“
There are so many men, all endlessly attempting to sweep me off my feet. And there is one of you, trying just the opposite. Making sure my feet are firm beneath me, lest I fall.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Marina sighs. "Love's a tidal wave," she says. "Because it sweeps you off your feet?" I ask. "No. Because it sucks you under and you drown.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Hey girl," he said, wiggling his eyebrows. "You must be the riptide, 'cause you sweep me off my feet."
He'd be practicing that pickup line for years. He was glad he finally got yo use it.
”
”
Rick Riordan (Percy Jackson's Greek Gods)
“
Basic principles: no matter what, no matter when, no matter who... any man has a chance to sweep any woman off her feet. He just needs the right broom.
”
”
Will Smith
“
Love is a tidal wave--not because it sweeps you off your feet, but because it pulls you down and drowns you.
”
”
Samantha van Leer (Between the Lines (Between the Lines, #1))
“
I needed to say something. Something romantic! Something to sweep her off her feet.
"You’re like a potato!" I shouted after her. "In a minefield."
She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?”
“It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.”
“A potato.”
“Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?”
“Plenty of people. Why can’t I be something sweet, like a cake?”
“Because cake wouldn’t grow in a minefield. Obviously.”
She stared down the hallway at me for a few moments, then sat on an overgrown set of roots.
Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
”
”
Brandon Sanderson (Firefight (The Reckoners, #2))
“
Love's a tidal wave," she says.
"Because it sweeps you off your feet?" I ask.
"No. Because it sucks you under and you drown."
"But sometimes," I point out, "it's the only thing that keeps you afloat.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
By the time I'm through sweeping you off your feet, you will be bursting at the seams, begging me to fuck you, never wanting another man inside you again.
”
”
T.K. Leigh (A Beautiful Mess (Beautiful Mess, #1))
“
One day, my sweet girl, some lucky man will come and help you understand the very meaning of love. He will sweep you off your feet and show you what it is to place your heart in someone else’s care to willingly offer them the gift of your soul.
”
”
Tillie Cole (Sweet Home (Sweet Home, #1))
“
In my experience, there never seems to be a man or woman who will walk in and literally sweep you off your feet, or away, when you're in the biggest distaster of your life. If it happens, it'll be guaranteed he or she won't be the one you've longed for. Yeah...we all still seem to be waiting for Mr. or Ms. Right.
”
”
Jennifer Salaiz
“
I needed to say something. Something romantic! Something to sweep her off her feet.
"You're like a potato!" I shouted after her. "In a minefield.
”
”
Brandon Sanderson (Firefight (The Reckoners, #2))
“
I still hung onto the hope that my broken knight would gallop back into my life and sweep me off my feet.
”
”
A. Meredith Walters (Light in the Shadows (Find You in the Dark, #2))
“
I was waiting for someone that would sweep me off my feet and would be swept up by me in equal parts.
”
”
Taylor Jenkins Reid (Forever, Interrupted)
“
Why now? Why not wait for a man to come along and…sweep you off your feet?”
She gave a short laugh. “If the man you speak of had ever planned on coming, my lord, I’m afraid he has obviously lost his way. And, at twenty-eight, I find I have grown tired of waiting.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
What kind of a modern woman was she, if she didn’t reach for her own dream? Maybe it was time to sweep the man off his feet, for a change.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
She lifted one arm up, covering her forehead in a mock swoon. “You’re sweeping me off my feet.”
He laughed, shocked by the sound after the shitty day they’d had. He bent his knees and cradled her in his arms, spinning her around while he drank in the magic of her giggles. Finally, he lowered her onto the bed and lay down beside her. “Now you’ve been swept.
”
”
Lisa Kessler (Dance of the Heart (Muse Chronicles, #6))
“
If I were trying to sweep you off your feet, you'd be swept. Period. - Adam from Moonlight
”
”
Lisa Kessler (Moonlight (Moon, #1))
“
I swear off dating until someone new and amazing sweeps me off my feet and makes me forget all the hard parts of falling in love.
”
”
Ted Michael (Crash Test Love)
“
I heard you're campaigning on my behalf." He walked over to me. "That wouldn't be because you'd miss me too much if I were gone,would it?"
"Don't be absurd," I scoffed. "I don't condone murder, even for people like you."
"People like me,huh?" He cocked an eyebrow. "You mean devilishly handsome, debonair young men who come to sweep rebellious princesses of their feet?"
"You came to kidnap me, not sweep me off my feet," I said,but he waved his hand at the idea.
"Semantics.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Marina sighs, "Love's a tidal wave," she says.
"Because it sweeps you off you feet?" I ask.
"No. Because it sucks you under and you drown."
"But sometimes," I point out, "It's the only thing that keeps you afloat.
”
”
Samantha van Leer (Between the Lines (Between the Lines, #1))
“
They say a man's inspiration is visual, but for a woman, it's the narrative.
Abandon both the narrative and the visual. Close your eyes, measure your breath.
Dead weight is sloughed off, dust swept away, forms dissolve into one atmosphere.
The rib cage opens, the lungs fill, the breast rises.
Waves sweep up the body on their swell, rocking it rhythmically.
Feet planted, the back arches, the pelvis reaches forward.
Oxygen kindles a flame, sprawling through the belly, and gathering in a warm blaze.
The hand reaches to meet the sensation.
Calligraphy spills from the inkwell.
Open your eyes, sharpen your focus, and exclaim:
There are no separations.
”
”
Craig Thompson (Habibi (Pantheon Graphic Library))
“
I want to be independent. To meet interesting people. ... I just mean new people with clever things to say. Things I've never heard before. I want to be free. Open to whatever adventure comes along and sweeps me off my feet.
”
”
Kate Morton (The House at Riverton)
“
No, It does. And if I left, you’d probably want to give me my jacket back. And if you did, I wouldn’t be able to put it on, because the whole time I’d be knowing how perfectly it fit on you. How even though the sleeves are ridiculously too long and the collar is all fucked up and for all I know some guy named Salvatore is going to come in this very club and say, ‘Hey, that’s my jacket’ and strike up a conversation and sweep you off your feet away from me- even though all those things are true or possibly true, I just can’t ruin the image of you sitting there across from me wearing my jacket better than I, or anyone else could. If I don’t owe it to you, and I don’t owe it to me, I at least owe it Salvatore.
”
”
David Levithan (Nick & Norah's Infinite Playlist)
“
If you can't please yourself some of the time, how do you expect to please people all the time? Not everyone is going to appreciate you for your efforts and deeds.
”
”
Anthony Liccione
“
If you let someone sweep you off your feet, you better be prepared to land on your ass.
”
”
Devan Sipher (The Wedding Beat)
“
I was always reaching for love, but it turns out love doesn't involve reaching. I was always dreaming of the big love, the ultimate love, the love that would sweep me off my feet or 'break open the hard shell of my lesser self' (Daisaku Ikeda). The love that would bring on my surrender. The love that would inspire me to give everything. As I lay there, it occurred to me that while I had been dreaming of this big love, this ultimate love, I had, without realizing it, been giving and receiving love for most of my life. As with the trees that were right in front of me, I had been unable to value what sustained me, fed me, and gave me pleasure. And as with the trees, I was so busy waiting for and imagining and reaching and dreaming and preparing for this huge big love that I had totally missed the beauty and perfection of the soft-boiled eggs and Bolivian quinoa.
”
”
V (formerly Eve Ensler) (In the Body of the World)
“
I saw the autumn leaves peel up of the street, Take wing on the balmy breeze and sweep you off your feet
”
”
Owl City
“
i must feel this emotion
with my whole being
and as it sweeps me off my feet
enjoy the sensation of falling
falling endlessly into the arms
of no lover
”
”
Nirmala (Gifts With No Giver: A Love Affair With Truth)
“
Marina sighs. “Love is like a tidal wave,” she says. “Because it sweeps you off your feet?” I ask. “No, because it sucks you under and you drown.” “But sometimes,” I point out, “it’s the only thing that keeps you afloat.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Me, sweep him off his feet? I know. The laws of the jungle and romance novels would have it the other way around, but I’m not going to wait one more second for that.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
To everyone who has lost love and been lucky enough to find it again. To second chances and the epic romances that sweep us off our feet.
”
”
Bella Jewel (Flawed Heart (House of Obsidian, #1))
“
You trying to sweep me off my feet?" Kelly asked, a little breathless.
Nick grinned. "No. But I am going to take you up on that sloppy blowjob you offered."
Kelly cackled as Nick dragged him inside. "Who says romance is dead?
”
”
Abigail Roux (Cross & Crown (Sidewinder, #2))
“
I could blame my lack of a happy ending on Edward all day long but the truth was that my own dissatisfaction with my life wasn't anybody's fault but mine. I'd been looking for a man to sweep me off my feet when I should have been looking for one who willing to pick up the pieces. Not some fictional hero, but a real flesh-and-blood man. Someone who would love me for the long haul.
”
”
Beth Pattillo (Jane Austen Ruined My Life)
“
Love is the only emotion strong enough to sweep us off our feet, but remain unmoved when we are knocked to our knees. And if I am willing to embrace the former but flee from the latter, I’ve confused love with infatuation.
”
”
Craig D. Lounsbrough
“
Cowboys with impeccable manners who look like they can sweep you off your feet one minute and rail you until you forget your own name in the back seat of their truck the next.
”
”
Elliott Rose (Chasing the Wild (Crimson Ridge #1))
“
These were dangerous thoughts, he knew. They were the kind that crept up on a Watchman when the chase was over and it was just you and him, facing one another in that breathless little pinch between the crime and the punishment.
And maybe a Watchman had seen civilization with the skin ripped off one time too many and stopped acting like a Watchman and started acting like a normal human being and realized that the click of the crossbow or the sweep of the sword would make all the world so clean.
And you couldn’t think like that, even about vampires. Even though they’d take the lives of other people because little lives don’t matter and what the hell can we take away from them?
And, too, you couldn’t think like that because they gave you a sword and a badge and that turned you into something else and that had to mean there were some thoughts you couldn’t think.
Only crimes could take place in darkness. Punishment had to be done in the light. That was the job of a good Watchman, Carrot always said. To light a candle in the dark.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
This book is dedicated to all my readers who deserve to be treated like a princess, but don't want the prince to sweep them off their feet. Who want the villain to tell them to grab the headboard and take it all like a good girl. Villains fuck better. Grayson is ready for you now…
”
”
Luna Mason (Detonate (Beneath the Mask, #2))
“
I definitely need to love a man. But a real man. A man who could sweep me off my feet without resorting to brute strength. Without asking anything of me, without controlling me, or degrading me, a man who could love me and walk by my side. In other words, a truly powerful man, a real man.
”
”
Sabahattin Ali (Kürk Mantolu Madonna)
“
I'm not a princess
This ain't a fairy tale
I'm not the one you'll sweep off her feet
Lead her up a stairwell
This ain't Hollywood
This is a small town
I was a dreamer before you went and let me down
Now it's too late for you and your white horse to come around
”
”
Taylor Swift
“
If a man loves a girl who is in the first place young and inexperienced; who in the second place is educated with a background of caveman tradition, a middle-ground of poetry and romance, and a foreground of unspoken hope and interest all centering upon the one Event; and who has, furthermore, absolutely no other hope or interest worthy of the name - why, it is a comparatively easy manner to sweep her off her feet with a dashing attack.
”
”
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
“
Amy, I know it hurts now, but don’t give up. Out there somewhere is a guy or girl that will treat you like the princess you are. My mom always says
you have to kiss a few frogs before you find your handsome prince. Consider Nick as just another frog in your quest to find your prince. He’s out
there, I know it, waiting to come rescue you and sweep you off your feet.
”
”
Marie Coulson (Bound Together (Bound Together, #1))
“
Listen to yourself. Poor martyred Louisa. I predict that Fellows will solve this murder and then sweep you off your feet." Daniel shrugged. "Well, the sweeping-you-off-your-feet part might take a little nudge. But he wants to do it. It's a beautiful thing to watch the way he looks at you. Fellows glared at Gil tonight as though he wanted to find a claymore, learn how to use it, and finish him off. Or just pull out a pistol and shoot him.
”
”
Jennifer Ashley (The Untamed MacKenzie (MacKenzies & McBrides, #5.5))
“
When I say that I am convinced of these things I speak with too much pride. Far off, like a perfect pearl, one can see the city of God. It is so wonderful that it seems as if a child could reach it in a summer's day. And so a child could. But with me and such as me it is different. One can realise a thing in a single moment, but one loses it in the long hours that follow with leaden feet. It is so difficult to keep 'heights that the soul is competent to gain.' We think in eternity, but we move slowly through time; and how slowly time goes with us who lie in prison I need not tell again, nor of the weariness and despair that creep back into one's cell, and into the cell of one's heart, with such strange insistence that one has, as it were, to garnish and sweep one's house for their coming, as for an unwelcome guest, or a bitter master, or a slave whose slave it is one's chance or choice to be.
”
”
Oscar Wilde (De Profundis, the Ballad of Reading Gaol and Other Poetry)
“
Tears flood in you
your eyes burning
your heart scars with my name scratched deep
My face is gone
my heart betrayed by your lullabies
I’m a shadow of a girl inside
Hands are touching you
nothing takes the place of you
Heart wrench, weeps goodbye
Lullabies, beautiful and trusting
Barely breathing as they break into dust
Lonely corners me
Sweeps me off my feet
Shows me it was better for me
Fingertips holding close
your grip not as soft
Follows me to an empty bed
I can’t stop the weakening of my soul
my body is dying
your tune is holding my mind
Let me go
see what I do
No control
No you
You whisper your sweet goodbye
If it is small it won’t interrupt my sleep
But my heart you keep
You say it’s for me
But who would be happy?
Alone left out in the cold
”
”
Mercy Cortez
“
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
The girl moved from throwing weapons to hand-to-hand combat: a punch of power, a sweeping kick of flame. Her flames had become gloriously varied—golds and reds and oranges. And her technique—not the magic, but the way she moved … Her master had been a monster, there was no doubt of that. But he had trained her thoroughly. She ducked and flipped and twisted, relentless, raging, and— She swore with her usual color as the wall sent the punch of ruby flame back at her. She managed to shield, but still got knocked on her ass. Yet none of the sentries laughed. Rowan didn’t know if it was because of his presence or because of her. He got his answer a heartbeat later, as he waited for her to shout or shriek or walk away. But the princess just slowly got to her feet, not bothering to brush off the dirt and leaves, and kept practicing.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping.
My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock.
It was a baby on the beach.
In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb.
With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket.
My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines.
She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
”
”
Alice Sebold (The Lovely Bones)
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
”
”
Rick Riordan (Percy Jackson's Greek Gods)