“
This great handsomeness I took into myself later when he desired me, but I took it as one breathes air, or swallows a snowflake, or yields to the sun.
”
”
Anaïs Nin (Henry & June)
“
Beauty, the world seemed to say. And as if to prove it (scientifically) wherever he looked at the houses, at the railings, at the antelopes stretching over the palings, beauty sprang instantly. To watch a leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now again some chime (it might be a motor horn) tinkling divinely on the grass stalks—all of this, calm and reasonable as it was, made out of ordinary things as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.
”
”
Virginia Woolf (Mrs. Dalloway)
“
I touch her cheek to slow the kiss down, holding her mouth on mine so I can feel every place where our lips touch and every place where they pull away. I savor the air we share in the second afterwards and the slip of her nose across mine. I think of something to say, but it is too intimate, so I swallow it. A moment later I decide I don't care.
"I wish we were alone," I say as I back out of the cell.
She smiles. "I almost always wish that.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
My uncle ordered popovers
from the restaurant's bill of fare.
And, when they were served,
he regarded them with a penetrating stare.
Then he spoke great words of wisdom
as he sat there on that chair:
"To eat these things," said my uncle,
"You must exercise great care.
You may swallow down what's solid,
but you must spit out the air!"
And as you partake of the world's bill of fare,
that's darned good advice to follow.
Do a lot of spitting out the hot air.
And be careful what you swallow.
”
”
Dr. Seuss
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
But —” she said, her voice swallowed by the hot air in the hushed room. “But I burnded it.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I saw him open his mouth wide. . . as though he had wanted to swallow all the air, all the earth, all the men before him.
”
”
Joseph Conrad (Heart of Darkness)
“
Don’t dismiss the elements. Water soothes and heals. Air refreshes and revives. Earth grounds and holds. Fire is a burning reminder of our own will and creative power. Swallow their spells. There’s a certain sweet comfort in knowing that you belong to them all.
”
”
Victoria Erickson
“
Ezra.’ The dawn of hope in her whisper.
He nods, swallowing hard.
She pushes to her feet, swaying, and the movement seems to release him— the next moment he’s running across the shuttle bay, watched by the debrief crew in the doorway, who know better than to move a muscle.
She steps forward, one foot in front of the other, and then he reaches her, and they come together with a crash. Her arms curl up around his neck, and his mouth finds her like he’s drowning and she’s air and her feet come clean off the ground as the world is forgotten. And they’re together.
”
”
Amie Kaufman (Illuminae (The Illuminae Files, #1))
“
were the cribbers, Danny decided, those who took hold of some part of their stall while inhaling and swallowing deep drafts of air with a grunting sound.
”
”
Walter Farley (Man O'War (Black Stallion Book 16))
“
He watched Attolia out of the corner of his eye. She was still cool, like a breath of winter in the warm evening air, but in the last few days he had begun to sense a subtle humor in her chilly words. When Gen had complained earlier that evening that Petrus, the palace physician, should stop fussing over him like a worried old woman, Attolia had asked, archly,"And me as well?"
"When you stop fussing," Gen had said, slipping to his knees beside her couch, "I will sleep with two knives under my pillow."
Attolia had looked down at him and said sharply, "Don't be ridiculous."
Only when Eugenides laughed had Sounis realized her implication: If she ever turned against Eugenides, a second knife wouldn't save him. He almost swallowed the olive in his mouth unchewed.
”
”
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
“
He came to this country like a torch on fire and he swallowed air as he walked forward and he gave out light
”
”
Michael Ondaatje (In the Skin of a Lion (Vintage International))
“
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence.
The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption.
At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching.
Eat me up, my love, or else I’m going to eat you up.
Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me.
Sign my death with your teeth
”
”
Hélène Cixous (Stigmata: Escaping Texts)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
”
”
André Breton (Poems of André Breton: A Bilingual Anthology)
“
In the years that followed, Tsula would find that she could not recall that walk to the edge or the thrust of her legs into the air. Her clearest memory more than twenty years later is of the long, breathless wait as she fell, seemingly forever, and the water swallowing her at last. When she burst from its surface, unhurt, her mind noisy and electric, she grabbed for Jamie and kissed him hard.
”
”
C. Matthew Smith (Twentymile)
“
Years passed. The trees in our yard grew taller. I watched my family and my friends and neighbors, the teachers whom I'd had or imaged having, the high school I had dreamed about. As I sat in the gazebo I would pretend instead that I was sitting on the topmost branch of the maple under which my brother had swallowed a stick and still played hide-and-seek with Nate, or I would perch on the railing of a stairwell in New York and wait for Ruth to pass near. I would study with Ray. Drive the Pacific Coast Highway on a warm afternoon of salty air with my mother. But I would end each day with my father in his den.
I would lay these photographs down in my mind, those gathered from my constant watching, and I could trace how one thing- my death- connected these images to a single source. No one could have predicted how my loss would change small moments on Earth. But I held on to those moments, hoarded them. None of them were lost as long as I was there.
”
”
Alice Sebold
“
There's a gentle sigh which descends like billowing silk upon the soul that accepts its coming death. It's a gentle pocket of air in the turbulence of everyday life... the silk settles around you as if it has been drifting towards the earth forever and has finally found it's target. The flag of defeat has been mercifully dropped and, in this action, the loss is not so bad. Defeat itself is defeated by the embrace of defeat, and death is swallowed up in victory.
”
”
Andrew Davidson (The Gargoyle)
“
Evening prayer
I spend my life sitting, like an angel in a barber's chair,
Holding a beer mug with deep-cut designs,
My neck and gut both bent, while in the air
A weightless veil of pipe smoke hangs.
Like steaming dung within an old dovecote
A thousand Dreams within me softly burn:
From time to time my heart is like some oak
Whose blood runs golden where a branch is torn.
And then, when I have swallowed down my Dreams
In thirty, forty mugs of beer, I turn
To satisfy a need I can't ignore,
And like the Lord of Hyssop and of Myrrh
I piss into the skies, a soaring stream
That consecrates a patch of flowering fern.
”
”
Arthur Rimbaud (Complete Works)
“
It's hard to breathe, and I close my eyes. There's a hard lump of air in my chest, like I've swallowed a raincloud whole.
”
”
Haruki Murakami (Kafka on the Shore)
“
I will beg, will take to my knees, will listen to snow
stroking air, a sky of gasps, will open my mouth,
swallow, somewhere else the sky is falling,
somewhere else it gets back up.
”
”
Bob Hicok
“
Although Bertha Young was thirty she still had moments like this when she wanted to run instead of walk, to take dancing steps on and off the pavement, to bowl a hoop, to throw something up in the air and catch it again, or to stand still and laugh at - nothing - at nothing, simply.
What can you do if you are thirty and, turning the corner of your own street, you are overcome, suddenly by a feeling of bliss - absolute bliss! - as though you'd suddenly swallowed a bright piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks into every particle, into every finger and toe?
”
”
Katherine Mansfield
“
Because I love you!"
There it was, out in the air. Griff's eyes got wide. The words had come out angry, but Dante had meant them. He couldn't open his perfect mouth and swallow them back.
His face softened. "In love, I mean. With you. For so long.
”
”
Damon Suede (Hot Head (Head, #1))
“
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.
”
”
Hanya Yanagihara (A Little Life)
“
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people,are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new
tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an
abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.
”
”
Alan W. Watts
“
Drink this," she says.
"What is it?" my throat feels swollen.
I swallow hard. "What's going to happen?"
"Can't tell you that. Just trust me."
I press air from my lungs and tip the contents of the vial into my mouth. My eyes close.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Rhys released my chin. But as he lowered his hand, I gripped his wrist, feeling the solid strength. “It’s a shame,” I said, the words nearly gobbled up by the sound of the city music. “That others in Prythian don’t know. A shame that you let them think the worst.” He took a step back, his wings beating the air like mighty drums. “As long as the people who matter most know the truth, I don’t care about the rest. Get some sleep.” Then he shot into the sky, and was swallowed by the darkness between the stars.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The old witch bears many giants for sons, and all in the shape of wolves; and from this source are those wolves sprung. The saying runs thus: from this race shall come one that shall be mightiest of all; he that is named Moon-Hound; he shall be filled with the flesh of all those men that die, and he shall swallow the moon, and sprinkle with blood the heavens and all the air; thereof shall the sun lose her shining, and the winds in that day shall be unquiet and roar on every side.
”
”
Snorri Sturluson
“
He took a deep breath, as if he were taking the air from my own lungs and swallowing it for himself.
”
”
Alyson Richman (The Lost Wife)
“
I want to scream at him! Do you know how hard it is to always keep your head down? To swallow insults and endure outright threats? And yet I have done so. I thought it proved my toughness. I thought if you saw I could take whatever came at me and still smile, you would see that I was worthy.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's there
”
”
Bob Dylan
“
I was drunk on him. High on him. I wanted to swallow him down, inhale him, inject him. I wanted him to live under my skin and change my DNA. I wanted to live in his air and breathe his passion.
”
”
Stylo Fantome (My Time in the Affair)
“
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first."
Why me? "Right. Any other tips?" Her sarcasm whistled right over his head.
"Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally."
Rose put down her fork. "Lord Submarine..."
"Camarine."
"Whatever."
"You can call me Declan." He said it as if granting her a knighthood. The nerve.
"Declan, then. How did you spend your day?"
He frowned.
"It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?"
"I rested from my journey," he said with a sudden regal air.
"You took a nap"
"Possibly."
"I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself."
The look on his face was worth having him under her roof. As if he had gotten slapped.
She smiled at him. "Oh and thank you for the pancakes. They are delicious.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
People talk of sorrow as if it is soft, a thing of water and tears. But true sorrow is not soft. True sorrow is a thing of fire, and rock. It burns your heart, crushes your soul under the weight of mountains. It destroys, and even if you keep breathing, keep going, you die. The person you were moments ago dies... Gone. Everything solid, everything real, is gone. It doesn't come back. The world is forever fractured, so that you walk on the crust of an earth where you can always feel the heat under you, the press of lava, that is so hot it can burn flesh, melt bone, and the very air is poisonous. To survive, you swallow the heat. To keep from falling through and dying for real, you swallow all that hate. You push it down inside you, into that fresh grave that is all that is left of what you thought the world would be.
”
”
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
“
I laid the side of my face on his back, hugging him close. “Nothing feels right without you. Not school or home,” I cried. “Everything is just giving me enough air to get to the next day without you. I never stopped being yours.”
He dropped his head back, letting out a sigh.
I swallowed, taking my chance. “I love you, Jared. I’ve always loved you, and I will always love you.
”
”
Penelope Douglas (Aflame (Fall Away, #4.25))
“
What is it that wells up so suddenly and menacingly under my heart, swallowing the soft air of melancholy? Are you pleased with us, dark night? What is it you conceal under your mantle, that grabs invisibly and powerfully at my soul? A rich balm drips off your fingers from a bundle of poppies. You raise up the heavy wings of the soul – darkly and inexpressibly we are moved. I see an earnest face startled with joy – softly and reverently it inclines toward me, and under endlessly entangled locks
appears the cherished face of our Mother. How poor and childish the light seems to me now − how welcome and
blessed is the day’s departure.
”
”
Novalis
“
He finishes the tea with a single swallow. Breathing deeper, he senses the energy beneath his skin. He focuses on the minute smells in the air, catching the scent of a recently varnished piano—it’s not here, not in the lounge, but the Mesmerizer can smell it along with its premium packaging—vinyl blanket and wooden box. He smirks.
That Monk mocks. Challenges.
”
”
Misba (The Oldest Dance (Wisdom Revolution, #2))
“
Just as they reached the bridge, Alix heard the planes returning – and soon after came deafening explosions to either side of them. Plumes of water rose into the air as bombs fell into the river and the fragile bridge shook alarmingly. Tito quickly dismounted Swallow, leading his horse onto the wooden pontoon. Alix got down too and followed, her head bowed in an attempt to shut out the cacophony of noises. As she reached the end of the pontoon, ready to climb up the old bridge, she heard a horse scream behind her. She jerked round in the direction of the noise and saw Nikola’s horse throwing up its head and prancing sideways, refusing to set foot on the bridge. Nikola remained mounted, struggling to keep control.
Above her she heard Tito shout, ‘Dismount, you fool!’ But it was too late. Nikola gave the horse a cut with his whip. It reared and then bucked, throwing Nikola over its head into the turbulent waters of the river below. Alix watched, terror stricken, for him to surface. But there was no sign. Though it was mere seconds, it felt as if she was frozen in place forever. Then she heard the sound of another body entering the water. Drago had been close behind her but now she realised he was missing. Paralysed with fear, she looked down at the rushing waters below her. A few more seconds passed and then Drago reappeared, holding Nikola under the arms.
”
”
Holly Green (A Call to Home (Women of the Resistance Book 3))
“
Everything is just giving me enough air to get to the next day without you. I never stopped being yours.”
He dropped his head back, letting out a sigh.
I swallowed, taking my chance. “I love you, Jared. I’ve always loved you, and I will always love you.
”
”
Penelope Douglas (Aflame (Fall Away, #4.25))
“
These Cro-Magnon people were identical to us: they had the same physique, the same brain, the same looks. And, unlike all previous hominids who roamed the earth, they could choke on food. That may seem a trifling point, but the slight evolutionary change that pushed man's larynx deeper into his throat, and thus made choking a possibility, also brought with it the possibility of sophisticated, well articulated speech.
Other mammals have no contact between their air passages and oesophagi. They can breathe and swallow at the same time, and there is no possibility of food going down the wrong way. But with Homo sapiens food and drink must pass over the larynx on the way to the gullet and thus there is a constant risk that some will be inadvertently inhaled. In modern humans, the lowered larynx isn't in position from birth. It descends sometime between the ages of three and five months - curiously, the precise period when babies are likely to suffer from Sudden Infant Death Syndrome. At all events, the descended larynx explains why you can speak and your dog cannot.
”
”
Bill Bryson (The Mother Tongue: English and How It Got That Way)
“
I am always hearing. . . the sound of a far off song. I do not exactly know where it is, or what it means; and I don't hear much of it, only the odour of its music, as it were, flitting across the great billows of the ocean outside this air in which I make such a storm; but what I do hear, is quite enough to make me able to bear the cry from the drowning ship. So it would you if you could hear it.'
'No it wouldn't,' returned Diamond stoutly. 'For they wouldn't hear the music of the far-away song; and if they did, it wouldn't do them any good. You see you and I are not going to be drowned, and so we might enjoy it.'
'But you have never heard the psalm, and you don't know what it is like. Somehow, I can't say how, it tells me that all is right; that it is coming to swallow up all the cries. . . . It wouldn't be the song it seems if it did not swallow up all their fear and pain too, and set them singing it themselves with all the rest.
”
”
George MacDonald (At the Back of the North Wind)
“
As he spoke, the edges of the clay man began shimmering, like air does in intense heat, and the lumpen form gradually became more manlike. "Something's happening!" I cried. I was paralyzed by shock and hope. "Please let it work. Come back, Vincent. You have to come back, I whispered, pleading.
Red clay became olive-toned skin, and the bald head became waves of raven black hair. The face that Jules had carefully sculpted became a real nose and mouth and eyes, closed as if in sleep. But it lay there, still unmoving, until, focusing on the air just above, Bran yelled, "Come, bardia spirit, inhabit this body!" He made one final sweeping gesture, as if pulling the aura downward, and touching his fingers to the body's side.
The eyes flew open and Vincent took a great gulping gasp, as if trying to swallow all of the oxygen in the room.
"Vincent," I said, my heart in my throat.
His eyes flew to mine. He reached toward me, and I took his hand and pressed it to my cheek. His skin was burning hot, like with a fever. I kissed his fingers, and his skin smelled like fire and rain-soaked earth. Like the boy I thought I would never touch again.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
There is not a moment but preys upon you,—and upon all around you, not a moment in which you do not yourself become a destroyer. The most innocent walk deprives of life thousands of poor insects: one step destroys the fabric of the industrious ant, and converts a little world into chaos. No: it is not the great and rare calamities of the world, the floods which sweep away whole villages, the earthquakes which swallow up our towns, that affect me. My heart is wasted by the thought of that destructive power which lies concealed in every part of universal nature. Nature has formed nothing that does not consume itself, and every object near it: so that, surrounded by earth and air, and all the active powers, I wander on my way with aching heart; and the universe is to me a fearful monster, for ever devouring its own offspring.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
I saw him open his mouth wide—it gave him a weirdly voracious aspect, as though he had wanted to swallow all the air, all the earth, all the men before him.
”
”
Joseph Conrad (Heart of Darkness)
“
I swallow hard, wondering how in the hell I'm going to be able to fit into any of these clothes. I've seen his models on TV. They eat air for breakfast and ice for lunch. There's no way.
”
”
C.M. Owens (Hooked on the Game (Sterling Shore, #1))
“
We are not going to get the racism out of us until we start thinking about racism like we think about misogyny. Until we consider racism as not just a personal moral failing but as the air we’ve been breathing. How many images of black bodies being thrown to the ground have I ingested? How many photographs of jails filled with black bodies have I seen? How many racist jokes have I swallowed? We have been deluged by stories and images meant to convince us that black men are dangerous, black women are dispensable, and black bodies are worth less than white bodies. These messages are in the air and we’ve just been breathing. We must decide that admitting to being poisoned by racism is not a moral failing—but denying we have poison in us certainly is.
”
”
Glennon Doyle (Untamed)
“
I hope to define my life, whatever is left, by migrations, south and north with the birds and far from the metallic fever of clocks, the self staring at the clock saying, “I must do this.” I can’t tell the time on the tongue of the river in the cool morning air, the smell of the ferment of greenery, the dust off the canyon’s rock walls, the swallows swooping above the scent of raw water.
”
”
Jim Harrison (In Search of Small Gods)
“
Battered and bloody, we join Cassius, Lysander, and Sevro before the door leading out of the Sovereign's inner sanctum as Cassius types in the Olympic code to open the doors. He pauses to sniff the air. 'What's that smell?'
'Smells like a sewer,' I say.
Sevro stares intensely at the razors he's taken from Aja, including the one belonging to Lorn. 'I think it smells like victory.'
'Did you shit your pants?' Cassius squints at him. 'You did.'
'Sevro...' Mustang says.
'It's an involuntary muscle reaction when you're fake executed and swallow massive amounts ofhaemanthus oil,' Sevro snaps. 'You think I would do that on purpose?'
Cassius and I look at each other.
I shrug. 'Well, maybe.'
'Yeah, actually.'
He flips us the crux and makes a face, twisting his lips till it looks like he's going to explode. 'What's happening?' I ask. 'Are you... still...'
'No!
”
”
Pierce Brown
“
For my sake,” he said firmly, addressing the air in front of him as though it were a tribunal, “I dinna want ye to bear another child. I wouldna risk your loss, Sassenach,” he said, his voice suddenly husky. “Not for a dozen bairns. I’ve daughters and sons, nieces and nephews, grandchildren—weans enough.”
He looked at me directly then, and spoke softly.
“But I’ve no life but you, Claire.”
He swallowed audibly, and went on, eyes fixed on mine.
“I did think, though . . . if ye do want another child . . . perhaps I could still give ye one.
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
Darkness.
It was swallowing me.
I couldn't breathe, I couldn't see.
My limbs were as light as air. Reduced to atoms?
I was floating. I was at peace.
I closed my eyes and let it come. No more pain, no more suffering, just air. All around me, taking up the space of my body.
”
”
Kaylie Fowler
“
I'm sorry. I was just running them. Running the dogs." I swallowed more soup and looked at the sky. The cold air was so clear the stars seemed to be falling to the ground. Like you could walk right. . . over . . . there and pick them up just lying on the snow. "I couldn't come back.
”
”
Gary Paulsen (Winterdance: The Fine Madness of Running the Iditarod)
“
Grief is shameless; it refuses to be ignored. If you let it have its way, it becomes fatal. If you try to remove it piece by piece, it only multiplies like a tumor. And if you try to fight it, it becomes like quicksand; you try to claw your way back to the surface, and for a second you feel the fresh air against your face, thinking you've survived, only to be pulled fiercely back down again, swallowed whole, nothing left.
”
”
Zeina Kassem (Crossing)
“
Were you ever going to tell me?”
“About the Grail?” He returned to the couch and handed her a glass. “I wasn’t planning on it.”
She knocked back the rum and swallowed, setting the empty glass on the table. Impressive.
She met his eyes. “So even if we had slept together last night, you were going to keep telling me you were descended from a pirate, not an actual pirate.”
He took a swig, his gaze locked on hers. “Would you have believed me?”
“No.” She shrugged. “Just wondering how long you would have lied to me.”
“I could ask you the same thing.”
She rolled her eyes. “I played you. There’s a difference.” She shrugged. “Besides that, was before our no lies between us deal.”
“I see this as more of an omission.” He finished off his drink and placed the glass beside hers. “In my defense, I’ve never told anyone who I really am. You’re the first.”
She raised a brow. “Are you saying I should feel…special?”
“Aye.” He cleared his throat. “I’ve never taken a bullet for anyone either, not even my crew.”
“Thanks for that.” A reluctant smile curved her lips as she met his eyes. “Pretty heroic for a pirate.”
He chuckled. “It’s less heroic when you’re certain you won’t die.”
“But you knew it would hurt.”
He nodded slowly. “True.”
She pinched her fingertips close together in the air. “It might’ve been a tiny bit heroic.”
Her dark eyes sparkled with the mischief he was growing much too fond of.
“Not bad for a pirate.” He admitted.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
The door is cracked
We used to meet
like water does land
no
not that
more like when skin touches skin
kissing fingertips
or when air escapes a lung
and is felt across the world
I've leapt over cracks in sidewalks
and swallowed away troublesome back pains
that could only be fixed with someone else's pills
We met by your house one stray day
and you drove me to the bay
where we sat and kissed like it was yesterday
And here you told me that you loved me
and that you always loved me
and that you would always love me
the wind blew and I held you
You rested your head on my shoulder
and the wind blew warm
Later, in your big red truck, we smoked some green
and I kissed you harder
and held your breasts, and felt between your legs
and with a gasp
you told me you were in love with me
And then you drove me back
and we promised it wouldn't be the end
not this time
The quill and inkwell on your foot
I'm a writer and you are my greatest art
I returned to my hell and dreamt of you once more
”
”
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
“
Please.” He swallowed hard and begged with those big blue eyes. “Please don’t leave me here.” All the air trickled out of her lungs. “Take me to the beaches,” he said, blinking down at her. “I won’t cause any trouble.” How did he do that? A minute ago she wanted to break his jaw, and now she had to fight the urge to pat him on the head and give him a cookie. That had to be some kind of superpower. She finally understood how he got everything he wanted in life.
”
”
Melissa Landers (Starflight (Starflight, #1))
“
She felt a lump form in her throat, and she swallowed hard. She wouldn't have this-the swollen ankles and pink cheeks and the feel of that glorious, curving belly under the palm of her hand-but she could still be a mother. That was the important thing.
”
”
Sarah Pekkanen (Catching Air)
“
Let your new energy, new thoughts, new attitude, new routine & new outlook make this time most sacred, memorable & beautiful for you & others. Let you also begin to see greater in everything & believe in unexplainable possibilities. Let you grow in ways which you never knew was possible.
Darling listen – Don’t let the magic in the air get swallowed up by someone’s nonsensical thoughts, words, comments & by any kind of pressure in the air.
I wish & pray that these last few days of this year be the best part of this year for you & everyone!
Stay Healthy, Happy & Meaningful! Blessings!
”
”
Rajesh Goyal
“
This is the ultimate cruelty, isn't it? That I can talk and talk and to anyone listening, it's only air--too rich a diet to be swallowed by a mundane world.
”
”
David Henry Hwang (M. Butterfly)
“
I hummed a little and listened to the sound being swallowed by the air.
”
”
Madeline Miller (Circe)
“
Babies can't really burp by themselves. And they swallow air when they drink."
" That seems like an evolutionary issue," he says dryly.
”
”
Lily Gold (Nanny for the Neighbors)
“
Afraid of not being able to sleep at all,
they swam for longer. They swallowed a magnitude of sea air. They existed as intensely as possible in order to exhaust themselves.
”
”
Sara Baume (Seven Steeples)
“
Tick's strategy for dealing with lying adults is to say nothing and watch thee lies swell and constrict in their throats. when this happens, the lie takes on a physical life of its own and must be either expelled or swallowed. Most adults prefer to expel untruths with little burplike coughs behind their hands, while others chuckle or snort or make barking sounds. When Mr. Meyer's Adam's apple bobs once, Tick sees that he's a swallower, and that this particular lie has gone south down his esophagus and into his stomach. According to her father, the man suffers from bleeding ulcers. Tick can see why. She imagines all the lies a man in his position would have to tell, how they must just churn away down there in his intestines like chunks of indigestible food awaiting elimination. By the Tick suspects, lies seek open air. they don't like being confined in dark, cramped places.
”
”
Richard Russo (Empire Falls)
“
Memory is not wisdom ; idiots can rote volumes :
Yet, what is wisdom without memory ? a babe that is strangled in its birth ;
The path of the swallow in the air ; the path of the dolphin in the waters ;
A cask running out ; a bottomless chasm : such is wisdom without memory.
There be many wise, who cannot store their knowledge ;
Yet from themselves are they satisfied, for the fountain is within :
”
”
Martin Farquhar Tupper (Proverbial Philosophy)
“
I couldn't swallow. It had to be wrong. We had to be able to rewind. It couldn't be real. It felt so weightless. It felt like an idea, a particle of dust floating around in the air that hadn't landed yet.
”
”
Cristina Henríquez (The Book of Unknown Americans)
“
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
”
”
Joseph Brodsky
“
Man comes into the world a blind, groping mite. He knows hunger and the fear of noise and of falling. His life is spent in flight - flight from hunger and from the thunderbolt of destiny. From his moment of birth he begins to fall through the whistling air of Time: down, down into a chasm of darkness . . . we come like a breath of wind over the fields of morning. We go like a lamp flame caught by a blast from a darkened window. In between we journey from table to table, from battle to bottle, from bed to bed. We suck, we chew, we swallow, we lick, we try to mash life into us like an am-am-amoeba God damn it! Somebody lets us loose like a toad out of a matchbox and we jump and jump and jump and the guy always behind us, and when he gets tired he stomps us to death and our guts squirt out on each side of the boot of All Merciful Providence. The son-of-a-bitch!
”
”
William Lindsay Gresham (Nightmare Alley)
“
The jury, having swallowed at one nauseating gulp the business of viewing the body, had settled into their places with that air of conscious importance and simulated modesty which belongs to those initiated into a mystery.
”
”
Josephine Tey (The Man in the Queue (Inspector Alan Grant #1))
“
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
”
”
Hanya Yanagihara (A Little Life)
“
Now when the men talk, their voices burn in the air, making smoke all over the place. We hear about change, about new country, about democracy, about elections and what-what.
They talk and talk, the men, lick their lips and look at the dead watches on their wrists and shake their hands and slap each other and laugh like they have swallowed thunder.
”
”
NoViolet Bulawayo (We Need New Names)
“
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling.
Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home.
Silver and blue, blue and silver.
Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears.
The voice of Volkheimer: What you could be.
Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed.
“Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass.
The wind moves through his undershirt. He is a kite, a balloon.
Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater.
“It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.”
Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it?
The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass.
Why doesn’t the wind move the light?
Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand.
“Stop,” he calls.
“Halt,” he calls.
But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous.
Kai was never nervous.
"I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday."
She swallowed a breath of cool night air. "And ... this is that day?"
His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress."
Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting."
"You have no idea."
She lowered her lashes. "I might have some idea."
Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds.
It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that.
Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand.
Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again.
"Cinder," he said, "will you marry me?"
Absurd, she thought.
The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical.
But it was Kai, and somehow, that also made it exactly right.
"Yes," she whispered. "I will marry you."
Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious.
They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
I feel I must burst because of all that life offers me and because of the prospect of death. I feel that I am dying of solitude, of love, of despair, of hatred, of all that this world offers me. With every experience I expand like a balloon blown up beyond its capacity. The most terrifying intensification bursts into nothingness. You grow inside, you dilate madly until there are no boundaries left, you reach the edge of light, where light is stolen by night, and from that plenitude as in a savage whirlwind you are thrown straight into nothingness. Life breeds both plenitude and void, exuberance and depression. What are we when confronted with the interior vortex which swallows us into absurdity? I feel my life cracking within me from too much intensity, too much disequilibrium. It is like an explosion which cannot be contained, which throws you up in the air along with everything else
”
”
Emil M. Cioran (On the Heights of Despair)
“
ANCIENT AIR (39)
I climb up high and look on the four seas,
Heaven and earth spreading out so far.
Frost blankets all the stuff of autumn,
The wind blows with the great desert's cold.
The eastward-flowing water is immense,
All the ten thousand things billow.
The white sun's passing brightness fades,
Floating clouds seem to have no end.
Swallows and sparrows nest in the wutong tree,
Yuan and luan birds perch among jujube thorns.
Now it's time to head on back again,
I flick my sword and sing 'Taking the Hard Road'.
”
”
Li Bai
“
In the years that followed, Tsula would find that she could not recall that walk to the edge or the thrust of her legs into the air. Her clearest memory more than twenty years later is of the long, breathless wait as she fell, seemingly forever, and the water swallowing her at last. When she burst from its surface, unhurt, her mind noisy and electric, she grabbed for Jamie and kissed him hard.
”
”
Hank Quense (The King Who Disappeared)
“
Processed
It's like I'm meat or wheat
Made into a burger or deli slices
Made into pasta or bread
Processed
Not the boy I was before the machine
Before the braking down and pulling apart
Before the adding and taking away
I was made for easy, fast consumption
Like food chains in the hood
Umi said don't go there
That you are what you eat
Those jails that system
has swallowed me whole
”
”
Ibi Zoboi (Punching the Air)
“
There is a cop who is both prowler and father:
he comes from your block, grew up with your brothers,
had certain ideals.
You hardly know him in his boots and silver badge,
on horseback, one hand touching his gun.
You hardly know him but you have to get to know him:
he has access to machinery that could kill you.
He and his stallion clop like warlords among the trash,
his ideals stand in the air, a frozen cloud
from between his unsmiling lips.
And so, when the time comes, you have to turn to him,
the maniac’s sperm still greasing your thighs,
your mind whirling like crazy. You have to confess
to him, you are guilty of the crime
of having been forced.
And you see his blue eyes, the blue eyes of all the family
whom you used to know, grow narrow and glisten,
his hand types out the details
and he wants them all
but the hysteria in your voice pleases him best.
You hardly know him but now he thinks he knows you:
he has taken down you worst moment
on a machine and filed it in a file.
He knows, or thinks he knows, how much you imagined;
he knows, or thinks he knows, what you secretly wanted.
He has access to machinery that could get you put away;
and if, in the sickening light of the precinct,
and if, in the sickening light of the precinct,
your details sound like a portrait of your confessor,
will you swallow, will you deny them, will you lie your way home?
”
”
Adrienne Rich (Diving Into the Wreck)
“
Approaching the Williamsburg Bridge - not really certain of how he had managed to find himself there - he experienced an extraordinary moment of buoyancy, of grace. There was a lot more traffic now, but his shifting was smooth and the sturdy little car was adroit at changing lanes. He launched himself out over the East River. He could feel the bridge humming underneath his wheels and all around him could sense the engineering of it, the forces and tensions and rivets that were all conspiring to keep him aloft. To the south, he glimpsed the Manhattan Bridge, with its Parisian air, refined, elegant, its skirts hiked to reveal tapered steel legs, and, beyond, the Brooklyn Bridge, like a great ropy strand of muscle. In the other direction lay the Queensboro Bridge, like two great iron tsarinas linking hands to dance. And before him, the city that had sheltered him and swallowed him and made him a modest fortune loomed, gray and brown, festooned with swags and boas of some misty gray stuff, a compound of harbor fog and spring dew and its own steamy exhalations. Hope had been his enemy, a frailty that he must at all costs master, for so long now that it was a moment before he was willing to concede that he had let it back into his heart.
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
Aldrik laughed darkly. “What did you think I was?” he snarled. “Did you think I went to war and read books?” Vhalla took another step back. “You ran head-first into my daily hell. Would it not be more convenient if weapons of death and torture could not talk back?” Vhalla forced herself not to tremble as she looked at him. He glared at her; the orange of the fire reflecting in the black mirrors of his eyes.
With all the bravery she possessed, Vhalla crossed the distance between them; he straightened and looked down at her, imposing. Vhalla swallowed hard and tried to muster her last scrap of confidence. There would be time later to ask him about the real reasons behind the war. For now, they needed to go home.
She grabbed his hand, praying it didn’t burst into flames at her touch. It didn’t.
“Quit being stupid, Aldrik. Let’s go.” His features barely softened, but it was more than enough to know she had made herself clear. Whatever this man was, he wasn’t a monster.
”
”
Elise Kova (Air Awakens (Air Awakens, #1))
“
You are the strangest girl I've ever met," he said, like he thought I was joking. He picked up his water bottle and gave me a sideways glance. "Have you ever kissed anybody?" he asked, and took a sip.
I smirked. "There aren't a whole lot of opportunities in the digital world. I did practice on my hand once. It didn't do anything for me."
Justin coughed on the water he was swallowing and I slapped my hand over my mouth.
"Did I just say that out loud?" I mumbled.
He was half coughing, half laughing. "Yes, you did," he managed to say.
"Delete, delete, delete," I said, and pushed an imaginary button in the air. "I really miss that feature."
"No, that's the good stuff. People always want to delete the good stuff." His eyes lit up. "That's a cool idea, though. What would you say, right now, if you could immediately delete it, so no one read it?
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.”
I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.”
Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.”
“Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again.
“Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.”
“Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?”
His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.”
I whispered the words as he brought his lips to mine. “Forever.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
His gaze caught and held hers, bored into her with an intensity that stole the air from her lungs.
"I want to break free of these bonds, bend you the fuck over and rail you so hard you scream."
He arched up as much as he could, forcing a breath of shock out of her in a rush.
"And when I'm done, I want to spank the hell out of you before I tie you down, make you suck my cock and swallow every last drop of my load. Now, will you please let me come?"
~Trance
”
”
Sydney Croft (Taming the Fire (ACRO, #4))
“
Whatever he writes will mean You have not silenced me. Despite all your power, you are not all powerful. Men have often reduced his voice to gasps and weeping. They have crushed the power to speak from his body, from many bodies. But words written down outlive the vulnerability of the flesh. His songs will fly through the air like swallows. Recorded words can be passed along. In one form or another, they will be passed along. Movement is their essential nature.
”
”
Karen Connelly (The Lizard Cage)
“
in a keen frost, I would feel the satisfaction of being shut in from the outer world (like the sea-swallow which builds at the end of a dark tunnel and is kept warm by the surrounding earth), and where, the fire keeping in all night, I would sleep wrapped up, as it were, in a great cloak of snug and savoury air,
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
Recalling, some time later, what I had felt at the time, I distinguished the impression of having been held for a moment in her mouth, myself, naked, without any of the social attributes which belonged equally to her other playmates and, when she used my surname, to my parents, accessories of which her lips - by the effort she made, a little after her father's manner, to articulate the words to which she wished to give a special emphasis - had the air of stripping, of divesting me, like the skin from a fruit of which one can swallow only the pulp, while her glance, adapting itself to the same new degree of intimacy as her speech, fell on me also more directly and testified to the consciousness, the pleasure, even the gratitude that it felt by accompanying itself with a smile.
”
”
Marcel Proust
“
Tell me what to do."
His warm breath tickled my ear. "Relax."
"Please, Noah, I don't want to do this wrong. Tell me how to make you feel good."
He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right."
His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me."
I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended.
Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy.
And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin.
He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love.
He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way."
My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever.
One clear thought forced my eyes open. "You 're putting me to sleep."
"So?" he asked a little too innocently.
I swallowed. "I'll have nightmares."
"Then we 'll have an excuse to do this again.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
My tears were swallowed by the sea;
Her songs died on the air.
”
”
Christina Rossetti (Goblin Market, The Prince's Progress, and Other Poems)
“
Her cheeks puffed up like she was going to barf, but she swallowed whatever it was back down. But the air still had to come out of somewhere. So she farted. Loudly.
”
”
Ivy Smoak (Empire High Betrayal (Empire High, #3))
“
It’s an odd thing, a backyard, a little strip of nature, a little reminder of the rest of it, elsewhere.
”
”
Tara June Winch (Swallow the Air)
“
From the ancient dwelling there came always a dignified, unobtrusive sadness; now stronger, now fainter,—like the aromatic smell which the dwarf cedars gave out in the sun,—but always present, a part of the air one breathed. At night, when Thea dreamed about the canyon,—or in the early morning when she hurried toward it, anticipating it,—her conception of it was of yellow rocks baking in sunlight, the swallows, the cedar smell, and that peculiar sadness—a voice out of the past, not very loud, that went on saying a few simple things to the solitude eternally.
”
”
Willa Cather (The Song of the Lark)
“
Sara gave her the scarf that it would be her last birthday? There were so many unanswered questions. Was Mama partial to the blue-and-black scarf because I gave it to her? Gulping in air and swallowing past the lump in her throat, Sara couldn’t hold back her tears any more than she could all the others she had shed since her mother’s death. Watching Mama slip away so fast had
”
”
Wanda E. Brunstetter (The Hope Jar, SAMPLE)
“
unsolicited advice to adolescent girls with crooked teeth and pink hair
When your mother hits you, do not strike back. When the boys call asking your cup size, say A, hang up. When he says you gave him blue balls, say you’re welcome. When a girl with thick black curls who smells like bubble gum stops you in a stairwell to ask if you’re a boy, explain that you keep your hair short so she won’t have anything to grab when you head-butt her. Then head-butt her. When a guidance counselor teases you for handed-down jeans, do not turn red. When you have sex for the second time and there is no condom, do not convince yourself that screwing between layers of underwear will soak up the semen. When your geometry teacher posts a banner reading: “Learn math or go home and learn how to be a Momma,” do not take your first feminist stand by leaving the classroom. When the boy you have a crush on is sent to detention, go home. When your mother hits you, do not strike back. When the boy with the blue mohawk swallows your heart and opens his wrists, hide the knives, bleach the bathtub, pour out the vodka. Every time. When the skinhead girls jump you in a bathroom stall, swing, curse, kick, do not turn red. When a boy you think you love delivers the first black eye, use a screw driver, a beer bottle, your two good hands. When your father locks the door, break the window. When a college professor writes you poetry and whispers about your tight little ass, do not take it as a compliment, do not wait, call the Dean, call his wife. When a boy with good manners and a thirst for Budweiser proposes, say no. When your mother hits you, do not strike back. When the boys tell you how good you smell, do not doubt them, do not turn red. When your brother tells you he is gay, pretend you already know. When the girl on the subway curses you because your tee shirt reads: “I fucked your boyfriend,” assure her that it is not true. When your dog pees the rug, kiss her, apologize for being late. When he refuses to stay the night because you live in Jersey City, do not move. When he refuses to stay the night because you live in Harlem, do not move. When he refuses to stay the night because your air conditioner is broken, leave him. When he refuses to keep a toothbrush at your apartment, leave him. When you find the toothbrush you keep at his apartment hidden in the closet, leave him. Do not regret this. Do not turn red. When your mother hits you, do not strike back.
”
”
Jeanann Verlee
“
Every molecule in our bodies started off life as a gas, and long after our demise, when the big red bloated sun swallows everything around us, all those atoms will return to a gaseous state.
”
”
Sam Kean (Caesar's Last Breath: Decoding the Secrets of the Air Around Us)
“
And finally the two of them plunged into the dark sea, a sea like a pack of wolves, and they dove around the boat trying to find young Reiter's body, with no success, until they had to come up for air, and before they dove again, they asked the men on the boat whether the brat had surfaced. And then, under the weight of the negative response, they disappeared once more among the dark waves like forest beasts and one of the men who hadn't been in before joined them, and it was he who some fifteen feet down spotted the body of young Reiter floating like uprooted seaweed, upward, a brilliant white in the underwater space, and it was he who grabbed the body under the arms and brought him up, and also he who made the young Reiter vomit all the water he had swallowed.
”
”
Roberto Bolaño (2666)
“
This is what history means. He came to this country like a torch on fire and he swallowed air as he walked forward and he gave out light. Energy poured through him. That was all he had time for in those years. Language, customs, family, salaries. Patrick's gift, that arrow into the past, shows him the wealth in himself, how he has been sewn into history. Now he will begin to tell stories.
”
”
Michael Ondaatje (In the Skin of a Lion (Vintage International))
“
He turned to set his glass on the windowsill, but she saw him swallow. Then he faced her, advancing, looming over her. As she’d done in the shower, she retreated until she reached the wall. Raising his bound hands over her head, he again surrounded her with his body. “What if I wanted to do the seducing?” He would. He was so deliciously domineering. “Why are you always caging me in?” “Maybe I wouldn’t, if you weren’t always disappearing. You’re as tangible as air, and it’s so damned frustrating, koeri.” “What does that mean?” “It means lure.” She blinked up at him. “Your endearment for me is a synonym for bait?” “You’re luring me from madness.” Lowering his voice, he said, “The only thing that could possibly tempt me from it.” She nibbled her bottom lip. “Would you follow me anywhere?” “Into the sun.
”
”
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #5))
“
I expect Caz to move away, but instead he slides his long fingers around my wrist. Runs a thumb over the frayed string bracelet there.
'You always wear this,' he says.
I nod. Swallow. 'Yeah. I know.'
He waits for me to say more, but I’m too busy trying to act normal, like I’m not hyperaware of how close we are, how his hand is still moving slowly over my skin, his touch warmer and lighter than the summer air.
”
”
Ann Liang (This Time It's Real)
“
Grief is a liar and an ocean. Just when you think you’ve reached the shore, it rises up again and swallows you whole. Weeks can go by without any tears at all, and then an unexpected card stuck in a book can knock you flat on your face sure as any tsunami. And your throat burns and sputters and chokes, drowning in a torrent of salt-stung water, as you gasp for air and try so desperately to wake up from this dream.
”
”
Mary Marantz (Dirt: Growing Strong Roots in What Makes the Broken Beautiful)
“
A map of Esmeralda should include, marked in different colored inks, all these routes, solid and liquid, evident and hidden. It is more difficult to fix on the map the routes of the swallows, who cut the air over the roofs, dropping long invisible parabolas with their still wings, darting to gulp a mosquito, spiraling upward, grazing a pinnacle, dominating from every point of their airy paths all the points of the city.
”
”
Italo Calvino (Invisible Cities)
“
Looking down from the heavens, she saw how small, and yet how important each human life is. Drops in the bucket of eternity. She saw her minute place in the organic machine of the Cosmos, witnessed the give and take and the slow, steady swinging of life's pendulum. The world relies on order, pattern, and repetition. The earth spins and swings around the sun with rational, mathematical predictability.
But she also saw the chaotic nature of things. No matter what, you can never know with certainty what will happen. Lightening can strike, the ground can open up and swallow you, and the very air you breathe can tear your life away.
”
”
Gwen Mitchell (Rain of Ash (Skydancer #1))
“
I watched him swallow, then close his eyes as a shiver ran through his body. When he opened his eyes again, color poured through the air around him - the vivid, hot pink of passionate love.
Kai was showing me his colors.
”
”
Wendy Higgins, Sweet Reckoning
“
My cousins are hurting. My aunt is hurting. My mother is hurting. And there is no one here to help. How is this the good life, when even the air in this place threatens to wrap its fingers around my throat? In Haiti, with all its problems, there was always a friend or a neighbor to share in the misery. And then, after our troubles were tallied up like those points at the basketball game, we would celebrate being alive. But here, there isn’t even a slice of happiness big enough to fill up all these empty houses, and broken buildings, and wide roads that lead to nowhere and everywhere. Every bit of laughter, every joyous moment, is swallowed up by a deep, deep sadness.
”
”
Ibi Zoboi (American Street)
“
As the taxi crossed the Way Away Bridge and the steel and concrete skyline of the city came into view, Shae was struck by a sense of nostalgia so profound she found it difficult to breathe. The humid air through the open window, the sound of her native language being spoken on the radio, even the terrible traffic … She swallowed, close to tears; she had only the vaguest idea of what she was going to do in Janloon now, but she was undeniably home.
”
”
Fonda Lee (Jade City (The Green Bone Saga, #1))
“
the intimacy of the kiss, that feeling of euphoria that comes with that kiss that is right and real, that kiss that swallows you up, starting from the curl in your toes to the fine hairs on the back of your neck, that kiss that leaves you panting for air, that makes each part of your body quiver as you melt against him, that makes you suck his bottom lip into your mouth with the overwhelming urge to bite it. Sometimes hard. That. That kind of kiss.
”
”
R.B. O'Brien
“
Are you all right?'
'It's okay,' he says, 'I think I just swallowed some dark.'
He has the notion that darkness is a substance. It will make you choke if you swallow too much in one go. I could have put him straight with some prosaic account of the coughing reflex being triggered by the shock of the cold air rather than a mouthful of darkness, but I didn't I stashed away the treasured image and left him with the version of reality fashioned by his infant brain.
”
”
Paul Broks (Into the Silent Land: Travels in Neuropsychology)
“
Yes,” he says, he swallows, “I did. I do. I do want to be your friend.” He nods and I register the slight movement in the air between us. “I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—” “No,” I gasp. “Don’t—don’t s-say that—” I don’t know what I’ll do if he keeps talking I don’t know what I’ll do and I don’t trust myself “I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.” I can’t think. I can’t breathe “I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.” And I drop dead, all over the floor.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
But I’m not an alcoholic. I can quit at any time. I just don’t want to. To prove it to myself, I set the bourbon down, keeping my hand close to the glass but not touching it. Then I wait, seeing how long I last before taking a sip. The seconds tick by, me counting each one in my head the same way I did when I was a girl and Marnie wanted me to time how long she could stay underwater before coming up for air. One Mississippi. Two Mississippi. Three Mississippi. I make it to exactly forty-six Mississippis before sighing, grabbing the glass, and taking a gulp. As I swallow, I’m struck by a thought. One of those insights I usually drink to avoid. Maybe I’m not looking for trouble. Maybe I am the trouble.
”
”
Riley Sager (The House Across the Lake)
“
Left alone in an interrogation room, some men will look as though they're well into their last ten seconds before throwing up. And they'll look that way for hours. They sweat like they just climbed out of the swimming pool. They eat and swallow air. I mean these guys are really going through it. You come and tip a light in their face. And they're bugeyed - the orbs both big and red, and faceted also. Little raised soft-cornered squares, wired with rust.
These are the innocent.
”
”
Martin Amis
“
sprint, woodwinds fluttering behind. More instruments join in. Flutes? Harps? The song races, seems to loop back over itself. “Werner?” Jutta whispers. He blinks; he has to swallow back tears. The parlor looks the same as it always has: two cribs beneath two Latin crosses, dust floating in the open mouth of the stove, a dozen layers of paint peeling off the baseboards. A needlepoint of Frau Elena’s snowy Alsatian village above the sink. Yet now there is music. As if, inside Werner’s head, an infinitesimal orchestra has stirred to life. The room seems to fall into a slow spin. His sister says his name more urgently, and he presses the earphone to her ear. “Music,” she says. He holds the pin as stock-still as he can. The signal is weak enough that, though the earphone is six inches away, he can’t hear any trace of the song. But he watches his sister’s face, motionless except for her eyelids, and in the kitchen Frau Elena holds her flour-whitened hands in the air and cocks her head, studying Werner, and two older boys rush in and stop, sensing some change in the air, and the little radio with its four terminals and trailing aerial sits motionless on the floor between them all like a miracle.
”
”
Anthony Doerr (All the Light We Cannot See)
“
attention. Billy lit his second cigarette from the end of his first one and flicked the butt to the ground as Linc heaved himself off his bike. Billy felt the heat of his gaze. Then heard his gravelly voice. “You’re that hang-around, aren’t you? The one’s been sittin’ at the bar lately.” “Yeah,” Billy answered, “I—” but his words were swallowed up by sounds his brain couldn’t quite process right away. A rush of air, a squeal of tires, the screech of metal against metal, and the howl of
”
”
Lisa Regan (Her Final Confession (Detective Josie Quinn, #4))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
You are no one in my life,” she said in a voice fraught with tension. “You cannot tell me what to—”
“Oh, I can,” he bit out, his voice a gravelly purr that abraded her skin and sparked something inside her. His hand slid around her nape and hauled her closer. His pirate’s eyes swallowed her up and forced all the air out from her lungs in one great rush. “I will.”
She opened her mouth to protest, but his mouth covered hers. Claimed her. It was the only word for it. This was a taking. And she the taken.
”
”
Sophie Jordan (While the Duke Was Sleeping (The Rogue Files, #1))
“
Do you know what a honey mushroom is?" she blurted out, plucking at the hairs on his arm, which was wrapped around her.
He was silent for a moment before letting out a husky laugh "No. Why?"
"It's the largest living thing on earth. Larger than trees, elephants, whales-this one living thing takes up over three square miles in Oregon." She could almost feel him turning that random fact over in his brain. She was glad she wasn't facing him. This would be so much harder if she had to look into his eyes instead of at the wall.
"Like the mushroom cap is over three miles across?" he asked.
Harper shook her head. "No, no. That's the amazing part. When you look at it-the part you see aboveground-it's this tiny little mushroom head. It looks so insignificant. They just pop up here and there" she gestures with her fingertips as though she could draw them in the air. "But it creates this root-like system called hyphae. And the hyphae-it spreads and grows and, kind of... takes over underground. One living thing, every cell genetically identical, spreading below the surface to take up this enormous amount of space."
Dan was quiet for a moment. "Why are you telling me this?" he asked, placing a kiss into her neck. Harper swallowed and fiddled with the edge of the sheet.
"Because thats' what my anxiety feels like-a honey mushroom." She felt Dan tense behind her, but she pushed on." A lot of times, someone on the outside, like you, maybe, sees these clues to it-my fidgeting, my mind seeming a million miles away, panic attacks. But inside" -she tapped her chest- "it's this intricate network of sharp pain and fear that's constantly growing and pulsing through me. It's always there, right beneath my skin, huge and controlling, but no one can see it. I just feel it. And it hurts. So badly. It makes me want to curl up into a ball or sprint out of my skeleton. This huge, inescapable thing inside me that controls me." she paused, picking aggressively at her nails; "It feels cruel to have your own body do that to you".
”
”
Mazey Eddings (A Brush with Love (A Brush with Love, #1))
“
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
”
”
Hanya Yanagihara (A Little Life)
“
I loved the shadows from the early morning sun as I’d walk up a vineyard row, breathing deeply at the smell of freshly worked earth, watching the hawks ride the air currents over the vineyard, and the goldfinches, bluebirds, and swallows flutter among the vines.
”
”
Susan Sokol Blosser (Letting Go)
“
No, you don't understand, naturally' said the second swallow. 'First, we feel it stirring within us, a sweet unrest; then back come the recollections one by one, like homing pigeons. They flutter through our dreams at night, they fly with us in our wheelings and circlings by day. We hunger to inquire of each other, to compare notes and assure ourselves that it was all really true, as one by one the scents and sounds and names of long-forgotten places come gradually back and beckon to us...'I tried stopping on one year,' said the third swallow. 'I had grown so fond of the place that when the time came I hung back and let the others go on without me. For a few weeks it was all well enough, but afterwards, O the weary length of the nights! The shivering, sunless days! The air so clammy and chill, and not an insect in an acre of it! No, it was no good; my courage broke down, and one cold, stormy night I took wing, flying well inland on account of the strong easterly gales. It was snowing hard as I beat through the passes of the great mountains, and I had a stiff fight to win through; but never shall I forget the blissful feeling of the hot sun again on my back as I sped down to the lakes that lay so blue and placid below me, and the taste of my first fat insect. The past was like a bad dream; the future was all happy holiday
”
”
Kenneth Grahame (The Wind in the Willows)
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
To watch the leaf quivering in the rush of air was an exquisite joy. Up in the sky swallows swooping, swerving, flinging themselves in and out, round and round, yet always with perfect control as if elastics held them; and the flies rising and falling; and the sun spotting now this leaf, now that, in mockery, dazzling it with soft gold in pure good temper; and now and again some chime (it might be a motor horn) tingling divinely on the grass stalks—all of this, calm and reasonable as it was, was the truth now; beauty, that was the truth now. Beauty was everywhere.
”
”
Virginia Woolf (Mrs. Dalloway)
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.'
Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.'
LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.'
Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink.
LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them.
I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.'
By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
”
”
Charles Portis (True Grit)
“
Spring, in Brittany, is milder than spring in Paris, and bursts into flower three weeks earlier. The five birds that herald its appearance—the swallow, the oriole, the cuckoo, the quail, and the nightingale—arrive with the breezes that refuge in the bays of the Armorican peninsula.[28] The earth is covered over with daisies, pansies, jonquils, daffodils, hyacinths, buttercups, and anemones, like the wastelands around San Giovanni of Laterano and the Holy Cross of Jerusalem in Rome. The clearings are feathered with tall and elegant ferns; the fields of gorse and broom blaze with flowers that one may take at first glance for golden butterflies. The hedges, along which strawberries, raspberries, and violets grow, are adorned with hawthorn, honeysuckle, and brambles whose brown, curving shoots burst forth with magnificent fruits and leaves. All the world teems with bees and birds; hives and nests interrupt the child’s every footstep. In certain sheltered spots, the myrtle and the rose-bay flourish in the open air, as in Greece; figs ripen, as in Provence; and every apple tree, bursting with carmine flowers, looks like the big bouquet of a village bride.
”
”
François-René de Chateaubriand (Memoirs from Beyond the Grave: 1768-1800)
“
I was wondering where the real party was."
I jumped, sending my pencil in a sharp line across the page. Alex was standing two feet away, one booted foot on my step, hands thrust into the pockets of what looked too much like Emo pants: black and tight.
"Sorry," he said. "I didn't mean to surprise you."
"You didn't surprise me," I gasped, left hand plastered to my chest. "You scared the crap out of me. Who raised you? Wolves?"
He actually grinned. "You've met my parents. What do you think?"
I wasn't going to touch that one. I just shrugged.
"Why aren't you inside?" he asked after a few seconds.
"It was too hot," I lied, closing my sketchbook as casually as I could. "Oppressive.Why aren't you?"
"It was too...God, I don't know. Oppressive's a good word. Some fresh air seemed like a good idea."
I looked past him, relieved not to see anyone else there. "All by yourself? That's...bold."
His brows wen up. For a second, I thought he was going to turn around and leave. Instead,he took his hands out of his pockets and pointed at my step. "Big words for a small person. Can I sit down?"
I swallowed. "Sure."
He did, ending up with his elbows resting on his thighs and his right knee not quite touching mine.
The silence went on just long enough to make in uncomfortable. But I wasn't going to help him with his small talk. I'm not very good at it in the best of circumstances. Sitting almost thigh to thigh with a guy who turned me into a mental pretzel was nowhere near a good circumstance.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
This is nothing of medical interest — a small chill. Diseases are not interested in those who want to die.’ And then with one of those characteristic swerves of association, like a swallow turning in mid-air she added, ‘Oh! Nessim, I have always been so strong. Has it prevented me from being truly loved?
”
”
Lawrence Durrell (The Alexandria Quartet)
“
A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air.
The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood.
Female pureblood.
Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses.
He loved the smell of women. Hell, he loved women.
But this was different.
It was intoxicating.
“Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength.
Almost as if…
No. It wasn’t possible.
There hadn’t been a true Were mating for centuries.
“Curs,” Levet said, moving to his side. “And a female pureblood.”
“Si,” Salvatore muttered, distracted.
“You think it’s a trap?”
Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night.
“There’s only one way to find out.”
He moved forward, sensing the end of the tunnel just yards in front of him.
“Salvatore?” Levet tugged on his pants.
Salvatore shook him off. “What?”
“You smell funny. Mon Dieu, are you…”
With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin.
Merda.
“One more word and you lose that tongue,” he snarled.
“But…”
“Do not screw with me.”
“I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat.
”
”
Alexandra Ivy (Beyond the Darkness (Guardians of Eternity, #6))
“
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
The afternoon nap, my mother used to say, is the best of all kinds of sleep. One has the best dreams after eating lunch. Yes. I would perspire a little at first and then relax until I felt light as a swallow. Afterward, we’d open the window to let out the stale air and let the fresh air in, together with the green branches of the trees in the garden in Nisantasi, and also to let my dreams escape, because I used to believe that my dreams continued on without me from wherever I left off with them. Maybe the same thing happens when we die, my thoughts floating around the room, inside the furniture, between the shutters closed tight, swirling around and brushing against my table and bed, over the walls and the ceiling, so that somebody slowly cracking open the door would think they saw the shadows of my memories: Shut the door, I don’t want my memories tainted, don’t poison them, just let my thoughts float in here like angels until Judgment Day, beneath my ceiling, in the hush of this house.
”
”
Orhan Pamuk (Silent House)
“
Write me a story, Kitt,” she whispered, kissing his brow, the hollow of his cheek. His lips and his throat, until she felt like love was an axe that had cleaved her chest open. Her very heart was beating in the air. “Write me a story where you keep me up late every night with your typing, and I hide messages in your pockets for you to find while you’re at work. Write me a story where we first met on a street corner, and I spilled coffee on your expensive trench coat, or when we crossed paths at our favorite bookshop, and I recommended poetry, and you recommended myths. Or that time when the deli got our sandwich orders wrong, or when we ended up sitting next to each other at the ball game, or I dared to take the train west just to see how far I could go, and you just so happened to be there too.”
She swallowed the ache in her throat, leaning back to meet his gaze. Gently, as if he were a dream, she touched his hair. She smoothed the dark tendrils from his brow.
“Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.”
Ronan held her gaze, desperation gleaming in his eyes. An expression flickered over his face, one she had never seen before. It looked like both pleasure and pain, like he was drowning in her and her words. They were iron and salt, a blade and a remedy, and he was taking a final gasp of air.
”
”
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
“
Anger and resentment can stop you in your tracks. That's what I know now. It needs nothing to burn but the air and the life that it swallows and smothers. It's real, though - the fury, even when it isn't. It can change you... turn you... mold you and shape you into
something you're not. The only upside to anger, then... is the person you become. Hopefully someone that wakes up one day and realizes they're not afraid to take the journey, someone that knows that the truth is, at best, a partially told story. That anger, like growth, comes in spurts and fits, and in its wake, leaves a new chance at acceptance, and the promise of calm. Then again, what do I know? I'm only a child.
”
”
Mike Binder
“
Jon! Jon! Please come and get me! Jon! Jon!” He tried to move, but he was paralyzed. He willed himself to move. But he was frozen. All of a sudden, an ominous thunderous roar, and the tiny figure was swallowed in a cloud of dust and ash as the building descended at speed, the smell of burning fuel thick in the air, the screaming unrelenting.
”
”
J.B. Turner (Hard Road (Jon Reznick #1))
“
The Chief of the Army was there, together with four other generals. There was the Chief of the Navy and the Chief of the Air Force and a sword swallower from Afghanistan, who was the President’s best friend. There was the President’s Chief Financial Advisor, who was standing in the middle of the room trying to balance the budget on top of his head, but it kept falling off.
”
”
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
“
And so the game went on in this manner, a throng of children playing keep-away from a bowling ball tossed back and forth between two plump ogres. The air filled with shrieks and cheers and shouts of laughter as daring players thrilled at the sport. That is, all but the few poor souls knocked flat and captured. No laughter rose from behind bars because those in the birdcage knew what was in store. They would soon be lunch for a couple of hungry ogres.
Now you might be thinking—didn’t Gavin call it fun when he was swallowed by a wolf earlier? And didn’t he tell that raven-haired girl it doesn’t hurt to be swallowed whole by a bear? All true, all true. But here’s a secret you might not know.
Ogres chew their food.
Luckily, it’s only the first bite that stings.
”
”
Richelle E. Goodrich (Secrets of a Noble Keykeeper)
“
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses.
Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over.
Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right.
Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who...
"Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too.
She opened her mouth and his fingers touched her wet cheeks.
"Anna," he said, his body going still. "Call on your wolf."
"You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you."
"There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf."
"You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker.
"I love you," he told her. "Now, call your wolf."
She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth.
"I'm sorry," she told him. "I'll go away—"
And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short.
Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes.
Then he snarled at her. "You are not leaving me."
It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate.
"You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—"
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
"Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
the air was becoming so rare, that it was painful to breathe; the blood kept rushing to our heads every moment, but despite all this, a delightful kind of feeling spread along all my veins, and I felt somehow elated at being so far above the world—a childish feeling, no doubt, but, on getting away from social conventions and coming closer to nature, we cannot help becoming children: all the things that have been acquired are shed by the soul, and it becomes again as it was once, and as it is surely to be again some day. He who, like me, has had occasion to wander over wild mountains and scrutinize, for a long time, their fantastic shapes, and avidly swallow the vivifying air pervading their gorges, will certainly understand my desire to render, to relate, to paint those magical images.
”
”
Mikhail Lermontov (Hero of Our Time)
“
Alex, please.”
He balls his fists. “Stop saying my name. You don’t know me anymore.”
“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”
“Don’t,” he says. His voice breaks on the word.
“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—”
“Don’t.”
“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.
“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”
“Alex, please—”
“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”
“Alex!”
He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.”
The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak.
He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”
“Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.”
“Stop saying my name.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
He sent out a large stream of smoke, still nodding, and held the cigarette up to share. I took it for the intimacy, for the moment when my fingers ran up along the backs of his. He turned up the volume until it felt like the whole porch was swallowed in the atmosphere of the song, teetering amid the shuffling brush-drumming and bending guitar notes. The lyrics were about music's almost supernatural power to make you feel, but only at the whims of memory and experience: a song never made the narrator happy until he danced to it with her, and now when he hears it, much later, it makes him lonely. I had the sense of my own memory packaging up this moment, absorbing and capturing its every element: the cold smoky air, the side of his leg against mine, the feel of his knuckles under my fingertips.
”
”
Holly Brickley (Deep Cuts)
“
On the throne, the remaining flowers turn the same inky black as Cardan's eyes. Then the black bleeds down his face. He turns to me, opening his mouth, but his jaw is changing. His whole body is changing- elongating and ululating.
...
The monstrous thing seems to have swallowed up everything of Cardan. His mouth opens wide and then jaw-crackingly wide as long fangs sprout. Scales shroud his skin. Dread has rooted me in place.
...
In the place where the High King was, there is a massive serpent, covered in black scales and curved fangs. A golden sheen runs down the coils of the enormous body. I look in to his black eyes, hoping to see recognition there, but they are cold and empty.
'It will poison the land,' cries the smith. 'No true love's kiss will stop it. No riddle will fix it. Only death.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
We smoked fat cigars by the campfire and they tasted like wood and ash. The inhale and exhale was exciting. Blowing smoke rings in the calm forest air was followed by a deep swallow of cheap beer, and this too was exciting. There was no judgment in the wild, and so indulgences were plentiful. There were no regulators here and we were free to indulge in the deep intoxications that made our minds free.
”
”
Daniel J. Rice (The UnPeopled Season: Journal from a North Country Wilderness)
“
J.K. watches a storm rage into the crimson afternoon. The sky is electric. Rain whips her bare arms and legs. Dustbins are hauled into the air, caught on the wind’s curve. Bags and pillowcase unpacked for a while, toothbrush, perfume, books, a little pile of yellow feathers, J.K. knows she too is caught in the wind. She is Europe’s eerie child, and she is part of the storm." (from "Swallowing Geography" by Deborah Levy)
”
”
Deborah Levy
“
Homesickness Standing under a million stars screaming up at them, PLEASE JUST TAKE ME HOME, with a voice rusty like the underside of boats, feeling it scratch at a throat like swallowed fish-bones. Making petitions to get the universe to care more, signing our names on any scrap of paper passed along like a single name could change the whole wide world. Could change galaxies. Tearing clothes, ripping skin, pleading, TAKE ME BACK, JUST TAKE ME BACK, I’m not willing to be a person any more. Science says I was part of a star once and I just— I want to be back there, always burning. These atoms could have been a lioness but here I am instead, these fragile limbs, and I never found out the returns policy. Take me back, take me back, I want to go home. Broken glass catching at my feet and the air too hot in my lungs. If I could have been anything why am I this?
”
”
Elisabeth Hewer (Wishing for Birds)
“
Dex took hold of his face, kissing him until they were both gasping for air. Sloane swallowed hard at the sight of Dex’s kiss-swollen mouth, his face flushed, and his pale blue eyes filled with lust. God, Sloane couldn’t remember the last time he’d felt so alive. “You’re so fucking sexy,” Dex breathed, his body giving off a scorching heat. He put his lips to Sloane’s neck, kissing and licking, moving his way up to Sloane’s ear. “Dex….
”
”
Charlie Cochet (Hell & High Water (THIRDS, #1))
“
I’m heading out.”
Her gaze searched his and, a little breathless, she asked, “Leaving?”
“Yeah.” He stepped closer. Any second how Trace would intrude. “Thing is, Alani, I can’t be around you without wanting you. Bad. Really bad.”
“Oh.”
“If that’s crude, well, then screw it, I’m crude. I know we’d have a great time in bed, but since you aren’t ready for that yet, well . . . I promised Trace I wouldn’t pressure you.”
Her neck went stiff. “Dear God. You discussed this with my brother?”
“No!” He cut a hand through the air and his voice lowered. “When . . . if . . . I get you out of your panties, believe me, it’ll be a private thing between us. No way in hell would I discuss that with anyone else.”
Her face went as red as Priss’s had.
“Trace and I talked about you maybe decorating my house, that’s all.”
“Oh.” Face still hot, she said, “I—”
“Yeah, forget it. That’s off. Like I said, I’d just hanker for you, and you aren’t exactly reciprocating. So that’s that.”
She blinked fast.
“But if you ever change your mind, all you have to do is let me know.” He reached out and touched her cheek. Her skin was soft and warm and he wanted to feel her all over.
All over him. Naked. Hungry. Wet . . .
Damn, he had it bad. “I can promise you, if you do come to me, you won’t regret it.”
She swallowed, licked her lips and damned if her eyes didn’t heat. She wanted him, too. He had to believe that. But Trace was starting up the hill, and the others were looking on, and the last thing he wanted was to make Alani uncomfortable.
“Tell everyone I said goodbye. You make up any excuse you want.” And with that, he left Alani standing there, watching after him as he walked away.
God willing, she’d contact him soon.
He wasn’t sure he could stand it if she didn’t.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
You must have thought more times than you realized "it will hurt".
You should know it may. Okay. It may hurt immensely to open you up in your safe, dark space, sporadic light and chaotic air hitting you unlike anything you have known. Sometimes it will feel impossible to swallow. Because finding your way back to you involves telling the truth about oneself while pushing through a field of trees that are all whispering different tones of you.
”
”
Thaiia Senquetta (Honey peppered tongue)
“
I never dreamed you would be this beautiful," he said quietly, trembling slightly, his baritone voice resonating low and intimate as he scanned the length of her body.
"What do you m-m-" she began, her voice swallowed by another kiss. This one was more insistent, and she felt her skin jump. Her hips rocked, her stomach tensed at the firmer press of his mouth against hers. It was only once she leaned into him that she felt something hard and hot pressed against her hip, eliciting a soft groan into her mouth and a shiver that moved like a wave along his entire body. She mewled a wordless question against his lips, wanting to ask who he was. His only response was to skim his tongue across her teeth until they opened, letting him taste her.
Kore heard him sigh as his hand traced up her ribs and settled firmly on her breast. Her nipple instantly tightened under his palm and she cried into his mouth at the unanticipated pleasure of it. He languorously stroked her tongue with his and tasted of ancient groves and deep, warm earth, and the cold, faint sweetness of a foreign flower she knew but couldn't quite place. With a gasp she broke off the kiss to look up at him again, her face and neck flushed, her lips tingling, her heart pounding. The cool night air moved over her hot skin.
He smiled down at her again. "You taste exquisite.
”
”
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
“
I pull into the field & cut the engine.
It's simple: I just don't know
how to love a man
gently. Tenderness
a thing to be beaten
into. Fireflies strung
through sapphired air.
You're so quiet you're almost
tomorrow.
The body was made soft
to keep us
from loneliness.
You said that
as if the car were filling
with river water.
Don't worry.
There's no water.
Only your eyes
closing.
My tongue
in the crux of your chest.
Little black hairs
like the legs
of vanished insects.
I never wanted the flesh.
How it never fails
to fail
so accurately.
But what if I broke through
the skin's thin page
anyway
& found the heart
not the size of a fist
but your mouth opening
to the width
of Jerusalem. What then?
To love another
man--is to leave
no one behind
to forgive me.
I want to leave
no one behind.
To keep
& be kept.
The way a field turns
its secrets
into peonies.
The way light
keeps its shadow
by swallowing it.
”
”
Ocean Vuong (Night Sky with Exit Wounds)
“
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence. The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption. At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching. Eat me up, my love, or else I’m going to eat you up. Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me. Sign my death with your teeth.
”
”
Hélène Cixous
“
Another cycle—drink, smoke, swallow. I want to be low enough to slip beneath the surface and swim without needing air. He’s the only person who ever understood that desire. Not to die, but to already be dead. I remember trying to explain it to Ira. Just a glimpse was enough to make him worry, and worry never leads to anything good. Worry makes people butt in where they don’t belong. Any time I’ve ever heard the words “Vanessa, I worry about you,” my life has been blown apart.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
And that date, too, is far off?'
'Far off; when it comes, think your end in this world is at hand!'
'How and what is the end? Look east, west, south and north.'
'In the north, where you never yet trod, towards the point whence your instincts have warned you, there a spectre will seize you. 'Tis Death! I see a ship - it is haunted - 'tis chased - it sails on. Baffled navies sail after that ship. It enters the regions of ice. It passes a sky red with meteors. Two moons stand on high, over ice-reefs. I see the ship locked between white defiles - they are ice-rocks. I see the dead strew the decks - stark and livid, green mold on their limbs. All are dead, but one man - it is you! But years, though so slowly they come, have then scathed you. There is the coming of age on your brow, and the will is relaxed in the cells of the brain. Still that will, though enfeebled, exceeds all that man knew before you, through the will you live on, gnawed with famine; and nature no longer obeys you in that death-spreading region; the sky is a sky of iron, and the air has iron clamps, and the ice-rocks wedge in the ship. Hark how it cracks and groans. Ice will imbed it as amber imbeds a straw. And a man has gone forth, living yet, from the ship and its dead; and he has clambered up the spikes of an iceberg, and the two moons gaze down on his form. That man is yourself; and terror is on you - terror; and terror has swallowed your will. And I see swarming up the steep ice-rock, grey grisly things. The bears of the north have scented their quarry - they come near you and nearer, shambling and rolling their bulk, and in that day every moment shall seem to you longer than the centuries through which you have passed. And heed this - after life, moments continued make the bliss or the hell of eternity.'
'Hush,' said the whisper; 'but the day, you assure me, is far off - very far! I go back to the almond and rose of Damascus! - sleep!' ("The House And The Brain
”
”
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
“
He holds Willem so close that he can feel muscles from h9is back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.
”
”
Hanya Yanagihara (A Little Life)
“
It is not the only good thing you’ve ever done,” Akos said, in plain Thuvhesit. It felt like the right language for this moment, the language of his home, which Cyra understood but didn’t really speak when he was around, like she was afraid it would hurt his feelings.
“It’s worth everything to me, what you did,” he said, still in Thuvhesit. “It changes everything.”
He touched his forehead to hers, so they shared the same air.
“I like how you sound in your own language,” she said softly.
“Can I kiss you?” he said. “Or will it hurt?”
Her eyes went wide. Then she said breathlessly, “And if it hurts?” And smiled a little. “Life is full of hurt anyway.”
Akos’s breaths shuddered as he pressed his mouth to hers. He wasn’t sure what it would be like, kissing her this way, not because she surprised him and he didn’t think to pull away, but because he just wanted to. She tasted malty and spiced from the painkiller she had swallowed, and she was a little hesitant, like she was afraid to hurt him. But kissing her was touching match to kindling. He burned for her.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
Deedee pulled away from Trina and turned, ran into the grey wall of the Flat Trans. It swallowed her whole and she was gone. The roar of the Berg filled the air. The building trembled. Bruce arrived at the door, screaming something unintelligible.
And then Trina was rushing to Mark. Throwing her arms around his neck. Kissing him. A thousand thoughts flipped through his mind, and he saw her in all of them. Wrestling in the front yard of her house before they were old enough to know anything; saying hi in the school hallway; riding the subtrans; feeling her hand in the darkness after the flares struck; the terror of the tunnels, the rushing waters, the Lincoln Building; waiting out the radiation, stealing the boat, the countless treks across ruined, sweltering land. She'd been there with him through it all. With Alec. Lana. Darnell and the others.
And here, at the end of the fight, Trina was in his arms.
Monstrous noise and quaking took over the world, but he still heard what she whispered into his ear before the Berg came crashing into the building.
"Mark.
”
”
James Dashner (The Kill Order (The Maze Runner, #4))
“
From out of the shadows, the British agent swung the yellow-and-black pole of a work light rig like a two-handed sword, striking the gunman squarely in the chest with the cluster of lamps at the upper end. Glass and plastic shattered against him, hardened halogen bulbs popping and sparking, disconnected power cables snapping through the air like whips. The gunman staggered backward, his balance failing, and Marc swung back the other way, this time catching the assassin across the face with the splayed metal legs of the work light tripod
”
”
James Swallow (Nomad (Marc Dane, #1))
“
He leaned back against the Jeep and smiled. “More orders for your CEO, Madam President?”
Her eyes were huge and solemn with concern. “I want you to be very careful tonight.”
“I will,” he promised.
“Joel, I love you. You know that, don't you?”
For an instant he was stunned at the admission. Then elation soared in him. For the moment, at least, it blotted out all the other things he had been
feeling since he'd walked into his apartment and seen the evidence of Victor Copeland's ungovernable rage. He reached for Letty.
“Damn, Letty,” he muttered thickly, “you've picked a fine time to tell me.” He pulled her into his arms, fumbling for the feel of her through the plump
layers of her Thornquist Gear down coat. “You know I love you, too, don't you?”
“Well, you hadn't actually said so,” she reminded him. The comment was tart, but her eyes were brimming with delight. “However, I have been
extremely optimistic.”
“Don't ever forget it.” He kissed her mouth, the only part of her that was not swallowed up by her voluminous jacket. Her lips were warm in spite of
the cold air. Joel groaned and pulled her closer.
”
”
Jayne Ann Krentz (Perfect Partners)
“
The little Swallow is fond. It belongs, of course, to her life that some one should come here, take her in his arms, and then go away again. Then the sewing machine hums, another comes, the Swallow laughs, the Swallow weeps, and sews away for ever. —She casts a gay coverlet over the sewing machine, thereby transforming it from a nickel and steel creature of toil into a hillock of red and blue silk flowers. She does not want to be reminded now of the day. In her light, soft dress she nestles down in my arms; she chatters, she whispers and murmurs and sings. So slender and pale—half-starved she is too—and so light that one can easily carry her to the bed, the iron camp bed. Such a sweet air of surrender as she clings about one’s neck! She sighs and she smiles—a child with closed eyes—sighs and trembles and stammers a little bit. She breathes deep and she utters small cries. I look at her. I look again and again. I too would be so. Silently I ask, Is this it? Is this it? And the Swallow names me with all kinds of fair names and is embarrassed and tender and nestles close to me. And as I leave her, I ask, “Are you happy, little Swallow?” Then she kisses me many times and makes faces and waves and nods and nods. But I go down the stairs and am full of wonder. She is happy! How easily! —I can not understand. For is she not still another being, a life unto herself, wherein I can never come? Would she not still be so, though I came with all the fires of love? Ach, love—it is a torch falling into an abyss, revealing nothing but only how deep it is? I set off down the street to the station. This is not it; no, this is not it, either. One is only more alone there than ever. 3
”
”
Erich Maria Remarque (The Road Back)
“
She leans back again against the pine’s trunk. Some slight change in the atmosphere, the humidity, and her mind becomes a greener thing. At midnight, on this hillside, perched in the dark above this city with her pine standing in for a Bo, Mimi gets enlightened. The fear of suffering that is her birthright—the frantic need to steer—blows away on the wind, and something else wings down to replace it. Messages hum from out of the bark she leans against. Chemical semaphores home in over the air. Currents rise from the soil-gripping roots, relayed over great distances through fungal synapses linked up in a network the size of the planet.
The signals say: A good answer is worth reinventing from scratch, again and again.
They say: The air is a mix we must keep making.
They say: There’s as much belowground as above.
They tell her: Do not hope or despair or predict or be caught surprised. Never capitulate, but divide, multiply, transform, conjoin, do, and endure as you have all the long day of life.
There are seeds that need fire. Seeds that need freezing. Seeds that need to be swallowed, etched in digestive acid, expelled as waste. Seeds that must be smashed open before they’ll germinate.
A thing can travel everywhere, just by holding still.
The next day dawns. The sun rises so slowly that even the birds forget there was ever anything else but dawn. People drift back through the park on their way to jobs, appointments, and other urgencies. Making a living. Some pass within a few feet of the altered woman.
Mimi comes to, and speaks her very first Buddha’s words. “I’m hungry.”
The answer comes from right above her head. Be hungry.
“I’m thirsty.”
Be thirsty.
“I hurt.”
Be still and feel.
”
”
Richard Powers (The Overstory)
“
IT WAS THOUSANDS of years ago and thousands of miles away, but it is a visit that for all our madness and cynicism and indifference and despair we have never quite forgotten. The oxen in their stalls. The smell of hay. The shepherds standing around. That child and that place are somehow the closest of all close encounters, the one we are closest to, the one that brings us closest to something that cannot be told in any other way. This story that faith tells in the fairytale language of faith is not just that God is, which God knows is a lot to swallow in itself much of the time, but that God comes. Comes here. “In great humility.” There is nothing much humbler than being born: naked, totally helpless, not much bigger than a loaf of bread. But with righteousness and faithfulness the girdle of his loins. And to us came. For us came. Is it true—not just the way fairytales are true but as the truest of all truths? Almighty God, are you true? When you are standing up to your neck in darkness, how do you say yes to that question? You say yes, I suppose, the only way faith can ever say it if it is honest with itself. You say yes with your fingers crossed. You say it with your heart in your mouth. Maybe that way we can say yes. He visited us. The world has never been quite the same since. It is still a very dark world, in some ways darker than ever before, but the darkness is different because he keeps getting born into it. The threat of holocaust. The threat of poisoning the earth and sea and air. The threat of our own deaths. The broken marriage. The child in pain. The lost chance. Anyone who has ever known him has known him perhaps better in the dark than anywhere else because it is in the dark where he seems to visit most often.
”
”
Frederick Buechner (Listening to Your Life: Daily Meditations with Frederick Buechner – The Acclaimed Novelist-Preacher on Imagination)
“
You never asked about your present.'
'I assumed I wasn't getting one from you.'
He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?'
She shrugged. 'I just did.'
He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him.
Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.'
He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring.
'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.'
Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?'
'Touch the top. Just a tap.'
Throwing a puzzled glance at him, she did so.
Music exploded into the room.
Nesta leaped back, a hand at her chest as he laughed.
But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again.
'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.'
'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled.
His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...'
He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room.
He had done all of this for her. Had found a way for her to have music- always.
'Nesta,' he breathed.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
The hardest thing about being wanted was the hardest thing about wanting—wanting badly enough that it gave you a stomachache, wanting in the way that was partly about kissing and partly about swallowing whole, the way a snake gulps down a mouse or the Big Bad Wolf gulps down Red Riding Hood—wanting turned someone you felt like you knew into a stranger. Whether that person was your brother’s best friend or a sleeping prince in a glass prison or a girl who kissed you at a party, the moment you wanted more than just touching your mouth to theirs, they became terrifying and you became terrified.
”
”
Holly Black
“
Yes.” I sniff.
I love him like you might love a star.
“Yes, you did?” He stares over at me.
I nod. “Yes.”
His eyes go funny, sort of blurry—he blinks twice and then he yells
“Fuck!” way too loudly to be anything close to discreet.
My head pulls back and I tense up.
“Shit.” He breathes out, shaking his head. “Fuck—”
I watch on in mild horror. “Are you ok—”
“Say it.”
“What?” I stare over at him.
“Can you, please? Say it?” he asks. “Now. Out loud—” He shakes his
head at himself. “Just so I’ve heard you say it one time.”
I open my mouth to protest for a reason I don’t know why and then I stop
myself, swallow and look him in the eye.
“I loved you.”
He nods a couple of times then closes his eyes for a few seconds, blows
some air out of his mouth.
“I have to ask—” He looks back over at me, eyes all heavy now. “Was I
ever in with a shot?”
He is a star. Not the shooting kind. Not some flash-in-the-pan meteorite
that burns up on entry into the atmosphere. And stars, they’re undeniably
beautiful, kind of magical. Only come out at the nighttime. Easy enough to
ignore. In a sky full of them, a single star can be difficult to tell apart from
the others. They don’t affect our day-to-day lives, really. You might see it
one night and not the next, and it bears no real consequence other than
perhaps the sky is a little less wonderful on that particular evening. A star is
a star.
“In this world,” I give him a delicate look, “with BJ?” I shake my head.
“I’m sorry.”
“That’s—” He trails, letting out this hollow laugh that I kind of hate. It
doesn’t suit him. His regular laugh is so wonderful. “—fine.” He nods.
“That’s good to know, actually—”
“I’m sorry,” I tell him.
He shakes his head again. “No, don’t be.”
But you see, the thing about stars is that in another galaxy, that star is
also a sun.
“If it wasn’t him, it would be you,” I tell him, for better and for worse.
He blows some more air out of his mouth and catches my eye.
“In another life, yeah?”
I nod and offer him a weak smile. “I’ll meet you there.
”
”
Jessa Hastings (Magnolia Parks Universe Series 5 Books Collection Set by Jessa Hastings (Magnolia Parks, Daisy Haites, The Long Way Home, The Great Undoing, and Into the Dark))
“
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
”
”
Marcel Proust (Jean Santeuil)
“
After All This"
After all this love, after the birds rip like scissors
through the morning sky, after we leave, when the empty
bed appears like a collapsed galaxy, or the wake of
disturbed air behind a plane, after that, as the wind turns
to stone, as the leaves shriek, you are still breathing
inside my own breath. The lighthouse on the far point
still sweeps away the darkness with the brush of an arm.
The tides inside your heart still pull me towards you.
After all this, what are these words but mollusk shells
a child plays with? What could say more than the eloquence
of last night’s constellations? or the storm anchored by
its own flashes behind the far mountains? I remember
the way your body wavers under my touch like the northern
lights. After all this, I want the certainty of hidden roots
spreading in all directions from their tree. I want to hear
again the sky tangled in your voice. Some nights I can
hear the footsteps of the stars. How can these words
ever reveal the secret that waits in their sleeping light?
The words that walk through my mind say only what has
already passed. Beyond, the swallows are still knitting
the wind. After a while, the smokebush will turn to fire.
After a while, the thin moon will grow like a tear in a curtain.
Under it, a small boy kicks a ball against the wall of
a burned out house. He is too young to remember the war.
He hardly knows the emptiness that kindles around him.
He can speak the language of early birds outside our window.
Someday he will know this kind of love that changes
the color of the sky, and frees the earth from its moorings.
Sometimes I kiss your eyes to see beyond what I can imagine.
Sometimes I think I can speak the language of unborn stars.
I think the whole earth breathes with you. After all this,
these words are all I have to say what is impossible to think,
what shy dreams hide in the rafters of my heart, because
these words are only a form of touch, only tell you I have no life
that isn’t yours, and no death you couldn’t turn into a life.
”
”
Richard Jackson (Resonance)
“
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume.
"Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper.
"Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London."
Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek.
"There's something else," Marcus said.
Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?"
"With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses.
Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it.
"Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?"
"Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?"
Marcus gave her a speaking look, as if only an imbecile would suppose otherwise.
Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes.
No miles of level desert, no jagged mountain heights,
no sea of endless blue
Neither words nor tears, nor silent fears
will keep me from coming back to you.
There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought.
"It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes.
"Let me see it."
Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“
Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever.
Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them.
Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife.
Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.”
The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.”
Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.”
The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg.
Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome.
“I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.”
His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.”
Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek.
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
But Holms had proven stalwart and valiant. When Miss Jones had shown up to discover them in the castle hallway, because she’d heard a suspicious noise and had feared for her schoolchums’ safety, they’ d had to bring her along. She’d wanted to run straight to the headmistress, of course, but Armand had persuaded her not to. How he regretted that decision now!
The duke had fired his guns at them all. They’d retreated, thought to go to the automobile to fetch a doctor and the sheriff, but they’d stumbled the wrong way and fallen down the slope to the beach instead. All three of them. And there, noble Jesse had died.
Fact. Fiction. Likely because so much of it had happened, and because Armand’s red-eyed, stoic distress seemed so genuine, the adults around us had accepted it as truth.
Mostly.
I think if I hadn’t been discovered wearing only Armand’s coat as I knelt next to Jesse’s body, Mrs. Westcliffe might have found the whole thing easier to swallow.
Yet the official version ruled the day. And here we all were basking in it, breathing fresh sea air, warmed by the generous spring sun. Burying a hero. A far, far greater hero than anyone standing around me at his funeral would ever suspect.
Somewhere in deep-blue briny waters, a U-boat rested, filled with live torpedoes and solid-gold men.
I thought I better understood Rue’s letters now. I understood her warning about the pain that would come with my Gifts.
I understood my sacrifice.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
That peculiar feeling—it was only a feeling, you couldn’t describe it as an activity—that we used to call “Church.” The sweet corpsy smell, the rustle of Sunday dresses, the wheeze of the organ and the roaring voices, the spot of light from the hole in the window creeping slowly up the nave. In some way the grown-ups could put it across that this extraordinary performance was necessary. You took it for granted, just as you took the Bible, which you got in big doses in those days. There were texts on every wall and you knew whole chapters of the O.T. by heart. Even now my head’s stuffed full of bits out of the Bible. And the children of Israel did evil again in the sight of the Lord. And Asher abode in his breaches. Followed them from Dan until thou come unto Beersheba. Smote him under the fifth rib, so that he died. You never understood it, you didn’t try to or want to, it was just a kind of medicine, a queer-tasting stuff that you had to swallow and knew to be in some way necessary. An extraordinary rigmarole about people with names like Shimei and Nebuchadnezzar and Ahithophel and Hash-badada; people with long stiff garments and Assyrian beards, riding up and down on camels among temples and cedar trees and doing extraordinary things. Sacrificing burnt offerings, walking about in fiery furnaces, getting nailed on crosses, getting swallowed by whales. And all mixed up with the sweet graveyard smell and the serge dresses and the wheeze of the organ.
”
”
George Orwell (Coming Up for Air)
“
What else could eternity be?
on the surface a waterlily
holds shadowy depths
just-kissed with clouds
and rouge surfacing
— on the water’s edge
just-bound, just-bound to break,
and change, but never does....
By rippling refracted waterlight
she dances like a reflection
before me— like a mirage
I watch the visage of her
— and reach for her body
like coursing water
like pulsing-liquid her body
like flesh-contained breath….
Fingers entwine o’er fingers
we thread agile on the trail
over vines and brambles:
by the turn of her head
into tree shade
she shows me the nests
hidden in thickets….
Delighted by the lightness
of her touch, the quickness
of her brow— and notice:
the heaviness
of her breasts
I, too, am carrying….
Oh with her calm, receptive walk
and her quiet, sensitive talk
and with the posture
in which she sits
which slows down
and softens my speech….
Of her am I moved to study
and to muse: how this moment
in the movement of
her swallowing hips
she's a lover, and this moment
behind her sisters
— her nose turned to air—
she walks with childhood,
and now in the shape
of her vase-body she reveals
motherliness, and now
in this moment she is in this
moment she is in this moment….
Now, today we leave this valley
for my love we've a world to show
we've friends, elders, the people to show—
the purple glow
of our presence
the gravity
of our having-met….
”
”
Mark Kaplon (Song of Rainswept Sand)
“
Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and—”
“Everything is fine, thank you,” said Lupin pointedly.
Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.”
“Oh, how wonderful!” squealed Hermione.
“Excellent!” said Ron enthusiastically.
“Congratulations,” said Harry.
Lupin gave an artificial smile that was more like a grimace, then said, “So . . . do you accept my offer? Will three become four? I cannot believe that Dumbledore would have disapproved, he appointed me your Defense Against the Dark Arts teacher, after all. And I must tell you that I believe that we are facing magic many of us have never encountered or imagined.”
Ron and Hermione both looked at Harry.
“Just—just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?”
“She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.”
“Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.”
Lupin’s face drained of color. The temperature in the kitchen might have dropped ten degrees. Ron stared around the room as though he had been bidden to memorize it, while Hermione’s eyes swiveled backward and forward from Harry to Lupin.
“You don’t understand,” said Lupin at last.
“Explain, then,” said Harry.
Lupin swallowed.
“I—I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.”
“I see,” said Harry, “so you’re just going to dump her and the kid and run off with us?”
Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face.
“Don’t you understand what I’ve done to my wife and my unborn child? I should never have married her, I’ve made her an outcast!”
Lupin kicked aside the chair he had overturned.
“You have only ever seen me amongst the Order, or under Dumbledore’s protection at Hogwarts! You don’t know how most of the Wizarding world sees creatures like me! When they know of my affliction, they can barely talk to me! Don’t you see what I’ve done? Even her own family is disgusted by our marriage, what parents want their only daughter to marry a werewolf? And the child—the child—”
Lupin actually seized handfuls of his own hair; he looked quite deranged.
“My kind don’t usually breed! It will be like me, I am convinced of it—how can I forgive myself, when I knowingly risked passing on my own condition to an innocent child? And if, by some miracle, it is not like me, then it will be better off, a hundred times so, without a father of whom it must always be ashamed!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
As iAm cracked the door to his brother’s room, the poor bastard’s suffering stained the very air, making it hard to breathe—and even see properly.
Then again, everything was dark by design.
“Trez?”
The moaned answer was nothing good, a combination of wounded animal and sore throat from throwing up.
iAm lifted his wrist into the light streaming in from behind and cursed at his Piaget.
By this time, the SOB should have been solidly in recovery, his body digging itself out of the headache hole that had swallowed him. Not the case.
“You want something for your stomach?”
Mumble, mumble, groan, mumble?
“Okay, I’m sure they’ve got some.”
Mumble, moan, moan. Mutter, mutter.
“Yeah, that, too. You want some Milanos?”
Mmmmmmmmmoan.
“Roger that.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
For 3,000 years the most sought-after rooms were on the first floor—or the second floor if you’re an American. The piano nobile, the grand first floor, was for animals or the shop. One flight up was the master bedroom and reception rooms, and the further up you went, the lower your status. Scullery maids roosted like swallows in the eaves. But the lift brought us to the penthouse to live with the angels, the glass walls, the silent buffet of the wind, the hiss of climate control. And beneath the great, blinking panorama of the city, wall evaporated into air. No art or bookshelf could compete with the view of omnipotence, the sense of living on Parnassus, a double-glazed Valhalla. And a view suddenly had a value—real estate agents could sell something they didn’t own.
”
”
A.A. Gill (To America with Love)
“
remember the joy when the fighting finally stopped—it was thick as honey, you could almost taste it in the air. The whole city was dizzy with the thought of peace after decades of war, with the belief that our enemies across the sea could become our friends. But the world turns and younger generations forget the lessons learned by the old … and the wolves of greed and prejudice come slinking back from the shadows.” The man took a swallow of brandy. “You can’t stop human nature, lad. Even if you somehow manage to stop Marquetta, someone else will take up his cause. We’ll war again with the Zar-Ghosans sooner or later, because ultimately there’s not enough profit in peace. Conflict is the only thing we truly understand.” “I had you pegged for a soldier, not a philosopher.
”
”
James Logan (The Silverblood Promise (The Last Legacy, #1))
“
So he closed his eyes and imagined Artimé, the way it had been, he way he wanted it to be again. His hands reached out to include the entire plot of land. "Imagine," he said in a soft voice, picturing it all, room by room, the lawn with the fountains, the trees, the creatures. When he was certain he'd imagined it, he want on.
"Believe. " He believed with all his heart that Artimé could exist again. Believed that when he was finished with the spell and he opened his eyes, it would be there.
"Whisper." Alex imagined Mr. Today whispering these words over the desolate plot of land so many years ago, calling it to live a new, vibrant life, and he realized that he'd been whispering the words all along.
"Breathe." Alex took in a deep, satisfying breath and let it out slowly. He didn't forget it this time. He pictured himself breathing life into the world, giving it the air it needed to flourish once again.
And then: "Commence." The command to make it all happen. The beginning of everything. [...] he remembered the clue. Utter in order, repeat times three.
[...] When he finished the second round, he started one last time, his voice remaining soft. "Imagine. Believe. Whisper. Breathe." He hesitated, swallowing hard before the last one. And finally: "Commence."
Nothing happened. All was deathly silent. Alex remained very still, eyes closed, arms outstretched, feeling a sort of calmness inside him that he hadn't felt ever before. It almost seemed like he was beginning to float, peacefully alone in the world.
And then something did happen. The light through his closed lids grew pinkish-white, bright, and soon lights swirled around him, faster and faster, with colors joining in and growing stronger. He opened his eyes just as the land in front of him turned a luscious green and, with a great rumble, the enormous fountain broke through the ground, spewing up from the earth, the growing expanse of lawn rippling and resettling around it. The land spread farther, making Unwanteds along the shore lose their footing and tumble to the ground. Trees popped up to dot the lawn and for the jungle on the opposite side of Artimé. The gray shack spun and grew into the enormous mansion once again. The heat dissipated in an instant, and a cool breeze rushed in from the sea.
Alex gaped. "I did it," he whispered. And then he yelled at the top of his voice, "I did it!
”
”
Lisa McMann (Island of Fire (Unwanteds, #3))
“
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills.
Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap.
It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river!
And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening.
It doesn't matter. The results are the same.
The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you.
Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear.
That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
”
”
Joe Kane (Running the Amazon)
“
As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you.
From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf.
But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down.
You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.
”
”
C.G. Jung (The Red Book: Liber Novus)
“
But he was already kissing her, one hand on the side of her face, the other removing the sandwich from her lap and putting it on the seat next to him, and it turned out that little seedling hadn’t been crushed after all, and that first kisses didn’t necessarily require darkness and alcohol, they could happen in the open air, with the sun warm on your face and everything around you honest and real and true and thank God she hadn’t been chewing gum because she would have to have swallowed it quick-smart and she might have missed the fact that Tom tasted exactly the way she always suspected he’d taste: of cinnamon sugar and coffee and the sea.
“I was worried we were destined for friendship,” she said when they came up for air.
Tom brushed a lock of hair off her forehead and tucked it behind her ear. “Are you kidding? Besides, I’ve got enough friends.
”
”
Liane Moriarty (Big Little Lies)
“
She remembers blood.
A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss.
Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms.
”
”
Amanda M. Lyons (Wendy Won't Go)
“
The influences of his solitary hut-life were upon him besides, and gave him a savage air that no dress could tame; added to these were the influences of his subsequent branded life among men, and, crowning all, his consciousness that he was dodging and hiding now. In all his ways of sitting and standing, and eating and drinking,—of brooding about in a high-shouldered reluctant style,—of taking out his great horn-handled jackknife and wiping it on his legs and cutting his food,—of lifting light glasses and cups to his lips, as if they were clumsy pannikins,—of chopping a wedge off his bread, and soaking up with it the last fragments of gravy round and round his plate, as if to make the most of an allowance, and then drying his finger-ends on it, and then swallowing it,—in these ways and a thousand other small nameless instances arising every minute in the day, there was Prisoner, Felon, Bondsman, plain as plain could be.
”
”
Charles Dickens (Great Expectations)
“
Matthew closed the door and turned toward her. He seemed very large in the small room, his broad frame dwarfing their civilized surroundings. Daisy’s mouth went dry as she stared at him. She wanted to be close to him… she wanted to feel all his skin against hers.
“What is there between you and Llandrindon?” he demanded.
“Nothing. Only friendship. On my side, that is.”
“And on his side?”
“I suspect— well, he seemed to indicate that he would not be averse to— you know.”
“Yes, I know,” he said thickly. “And even though I can’t stand the bastard, I also can’t blame him for wanting you. Not after the way you’ve teased and tempted him all week.”
“If you’re trying to imply that I’ve been acting like some femme fatale—”
“Don’t try to deny it. I saw the way you flirted with him. The way you leaned close when you talked… the smiles, the provocative dresses…”
“Provocative dresses?” Daisy asked in bemusement.
“Like that one.”
Daisy looked down at her demure white gown, which covered her entire chest and most of her arms. A nun couldn’t have found fault with it. She glanced at him sardonically. “I’ve been trying for days to make you jealous. You would have saved me a lot of effort if you’d just admitted it straight off.”
“You were deliberately trying to make me jealous?” he exploded. “What in God’s name did you think that would accomplish? Or is turning me inside out your latest idea of an entertaining hobby?”
A sudden blush covered her face. “I thought you might feel something for me… and I hoped to make you admit it.”
Matthew’s mouth opened and closed, but he couldn’t seem to speak. Daisy wondered uneasily what emotion was working on him. After a few moments he shook his head and leaned against the dresser as if he needed physical support.
“Are you angry?” she asked apprehensively.
His voice sounded odd and ragged. “Ten percent of me is angry.”
“What about the other ninety percent?”
“That part is just a hairsbreadth away from throwing you on that bed and—” Matthew broke off and swallowed hard. “Daisy, you’re too damned innocent to understand the danger you’re in. It’s taking all the self-control I’ve got to keep my hands off you. Don’t play games with me, sweetheart. It’s too easy for you to torture me, and I’m at my limit. To put to rest any doubts you might have… I’m jealous of every man who comes within ten feet of you. I’m jealous of the clothes on your skin and the air you breathe. I’m jealous of every moment you spend out of my sight.”
Stunned, Daisy whispered, “You… you certainly haven’t shown any sign of it.”
“Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays— I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot… I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
somewhere
there is a women in China holding a black umbrella so she
won’t taste the salt of the rain when the sky begins to weep,
there is a 17 year old girl who smells like pomegranates and has summer air tight on her naked skin, wrapping around her scars
like veins in a bloody garden, who won’t make it past tomorrow,
there is a young man, who buys yellow flowers for the woman
in apartment 84B, who learned braille when he realized she
couldn’t read his poetry about her white neck and mint eyes
there are people watching films,
making love for the first time, opening mail with the
heading of ‘i miss you’, cooking noodles with
organic spices and red sauces, buying lemon detergent,
ignoring ‘do not smoke’ signs, painting murals
of his lips in abandoned warehouses, chewing
the words ‘i love you’ over and over again, swallowing
phone numbers and forgotten birthdays, eating
strawberry pies, drinking white wine off of each
others open mouths, ignoring the telephone,
reading this poem
somewhere
someone is thinking
i’m alone
somewhere
someone finally understands
they never really
were
”
”
Anonymous
“
The hurricane was almost upon her. If she didn’t leave right now, dragons on the lost continent would die. Dragons who might one day be her friends, if she saved them. Dragons who had no idea what was bearing down on them, because there was no one there to warn them. Yet. Clearsight took a deep breath, vaulted into the sky, and pointed herself west. Her mind immediately started flashing through all the ways she could die in the next two days. This was why she hated flying in storms. They were too unpredictable; the smallest twitch of the wind in the wrong direction could send her plummeting to the rocks below, or drive a stray palm branch into her heart. Don’t think about that. Think about the dragons who need you. The other vision was fading; the one where she flew southeast and hid. In that one, she’d arrived on the lost continent in the hurricane’s aftermath. The images of the devastation and dead bodies would be hard to shake off, even if she prevented them in reality. Will they believe me? Will they listen to me? In some of her visions, they did; in some, they didn’t. All she could do was fly her hardest and hope. The hurricane fought her at every wingbeat, as if it knew she was trying to snatch victims from its claws. Rain battered her ferociously. She felt like she’d be driven into the endless sea at any moment. Or maybe she’d drown up here, in the waterlogged sky. But this was only the outer edge of the storm; there was far worse still to come. Clearsight was trying to reach land before the really terrible fury behind her did. She couldn’t stop, couldn’t slow down for a moment. At one point she glanced back and saw a spout of water sucked into the air. In the middle of it, an orca flailed desperately, before the storm flung it away. A while later, after the sun had apparently been swallowed for good, Clearsight saw an entire hut fly by her, then splinter apart. She had to duck quickly to a lower air current to avoid the debris. Where had it come from? Who had lived in it? She would never know, her visions told her. And then, when Clearsight was beginning to lose all feeling in her wings, she saw a shape loom out of the clouds ahead. A cliff. Land. A lot of land. A whole continent, in fact.
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
I walk into the water and it’s ten degrees cooler than the air,
absolutely freezing freezing cold, it makes my breath come all fast
and I can only take in little gulps of air. I feel the sting of the cut on
my leg as the salt gets in it. And I push further into it, so that the
water comes up to my chest, then my shoulders and now I really
can’t breathe properly, like I’m wearing a corset. I feel tiny fireworks
explode in my head and on the surface of my skin and all the bad
thoughts loosen, so I can look at them more easily.
I put my head under, shaking it to encourage the bad thoughts to
float away. A wave comes, and the water fills my mouth. It’s so salty
it makes me gag and when I gag I swallow more water and don’t
manage to breathe and more water goes in, and it’s in my nose too
and each time I open my mouth for air more water comes in instead,
great big salty gulps of it. I can feel the movement of the water under
my feet and it feels like it’s tugging me somewhere, trying to take me
with it. It’s like my body knows something I don’t because it’s fighting
for me, my arms and legs thrashing out. I wonder if this is a bit what
drowning is like. Then I wonder if I am drowning.
”
”
Lucy Foley (The Guest List)
“
The only word these corporations know is more,” wrote Chris Hedges, former correspondent for the Christian Science Monitor, National Public Radio, and the New York Times. They are disemboweling every last social service program funded by the taxpayers, from education to Social Security, because they want that money themselves. Let the sick die. Let the poor go hungry. Let families be tossed in the street. Let the unemployed rot. Let children in the inner city or rural wastelands learn nothing and live in misery and fear. Let the students finish school with no jobs and no prospects of jobs. Let the prison system, the largest in the industrial world, expand to swallow up all potential dissenters. Let torture continue. Let teachers, police, firefighters, postal employees and social workers join the ranks of the unemployed. Let the roads, bridges, dams, levees, power grids, rail lines, subways, bus services, schools and libraries crumble or close. Let the rising temperatures of the planet, the freak weather patterns, the hurricanes, the droughts, the flooding, the tornadoes, the melting polar ice caps, the poisoned water systems, the polluted air increase until the species dies. There are no excuses left. Either you join the revolt taking place on Wall Street and in the financial districts of other cities across the country or you stand on the wrong side of history. Either you obstruct, in the only form left to us, which is civil disobedience, the plundering by the criminal class on Wall Street and accelerated destruction of the ecosystem that sustains the human species, or become the passive enabler of a monstrous evil. Either you taste, feel and smell the intoxication of freedom and revolt or sink into the miasma of despair and apathy. Either you are a rebel or a slave. To be declared innocent in a country where the rule of law means nothing, where we have undergone a corporate coup, where the poor and working men and women are reduced to joblessness and hunger, where war, financial speculation and internal surveillance are the only real business of the state, where even habeas corpus no longer exists, where you, as a citizen, are nothing more than a commodity to corporate systems of power, one to be used and discarded, is to be complicit in this radical evil. To stand on the sidelines and say “I am innocent” is to bear the mark of Cain; it is to do nothing to reach out and help the weak, the oppressed and the suffering, to save the planet. To be innocent in times like these is to be a criminal.
”
”
Jim Marrs (Our Occulted History: Do the Global Elite Conceal Ancient Aliens?)
“
I always wanted to be the prettiest person in a room', I began my story to Aaron and Wils, feeling desperate for their attention, like a runaway. Lee was prettier than me. She was a better girlfirend. 'Or I always wanted to look like other girls, someone else, not myself, there was always someone who looked better and more beautiful than me.'
Aaron took a swing of rum. 'I think you're the most beautiful girl I've ever seen,' he said.
'Once in Grade 8, listen to this, you guys: I slapped my best friend Jen accross the face. She was the most popular, most good-looking girl in the school. I slapped her because she was laughing hysterically. She'd started laughing so hard at her own story about some guy, I don't even remember what the story was, and her laughs became yaps, like hysterical air-swallowing. I just wanted her to shut up so badly that I slapped her. Her ponytail swung from side to side but even that didn't stop her yapping for a second. You get what happened? I mean, right after I smacked her? She started really laughinh after I slapped her cheek. My slapping had actually made things worse. I mean, she couldn't stop that terrible laughing-crying-yapping for another ten minutes!'
Wils was smiling at my story but Aaron was grim.
'It felt good to slap her', I said. 'To slap the most beautiful girl to attempt to stop her self-destruction...
”
”
Tamara Faith Berger (Maidenhead)
“
Mrs. Harris’s coach should be here any minute. I trek toward the curb, but just as I reach it, the latch on my bag drops open again, and the contents spill into the snow. Cursing, I bend to retrieve my things, but a violent gale whips me backward into the slush, snatching petticoats, chemises, and knickers into the air.
“No!” I cry, scrambling after my clothes and stuffing them one by one back into my bag, glancing over my shoulder to make sure no one has caught a glimpse of my underthings dancing across the street.
A man snores on a stoop nearby, but no one else is out. Relieved, I scuttle through the snow, jamming skirts and books and socks into the bag and gritting my teeth as the wind burns my ears.
A clatter of hooves breaks through the howling tempest, and I catch sight of a cab headed my way. My stomach clenches as I snap my bag closed once more.
That must be Mrs. Harris’s coach.
I’m really going to do this.
But as I make my way toward it, a white ghost of fabric darts in front of me.
My eyes widen.
I missed a pair of knickers.
Panic jolting through my every limb, I sprint after it, but the wind is too quick. My underclothes gust right into the carriage door, twisting against its handle as the cab eases to a stop.
I’m almost to it, fingers reaching, when the door snaps open and a boy about my age steps out. “Miss Whitlock?” he asks, his voice so quiet I almost don’t hear it over the wind.
Trying not to draw attention to the undergarments knotted on the door just inches from his hand, I give him a stiff nod. “Yes, sir, that’s me.”
“Let me get your things,” he says, stepping into the snow and reaching for my handbag.
“Uh—it’s broken, so I’d—I’d better keep it,” I mumble, praying he can’t feel the heat of my blush from where he is.
“Very well, then.” He turns back toward the coach and stops.
Artist, no.
My heart drops to my shoes.
“Oh…” He reaches toward the fabric knotted tightly in the latch. “Is…this yours?”
Death would be a mercy right about now.
I swallow hard. “Um, yes.” He glances at me, and blood floods my neck. “I mean, no! I’ve never seen those before in my life!”
He stares at me a long moment.
“I…” I lurch past him and yank at the knickers. The fabric tears, and the sound of it is so loud I’m certain everyone in the world must have heard it.
“Here, why don’t I—” He reaches out to help detangle the fabric from the door.
“No, no, no, I’ve got it just fine,” I say, leaping in front of him and tugging on the knot with shaking hands.
Why. Why, why, why, why, why?
Finally succeeding at freeing the knickers, I make to shove them back into my bag, but another gust of wind rips them from my grasp.
The boy and I both stare after them as they dart into the sky, spreading out like a kite so that every damn stitch is visible.
He clears his throat. “Should we—ah—go after them?”
“No,” I say faintly. “I—I think I’ll manage without…
”
”
Jessica S. Olson (A Forgery of Roses)
“
She didn’t turn around. She put her foot on the bottom step, then felt herself being whirled around. She shrieked as her world tilted. Richard’s shoulder in her stomach robbed her of any air and her forehead bumping against his lower back made her slightly sick. It was Archie’s hoisting trick all over again, only Richard seemed to be more adept at taking circular stairs. She thought she just might barf. “Put me down, you jerk!” she gasped. He ignored her. She saw, grudgingly, how he might have become a little annoyed by the practice. He slammed the bedroom door behind them and dumped her to her feet. He took her by the arms and held her immobile. She had the feeling that he wanted to shake her. His hands were trembling. “I am finished with your silence,” he bellowed. “Damn you, woman, speak!” “Fine,” she snapped, jerking away from him. “I’ve had a bellyful of you, too, buddy. I’m not your servant, I’m not your squire, and I’m not your damned horse to just take orders and swallow them. I’m sick to death of being treated like a second-class citizen. I’m just as smart as you are and I’ve had it with you treating me like I’m not!” He blinked. “Of course you aren’t. You’re a wo—” “Don’t say it,” she said, through gritted teeth. “If you tell me one more time that I’m inferior to you because I’m a woman, I’m going to haul off and deck you!” “Deck me?” he echoed. “Take my fist and slam it into your face!” Richard took a step back and folded his arms over his chest. “You’re powerfully outspoken. Are all the maids so in your time?
”
”
Lynn Kurland (The More I See You (de Piaget, #7; de Piaget/MacLeod, #6))
“
Let us drink deep brothers,' he cried, leaving off his strange anointment for a while, to lift a great glass, filled with sparkling liquor, to his lips. 'Let us drink to our approaching triumph. Let us drink to the great poison, Macousha. Subtle seed of Death, - swift hurricane that sweeps away Life, - vast hammer that crushes brain and heart and artery with its resistless weight, -I drink to it.'
'It is a noble concoction, Duke Balthazar,' said Madame Filomel, nodding in her chair as she swallowed her wine in great gulps. 'Where did you obtain it?'
'It is made,' said the Wondersmith, swallowing another great draught of wine ere he replied, 'in the wild woods of Guiana, in silence and in mystery. Only one tribe of Indians, the Macoushi Indians, know the secret. It is simmered over fires built of strange woods, and the maker of it dies in the making. The place, for a mile around the spot where it is fabricated, is shunned as accursed. Devils hover over the pot in which it stews; and the birds of the air, scenting the smallest breath of its vapour from far away, drop to earth with paralysed wings, cold and dead.'
'It kills, then, fast?' asked Kerplonne, the artificial-eye maker, - his own eyes gleaming, under the influence of the wine, with a sinister lustre, as if they had been fresh from the factory, and were yet untarnished by use.
'Kills?' echoed the Wondersmith, derisively; 'it is swifter than thunderbolts, stronger than lightning. But you shall see it proved before we let forth our army on the city accursed. You shall see a wretch die, as if smitten by a falling fragment of the sun.'
("The Wondersmith")
”
”
Fitz-James O'Brien (Terror by Gaslight: More Victorian Tales of Terror)
“
The Book I am thinking about would not be religious in the usual sense, but it would have to discuss many things with which religions have been concerned—the universe and man’s place in it, the mysterious center of experience which we call “I myself,” the problems of life and love, pain and death, and the whole question of whether existence has meaning in any sense of the word. For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.
”
”
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
“
His eyes are so beautiful and dark and they do look like that dog’s—I mean, that wolf’s. They are kind and strong and a little bit something else and I like them. I like them a lot. No, I like them way too much. Something inside me gets a little warmer, edges closer to him.
The fire crackles and I jump again, jittery, nervous, but I don’t jump away from Nick. I jump toward him. Nick in the firelight with just a blanket on is a little hard to resist, no matter how crazy he might be. His skin, deep with heat, seems to glisten. His muscles are defined and good but not all steroid bulky. He is so perfect. And beautiful. In a boy way. Not a monster way. Not a wolf way.
“Are you going to kiss me?” My words tremble into the air.
He smiles but doesn’t answer.
“I’ve never kissed a werewolf before. Are were kisses like pixie kisses? Do they do something to you? Is that why you never kissed anybody?”
He gives a little smile. “No. It’s just I never kissed anyone because I never thought I could be honest about who I am, you know? And I didn’t want anyone to get attached to me because . . .”
“Because you’re a werewolf.”
“Because I’m a werewolf,” he repeats softly. Watching his lips move makes me shiver; not in a scared way, in more of an oh-he-is-too-beautiful way.
I put my hand against his skin. It is warm. It’s always been warm. He smells so good, like woods and safety. I swallow my fear and move forward, and my lips meet his, angel-light, a tiny promise. His lips move beneath mine. His hands move to my shoulders and my mouth feels like it will burst with happiness. My whole body shakes with it.
“Wow,” I say.
“Yeah,” he says. “Wow.”
Our mouths meet again. It’s like my lips belong there . . . right there. One tiny part of me has finally found a place to fit.
”
”
Carrie Jones (Need (Need, #1))
“
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off?
Then Daniel dropped the ax to the ground.
"What are you doing?" Luce asked.
Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned.
And then-
Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward.
Shouts rang out around the cenote:
"What is he?"
"The boy is winged!"
"He is a god! Sent to us by Chaat!"
Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until-
Until she couldn't move anymore.
Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun.
Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening.
Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed.
She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin.
Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out.
Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke.
Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame.
All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce.
"Ix Cuat!" Daniel reached for her.
His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious."
"Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-"
"I'm still here," Luce insisted.
"You're still-" He was crying. "Can you see me? The true me?"
"I can see you."
And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before.
Hadn't she?
As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her.
"No!" she cried,feeling the fire sear her heart and her body shake free of something.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Do you remember the time we tied a lasso to a tree limb and decided to swing across the creek like Tarzan?" Wyatt tipped up his frosty bottle and took a long pull.
"Yeah." Zane was already laughing. "As usual,you two decided that I'd be the one to try it out first.That way,if it broke,I'd be the one tossed into the creek."
"It stands to reason." Jesse chuckled. "You were the youngest. That's just the price you had to pay to hang out with us."
"And," Wyatt added, "you were always willing to go along with whatever we decided."
Zane shook his head. "Not when I used it to fly across the creek."
"And not when I followed him," Wyatt said with a laugh. "But Jesse, assured that it was safe,grabbed hold and was flying through the air when the branch snapped."
Amy looked over at her husband. "You landed in the creek?"
"Yeah? On the day after one of our biggest storms,with the water spilling over its banks and rushing so fast it carried me downstream half a mile or more."
She put a hand to her mouth to cover her shock and saw Cora do the same.
Wyatt laughed. "He was lucky Zane and I had our horses tethered nearby.We chased along the banks of the creek until we could get far enough ahead to toss him a tree branch to catch. By the time we hauled him out,he looked like a drowned rat and was spitting mad."
"I had a right to be.I swallowed half the creek."
Zane laughed. "But think how lucky we were that it happened to you instead of me. At least you could swim."
Marilee's eyes rounded. "They had you test the rope when they knew you couldn't swim?"
Wyatt was laughing even harder. "We figured it was one way for him to learn."
"How old were you?"
They thought a minute before Wyatt answered. "I was eight,so that would make Jesse ten and Zane seven."
"You could have all drowned."
"Yeah.Looking back,we were lucky to have surrived so many foolish adventures. But," Wyatt added, "I wouldn't have missed a single one of them."
of them
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few.
“Kestrel, do you hear me? You can’t toy with him.”
“He started it.”
“That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.”
“Maybe that’s not as easy for me as it is for you.”
He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?”
They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.”
He flinched as if slapped. His voice came low: “You can make people feel so small.”
Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled.
He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Eragon! Saphira! Rouse yourselves!
Eragon’s eyes snapped open. He sat upright and grabbed Brisingr.
All was dark, save for the dull red glow of the bed of coals to his right and a ragged patch of starry sky off to the east. Though the light was faint, Eragon was able to make out the general shape of the forest and the meadow…and the monstrously large snail that was sliding across the grass toward him.
Eragon yelped and scrambled backward. The snail--whose shell was over five and a half feet tall--hesitated, then slimed toward him as fast as a man could run. A snakelike hiss came from the black slit of its mouth, and its waving eyeballs were each the size of his fist.
Eragon realized that he would not have time to get to his feet, and on his back he did not have the space he needed to draw Brisingr. He prepared to cast a spell, but before he could, Saphira’s head arrowed past him and she caught the snail about the middle with her jaws. The snail’s shell cracked between her fangs with a sound like breaking slate, and the creature uttered a faint, quavering shriek.
With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm.
Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies.
“Over there!” shouted Eragon.
Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction.
She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead.
Now you can have a proper breakfeast, said Saphira.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Glaring, I snarled, “Kiss me. Give me one fracture of human company, and I’ll never say another word to you again. I’ll be whatever you want. Just kiss me!” His eyes narrowed. “You’re an idiot.” “So you keep telling me.” “You’re wasting your time.” “So you keep telling me.” “I don’t want to kiss you!” I lashed out. My arms came up. I opened my palm. And I slapped the self-righteous, egotistical arsehole on the cheek. The moment went from lust-heavy to stagnant with violence. We stared, caught dead centre in war. “You’re a fucking nightmare,” he snapped. “Kiss me.” “You’re ruining my life.” “Kiss me.” “You’re—” “Kiss me, Jethro. Kiss me. Just fucking kiss me and give me—” His body crashed against mine. His hands flew up, grabbing my cheeks and holding me firm. His lips, oh his lips, they bruised mine as his head tilted, and with pure anger, he gave me what I’d wanted for weeks. He kissed me. My lungs were empty—he’d stolen all my air, but I no longer survived on oxygen. I survived on his mouth, his taste, his unbridled energy pouring down my throat. His tongue tore past my lips, taking me savage and hungry. There was nothing sweet or gentle. This was a punishment. A reminder that I hadn’t won. He wasn’t kissing me. He was fighting me in every underhanded way. His hands dropped from my cheeks, cupping my breasts. The violence in his touch throbbed instantly. I arched my back, opening my mouth wider to scream, but he swallowed my cries, kissing me deeper, harder, stealing every inch of sanity I had left. I thought a kiss would put me on even ground—show him that he did care. That he was human—just like me. I hadn’t gambled on being detonated into a billion tiny pieces that had no notion of who I’d been before he’d stolen my soul. He backed me up, faster and faster to the bed. His breath saturated my lungs. His touch skated from my cheeks, to my breasts, to my waist, to my arse. Jerking me hard against the huge length of arousal in his jeans. The bed stopped our motion, tumbling us onto the sheets, but nothing, absolutely nothing could unweld our lips. We were joined, kissing, frantic, desperate. He groaned as I slid my hands beneath his t-shirt, needing to feel his skin against mine. He was blood and fire and heat. So different to the glacier he pretended to be. “Fuck,” he grunted
”
”
Pepper Winters (First Debt (Indebted, #2))
“
Though she could feel Dom darting glances at her the whole time, she couldn’t face him, couldn’t even look at him. Not just now, when she was still in turmoil about what they’d done.
About what he’d said to her at the end. It will also give you a chance to decide what you want.
That was the trouble. She didn’t know what she wanted. Well, she did know--she wanted to marry Dom the courteous gentleman. But not Dom the Almighty. She wanted the Dom who mourned for the six children who’d lost their mother needlessly, not the Dom who was sure Nancy was a whore because she’d married his bastard of a brother.
But what if both parts were him? What if she couldn’t have one without the other? Why, he hadn’t even said he loved her!
Then again, neither had she, so she could hardly fault him for that. Their past was still too raw, and they were both still afraid. Perhaps he’d been waiting for her to say it. She’d certainly been waiting for him. Because then she might really believe he meant to make a life with her again, and not go running off at the first sign of disaster.
Like, perhaps, if Nancy proved to be bearing George’s son.
“Since it’s such a beautiful morning,” Dom said, “I was thinking that someone might prefer to ride in the phaeton with me. What do you think, Jane? Shall you join me?”
He was asking. Deliberately asking, not ordering. And she could feel his expectant gaze on her, indeed, feel everyone’s expectant gazes on her. But her thoughts were too jangled right now, and an enforced ride with him would only jangle them more.
Especially since they’d be trapped together for half the day. She wouldn’t be able to escape. Not that she necessarily wanted to escape. Did she?
Oh, Lord, she couldn’t handle this at the moment. “Actually, I was looking forward to chatting with your sister in His Grace’s coach. If you don’t mind.”
Only then did she meet his gaze. It showed nothing of his thoughts, which made everything worse. She’d begun to recognize that bland expression; he only wore it when he was protecting himself. And if he felt a need to protect himself, then she’d hurt him.
She swallowed hard. She hadn’t wanted to hurt him. Perhaps she should ride with him. Clear the air. Perhaps she was being a coward.
“Whichever you prefer,” he said curtly. Then he walked briskly down the steps to his waiting phaeton, leapt in, and set it going.
And the decision was made for her. Again.
No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away.
Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
His shining skin drew my attention and I became enslaved to the need to explore every inch of his flesh. His body brought on an ache in me I hadn't known for a long time. Since my ex had dumped me after I'd given him my virginity, I hadn't done more than fool around with guys. The desire to go further had never really risen again. Not until Orion. And I had never, in all my life, wanted anyone like I wanted him.
His beard had been trimmed even shorter for the party, revealing the powerful cut of his jaw and that divine dimple in his cheek. He'd brought me here, alone, cordoning me off from the world. And the blazing intensity in his gaze made me hope that maybe he was about to drop the teacher act for one night and admit he was drawn to me too.
He glanced above us and his brow furrowed heavily. “Up there are a thousand reasons why we can't be together.”
I swallowed thickly, goosebumps rushing along my skin in response to his words. I pressed my back to the cool tiles of the pool and the goosebumps spread deeper, evoking a shiver across my body.
“I'm bound by so many rules I could waste the rest of your evening telling you them,” he said.
“Skip them then, sir.” A smile played around my mouth as a thrill danced in my chest.
He moved closer and rested his hands either side of me on the wall. “I think the time for sirs and professors is over, don't you?”
No answer came from my lips, but my body gave it to him as I reached out and did the one thing I'd dreamed about the most since this all-consuming crush had first started. I brushed my fingers across the stubble on his jaw, resting my thumb over the dimple in his cheek, feeling the tiny rivet in his skin.
The distance parting us suddenly felt like too much; the air was racing over my exposed flesh, chilling me to the core. I needed the heat of his hands, the red hot press of his stomach and chest.
“Lance,” I breathed and his pupils dilated as I met his gaze.
He devoured the space between us and I experienced pure sin as his mouth crushed against mine. It was gunpowder meeting fire and the result was an all-consuming blaze which burned me up from the inside out.
A desperate noise escaped me that would have made me blush if I’d had any scrap of self-awareness left. But that was all it took for him to slam into me full force, hitching my legs up around his waist so fast it made my head spin.
My hands finally got their deepest wish and roamed down the plains of all that gloriously golden skin. But it wasn't enough just to feel the flex of his muscles, I needed more and I took it by scratching against his beautiful shell, wanting to break beneath flesh and bone and burrow my way deeper.
I need more.
(Darcy)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Feeling each move carefully, Len climbed, hilt of the sword held in one hand blade hanging point down. A wet and dripping Rose King hovered above him. Being dripped on wasn't nearly as distracting as the constant sight of his watch on his left wrist. He wanted to look and see how much of the allotted hour he had left. He resisted the urge. He didn't want to risk having this knowledge affect his judgment. They had no time for speed born mistakes.
The shaft they climbed down amplified the slightest sound sending it reverberating up and down its length. The slight clank of the sword against the iron rungs of the ladder became enormous. The click of Rose King's chattering teeth reverberated like castanets.
Len stepped on a rung. The next second he found himself grappling for security as the rung moved then broke loose. The racket as the metal bar fell rang up and down the narrow oblong space like a pair of dropped cymbals.
He looked down. They were approximately ten feet up from the bottom of the well. If he had fallen he would not have been hurt badly if at all. Discovery, however, had a danger all its own. Frozen in place, both he and Rose listened. Something large was down there. It was something large that dragged as it walked.
As if investigating the source of the clatter, this something stopped by the grate at the bottom, blocking off the light. Twice there was a rushing of sound as if some huge bellows was blowing air into the grate then pulling it out.
The thing seemed to move away from the grate. When he was sure it was well away from the opening Len began again to climb down. The nearer the grate the more he and Rose began to hear something beyond the ominous sounds of large animal. Len thought he knew what it was, but kept silent. He was about to jump the last three feet when a pain wracked cry echoed through the space on the other side of this new grate and up the stone well.
Len jumped to the ground. A second later Rose was behind him. Wishing desperately they had more than one weapon between them, Len pushed hard at the grate, rushing through the space as fast as the cramped size of the opening would allow.
They were in a large round open torch lit space with a high domed brick ceiling. To their left was an exit to a dark hallway blocked by a barred door; to their right, a curved cave like opening with what looked like a barred gate that could be raised or lowered. On the other side of the room was a barred wall with a door closing off the cell where Tyrone lay.
Between them and their goal was a large, reptilian creature.
"What the hell is that?" Rose gasped softly.
Len swallowed hard and licked his dry lips. It was mad and at the same time made complete sense.
"It’s just what it looks like, Major," he whispered. "It's a dragon.
”
”
Tabitha Baumander (Castle Doom)
“
He watched her pace toward him.
She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?”
“Yes,” he whispered.
“I remember lying with you on the lawn of the imperial palace’s spring garden.”
He shifted. Lamplight pulsed over his face. He shook his head.
“I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.”
“That didn’t happen.”
“I kissed you.” She touched the hollow at the base of his neck. His pulse was wild.
“Not then,” he said finally.
“But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.”
His heart slammed against her palm. “Yes.”
“A carriage.”
“Yes.”
“A balcony.”
Breath escaped him like a laugh. “Almost.”
“I remember falling asleep in your bed when you weren’t here.”
He pulled back slightly, searched her face. “That didn’t happen.”
“Yes it did.”
His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins.
“The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.”
His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.”
“I never said?”
“No.”
She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it.
He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth.
She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down.
Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
With a twist of her neck, Saphira tossed the snail into the air, opened her mouth as wide as it would go, and swallowed the creature whole, bobbing her head twice as she did, like a robin eating an earthworm.
Lowering his gaze, Eragon saw four more giant snails farther down upon the rise. One of the creatures had retreated within its shell; the others were hurrying away upon their undulating, skirtlike bellies.
“Over there!” shouted Eragon.
Saphira leaped forward. Her entire body left the ground for a moment, and then she landed upon all fours and snapped up first one, then two, then three of the snails. She did not eat the last snail, the one hiding in its shell, but drew back her head and bathed it in a stream of blue and yellow flame that lit up the land for hundreds of feet in every direction.
She maintained the flame for no more than a second or two; then she picked up the smoking, steaming snail between her jaws--as gently as a mother cat picking up a kitten--carried it over to Eragon, and dropped it at his feet. He eyed it with distrust, but it appeared well and truly dead.
Now you can have a proper breakfeast, said Saphira.
He stared at her, then began to laugh--and he kept laughing until he was doubled over, resting his hands on his knees and heaving for breath.
What is so amusing? she asked, and sniffed the soot-blackened shell.
Yes, why do you laugh, Eragon? asked Glaedr.
He shook his head and continued to wheeze. At last he was able to say, “Because--” And then he shifted to speaking with his mind so that Glaedr would hear as well. Because…snail and eggs! And he began to giggle again, feeling very silly. Because, snail steaks!...Hungry? Have a stalk! Feeling tired? Eat an eyeball! Who needs mead when you have slime?! I could put the stalks in a cup, like a bunch of flowers, and they would… He was laughing so hard, he found it impossible to continue, and he dropped to one knee while he gasped for air, tears of mirth streaming from his eyes.
Saphira parted her jaws in a toothy approximation of a smile, and she made a soft choking sound in her throat. You are very odd sometimes, Eragon. He could feel his merriment infecting her. She sniffed the shell again. Some mead would be nice.
“At least you ate,” he said, both with his mind and his tongue.
Not enough, but enough to return to the Varden.
As his laughter subsided, Eragon poked at the snail with the tip of his boot. It’s been so long since there were dragons on Vroengard, it must not have realized what you were and thought to make an easy meal of me…That would have been a sorry death indeed, to end up as dinner for a snail.
But memorable, said Saphira.
But memorable, he agreed, feeling his mirth return.
And what did I say is the first law of hunting, younglings? asked Glaedr.
Together Eragon and Saphira replied, Do not stalk your prey until you are sure that it is prey.
Very good, said Glaedr.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few.
“Kestrel, do you hear me? You can’t toy with him.”
“He started it.”
“That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.”
“Maybe that’s not as easy for me as it is for you.”
He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?”
They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.”
He flinched as if slapped. His voice came low: “You can make people feel so small.”
Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled.
He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home.
The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag.
Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix…
Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin.
Quietly, Arin said, “He’ll be buried today, with the others.”
“He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet.
Arin helped her, his touch gentle. “I’ll make certain it’s done right.”
Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream.
She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought.
Tears came again.
Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’
Opening my eyes again, I swallowed nervously. ‘What’s happened?’
‘Your sister didn’t arrive at work today.’
Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever.
‘Isn’t today Saturday, though?’ I asked.
‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’
‘Missing?’ I didn’t understand.
Mum nodded.
The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’
It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling.
‘Missing isn’t the same as dead,’ I pointed out.
Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’
‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’
Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’
‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’
‘Sometimes it’s difficult to identify someone after…’ Mum faltered.
I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real.
This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey.
My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was?
I didn’t realise I was crying again until Mum touched my cheek.
‘It’s not fair,’ I said weakly.
‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’
I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly.
‘What sort of awful things?’ I’d asked her.
‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’
People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war.
I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
”
”
Emma Carroll (Letters from the Lighthouse)
“
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before.
He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met.
I was entirely lost to the deepest and most carnal desire I'd ever felt.
His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed.
With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me.
Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer.
He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth.
We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that.
I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again.
He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.”
“We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal.
I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave.
“Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow.
“No.”
He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.”
I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.”
What happens at the bottom of the pool, stays at the bottom of the pool.
“Come on then, Blue.” He held out his hand.
I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.”
(DARCY)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))