Seaside Town Quotes

While I love romance, I’ve never believed in the concept of soul mates, which has always seemed a little like men’s rights activism: not a real thing. Love isn’t immediate or automatic; it takes effort and time and patience. The truth of it was that I’d probably never have the kind of luck with love the women who live in fictional seaside towns do. But sometimes I get this strange feeling, an ache not for something I miss, but for something I’ve never known.

There is an internal landscape, a geography of the soul; we search for its outlines all our lives. Those who are lucky enough to find it ease like water over a stone, onto its fluid contours, and are home. Some find it in the place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. There are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved or unloved, without ever standing cold with the shock of recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.

Idaville looked like many seaside towns on the outside. On the inside, however, it was different. Very different. No one, grown-up or child, got away with breaking the law in Idaville.

There is an internal landscape, a geography of the soul: we search for its outlines all over our lives. Those who are lucky enough to find it ease like water over stone, onto its fluid contours, and are home. Some find it in a place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. there are those born in rolling countryside who are really only at ease in the intense and busy loneliness of the city. For some, the search is for the imprint of another; a child or a mother, a grandfather or a brother, a lover, a husband, a wife, or a foe. We may go through our lives happy or unhappy, successful or unfulfilled, loved, or unloved, without ever standing cold with the shock or recognition, without ever feeling the agony as the twisted iron in our soul unlocks itself and we slip at last into place.

It was not yet hot that morning; the breeze that stalks all seaside towns was running offshore. Nina could feel the wind across her shoulders as she walked onto the perfectly cut grass, feeling the stiff edges of the blades between her toes. She walked until she got to the edge of the cliff.

When I was on a book tour last year, I saw a sign in a bookstore in a seaside town in Maine that was carefully drawn with popular symbols of coastal living and these words were entwined: Hope anchors the soul. From that childhood that many might call "disadvantaged," I was anchored in the belief that most things are possible.

fact, I’ve always had a fondness for seaside towns, particularly out of season when the streets are empty and the sky is grey and drizzling.

He had spent much of his childhood perched on the coast, with the taste of salt in the air: this was a place of woodland and river, mysterious and secretive in a different way from St. Mawes, the little town with its long smuggling history, where colorful houses tumbled down to the beach.

As for reading, I doubt whether she did much better by the sea-side than she had done in the town. Men and women say that they will read, and think so—those, I mean, who have acquired no habit of reading—believing the work to be, of all works, the easiest. It may be work, they think, but of all works it must be the easiest of achievement. Given the absolute faculty of reading, the task of going through the pages of a book must be, of all tasks, the most certainly within the grasp of the man or woman who attempts it. Alas! no; if the habit be not there, of all tasks it is the most difficult.

... a tiny room, furnished in early MFI, of which every surface was covered in china ornaments and plaster knick-knacks whose only virtue was that they were small, and therefore of limited individual horribleness. Cumulatively, they were like an infestation. Little vases, ashtrays, animals, shepherdesses, tramps, boots, tobys, ruined castles, civic shields of seaside towns, thimbles, bambis, pink goggle-eyed puppies sitting up and begging, scooped-out swans plainly meant to double as soap dishes, donkeys with empry panniers which ought to have held pin-cushions or perhaps bunches of violets -- all jostled together in a sad visual cacophony of bad taste and birthday presents and fading holiday memories, too many to be loved, justifying themselves by their sheer weight of numbers as 'collections' do.

Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2).

…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there. It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town. On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting. One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.

There was a feeling of freshness and vigour in the very streets; and when I got free of the town, when my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass–grown islands—and above all, on the brilliant, sparkling waves. And then, the unspeakable purity—and freshness of the air! There was just enough heat to enhance the value of the breeze, and just enough wind to keep the whole sea in motion, to make the waves come bounding to the shore, foaming and sparkling, as if wild with glee. Nothing else was stirring—no living creature was visible besides myself. My footsteps were the first to press the firm, unbroken sands;—nothing before had trampled them since last night’s flowing tide had obliterated the deepest marks of yesterday, and left them fair and even, except where the subsiding water had left behind it the traces of dimpled pools and little running streams.

Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.

They have just sat their first set of exams and are waiting for the results, waiting for the summer to be over, for the new school year to begin, waiting for their futures to take shape, waiting for their shifts to end, waiting for the tourists to leave, waiting, waiting. Some are waiting for bad haircuts to grow out, for their parents to allow them to drive or give them more money or clock their unhappiness, for the boy or girl they like to notice them, for the cassette tape they ordered at the music shop to arrive, for their shoes to wear out so they can be bought new ones, for the bus to arrive, for the phone to ring. They are, all of them, waiting because that is what teenagers who grow up in seaside towns do. They wait. For something to end, for something to begin.

The town had a faint air of benign neglect that only added to its charm: a seaside village with white clapboard buildings, seagulls wheeling overhead, uneven brick sidewalks and local shops. They passed a gas station, several old storefronts with plate-glass windows, a diner, a funeral parlor, a movie theater turned into a bookstore, and an eighteenth-century sea captain’s mansion, complete with widow’s walk. A sign out front identified it as the Exmouth Historical Society and Museum.

pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect.

The Meaning of Birds Of the genesis of birds we know nothing, save the legend they are descended from reptiles: flying, snap-jawed lizards that have somehow taken to air. Better the story that they were crab-apple blossoms or such, blown along by the wind; time after time finding themselves tossed from perhaps a seaside tree, floated or lifted over the thin blue lazarine waves until something in the snatch of color began to flutter and rise. But what does it matter anyway how they got up high in the trees or over the rusty shoulders of some mountain? There they are, little figments, animated---soaring. And if occasionally a tern washes up greased and stiff, and sometimes a cardinal or a mockingbird slams against the windshield and your soul goes oh God and shivers at the quick and unexpected end to beauty, it is not news that we live in a world where beauty is unexplainable and suddenly ruined and has its own routines. We are often far from home in a dark town, and our griefs are difficult to translate into a language understood by others. We sense the downswing of time and learn, having come of age, that the reluctant concessions made in youth are not sufficient to heat the cold drawn breath of age. Perhaps temperance was not enough, foresight or even wisdom fallacious, not only in conception but in the thin acts themselves. So our lives are difficult, and perhaps unpardonable, and the fey gauds of youth have, as the old men told us they would, faded. But still, it is morning again, this day. In the flowering trees the birds take up their indifferent, elegant cries. Look around. Perhaps it isn't too late to make a fool of yourself again. Perhaps it isn't too late to flap your arms and cry out, to give one more cracked rendition of your singular, aspirant song.

Nothing—and I mean really, absolutely nothing—is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized—more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railroad tracks—and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics

Nothing – and I mean, really, absolutely nothing – is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized – more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railway lines – and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known – almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect. What an achievement that is. And

Well, hello, Cameron.” “Vanni, how are you?” “Very well, thanks. And you?” She chewed her lip a little bit. Why couldn’t this just be Paul? “I’m good. Listen, I know Virgin River is perfection, but I was wondering if you’d like to get out of town for a weekend.” “A weekend?” she asked, completely unprepared for such a question. “There’s a great seaside hotel in Mendocino, on the ocean. Lots to do around there. Very relaxing and entertaining.” “Cameron, I have a baby.” He chuckled. “I thought maybe I could bring along a pediatrician.” “But, Cameron, I’m really not ready for—” “Easy, Vanni. We’ll get two rooms. Think of it as a chance to get to know each other better, that’s all. And no, I have not mentioned my plans to Carol.” “Oh. Listen—I appreciate the invitation, but I’m not sure I’m ready for something like a weekend date. That’s moving a little fast for me…” “I’ll be a Boy Scout,” he laughed. “Two rooms, good views, great food, a little relaxation, conversation, no pressure…” “I appreciate the thought, really. It’s very nice of you, but…” “All right,” he said. “It was worth a try. Well, then, can I wrangle another run down to Virgin River? I have Jack’s phone number. I could make a reservation at that little cabin…” “You’re welcome anytime,” she said. “Maybe this weekend, since I scheduled it off?” “Sure,” she said without enthusiasm. “Let me know if you decide to come down.” *

Fully His I have been forgiven and set free from my sins. There was a boy who lived in a town on the seaside. He was a skilled and clever carver, and he carved himself a little wooden boat. When he put sails on it, it really sailed. One day, he took it down to the shore and was sailing it at the edge of the sea, but the tide changed and carried his boat out to sea, and he could not recover it. So, he went home without his boat. With the next change of the wind and tide, the boat came back again. A man walking along the seashore found the boat, picked it up, and saw it was a beautiful piece of work. He took it to a local shop and sold it. The shop owner cleaned it up and put it on display in his shop window with a price of thirty-five dollars. Some while later, the boy walked past the shop, looked in the window, and saw his boat with a price of thirty-five dollars. He knew, however, that he had no way to prove that it was his boat. If he wanted his boat, there was only one thing he could do: buy it back. He set to work, taking any job he could to earn the money to buy his boat. Once he earned the money, he walked into the shop and said, “I want to buy that boat.” He paid the money, and, when he got the boat in his hands, he walked outside and stopped on the sidewalk. He held the boat to his chest and said, “Now you’re mine. I made you and I bought you.” That is redemption. First, the Lord made us, but we were in Satan’s slave market. Then, He bought us. We are doubly His. Can you see how valuable you are to the Lord? Think of yourself as that boat for a moment. You may feel so inadequate, so worthless. You wonder whether God ever really cares. Just try to believe that you are that boat in the Lord’s arms and He is saying to you, “Now you’re Mine. I made you and I bought you. I own you; you’re fully Mine.”     Thank You,

Not only was the four-poster- a lofty structure that would have put princesses and peas to shame- a place of rest and relaxation but it was, and had been for quite some time now, a portal for her magic carpet escapades. It was there that Estelle first began to practice what Marjan had called "eating at the edge of a ready 'sofreh'." Estelle always followed the same routine when assembling her dinner 'sofreh' on her bed. First, she would spread the paisley blanket Marjan had given her, tucking the fringed ends in tight around the sides of her mattress. Then, having already wetted a pot of jasmine tea, she would dig a trivet into the blanket's left corner and place the piping pot on top of it. Following the Persian etiquette of placing the main dishes at the center of the 'sofreh', Estelle would position the plate of saffron 'chelow' (with crunchy 'tadig'), the bowl of stew or soup that was the day's special, and the 'lavash' or 'barbari' bread accordingly. She would frame the main dishes with a small plate of 'torshi', pickled carrots and cucumbers, as well as a yogurt dip and some feta cheese with her favorite herb: balmy lemon mint. Taking off her pink pom-pom house slippers, Estelle would then hoist herself onto her high bed and begin her ecstatic epicurean adventure. She savored every morsel of her nightly meal, breathing in the tingle of sumac powder and nutmeg while speaking to a framed photograph of Luigi she propped up on its own trivet next to the tea. Dinner was usually Persian, but her dessert was always Italian: a peppermint cannoli or marzipan cherry, after which she would turn on the radio, always set to the 'Mid-West Ceili Hour', and dream of the time when a young Luigi made her do things impossible, like when he convinced her to enter the Maharajah sideshow and stand on the tallest elephant's trunk during carnival season in her seaside Neapolitan town.

Idaville looked like many seaside towns on the outside. On the inside, however, it was different. Very different.

A shore town without a boardwalk is like an ice-cream cone without sprinkles.

It brought to mind the Jet stone which was carved into jewellery, famous in the seaside town of Whitby, not far from York.

To some, whose idea of seaside towns included the blue water of Caribbean or the clear emerald green of the Florida Panhandle, the colors of the Lowcountry could be a little dull. But to me, they were beautiful. Soothing. It was real.

The town had a faint air of benign neglect that only added to its charm: a seaside village with white clapboard buildings, seagulls wheeling overhead, uneven brick sidewalks and local shops. They

A logline is a one-or two-sentence distillation of a story. It usually tells us who the protagonist is, what challenge or conflict or situation the protagonist will confront, and when the story takes place if it isn’t set in the present. Used by writers to keep themselves on track or as a marketing tool to pique the interest of a producer or an audience, a logline is not meant to tell the whole story or to reveal a surprise ending. A logline for Jaws could be, “A shark threatens a seaside town on the Fourth of July weekend.” A logline for Little Miss Sunshine might be, “In spite of innumerable obstacles, Olive and her family are determined to get to the Little Miss Sunshine pageant on time.

The Monterey Pop Festival, held June 16 through 18 at the seaside town’s fairgrounds, proved to be a seminal event in rock history. Considering the hoopla it generated, especially after the release of filmmaker D. A. Pennebaker’s marvelous documentary, it should have boosted Nyro to celebrity status. It certainly did so for Jefferson Airplane, Big Brother and the Holding Company, and Jimi Hendrix. But instead, not only was Nyro absent from the film Monterey Pop—at her own request, according to Pennebaker—but the festival proved more a setback than a launch.

SEASIDE WAS A small community of one-, two-, and three-bedroom cottages, most of which had been owned by the same families for decades. Leanna’s grandfather had purchased their cottage before she was born. Her family had spent a few weeks each summer at the cottage, and during their visits, her parents kept them on the go. Between afternoons at the beach, walking through quaint nearby towns, and evening family-oriented concerts, it left little downtime, and the downtime they’d enjoyed had been spent at Seaside. She was glad for the friendships she’d fostered in the community and even more pleased that they’d lasted this long. She couldn’t imagine her summers without her Seaside friends.

discovered on a deserted footpath in a Dorset seaside town late on a cold November night. She has been stabbed through the heart. It seems like a simple crime for DCI Sophie Allen and her team to solve. But not when the victim’s mother is found strangled the next morning. The case grows more complex as DCI Sophie Allen discovers that the victims had secret histories, involving violence and intimidation. There’s an obvious suspect but Detective Allen isn't convinced. Could someone else be lurking in the shadows, someone savagely violent, looking for a warped revenge?

He’d kind of vanished off the face of the earth. A difficult thing to do in Margate, a derelict seaside town where there was nothing to do but blend in with the general decay: bum around, fuck, be fucked, fight and wish your life away.

But Anita Roddick had a different take on that. In 1976, before the words to say it had been found, she set out to create a business that was socially and environmentally regenerative by design. Opening The Body Shop in the British seaside town of Brighton, she sold natural plant-based cosmetics (never tested on animals) in refillable bottles and recycled boxes (why throw away when you can use again?) while paying a fair price to the communities worldwide that supplied cocoa butter, brazil nut oil and dried herbs. As production expanded, the business began to recycle its wastewater for using in its products and was an early investor in wind power. Meanwhile, company profits went to The Body Shop Foundation, which gave them to social and environmental causes. In all, a pretty generous enterprise. Roddick’s motivation? ‘I want to work for a company that contributes to and is part of the community,’ she later explained. ‘If I can’t do something for the public good, what the hell am I doing?’47 Such a values-driven mission is what the analyst Marjorie Kelly calls a company’s ‘living purpose’—turning on its head the neoliberal script that the business of business is simply business. Roddick proved that business can be far more than that, by embedding benevolent values and a regenerative intent at the company’s birth. ‘We dedicated the Articles of Association and Memoranda—which in England is the legal definition of the purpose of your company—to human rights advocacy and social and environmental change,’ she explained in 2005, ‘so everything the company did had that as its canopy.’48 Today’s most innovative enterprises are inspired by the same idea: that the business of business is to contribute to a thriving world. And the growing family of enterprise structures that are intentionally distributive by design—including cooperatives, not-for-profits, community interest companies, and benefit corporations—can be regenerative by design too.49 By explicitly making a regenerative commitment in their corporate by-laws and enshrining it in their governance, they can safeguard a ‘living purpose’ through times of leadership change and protect it from mission creep. Indeed the most profound act of corporate responsibility for any company today is to rewrite its corporate by-laws, or articles of association, in order to redefine itself with a living purpose, rooted in regenerative and distributive design, and then to live and work by it.

The quiet seaside village of Casa Azar had never encountered anything quite like Eddie Chang. For hundreds of years, the village had patiently endured monsoons, hurricanes, forest fires, and the occasional mudslide. But this was Casa Azar's first encounter with Eddie, and the town was wholly unprepared for the devastation that can be wrought by a panicking seventh grader at the wheel of a three-ton vehicle, on the run for his life.

After another forty-five minutes, the train reached the station at Heron's Point, a seaside town located in the sunniest region in England. Even now in autumn, the weather was mild and clear, the air humid with healthful sea breezes. Heron's Point was sheltered by a high cliff that jutted far out into the sea and helped to create the town's own small climate. It was an ideal refuge for convalescents and the elderly, with a local medical community and an assortment of clinics and therapeutic baths. It was also a fashionable resort, featuring shops, drives and promenades, a theatre, and recreations such as golf and boating. The Marsdens had often come here to stay with the duke's family, the Challons, especially in summer. The children had splashed and swum in the private sandy cove, and sailed near the shore in little skiffs. On hot days they had gone to shop in town for ices and sweets. In the evenings, they had relaxed and played on the Challons' back veranda, while music from the town band floated up from the concert pavilion. Merritt was glad to bring Keir to a familiar place where so many happy memories had been created. The seaside house, airy and calm and gracious, would be a perfect place for him to convalesce.

While I love romance, I’ve never believed in the concept of soul mates, which has always seemed a little like men’s rights activism: not a real thing. Love isn’t immediate or automatic; it takes effort and time and patience. The truth of it was that I’d probably never have the kind of luck with love the women who live in fictional seaside towns do. But sometimes I get this strange feeling, an ache not for something I miss, but for something I’ve never known.

Recently, with Ricky away more frequently and in a bad mood when he was on shore, Toni had begun to question the wisdom of her move to the coast. She valued London's anonymity over the seaside town of best-forgotten faces. The answer lay in the darkness beyond the beach. As the crews worked on in comparative silence, Toni caught the hush and push of the tide. She smelled seaweed on the swift breeze. She'd been lured by another kind of siren to the blues and twos. The sea had called her home

An amazing thing happened to me today. We were in Loreto, where Franco Terilli was praying to his patron, one of the popes. In Loreto there is a famous cathedral (rather like Lourdes) in the middle of which stands the house in which Jesus was born, transported here from Nazareth. While we were in the cathedral, I felt it was wrong that I can't pray in a Catholic cathedral; not that I cannot, but that I don't want to. It is, after all, alien to me. Then later, quite by chance, we went into a little seaside town called Porto Nuovo, and into its small, tenth century cathedral. And what should I see on the altar but the Vladimir Mother of God Apparently some Russian painter had, at some time, given the church this copy of the Mother of God of Vladimir, evidently painted by him. I couldn't believe it: suddenly to see an Orthodox ikon in a Catholic country, when I had just been thinking about not being able to pray at Loreto. It was wonderful.

In a form of homage to the Impressionist painters, Proust inserted one into his novel, the fictional Elstir, who shares traits with Renoir, Degas and Manet. In the seaside resort of Balbec, Proust's narrator visits Elstir's studio, where he finds canvasses that, like Monet's Le Havre, challenge the orthodox understanding of what things look like. In Elstir's seascapes, there is no demarcation between the sea and the sky, the sky looks like the sea, the sea like the sky. In a painting of a harbour at Carquehuit, a ship that is out at sea seems to be sailing through the middle of the town, women gathering shrimps among the rocks look as if they were in a marine grotto overhung by ships and waves, a group of holidaymakers in a boat look like they were in a cariole riding up through sunlit fields and down through shady patches. Elstir is not trying his hand at surrealism. If his work seems unusual, it is because he is attempting to paint something of what we actually see when we look around, rather than what we know we see.

: In the amazing book Moby Dick by the author Herman Melville, the author recounts his story of being at sea. In the first part of his book, the author, calling himself Ishmael, is in a small sea-side town and he is sharing a bed with a man named Queequeg, and I felt saddest of all when I read the boring chapters that were only descriptions of whales, because I knew that the author was just trying to save us from his own sad story, just for a little while.

Still, the beach itself continued to be viewed with suspicion. Seaside towns like the New Jersey Shore’s Atlantic City and the French Riviera’s Nice built boardwalks and piers so that visitors could enjoy the sights of the shore without having to actually set foot on its smelly, seaweed-strewn sands.

This might be the moment to explain the origin of the idea of ‘battlecruisers’ which were to play such a role in this and the other actions in the North Sea. It was originally Fisher’s idea to launch a new class of warship that was as big, or bigger, than a capital ship – a conventional battleship – but was faster and therefore less well protected. They would be “stronger than anything faster and faster than anything stronger”. Their high point was the successful destruction of Von Spee’s squadron in the South Atlantic. After that, they tended to be used as fast scouting units ahead of the battlefleet, which took them into conflict with other battlecruisers, for which they had not really been designed. The British battlecruisers, sleek, vast and beautiful and under the command of the dashing Sir David Beatty, lay at anchor in the Firth of Forth, so that they could speed south to prevent the bombardment of English seaside towns by units of the German High Seas Fleet.

There is anyway a kind of off-color romance to a deserted seaside town in the winter,

Shit Cafés I started avoiding beautiful places as they attracted people. Too many people: The seaside Botanic gardens Quaint country towns... So, I started going to shit cafes, sat in back alleyways. Until the shit cafés closed down because no one was going

I remember explaining explaining what I saw to one brother who couldn't see the sea. "I see an endless body of blue," I said, "with a soul that courses through the Atlantic Ocean, the Mediterranean, and the Suez Canal, all the way to the Red Sea and the western coast of Yemen, where in the seaside town of Hudaydah, my father is at the market buying fish for a special meal. And when the tide comes in and the air is heavy with salt, my mind takes me straight to the port city of Aden and weekends I spent there with friends after high school. We'd lie on the beach and imagine our lives and the wives and families we would one day have.

changed about Summerbury since the summers she’d spent there as a child. The tiny seaside town was still adorable. She had to inch her way through Main Street to avoid shopping tourists and locals catching up with their seasonal neighbors. Summerbury’s economy

There is anyway a kind of off-color romance to a deserted seaside town in the winter, your heart’s opera scored by the sound of the tide crashing over a stony beach, shushing everything as the waves try to make up their mind whether they’re leaving or staying. White waves kissing black stones, shushing all around them. Shhh … shhh.

If there was one advantage to being the devil it was that you were expected to be bad. It was part of the territory, it was in his contract. It was stamped throughout his metaphysical DNA like the name of the grimmest, shittiest seaside town in the grimmest, shittiest stick of rock ever.

Church bells ringing on our wedding day Climbed in that limo and rode away Guess you'll always hear some people say, Man, they're never gonna make it. We settled in and we settled down In this quiet little seaside town You are the rock I built my world around And life will never break it We are one heartbeat in the darkness We are one lasting answered prayer We are one unbroken promise And we are two, true believers It wasn't easy getting here today Sometimes you stumbled or I lost my way But every roadblock was a chance to say; Take my hand I'm here beside you. We worked and made it through the toughest parts Now every day is another chance to start To look around and see where we are It's where we were trying to get to We are one heartbeat in the darkness We are one lasting answered prayer We are one unbroken promise And we are two, true believers We are one before our God in Heaven Oh, we are one road when the going gets rough We are one now and forever We are one name, one life, one flame We are one heartbeat in the darkness We are one lasting answered prayer We are one unbroken promise And we are two, true believers We are two, true believers

These islands form a backdrop for a culture that transcends time. Life follows its own rhythm on these gems of the sea that spread east from the Greek mainland. For eons, the artisans of the region have crafted beautiful objects of marble, bronze, and wood. For centuries, mules have transported people and goods from bustling port towns to the traditional villages that dot the hillsides. Ancient windmills--perched above glistening harbors like stalwart sentries--have harnessed the power of the air to process grain for as long as anyone can remember. Every day for thousands of years, fishermen have launched their boats in search of those fruits of the sea so lavishly displayed in seaside markets. Islanders have flocked to natural hot springs to bask in their healing waters since before the time of Aristotle. And since long before that, shrines to the gods have lured pilgrims and worshipers from near and far.

Almost 2,000 years ago, on August 24, A.D. 79, the seaside town of Pompeii (pom-PAY) was a typical Roman town. Many Romans went there on their ​vacation. They built large houses called villas and planted groves of olive trees along the slopes of a mountain called Mount Vesuvius (vuh-SOO-vee-us).

It started about ten years ago, and now it’s a real middle-class retreat. Shit pubs. Shit atmosphere. They think that if they go there they’ll all live in harmony away from the moths. It’s such a Victorian idea. You can’t hide like that. It’s the Guardian’s version of The Prisoner. They’re so middle class they put pebbles on the beach so they don’t get any sand between their toes. No wonder nothing comes out of it. It’s not a patch on Blackpool. That’s the real seaside town.