“
I was carried away, swept along by the mighty stream of words pouring from the hundreds of pages. To me it was the ultimate book: once you had read it, neither your own life nor the world you lived in would ever look the same.
”
”
Dai Sijie (Balzac and the Little Chinese Seamstress)
“
He made her play and she had almost forgotten how. Life had been so serious and so bitter. He knew how to play and swept her along with him.
”
”
Margaret Mitchell (Gone with the Wind)
“
And for a moment, I am viciously glad. It doesn't feel good exactly, to be in danger, but it does feel good to be the cause of events rather than being swept along into them.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
and she loved him still; but the pleasure of shouting “It’s your fault” being the strongest any human being can enjoy, all truths and all feelings were swept along in its wake.
”
”
Giuseppe Tomasi di Lampedusa (The Leopard)
“
I feel like im in this river just getting swept along... And if I hold on to anyone, if I'm holding on for dear life, I'm not getting anywhere. I'm stuck.
...I never wanted to get stuck
”
”
Bryan Lee O'Malley (Scott Pilgrim, Volume 6: Scott Pilgrim's Finest Hour)
“
Jem drew the bow back and let the arrow fly; it struck the creature in the side. The massive demon worm writhed in agony, undulating as it swept its great, blind head from side to side, uprooting shrubbery with its thrashings. Leaves filled the air and the boys choked on dust, Gideon backing up with his seraph blade in his hand, trying to see by its light.
“It’s coming toward us,” he said in a low voice.
And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust.
“By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Approach everything rationally, and you become harsh. Pole along in the stream of emotions, and you will be swept away by the current. Give free rein to your desires, and you become uncomfortably confined. It is not a very agreeable place to live, this world of ours.
”
”
Natsume Sōseki (The Three-Cornered World)
“
High Flight
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov’ring there,
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air....
Up, up the long, delirious, burning blue
I’ve topped the wind-swept heights with easy grace.
Where never lark, or even eagle flew —
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
- Put out my hand, and touched the face of God.
”
”
John Gillespie Magee Jr.
“
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating.
Move, I ordered restlessly.
It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me.
The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in.
With one last lingering exploration, he lifted his head and smiled down at me.
My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin.
"I didn't move that chair, Kitten."
"I know."
"I'm assuming you didn't like where it was?"
"It was in your way," I said. My hands were still curled around his arms.
"I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.
”
”
Edward Bulwer-Lytton (Paul Clifford)
“
Sometimes she is struck by how much she goes through life almost unconsciously. She is being swept along. She is a pale ghost.
”
”
Kate Zambreno (Green Girl)
“
Though we were in shelter, we could hear the rising wind, for it moaned and whistled through the rocks, and the branches of the trees crashed together as we swept along. It grew colder and colder still, and fine, powdery snow began to fall, so that soon we and all around us were covered with a white blanket
”
”
Bram Stoker (Dracula)
“
Red Rover, Red Rover, send Ardor right over," Eliza said. They laughed. The asteroid was a little bigger now, brighter, and still they went on laughing. Laughing in the face of what they couldn't predict or change or control. Would it be fire and brimstone? Would it be Armageddon? Or would it be a second chance? Eliza held tight to her friends, laughing, and a pair of hands land soft as feathers on her shoulders, like the hands of a ghost, laughing and laughing as Ardor swept along its fated course, laughing and through that laughter, praying. Praying for forgiveness. Praying for grace. Praying for mercy.
0
”
”
Tommy Wallach (We All Looked Up)
“
Maybe what has to happen is that the individual must allow himself to be swept along, must find himself in the stream of no-choice, the single direction. This is what makes things inevitable. You use the restrictions and penalties they invent to make yourself stronger. History means to merge. The purpose of history is to climb out of your own skin.
”
”
Don DeLillo (Libra)
“
Never act upon wishful thinking. Act without checking the facts, and chances are that you will be swept away along with the mob.
”
”
Jim Rogers (A Gift to My Children: A Father's Lessons for Life and Investing)
“
Because there aren’t thousands of books and poems and movies out there to describe exactly what I’m feeling, or lyrically beautiful songs for me to cry to and sing along with in the car. There’s no guidebook on how to survive this kind of fallout, no prescribed remedy to soothe this particular kind of pain. Romantic breakups are romanticized
constantly, talked about everywhere by everyone, but platonic breakups are
swept to the side, suffered in secret, as if they’re somehow less important.
”
”
Ann Liang (This Time It's Real)
“
I closed my eyes and turned my face into the cold wind. When I felt it swept along my skin there was no past. No future. Just now.
”
”
Nina Hrusa
“
Even the early droplets of selfish decisions suggest a direction. Then the little inflecting rivulets come, merging into small brooks and soon into larger streams; finally one is swept along by a vast river which flows into the “gulf of misery and endless wo” (Hel. 5:12).
”
”
Neal A. Maxwell
“
I know that people like you exist. I respect that. Going against the flow, it takes a lot of courage. Maybe people who can do it are just stupid, but what I'm sure of is that people like that are rare. So you can't call them common. You can't call them normal either. People like you get called special. So what should you call people like us then? People who put their own interests ahead of others? People who go along with it when they see injustice? What do you call them? Worthless or evil? I do think we're worthless and we're definitely evil, but doesn't that just make us regular people? So even if I'm the kind of weak person who gets swept along with the flow, I just want you to think of me as human, that's all.
”
”
Hajime Isayama (進撃の巨人 10 [Shingeki no Kyojin 10])
“
Things begin, things end. Just when we seem to arrive at a quiet place, we are swept up, suddenly, between the body's smoothe, functioning predictability, and the need for disruption. We do irrational things, outrageous things. Or else something will come along and intervene, an unimaginable foe.
”
”
Carol Shields (The Stone Diaries)
“
Dude... Things never were the same. Change is... It's what we get. I guess that's my problem - I'm always trying to beat the clock; outrun the universe... Like nothing can change me, as long as I change first. I feel like I'm in this river, just getting swept along... And if I hold on to anyone, if I'm holding on for dear life, I'm not getting anywhere. I'm stuck... I never wanted to get stuck.
”
”
Bryan Lee O'Malley (Scott Pilgrim, Volume 6: Scott Pilgrim's Finest Hour)
“
Just look at your mind for a few minutes. You will see that it is like a flea, constantly hopping to and fro. You will see that thoughts arise without any reason, without any connection. Swept along by the chaos of every moment, we are the victims of the fickleness of our mind.
”
”
Sogyal Rinpoche (The Tibetan Book of Living and Dying)
“
The rain is a herald of love and tenderness. And rain that falls in the night intoxicates us in myriad feelings of sublimity. We then get swept along in the downpour of tender and sensitive feelings...
”
”
Avijeet Das
“
Queen of my tub, I merrily sing,
While the white foam rises high,
And sturdily wash, and rinse, and wring,
And fasten the clothes to dry;
Then out in the free fresh air they swing,
Under the sunny sky.
I wish we could wash from our hearts and our souls
The stains of the week away,
And let water and air by their magic make
Ourselves as pure as they;
Then on the earth there would be indeed
A glorious washing-day!
Along the path of a useful life
Will heart's-ease ever bloom;
The busy mind has no time to think
Of sorrow, or care, or gloom;
And anxious thoughts may be swept away
As we busily wield a broom.
I am glad a task to me is given
To labor at day by day;
For it brings me health, and strength, and hope,
And I cheerfully learn to say-
"Head, you may think; Heart, you may feel;
But Hand, you shall work always!
”
”
Louisa May Alcott (Little Women)
“
One day, the right guy will come along and you'll be so swept away, you won't be able to see straight. Enjoy the others until then.
”
”
Abbi Glines (Existence (Existence, #1))
“
They came silently as ghosts themselves, swept along like leaves being scattered about them in the scurrying east wind. Yet their running forms seemed carved out by the wild landscape, in the natural facts of evolution, so they were almost perfectly camouflaged, shielded by the deepening colors of autumn change.
”
”
David Clement-Davies (Fell (The Sight, #2))
“
The human spirit didn’t drown. It was swept up and carried along; it flows still, the stream coursing its way through everyone’s lives.
I just have to find a way to beat the dread, that’s all.
”
”
London Shah (The Light at the Bottom of the World (Light the Abyss, #1))
“
Perhaps swimming was dancing under the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.
”
”
Jim Harrison (The Man Who Gave Up His Name)
“
When a great adventure is launched with a powerful thrust, fatigue in the muscles and doubts in the mind are swept away by a fullness that moves life along like a breath from the depths of the soul.
”
”
Bernard Moitessier (Tamata and the Alliance)
“
All force strives forward to work far and wide
To live and grow and ever to expand;
Yet we are checked and thwarted on each side
By the world's flux and swept along like sand:
In this internal storm and outward tide
We hear a promise, hard to understand:
From the compulsion that all creatures binds,
Who overcomes himself, his freedom finds.
”
”
Johann Wolfgang von Goethe
“
There was certainly much to be said for being at the mercy of the primeval elements, to be swept along by circumstances one could not in any way control, but it was good to return, to feel one's identity expand again, unchecked.
”
”
Michael Moorcock (The End of All Songs (Dancers at the End of Time, #3))
“
Walking up a mountain track, I fell to thinking.
Approach everything rationally, and you become harsh. Pole along in the stream of emotions, and you will be swept away by the current. Give free rein to your desires, and you become uncomfortably confined. It is not a very agreeable place to live, this world of ours.
”
”
Natsume Sōseki
“
Milady felt a consolation in seeing nature partake of the disorder of her heart. The thunder growled in the air like the passion and anger in her thoughts. It appeared to her that the blast as it swept along disheveled her brow, as it bowed the branches of the trees and bore away their leaves. She howled as the hurricane howled; and her voice was lost in the great voice of nature, which also seemed to groan with despair.
”
”
Alexandre Dumas (The Three Musketeers)
“
For heroes do not make history—that is the historian’s job—but, passive, let themselves be borne along, swept up to the crest of the tide of change, of chance, of war.
”
”
Ursula K. Le Guin (Orsinian Tales)
“
But hadn’t they all changed? Life happened without permission, and it swept everyone along in its violent wake.
”
”
Evelyn Skye (The Crown's Fate (The Crown's Game, #2))
“
And life, life has swept her along like a tiny seashell onto sand, has washed over her and now, suddenly, she is old. Her mother is dead. There is no one to ask the questions she needs to ask.
”
”
Hala Alyan (Salt Houses)
“
Although this was not a comforting point of view, he did not reject it, because it coincided with one of his basic beliefs: that a man must at all costs keep some part of himself outside and beyond life. If he should ever for an instant cease doubting, accept wholly the truth of what his senses conveyed to him, he would be dislodged from the solid ground to which he clung and swept along with the current, having lost all objective sense, totally involved with existence.
”
”
Paul Bowles (The Spider's House)
“
When, in the course of development, class distinctions have disappeared and all production has been concentrated in the hands of a vast association of the whole nation, the public power will lose its political character. Political power, properly so called, is merely the organized power of one class for oppressing another. If the proletariat during its contest with the bourgeoisie is compelled, by the force of circumstances, to organize itself as a class, if, by means of a revolution, it makes itself the ruling class, and, as such, sweeps away by force the old conditions of production then it will, along with these conditions, have swept away the conditions for the existence of class antagonisms, and of classes generally, and will thereby have abolished its own supremacy as a class.
In place of the old bourgeois society with its classes and class antagonisms we shall have an association in which the free development of each is the condition for the free development of all.
”
”
Karl Marx (The Communist Manifesto)
“
As once the winged energy of delight
carried you over childhood's dark abysses,
now beyond your own life build the great
arch of unimagined bridges.
Wonders happen if we can succeed
in passing through the harshest danger;
but only in a bright and purely granted
achievement can we realize the wonder.
To work with Things in the indescribable
relationship is not too hard for us;
the pattern grows more intricate and subtle,
and being swept along is not enough.
Take your practiced powers and stretch them out
until they span the chasm between two
contradictions...For the god
wants to know himself in you.
”
”
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
“
If it was to be a time of momentous changes, then why not allow oneself to be swept along?
”
”
Paul Russell (The Coming Storm)
“
War is like an overflowing river: It’s hard to control and, if you put up a small barrier, it only gets swept along in its path.
”
”
Antonio Iturbe (The Librarian of Auschwitz)
“
How many winds of doctrine we have known in recent decades, how many ideological currents, how many ways of thinking. The small boat of thought of many Christians has often been tossed about by these waves - thrown from one extreme to the other: from Marxism to liberalism, even to libertinism; from collectivism to radical individualism; from atheism to a vague religious mysticism; from agnosticism to syncretism, and so forth. Every day new sects are created and what Saint Paul says about human trickery comes true, with cunning which tries to draw those into error (cf Ephesians 4, 14). Having a clear Faith, based on the Creed of the Church, is often labeled today as a fundamentalism. Whereas, relativism, which is letting oneself be tossed and 'swept along by every wind of teaching', looks like the only attitude acceptable to today's standards. We are moving towards a dictatorship of relativism which does not recognize anything as certain and which has as its highest goal one's own ego and one's own desires. However, we have a different goal: the Son of God, true man. He is the measure of true humanism. Being an 'Adult' means having a faith which does not follow the waves of today's fashions or the latest novelties. A faith which is deeply rooted in friendship with Christ is adult and mature. It is this friendship which opens us up to all that is good and gives us the knowledge to judge true from false, and deceit from truth.
”
”
Pope Benedict XVI
“
The life of a man is like a ball in the river, the Buddhist texts state - no matter what our will wants or desires, we are swept along by an invisible current that finally delivers us to the limitless expanse of the black sea. This image rather appeals to me. It suggests there are times when we float lightly along life's surface, bobbing from one languid, long pool to another. But then, when we least expect it, we turn a river bend and find ourselves plummeting over a thundering waterfall into the churning abyss below. This I have experienced. And more.
”
”
Richard C. Morais (Buddhaland Brooklyn)
“
At that moment, I was truly without words. I realized that the world didn't exist by virtue of my mind. On the contrary, he and I and everyone else were swept up in a great whirlpool, swirling around constantly and not knowing where we're bound. Our sensations of pleasure and suffering, our thoughts, none of these things can stop the motion. For the first time, I was able to step away from my imagined position in the center of the universe and see myself as part of something larger. This was my revelation, and I now felt--what? Not particularly happy or sad, but just a bit precarious, as if I'd relaxed some muscle that I hadn't needed to use all along.
”
”
Banana Yoshimoto (Lizard)
“
Eleanor closed her eyes and sighed, feeling and hearing and smelling the house; a flowering bush beyond the kitchen was heavy with scent, and the water in the brook moved sparkling over the stones. Far away, upstairs, perhaps in the nursery, a little eddy of wind gathered itself and swept along the floor, carrying dust. In the library the iron stairway swayed, and light glittered on the marble eyes of Hugh Crain; Theodora’s yellow shirt hung neat and unstained, Mrs. Dudley was setting the lunch table for five. Hill House watched, arrogant and patient. “I won’t go away,” Eleanor said up to the high windows.
”
”
Shirley Jackson (The Haunting of Hill House)
“
A feather is a miraculous thing. So commonplace and every day, we barely even notice them poking out of our pillows, or caught on a gentle breeze, or bobbing along the surface of a lazy river, caught in the eddies and rushing vortexes as it’s swept downstream. But a feather is a feat of engineering. And this feather, the one that must have been slipped beneath my bedroom door, is a beautiful one to be sure.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
I've always envied people who sleep easily. Their brains must be cleaner, the floorboard of the skull well swept, all the little monsters closed up in a steamer trunk at the foot of the bed. I was born an insomniac and that's the way I'll die, wasting thousands of hours along the way longing for unconsciousness, longing for a rubber mallet to crack me in the hear, not so hard, not hard enough to do any damage, just a good whack to put me down for the night. But that night I didn't have a chance. I stared into the blackness until the blackness blurred into gray, until the ceiling above me began to take form and the light from the east dribbled in through the narrow barred window.
”
”
David Benioff (City of Thieves)
“
I didn’t go to the moon, I went much further — for time is the longest distance between two places. Not long after that I was fired for writing a poem on the lid of a shoe-box. I left Saint Louis. I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion what was lost in space. I traveled around a great deal. The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass. Perhaps I am walking along a street at night, in some strange city, before I have found companions. I pass the lighted window of a shop where perfume is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Then all at once my sister touches my shoulder. I turn around and look into her eyes. Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger — anything that can blow your candles out! For nowadays the world is lit by lightning! Blow out your candles, Laura — and so goodbye. . .
”
”
Tennessee Williams (The Glass Menagerie)
“
Darkness. The door into the neighboring room is not quite shut. A strip of light stretches through the crack in the door across the ceiling. People are walking about by lamplight. Something has happened. The strip moves faster and faster and the dark walls move further and further apart, into infinity. This room is London and there are thousands of doors. The lamps dart about and the strips dart across the ceiling. And perhaps it is all delirium...
Something had happened. The black sky above London burst into fragments: white triangles, squares and lines - the silent geometric delirium of searchlights. The blinded elephant buses rushed somewhere headlong with their lights extinguished. The distinct patter along the asphalt of belated couples, like a feverish pulse, died away. Everywhere doors slammed and lights were put out. And the city lay deserted, hollow, geometric, swept clean by a sudden plague: silent domes, pyramids, circles, arches, towers, battlements.
”
”
Yevgeny Zamyatin (Islanders & The Fisher of Men)
“
It makes no difference whether the poet knows that his work is begotten, grows and matures with him, or whether he supposes that by taking thought he produces it out of the void. His opinion of the matter does not change the fact that his own work outgrows him as a child its mother. The creative process has feminine quality, and the creative work arises from unconscious depths—we might say, from the realm of the mothers. Whenever the creative force predominates, human life is ruled and moulded by the unconscious as against the active will, and the conscious ego is swept along on a subterranean current, being nothing more than a helpless observer of events. The work in process becomes the poet's fate and determines his psychic development.
”
”
C.G. Jung (Modern Man in Search of a Soul)
“
Perhaps swimming was dancing in the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.
”
”
Jim Harrison (Legends of the Fall)
“
Love doesn't save, it raises you up and makes you bigger, it lights you up from inside and carves out that light like wood in the forest. It nestles in the hollows of empty days, of thankless tasks, of useless hours, it doesn't drift along on golden rafts or sparkling rivers, it doesn't sing or shine and it never proclaims a thing. But at night, once the room's been swept and the embers covered over and the children are asleep -- at night between the sheets, with slow gazes, not moving or speaking -- at night, at last, when we're weary of our meager lives and the trivialities of our insignificant existance, each of us becomes the well where the other one can draw water ...
”
”
Muriel Barbery (The Life of Elves)
“
You’re not dead,” I whispered, focusing on that truth. I pressed against him. “I’m not dead.” “Stay that way.” He swept his thumb along my knuckles. “You got it.
”
”
Lori M. Lee (Gates of Thread and Stone (Gates of Thread and Stone #1))
“
If I had kept a journal, I could go back through it and check up on what memory reports plausibly but not necessarily truly. But keeping a journal then would have been like making notes while going over Niagara Falls in a barrel. Eventless as our life was, it swept us along. Were we any less a Now Generation that the one that presently claims the title? I wonder. And it may be just as well that I have no diary to remember by. Henry James says somewhere that if you have to make notes on how a thing has struck you, it probably hasn't struck you.
”
”
Wallace Stegner (Crossing to Safety)
“
Miserable humanity was clamouring from the depths of its abyss of suffering, and the clamour swept along, sending a shudder down every spine, for one and all were plunged in agony, refusing to die, longing to compel God to grant them eternal life. Ah ! life, life! That was what all those unfortunates, who had come from so far, amid so many obstacles, wanted - that was the one boon they asked for, in their wild desire to live it over again, to live it always! O Lord, whatever our misery, whatever the torment of our life may be, cure us, grant that we may begin to live again and suffer once more what we have suffered already. However unhappy we may be, to be is what we wish. It is not heaven that we ask Thee for, it is earth; and grant that we may leave it at the latest possible moment , never leave it indeed, if such be Thy good pleasure. And even when we no longer implore a physical cure, but a moral favour, it is still happiness that we ask for; happiness , the thirst for which alone consumes us. Oh Lord, grant that we may be happy and healthy; let us live, ay, let us live forever!
”
”
Émile Zola (Lourdes (Three Cities Trilogy, #1))
“
To be more accurate, Eszter continued, it was only a shadow in the mirror, a mirror where the image and the mirror wholly coincided though the shadow nevertheless tried to separate them, to separate two things that had from eternity been the same and could not be separated or cut into two, thereby losing the weightless delight of being swept along with it, substituting, he thought as he stepped away from the drawing-room window, a solid eternity purchased with knowledge for the sweet song of participating in eternity, a song so airy it was lighter than a feather.
”
”
László Krasznahorkai (The Melancholy of Resistance)
“
He had been with me, but he wasn't with me now, we had been walking along a street like this one and then the future swept over us and we were separated. He was in the distance now, across the ocean, on a beach, the wind ruffling his hair, I could hardly see his features. He was moving at an ever-increasing speed away from me, into the land of the dead, the dead past, irretrievable.
”
”
Margaret Atwood (Lady Oracle)
“
All of us cherish our beliefs. They are, to a degree, self-defining. When someone comes along who challenges our belief system as insufficiently well based - or who, like Socrates, merely asks embarrassing questions that we haven't thought of, or demonstrates that we've swept key underlying assumptions under the rug - it becomes much more than a search for knowledge. It feels like a personal assault.
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
Now.Go all the way into the pond."
"Um...how,exactly?"
I was afraid she was going to make me hop out into the water until it was over my head, an image too mortifying to even contemplate. Cal stepped forward, hopefully to come to my rescue.
"I could toss her off the pier, Ms. Vanderlyden."
Or not.
"Good," the Vandy said with a brisk nod, like that had been her plan all along. Then Cal leaned down and swept me into his arms.
There were more giggles, and even a few sighs. I knew most girls would give up a vital organ for Cal to hold them, but my face flamed red. I wasn't sure this was any less embarrassing than flopping out into the pond on my own.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
There was a man whom Sorrow named his Friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming Sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, Dim sea, hear my most piteous story.!
The sea Swept on and cried her old cry still,
Rolling along in dreams from hill to hill.
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening.
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own talc again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.
”
”
W.B. Yeats (The Collected Poems of W.B. Yeats)
“
And as we talked, I remembered just why we’d been such good friends when we were kids. It was in the way he listened when you were talking, the way he wasn’t just waiting to jump in with his own story. It was the way he always weighed his words, meaning I always knew that when he responded, it had been carefully considered. It was in the way that every time he laughed—which wasn’t often—it seemed earned, and made me want to do everything I could to get him to laugh more. It was his enthusiasm for things, and how when he discussed what he was passionate about—like how much he loved being in the woods, how he felt things made sense there—I found myself getting swept up in it along with him.
”
”
Morgan Matson (Second Chance Summer)
“
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright--
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done--
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him.
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head--
Meaning to say he did not choose
To leave the oyster-bed.
But four young oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes--and ships--and sealing-wax--
Of cabbages--and kings--
And why the sea is boiling hot--
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed--
Now if you're ready Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said
"Do you admire the view?
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said.
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size.
Holding his pocket handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter.
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And that was scarcely odd, because
They'd eaten every one.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake – for one has to be faithful to the self-portrait – a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.
”
”
Frédéric Gros (A Philosophy of Walking)
“
Three years passed. Three years without a mother. In three years my grief has grown to enormous proportions.
Grief is now a giant, sad whale that I drag along with me wherever I go.
My grief fills rooms. It takes up space and it sucks out the air. It leaves no room for anyone else.
Grief and I are left alone a lot. We smoke cigarettes and we cry.
Grief holds my hand as I walk down the sidewalk, and grief doesn't mind when I cry because it's raining and I cannot find a taxi.
Grief acts like a jealous friend, reminding me that no one else will ever love me as much as it does.
Grief whispers in my ear that no one understands me.
Grief is possessive and doesn't let me go anywhere without it.
Grief is force and I am swept up in it.
”
”
Claire Bidwell Smith (The Rules of Inheritance)
“
There is nothing in the Gospels to suggest that God causes the mob to come together against Jesus. Violent contagion is enough. Those responsible for the Passion are the human participants them-selves, incapable of resisting the violent contagion that affects them all when a mimetic snowballing1 comes within their range, or rather when they come within the range of this snowballing and are swept along by it. We don't have to invoke the supernatural to explicate this. The war of all against all that transforms communities into a war of all against one that gathers and unifies them is not limited solely to the case of Jesus.
”
”
René Girard (I See Satan Fall Like Lightning)
“
A child, left to play alone, says of quite an easy thing, 'Now I am going to to do something very difficult'. Soon, out of vanity, fear and emptiness, he builds up a world of custom, convention and myth in which everything must be just so; certain doors are one-way streets, certain trees sacred, certain paths taboo. Then along comes a grown-up or a more robust child; they kick over the imaginary wall, climb the forbidden tree, regard the difficult as easy and the private world is destroyed. The instinct to create myth, to colonize reality with the emotions, remains. The myths become tyrannies until they are swept away, when we invent new tyrannies to hide our suddenly perceived nakedness. Like caddis-worms or like those crabs which dress themselves with seaweed, we wear belief and custom.
”
”
Cyril Connolly (The Unquiet Grave: A Word Cycle by Palinurus)
“
In India they tell a fable about this: There was once a great devotee of Vishnu who prayed night and day to see his God. One night his wish was granted and Vishnu appeared to him. Falling on his knees, the devotee cried out, "I will do anything for you, my Lord, just ask."
"How about a drink of water?" Vishnu replied.
Although surprised by the request, the devotee immediately ran to the river as fast as his legs could carry him. When he got there and knelt to dip up some water, he saw a beautiful woman standing on an island in the middle of the river. The devotee fell madly in love on the spot. He grabbed a boat and rowed over to her. She responded to him, and the two were married. They had children in a house on the island; the devotee grew rich and old plying his trade as a merchant. Many years later, a typhoon came along and devastated the island. The merchant was swept away in the storm. He nearly drowned but regained consciousness on the very spot where he had once begged to see God. His whole life, including his house, wife, and children, seemed never to have happened.
Suddenly he looked over his shoulder, only to see Vishnu standing there in all his radiance.
"Well," Vishnu said, "did you find me a glass of water?
”
”
Deepak Chopra (How to Know God (Miniature))
“
It had a small park, with a fine old oak here and there, and an avenue of limes towards the southwest front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun.
”
”
George Eliot (Middlemarch)
“
My love, I walked for thirty years under the sky without ever doubting that I lived in glory; I never wavered; I never stumbled; I was a reveler and a loudmouth, if ever there was one, as stupid and useless as the sparrows and the peacocks; I wiped my mouth on the cuff of my sleeve, tramped into the house with mud on my feet and burped many's a time amid the laughter and the wine. But I always held my head high in the storm because I loved you and you loved me back, and our love mightn't have been all silk and poetry but we could look at each other and know we'd drown all our woes. Love doesn't save, it raises you up and makes you bigger, it lights you up from inside and carves out that light like wood in the forest. It nestles in the hollows of empty days, of thankless tasks, of useless hours, it doesn't drift along on golden rafts or sparkling rivers, it doesn't sing or shine and it never proclaims a thing. But at night, once the room's been swept and the embers covered over and the children are asleep - at night between the sheets, with slow gazes, not moving or speaking - at night, at last, when we're weary of our meager lives and the trivialities of our insignificant existence, each of us becomes the well where the other can draw water, and we love each other and learn to love ourselves.
”
”
Muriel Barbery (The Life of Elves)
“
By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers.
The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars.
I was shocked by the sheer volume of water that came pouring out of the darkness of the sky.
Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening.
Like trying to understand radio waves, or imagining computers communicating along glass cables.
I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear.
There was a time when I might have found this exhilarating, even miraculous, but not that day.
That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof.
I kept opening the door to look for clear skies, and slamming it shut again.
And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl.
Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor.
I don't quite understand why I felt that way, why I reacted like that.
I wanted to be saying it's just something that happens.
But I was there, that day, slamming the kitchen door over and over again until the handle came loose.
Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink.
Going fuckfuckfuck through my clenched teeth.
I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong.
But there was no one there, and no one came.
”
”
Jon McGregor (If Nobody Speaks Of Remarkable Things)
“
In order to assimilate the culture of the oppressor and venture into his fold, the colonized subject has to pawn some of his own intellectual possessions. For instance, one of the things he has had to assimilate is the way the colonialist bourgeoisie thinks. This is apparent in the colonized intellectual's inaptitude to engage in dialogue. For he is unable to make himself inessential when confronted with a purpose or idea. On the other hand, when he operates among the people he is constantly awestruck. He is literally disarmed by their good faith and integrity. He is then constantly at risk of becoming a demagogue. He turns into a kind of mimic man who nods his assent to every word by the people, transformed by him into an arbiter of truth. But the fellah, the unemployed and the starving do not lay claim to truth. They do not say they represent the truth because they are the truth in their very being.
During this period the intellectual behaves objectively like a vulgar opportunist. His maneuvering, in fact, is still at work. The people would never think of rejecting him or cutting the ground from under his feet. What the people want is for everything to be pooled together. The colonized intellectual's insertion into this human tide will find itself on hold because of his curious obsession with detail. It is not that the people are opposed to analysis. They appreciate clarification, understand the reasoning behind an argument, and like to see where they are going. But at the start of his cohabitation with the people the colonized intellectual gives priority to detail and tends to forget the very purpose of the struggle - the defeat of colonialism. Swept along by the many facets of the struggle, he tends to concentrate on local tasks, undertaken zealously but almost always too pedantically. He does not always see the overall picture. He introduces the notion of disciplines, specialized areas and fields into that awesome mixer and grinder called a people's revolution. Committed to certain frontline issues he tends to lose sight of the unity of the movement and in the event of failure at the local level he succumbs to doubt, even despair. The people, on the other hand, take a global stance from the very start. "Bread and land: how do we go about getting bread and land?" And this stubborn, apparently limited, narrow-minded aspect of the people is finally the most rewarding and effective model.
”
”
Frantz Fanon
“
Do you ask me what this real good is, and whence it derives? I will tell you: it comes from a good conscience, from honourable purposes, from right actions, from contempt of the gifts of chance, from an even and calm way of living which treads but one path. For men who leap from one purpose to another, or do not even leap but are carried over by a sort of hazard, – how can such wavering and unstable persons possess any good that is fixed and lasting? 8. There are only a few who control themselves and their affairs by a guiding purpose; the rest do not proceed; they are merely swept along, like objects afloat in a river. And of these objects, some are held back by sluggish waters and are transported gently; others are torn along by a more violent current; some, which are nearest the bank, are left there as the current slackens; and others are carried out to sea by the onrush of the stream.
”
”
Seneca (Letters from a Stoic)
“
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings.
Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns.
Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours.
There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh.
On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit.
The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died.
In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams.
No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
”
”
Rachel Carson
“
if she did not go out she would have to stay in and do nothing—and so she went out. She did not know that this was the best thing she could have done, and she did not know that, when she began to walk quickly or even run along the paths and down the avenue, she was stirring her slow blood and making herself stronger by fighting with the wind which swept down from the moor. She ran only to make herself warm, and she hated the wind which rushed at her face and roared and held her back as if it were some giant she could not see. But the big breaths of rough fresh air blown over the heather filled her lungs with something which was good for her whole thin body and whipped some red colour into her cheeks and brightened her dull eyes when she did not know anything about it.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
But it is hard to keep within bounds in that which you believe to be good. The real good may be coveted with safety. Do you ask me what this real good is, and whence it derives? I will tell you: it comes from a good conscience, from honourable purposes, from right actions, from contempt of the gifts of chance, from an even and calm way of living which treads but one path. For men who leap from one purpose to another, or do not even leap but are carried over by a sort of hazard, – how can such wavering and unstable persons possess any good that is fixed and lasting? There are only a few who control themselves and their affairs by a guiding purpose; the rest do not proceed; they are merely swept along, like objects afloat in a river. And of these objects, some are held back by sluggish waters and are transported gently; others are torn along by a more violent current; some, which are nearest the bank, are left there as the current slackens; and others are carried out to sea by the onrush of the stream. Therefore, we should decide what we wish, and abide by the decision.
”
”
Seneca (Letters From A Stoic: Epistulae Morales AD Lucilium (Illustrated. Newly revised text. Includes Image Gallery + Audio): All Three Volumes)
“
Last-Minute Message For a Time Capsule
I have to tell you this, whoever you are:
that on one summer morning here, the ocean
pounded in on tumbledown breakers,
a south wind, bustling along the shore,
whipped the froth into little rainbows,
and a reckless gull swept down the beach
as if to fly were everything it needed.
I thought of your hovering saucers,
looking for clues, and I wanted to write this down,
so it wouldn't be lost forever - -
that once upon a time we had
meadows here, and astonishing things,
swans and frogs and luna moths
and blue skies that could stagger your heart.
We could have had them still,
and welcomed you to earth, but
we also had the righteous ones
who worshipped the True Faith, and Holy War.
When you go home to your shining galaxy,
say that what you learned
from this dead and barren place is
to beware the righteous ones.
”
”
Philip Appleman
“
The bones and shells and peels of things are where a lot of their goodness resides. It's no more or less lamb for being meat or bone; it's no more or less pea for being pea or pod. Grappa is made from the spent skins and stems and seeds of wine grapes; marmalade from the peels of oranges. The wine behind grappa is great, but there are moments when only grappa will do; the fruit of the orange is delicious, but it cannot be satisfactorily spread.
“The skins of onions, green tops from leeks, stems from herbs must all be swept directly into a pot instead of the garbage. Along with the bones from a chicken, raw or cooked, they are what it takes to make chicken stock, which you need never buy, once you decide to keep its ingredients instead of throwing them away. If you have bones from fish, it's fish stock. If there are bones from pork or lamb, you will have pork or lamb stock.
”
”
Tamar Adler (An Everlasting Meal: Cooking with Economy and Grace)
“
Erra’s gaze swept the crowd, taking in the archers, the Biohazard, the vans, the equipment, the audience up in the ruins nearby . . . She raised her arms to the sides. The cape slipped off her.
Glossy red fabric hugged her body. It clung to her like a second skin of pure scarlet. My aunt apparently had developed a fetish for spandex. Who knew?
Gale thrust his hand through his cloak. His fist gripped a large axe. The orange light of the flames shimmered along the ten-inch blade attached to a four-foot handle. The axe probably pushed six pounds in weight. A normal swordsman would be slower than molasses, but with her strength, it wouldn’t matter. She could swing it all day and then arm-wrestle a bear.
Gale turned on his heel, walked five steps to Erra, and knelt before her, offering the axe on the raised palms of his hands.
“We should clap or something,” Curran said. “She’s trying so hard.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
The fact that she was still alive felt wrong, out of balance. She didn't feel special, or protected, or gods-bound. She thought the gods had acted to protect the roan, and she had just been along for the ride. It was the roan who was special, not she.
I should be dead, she thought. If she was dead, then all would have been settled. The warlord's men would have been satisfied to see her body swept away, the roan would have been safe from Beck's whip, the ghost of tyhe man she had killed could have gone to his rest. There was a rounding off - a justice - in her death. But alive, no one was satisfied and no one was safe.
”
”
Pamela Freeman (Blood Ties (Castings, #1))
“
Our sin is our resistance to going along with God's initiative in making suffering reparative. We are deeply drawn towards God, but we also sense how following him will dislocate and transform beyond recognition the forms which have made life tolerable for us. We often react with fear, dismay, hostility. We are at war with ourselves, and responding differently to this inner conflict, we end up at war with each other. So it is undoubtedly true that the result of sin is much suffering. But this is by no means distributed according to desert. Many who are relatively innocent are swept up in this suffering, and some of the worse offenders get off lightly. The proper response to all this is not retrospective book-keeping, but making ourselves capable of responding to God's initiative.
But now if that's what sin is, then one can sympathize with a lot of the modern critique of a religion which focuses on the evil tendencies of human nature, and the need for renunciation and sacrifice. This is not because humans are in fact angelic, or there is no point to sacrifice. It's just that focusing on how bad human beings can be, even if it's to refute the often over-rosy views of secular humanists with their reliance on human malleability and therapy, can only strengthen misanthropy, which certainly won’t bring you closer to God; and propounding sacrifice and renunciation for themselves takes you away from the main points, which is following God's initiative. That this can involve sacrifice, we well know from the charter act in this initiative, but renunciation is not is point.
”
”
Charles Margrave Taylor (A Secular Age)
“
In short, from the earth to Saturn, from the history of the heavens to that of insects, natural philosophy has been revolutionized; and nearly all other fields of knowledge have assumed new forms … [T]he discovery and application of a new method of philosophizing, the kind of enthusiasm which accompanies discoveries, a certain exaltation of ideas which the spectacle of the universe produces in us—all these causes have brought about a lively fermentation of minds. Spreading through nature in all directions like a river which has burst its dams, this fermentation has swept with a sort of violence everything along with it which stood in its way.
”
”
Henry Kissinger (World Order: Reflections on the Character of Nations and the Course of History)
“
It was June in Maharashtra, and the monsoon would not come. The whole district lay panting in the heat, the burning sky clapped tight overhead like the lid of a tandoor oven. Lean goats stumbled down the narrow alleyways, udders hanging slack and dry beneath them; beggars cried for water in every village. Dust-devils swept over baked clay and through the dry weeds, whistling and shrieking. Hot sand blew into the eyes of torpid bullocks as they leaned into the yoke, whips snapping over their bony backs. A single stream crept along the valley floor, shrunken and muddy, and women stood ankle deep in its shallows, beating their laundry against rocks that rippled and danced in the sun.
”
”
Arinn Dembo (Monsoon and Other Stories)
“
Get a move on, Perico, and go ask him for the battery charger," and the apprentice hurried out, but everything was like a dream and what was the point of any of it: battery chargers, wrenches, mechanics, and he felt sorry for the terrified little boy because, he thought, all of us are dreaming and why punish kids and why fix cars and have crushes on nice boys and then get married and have children who also dream that they're alive, who have to suffer, go off to war or fight or give up hope all on account of mere dreams. He was simply drifting along now, like a boat without a crew swept along by shifting currents, and moving mechanically like those invalids who have lost almost all will and consciousness and yet allow themselves to be moved by the nurses and obey the instructions they are given with the obscure remains of that will and that consciousness without knowing why. The 493, he thought, I go as far as Chacarita and then I take the subway to Florida and then I walk from there to the hotel. So he got on the 493 and mechanically asked for a ticket, and for half an hour continued to see ghosts dreaming of things that kept them very busy; at the Florida stop he went out the exit on the Calle San Martin, walked along the Corrientes to Reconquista and from there headed for the Warszawa rooming house, Accommodations for Gentlemen, went up dirty, dilapidated stairs to the fourth floor, and threw himself on the wretched bed as though he had been wandering through labyrinths for centuries.
”
”
Ernesto Sabato
“
And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved.
Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour.
On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again."
And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.
”
”
André Aciman (Out of Egypt: A Memoir)
“
I’m sure you’re just dying to tell me all the campus gossip about me. Right?”
“I do have a life. Maybe I’ve been too busy to listen to rumors,” he huffed, pretending to have hurt feelings.
I looked at him.
He sighed. “Okay, you win. I’m bored out of my skull. Second Magician is busy playing detective, and Gelsi is neck-deep in some project and I never see her anymore.” Dax paused dramatically. “My life is so boring that I have to live vicariously through your adventures.”
“And since the rumors are so accurate—”
“Your adventures have turned into legends.” He swept his arms wide, laughing. “So where are you off to now? Going to slay a dragon? Can Itag along as your lowly squire? I’ll polish your staff of power every night with my shirt. I promise.”
“I’m glad my problems are keeping you entertained,
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead.
”
”
Douglas Woolf (Wall to Wall (American Literature))
“
The Elsinore's bow tilted skyward while her stern fell into a foaming valley. Not a man had gained his feet. Bridge and men swept back toward me and fetched up against the mizzen-shrouds. And then that prodigious, incredible old man appeared out of the water, on his two legs, upright, dragging with him, a man in each hand, the helpless forms of Nancy and the Faun. My heart leapt at beholding this mighty figure of a man-killer and slave-driver, it is true, but who sprang first into the teeth of danger so that his slaves might follow, and who emerged with a half-drowned slave in either hand.
I knew augustness and pride as I gazed--pride that my eyes were blue, like his; that my skin was blond, like his; that my place was aft with him, and with the Samurai, in the high place of government and command. I nearly wept with the chill of pride that was akin to awe and that tingled and bristled along my spinal column and in my brain. As for the rest--the weaklings and the rejected, and the dark-pigmented things, the half-castes, the mongrel-bloods, and the dregs of long-conquered races--how could they count? My heels were iron as I gazed on them in their peril and weakness. Lord! Lord! For ten thousand generations and centuries we had stamped upon their faces and enslaved them to the toil of our will.
”
”
Jack London (The Mutiny of the Elsinore)
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive.
The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.
It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul:
“Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!”
“Are you afraid that you will change your mind, Christine?”
“I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!”
“What compels you to go back, Christine?”
“If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!”
She wrung her hands in anguish, while Raoul pressed her to his heart.
“No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!”
And he tried to drag her away, then and there. But she stopped him.
“No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.”
And she gave a sigh to which it seemed to her that another sigh, behind her, replied.
“Didn’t you hear?”
Her teeth chattered.
“No,” said Raoul, “I heard nothing.”
- Chapter 12: Apollo’s Lyre
”
”
Gaston Leroux (The Phantom of the Opera)
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space.
Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
”
”
Albert Camus
“
In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over.
“Play your tiles,” Arin said roughly.
Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions.
Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud.
Four vipers.
“I win,” he said, and swept the matches into his hand.
Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.”
He gave her a humorless smile. “I did warn you.”
“Yes. You did.”
He stood. “I think I’ll take my leave while I have the advantage.”
“Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise.
He dropped her hand. “I have things to do.”
“Like what?” She tried for a lighthearted tone.
He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled.
“I’ll walk you out,” she said.
“Do you think I will lose my way? Or steal something as I go?”
She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth.
They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano.
She stopped. “What is your interest in that room?”
The look he gave her was cutting. “I have no interest in the music room.”
Her eyes narrowed as she watched him walk away.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
As she began to peel potatoes, he stood behind her and touched the tendrils of hair that had fallen from their clips and curled at the nape of her neck. Then he reached around her waist and leaned into her. All these years and still he was drawn to the smell of her skin, of sweet soap and fresh air. He whispered against her ear, “Dance with me.”
“What?”
“I said, let’s dance.”
“Dance? Here, in the cabin? I do believe you’re the mad one.”
“Please.”
“There’s no music.”
“We can remember some tune, can’t we?” and he began to hum “In the Shade of the Old Apple Tree.”
“Here,” he said, and swung her around to face him, an arm still at her waist, her slight hand in his.
He hummed louder and began to twirl them around the plank floor.
“Hmmm, hmm, with a heart that is true, I’ll be waiting for you…”
“… in the shade of the old apple tree.” She kissed him on the cheek, and he swept her back on his arm.
“Oh, I’ve thought of one,” she said. “Let me think…” and she began to hum tentatively. Jack didn’t know it at first, but then it came to him and he began to sing along.
“When my hair has all turned gray,” a swoop and a twirl beside the kitchen table, “will you kiss me then and say, that you love me in December as you do in May?”
And then they were beside the woodstove and Mabel kissed him with her mouth open and soft. Jack pulled her closer, pressed their bodies together and kissed the side of her face and down her bare neck and, as she let her head gently lean away, down to her collarbone. Then he scooped an arm beneath her knees and picked her up.
“What in heaven’s—you’ll break your back,” Mabel sputtered between a fit of laughter. “We’re too old for this.”
“Are we?” he asked. He rubbed his beard against her cheek. She shrieked and laughed, and he carried her into the bedroom, though they had not yet eaten dinner.
”
”
Eowyn Ivey (The Snow Child)
“
Wrote the fucking book. I remember when I finished it. It was the middle of the night. I had been working on it for a year. I was alone and tired and it was dark, probably 4 a.m. I wrote the last word and I stared at it and I burst into tears. Just sobbed. Face in my hands, for probably an hour, just sat and sobbed. I was the only one who cared, the only one who believed, and after all those years, I had done it, I had written a book that I wasn’t going to light on fire or throw in a river. From there I found an agent, and we submitted it to publishers as a novel, a novel that told a version of the story of part of my life. At some point someone thought it would sell as a memoir, they asked me if I was okay with it as a memoir. I didn’t give a shit, just wanted it to come out, just wanted the dream to finally come true. The publisher knew what they were buying. When it came out I asked what I should do about the fact that not all of it was true, they said no memoir is, just do the interviews. I was cocky and proud and believed in the book, and I went along with it, I lied, got swept up in it, and the book became hugely successful, and I kept lying. I hated doing it, and hated myself every time I did, but I didn’t
”
”
James Frey (Katerina)
“
The two strangers got to the waffle station at exactly the same time. (I swear I’m like an award-winning orchestra conductor sometimes.)
Cara poured a ladleful of regular batter onto her machine, while Sammy poured her own ladle and grabbed the container of chocolate chips.
Wait for it . . .
Wait for it . . .
“Shit!” Sammy stared at the mountain of chocolate now piled up on the batter. The cap of the container had come off completely and rolled along the floor right into Cara’s feet.
“Oh my god, let me help you!” Cara sprung to action, as I knew she would, grabbing a broom and dustpan that I’d placed nearby and cleaning up the chips on the floor.
“Oh, you don’t have to,” Sammy stammered. “I’m sorry—I don’t know how that happened.”
Cara swept the chips into the dustpan and surveyed Sammy’s half-cooked waffle, which was now completely coated in messy, gooey chocolate. “I mean, I love chocolate as much as the next girl, but even that’s a little much for me.”
Sammy laughed, then fiddled with the container in her hand. “I think some dick unscrewed the top so they’d all fall out.” She rolled her eyes. “College boys.” (Or metaphysical entities. Either one.)
“Wow, what an asshole,” Cara said. “People are such idiots.
”
”
Leah Konen (The Romantics)
“
Every time he moved, with every breath he took, it seemed the man was carried along by iridescent orange and black wings.
She tried to convey how it was like travelling through the inside of a living body at times, the joints and folds of the earth, the liver-smooth flowstone, the helictites threading upward like synapses in search of a connection. She found it beautiful. Surely God would not have invented such a place as His spiritual gulag.
It took Ali’s breath away. Sometimes, once men found out she was a nun, they would dare her in some way. What made Ike different was his abandon. He had a carelessness in his manner that was not reckless, but was full of risk. Winged. He was pursuing her, but not faster than she was pursuing him, and it made them like two ghosts circling.
She ran her fingers along his back, and the bone and the muscle and hadal ink and scar tissue and the callouses from his pack straps astonished her. This was the body of a slave.
Down from the Egypt, eye of the sun, in front of the Sinai, away from their skies like a sea inside out, their stars and planets spearing your soul, their cities like insects, all shell and mechanism, their blindness with eyes, their vertiginous plains and mind-crushing mountains. Down from the billions who had made the world in their own image. Their signature could be a thing of beauty. But it was a thing of death.
Ali got one good look, then closed her eyes to the heat. In her mind, she imagined Ike sitting in the raft across from her wearing a vast grin while the pyre reflected off the lenses of his glacier glasses. That put a smile on her face. In death, he had become the light.
There comes a time on every big mountain when you descend the snows and cross a border back to life. It is a first patch of green grass by the trail, or a waft of the forests far below, or the trickle of snowmelt braiding into a stream. Always before, whether he had been gone an hour or a week or much longer – and no matter how many mountains he had left behind – it was, for Ike, an instant that registered in his whole being. Ike was swept with a sense not of departure, but of advent. Not of survival. But of grace.
”
”
Jeff Long (The Descent (Descent, #1))
“
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.”
Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door.
Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet.
“If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella.
“God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair.
“It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?”
“With a hot bath,” said Lucinda, “followed by some tea and refreshments.”
From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her.
“Don’t know as I want a bath just now,” Jake said.
“Not for you, you dolt, for Lady Cameron.”
Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted.
“You want a bath?” Jake repeated dumbly, staring at Lucinda.
“Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.”
“His master,” said a biting voice from a rear doorway, “is aware of that.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession.
“We had a guest last night,” he told Elizabeth. “I slammed the door on him.”
“Who was it?”
“A Mr. Ian Thornton.”
Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!”
“Bentner,” Alex sputtered, “you are a treasure!”
“Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.”
“Yes, and he didn’t return for six months,” Bentner told Alex proudly.
“And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.”
“Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl.
“It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.”
Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.”
Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.”
Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.”
“And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.”
“There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“
“No,” Elizabeth said with finality.
“-lizards,” Bentner finished determinedly.
“Absolutely not,” his mistress returned.
“And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“
“Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.”
When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.”
“He must be afraid to close his eyes after reading such things,” Alex agreed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk."
"Not on your life," Fletcher growled.
From the sound, Breckenridge realized the group had moved closer to the tap.
"You don't need to think you're going to give us the slip so easily," Fletcher said again.
"My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?"
Cobbins opined that she might try to steal a horse and ride off.
"Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me."
That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush.
Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you."
Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me."
Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up."
As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them."
Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh.
"All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you."
From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work.
"So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble."
"Hmm." Heather's tone was tellingly mild.
Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land.
"If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution."
Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth.
A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more."
"Thank you, Fletcher. Come, Martha-we don't want to waste the light."
Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent.
The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))