Swallowing Me Alive Quotes

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...throw roses into the abyss and say: 'here is my thanks to the monster who didn't succeed in swallowing me alive.
Friedrich Nietzsche
I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live.
Jojo Moyes (Me Before You (Me Before You, #1))
I placed my face so close to his that his features became indistict, and I began to lose myself in them. I stroked his hair, his skin, his brow, with my fingertips, tears sliding unchecked down my cheeks, my nose against his, and all the time he watched me silently, studying me intently as if he were storing each molecule of me away. He was already retreating withdrawing to somewhere I couldn't reach him. I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to life. I held him, Will Traynor ex-City whiz kid, ex-stunt diver, sportsman, traveller, lover. I held him close and said nothing, all the while telling him silently that he was loved. Oh, but he was loved.
Jojo Moyes (Me Before You (Me Before You, #1))
throw roses into the abyss and say: ‘here is my thanks to the monster who didn't succeed in swallowing me alive.
Friedrich Nietzsche
It...whatever 'it' is, has swallowed me and I lie here in the pit of its cold dark stomach being eaten alive by its bile and I...I don't even know if I want to be saved.
Kellie Elmore (Jagged Little Pieces)
I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence. The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption. At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching. Eat me up, my love, or else I’m going to eat you up. Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me. Sign my death with your teeth
Hélène Cixous (Stigmata: Escaping Texts)
I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual.
Jojo Moyes (Me Before You (Me Before You, #1))
You’re late.” Fang stepped out of the shadows, eating an apple. He was dressed in black, as usual, and his face looked like a lumpy plum pie. But his eyes shone as he came toward me, and then I was running to him over the sand, my wins out in back or me. We smashed together awkwardly, with fang standing stiffly for a moment, but then his arms slowly came around me, and he hugged me back. I held him tight trying to swallow the lump of cotton in my throat, my head on his shoulder, my eyes squeezed shut. Don’t ever leave me again,” I said in a tiny voice. I won’t,” he promised into my hair, most un-fang like. I won’t. Not ever.” And just like that, a cold shard of ice that had been inside my chest ever since we’d spilt up – well, it just disappeared. I felt myself relax for the first time in I don’t know how long. The wind was chilly, but the sun was bright, and my whole flock was together. Fang and I were together. “Excuse me? I’m alive too.” Iggy’s plaintive voice made me pull back.
James Patterson
Afraid? No!" he replied. "I have neither a fear, nor a presentiment, nor a hope of death. Why should I? With my hard constitution and temperate mode of living, and unperilous occupations, I ought to, and probably shall, remain above ground till there is scarcely a black hair on my head. And yet I cannot continue in this condition! I have to remind myself to breathe - almost to remind my heart to beat! And it is like bending back a stiff spring: it is by compulsion that I do the slightest act not prompted by one thought; and by compulsion that I notice anything alive or dead, which is not associated with one universal idea. I have a single wish, and my whole being and faculties are yearning to attain it. They have yearned towards it so long, and so unwaveringly, that I'm convinced it will be reached - and soon - because it has devoured my existence: I am swallowed up in the anticipation of its fulfillment. My confessions have not revieved me; but they may account for some otherwise unaccountable phases of humour which I show. Oh God! It is a long fight; I wish it were over!
Emily Brontë (Wuthering Heights)
So what do I know about ocean, still yet to stand on its sandy beard and look it in the eye? Still waiting to meet the one big thing I know is not going to swallow me alive.
Barbara Kingsolver (Demon Copperhead)
Lady Dance's music wasn't a magic charm. I'd misunderstood. We had all failed to understand. The song and dance didn't stop us dying. It just stopped the fear of death swallowing us up while we were still alive. 'Rejoice,' came the soft voice of Lady Dance in my mind. 'Watch the moon and stars...' Death had ruled my life till I met Lady Dance. Her dance had set me free.
Jackie French (Lady Dance)
I've found something more exciting than blowing things up, something sweeter than an adrenaline rush. Something that is truly worth fighting for." "What?" "A beautiful woman who makes me laugh and feel more alive than I've ever felt in my life." He swallowed past the lump in his throat and the burning in his chest. "I've waited my whole life for you, even though I didn't know I was even waiting. You and I are different sides of the same coin, and you make me feel complete.
Rachel Gibson (Lola Carlyle Reveals All)
THERE IS A CURE. The insanity of that thought made me feel like the hand on Jude's compass spinning, and spinning, and spinning, searching for its true north. He deserved this. I blinked back the prick of tears and let my anger rise to swallow the anguish for now. I let it propel me forward. Because Jude deserved to live to see this moment- he should of been here, now, next to me, suddenly seeing that everything was alive with the possibility of change.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
He’s all over me, kissing like a man who isn’t practiced with this. It’s wild and messy, and so unbelievably perfect. He can’t decide whether he wants to suck on my tongue or bite it. His sounds are unreal, low and throaty, vibrating against my lips. I’m practically in his lap, swallowing him alive. I don’t care how inappropriate I look right now. I don’t care if this building goes up in flames. I’m going to continue kissing . . .
J. Daniels (When I Fall (Alabama Summer, #3))
You don’t know,” I say, exasperated. “That’s why you don’t understand. You don’t know what I used to be like. You don’t know what it was like in my head. I lived in a really dark place,” I say to him. “I wasn’t safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn’t even tell the difference,” I say, more harshly than I mean to. “I had a small thread of hope and I clung to it, but the majority of my life was spent waiting around to see if someone would take pity on me.” Kenji is just staring at me, his eyes tight. “Don’t you think I’ve realized,” I say to him, angrier now, “that if I’d allowed myself to get mad a long time ago, I would’ve discovered I had the strength to break through that asylum with my own two hands?” Kenji flinches. “Don’t you think that I think about that, all the time?” I ask him, my voice shaking. “Don’t you think it kills me to know that it was my own unwillingness to recognize myself as a human being that kept me trapped for so long? For two hundred and sixty-four days, Kenji,” I say, swallowing hard. “Two hundred and sixty-four days I was in there and the whole time, I had the power to break myself out and I didn’t, because I had no idea I could. Because I never even tried. Because I let the world teach me to hate myself. I was a coward,” I say, “who needed someone else to tell me I was worth something before I took any steps to save myself. “This isn’t about Adam or Warner,” I tell him. “This is about me and what I want. This is about me finally understanding where I want to be in ten years. Because I’m going to be alive, Kenji. I will be alive in ten years, and I’m going to be happy. I’m going to be strong. And I don’t need anyone to tell me that anymore. I am enough, and I always will be.
Tahereh Mafi
Feel that?” he asked. “You’re the first woman who’s ever made my heart beat like that. You’re the first woman I’ve ever wanted to spend all my time with, the only one who could convince me to start a new life. You’re the first woman who’s ever made me genuinely happy. Who makes me glad to be alive, who makes me burn hotter than fire. You’re the first woman who’s ever made me afraid.” I stared at him. “Afraid?” “Afraid of how good this is. Afraid it won’t last.” He pushed a lock of hair off my forehead. “Scared to death of losing you.” “Oh.” I was speechless. I swallowed hard. “You’re … You don’t have to be scared of losing me.” Something flickered in his expression that I didn’t understand, couldn’t decipher. “I don’t?” he said. “No.” I shook my head. “No.” “Good.” He pulled me closer. “Because you’re the first woman I’ve never wanted to let go.
Nina Lane (Allure (Spiral of Bliss, #2))
This is my one and only warning, Annika. You have no clue what you’re asking for. Be grateful that I have no interest in you and run the fuck away. If you let me catch you, I’ll swallow you alive.
Rina Kent (God of Pain (Legacy of Gods, #2))
I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual.
Jojo Moyes (Me Before You (Me Before You, #1))
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
Hanya Yanagihara (A Little Life)
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
Why do I know I exist if I also know I will not? Why was I given access to logical space and the mathematical structure of the world? Just to lose them when my body is destroyed? Why do I wake up in the night with the thought that I will die, why do I sit up, drenched in sweat, and scream and slap myself and try to suppress the thought that I will disappear for all eternity, that I will never be again, to the end of time? Why will the world end with me? We age: we stand quietly in line with those condemned to death. We are executed one after the other in a sinister extermination camp. We are first stripped of our beauty, youth, and hope. We are next wrapped in the penitential robe of illness, weariness, and decay. Our grandparents die, our parents are executed in front of us, and suddenly time gets short, you suddenly see your reflection in the axeblade. And only then do you realize you are living in a slaughterhouse, that generations are butchered and swallowed by the earth, that billions are pushed down the throat of hell, that no one, absolutely no one escapes. That not one person that you see coming out of the factory gates in a Mélies film is still alive. That absolutely everyone in an eighty-year-old sepia photograph is dead. That we all come into this world from a frightening abyss without our memories, that we suffer unimaginably on a speck of dust, and that we then perish, all in a nanosecond, as though we had never lived, as though we had never been.
Mircea Cărtărescu (Solenoid)
I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live. I realized I was afraid of living without him.
Jojo Moyes (Me Before You (Me Before You, #1))
I’ve experienced a lot in my life. I’ve been in bloody battles. I’ve been with friends who were killed. I’ve seen terrible things done to man and beast, but I’ve never felt afraid. “I’ve been troubled. I’ve also been uneasy and tense. I’ve been in mortal danger, but I’ve never experienced that cold-sweat kind of fear, the kind that eats a man alive, brings him to his knees, and makes him beg. In fact, I always prided myself on being above that. I thought that I’d suffered through and seen so much that nothing could scare me anymore. That nothing could bring me to that point.” He brushed a brief kiss on my neck. “I was wrong. When I found you and saw that…that thing trying to kill you, I was enraged. I destroyed it without hesitation.” “The Kappa were terrifying.” “I wasn’t afraid of the Kappa. I was afraid…that I’d lost you. I felt an unquenchable, gut-wrenching, corrosive fear. It was unbearable. The most agonizing part was realizing that I didn’t want to live anymore if you were gone and knowing there was nothing I could do about it. I would be stuck forever in this miserable existence without you.” I heard every word he said. It pierced through me, and I knew I would have felt the same way if our places had been reversed. But I told myself that his heartfelt declaration was just a reflection of the tense pressure we’d been under. The little love plant in my heart was grasping at each wispy thought, absorbing his words like sweet drops of morning dew. But I chastised my heart and shoved the tender expressions of affection elsewhere, determined to be unaffected by them. “It’s okay. I’m here. You don’t need to be afraid. I’m still around to help you break the curse,” I said, trying to keep my voice even. He squeezed my waist and whispered softly, “Breaking the curse didn’t matter to me anymore. I thought you were dying.” I swallowed and tried to be flippant. “Well, I didn’t. See? I lived to argue with you another day. Now don’t you wish it had gone the other way?” His arms stiffened and he threatened, “Don’t ever say that, Kells.” After a second of hesitation, I said, “Well, thank you. Thank you for saving me.” He pulled me close, and I allowed myself a minute, just a minute, to lie back against him and enjoy it. I had almost died after all. I deserved some kind of reward for surviving, didn’t I?
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
I thought all I had to do to get you back was kill off your so-called mother and that little girl. No, I also pondered eating you alive. I imagined drinking all your blood and swallowing you whole many times. A thousand times...no, a million times over the past few days! I couldn't even tell apart my dreams from reality. Why are you so obsessed with your piece of shit family? They abandoned you! Why must you only desire the things I can't give you, huh?! If you have any love left to go around, then don't give it to those worthless people. Give it to me! Give me everything. I want it all, even the last speck of dust lying at the bottom of your heart! Give me everything before I lose my mind! Before I really do drink your blood and eat your flesh! Before I swallow you whole!
Hajin Yoo (Totally Captivated Side Story: Totally Peeking Under the Sheets Volume 2)
when TV like the radio before it has been swallowed alive by the next big thing. My stories will still be here, the books I have written will still be here, and with them like those before me, I will live forever as long as one person reads one page of my world.
Shawn Hilton
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
There was an almost frightening breadth and depth and height to the place, alive with openness and the wild energy of breeze and trees and the crying gulls and the brilliant water. Alone, a speck of human in a place big enough to swallow me, I looked about with eyes that seemed open for the first time.
Kate Grenville (A Room Made of Leaves)
You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!
Philip Roth (American Pastoral)
They had found out. Before I could panic, I made myself stretch my fingers wide and take a calming breath. You already knew this was bound to happen. At least that’s what I told myself. The more I thought about it, the more I should have been appreciative that the people at the chapel in Las Vegas hadn’t recognized him. Or that people on the street had been oblivious and hadn’t seen us going in and out of there. Or that the receptionist at the acupuncturist hadn’t snapped a picture on her phone and posted it online. Because I might not understand all people, much less most of them, but I understood nosey folks. And nosey folks would do something like that without a second thought. Yet, I reminded myself that there was nothing to be embarrassed about. It would be fine. So, one gossip site posted about us getting married. Whoop-de-do. There was probably a thousand sites just like it. I briefly thought about Diana hearing about it, but I’d deal with that later. There was no use in getting scared now. She was the only one whose reaction I cared about. My mom and sisters’ opinions and feelings weren’t exactly registering at the top of my list now… or ever. I made myself shove them to the back of my thoughts. I was tired of being mad and upset; it affected my work. Plus, they’d made me sad and mad enough times in my life. I wasn’t going to let them ruin another day. Picking my phone up again, I quickly texted Aiden back, swallowing my nausea at the same time. Me: Who told you? Not even two minutes passed before my phone dinged with a response. Miranda: Trevor’s blowing up my phone. Eww. Trevor. Me: We knew it was going to happen eventually, right? Good luck with Trev. I’m glad he doesn’t have my number. And I was even gladder there wasn’t a home phone; otherwise, I’m positive he would have been blowing it up too. I managed to get back to looking at images on the screen for a few more minutes—a bit more distracted than usual—when the phone beeped again. It was Aiden/Miranda. I should really change his contact name. Miranda: Good luck? I’m not answering his calls. What? Me: That psycho will come visit if you don’t. Was that me being selfish? Yes. Did I care? No. Aiden: I know. Uh. Me: You’re always at practice… Aiden: Have fun. This asshole! I almost laughed, but before I could, he sent me another message. Aiden: I’ll get back to him in a couple days. Don’t worry. Snorting, I texted back. Me: I’m not worried. If he drops by, I’ll set him up in your room. Aiden: You genuinely scare me. Me: You don’t know how many times you barely made it through the day alive, for the record. He didn’t text me back after that
Mariana Zapata (The Wall of Winnipeg and Me)
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence. The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption. At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching. Eat me up, my love, or else I’m going to eat you up. Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me. Sign my death with your teeth.
Hélène Cixous
I never got to take you to the prom. You went with Henry Featherstone. And you wore a peach-colored dress.” “How could you possibly know that?” Callie asked. “Because I saw you walk in with him.” “You didn’t know I was alive in high school,” Callie scoffed. “You had algebra first period, across the hall from my trig class. You ate a sack lunch with the same three girls every day, Lou Ann, Becky and Robbie Sue. You spent your free period in the library reading Hemingway and Steinbeck. And you went straight home after school without doing any extracurricular activities, except on Thursdays. For some reason, on Thursdays you showed up at football practice. Why was that, Callie?” Callie was confused. How could Trace possibly know so much about her activities in high school? They hadn’t even met until she showed up at the University of Texas campus. “I don’t understand,” she said. “You haven’t answered my question. Why did you come to football practice on Thursdays?” “Because that was the day I did the grocery shopping, and I didn’t have to be home until later.” “Why were you there, Calllie?” Callie stared into his eyes, afraid to admit the truth. But what difference could it possibly make now? She swallowed hard and said, “I was there to see you.” He gave a sigh of satisfaction. “I hoped that was it. But I never knew for sure.” Callie’s brow furrowed. “You wanted me to notice you?” “I noticed you. Couldn’t you feel my eyes on you? Didn’t you ever sense the force of my boyish lust? I had it bad for you my senior year. I couldn’t walk past you in the hall without needing to hold my books in my lap when I saw down in the next class.” “You’re kidding, right?” Trace chuckled. “I wish I were.” “Then it wasn’t an accident, our meeting like that at UT?” “That’s the miracle of it,” Trace said. “It was entirely by accident. Fate. Kisma. Karma. Whatever you want to call it.
Joan Johnston (The Cowboy (Bitter Creek #1))
Please Call Me By My True Names Don’t say that I will depart tomorrow— even today I am still arriving. Look deeply: every second I am arriving to be a bud on a Spring branch, to be a tiny bird, with still-fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of a flower, to be a jewel hiding itself in a stone. I still arrive, in order to laugh and to cry, to fear and to hope. The rhythm of my heart is the birth and death of all that is alive. I am a mayfly metamorphosing on the surface of the river. And I am the bird that swoops down to swallow the mayfly. I am a frog swimming happily in the clear water of a pond. And I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am also the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands. And I am the man who has to pay his “debt of blood” to my people dying slowly in a forced-labor camp. My joy is like Spring, so warm it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast it fills the four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and the door of my heart could be left open, the door of compassion.
Thich Nhat Hanh
From down here, it was obvious what had happened to Nettle. A huge cluster of pitcher plants was gathered right below the hill, gaping maws ready to swallow any animal that tumbled down it. Each one looked like a long green sack, tipped with stripes of dark pink around the open mouth at the top. Sundew had a collection of much smaller pitcher plants growing outside her nest to catch flies before they buzzed in and bothered her. She really didn’t like this big kind, though; it was super creepy to look at a giant pitcher plant and wonder whether there might be a dragon corpse decomposing inside it. Or, in this case, a dragon that was still very much alive and spitting mad. “GET ME OUT! GET ME OUT OF THIS THING!” Nettle shrieked. One of the plants wobbled as she slammed herself into the side. “Whoa,” Cricket said, landing beside Sundew. “She’s … in there? Why doesn’t she just fly out?” “Meeebomorp,” Bumblebee added, wide-eyed.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive, perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to live. I realized I was afraid of living without him. How is it you have the right to destroy my life, I wanted to demand of him, but I’m not allowed a say in yours? But
Jojo Moyes (Me Before You (Me Before You, #1))
Willow Tree, You are not alone. I, too, have the soul of a willow tree. I have shallow roots, and I am brittle. Although it doesn’t matter to me if I am near water or not, water tends to lead the way in my life. I follow my tears as they reassure me that one day life will be better than it was yesterday. However, just like you, I love the sunlight, and the open space is a compliment. When I am in an open space, it makes me feel alive. However, I am used to being in confined spaces, and I am quickly swallowed up by sorrow. What once was sunlight becomes shaded, and my shadow takes over—and smothers me in despair.
Charlena E. Jackson (Pinwheels and Dandelions)
Where are you going?" "You should go down and have supper. I'll take my lodging somewhere else." "But you can't leave me alone here. You're my husband." "They've no room for me!" "Then we both go!" She walked past Erik to open door and gently pressed it shut with her palms. He didn't resist. She recognized his anger, she could see it in his scowl. Even though the mask covered his face, she knew the contours of his flesh and knew his brows were knit and heavy above his eyes. She knew because he wouldn't look at her lest his anger spill out and slam against her like the back of his hand. How fragile his control! A battle rage inside him to pacify this darkness, to keep it from swallowing them both alive.
Sadie Montgomery (Out of the Darkness: The Phantom's Journey (The Phoenix of the Opera, #2))
always has?” “What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
Tina woke to a thin beam of afternoon sun. She lay still for a moment, revisiting, reliving, trying to get comfortable with the events of the night before. The sound of rustling paper got her up and the smell assaulted her again. Lockie was eating a burger, trying for slow, but failing.He had his back to her as he perched in a corner, secretively stuffing his mouth. ‘Hey, Lockie,’ said Tina. Lockie turned, wild-eyed and fearful. He stopped mid-chew and pushed his tongue through his teeth to spit the gooey mess out. ‘Gross, kid, just swallow for fuck’s sake.’ ‘Sorry,’ he mumbled. ‘Sorry for touching, sorry for eating, sorry for being a bad boy.’ ‘You’re not being a bad boy,’ Tina said. She hated how pathetic the kid sounded. ‘The food is for you, do you understand? It’s all for you.’ Lockie stared. He was still and silent, as if waiting for what would happen next. Tina hated the idea that he was afraid of her, that he would have to be afraid of everyone he ever met from now on. ‘Say it, kid. Say, “It’s all for me.” Go on, say it.’ Lockie stared. ‘Say it, Lockie.’ ‘It’s all . . .’ He faltered. “It’s all for me.” 'Say it, I mean it.’ ‘It’s all for me.’ ‘Say it again, Lockie.’ ‘It’s all for me. All for me, all for me.’ ‘Okay, kid, you can shut up now. Get back to your breakfast. I might have a cigarette.’ ‘The food is all for me,’ said Lockie. His voice was determined. He was telling her, but mostly he was telling himself. ‘That’s right, kid, it’s all for you.’ ‘But you can share it with me,’ he said, and he gave Tina a small smile.Someone had taught Lockie all the right rules. Someone who didn’t even know if he was alive right now. ‘I bet you’ve got the best mum and dad somewhere.' Lockie nodded and chewed. ‘I bet I do.’ He didn’t talk anymore after that. The memory of his parents had obviously been put somewhere far away so thoughts of them wouldn’t hurt. He wasn’t ready to take them out again.
Nicole Trope (The Boy Under the Table)
Sam swallowed as she saw the fury in those precious blue eyes she'd never thought to see again. "I don't want to bury you, Dev. I don't. I love you and it terrifies me." Those words hit him like a vicious punch to his gut. "What did you say?" "I love you." He cupped her cheek in his hand as he stared at her in disbelief. Those were the three words he'd never expected to hear from someone he wasn't related to. "I don't want to live without you, Sam." Tears glistened in her eyes. "I haven't been alive in over five thousand years. Not until some bear made a smart-ass comment about my bad driving and followed me home." He bristled under her accusation. "You invited me." Her smile blinded him. "And I'm inviting you in again." "Are you sure?" She nodded. "I know this is fast, but--" A loud knock on the door interrupted her. "Clothes on, people, quick," Nick said from the other side of the door. "Buckle up, buttercups. We have incoming and it's about to get bloody.
Sherrilyn Kenyon (No Mercy (Dark-Hunter, #18; Were-Hunter, #5))
This was not the way Ian intended his wedding night should be, and as he removed his clothes by the light of the single candle burning across the room, he was determined that it would at least end as he intended. Elizabeth felt the bed sink beneath his weight and drew her whole body into the smallest possible space. He moved onto one side, leaning up on an elbow, and his hand touched her cheek. When he said nothing Elizabeth opened her eyes, staring straight ahead, and in her agitated state, lying naked next to a man who she knew was undoubtedly naked as well, she was amass of disjointed emotions: Wordsworth’s warnings tolled in one part of her mind while another part warned her that her own ignorance of the marital act didn’t relieve her of keeping their bargain; she felt tricked somehow, as well. Lying beside her, Ian put his hand on her arm, his thumb stroking soothingly across her arm, listening to her rapid breathing. She swallowed audibly and said, “I realize now what you expect from your part of the betrothal bargain and what rights I granted you this morning. You must think I am the most ignorant, uninformed female alive not to have known what-“ “Don’t do this, darling!” he said, and Elizabeth heard the urgency in his voice; she felt it as he bent his head and seized her lips in a hard, insistent kiss and did not stop until he drew a response from her. Only then did he speak again, and his voice was low and forceful. “This has nothing to do with rights-not the ones you granted me at our betrothal nor the ones this morning in church. Had we been wed in Scotland, we could have spoken the old vows. Do you know what words, what promises we would have spoken had we been there, not here, this morning?” His hand slid up to her cheek, cupping it as if to soften the effect of his tone, and as Elizabeth gazed at his hard, beloved face in the candlelight her shyness and fears slid away. “No,” she whispered. “I would have said to you,” he told her quietly and without shame, “’With my body, I thee worship.
Judith McNaught (Almost Heaven (Sequels, #3))
BAZILE. Slander, peculiar? You don’t know what the word means if you can dismiss it so easily! I have seen the most decent, honest men brought virtually to their knees by it. Believe me, there’s no downright lie, no tissue of horrors, no tittle-tattle so absurd that you can’t get the crass, nosy population of any city to swallow if you set about it the right way, and here in Seville we have experts! It starts as a faint whisper, skimming the ground like a swallow before the storm, pianissimo. It whirrs and scatters, and as it spreads it shoots out poisoned barbs. A mouth catches one and, piano, piano, hooks it deftly into a convenient ear. The damage is done. It breeds, creeps, multiplies and, rinforzando, it hops like some fiend from mouth to mouth. Then suddenly, don’t ask me how, you see Slander rear up, hissing, bulging, swelling as you watch. It takes flight, spreads its wings, swoops, swirls, enfolds, claws, seizes, erupts, and explodes and turns, God only knows how, into a general clamour, a public crescendo, a universal chorus of hate and condemnation. Is there a man alive who can survive it?
Pierre-Augustin Caron de Beaumarchais
I saw the Tracker—but that’s wrong, really. I saw right to where the tracking thing was. I saw those winnowing tentacles come out again, and the front figure pause, and then—it’s the only word that actually describes it—ooze on again on its via dolorosa. And at that the hind figure seemed to summon all its strength. It seemed to open out a fringe of arms or tentacles, a sort of corona of black rays spread out. It gaped with a full expansion, and even I could feel that there was a perfectly horrible attraction, or vacuum drag, being exerted. That was horrible enough, with the face of the super-suffering man now almost under me resonating my own terror. But the worst thing was that, as the tentacles unwrapped and winnowed out toward their prey, I saw they weren’t really tentacles at all. They were spreading cracks, veins, fissures, rents of darkness expanding from a void, a gap of pure blackness. There’s only one way to say it—one was seeing right through the solid world into a gap, an ultimate maelstrom. And from it was spreading out a—I can only call it so—a negative sunrise of black radiation that would deluge and obliterate everything. Of course it was still only a fissure, a vent, but one realized—This is a hole, a widening hole, that has been pierced in the dike that defends the common-sense, sensuous world. Through this vortex-hole that is rapidly opening, over this lip and brink, everything could slip, fall in, find no purchase, be swallowed up. It was like watching a crumbling cliff with survivors clinging to it being undercut and toppling into a black tide that had swallowed up its base. This negative force could drag the solidest things from their base, melt them, engulf the whole hard, visible world. And we were right on that brink. What was after us, for I knew now I was in its field, was not a thing of any passions or desires. Those are limited things, satiable things—in a way, balanced things, and so familiar, safe even, almost friendly in comparison with this. You know the grim saying, “You can give a sop to Cerberus, but not to his Master.” No, this was—that’s the technical term, I found, coined by those who have been up against this and come back alive—this was absolute Deprivation, really insatiable need, need that nothing can satisfy, absolute refusal to give, to yield. It is the second strongest thing in the universe, and, indeed, outside that. It could swallow the whole universe, and the universe would go for nothing, because in that gap the whole universe could fill not a bit of it. It would remain as empty, as gaping, as insatiable as ever, for it is the bottomless pit made by unstanchable Lack.
Gerald Heard (Dromenon: The Best Weird Stories of Gerald Heard)
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.” Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?” Elizabeth shook her head. “He wants me, he says, and he wants children.” Alex swallowed embarrassed laughter. “He what?” “He wants me, and he wants children.” A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks. “I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex. “Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?” “Yes, of course,” Elizabeth said without hesitation. “Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.” “I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly. As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room. Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
Judith McNaught (Almost Heaven (Sequels, #3))
I…I still--” “Can’t believe it?” Rafe shrugged. “I’m guessing a regular person wouldn’t have survived. But we’re part cat so maybe falls aren’t so bad. I think I lost one of my nine lives though.” He twisted to look at the stab wound. “Maybe two.” I threw my arms around his neck and kissed him, and when I did, I knew he was real--the heat of him, the smell of him, the feel of him, the taste of him so incredibly real that it surpassed anything my memory could conjure up. He wrapped his arms around me and kissed me back, and it was like every other amazing kiss he’d given me, multiplied ten-fold. I kissed him until I couldn’t breathe, and then I kissed him a little more, until I had to pull back, gasping. “I have got to die more often,” he said. And he grinned, that incredible blaze of a grin that made me kiss him again. When we finally pulled apart, he brushed his palm over my still-damp cheeks. “Your parents are okay, Maya,” he murmured. “They’ve just left. The whole town left.” “I know. That’s not…” I stepped back, out of his arms, and looked over at the fallen tree. “I came out here and I saw that, and I remembered us…You…” He looked startled and…something else I couldn’t quite put my finger on, but definitely startled, like he hadn’t ever thought I’d be crying over him. “I dreamed you were alive,” I said. “You were calling me and you needed help, and I wanted to go but…” I swallowed. “It didn’t make sense. I told myself you couldn’t be, so I didn’t, and I’m sorry if--” “You wouldn’t have found me, Maya. If I called you, it was only in my dreams, when I was out cold. I never expected you to come after me. I should be dead.” He tugged me into his arms. “I’m just really, really glad I’m not.
Kelley Armstrong (The Calling (Darkness Rising, #2))
There are things I can confess only after swallowing a bottle of ink. How i crushed a moth between my palms before it rushed to the fireplace. These hands that are used to killing things midflight. Like my mother tongue. Before I can roll out my rounded R and O. Because women like me are believed to practise witchcraft and blackmagic. We swallow men and spit out their bones. These hands that danced with your ghosts on the bluest 4 AMs. These hands that raised a knife to its throat. How deep was the longing to be nothing more than an empty bed, an empty room. If someone asks you tell them writing was the closest I came to witchcraft. Poetry was the closest I came to being possessed. I wanted to leave behind more than emptiness so I wrote. . They say it takes 7 seconds for the eyes to become accustomed to the darkness. I glide across the dark room like the light was never here. Your body imprint on the mattress lost to the frenzied waltz of sunray and dust. How easy was it to just grab a handful of you before you dissolved. If someone asks tell them loving you was the closest I came to seeing god. . On some nights I open the curtains and you are the moon. I am the darkness surrounding it. Which is to say I don't know how to love without being consumed. If they ask you tell them remembrance was the closest I came to being sick. . Once I met a homeless man who spoke in madness because he had forgotten his mother tongue. How long do you hide yourself from the world before you forget your beginning. Like him - I too am full of silence. My beloved - a handful of you, your body. There are things I could only tell the moths but they no longer visit. I have put off the fireplace. Which is to say they too don't know how to love something that won't kill them. . My phone always autocorrects I love you to I live you and what is love if not living the other person. One summer afternoon our bodies turned into each other's. Your breath played lye strings on my neck. If they ask you tell them that was the closest I came to being alive.
Ayushee Ghoshal (4 AM Conversations (with the ghosts of old lovers))
Creativity is alive And thriving in my body. The energy you bring out in me Is within me infinitely. My power is overflowing. My lips are soft and welcoming To the exhale, The new Braille, The silence that persists After our moans die away, I look at myself and say, "Root down so you can burn. Beautiful girl, it's your turn To create magic within yourself. This time, without his help. Find your roots and find your fire, Be mindful of what you desire, Persist in what you know is true, Stay focused on the endless route Toward your own potential. Allow the existential Void to swallow you whole. Take on your old role: The lone seeker. Become quieter. Become meeker. Become the beauty that you seek. Embody strength if you feel weak. Find love within the walls Of this sacred temple. Let yourself shake and tremble, But keep your eyes ever fixed On the horizon Where it's rising, No revising, Fears capsizing As you sail, sail, sail Toward the wail Of your siren spirit Beckoning you to bloom The flower in your womb, The seed of creativity, Your triumphant legacy." These words, I will carry Within me as I bury Grains of wisdom In the whispers of the wind. And when I arrive To the altar of our origin, I'll be dressed in white and black, And I'll cradle that exact Feeling left on our sheets. And you'll be on your knees, Ready to receive The wholeness of my broken mind, Pried open by The sparkle gleaming in your eyes. And your hands will be full Of supple fruit and you'll Smile at me, and I will see That you have fed your hunger. You'll ooze with courage and wonder. And then, we will know That we've already lost each other A thousand times before. And I have found you As clear water after mud settles. And you have found me As a bee deep in a flower's petals. We have danced before, Pulled art out of each other's spines. We have died and birthed and died. We've already kissed a million times. This wasn't our first five act play, And it will not be the last. So when I thirst for your hands, I will sit and chant. We will meet again. We will meet again.
Vironika Tugaleva
Dear Willow Tree, You are not alone. I, too, have the soul of a willow tree. I have shallow roots, and I am brittle. Although it doesn’t matter to me if I am near water or not, water tends to lead the way in my life. I follow my tears as they reassure me that one day life will be better than it was yesterday. However, just like you, I love the sunlight, and the open space is a compliment. When I am in an open space, it makes me feel alive. However, I am used to being in confined spaces, and I am quickly swallowed up by sorrow. What once was sunlight becomes shaded, and my shadow takes over—and smothers me in despair. Weeping willow, why does your soul cry? You are so beautiful and free. Oh, I get it; you are just like me. Looks can be deceiving. If someone sees me right now, they wouldn’t believe my story. They would call me a compulsive liar. Maybe they would think I was the kind of girl who wants pity and attention for no reason. If only they knew. We do not yearn for their pity. Maybe their help, but not their pity. What can pity do for us? Nothing. We most definitely do not want their attention. Strangely, they give us attention when we do not need or want it. They pay attention to us as they look through their car windows and roll up their window before they arrive at the stop sign or red light. Then they stare at us and wonder to themselves, how did they get here? Pathetically they judge us, thinking we did this to ourselves. Like I just said—they are quick to show pity and give us the wrong kind of attention by judging us. I know you understand where I am coming from. They do the same to you as well. They admire your beauty but fail to realize you are trying to survive. Yet they do not pay any mind that the water is nearby and your roots are shallow and brittle. Just like you, my ‘leaves’ emotions and thoughts are brittle. I notice your greenish-yellow color. I am full of wonder, and at the end of the yellowish color, it has formed a paler green color at the bottom. Are these your emotions as well? I, too, wonder a lot in my mind. You know I am a wanderer because I have been to too many places and seen a lot of things. It reminds me of the twigs that are connected to your leaves. I am connected to a lot of places and people—for both good and bad. Right here and right now, I feel your energy, and I believe we both feel safe and loved. I understand you, Ms. Willow Tree, because I, too, have the soul of a willow tree. Therefore, you are never alone, and you never will be.
Charlena E. Jackson (Pinwheels and Dandelions)
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
Emma Carroll (Letters from the Lighthouse)
What’s the point of anything?” “Sir?” She blinked, confused. Taken aback. “In a thousand years, Lieutenant, nothing you care about will matter. Not even to you—you’ll be dead. So will I, and no one alive will care. Maybe—just maybe—someone will remember our names. More likely those names will be engraved on some dusty memorial pin at the bottom of an old box no one ever opens.” Or Ekalu’s would. There was no reason anyone would make any memorials to me, after my death. “And that thousand years will come, and another and another, to the end of the universe. Think of all the griefs and tragedies, and yes, the triumphs, buried in the past, millions of years of it. Everything for the people who lived them. Nothing now.” Ekalu swallowed. “I’ll have to remember, sir, if I’m ever feeling down, that you know how to cheer me right up.” I smiled. “The point is, there is no point. Choose your own.
Ann Leckie (Ancillary Mercy (Imperial Radch, #3))
parallel to all other ages, not a chronological series of events. Indeed, one of the great marvels of God’s gracious activity toward us is that it occurs in real time without being prejudiced in favor of any particular age. Just because we are the latest does not mean we are the best. The effects of sin prevent any age—including ours—from being “golden,” at least in the spiritual sense. Every Christian generation learns equally the lessons of Revelation—that God is in control, that the powers of the world are minuscule when compared with God, that God is as likely to work through apparent weakness and failure as through strength and success, and that in the end God’s people will prevail. Revelation is the last book of the Bible. It reveals important truths about the end times. But it is also last in another important sense—it calls on all the hermeneutical courage, wisdom, and maturity one can muster in order to be understood properly. In many ways it serves as a graduation exercise for the NIV Application Commentary Series, an opportunity to fully apply the many lessons we have learned in the Bridging Contexts sections of previous volumes. God’s time is his, not ours. The story of God’s gracious activity on our behalf will be fulfilled in a great and glorious conclusion. But all Christians, everywhere and at all times, have equal access to the time. That access has been and is made possible by God’s message in the book of Revelation. Terry C. Muck Author’s Preface AS A NEW CHRISTIAN recently converted from atheism, I eagerly hurried through Paul’s letters, reaching Revelation as soon as possible. Once I reached it, however, I could hardly understand a word of it. I listened attentively to the first few “prophecy teachers” I heard, but even if they had not contradicted one another, over the years I watched as most of their detailed predictions failed to materialize. Perhaps six years after my conversion, as I began to read Revelation in Greek for the first time, the book came alive to me. Because I was now moving through the text more carefully, I noticed the transitions and the structure, and I realized it was probably addressing something much different from what I had first supposed. At the same time, I catalogued parallels I found between Revelation and biblical prophets like Daniel, Ezekiel, and Zechariah. I also began reading an apocalypse contemporary with Revelation, 4 Ezra (2 Esdras in the Apocrypha), to learn more about the way Revelation’s original, first-century audience may have heard its claims. Yet even in my first two years as a Christian, Revelation and other end-time passages proved a turning point for me. As a young Christian, I was immediately schooled in a particular, popular end-time view, which I respectfully swallowed (the
Craig S. Keener (Revelation (The NIV Application Commentary Book 20))
The old woman cocked her head on one side. 'You wouldn't let me starve.' 'Wouldn't I?' 'I could put a hex on you that you'd never undo,' the old woman raged. I could bring a cooked fish alive in your throat even as you swallow it to choke you to death. You still don't know the half of what I know, girl, and you never will. You don't have the skill or patience to master it. Haven't had to learn it to survive, not like me, and that's your trouble.
Karen Maitland (The Gallows Curse)
My arm was on fire. The flames blazed through my body, so intense and all-consuming, I feared it would stop my heart. I was scared that it already had because I was burning alive, screaming as I pressed against the floor, trying to escape the pain, get away from what was happening, but it invaded every part of me. I could feel it—him drawing my blood into him, breaking off pieces of me with each swallow. It was nothing like when Casteel had bitten me. The pain did not ease. It didn’t go away. It ratcheted up with each passing heartbeat.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The paramedic moved away, giving me a line of sight into the crowd and my gaze latched onto Darcy. I was so starved, I moved before I was even aware of making the decision, colliding with her and driving my fangs into her neck. She squealed in fright and I growled deeply as I drank the sweet nectar of her blood, shutting my eyes and enjoying every second of it. She felt connected to me by it, her spiking pulse seeming to thump within my own body and I relished the feeling of having her power in my grasp. I lost all sense of everything as I fell into the needs of my Order and the desire to devour this girl’s magic. I wanted every last drop. I needed more of her. Everything. She clawed at my arm and I enjoyed the contact, holding her firmly against my hip as my cock began to throb. I was in the middle of a crowd of students and this was the wrong fucking time to get turned on for so many reasons. But hell she tasted so good. And it was more than that, I had her in my arms again and I didn’t want to let go. She was the summer sun after the longest winter of my life and all I wanted to do was bask in her glow. Especially after I’d seen Capella touching her. This girl didn’t belong to him. I’d staked my claim and maybe that should have only been about her blood, but it was becoming clear to me that it was far more than that. I didn’t want anyone but me getting this close to her. And I’d fight any rival I had to to keep it that way. “Hey,” Tory snapped, shoving me roughly to try and force me off of her sister but I was in a frenzy and I couldn’t stop. “That’s enough!” I released a growl in warning for her to back off, but then she shoved me with fire in her palms, the power behind the blast sending me staggering backwards and freeing Blue from my hold. My head was spinning with so much power I felt drunk and my breaths came heavily as I realised how much blood I’d just taken. Far too much. There were two hand marks singed into my chest, my shirt smoking and my flesh reddened, and Tory looked ready to burn me alive if I took so much as a step closer to her sister again. “You’ve had enough!” Tory snarled and I bared my fangs at the challenge in her voice. “Maybe you want to donate to the cause then?” I snapped, but I was just trying to deflect from how much I wanted her sister, how every student close by had witnessed me go fully savage on Darcy Vega like I had no self control at all. Caleb appeared, dropping an arm around Tory’s shoulders and releasing a deep growl in the back of his throat. “You might want to rethink that statement, Professor.” I stared at them when I really wanted to be looking at Darcy, but I feared if I did, I’d lunge at her again. And I wasn’t sure I’d stop this time. Fuck. What’s wrong with me? I shook my head to try and clear it, taking a breath as I realised my magic reserves were full and I didn’t need any more blood. This craving left in me wasn’t anything to do with my power reserves. It was purely about the girl I could see glaring at me in the corner of my eye. I couldn’t believe what I’d just done. I’d taken too much blood and it was wrong. It went against the Vampire Code. I swallowed the lasting taste of her and finally glanced her way, finding so much hatred in her eyes it scolded me.(ORION POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
He didn’t admit it at first, but Jonah needed this quiet. The hubbub of defiance and anger subsided. He could no longer avoid his God, or his sin, or his guilt. It can be a frightening experience to be alone with your thoughts—perhaps even more frightening than being swallowed alive.
Steve Kruschel (Graciously Keep Me This Night: Devotions from Scripture's Darkest Hours)
The thrill of being entirely surrounded by the forest – this forest – wrapped itself around me. I could have been the only person alive. It was fabulous. The trees rustled and rasped with the wisdom of a thousand years, and it seemed as if every other creature kept silence in honour of their age and beauty. I soared through dozens of miniature spotlights, where the sun’s rays flickered through chinks in the verdant roof above my head, illuminating the insects in their dance shows, warming my skin with an ancient blessing. Nothing mattered for those two miles. My messy life unravelled like a snagged jumper behind me as I pedalled on, swallowed up by the mystery and
Beth Moran (‎ Because You Loved Me)
Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.
Angie Sijun Lou (All We Ask is You to be Happy)
Captain Kirill may be what makes me stronger, but he’s also dangerous. The type of danger that will swallow me alive if I don’t keep my cards close to my chest.
Rina Kent (Blood of My Monster (Monster Trilogy, #1))
Tell me, why did it matter to you who won? I mean, even if you’d won, you still could have released me from the bargain. You could have said I didn’t have to spend those two days with you.” “I could have,” he acknowledged. “But after…after you told me about your father, I wanted you to have his horse back. Rava should have had more respect for his memory. She shouldn’t have taken him--them--away.” Tears stung my eyes, and I swallowed several times to loosen my throat. What a stupid reaction. “Thank you,” I murmured, and I felt his hand close around mine, giving it a squeeze. I sighed contentedly, letting myself enjoy the moment. “What was your father like?” “I don’t know,” he said offhandedly. “What do you mean, you don’t know?” As usual, my typical phrasing was somewhat coarse, driven by my curiosity, and I caught myself, adopting a more considerate tone. “Did he die when you were young?” “No, he’s still alive.” I turned my head to gape at him, greatly confused. “He left you?” “No.” “Then what?” I sat up again, close to exasperation; he just looked at me, bemused, my hand still in his. “Father’s don’t raise their children in Cokyri. They aren’t trusted with such an important responsibility. I never knew mine.” This was not an answer I could have foreseen, and I shifted uneasily, trying to figure out how to proceed. “I’m sorry,” I said lamely. He was quiet at first, his eyes fixed on the darkened sky as he pondered our different experiences. “I never felt sorry about it. My mother was a good woman--she and her maidens took care of me. But like I told you before, I had to work harder than you can imagine to achieve my military rank, and only because I’m a man. I can do everything Rava can do. I always could, but no one would see it, not even her. A struggle like that makes you question things.” “So now you wish you’d known your father?” Again, he reflected. “No. I wish I’d known yours.” I looked away, once more fighting tears. I didn’t understand how he could affect me so deeply. “I’m not sure my father would have been to your liking,” I finally said, meeting his eyes. “I found him brave for his willingness to fight, even when there was no more hope. You would probably have found him weak.” He sat up and gazed earnestly at me. “There is a way to accomplish things, but it’s rarely to declare a war, private or otherwise.” “Sometimes the war is not of your making,” I retorted. “You must fight, otherwise you’re a lamb. And lambs are slaughtered, Saadi.” His brows drew together, and we stared at each other for much longer than we should have, and I knew I had rattled him. Then he shook his head. “See those lights up there? They’re called stars.” I laughed. “I can take a hint. We should go back.” We caught and saddled our mounts, then took our time returning to the city, neither of us really wanting the day to end.
Cayla Kluver (Sacrifice (Legacy, #3))
Lucien crossed the street moments before the horses reached him. He tackled Horatia, knocking her to the ground in an alley between the shops. The curricle’s wheels sliced through the snow and slush inches from his boots, soaking them with icy water. For a long moment, Lucien couldn’t move. She was alive. He’d made it. The curricle hadn’t run either of them over… Then his body seemed to realize it had a woman under it. A woman with the finest curves God had ever made to tempt a man. Her bonnet was askew, revealing long lustrous curls of deep chestnut hair. Her dark eyes, so innocent, fixed on his face in wonder. “My lord…” she murmured in a daze. Her gloved hands rested on his chest, holding him at bay. He felt the tremble of her hands all the way to his bones, and his body responded with interest. “What in blazes?” Charles rushed into the alley, gray eyes alight with fury. “Did you see who was driving that curricle?” Charles paused and took in the scene before him with a smile. “Horatia, love, how are you? Not too bruised I hope?” Charles had never in his life bothered with titles or propriety. Neither did Lucien for that matter. So it didn’t surprise Lucien that his friend treated Horatia as he did. “Oh Charles!” she exclaimed. She seemed to realize only now she was on her back in an alley just off Bond Street, with a street full of curious people peering in and Lucien on top of her. Lucien gritted his teeth. “Oh Charles!” she’d said, but Lucien was always “My lord.” It grated his nerves that she didn’t offer such intimacy to him. It was his own damned fault. He pushed her away at every opportunity, just to keep himself from tugging her into the nearest alcove and kissing her. Something about her seemed to render him into the most barbaric state possible. He had little else on his mind other than how she’d taste, how she’d moan and sigh if he could just get his hands on her. “Lucien…” Horatia stammered. His name on her lips was more erotic than a lover’s sated sigh. “What on earth just happened?” “I fear someone just tried to run me over, and you were, unfortunately, in the way,” he explained, worried by the dazed expression swallowing her dark eyes. “I say, Lucien, you might want to get off the girl, she’s turning blue,” Charles teased. “Besides, stay on top of her any longer and people are bound to talk." -Horatia, Lucien, & Charles
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
I wasn't dead. This meant something. We all take our lives for granted so often, we forget that this, right here, this moment, is worth living for. We get caught up in whatever melodrama we have created, or whatever struggle we are going through, or let whatever empty void in our soul swallow us hole. Like a wrecking ball smashing into a skyscraper, something in me broke, and from that moment on, something inside me came alive again. I was alive.
Tabatha Beshears (Konstantine)
Shut up, shut up, will you! Nobody minds that you are in pain. Pain is a human condition. You do not care that I am hungry, do you? And therefore I do not need to care whether you are in agony. Nobody is hurting you! Be quiet, be quiet! Rannig, fill his mouth with dirt, and I’m sure I do not care what diseases he contracts. He has already been in the water. He has probably swallowed millions of pestilential microbes, and they are none of them acting too quickly. Do you hear me? I say shut up, sir! By my hat—the man makes a noise to shatter teeth! Here, what are you complaining about?” Bartleby looked over and saw where Shandandzo was gripping himself. “Oh, they are only knees! You have two of them and an immune system—the body heals, if you leave it alone! You need not shout about it!” He took the headwrap from Rannig’s hand and shoved it into Shandandzo’s mouth. “There. That will quiet you for a while. Don’t you know there are men reading and having their tea? Shameful of you to carry on in this way. The captain only put your knife behind your kneecaps and made a few fractures. Hardly anything to cry about at all. A man has no business crying about kneecaps. A tendon, I grant you, might deserve a paltry yelp or two, but you are alive and you have your health otherwise— you can want nothing else. You hardly need your knees when you are always on the gad, stealing priceless artifacts from visiting dignitaries—and you are a noble besides. Nobles have money: they hardly need feelings or knees. They have men for that.” He snuffed and watched Shandandzo’s eyes roll back in his head. “Now, if you will be a very good convulsing noble, or whatever it is you are, you will be quiet and make no more fuss about your knees.” He turned back toward the teahouse, humphed to himself, and moved to go, but turning back, he said, “And if you make anymore obnoxious noises whilst I am writing my notes, I will have the boy throw you down a well.
Michelle Franklin (The Leaf Flute - A Marridon Novella)
Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
Caroline B. Cooney (The Ransom of Mercy Carter)
My son, hear thy father’s instruction, and forsake not thy mother’s teaching. 9 For they shall be a comely ornament unto thine head, and as chains for thy neck. 10 My son, if sinners do entice thee, consent thou not. 11 If they say, Come with us, we will lay wait for blood, and lie privily for the innocent without a cause: 12 We will swallow them up alive like a grave even whole, as those that go down into the pit: 13 We shall find all precious riches, and fill our houses with spoil: 14 Cast in thy lot among us: we will all have one purse: 15 My son, walk not thou in the way with them: refrain thy foot from their path. 16 For their feet run to evil, and make haste to shed blood. 17 Certainly as without cause the net is spread before the eyes of all that hath wing: 18 So they lay wait for blood and lie privily for their lives. 19 Such are the ways of everyone that is greedy of gain: he would take away the life of the owners thereof. 20 Wisdom crieth without: she uttereth her voice in the streets. 21 She calleth in the high street, among the prease in the enterings of the gates, and uttereth her words in the city, saying, 22 O ye foolish, how long will ye love foolishness? and the scornful take their pleasure in scorning, and the fools hate knowledge? 23 (Turn you at my correction: lo, I will pour out my mind unto you, and make you understand my words) 24 Because I have called, and ye refused: I have stretched out mine hand, and none would regard. 25 But ye have despised all my counsel, and would none of my correction. 26 I will also laugh at your destruction, and mock, when your fear cometh. 27 When your fear cometh like sudden desolation, and your destruction shall come like a whirlwind: when affliction and anguish shall come upon you, 28 Then shall they call upon me, but I will not answer: they shall seek me early, but they shall not find me, 29 Because they hated knowledge, and did not choose the fear of the Lord. 30 They would none of my counsel, but despised all my correction. 31 Therefore shall they eat of ye fruit of their own way, and be filled with their own devices. 32 For ease slayeth the foolish, and the prosperity of fools destroyeth them. 33 But he that obeyeth me, shall dwell safely, and be quiet from fear of evil.
Proverbs
know when I wouldn’t tell anyone I was gay and it was eating me alive, and this thing with Grant was killing me, and all I could think about was my next hit?” “Yeah.” “That sucked.” Trav’s bark of laughter echoed in the quiet room. “You think?” “But it was worth everything—rehab and crying for months and all that bullshit—if you and me can walk away from this together.” Trav groaned and swallowed him in a hug that was so tight he couldn’t breathe. That was okay. Breathing was optional.
Anonymous
Crash and burn All the stars explode tonight How'd you get so desperate? How'd you stay alive? Help me please Burn the sorrow from your eyes Oh come on, be alive again Don't lay down and die Hey hey, you know what to do Oh baby, drive away to Malibu Get well soon Please don't go any higher How are you so burned when you're barely on fire? Cry to the angels I'm gonna rescue you I'm gonna set you free tonight, baby Pour over me Hey hey, we're all watching you Oh baby, fly away to Malibu Cry to the angels That swallow you Go and part the sea, yeah, in Malibu And the sun goes down I watch you slip away And the sun goes down I walk into the waves And the sun goes down I watch you slip away And I walk And I knew, love would tear you apart Oh, and I knew the darkest secret of your heart Hey hey, I'm gonna follow you Oh baby, fly away, yeah, to Malibu Oceans of angels Oceans of stars Down by the sea is where you drown your scars I can't be near you The light just radiates I can't be near you The light just radiates
Hole
Do you know what it was like in that goddamn hellhole of a prison?” The words were torn from his throat. Caleb shook his head. “I wouldn’t presume to say I did.” “There were rats the size of house cats. Toward the end we ate them just to stay alive.” Caleb closed his eyes against an image that would never leave him. “I’m not sorry that I let you live,” he said after a brief silence. Joss glared at him in rage. “You’d put me through that hell all over again, wouldn’t you?” he demanded. “Damn you, you would!” “If it meant your life? You’re damned right I would. I’d put you through it a thousand times.” He paused and drew a deep, tremulous breath. “Joss, step into my boots for a minute. Go back to that day. Remember the screaming, and the cannon fire, and the sound of bullets whistling past your head. This time you’re the one that’s on your feet, and I’m lying on the ground with my arm gone. I ask you to shoot me—hell, I beg you to shoot me. What are you going to do?” Joss’s throat worked as he swallowed. He hesitated for a long time as a variety of emotions moved in his face. Then he said, “I’d shoot you.” “You’re a liar,” Caleb answered. The giant, the man he’d loved and admired from the first day he’d known what it meant to have a brother, glared at him. “God damn you, Caleb—” “You wouldn’t have been able to kill me, because I’m your brother. Because you taught me to ride and shoot, because the blood in your veins is the same blood that runs in mine. You would have done exactly what I did, Joss, and somewhere inside yourself you know it.” Joss shook his head as if to fling off an image. “You listen to me,” he yelled, waggling a finger in his brother’s face. “I hate you. Do you hear me? I hate your miserable Yankee guts, and I plan to go right on hating you from now until they put me in a box and throw dirt on top of me!” The
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I’m full-on grinning now, trying to hold back my laughter at her shocked expression, though I should be equally as shocked by the shit that’s coming out of my mouth. If she has one of my babies, then she’s having all of my babies. “You’re the crazy one,” she whispers, hardly blinking. “And lastly, I’m not a fan of lasagna. But you’re more than welcome to make my favorite—pulled pork sandwiches with all the fixins—and wait naked by the door, ready to suck me off the minute I get home.” I’m smiling so wide now that my cheeks ache, just imagining her tight ass and large tits all on display as she waits by the door on her knees, ready to rip my zipper down as soon as I step inside and swallow my cock whole. I’d be the luckiest man alive. “Certifiably crazy,” she whispers under her breath, then crosses her arms and stares out the window.
May Alder (Runaway Whirlwind (Big Boys of Berenson Trucking, #1))
could only set the pen to the paper and hope. Baby—I wrote, and stopped. Then swallowed hard, and started again. You are my baby, and always will be. You won’t know what that means until you have a child of your own, but I tell you now, anyway—you’ll always be as much a part of me as when you shared my body and I felt you move inside. Always. I can look at you, asleep, and think of all the nights I tucked you in, coming in the dark to listen to your breathing, lay my hand on you and feel your chest rise and fall, knowing that no matter what happens, everything is right with the world because you are alive.
Diana Gabaldon (Voyager (Outlander, #3))
Run, Briony.” He nods towards the door. “And if you make it out of this house before I get to you...I’ll leave.” Freedom from him in his own game. If you want to make it out alive, run for your life. His words. I’d have to be fast. Smart. “However,” he says, tipping his head. “If I catch you...” His eyes assess my body beneath the flimsy cotton night set. “You surrender yourself to me entirely, allowing me to show you the light.” My brows knit together at his strange proposition. The light? It doesn’t matter. I’m going to make it out. I have to. I know the perfect plan. “You’ll leave? And that’s it. You won’t return? I won’t see you in the shadows anymore? Lurking around? Watching? Waiting?” I pause, cautious, before adding, “Murdering?” “That I’ll never stop,” he answers quickly. I’d swallow if I could, but my nerves are running rampant. Studying me as I practically cave into a trembling bag of bones, he simply says, “I’ll give you a head start.
Jescie Hall (That Sik Luv)
You do. When the time comes where I can do this,”—his rough hand gently cups my chin and his throat bobs with a hard swallow—“without feeling every muscle in your jaw tense, I’ll kiss you until you’re unable to breathe. And a whole lot more, if you’ll let me.
Bailey Hannah (Alive and Wells (Wells Ranch, #1))
One way or another, I’m determined to see Hap apprenticed well. But once I do—” “Once you do, you’ll be free to take up your own life again. I’ve a feeling it will call you back to Buckkeep.” “You’ve a ‘a feeling’?” I asked him dryly. “Is this a Fool’s feeling, or a White Prophet’s feeling?” “A time or three, it did seem as if what you predicted came true. Though your predictions were always so nebulous, it seemed to me that you could make them mean anything.” He swallowed. “It was not my prophecies that were nebulous, but your understanding of them. When I arrived, I warned you that I had come back into your life because I must, not because I wanted to. Not that I didn’t want to see you again. I mean only that if I could spare you somehow from all we must do, I would.” “And what is it, exactly, that we must do?” “Exactly?” he queried with a raised eyebrow. “Exactly. And precisely,” I challenged him. “Oh, very well then. Exactly and precisely what we must do. We must save the world, you and I. Again.” He leaned back, tipping his chair onto its back legs. His pale brows shot toward his hairline as he widened his eyes at me. I lowered my brow into my hands. But he was grinning like a maniac and I could not contain my own smile. “Again? I don’t recall that we did it the first time.” “Of course we did. You’re alive aren’t you? And there is an heir to the Farseer throne. Hence, we changed the course of all time. In the rutted path of fate, you were a rock, my dear Fitz. And you have shifted the grinding wheel out of its rut and into a new track. Now, of course, we must see that it remains there. That may be the most difficult part of all.” “And what, exactly and precisely, must we do to ensure that?” I knew his words were bait for mockery, but as ever, I could not resist the question. “It’s quite simple.” He ate a bite of eggs, enjoying my suspense. “Very simple, really.” He pushed the eggs around on his plate, scooped up a bite, then set his spoon down. He looked up at me, and his smile faded. When he spoke, his voice was solemn. “I must see that you survive. Again. And you must see that the Farseer heir inherits the throne.” “And the thought of my survival makes you sad?” I demanded in perplexity. “Oh, no. Never that. The thought of what you must go through to survive fills me with foreboding.” I pushed my plate away, my appetite fled. “I still don’t understand you,” I replied irritably. “Yes you do,” he contradicted me implacably. “I suppose you say you don’t because it is easier that way, for both of us. But this time, my friend, I will lay it cold before you. Think back in the last time we were together. Were there not times when death would have been easier and less painful than life?” His words were shards of ice in my belly, but I am nothing if not stubborn. “Well. And when is that ever not true?” I demanded of him. There have been very few times in my life when I had been able to shock the Fool into silence. That was one of them. He stared at me, his strange eyes getting wider and wider. Then, a grin broke over his face. He stood so suddenly he nearly overturned his chair, and then lunged at me to seize me in a wild hug. He drew a deep breath as if something that had constricted him had suddenly sprung free. “Of course that is true,” he whispered by my ear. And then, in a shout that near deafened me, “Of course it is!” Before I could shrug free of his strangling embrace, he sprang apart from me. He cut a caper that made motley of his ordinary clothes, and then sprang lightly to my tabletop. He flung his arms wide as if he once more performed for all of King Shrewd’s court rather than an audience of one. “Death is always less painful and easier than life! You speak true. And yet we do not, day to day, choose death. Because ultimately, death is not the opposite of life, but the opposite of choice. Death is what you get when there are no choices left to make. Am I right?
Robin Hobb (Fool's Errand (Tawny Man, #1))
When I first saw you, I was certain you were monstrous. Your people are so different from my own kind. With your two tails and your strange, white eyes, there was nothing I thought I could find tempting about you. But then, every day that you have been with me, I have found something new to admire.” He swallowed and froze when she stroked her hand down his arm. He stopped moving forward, keeping her hovering where it was warm enough for her. And here he was, boiling alive. “The graceful sway of your hips. The way your eyelids widen and then droop halfway closed when I do something you like. I wish to touch all of you. To find every part of your body that makes you gasp or hiss. I want to know the sounds that come out of your mouth when I pleasure you. When you realize that the ocean itself would guide me into you, and set a pace that neither of us could deny. My people believe that lovemaking is the purpose of the sea.
Emma Hamm (Whispers of the Deep (Deep Waters, #1))
The night before I learned who he really was, I had already decided that I could no longer be the Maiden. It wasn’t just because of him. Maybe how I felt about him was the start of me realizing that I could never live in the skin of the Maiden, but I wanted to stay with him,” I admitted, my voice hoarse and barely above a whisper. “Even though I thought he was a Royal Guard and would have to basically go into hiding with me, I wanted to be with him—to stay with him somehow. Because he made me feel…. He made me feel like I was alive.” I swallowed hard. “I did care for him. I cared for him a lot.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The first step to reconnect with your body is to breathe into its lungs. This one is still a tough pill for me to swallow, but people who get in the habit of breathing regularly report great things. Since it only takes a few minutes without oxygen to straight-up die, it seems reasonable that even a small increase in the amount of air you consumer might make you feel vaguely less dead. Now don't be a hero and try for the long, deep breath. Experiencing that "good God, I'm alive" feeling so suddenly might cause you to recoil like a vampire from the light. At first just try a wee puff, as from a questionable doobie.
Jacqueline Novak (How to Weep in Public: Feeble Offerings on Depression from One Who Knows)
Self Portrait: The camera snaps. Spits me out ugly. So I set out to paint the self within myself. It takes twelve tubes, blended to a living tint, Before I believe me. I name the mixture Color P. The hair—curious, unlikely—is my favorite, The same fluff of bangs tickling my niece’s face. And my eyebrows are wide as hills. They swallow everything. They are a feat. They do not impress me as likely to age. They are brimming with wisdom. Neither slavish nor stern. Not magnificent, but not the kind made to crumple in shame. Not prudish. Unwilling to arch and beckon like a whore’s. They skitter away from certainties like alive or dead. My self-portrait hangs on the narrow wall, And I kneel before it every day. You didn’t come to live with me.
Yi Lei (My Name Will Grow Wide Like a Tree: Selected Poems)
But my parents who died in the fire, they...they were part of a noble family in England. The family has always owned the Rockford Manor in Oxfordshire, which is a mansion that includes acres of land, plus a local village where people live and farm---" "Wait, noble? Do you mean like royalty?" Zoey interrupts, her eyes wide. "No, no. But in England there's a system called the peerage---dukes and duchesses, earls and countesses---and they're ranked just below royalty. My dad was the younger son of the Duke of Wickersham, which made him a lord and my mom a lady." Carole and Keith sit frozen, listening to me with a look of dread in their eyes. "So what does that make you?" Zoey asks breathlessly. "Well, when my parents were alive, it meant that I was treated a certain way just because I was part of this family of dukes and duchesses. But then after the fire, the line of succession changed---everything changed. My first cousin, Lucia, became next in line to inherit Rockford Manor and the title. So she would have been the Duchess of Wickersham." I swallow hard. "But she died in an accident last year---which I didn't even know about until today." My hands shake as I speak, and I can't look at Keith and Carole, unable to grasp how they could have kept this from me. "That's awful! But what does it mean for you?" Zoey presses. "Her death left me next in line after my grandfather. And he passed away last month---which I was also unaware of." This time I'm able to look at Carole and Keith, shooting them a withering glare. Zoey's mouth hangs open. "That means you're...you're a...?" "Yeah. You're looking at the new Duchess of Wickersham and owner of Rockford Manor.
Alexandra Monir (Suspicion)
I saw you through your dreams- and I hoarded the images, sorting through them over and over again, trying to place where you you were, who you were. But you had such horrible nightmares, and the creatures belonged to all courts. I'd wake up with your scent in my nose, and it would haunt me all day, every step. But then one night, you dreamed of standing amongst green hills, seeing unlit bonfires for Calanmai.' There was such silence in my head. 'I knew there was only one celebration that large; I knew those hills- and I knew you'd probably be there. So I told Amarantha...' Rhys swallowed. 'I told her that I wanted to go to the Spring Court for the celebration, to spy on Tamlin and see if anyone showed up wishing to conspire with him. We were so close to the deadline for the curse that she was paranoid- restless. She told me to bring back traitors. I promised her I would.' His eyes lifted to mine again. 'I got there, and I could smell you. So I tracked that scent, and... And there you were. Human- utterly human, and being dragged away by those piece-of-shit picts, who wanted to...' He shook his head. 'I debated slaughtering them then and there, but then they shoved you, and I just... moved. I started speaking without knowing what I was saying, only that you were there, and I was touching you, and...' He loosed a shuddering breath. There you are. I've been looking for you. His first words to me- not a lie at all, not a threat to keep those faeries away. Thank you for finding her for me. I had the vague feeling of the world slipping out from under my feet like sand washing away from the shore. 'You looked at me,' Rhys said, 'and I knew you had no idea who I was. That I might have seen your dreams, but you hadn't seen mine. And you were just... human. You were so young, and breakable, and had no interest in me whatsoever, and I knew that if I stayed too long, someone would see and report back, and she'd find you. So I started walking away, thinking you'd be glad to get rid of me. But then you called after me, like you couldn't let go of me just yet, whether you knew it or not. And I knew... I knew we were on dangerous ground, somehow. I knew that I could never speak to you, or see you, or think of you again. 'I didn't want to know why you were in Prythian; I didn't even want to know your name. Because seeing you in my dreams had been one thing, but in person... Right then, deep down, I think I knew what you were. And I didn't let myself admit it, because it there was the slightest chance that you were my mate... They would have done such unspeakable things to you, Feyre. 'So I let you walk away. I told myself after you were gone that maybe... maybe the Cauldron had been kind, and not cruel, for letting me see you. Just once. A gift for what I was enduring. And when you were gone, I found those three picts. I broke into their minds, reshaping their lives, their histories, and dragged them before Amarantha. I made them confess to conspiring to find other rebels that night. I made them lie and claim that they hated her. I watched her carve them up while they were still alive, protesting their innocence. I enjoyed it- because I knew what they had wanted to do to you. And knew that it would have paled in comparison to what Amarantha would have done if she'd found you.' I wrapped a hand around my throat. I had my reasons to be out there, he'd once said to me Under the Mountain. Do not think, Feyre, that it did not cost me.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Rhys took in the painting I'd done, gobbling down the bright colours that now made the cottage come alive, and said, 'You painted us.' 'I hope you don't mind.' He studied the threshold to the bedroom hallway. 'Azriel, Mor, Amren, and Cassian,' he said, marking the eyes I'd painted. 'You do know that one of them is going to paint a moustache under the eyes of whoever pisses them off that day.' I clamped my lips to keep the smile in. 'Oh, Mor already promised to do that.' 'And what about my eyes?' I swallowed. All right, then. No dancing around it. My heart was pounding so wildly I knew he could hear it. 'I was afraid to paint them.' Rhys faced me fully. 'Why?' No more games, no more banter. 'At first, because I was so mad at you for not telling me. Then because I was worried I'd like them too much and find that you... didn't feel the same. Then because I was scared that if I painted them, I'd start wishing you were here so much that I'd just stare at them all day. And it seemed like a pathetic way to spend my time.' A twitch of his lips. 'Indeed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I was alive. And for once, the water didn't seem like an enemy. It seemed like a friend, swallowing my tears and cleansing me of the past." - Ava Chen
Ana Huang (Twisted Love (Twisted, #1))
To a Joplin-playing poetry-writing child of volume elevens, silent worship might imply rebellion. Quite the opposite. Unvoiced contemplation was a skill learned at five, when mom led me out back and whispered god’s name in Spanish, far from dad’s ears. The quiet made me come alive. Zipping my lips meant swallowing my contradictions and confusions, guarding the flavor for only myself.
Quiara Alegría Hudes (My Broken Language)
Please- please take care of her.' Alis. From right by my ear, the other replied, 'Consider yourself very, very lucky that your High Lord was not here when we arrived. Your guards will have one hell of a headache when they wake up, but they're alive. Be grateful.' Mor. Mor held me- carried me. The darkness guttered long enough that I could draw breath, that I could see the garden door she walked toward. I opened my mouth, but she peered down at me and said, 'Did you think his shield would keep us from you? Rhys shattered it with half a thought.' But I didn't spy Rhys anywhere- not as the darkness swirled back in. I clung to her, trying to breathe, to think. 'You're free,' Mor said tightly. 'You're free.' Not safe. Not protected. Free. She carried me beyond the garden, into the fields, up a hill, down it, and into- into a cave- I must have started bucking and thrashing in her arms, because she said, 'You're out; you're free,' again and again and again as true darkness swallowed us. Half a heartbeat later, she emerged into sunlight- bright, strawberry-and grass-scented sunlight. I had a thought that this might be Summer, then- Then a low, vicious growl split the air between us, cleaving even my darkness. 'I did everything by the book,' Mor said to the owner of that growl. I was passed from her arms to someone else's, and I struggled to breathe, fought for any trickle of air down my lungs. Until Rhysand said, 'Then we're done here.' Wind tore at me, along with ancient darkness. But a sweeter, softer shade of night caressed me, stroking my nerves, my lungs, until I could at last get air inside, until it seduced me into sleep.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Please- please take care of her.' Alis. From right by my ear, the other replied, 'Consider yourself very, very lucky that your High Lord was not here when we arrived. Your guards will have one hell of a headache when they wake up, but they're alive. Be grateful.' Mor. More held me- carried me. The darkness guttered long enough that I could draw breath, that I could see the garden door she walked toward. I opened my mouth, but she peered down at me and said, 'Did you think his shield would keep us from you? Rhys shattered it with half a thought.' But I didn't spy Rhys anywhere- not as the darkness swirled back in. I clung to her, trying to breathe, to think. 'You're free,' Mor said tightly. 'You're free.' Not safe. Not protected. Free. She carried me beyond the garden, into the fields, up a hill, down it, and into- into a cave- I must have started bucking and thrashing in her arms, because she said, 'You're out; you're free,' again and again and again as true darkness swallowed us. Half a heartbeat later, she emerged into sunlight- bright, strawberry-and grass-scented sunlight. I had a thought that this might be Summer, then- Then a low, vicious growl split the air between us, cleaving even my darkness. 'I did everything by the book,' Mor said to the owner of that growl. I was passed from her arms to someone else's, and I struggled to breathe, fought for any trickle of air down my lungs. Until Rhysand said, 'Then we're done here.' Wind tore at me, along with ancient darkness. But a sweeter, softer shade of night caressed me, stroking my nerves, my lungs, until I could at last get air inside, until it seduced me into sleep.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Death comes for us all in the end, and we kind of just have to accept that in order to cope through life until we ultimately kick the bucket ourselves. Not like denying the human condition will keep the reaper at bay, after all. Then once you're gone, any traces of you ever having been alive will slowly fade away and be swallowed by the sands of time. With very, very few exceptions, every single person alive today will be long forgotten even just 200 years from now. That's what my grandfather's death made me realize.
Mei Hachimoku (The Tunnel to Summer, the Exit of Goodbyes)
Is that where we’re going to be housed?” I point at a giant, sleek, shiny dome in the distance. A stack of high-tech metal known as translucite, steel, and aluminum bubbles, sparkling in the harsh sun, stretches into the sky for miles. As each new resident enters, it looks like they’re being swallowed alive. “It’s better than where we were headed,” he says, his mouth tight. “You got caught. You should’ve let me do the stealing. I was good at it and you know it.” “I wanted to help. Your limp was getting worse.” My chin starts to tremble. “You mean my war-wound? The one inflicted by Meta bastards?” Cold rage burns in his hazel eyes. One eyebrow lifts on his handsome face. “And how did that work out, huh? You got caught,” he says again. “I tried to protect you and was charged with being your accomplice.” He spits the last word with a sneer.
Calinda B. (Night Whispers (The Complex))
Don’t you think that I think about that, all the time?” I ask him, my voice shaking. “Don’t you think it kills me to know that it was my own unwillingness to recognize myself as a human being that kept me trapped for so long? For two hundred and sixty-four days, Kenji,” I say, swallowing hard. “Two hundred and sixty-four days I was in there and the whole time, I had the power to break myself out and I didn’t, because I had no idea I could. Because I never even tried. Because I let the world teach me to hate myself. I was a coward,” I say, “who needed someone else to tell me I was worth something before I took any steps to save myself. “This isn’t about Adam or Warner,” I tell him. “This is about me and what I want. This is about me finally understanding where I want to be in ten years. Because I’m going to be alive, Kenji. I will be alive in ten years, and I’m going to be happy. I’m going to be strong. And I don’t need anyone to tell me that anymore. I am enough, and I always will be.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I took a step inside and fumbled for the light switch. It was so black-like the black water… Where was that switch? Just like the black water, with the orange flame flickering impossibly on top of it. The flame that couldn't be a fire, but what then…? My fingers traced the wall, still searching, still shaking- suddenly, something Marcel had told me this afternoon echoed in my head, finally sinking in… She took off into the water, he'd said. The bloodsuckers have the advantage there. That's why I raced home -I was afraid she was going to double back swimming. My hand froze in its searching, my whole body froze into place, as I realized why I recognized the strange orange color of the water. Maggie's hair, blowing wild in the wind, the color of fire… She'd been right there. Right there in the harbor with me and Marcel. If Sam hadn't been there if it had been just the two of us…? I couldn't breathe or move. The light flicked on, though my frozen hand had still not found the switch. I blinked at the sudden light and saw that someone was there, waiting for me. VISITOR UNNATURALLY STILL AND WHITE, WITH LARGE BLACK EYES intent on my face, my visitor waited perfectly motionless in the center of the halt, beautiful beyond imagining. My knees trembled for a second, and I nearly fell. Then I hurled myself at her. ‘Olivia, oh, Olivia!’ I cried as I slammed into her. I'd forgotten how hard she was; it was like running headlong into a wall of cement. ‘Bell?’ There was a strange mingling of relief and confusion in her voice. I locked my arms around her, gasping to inhale as much of the scent of her skin as possible. It wasn't like anything else-not floral or spice, citrus, and musk. No perfume in the world could compare. My memory hadn't done it justice. I didn't notice when the gasping turned into something else-I only realized I was sobbing when Olivia dragged me to the living room couch and pulled me into her lap. It was like curling up into a cool stone, but a stone that was contoured comfortingly to the shape of my body. She rubbed my back in a gentle rhythm, waiting for me to get control of myself. ‘I'm… sorry,’ I blubbered. ‘I'm just… so happy… to see you!’ ‘It's okay, Bell. Everything's okay.’ ‘Yes,’ I bawled. And, for once, it seemed that way. Olivia sighed. ‘I'd forgotten how exuberant you are,’ she said, and her tone was disapproving. I looked up at her through my streaming eyes. Olivia's neck was tight, straining away from me, her lips pressed together firmly. Her eyes were black as pitch. ‘Oh,’ I puffed, as I realized the problem. She was thirsty. And I smelled appetizing. It had been a while since I'd had to think about that. ‘Sorry.’ ‘It's my fault. It's been too long since I hunted. I shouldn't let myself get so thirsty. But I was in a hurry today.’ The look she directed at me then was a glare. ‘Speaking of which, would you like to explain to me how you're alive?’ That brought me up short and stopped the sobs. I realized what must have happened immediately, and why Olivia was here. I swallowed loudly, ‘you saw me fall.’ ‘No,’ she disagreed, her eyes narrowing. ‘I saw you jump.’ I pursed my lips as I tried to think of an explanation that wouldn't sound nuts.
Marcel Ray Duriez
I like trees with lots of branches…and the sky…watching the colours change when the sun goes down…or comes up… It makes me feel good, like I’m really, really alive…and connected with everything…and there are no other moments but the one I’m swallowed inside.
Suki Fleet (Sometimes There's Stars)
For long seconds, neither of them moved. The only sound in the forest was the wind luffing through the trees, their labored breathing, and the soft thud of their heartbeats. Then Call muttered something beneath his breath. Gathering his long limbs, he lifted himself away from her and regained his feet. His shaft was still hard, big and thick and jutting forward through his open fly as if they hadn’t just made wildly passionate love. Call rid himself of the condom, zipped his faded jeans, and turned to find her groping for her sweater, pulling it on to cover her naked breasts. Swearing, he reached down and snatched up her jeans and pink satin panties, which were tangled together and refused to come apart. “Here.” She blushed as he unwound the fabric, handing her first the panties, then the jeans, which she hurriedly pulled on. She didn’t look at him. Her cheeks were hot and her lacy pink bra still lay embarrassingly on the ground. She snatched it up and stuffed it into the pocket of her jeans. Charity swallowed, made herself turn and face him, tried to muster some sort of smile. “I…um…I don’t suppose we can blame this on your relief at finding me alive and safe.” He shook his head, his eyes still fixed on her face. “I don’t think so.” “Just lust then, I suppose.” He shrugged those wide shoulders and she wished he would put his shirt back on so she didn’t have to remember all that smooth muscle moving beneath her hands. “So it’s just a one-night stand.” His head came up. Eyes as blue as the sky bored into her. “In case you haven’t noticed, the sun is still up.” “The sun is always up in this place. What does that have to do with anything?” He pulled on his shirt and she suddenly wished he were bare-chested again. “It has to do with the fact that the night hasn’t even begun.” Her eyebrows shot up. “You’re not…you’re not saying what I think you are.” “I’m saying exactly what you think I am. If you believe what just happened is anything besides a warm-up, sugar, you had better think again. If I wasn’t worried that Maude might sent the Mounties up here to find us if we don’t get back soon, we’d start over again right here.” “B-but you said…we both said--” “I know exactly what we said. It’s a little late to be worrying about that now.” He looked at her and his deep voice softened. “Besides, I never really believed one night with you would be enough.” Relief trickled through her. Whatever was happening between them, it wasn’t over yet. She gave him a reluctant smile. “I never believed it either.” “Come on.” Call reached out and caught her hand. “It’s Friday. We’ve got the whole weekend ahead of us. Maybe by Monday, we’ll have had enough of each other.” “Maybe,” she said. But Charity didn’t really believe it and from the burning glance Call gave her, she didn’t think he did either.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
Hey,” Andi says as we pass the Alilaguna stop on our way back to Piazza San Marco. “I just figured out what ‘Alilaguna’ means: ‘Wings of the Lagoon.’ I love that! Doesn’t it sound like a romance novel?” “Totally!” Paige agrees enthusiastically. “Wings of the Lagoon!” Andi continues. “A beautiful American girl comes to Venice in the nineteenth century and gets swept away by a handsome gondolier…” “Only her rich and powerful parents are way too snobby to allow them to date…,” Kendra chimes in. “So they run away together in the gondola,” Andi says, “but get caught up in a terrible storm…” “And her parents think they’re dead…,” Kendra adds. “So they send out a search party and find them floating in the gondola, arms wrapped around each other,” Kelly suggests. “Still alive, but barely…” “And the parents forgive her and say they can be together…,” Andi says. “And then it turns out he’s the son of a Venetian duke who was going to have an arranged marriage, but he ran away to be a gondolier ’cause he wanted to find a girl who loved him for himself…” Kelly’s voice is getting stronger and more confident. “And they both live happily ever after!” Paige carols happily. “I love this story!” She, Kelly, Andi, and Kendra exchange high fives. “It’s nice when a story has a happy ending,” Luca says softly in my ear. I hadn’t realized he was so close to me. “In real life, it’s not so easy…” I swallow hard at the sound of his voice, at his words. All I can do is shake my head vehemently. No. It’s not so easy. You come to Italy and meet the son of a Florentine prince and you don’t live happily ever after. Not at all.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Dane?” Shea asked, surprise in her voice.   The man paused then reached up and removed his goggles. The move made him seem even more unfamiliar, forcing his hair to stick straight up in tuffs. He peered closer at them, his face equally surprised.   “Shea! You’re alive.” He sounded excited and happy.   “Not just her,” Witt said, relaxing his stance but not yet putting his sword away.   “Witt, my friend!” Dane started to bound down the stairs but was brought up short by the rope around his waist. He turned and snapped, “Do you mind? I’m trying to greet people I thought were dead!”   “Keep your pants on,” an irate female voice growled back. “This isn’t the place for such things. You can do your happy dance when we get out.”   Shea arched an eyebrow at the second voice and bit back a grin as Dane turned back to them and let out a heavy sigh.   “Guess the reunion will have to wait. Grumpy britches back there will have a cow if we don’t get a move on.” Dane turned to walk up the stairs. “Follow us. They tell me the path has moved a bit since the last time you’ve been through, Shea.”   With that, the mist swallowed him again, though his voice echoed back to them as he argued with his companion.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
We have no choice, my love. Mikhail was as gentle as he knew how to be. We must go to ground. Raven closed her eyes, panic welled up. Mikhail, I love you. Her words were wrapped in sorrow, in acceptance. Not of the sanctuary of the earth, but of inevitable death. She wanted to do anything he needed, but this was the one thing beyond her capabilities. The earth could not swallow her alive. Mikhail could not waste time on arguments. Feed my command with your remaining strength. Let it flow from you into me, or I will be unable to open the earth. Raven would do anything to save him. If that meant giving him her last ounce of strength, so be it. Without reservation, with complete love and generosity, Raven fed his command. Beside him, the very earth opened, parted, as if a large cube had been neatly removed from the earth. The grave lay open, fresh and cool, its healing soil beckoning Mikhail, its damp darkness sending horror and sheer terror spiraling through Raven. She tried valiantly to keep her mind calm. You go first. She knew she could not follow him. She also knew it was imperative that he believe she would, otherwise there was no way to save Mikhail. In the space of a heartbeat Mikhail rolled, with Raven locked in his arms, taking both of them over the edge into the waiting arms of the earth. He felt her silent scream echoing in his own mind. He steeled his heart against the violent fear in her and with his last ounce of strength concentrated on closing the earth over them. Being a shadow in her mind made it easy to read her intentions. She would never have gone with him.
Christine Feehan (Dark Prince (Dark, #1))
Go away! All of you! Just get the hell away from me!” I turned on my heel, the sodden folds of my nightgown clinging to my legs like wet spider webs. “Regina! Don’t be an idiot!” Konner growled, his boots and cane raggedly thumping behind me. I walked faster, lengthening my stride no matter how much my thighs screamed in protest, until a hand latched on my shoulder. “No! You don’t get to say anything!” Using my finger like a sword, I jabbed my finger in the center of his chest. Freya’s jaws snapping closed with a loud pop, barely missing my fingertip by seconds as her long neck stretched out towards my hand. “You could have avoided all this by seeing it! You have that magic, if you wouldn’t be so stupid and use it!” The seeping rain slowed, turning into a fine shower of mist straight from the heavens above, and it dripped off the tightly carved lines of his face pulled sharp with tension. He was silent, still as stone, with nothing but the slight heave of his shoulders even proof that he was alive. His eyes dropped from my face, the uneven shadow of blonde hair hiding them from my sight. Part of his neck bobbed with the effort of a heavy swallow, like he had something stuck, and the tentative flicker of something else across face made me take a step back. A flash of anger, chilled by fear, a few tiny cracks started to appear in his stoic mask. Ones that I’m not sure why, but they made a strange ache start to stab deep in my heart. “Do you love him?” So soft that it was nearly lost in the rolling thunder, I would have missed it if I hadn’t seen his lips move. “Yes. No! I don’t know!” I shook my head in disbelief. I didn’t love Ivo, not like that. But I couldn’t lose him either. “He’s my friend! My best friend! Why does it matter?” “I see. It matters more than you know.” Konner drawled slowly, the thick muscles of his shoulders rolling in a shrug that sent rivers of rainwater coursing down his chest. Mixing with the streaks of bloody red and ash grey in a ghoulish highlight to his muscles, the water slowly pooled in the ruined fabric of his shirt, further pulling it down his shoulders. He led out a heavy sigh, then suddenly straightened to the full length of his imposing height. Shoulders back and spine stiff. Then he straightened, drawing himself up to his full imposing height, and clasped his right arm across his chest. With his clenched fist resting right over his heart, he slowly lowered himself down to one knee at my feet, bowing his head over until it nearly touched my thighs. “Then I’ll get him back for you. I swear it on my life!
Clair Gardenwell (Foxgloves Are For Deception (Stand With Me #1))
Maybe if I can allow Death to eat with me, in the dirt, sharing my beans and bread with soil-dampened fingers, if I can allow her into my garden, to sit with me squarely and matter-of-factly on a blue bench, if I can climb into her dark womb and allow her to contract me out into the bracing air of life— Maybe then I will be brave enough to stay sane, and by sane, I mean alive, and by alive, I mean in procreative communion with Death.
Sondra Charbadze (The Sea Once Swallowed Me: A Memoir of Love, Solitude, and the Limits of Language)
Why do you like him so much?” Lada asked, the wonder of the night above her stealing the sting from her question. Mehmed was quiet for a long time before answering. “That day you found me in the garden? Molla Gurani is the tutor who struck me.” “You should have had him killed,” Lada said. Mehmed laughed softly. “It sounds odd, but I am glad he hit me. Before him, no one, no tutor, no nurse ever stood up to me. They let me rage and rant, allowed me to be a terror. The more I pushed, the more they looked the other way. My father never saw me, my mother could not be bothered to take so much as a meal with me. No one cared who I was or what I became.” Lada tried to shift away from the thing poking into her heart and making her so uncomfortable, but there were no rocks beneath her. “And then Molla Gurani came. That first day, when he hit me, I could not believe it. I wanted to kill him. But what he said the next day changed me forever. He told me I was born for greatness, placed in this world by the hand of God, and he would never let me forget or abandon that trust.” Mehmed shrugged, his shoulder pressing against Lada’s. “Molla Gurani cared who I was and who I would become. I have tried ever since to live up to that.” Lada swallowed hard against the painful lump that had built in her throat. She could not blame Mehmed for latching on to a man who saw him, who demanded more of him and helped him attain it. It was a lonely, cold thing to live without expectations. She unwrapped her hand from where it clutched the pouch at her heart and cleared her throat. “He is still the most boring man alive.” Mehmed laughed, while Radu remained far away and silent.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
You make me feel alive.” In the low light, James’s eyes shine like gems. His Adam’s apple bobs when he swallows. Wrapped tightly around me, his arms shake. So does his voice when he says, “Same.
J.T. Geissinger (Perfect Strangers)
And late late late when he thought they had gone—or he had gone— to sleep maybe, to a place inside his head where they couldn’t reach him, in the dark, he opened his eyes, and next to him sat Anthony. Alexander shut his eyes, not wanting Anthony to see all the things he was carrying, and Anthony leaned deeply in and lowered his forehead onto Alexander’s bandaged chest. “Dad,” he whispered, “I swear to God, you have to stop it. You’ve been doing this for weeks now, turning away every time you look at me. Please. Stop. I’m hurt enough. Think of yourself, remember your-self—did you want my mother to turn her face from you when you came back from war? Please. I don’t give a fuck about the arm. I don’t. I’m not like Nick Moore. I’m like Mom. I’ll adjust, little by little. I’m just glad to be alive, to be back. I thought my life was over. I didn’t think I would ever come back, Dad,” said Anthony, raising his head. “What are you so upset about? It wasn’t even my good arm.” He smiled lightly. “I never liked it. Couldn’t pitch ball with it, couldn’t write with it. Certainly, unlike you, couldn’t shoot fucking Dudley with it. Now come on. Please.” “Yes,” whispered Alexander. “But you’ll never play guitar again.” And other things you will never do. Play basketball. Pitch. Hold your newborn baby in your palms. Anthony swallowed. “Or go to war again.” He broke off. “I know. I have some adjusting to do. It is what it is. Mom says this, and you should listen to her. She says I got away with my life, and I’m going to do just fine. All we want is for you to be all right,” Anthony said. “That’s all any of us ever wanted.” “Antman,” said Alexander, his hand on his son’s lowered head, his wounded chest drawn and quartered, “you’re a good kid.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))