)
Fragment of the Elegy on the Death of Adonis Prom the Greek of Bion Published by Forman, "Poetical Works of P. B. S.", 1876. I mourn Adonis dead—loveliest Adonis— Dead, dead Adonis—and the Loves lament. Sleep no more, Venus, wrapped in purple woof— Wake violet-stoled queen, and weave the crown Of Death,—'tis Misery calls,—for he is dead. The lovely one lies wounded in the mountains, His white thigh struck with the white tooth; he scarce Yet breathes; and Venus hangs in agony there. The dark blood wanders o'er his snowy limbs, His eyes beneath their lids are lustreless, The rose has fled from his wan lips, and there That kiss is dead, which Venus gathers yet. A deep, deep wound Adonis... A deeper Venus bears upon her heart. See, his beloved dogs are gathering round— The Oread nymphs are weeping—Aphrodite With hair unbound is wandering through the woods, 'Wildered, ungirt, unsandalled—the thorns pierce Her hastening feet and drink her sacred blood. Bitterly screaming out, she is driven on Through the long vales; and her Assyrian boy, Her love, her husband, calls—the purple blood From his struck thigh stains her white navel now, Her bosom, and her neck before like snow. Alas for Cytherea—the Loves mourn— The lovely, the beloved is gone!—and now Her sacred beauty vanishes away. For Venus whilst Adonis lived was fair— Alas! her loveliness is dead with him. The oaks and mountains cry, Ai! ai! Adonis! The springs their waters change to tears and weep— The flowers are withered up with grief... Ai! ai! ... Adonis is dead Echo resounds ... Adonis dead. Who will weep not thy dreadful woe. O Venus? Soon as she saw and knew the mortal wound Of her Adonis—saw the life-blood flow From his fair thigh, now wasting,—wailing loud She clasped him, and cried ... 'Stay, Adonis! Stay, dearest one,... and mix my lips with thine— Wake yet a while, Adonis—oh, but once, That I may kiss thee now for the last time— But for as long as one short kiss may live— Oh, let thy breath flow from thy dying soul Even to my mouth and heart, that I may suck That...' NOTE: _23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Eurêka. Poe attachait une grande importance à cette œuvre, à la fois cosmogonie et poème, qui commence par un discours de la méthode et se termine par une métaphysique. L’influence des idées de Poe, qui se répandent en Europe à partir de 1845, est si considérable, et se fait sentir avec une telle intensité sur certains écrivains (tels que Baudelaire ou Dostoïevski) que l’on peut dire qu’il donne un sens nouveau à la littérature. Poe joignait en lui des éléments de culture assez hétérogènes ; d’une part, élève de l’École polytechnique de Baltimore (où passa aussi Whistler), il avait une formation scientifique ; de l’autre, ses lectures l’avaient mis en contact avec le romantisme allemand des Lumières, et avec tout le XVIIIe siècle français, représenté souvent par des ouvrages oubliés aujourd’hui, tels que conteurs, poètes mineurs, etc. Ne pas négliger chez Poe l’élément cabaliste (de même que chez Goethe), la magie, telle qu’elle devait hanter, en France, l’esprit d’un Nerval, en Allemagne, Hoffmann, et bien d’autres. Enfin, l’influence de la poésie anglaise (Milton, Shelley, etc.). Poe avait lu tout jeune les deux ouvrages les plus répandus de Laplace qui l’avaient beaucoup frappé. Le calcul des probabilités intervient constamment chez lui. Dans Eurêka, il développe l’idée de la nébuleuse (de Kant), que reprendra plus tard Henri Poincaré. Poe introduit dans la littérature l’esprit d’analyse. À ce propos, il convient de répéter que pensée réfléchie et pensée intuitive peuvent et doivent coexister et se coordonner. Le travail littéraire pouvant se décomposer en plusieurs « temps », on doit faire collaborer ces deux états de l’esprit, l’état de veille où la précision, la netteté sont portées à leur point le plus haut, et une autre phase, plus confuse, où peuvent naître spontanément des éléments mélodiques ou poétiques. Du reste, quand un poème est long (cf., dans « La Genèse d’un poème », le passage ayant trait à la « dimension »), ce « bonheur de l’instant » ne saura se soutenir pendant toute sa durée. Il faut donc toujours aller d’une forme de création à l’autre, et elles ne s’opposent pas.
Paul Valéry (Cours de poétique (Tome 1) - Le corps et l'esprit (1937-1940) (French Edition))
Mi sono imposta un programma a cui non devo mai venir meno; non devo mai più studiare alla sera, anche se la mattina dopo ho un sacco di prove scritte. Mi metterò invece a leggere libri: devo farlo, capisci, perché non l'ho mai fatto nei diciotto anni trascorsi. Non hai idea di che abisso di ignoranza sia la mia mente, papà: me ne sto accorgendo io stessa. Tutte quelle cose che la maggior parte delle ragazze con una famiglia, degli amici e una biblioteca hanno apprese quasi naturalmente, senza accorgersene, io non le ho nemmeno sentite nominare. Per esempio non ho mai letto né Mamma Oca, né Davide Copperfield, né Ivanhoe, né Cenerentola, né Barbablù, né Robinson Crusoe, né Jane Eyre, né Alice nel paese delle meraviglie, e nemmeno una sola parola di Rudyard Kipling. Non ho mai saputo che Enrico VIII avesse avuto più di una moglie, e che Shelley fosse un poeta. Non sapevo che R.L.S. significa Robert Louis Stevenson e che George Eliot fosse una donna. Non avevo mai visto una riproduzione di Monna Lisa e (non ci crederai, ma è la pura verità) non avevo mai sentito parlare di Sherlock Holmes. Ora tutte queste cose le so, e ne so molte altre, ma capirai quanto cammino ho da riguadagnare! Sarà buffo, ma per tutto il giorno non faccio che aspettare la sera, quando finalmente metto sulla porta il cartello Occupata, indosso il mio accappatoio rosso, mi metto le pantofole di pelo, faccio sul letto un mucchio con tutti i cuscini, mi ci appoggio, accendo la lampada d'ottone e leggo, leggo, leggo.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
As long as skies are blue and fields are green Evening must usher night, night urge the morrow, Month follow month with woe, and year wake year to sorrow PERCY BYSSHE SHELLEY
D.E. Stevenson (Amberwell (Ayrton Family #1))
If you don't quit, and don't cheat, and don't run home when trouble arrives, you can only win.
Shelley Long
Fart—it’s the Heart Sutra!” Ma hissed. “How can you not know that? Think, Guo Tianxu. If the Prince of Radiance is a sign that we have Heaven’s favor, how long do you think that will last if you go around executing monks?
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
It is so long before the mind can persuade itself that she, whom we saw everyday, and whose very existence appeared a part of our own, can have departed forever—that the brightness of a beloved eye can have been extinguished, and the sound of a voice so familiar, and dear to the ear, can be hushed, never more to be heard. These are the reflections of the first days; but when the lapse of time proves the reality of evil, then the actual bitterness of grief commences. Yet from whom has not that rude hand rent away some dear connexion; and why should I describe a sorrow which all have felt, and must feel?
Mary Shelley (Frankenstein)
Shelley, you think she'll take me back?" Alex asks her, his hair dangerously close to her fingers. She doesn't pull his hair . . . just pats his head gently. I feel the tears running down my cheeks at full speed. "Yeah!" Shelley yells with a goofy, gummy grin. She looks happier and more content than she's been in a long time. Both of my favorite people are with me right here; what more could I ask for?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Did you know that Bharatiyar used the pen name “Shelley-dasan”? He admired the poems of Shelley so deeply that he wrote under the name “Shelley’s servant”. Wasn’t that a wonderful gesture of humility by someone who was such a great poet himself? And later, Bharatiyar had his own dasan, the poet Subburathinam, who took the pen name Bharathidasan. Subburathinam’s poetry inspired yet another poet who wrote as Surada, short for Subburathina-dasan. And to think this long chain of inspiration spans centuries, going back to the poets who inspired Wordsworth, who inspired Shelley, who inspired our own Bharati.
Indu Muralidharan (The Reengineers)
I come from a long line of Frankensteins long before Mary Shelley was even born.” “Really. How fascinating. And what did you do for a living before you retired and moved to Black Falls?” “Oh, I haven't retired. I'm still doing research, the same as I have since I was a young man.” Mia pondered his reply. “What kind of research, may I ask?” “Genetic research, cloning, organ replacements…. Some reanimation.” Mia’s face creased with misgiving. “Mr. Frankenstein, I….” “Please. Dr. Frankenstein. I must insist,” he said emphatically.
Billy Wells (Scary Stories: A Collection of Horror- Volume 4)
Jumpin’ Jack Flash was written for Cheers sitcom star Shelley Long.
Whoopi Goldberg (Bits and Pieces: My Mother, My Brother, and Me)