Suspicious Woman Quotes

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Maybe-- maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure-- never sure of her because you aren't sure of yourself?
John Steinbeck (East of Eden)
I am become a sour woman, Catelyn thought. I take no joy in mead nor meat, and song and laughter have become suspicious strangers to me. I am a creature of grief and dust and bitter longings. There is an empty place within me where my heart was once.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
HIGGINS I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything. When you let them into your life, you find that the woman is driving at one thing and you're driving at another. PICKERING At what, for example? HIGGINS Oh, Lord knows! I suppose the woman wants to live her own life; and the man wants to live his; and each tries to drag the other on to the wrong track. One wants to go north and the other south; and the result is that both have to go east, though they both hate the east wind.
George Bernard Shaw (Pygmalion)
You're a fascinating woman, Eve. Here we are, wet, naked, both of us half dead from a very memorable night, and still you watch me with very cool, very suspicious eyes." "You're a suspicious character, Roarke.
J.D. Robb (Naked in Death (In Death, #1))
I have become a sour woman. I take no joy in meat nor mead, and song and laughter have become suspicious strangers to me. I am a creature of grief and dust and bitter longings. There is an empty place within me where my heart was once.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
But women are very differently situated with respect to eachother - for they are all rivals (...) Is it then surprising that when the sole ambition of woman centres in beauty, and interest gives vanity additional force, perpetual rivalships should ensue? They are all running the same race, and would rise above the virtue of morals, if they did not view each other with a suspicious and even envious eye.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Julie marched over to Matt. She stood in front of him and crossed her arms. “Lift up your sweatshirt.” Matt rolled his eyes. “God, you really know how to turn a guy on.” Julie didn’t budge. “If I was trying to turn you on, I could do better than that. Now, lift up your sweatshirt.” Matt looked up at her and tried to look serious. “Julie, I’m completely offended that you have so little faith in my honesty. I thought at this point in our friendship that you would at least—” “Get up.” Julie leaned over and shut his laptop. “Get up!” she said again. “You’re being ridiculous,” Matt said laughing, but he stood up. “I trust you implicitly, and it wouldn’t kill you to show me the same respect.” “Show me!” Matt sidestepped the chair and took a few steps backward. “You have quite the attitude today. Suspicious and mean.” Julie took a step forward, causing Matt to continue backing away. “Lift up your shirt.” “Look, I appreciate an aggressive woman, but this is really getting weird.” Julie grabbed his sweatshirt by the waist cuff and lifted it up with one hand, as she pulled down his T-shirt with the other. Matt put his hands over hers, lightly protesting, but she refused to let go. “Aha!” She squinted at his shirt. “OK, I don’t even know what this is, but it’s definitely geeky.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
You are that which you seek, but you have left your own deepness and are looking elsewhere. The stress of not finding it creates its own need to be released. And so the cycle continues. You are chasing your own tail, and much of the time that tail looks suspiciously like a woman.
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew. I wouldn’t have been surprised if they had linked arms with a woman in a burka and a Masai warrior, to belt out ‘It’s a Small World After All,’ flanked by a chorus line of nuns and field-tripping, rainbow-skinned schoolchildren
Sarah Vowell (Assassination Vacation)
As they approached the next stall, the old woman tending to it looked up at Matthias with suspicious eyes. Nina nodded encouragingly at him. Matthias smiled broadly and boomed in a singsong voice, “Hello, little friend!” The woman went from wary to baffled. Nina decided to call it an improvement. “And how are you today?” Matthias asked. “Pardon?” the woman said. “Nothing,” Nina said in Ravkan. “He was saying how beautifully the Ravkan women age.” The woman gave a gap-toothed grin and ran her eyes up and down Matthias in an appraising fashion. “Always had a taste for Fjerdans. Ask him if he wants to play Princess and Barbarian,” she said with a cackle.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But Gemma, you could change the world." "That should take far more than my power," I say. "True. But change needn't happen all at once. It can be small gestures." "Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away... We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again. "Oi! By all the saints!" a boy cries from the river. "Gone off the dock?" an old woman calls. The mud larks break into cackles. "'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. "We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. "That was a strange stroke of good fortune." "Yes it was." "I don't suppose that was your doing." "I'm not sure I don't know what you mean," I say. And that is how change happens. One gesture. One person. One moment at a time.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
What are you doing?" "Washing your hair," he murmured and proceeded to stroke and massage the shampoo into her short, sopping cap of hair. "I'm going to enjoy smelling my soap on you." His lips curved. "You're a fascinating woman, Eve. Here we are, wet, naked, both of us half dead from a very memorable night, and still you watch me with very cool, very suspicious eyes." "You're a suspicious character, Roarke." "I think that's a compliment.
J.D. Robb (Naked in Death (In Death, #1))
If a gorgeous woman hits on me right off the bat, I’m suspicious. I wonder what she wants. If she hasn’t heard my wit, felt my charm, how could I appeal to her? I’m no Brad Pitt. So what is she after? Most likely it’s my horse cock.
Jarod Kintz ($3.33 (the title is the price))
One should always be suspicious of a woman who tells you that her past was burnt in the flames of a schoolhouse in Peshawar.
Gyles Brandreth (Oscar Wilde and the Vatican Murders (The Oscar Wilde Murder Mysteries #5))
The personal inevitably trumps the political, and the erotic trumps all: We will remember that Cleopatra slept with Julius Caesar and Mark Antony long after we have forgotten what she accomplished in doing so, that she sustained a vast, rich, densely populated empire in its troubled twilight in the name of a proud and cultivated dynasty. She remains on the map for having seduced two of the greatest men of her time, while her crime was to have entered into those same "wily and suspicious" marital partnerships that every man in power enjoyed. She did so in reverse and in her own name; this made her a deviant, socially disruptive, an unnatural woman. To these she added a few other offenses. She made Rome feel uncouth, insecure, and poor, sufficient cause for anxiety without adding sexuality into the mix.
Stacy Schiff (Cleopatra: A Life)
Judith Rey watches the young woman. Once upon a time, I had a baby daughter. I dressed her in frilly frocks, enrolled her for ballet classes, and sent her to horse-riding camp five summers in a row. But look at her. She turned into Lester anyway. She kisses Luisa’s forehead. Luisa frowns, suspiciously, like a teenager. “What?
David Mitchell (Cloud Atlas)
All I really need,” he continued, “is for you to act as a deterrent.” “A deterrent?” she choked out. “A human shield, if you will.” “What?” “I cannot be left alone with that woman,” he said, and he felt no remorse at the low desperation in his voice. “Please, if you have any care for your fellow man.” Her lips clamped together in a suspicious line. “I’m not certain what I get out of the equation.” “You mean besides the joy of my delightful company?” “Yes,” she said, with an impressive lack of inflection, “besides that.
Julia Quinn (The Lady Most Willing... (Lady Most..., #2))
And are you suspicious of me? (Maggie) Woman, I’m suspicious of anyone who acts altruistically. I’ve only known a handful of people in my entire life who were actually kind. The vast majority of people only help others when they know it’ll benefit them in some manner. (Sin)
Kinley MacGregor (Claiming the Highlander (Brotherhood of the Sword, #2; MacAllister, #1))
That’s the key, you know, confidence. I know for a fact that if you genuinely like your body, so can others. It doesn’t really matter if it’s short, tall, fat or thin, it just matters that you can find some things to like about it. Even if that means having a good laugh at the bits of it that wobble independently, occasionally, that’s all right. It might take you a while to believe me on this one, lots of people don’t because they seem to suffer from self-hatred that precludes them from imagining that a big woman could ever love herself because they don’t. But I do. I know what I’ve got is a bit strange and difficult to love but those are the very aspects that I love the most! It’s a bit like people. I’ve never been particularly attracted to the uniform of conventional beauty. I’m always a bit suspicious of people who feel compelled to conform. I personally like the adventure of difference. And what’s beauty, anyway?
Dawn French (Dear Fatty)
And while people would pardon convicts, drunks, and men who fuck goats, cows, dogs, and children, they are suspicious, almost terrified, of a woman without a family and no religion. Jesus is the only viable excuse a young woman can use to deny the penis.
Nicole Y. Dennis-Benn (Patsy)
I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance.
George Bernard Shaw (Pygmalion)
Black woman hard to laugh, for she must keep it secret and quiet-like for all white man suspicious of negro mirth.
Marlon James (The Book of Night Women)
But you said you did not love our father. How can you have faith in him if you didn’t love him?” “Maybe that’s the reason,” Adam said slowly, feeling his way. “Maybe if I had loved him I would have been jealous of him. You were. Maybe—maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure—never sure of her because you aren’t sure of yourself? I can see it pretty clearly. I can see how you loved him and what it did to you. I did not love him. Maybe he loved me. He tested me and hurt me and punished me and finally he sent me out like a sacrifice, maybe to make up for something. But he did not love you, and so he had faith in you. Maybe—why, maybe it’s a kind of reverse.
John Steinbeck (East of Eden)
Then she jerked back with a siren's smile that made his confidence falter. "Well." She tapped her chin. "That was a decent kiss, all things being equal." She pressed her hand to her chest. "My heart is, if not quite racing, then heading into a quick walk. But I need a thermometer to determine if and how high my body heated. I shall just go--" "Don't you dare." He caught her by the arm as she was on the verge of fleeing. "You know bloody well that you responded to that kiss." With a suspicious glee in her eyes, she tugged her arm from his grip. "I'm not saying I didn't respond-- just that I didn't respond to any overwhelming degree. But it was a good kiss, I suppose. Better than some, not as good as others." "What the hell do you mean? How many chaps have you kissed in the last nine years, anyway?" "No more than you've kissed women, I should imagine." "My God." "But don't worry-- I don't think the average woman would complain about your kissing. You're perfectly competent." Competent? Bloody insolent chit. Even knowing she was trying to provoke him didn't ease his wounded pride. "Perhaps we should try again." -Giles and Minerva
Sabrina Jeffries (How to Woo a Reluctant Lady (Hellions of Halstead Hall, #3))
A dispassionate conceptual development of the typology of violence must by definition ignore its traumatic impact. Yet there is a sense in which a cold analysis of violence somehow reproduces and participates in its horror. A distinction needs to be made, as well, between (factual) truth and truthfulness: what renders a report of a raped woman (or any other narrative of a trauma) truthful is its very factual unreliability, its confusion, its inconsistency. If the victim were able to report on her painful and humiliating experience in a clear manner, with all the data arranged in a consistent order, this very quality would make us suspicious of its truth.
Slavoj Žižek (Violence: Six Sideways Reflections)
They hang around, hitting on your friends or else you never hear from them again. They call when they’re drunk, or finally get sober, they’re passing through town and want dinner, they take your hand across the table, kiss you when you come back from the bathroom. They were your loves, your victims, your good dogs or bad boys, and they’re over you now. One writes a book in which a woman who sounds suspiciously like you is the first to be sadistically dismembered by a serial killer. They’re getting married and want you to be the first to know, or they’ve been fired and need a loan, their new girlfriend hates you, they say they don’t miss you but show up in your dreams, calling to you from the shoe boxes where they’re buried in rows in your basement. Some nights you find one floating into bed with you, propped on an elbow, giving you a look of fascination, a look that says I can’t believe I’ve found you. It’s the same way your current boyfriend gazed at you last night, before he pulled the plug on the tiny white lights above the bed, and moved against you in the dark broken occasionally by the faint restless arcs of headlights from the freeway’s passing trucks, the big rigs that travel and travel, hauling their loads between cities, warehouses, following the familiar routes of their loneliness.
Kim Addonizio
What are you thinking of, Katharine?" he asked suspiciously, noticing her tone of dreaminess and the inapt words. "I was thinking of you--yes, I swear it. Always of you, but you take such strange shapes in my mind. You've destroyed my loneliness. Am I to tell you how I see you? No, tell me--tell me from the beginning." Beginning with spasmodic words, he went on to speak more and more fluently, more and more passionately, feeling her leaning towards him, listening with wonder like a child, with gratitude like a woman. She interrupted him gravely now and then. "But it was foolish to stand outside and look at the windows. Suppose William hadn't seen you. Would you have gone to bed?" He capped her reproof with wonderment that a woman of her age could have stood in Kingsway looking at the traffic until she forgot. "But it was then I first knew I loved you!" she exclaimed. "Tell me from the beginning," he begged her. "No, I'm a person who can't tell things," she pleaded. "I shall say something ridiculous--something about flames--fires. No, I can't tell you." But he persuaded her into a broken statement, beautiful to him, charged with extreme excitement as she spoke of the dark red fire, and the smoke twined round it, making him feel that he had stepped over the threshold into the faintly lit vastness of another mind, stirring with shapes, so large, so dim, unveiling themselves only in flashes, and moving away again into the darkness, engulfed by it.
Virginia Woolf (Night and Day)
An early New Thought writer said: “Knead love into the bread you bake; wrap strength and courage in the parcel you tie for the woman with the weary face; hand trust and candor with the coin you pay to the man with the suspicious eyes.” This is beautifully said, and it sums up the Practice of the Presence of God.
Emmet Fox (Find and Use Your Inner Power)
Rarely will you meet anyone so jealous a a teacher. Year after year students tumble along like the waters of a river. They flow away, and only the teacher is left behind, like some deeply buried rock at the bottom of the current. Although he may tell others of his hopes, he doesn't dream of them himself. He thinks of himself as worthless and either falls into masochistic loneliness, or, failing that, ultimately becomes suspicious and pious, forever denouncing the eccentricities of others.
Kōbō Abe (The Woman in the Dunes)
Wyatt should’ve looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn’t. He looked … mouthwatering. “Hey, sweet thing,” he said in a low cajoling voice. “Come on out. I’ll gonna love you up, I promise. You know you want some of that.” “Oh, please,” Emily said on a laugh to cover up the fact that her bones melted at the sound of him. “That’s never going to work—“ But hell if the cat didn’t shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. “Aw, that’s it,” he crooned to the suspicious, wary cat. “Come on, baby girl, all the way. I’ll be good to you, I promise.” Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. “Honestly, Wyatt, no selfrespecting female – cat or woman – is going to—
Jill Shalvis (Then Came You (Animal Magnetism, #5))
There was more than one thing wrong with the whole story anyway. Had no one thought it remotely suspicious? Unhappy man marries beautiful woman. Beautiful woman shapes up rather nasty. Man unhappier than ever; woman unhappy as well. Three short weeks... Oops, he's dead! Oh, poor, dear child. Let's see what we can do with her. Free labor!
Rachel Heffington (Five Glass Slippers)
I saw a woman wearing suspicious lettuce!
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
My name is Draco Malfoy. I'm here to turn myself in. I'm a hardened criminal and I'm sure Ronald Weasley would be only too happy to take my statement." He presented his wand and the woman took it before handing him a badge that read: Draco Malfoy, Hardened Criminal "If you'll wait over there, dear, I'll summon Mr. Weasley for you." Draco shrugged, not much caring one way or another. He could keep breathing and cataloguing his regrets as easily in Azkaban as anywhere else. Weasley seemed to waffle between being pleased as punch and calculatingly suspicious. "Why are you turning yourself in?" "My close proximity to the Savior of the Wizarding World infected me with sunshine and happy thoughts. I found my inner Gryffindor and it told me to repent." "Fuck you, Malfoy. Why are you really here?
dysonrules
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man. Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest. Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?” “My name is Kelsey. Kelsey hayes.” “Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?” Ren growled unhappily. I nodded. “Is Kishan your given name?” “My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?” There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him. “I’d love to.” He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin. “Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“ “Thank you, but no. You don’t need to worry about our minor pains.” “I wouldn’t exactly call your wounds minor, Kishan.” “The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.” Ren stood in front of us and looked like he was a tiger suffering from apoplexy. I admonished, “Ren, be civil.” Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap. Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi. As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Women understand that there are two distinct economies: There is physical attraction, and then there is the “ideal.” When a woman looks at a man, she can physically dislike the idea of his height, his coloring, his shape. But after she has liked him and loved him, she would not want him to look any other way: For many women, the body appears to grow beautiful and erotic as they grow to like the person in it. The actual body, the smell, the feel, the voice and movement, becomes charged with heat through the desirable person who animates it. Even Gertrude Stein said of Picasso, “There was nothing especially attractive about him at first sight…but his radiance, an inner fire one sensed in him, gave him a sort of magnetism I was unable to resist.” By the same token, a woman can admire a man as a work of art but lose sexual interest if he turns out to be an idiot. What becomes of the man who acquires a beautiful woman, with her “beauty” his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying a mutually suspicious set of insecurities. He does gain something: the esteem of other men who find such an acquisition impressive.
Naomi Wolf (The Beauty Myth)
Frowning, she warmed up the scone she’d saved for Callum. “I could get a pop-up camper to pull behind my truck. When I get a truck, of course. That way, I could move my house every few days and experience different views.” “You’re not living in a camper.” He bit into the scone and chewed angrily. “Excuse me.” The female half of the eavesdropping couple took a step closer to the counter. “Are there any more of those scones?” Lou pasted a regretful smile on her face. “Sorry, no. This was the last one.” “I didn’t see it in the display.” The woman scowled. “I specifically asked if you had any scones, and you said you were out.” “I had to hold this one back. It was defective.” “Defective?” Her eyes darted between Lou’s expression of fake sympathy and the small bite of scone Callum hadn’t eaten yet. “It looked fine.” “I licked it.” Lou heard Callum choke on the last piece of scone, but she couldn’t look at him or she would start laughing. If his airway was blocked, he was going to have to give himself the Heimlich. The woman’s suspicious expression didn’t ease. “Why did you let him eat it then?” “Oh, his tongue is in my mouth all the time,” Lou said sweetly, and Callum’s coughing increased. “I didn’t think he’d mind my germs.” With a sound of frustration, the woman stormed out of the shop, followed closely by the male half of the couple. The bells rang merrily as the door closed behind them, as if celebrating their absence. “Sparks,” Callum rasped once his coughing died down. “You’re going to kill me.” “But what a way to go.” “True.” Grabbing her hand, he pulled her closer and leaned across the counter. “Now give me some of those germs.
Katie Ruggle (Hold Your Breath (Search and Rescue, #1))
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers. The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously. She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.” “And that surprises you?” “Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her. Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?” “You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him. He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.” “Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.” Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
Judith McNaught (Almost Heaven (Sequels, #3))
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
read an article about this once. A woman was injured in a car wreck and was in a coma. She lived in a nursing facility and her husband came to visit her every day. The staff became suspicious that he was having sex with her despite her being in a coma, so they set up hidden cameras. The man was arrested for rape because his wife was unable to give consent.
Colleen Hoover (Verity)
woman is sitting in her hotel room when there is a knock at the door. She opened the door to see a man whom she had never seen before. He said "oh I'm sorry, I have made a mistake, I thought this was my room." He then went down the corridor and in the elevator. The woman went back into her room and phoned security. What made the woman so suspicious of the man? Answer
M. Prefontaine (Difficult Riddles For Smart Kids: 300 Difficult Riddles And Brain Teasers Families Will Love (Thinking Books for Kids Book 1))
The activists also had instructions to return, to surprise people in order to catch them unaware and with their food unguarded. In many places the brigades came more than once. Families were searched, and then searched again to make sure that nothing remained. “They came three times,” one woman remembered, “until there was nothing left. Then they stopped coming.”17 Brigades sometimes arrived at different times of day or night, determined to catch whoever had food red-handed.18 If it happened that a family was eating a meagre dinner, the activists sometimes took bread off the table.19 If it happened that soup was cooking, they pulled it off the stove and tossed out the contents. Then they demanded to know how it was possible the family still had something to put in the soup.20 People who seemed able to eat were searched with special vigour; those who weren’t starving were by definition suspicious. One survivor remembered that her family had once managed to get hold of some flour and used it to bake bread during the night. Their home was instantly visited by a brigade that had detected the noise and sounds of cooking in the house. They entered by force and grabbed the bread directly out of the oven.21 Another survivor described how the brigade “watched chimneys from a hill: when they saw smoke, they went to that house and took whatever was being cooked.”22 Yet another family received a parcel from a relative containing rice, sugar, millet and shoes. A few hours later a brigade arrived and took everything except the shoes.
Anne Applebaum (Red Famine: Stalin's War on Ukraine)
Women have always been the most important part of monster movies. As I walked home one night, I realized why. Making my way down dark city streets to my apartment in Brooklyn, I was alert and on edge. I was looking for suspicious figures, men that could be rapists, muggers or killers. I felt like Laurie Strode in Halloween. Horror is a pressure valve for society's fears and worries: monsters seeking to control our bodies, villains trying to assail us in the darkness, disease and terror resulting from the consequences of active sexuality, death. These themes are the staple of horror films. There are people who witness these problems only in scary movies. But for much of the population, what is on the screen is merely an exaggerated version of their everyday lives. These are forces women grapple with daily. Watching Nancy Thompson escape Freddy Krueger's perverted attacks reminds me of how I daily fend off creeps asking me to smile for them on the subway. Women are the most important part of horror because, by and large, women are the ones the horror happens to. Women have to endure it, fight it, survive it — in the movies and in real life. They are at risk of attack from real-life monsters. In America, a woman is assaulted every nine seconds. Horror films help explore these fears and imagine what it would be like to conquer them. Women need to see themselves fighting monsters. That’s part of how we figure out our stories. But we also need to see ourselves behind-the-scenes, creating and writing and directing. We need to tell our stories, too.
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?” No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable. With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.” And then he pulled out his cell phone. This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between. Priss stood with her hands on her generous hips, her feet apart, shoulders back. How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever. “Good enough.” When she smiled at him, he lifted the cell phone and used it to take a picture. Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?” “Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.” Unappeased by that promise, she glared at him. “You—!” “Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
A 2003 study published in Genetics in Medicine shows that this skepticism about race-specific drugs is not fictional; it is widespread in the black community.77 Participants in an anonymous survey and two focus groups that oversampled for minority groups reported that they would be highly suspicious of race-labeled drugs. Nearly half said they would be very suspicious of their safety, and 40 percent said they would be very suspicious of their efficacy. In fact, 13 percent of African Americans said they would choose a drug labeled for whites over one designated for blacks. At a conference on BiDil, an elderly black woman in the audience stood up and said, “If I were sick and somebody told me that they had a drug just for black people to help me, I’d say to them: give me what the white people are taking.
Dorothy Roberts (Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-First Century)
For a long time being female was treated by science and medicine as being akin to having a serious psychological disorder. Women were routinely prescribed hysterectomies or anxiolytics like valium to treat the symptoms of hysteria which is a syndrome with symptoms that are suspiciously similar to the symptoms of being of human female who has to deal with stupid sexist bullshit. Although scions and medicine has come a long way since these sorts of practices were common place every woman i know has had an experience of being treated as less rational version of a man. Sometimes even by our own doctors simply by virtue of our gender. There belief that women are irrational and therefore underserving of the same rights as men is something that has lingered in the public consciousness in a huge way. And women are very aware of this. We have to listen to a lot of people say a lot of dumb shit about our hormones and about whether we deserve the right to control our own fertility. These types of claims particularly when combined with sciences and medicine mishandling of women for so long have made it very difficult for anyone, even female scientists, to have thoughtful conversations about things like women's hormones and fertility regulation. These topics unaddressed by science are often met with suspicion by anyone who has ever owned a pair of ovaries or is an ovarian sympatist.
Sarah E. Hill (This Is Your Brain on Birth Control: The Surprising Science of Women, Hormones, and the Law of Unintended Consequences)
Mostly, though, he made people laugh, with wicked impersonations of everyone around him: clients, lawyers, clerks, even the cleaning woman. When Pickwick Papers came out, his former colleagues realized that half of them had turned up in its pages. His eyes - eyes that everyone who ever met him, to the day he died, remarked on - beautiful, animated, warm, dreamy, flashing, sparkling - though no two people ever agreed on their colour - were they grey, green, blue, brown? - those eyes missed nothing, any more than did his ears. He could imitate anyone. Brimming over with an all but uncontainable energy, which the twenty-first century might suspiciously describe as manic, he discharged his superplus of vitality by incessantly walking the streets, learning London as he went, mastering it, memorizing the names of the roads, the local accents, noting the characteristic topographies of the many villages of which the city still consisted.
Simon Callow (Charles Dickens and the Great Theatre of the World)
Regarding a woman, for example, those men who are more modest consider the mere use of the body and sexual gratification a sufficient and satisfying sign of “having,” of possession. Another type, with a more suspicious and demanding thirst for possession, sees the “question mark,” the illusory quality of such “having” and wants subtler tests, above all in order to know whether the woman does not only give herself to him but also gives up for his sake what she has or would like to have: only then does she seem to him “possessed.” A third type, however, does not reach the end of his mistrust and desire for having even so: he asks himself whether the woman, when she gives up everything for him, does not possibly do this for a phantom of him. He wants to be known deep down, abysmally deep down, before he is capable of being loved at all; he dares to let himself be fathomed. He feels that his beloved is fully in his possession only when she no longer deceives herself about him, when she loves him just as much for his devilry and hidden insatiability as for his graciousness, patience, and spirituality. One type wants to possess a people—and all the higher arts of a Cagliostro and Catiline suit him to that purpose. Someone else, with a more subtle thirst for possession, says to himself: “One may not deceive where one wants to possess.” The idea that a mask of him might command the heart of the people irritates him and makes him impatient: “So I must let myself be known, and first must know myself.
Friedrich Nietzsche (Beyond Good and Evil)
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The abuse experience might have made her suspicious of anyone wanting to help and support her. Her abusive partner probably twisted the concept of trust in such a way as to shatter her willingness to trust others. It might be hard for her to fathom that an anchor has no agenda except to care about her. However, it is the very process of learning to trust her anchor which can help an abused woman. Through that relationship she can be reminded what real trust is, who is trustworthy, and how to trust someone again or for the first time.
Susan Brewster (To Be An Anchor in the Storm: A Guide for Families and Friends of Abused Women)
They remind me of it everywhere I go. Every time I step in an elevator and a white woman bunches up in the corner like she thinks I wanna rape her, I’m forced to think about it. Every time I walk into stores, the suspicious looks in white shopkeepers’ eyes make me think about it. Every time I walk past whites sitting in their cars, I hear the door locks clicking and I think about it. I can’t get away from it, man. I stay so mad all the time because I’m forced to spend so much time and energy reacting to race. I hate it. It wearies me. But there’s no escape, man. No escape.
Nathan McCall (Makes Me Wanna Holler: A Young Black Man in America)
A woman will tell you for sure if you really are bothering her, and if you bring it up you are only making her suspicious and, hence, increasing the risk of her rejecting you. If she has a boyfriend or a marriage that she considers more important than getting to know more about you, allow her to make that decision herself, and wait for her to say so. Do not ask about it directly, and do not probe her indirectly to try to figure it out. Let her make up her own mind without leading her on. That is how you show a woman proper respect without ruining your own chances to seduce her.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Keep behind me, Metatron—wait here—Asriel is suspicious—let me lull him first. When he’s off guard, I’ll call you. But come as a shadow, in this small form, so he doesn’t see you—otherwise, he’ll just let the child’s dæmon fly away.” The Regent was a being whose profound intellect had had thousands of years to deepen and strengthen itself, and whose knowledge extended over a million universes. Nevertheless, at that moment he was blinded by his twin obsessions: to destroy Lyra and to possess her mother. He nodded and stayed where he was, while the woman and the monkey moved forward as quietly as they could.
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
No doubt the movement which rightly or wrongly we have learnt to call the emancipation of women is in the first place a result of the transformation of society into a capitalist and industrial community, in which the home has lost its importance as an economic and productive unity. But the bitter tone of the champions of Woman’s Rights in their arraignment of man’s rule, the suspiciousness which refused to believe that anything but oppression and masculine tyranny was at the bottom of a great number of laws and customs, which in reality were designed just as much to safeguard women and provide them with protectors and maintenance—the rabidity of militant feminists, in short—was a direct reaction against a dressing-gown and slippers tyranny which was peculiar to non-Catholic Europe at the beginning of the nineteenth century—a revolt against mock heroes who slouched about their homes trying to assert authority over their womenfolk. The other day I came across a book which illustrates in a rather droll way the extent to which Northern European women have taken it for granted that this peculiar North European form of the subjection of women since the Reformation was characteristic of the whole past of Europe. It was a little essay by an English writer, Virginia Woolf—I confess that it is all I have read of hers,1 but she is said to have a great reputation as a novelist.
Sigrid Undset (Stages on the Road)
It should come as no surprise that women need to work doubly hard to prove their right to power. They have to look to their menfolk around them who can support their claim, rather than detract from it--to their fathers and patriarchs, not to their husbands and lovers. They must clarify to a suspicious public that they are not greedy and conniving, power-hungry for their own sakes, but concerned for the success of a broad swath of society. How does one do that except by somehow downplaying their own ambition, or subsuming her power to that of a male associate, or allowing herself to be interrupted in important meetings, or apologizing more than her male counterparts, or appearing more tentative in her decision-making, or not applying for positions and promotions she might think she isn't qualified for? A woman is rarely congratulated for grasping for more, for reaching higher. Women know exactly how their ambition is perceived by the public, and they must veil their power grabs in a warm and cuddly swath of nonaggression and nonthreatening verbiage, dazzling smiles, colored hair, and a calm and steady gaze, maternal even, without holding their head too high, but not too low either. Is it any surprise that today's women don't even apply for political position of authority if they have to walk through a gauntlet of abuse dissecting their appearance, demeanor, age, weight, and sexual past white simultaneously walking a tightrope of unspoken demands for masculinization?
Kara Cooney (When Women Ruled the World: Six Queens of Egypt)
All of a sudden, he drew his hand away, and Lillian whimpered in protest. Cursing, Marcus tucked her body beneath his and pulled her face into his shoulder just as the door opened. In a moment of frozen silence breached only by her ragged breaths, Lillian peered out from the concealing shelter of Marcus’s body. She saw with a start of fright that someone was standing there. It was Simon Hunt. A ledger book and a few folders secured with black ribbon were clasped in his hands. Blank-faced, Hunt lowered his gaze to the couple on the floor. To his credit, he managed to retain his composure, though it must have been difficult. The Earl of Westcliff, known to his acquaintances as an eternal proponent of moderation and self-restraint, was the last man Hunt would have expected to be rolling on the study floor with a woman clad in her nightgown. “Pardon, my lord,” Hunt said in a carefully controlled voice. “I did not anticipate that you would be… meeting… with someone at this hour.” Marcus skewered him with a savage stare. “You might try knocking next time.” “You’re right, of course.” Hunt opened his mouth to add something, appeared to think better of it, and cleared his throat roughly. “I’ll leave you here to finish your, er… conversation.” As he withdrew from the room, however, it seemed that he couldn’t keep from ducking his head back in and asking Marcus cryptically, “Once a week, did you say?” “Close the door behind you,” Marcus said icily, and Hunt obeyed with a smothered sound that sounded suspiciously like laughter.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
White movie stars attracted by Harry Belafonte and Sidney Poitier were lending their names to the struggle, and their sincerity stood up against the most suspicious scrutiny. One evening at Belafonte's house, Shelley Winters explained why she was glad to contribute her money and her time to the SCLC. "It's not that I love Reverend King or all black people or even Harry Belafonte. I have a daughter. She's white and she's young now, but when she grows up and finds that most of the people in the world are black or brown or yellow, and have been oppressed for centuries by people who look like her, she's going to ask me what I did about it. I want to be able to say, 'The best I could.'" I was still suspicious of most white liberals, but Shelley Winters sounded practical and I trusted her immediately. After all, she was a mother just like me, looking after her child.
Maya Angelou (The Heart of a Woman)
This woman makes sure that I know that there will be no repercussions for anything I say. She lets me know exactly what would happen to the person if we found them. She asks a million questions. “Has anyone ever said anything suspicious to you at work? Has anyone ever been mean to you at work? Have you ever gotten into it with anybody at work? Has anyone ever been inappropriate at work?” She gives me a million opportunities to take a long, hard look at how I am treated at work, and it leads me to one conclusion: I am spoiled to a hilarious degree. She follows up with a phone call later in the week to make sure that I’m sure that I’m sure. I couldn’t believe it. She did such a good job. I’ve certainly been at places where I would’ve killed to have someone like her around. It is so crazy that this woman is the opposite of Lacey’s HR woman. The thought of someone being racist had this lady ready to go off! I loved her. I felt so well taken care of.
Amber Ruffin (You'll Never Believe What Happened to Lacey: Crazy Stories about Racism)
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
There were more dead in the courtyard, piled deeper around the steps to the hall, bodies twisted together, hacked and mutilated. And on the steps in the midst of it all sat a woman. She was gore-drenched, red with blood from her head to her boots, a long-axe lying across her lap. An ugly creature was perched upon her shoulder, with a nasty-looking sting on its tail, and another vaesen sat on the steps before the woman. It was small, with sharp claws and a half-spear in its tiny, slim-fingered hand. A tennúr. It had a mound of what looked like bloodcovered nuts piled at its feet and was crunching on one of them as it looked at Varg. A shiver of revulsion passed through Varg as he realised they weren’t nuts: they were human teeth. And he didn’t like the way the tennúr’s gaze fixed for a long moment upon his own mouth. The two vaesen regarded Glornir and the Bloodsworn with suspicious, violent eyes. Sitting around the woman’s legs were children, maybe twelve or fifteen of them. They were the only things in the area not spattered in blood. They didn’t seem to be scared of the woman, which Varg found strange, as his blood was tingling, and he felt the ripples of fear and danger pulsing off her. If he had hackles like Edel’s wolfhounds, they would have been standing stiff and straight. Ahead of him Varg heard Glornir gasp a breath. The woman looked up at them as they approached, her eyes fixing on Glornir. Varg saw recognition dawn in them. “He’s not here,” the woman said, shaking her head, “he’s not here.” The pain in her voice was palpable. Tears had streaked clean lines through the blood and gore and fragments of bone that were thick on her cheeks. Glornir reined in his horse and slipped from his saddle, then walked a few steps towards her and stopped. “Orka Skullsplitter,” he whispered. The woman stood. “My brother?” Glornir asked. “They killed him and took my son,” she said, fresh tears rolling down her cheeks. Glornir walked up to her and spread his arms wide, pulling her into an embrace.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
Anyone familiar with the darker side of life understands that a man who has lost his shadow is like a woman with a dark past who marries: no one is more loyal, because she knows how much is at stake. Whispered words like moans sliding over naked skin. It was in such places that you learned the philosophy of the different races: the melancholy Italians, suspicious Jews, Brutal Germans, and stubborn Spaniards, intoxicated with envy and murderous pride. The spiteful resentment that we women often resort to when we are in pain. Elegance could be acquired through money, education, hard work and intelligence. Doubt is what keeps people young. Certainty is like a malignant virus that infects us as we get older. Spain: that sad, embittered country, reeking of the sacristy and run by black marketeers and mediocre ruffians. The paradise of envy, barbarity and treachery. One of those men who use others as a pretext to talk about themselves. How flimsy the ties are that prevent human beings from lying or betraying. Women are the only worthwhile temptation. Everything else is negotiable. After all, like the rest of womankind, she only needed persuading.
Arturo Pérez-Reverte (El tango de la Guardia Vieja)
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm. So much for the natural relation between the sexes. But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life. They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
Marilyn French (The Women's Room)
What is this?" Kathleen asked, picking up the bottle and viewing it suspiciously. "It's a beautifier," Pandora said. "Bloom of Rose," Cassandra chimed in. Kathleen gasped as she realized what it was. "It's rouge. She had never even held a container of rouge before. Setting it on the counter, she said firmly, "No." "But Kathleen-" "No to rouge," she said, "now and for all time." "We need to enhance our complexions," Pandora protested. "It won't do any harm," Cassandra chimed in. "The bottle says that Bloom of Rose is 'delicate and inoffensive'... It's written right there, you see?" "The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress." Pandora turned to Devon. "Lord Trenear, what do you think?" "This is one of those times when it's best for a man to avoid thinking altogether," he said hastily. "Bother," Cassandra said. Reaching for a white glass pot with a gilded top, she gave it to Kathleen. "We found this for you. It's lily pomatum, for your wrinkles." "I don't have wrinkles," Kathleen said with dawning indignation. "Not yet," Pandora allowed. "But someday you will.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
To grasp incorrectly the basic problem of “man and woman,” to deny the most profound antagonism here and the necessity for an eternally hostile tension, perhaps in this matter to dream about equal rights, equal education, equal entitlements and duties — that’s a typical sign of a superficial mind. And a thinker who has shown that he’s shallow in this dangerous place — shallow in his instincts! — may in general be considered suspicious or, even worse, betrayed and exposed. Presumably he’ll be too “short” for all the basic questions of life and of life in the future, and he’ll be incapable of any profundity. By contrast, a man who does have profundity in his spirit and in his desires as well, together with that profundity of good will capable of severity and hardness and easily confused with them, can think about woman only in an oriental way: he has to grasp woman as a possession, as a property which he can lock up, as something predetermined for service and reaching her perfection in that service. In this matter he must take a stand on the immense reasoning of Asia, on the instinctual superiority of Asia: just as the Greeks did in earlier times, the best heirs and students of Asia, who, as is well known, from Homer to the time of Pericles, as they advanced in culture and in the extent of their power, also became step by step stricter with women, in short, more oriental. How necessary, how logical, even how humanly desirable this was: that’s something we’d do well to think about for ourselves!
Friedrich Nietzsche (Beyond Good and Evil)
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
Billy pulled her snug against his body, forgetting his arousal in the urgent need to give her comfort. He felt her stiffen, sought the reason, and realized she must have felt his erection. She shoved him away with the flat of her palms and stared up at him, her eyes wide with surprise. Or maybe shock was a better word. Billy knew instantly what he’d lost. The wariness in her gaze spoke for itself. She’d always trusted him implicitly. Like a brother. But it was a lover’s body she’d felt. He could see she was astonished that he’d become aroused by touching her. He let his hands drop to his sides. He didn’t think excuses would work, but he was willing to give them a try. His mouth curled up on one side in a cock-eyed grin. “Sorry about that. The feel of a female body does that to a man, whether he wants it to happen or not.” “It shouldn’t happen between us,” she said with certainty. “We’re friends.” He shrugged. “You’re female. I’m male. Sometimes it happens.” “Not to us,” she insisted. She stared into his face suspiciously. “Or has it?” “It might have happened once or twice. No big deal.” She stared at the visible bulge in his jeans, then glanced up at him, her face flushed and said, “It looks pretty big to me.” Billy couldn’t help grinning. “Summer, you can’t be this naïve. This is how a man reacts when he’s around an attractive woman.” “You find me attractive?” He saw the startled interest in her eyes and realized he’d opened another can of worms. He didn’t want her judging him as a prospective suitor. There was no way he could match up to the men her father presented to her on a silver platter. “Any man would find a pretty girl like you attractive,” he said, backpedaling as fast as he could. He flipped one of her golden curls back from her shoulder and said, “Curls this bouncy, and eyes like topaz jewels, and a nose this nosy.” He tapped her playfully on the nose. “What man wouldn’t react like I did?
Joan Johnston (The Texan (Bitter Creek, #2))
it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If a sermon promises health and wealth to the faithful, it isn’t true, because that theology makes God an absolute monster who only blesses rich westerners and despises Christians in Africa, India, China, South America, Russia, rural Appalachia, inner-city America, and everywhere else a sincere believer remains poor. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If doctrine elevates a woman’s married-with-children status as her highest calling, it isn’t true, because that omits single believers (whose status Paul considered preferable), widows, the childless by choice or fate or loss, the divorced, and the celibate gay. If these folks are second-class citizens in the kingdom because they aren’t married with children, then God just excluded millions of people from gospel work, and I guess they should just eat rocks and die. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. Theology is either true everywhere or it isn’t true anywhere. This helps untangle us from the American God Narrative and sets God free to be God instead of the My-God-in-a-Pocket I carried for so long. It lends restraint when declaring what God does or does not think, because sometimes my portrayal of God’s ways sounds suspiciously like the American Dream and I had better check myself. Because of the Haitian single mom. Maybe I should speak less for God. This brings me to the question at hand, another popular subject I am asked to pontificate on: What is my calling? (See also: How do I know my calling? When did you know your calling? How can I get your calling? Has God told you my calling? Can you get me out of my calling?) Ah yes, “The Calling.” This is certainly a favorite Christian concept over in these parts. Here is the trouble: Scripture barely confirms our elusive calling—the bull’s-eye, life purpose, individual mission every hardworking Protestant wants to discover. I found five scriptures, three of which referred to
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
It is a well known fact that warriors and wizards do not get along, because one side considers the other side to be a collection of bloodthirsty idiots who can't walk and think at the same time, while the other side is naturally suspicious of a body of men who mumble a lot and wear long dresses. Oh, say the wizards, if we're going to be like that, then, what about all those studded collars and oiled muscles down at the Young Men's Pagan Association? To which the heroes reply, that's a pretty good allegation coming from a bunch of wimpsoes who won't go near a woman on account, can you believe it, of their mystical power being sort of drained out. Right, say the wizards, that just about does it, you and your leather posing pouches. Oh yeah, say the heroes, why don't you... And so on. This sort of thing has been going on for centuries, and caused a number of major battles which have left large tracts of land uninhabitable because of magical harmonics. In fact, the hero even at this moment galloping towards the Vortex Plains didn't get involved in this kind of argument, because they didn't take it seriously, mainly because this particular hero was a heroine. A redheaded one. Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, thigh-boots and naked blades. Words like "full", "round" and even "pert" creep into the narrative, until the writer has to go and have a cold shower and lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialised buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Raven paced restlessly across the floor of the cabin, sending Jacques a little self-mocking smile. “I’m very good at waiting.” “I can see that,” Jacques agreed dryly. “Come on, Jacques”— Raven made the length of the room again, turned to face him—“ don’t you find this even a little bit nerve-racking?” He leaned lazily back in his chair, flashing a cocky grin. “Being caged up with a beautiful lunatic, you mean?” “Ha, ha, ha. Do all Carpathian males think they’re stand-up comedians?” “Just those of us with sisters-in-law who bounce off walls. I feel like I am watching a Ping-Pong ball. Settle down.” “Well, how long does something like this take? I thought he implied he’d be in and out of the hospital in two minutes, Jacques. What could have gone wrong? Mikhail was very upset.” “Mikhail did not actually say anything went wrong, did he?” Jacques asked, blankly innocent. Raven’s large blue-violet eyes settled on Jacques’s face thoughtfully. Jacques squirmed under her suspicious, steady gaze. There was far too much intelligence in her enormous eyes to suit him. He held up a placating hand. “Now, Raven.” “Don’t you now-Raven me. That brother of yours, worm that he is, male chauvinist unequaled in modern times, told you something he didn’t tell me, didn’t he?” Leaning back with studied casualness, Jacques tipped his chair to a precarious angle and raised an eyebrow. “Women have vivid imaginations. I think you have a suspicious nature due to your American upbringing.” “Intellect, Jacques, not imagination,” she corrected sweetly. “My American upbringing made me incredibly intelligent, and believe me, I can spot one of your pathetic Carpathian plots to protect the helpless woman from information you consider would make her fragile little delicate self unnecessarily fearful.” He grinned at her. “Carpathian males understand the fragile nature of women’s nerves. Women— especially American women— just cannot take the adversity that we men can.” “I think I should have enjoyed meeting your mother. How a woman could manage to raise two domineering tyrants like you and Mikhail is beyond me.” His dark eyes laughed at her. “But we are charismatic, sexy, handsome, and always right.” Raven hooked her foot around his chair and sent him crashing to the floor. Hands on hips, she regarded him with a superior glint. “Carpathian men are vain, dear brother-in-law,” she proclaimed, “but not too bright.” Jacques glared up at her with mock ferocity. “You have a mean streak in you, woman. Whatever happened to a soft, sweet, Yes, my lord, you’re always right?” “Try the Dark Ages.
Christine Feehan (Dark Prince (Dark, #1))
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?” “Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done. “The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.” In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.” Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow. Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it. “There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.” “Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.” “She’s incredibly beautiful,” Alex said. A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
Judith McNaught (Almost Heaven (Sequels, #3))
During the conversation she [7th-GGM, Anna Maria Hoepflinger Floerl] also talked about the guidance with which God had provided her when they started to expel the Salzburgers. She was born in the state of Bavaria and brought up in ignorance by her seriously erring mother and some relatives. However, when God recognized that He could save her soul, He saw to it that among the twelve journeyman of a papal masterbuilder from Salzburg who worked on a church in Bavaria, there was a Lutheran journeyman, called “the Lutheran,” about whose religion strange things were said. Because he got room and board at the house of her cousin, for whom she worked, she was very much aware of his Christian behavior. And, since she noticed great peace, nonconformance to the world, and diligent prayer and intercession as well as sympathy and tears when he saw the bound Evangelical Salzburgers being led past him, she had the deep desire to talk to this man secretly about his and her religious faith. One evening God arranged for her cousin to be busy with the soldiers who were accompanying the Salzburgers on their way across Bavaria, while the servants were in the tavern. She grasped this opportunity to make this knowledgeable man, who was experienced in Christianity, teach her the Evangelical truth for three hours; upon her request, he also sent her a good book, namely the Schaitberger, in a small well-secured barrel. In it, they eagerly read for three consecutive weeks at night about the Evangelical truth and her previous misunderstandings. Because the people concluded from her overall behavior, especially her absence from monthly confession, observance of brotherhood meetings, participation in pilgrimages, and telling a rosary, that she might have suspicious books, they waylaid her, took the book away from her, and threatened her with jail and death unless she stayed away from this heresy. At the priest’s instigation, her mother, in particular, behaved very badly. Finally God gave her the courage to leave, although she knew neither the way nor the area. A woman potter, also a secret Lutheran, referred her to her very close kinswoman in Austria; but there she was advised in confidence that she was to go to Salzburg rather than to pretend, in violation of her conscience, because here they searched very much after Evangelical people and books. Since the journeyman bricklayer had given her instructions on how to get to the Goldeck jurisdiction and, there, to a Lutheran family, she traveled there without a passport, like a poor abandoned sheep, in the name of God, who was her leader and guide, and she was well received. However, because the Evangelical people were being expelled at that time, she was summoned to appear before the authorities and was threatened that, if she stayed with these Evangelical people, she would enjoy neither God’s care nor any favor from the people in the Empire, but would die a horrible death. Nevertheless, she said that she would go with them regardless of what might happen to her. She preferred all misery and even death itself to renouncing God, her Savior, and the Evangelical truth. She did not start with good days, but with misery and death, as the bricklayer had told her earlier while assuring her of God’s help.
Johann Martin Boltzius
You do that a great deal, don’t you?” He swallowed the rest of his wine. “What?” “Close up into yourself whenever someone tries to peer into your soul. Make a joke of it.” “If you came out here to lecture me,” he snapped, “don’t bother. Gran has perfected that talent. You can’t possibly compete.” “I only want to understand.” “I want to be consumed by a star, but we don’t all get what we want.” “What?” “Never mind.” Turning for the nearest door into the house, he started to stalk off, but she caught his arm. “Why are you so angry at your grandmother?” Maria asked. “I told you-she’s trying to ruin the lives of me and my siblings.” “By requiring you to marry so you can have children? I thought all lords and ladies were expected to do that. And the five of you are certainly old enough.” Her tone turned teasing. “Some of you are beyond being old enough.” “Watch it, minx,” he clipped out. “I’m not in the mood for having my nose tweaked tonight.” “Because of your grandmother, you mean. It’s not just her demand that has you angry, is it? It goes back longer than that.” Oliver glared at her. “Why do you care? Has she got you fighting her battles for her now?” “Hardly. She just informed me that I was, and I quote, ‘exactly the sort of woman who would not meet my requirements of a wife.’” A smile touched his lips at her accurate mimicking of Gran at her most haughty. “I told you she would think that.” “Yes,” she said dryly. “You both excel at insulting people.” “One of my many talents.” “There you go again. Making a joke to avoid talking about what makes you uncomfortable.” “And what is that?” “What did your grandmother do, besides giving you an ultimatum about marriage, that has you at daggers drawn?” Blast it all, would she not leave off? “How do you know she did anything? Perhaps I’m just contrary.” “You are. But that’s not what has you so angry at her.” “If you plan to spend the next two weeks asking ridiculous questions that have no answers, then I will pay you to return to London.” She smiled. “No, you won’t. You need me.” “True. But since I’m paying for the service you’re providing, I get some say in how it’s rendered. Bedeviling me with questions isn’t part of our bargain.” “You haven’t paid me anything yet,” she said lightly, “so I should think there’s some leeway in the terms. Especially since I’ve been working hard all evening furthering your cause. I just finished telling your grandmother that I have ‘feelings’ for you, and that I know you have ‘feelings’ for me.” “You didn’t choke on that lie?” he quipped. “I do have feelings for you-probably not the sort she meant, though apparently she believed me. But she was suspicious. She’s more astute than you give her credit for. First she accused us of acting a farce, and then, when I denied that, she accused me of thinking to marry you so I could gain a fortune from her down the line.” “And what did you say to that?” “I told her she could keep her precious fortune.” “Did you, indeed? I would have given my right arm to see that.” Maria was proving to be an endless source of amazement. No one ever stood up to Gran-except this American chit, with her naïve beliefs in justice and right and morality. It amazed him that she’d done it, considering how he’d treated her. No one, not even his siblings, had ever defended him with so little reason. It stirred something that had long lain dead inside him. His conscience? No, that wasn’t dead; it was nonexistent.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.
Sarah Adams (The Cheat Sheet)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
There is not a street in Naples in which some tough little kid in shorts and mismatched socks is not screaming up from the sidewalk to some other tough little kid on a rooftop nearby. Nor is there a building in this town that doesn't have at least one crooked old woman seated at her window, peering suspiciously down at the activity below.
Elizabeth Gilbert (Eat, Pray, Love)
anyway, encouraging her daughter in breaking up another man’s family, having the baby of a married man? Some help and example she must have been to Bernadette if this is the way things turned out. But then Ria realized that it could not have been what that woman wanted for her daughter either. Possibly she had been horrified by it all as Ria would be horrified if her own Annie were to get involved with a middle-aged married man. Possibly the mother hadn’t been told that Danny was married at the start. And had then become suspicious. Suddenly Ria remembered the woman who had telephoned her, the voice demanding to know if she was Mrs. Danny Lynch. This was the woman. Danny had concocted some cock-and-bull story at the time, but had later admitted it. Ria would have done the same if Annie were to be involved with a married man. She would have called the house to check if his wife really existed. To speak to the enemy. This woman probably loved her daughter too. She would have wished for a boyfriend who was young and single. But who could know what a daughter was going to do? Was seeing Bernadette better than not seeing her? She sat in the car biting her lip and wondering. Possibly better. It meant that now there was no more imagining. It had cleared that area of speculation from her mind. It didn’t make it any more bearable that she was so young. Or forgivable. There was a knock on the car window and Ria jumped. For a mad moment she thought Bernadette and her mother were about to confront her. But it was the anxious face of a traffic warden. “You were not even thinking about
Maeve Binchy (Tara Road)
is it?” “You’ll find out when you get here. Make it snappy, mate.” “Will do.” The man’s voice sounded unsure come the end. Ellen sat down in one of the plastic chairs and glanced up at the TV on the wall. Bloody soaps! What the heck anybody sees in them is beyond me. She reached for the evening paper from the small table and was engrossed in the headline story about objections to a new housing estate on the outskirts of Worcester when a bearded man came marching through the front door. She noticed the troubled look that travelled between the two men and stood up. The man on control introduced her to the driver. “This is Stan, the driver you were after.” “Nice to meet you, Stan. I’m Ellen Brazil from the Worcester Missing Persons Hotline.” The man frowned, then threw himself into the chair Ellen had just vacated. “What can I do for you?” “Last Friday, you picked up a couple of ladies around one in the morning. I suppose you’d class that as Saturday, to be fair. One lived out at Norton. The other—” “Over at St. John’s. That’s right. What about it?” He shoved his hands in the pockets of his jacket and looked at her through narrowed eyes. “One of the women went missing that night.” Ellen didn’t say anymore, just tested the water to see what his reaction would be. “And?” “And I wondered if you could throw any light on the woman’s disappearance.” The man leapt out of his seat and rushed toward her. “What the fuck are you accusing me of, lady?” “Take it easy, big man,” Den warned the driver. “All I’m asking is whether you saw anything suspicious? Anyone hanging around when you dropped the last woman off at home?” “No. I wasn’t looking for anyone, though. She was bloody drunk. I don’t
J. Carson Black (Mortal Crimes #1)
A sudden insight teased him. What if she didn’t want to leave? What if she was just angry with him and acting impulsively? He left Rand to kneel at her feet. She eyed him suspiciously. He hated that he’d given her cause to look at him that way. “I will ask ye this but once. Do ye wish to forsake our bond and my offered protection? Do ye truly wish to return to your life of providing for yourself and working and raising your bairn alone? I would have ye stay here with me, and I would care for you your whole life. I would treat your bairn as my own. I have means, and I am a good man, though I ken I havena given ye cause to believe it. “Stay with me, Malina. Let me prove to you the man I am. I wouldna expect your love, and I dinna expect you to share my bed. But I wish ye to stay and be my wife. I wish to be your husband. Will you release me from the vow I made to help ye return home?” He made himself stop blathering and waited for her answer, drowning in the emerald pools of her eyes. Closing his hands around hers, around the box, he found some solace in the fact that she didn’t pull away. She appraised him with liquid eyes. Could that be tenderness he glimpsed? But it was gone too soon, replaced with suspicion. Och, he’d been so dishonest with her she likely would never be able to trust him. Mayhap it was for the best she was leaving. If she couldn’t trust him, he’d nay be able to make her happy. At last, she shook her head. “I suspect you’re a good man, even though you lied to me. I see goodness in you, and honor. Any woman would be lucky to have you as her husband.” His heart lifted with hope. “Any woman from your time,” she added gently. “I don’t belong here. I need to go back to my time. My being here is a mistake. This is all a huge mistake.” His heart crumbled as he released her hands and pulled the heavy velvet pouch from his sporran. “Then, take this. ’Tis my wedding gift to you. If I canna be with you to keep my marriage vows, I pray this will clear my name before the Lord.” She took the pouch and looked inside. Her eyes grew wide. “It’s gold. I can’t take this.” She tried to push it back into his hands, but he refused it. “You must. ’Tis the best I can do for you, Malina mine. I hope ye will remember me well when you use it. I hope this will provide for you and your bairn for many years.” Not giving her a chance to reject his gift as she’d rejected him, he rose and blew out the lantern. He led Rand from the stables, and said, “Come, Malina. ’Tis time to send you home.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The world’s best detective is a suspicious woman.
Matshona Dhliwayo
Until now, I felt like I had no real purpose in life, I found myself just wandering through the day to day tasks that have no consequence or interpretation to the kind of woman I am. These emotions have been with me for a number of years now, and I often wonder if it has to do with the death of my mother and the suspicious circumstances in which she passed. What is it about Chas that brings new substance to my life?
J.A. Heron (30 Days)
Sometimes women are overly suspicious of their husbands. When Adam stayed out very late for a few nights, Eve became upset.      "You're running around with other women," she charged.      "You're being unreasonable," Adam responded. "You're the only woman on earth." The quarrel continued until Adam fell asleep, only to be awakened by someone poking him in the chest. It was Eve.      "What do you think you're doing?" Adam demanded.      "Counting your ribs!
E. King (Best Adult Jokes Ever)
Kwa mwanamke wa kuoa natafuta hasanati. Akiwa mbaya atakuwa mzuri. Akiwa maskini atakuwa tajiri. Akiwa gumbaru atakuwa msomi. Akiwa mshamba atakuwa mjanja. Akiwa mjinga atapata maarifa. Nitampenda zaidi kwa mazuri kuliko mabaya.
Enock Maregesi
Shannon found herself smiling, 'You really don't know much sweet talk, do you, Tucker?' He gave her a suspicious look, like he thought she was trying to trick him. 'I know I'm not going to live without you. I know you're coming with me now, and we're staying together forever.' Shannon's heart started to heal at those words. And she opened her mouth to tell him so. But he kept talking so that she couldn't get a word in. 'I love you. I'm going home. That means you're coming with me. How much sweeter talk could a woman want?' The man would never be a poet. She threw her arms around his neck. 'No woman could want sweeter talk than that. I only got so upset because I can't bear that thought of living without you, Tucker. I'm sorry I doubted you. Yes, I'm coming home with you.' 'You are? Even without your sheep?' Tucker looked doubtful. Shannon did hate to give them up, but it was in the Bible after all.
Mary Connealy (Now and Forever (Wild at Heart, #2))
My God, child, you look like something the cat dragged in!” Eileen bellowed. She was a suspiciously dark-haired woman about forty-five, with expensive clothes from the very best big women’s store. Her makeup was heavy but well done, her perfume was intrusive but attractive, and she was one of the most overwhelming women I’d ever met. Eileen was something of a town character in Lawrenceton, and she could talk you into buying a house quicker then you could take an aspirin.
Charlaine Harris (A Bone to Pick (Aurora Teagarden Mystery, #2))
You smell different, Jacques.” Shea inhaled his scent sharply, pulled back so she could look into his eyes. “Why do you smell different?” He laughed softly. “It is not a woman, red hair. Why are you so suspicious? I met another one such as myself in the forest. I was in need, and he offered his aid.” “And you took it?” She was astonished. Jacques had certainly come a long way from the wary, dark, dangerous man she had first encountered. “He was a total stranger, yet you allowed him to help you?” “You were a total stranger, and I allowed you to do more than simply aid me,” he teased, his mouth warm against the corner of hers. “In fact, you gave me all sorts of interesting ideas on how you could further aid me.” “I did not. As I recall, I told you I was your doctor, nothing more, and you would not listen to me. You know, Jacques, that’s a very bad habit of yours, not listening to me.” His mouth wandered back to her ear, his breath stirring her blood. “I promise to remedy the situation as soon as humanly possible,” he whispered with a sorcerer’s magic.
Christine Feehan (Dark Desire (Dark, #2))
Myron walked up the little brick walk and knocked on the door. A very attractive black woman answered, a pleasant smile at the ready. Her hair was tied back in a severe bun, emphasizing the high cheekbones. Age lines around the eyes and mouth, but nothing drastic. She was well dressed, kind of conservative. Anne Klein II. Her jewelry was noticeable but not too flashy. The overall impression: classy. Her smile seemed to fade when she saw him. “Can I help you?” “Mrs. Yeller?” She nodded slowly, as though not sure. “My name is Myron Bolitar. I’d like to ask you a few questions.” The smile fled completely. “What about?” Her diction was different now. Less suburban civil. More street suspicious.
Harlan Coben (Drop Shot (Myron Bolitar, #2))
Maybe—maybe love makes you suspicious and doubting. Is it true that when you love a woman you are never sure—never sure of her because you aren’t sure of yourself?
John Steinbeck (East of Eden)
Paul, the baby is coming very soon.” He smiled. “That’s getting real obvious.” “You’re my very best friend, Paul.” “Thanks, Vanni,” he said, but he furrowed his eyebrows. Suspicious. “I want you to be with me during the delivery.” “With you how?” he asked. “I want you to be the one to encourage me, coach me, coax me. Hold my hand. Support me.” “Um… Isn’t that Mel’s job?” “Mel is going to be very much a coach, but she’s also going to be the midwife and she’ll be busy with other things. Especially when the baby is coming out. I need you to do this.” “Vanni,” he said, scooting forward on his chair, “I’m a guy.” “I know. Guys do this.” “I can’t…Vanni, I shouldn’t…. Vanessa, listen. I can’t see you like that. It wouldn’t be…appropriate.” “Well, actually, I thought about my brother or my dad and frankly, that really doesn’t appeal to me. So,” she said, lifting a video from the table beside her, “I got us a childbirth movie from Mel.” “Aw, no,” he said, pleading. She stood up and popped it into the VCR, then sat down again with the remote in her hand. “Jack delivered his own son,” she said. “I know, but in case you’re interested, he wasn’t thrilled about it at the time. And he refuses to do it again—he’s adamant about that. And, Vanni, this isn’t my son. This is my best friend’s son.” “Of course I know that, Paul. But since it is your best friend’s son, he’d be so grateful.” She started the video. “Now, I want you to concentrate on what the partner is doing. Don’t worry about the mother. Most of the time while I’m in labor you’ll either be behind me, or helping me walk or squat to use gravity to help with the dilating, or reminding me to breathe properly. It’s not like you’re going to have your face in the field of birth.” “I’m starting to feel kind of weak,” he said. “Why don’t you ask Brie or Paige, if you need someone for that?” “I could do that, but to tell you the truth, I’m much closer to you. And you’re here—right here. You can do this. We’ll watch the movie together and if you have any questions, just ask me.” He looked at the screen, his brows drawn together. He squinted. This was an unattractive woman, giving birth. Well, not just yet—she was working up to it. Her big belly was sticking out, which was not what made her plain. It was the stringy hair, monobrow, baggy socks on her feet and—“Vanni, she has very hairy legs.” “If that’s what worries you I can still manage to shave my legs, even though I have to admit I’ve lost interest.” The hospital gown on the woman was draped over her belly and legs in such a way that when she started to rise into a sitting position, spreading her thighs and grabbing them to bear down, she was covered. Then the doctor or midwife or whoever was in charge flipped that gown out of the way and there, right in Paul’s face, was the top of a baby’s head emerging from the woman’s body. “Aw, man,” he whined, putting his head in his hands. “I said watch the coach—don’t worry about the woman,” Vanni lectured. “It’s pretty damn hard to not look at that, Vanni,” he said. “Concentrate.” So
Robyn Carr (Whispering Rock (Virgin River, #3))
Elvis starts to sing “Viva Las Vegas” as Sam and I walk side by side down the aisle. I cover my mouth and laugh. “I want you to repeat after me, Sam,” Elvis says. He lifts one corner of his lip in that classic snarl. “I, Sam, promise you, Peck, never to step on your blue suede shoes. I promise never to leave you at Heartbreak Hotel. I promise to be your hunka-hunka burning love, forever and ever, amen.” “Wait,” Sam says. “That’s Randy Travis. Not Elvis.” “Close enough,” Elvis says. Sam rolls his hips like Elvis did when he repeats the words. I can’t stop laughing. I laugh so hard that I have to wipe tears from my eyes. But I don’t feel bad, because Emily is doing the same thing. And the rest of the brothers and their wives are laughing it up too. “Now you, Peck,” Elvis says. He swivels his hips and someone does a rim shot on a set of drums. “I, Peck, solemnly swear to love you tender for the rest of my life, and never leave you with a suspicious mind.” I repeat the words. I barely stutter, and it warms my heart when I realize that. Suddenly, Elvis gets serious. “Dearly beloved, we are gathered here today…” Sam’s eyes meet mine, and he takes my hands. I pass my flowers to one of my sisters and look up at him. We recite the official vows, and I have to blink hard to get through them, particularly when I look at the TV screen and see Marta crying into her handkerchief. “Who gives this woman to be married?” Elvis asks. Emilio’s voice rings out. “Her mother and I.” This time, a hot tear tracks down my cheek and Sam very gently wipes it away. “You okay?” he whispers. “I now pronounce you husband and wife,” Elvis declares. “Now let’s have a little less conversation and a really big kiss.” He swivels his hips again and I laugh through my tears. Sam
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
A gentleman I met while I was here for Luke’s wedding happens to be visiting again and we ran into each other at that little Virgin River bar. I pretended I couldn’t remember meeting him. I don’t know why I did that. Probably because he was coming on a little strong.” “Strong?” Viv asked. “Did he make a pass?” “God, no, I’d have had a coronary! He hadn’t even started flirting, thank goodness. But I could tell he was happy to run into me again and I thought it best to just discourage him right away rather than have to reject him later. Turned out he wasn’t nearly discouraged enough and asked me out to dinner.” Viv was silent for a long moment. Her brows drew together and her eyes narrowed suspiciously. “And the problem is?” she finally asked. “I don’t want to go out to dinner with him.” “Ah,” she said, sitting back on the couch. “He’s not your type?” “Vivian,” Maureen said with surprise. “I don’t have a type!” Again Viv was silent. “I don’t think I understand, Maureen. We all have pretty basic likes and dislikes. Are you put off by his looks?” “That’s not it—he’s actually handsome. Probably a little older than me, but still handsome.” “Bad manners?” Viv asked. “Bad breath? Slippery dentures? What puts you off?” “Nothing, he’s nice. Attractive and charming. But I don’t go out to dinner with men.” “Why ever not?” she asked, completely baffled. “I’m a single woman. A widow of a certain age. An older woman!” “Maureen, you must draw the interest of men regularly. You’re a very attractive woman!” “No, never,” she said. “Not at all. But then, I’m never in places where something like that might happen. I pretty much keep to church things or pastimes with women who live in the condos. Golf, tennis, bridge, the occasional potluck. If I do run into men, they’re with their wives.” “But don’t you have friends your age who date? Friends who are divorced or widowed who have men friends or boyfriends?” Maureen made a sound of annoyance. “Yes, and some of them act downright ridiculous! I’ve seen some of these women I play golf and tennis with, chasing men as if they’re…they’re…” “Horny?” Viv asked with a smile. Maureen was shocked. “Really, that’s an awful word!” “Oh, brother,” Viv said with a laugh.
Robyn Carr (Angel's Peak (Virgin River #10))
It’s making me suspicious of everyone. Everywhere I go I’m looking at people and wondering if it’s them. I hate it. I don’t want to be suspicious of people. I just want the whole thing to go away. To stop. At first I thought it was a few people ganging up on me, jumping on my feminism, as though being a feminist was the worst thing a woman could be. But after a while I realised that it wasn’t really about feminism at all. It was just one person with some sort of grudge against me. That person just kept on and on … and is still sending me letters now.” “We’ll find out who it is. I can look at the whole thing with fresh eyes.” “With a detective’s eyes, you mean?” “Is that so bad? We have to treat it like a police matter and look at all the possibilities. You’d be surprised at how many clues might be contained in as many letters as these. Physical clues, such as the paper and envelopes, the way the stamps are stuck on the envelopes, finger-prints and so on … and clues in the wording.” “There are some spelling and grammatical errors,” she sighed, almost in a gesture of defeat. “Exactly. Those errors can be clues.” “Just in this last letter, the writer has used dont without the apostrophe and your and you’re the wrong way round. They are mistakes that have been repeated again and again over the months. There are quite a lot of spelling mistakes in the earlier, longer letters. I’m not sure how much that will narrow it down, though. Loads of people don’t know when they’re supposed to use apostrophes, so they just guess. And loads of people can’t spell.” “It might help,” he nodded positively. “We should also look at who might have a motive for writing these letters. Is there anyone in your past you think could be responsible?” She shivered. “Like I told you, I’ve had months to think about it. I’ve wondered about practically everyone I’ve ever met and I hate thinking about people that way, especially people I know.” “I can be more objective and maybe I can come up
Alison Greaves (The Curse Of The Ayton Witches (Inspector McClennan, #3))
You were in second-stage labour for more than five hours?’ ‘That’s not bad, for a first baby. I was lucky.’ ‘Proper full-on contractions?’ I asked. ‘For all that time?’ Em nodded. ‘And it wasn’t that bad?’ She shook her head, smiling. ‘Dad?’ I asked suspiciously. ‘Is this true?’ ‘Not having been the one doing it, I couldn’t tell you. But I must say it didn’t look like a whole lot of fun from where I was standing,’ said Dad. ‘I knew it!’ ‘It’s just the price humans pay for walking on our hind legs and having large brains,’ said Dad. ‘Very poor design, really – mothers with narrow pelvises and babies with big heads. I read somewhere that childbirth used to kill about one woman in ten. The rate of stillborn babies would have been much higher again, of course.’ ‘One in ten?’ Mark repeated faintly. ‘About that. Not really a problem if you’re thinking survival of the species, but pretty rough on the individual. Don’t worry, Helen, medicine’s come a long way in the last couple of hundred years.’ ‘Dad, I’m not scared I’m going to die. I’m just scared it’s going to hurt a lot.’ ‘And she’ll probably get torn from arsehole to breakfast,’ Caitlin put in, carefully pushing her green beans to the side of her plate. Mark choked. ‘Pardon me?’ Em said. ‘Granny said it.’ ‘Granny,’ said Em grimly, ‘is an old witch.
Danielle Hawkins (Chocolate Cake for Breakfast)
The child bounded onto the bed, landing on all fours, her round face wreathed in a smile. “Hein nei nan-ne-i-cut?” “What is your name?” Hunter translated, tousling the imp’s hair as he hunkered beside the bed. “Loh-rhett-ah, eh? Tohobt Nabituh, Blue Eyes.” To Loretta, he said, “Warrior’s daughter, To-oh Hoos-cho, Blackbird.” Blackbird giggled and glanced at her grandmother, who stood watching from across the room. “Loh-rhett-ah!” Loretta scooted toward the head of the bed to press her back against the taut leather wall. The little girl followed, reaching out with a small brown hand to lightly touch the flounces on Loretta’s bloomers. Loretta stared at her. At last, a Comanche she didn’t detest on sight. She was tempted to grab hold of her and never let go. Loretta guessed her to be about three years old, possibly four. While Blackbird satisfied her curiosity about Loretta and examined her form head to toe, Hunter carried on an unintelligible conversation with his mother. From the gestures he made, Loretta guessed he was relating that his captive refused to eat or drink and that her voice had returned. A look of concern flashed across the older woman’s dark face. Hunter rose and thumped the heel of his hand against his forehead, rolling his eyes toward the smoke hole above the firepit. “Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair. “My mother says the poor little one must have no fear.” Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him. With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.
Catherine Anderson (Comanche Moon (Comanche, #1))
Ai-ee!” Woman with Many Robes crossed the packed grass-and-dirt floor and leaned forward to peer at Loretta. After babbling shrilly for several seconds, all the while waving her spoon, she crooned, “Nei mi-pe mah-tao-yo,” and placed a gentle hand on Loretta’s hair. “My mother says the poor little one must have no fear.” Woman with Many Robes cast her son a suspicious glance. When it became apparent that he planned to say no more, she brandished her spoon at him. With great reluctance he cleared his throat, eyed the people crowding the doorway, and said, in a very low voice, “You will have no fear of me, eh? If I lift my hand against you, I will be a caum-mom-se, a bald head, and she will thump me with her spoon.” He hesitated and looked as if he found it difficult not to smile. “She will make the great na-ba-dah-kah, battle, with me. And in the end, she will win. She is one mean woman.” Woman with Many Robes stroked Loretta’s hair and nodded, saying something more. She no sooner finished than Blackbird burst into giggles and rolled away from Loretta, planting a hand on her tummy. Whatever it was the woman had said, the child thought it hilarious. “You must eat,” Hunter translated. “And drink. Soon you will feel better, eh? And she will trade with the Comanchero for you a big spoon. If I ever again strike fear into your heart, you can do your own thumping.” Loretta concurred with Blackbird. She’d need much more than a spoon to do battle with Hunter.
Catherine Anderson (Comanche Moon (Comanche, #1))
How each sex has its own prejudice about love — Despite all the concessions that I am willing to make to the prejudice in favor of monogamy, I will never admit the claim that man and woman have equal rights in love; these do not exist. For man and woman have different conceptions of love; and it is one of the conditions of love in both sexes that neither sex presupposes the same feeling and the same concept of “love” in the other. What woman means by love is clear enough: total devotion (not mere surrender98) with soul and body, without any consideration or reserve, rather with shame and horror at the thought of a devotion that might be subject to special clauses or conditions. In this absence of conditions her love is a faith; woman has no other faith. Man, when he loves a woman, wants precisely this love from her and is thus himself as far as can be from the presupposition of feminine love. Supposing, however, that there should also be men to whom the desire for total devotion is not alien; well, then they simply are—not men. A man who loves like a woman becomes a slave; while a woman who loves like a woman becomes a more perfect woman. A woman’s passion in its unconditional renunciation of rights of her own presupposes precisely that on the other side there is no equal pathos, no equal will to renunciation; for if both partners felt impelled by love to renounce themselves, we should then get—I do not know what; perhaps an empty space? Woman wants to be taken and accepted as a possession, wants to be absorbed into the concept of possession, possessed Consequently, she wants someone who takes, who does not give himself or give himself away; on the contrary, he is supposed to become richer in “himself”—through the accretion of strength, happiness, and faith given him by the woman who gives herself. Woman gives herself away, man acquires more—I do not see how one can get around this natural opposition by means of social contracts or with the best will in the world to be just, desirable as it may be not to remind oneself constantly how harsh, terrible, enigmatic, and immoral this antagonism is. For love, thought of in its entirety as great and full, is nature, and being nature it is in all eternity something “immoral.” Faithfulness is accordingly included in woman’s love; it follows from the definition. In man, it can easily develop in the wake of his love, perhaps as gratitude or as an idiosyncratic taste and so-called elective affinity; but it is not an essential element of his love—so definitely not that one might almost speak with some justification of a natural counterplay of love and faithfulness in man. For his love consists of wanting to have and not of renunciation and giving away; but wanting to have always comes to an end with having. It is actually man’s more refined and suspicious lust for possession that rarely admits his “having,” and then only late, and thus permits his love to persist. It is even possible for his love to increase after the surrender; he will not readily concede that a woman should have nothing more to give him.—
Friedrich Nietzsche
It’s for you from Miss Tempy.” Aletta stood and stretched from side to side, then accepted the offered treat. She started to take a drink, then paused and looked back at him, doing her best to make her frown look real. “If it’s for me, then why is half of it gone?” He grinned. “I didn’t want to spill any on the way so I drank a little.” She laughed and took a sip. Delicious as usual. She’d finally managed to watch Tempy mixing a batch one day and had learned the woman’s secret—a little salt and vanilla. And, of course, a generous amount of cream. “Are we ready to hang the star yet, Mama?” “Almost. But I’m to the point now where I’m going to need some help putting it all together.” He jumped up. “I’ll help.” She tousled his hair. “I appreciate that. But I think you and I might require a third person for this next part.” Just then Aletta looked over to see Jake walking from the house, past the barn and toward his cabin. “Captain Winston!” she called. He turned, gave a quick wave, and headed in their direction. “Evening, Aletta.” He knelt and gave Andrew a playful poke in the tummy. “Hey, buddy, how you doing?” “I’m good, Ja—” Andrew cut his eyes in her direction. “I mean . . . Captain Winston, sir. You want some cocoa? Tempy made some just now.” Jake smiled. “That sounds good, thank you.” Aletta caught her son’s gaze, appreciating how he’d corrected his mistake. “Do you plan on drinking half of the Captain’s too?” With an impish grin, Andrew darted back to the kitchen. “Fine boy you’ve got there, Aletta.” “Thank you. I think I’ll keep him.” “With good reason.” Jake eyed the booth lying in pieces on the barn floor beside the manger, and knelt to examine her work. “Very impressive. Your father taught you well.” “I only wish I’d learned how to carve like he could. He would’ve taught me, but I didn’t consider it important enough at the time.” He ran a hand over the manger and looked up at her, a mischievous gleam in his eyes. “It’s never too late to learn something new.” “I’ve got yours, Captain Winston!” They looked up to see Andrew slowly walking toward them, his attention homed in on the cup in his hands. Captain Winston took the cup from him but eyed it suspiciously. “Tell me now . . . how much of mine did you drink?” Andrew grinned. “Not as much as Mama’s.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
Iprowled my cell like a caged animal. The blank white walls and iron bars stared back as I paced blindly, seething with rage. Nothing could excuse my disgusting lack of foresight. My head still throbbed where the Matrian warden had knocked me out with the butt of her rifle as I’d resisted arrest—I hadn’t foreseen even as simple an act of brutality as that. Looking back, it was obvious the Matrians would have been suspicious of Violet and me. I had seriously misjudged the situation. And now I, and the woman I loved more than anything, were going to pay the price for it.
Bella Forrest (The Gender War (The Gender Game, #4))
A woman is sitting in her hotel room when there is a knock at the door. She opened the door to see a man whom she had never seen before. He said "oh I'm sorry, I have made a mistake, I thought this was my room." He then went down the corridor and in the elevator. The woman went back into her room and phoned security. What made the woman so suspicious of the man?
M. Prefontaine (Difficult Riddles For Smart Kids: 300 Difficult Riddles And Brain Teasers Families Will Love (Thinking Books for Kids Book 1))