Surrounded By Fakes Quotes

We've searched our database for all the quotes and captions related to Surrounded By Fakes. Here they are! All 59 of them:

If you don’t find the right set of eyes to see through your bull, you will always be surrounded by friends that will tell you white lies because they like your company and don’t want to ruin the evening.
Shannon L. Alder
I prefer to surround myself with people who reveal their imperfection, rather than people who fake their perfection.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
What are friends for? They are the ultimate reflection of yourself. Always surround yourself with people who inspire you and return the favor by giving them the best of you.
Jenny McCarthy (Love, Lust & Faking It: The Naked Truth About Sex, Lies, and True Romance)
What I'm sure of is that you can't be happy without money. That's all. I don't like superficiality and I don't like romanticism. I like to be conscious. And what I've noticed is that there's a kind of spiritual snobbism in certain 'superior beings' who think that money isn't necessary for happiness. Which is stupid, which is false, and to a certain degree cowardly.... For a man who is well born, being happy is never complicated. It's enough to take up the general fate, only not with the will for renunciation like so many fake great men, but with the will for happiness. Only it takes time to be happy. A lot of time. Happiness, too, is a long patience. And in almost every case, we use up our lives making money, when we should be using our money to gain time. That's the only problem that's ever interested me.... To have money is to have time. That's my main point. Time can be bought. Everything can be bought. To be or to become rich is to have time to be happy, if you deserve it.... Everything for happiness, against the world which surrounds us with its violence and its stupidity.... All the cruelty of our civilization can be measured by this one axiom: happy nations have no history.
Albert Camus
Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]
Anton Chekhov (A Life in Letters)
Everythings so blurry And everyones so fake And everybodys so empty And everything is so messed up Pre-occupied without you I cannot live at all My whole world surrounds you I stumble then I crawl
Puddle of Mudd
We have to ask ourselves why we are so focused on silent girly-girls in G-strings faking lust. This is not a sign of progress, it's a testament to what's still missing from our understanding of human sexuality with all its complexity and power. We are still so uneasy with the vicissitudes of sex we need to surround ourselves with caricatures of female hotness to safely conjure up the concept of 'sexy.' When you think about it, it's kind of pathetic.
Ariel Levy
These do-gooders, these life coaches who surround themselves with fake friends evangelise about a blissful life without struggle, but is a life without combat really worth living? True love, for instance, is hard. And it isn’t fair. And it really hurts like hell sometimes. True love comes out of chaos
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Telling a lie is an act with a sharp focus. It is designed to insert a particular falsehood at a particular point in a set or system of beliefs, in order to have that point occupied by the truth. This requires a degree of craftsmanship, in which the teller of the lie submits to objective constraints imposed by what he takes to be the truth. The liar is inescapably concerned with truth-values. In order to invent a lie at all, he must think he knows what is true. And in order to invent an effective lie, he must design his falsehood under the guidance of that truth. On the other hand, a person who takes to bullshit his way through has much more freedom. His focus is panoramic rather than particular. He does not limit himself to inserting a certain falsehood at a specific point, and thus he is not constrained by the truths surrounding that point or intersecting it. He is prepared, so far as is required, to fake the context as well. This freedom from the constraints to which the liar must submit does not necessarily mean, of course, that his task is easier than the task of the liar. But the mode of creativity upon which it relies is less analytical and less deliberative than that which is mobilized in lying. It is more expansive and independent, with more spacious opportunities for improvisation, color and imaginative play. This is less a matter of craft than of art. Hence the familiar notion of the 'bullshit artist'.
Harry G. Frankfurt (On Bullshit)
You are surrounded by ignorance, savagery and fanaticism. You live in a society where everyone thinks he/she knows about everything in the whole universe. If you find yourself among those intellectual idiots, then being good and humble may give rise to doubts in your mind about your own ideas. So, you must first learn to distinguish between real and shallow intellect. Then, as a self- preservation tactic, you need to let your pretence of arrogance grow as big as a Dinosaur, so that the fake intellectuals start to realize their true inferiority in front of you.
Abhijit Naskar (Love, God & Neurons: Memoir of a scientist who found himself by getting lost)
The jet-fuel smell thick in the air, the flame and smoke surrounding you, you can only get to 011 and that's enough to make you foreign, to make you other, to make you Mexican. You take out your wallet and put an ID between your teeth so they can find you when it all collapses. Your flesh may burn but your teeth will remain and the ID will be there. It's a fake ID. Nobody will ever know you died. Nobody will ever know you lived.
Karla Cornejo Villavicencio (The Undocumented Americans)
Sure, you can break a man. Bend his will, even, but be careful with the ones that break easily. Those are the ones you have to keep a close eye on. Those are the ones that play possum and hide in the shadows. Just waiting for their time to strike! That's when you're most vulnerable. When you're surrounded by friends.
Joe Reyes (Aftermath)
Be brave and upright. Shred the fake mask of humility into pieces. And put on the mask of arrogance if needed. Take the whole responsibility of your surrounding society on your own shoulders. If you consider yourself a human being, who cares for humanity, then, become a brave responsible citizen of the whole world. If not a big banyan tree, at least be like a mango tree under the shade of which a few people can rest. You are the architects of this beautiful world. Build it your way. And nourish it with your modern conscience.
Abhijit Naskar (Love, God & Neurons: Memoir of a scientist who found himself by getting lost)
Back in the early years, before the war, there'd been another set of words up on that sign: COME IN AND LOOK AROUND— YOU MIGHT SEE SOMETHING THAT LIKES YOU, surrounded by a ring of arcane— and, Ringil always suspected, fake— Aldrain glyphs.
Richard K. Morgan (The Steel Remains (A Land Fit for Heroes, #1))
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)
When you peel away all the layers of masculinity--the cleverness, power, sarcasm, the strength we built (or faked), the toughness (which is really just quiet suffering), white knuckles, bodies covered in boots and beards, muscles, green ink skulls, arrows, and ghosts, hearts surrounded as if by barbed wire--what you see is a sad boy in the dark afraid that he will always be alone because that is the first thing he ever learned about life.
Mikel Jollett (Hollywood Park)
Each act of full forgiveness and even each partial act is not only a miracle, but a prize of redemption, as with books of S&H Green Stamps. But instead of a toaster, you get a unit of peace. Each act of forgiveness gives us more awareness of the beauty that surrounds us and of the friendly light inside, the tiny and usually ignored part that hasn't been faked, cheapened, or exploited. It is an infinitesimally small point of light--like when our ancient TVs were turning off--and eternity, the world in a blade of grass.
Anne Lamott (Dusk, Night, Dawn: On Revival and Courage)
I finish off the wine and attempt to write. I must write, I have to write. Writing is why I’m here. I stare at my open notebook, blank for all but one badly drawn eye. A few swirls. The words I don’t know scratched over and over again. Surrounded by limp flowers. I long for my first writing office, the waiting area of the hair salon where my mother worked when I was a child. I wrote with such feverish abandon on that sagging couch between the dusty Buddha and the dustier fake flowers, beneath framed photos of women smiling under impossibly, painfully elaborate arrangements of hair. Clients would sit in waiting area chairs nearby, pretending to read magazines but all the while regarding me askance, a lanky child in a Swamp Thing T-shirt clutching her mermaid journal close, staring at them through bangs I barely ever let my mother cut. I was afraid she’d gouge out my eyes. Whatcha workin’ on there? they might ask me. Uncovering your secret shame, I thought. Don’t mind my daughter, my mother would say as she led them to a chair, tilted their heads back into a wash sink where they’d immediately close their eyes.
Mona Awad (Bunny)
Are You Listening Attentively? There’s so much power in listening! I challenge you to listen more. Really pay attention to what people are saying. What are they REALLY talking about? Many times we overlook and/or make excuses for people’s conversations. Don’t allow people to dump garbage in your spirit. What we listen to can have a negative effect on what, and how, we think. Be choosy about the relationships you entertain. Surround yourself with people that bring out the best in you. People that are positive, inspiring, and genuine. Remember: Value your time! Don’t waste it on dead-end and/or fake relationships.
Stephanie Lahart
I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.
Paul Feig (Kick Me: Adventures in Adolescence)
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
By now, certain alternate theories are beginning to circulate online. It's the government, they say. Or it's Big Pharma. Some kind of germ must have gotten loose from a lab at the college. Think about it, they say: Do you really believe that a completely new virus could show up in the most powerful country on earth without scientists knowing exactly what it is? They probably engineered it themselves. They might be spreading this thing on purpose, testing out a biological weapon. They might be withholding the cure. Or maybe there's no sickness at all—that's what some have begun posting online. Isn't Santa Lora the perfect location for a hoax? An isolated town, surrounded by forest, only one road in and one road out. And those people you see on TV? Those could be hired victims. Those could be crisis actors paid to play their parts. And the supposedly sick? Come on, how hard is it to pretend you're asleep? Maybe, a few begin to say, Santa Lora is not even a real town. Has anyone ever heard of this place? And look it up: there's no such saint as Santa Lora. It's made-up. The whole damn place is probably just a set on some back lot in Culver City. Don't those houses look a little too quaint? Don't be naïve, say others—they don't need a set. All that footage is probably just streaming out of some editing room in the valley. If you look closely, you can tell that some of those houses repeat. Now just ask yourself, they say, who stands to benefit from all this. It always comes back to money, right? The medical-industrial complex. And who do you think pays the salaries of these so-called journalists reporting all this fake news? Just watch: in a few months, Big Pharma will be selling the vaccine.
Karen Thompson Walker (The Dreamers)
And then he heard it. A loud crash. The Number 22 bus had pulled away from the stop, and another driver in a car trying to get around to turn had collided into the side of the transit vehicle. Finally, Daryl had the nerve to do what every like-minded criminal in Baltimore knows they must. Run and get on the bus for insurance claims. Get a “suitcase,” as some of the old-timer grifters still called phony neck injuries, marrying the word “suit” as in law with “case” as in court. “Suitcase,” the all-purpose secret word for fraud. Amazingly, his erection still held. It was a little painful going up those first bus steps, but so what, it felt even sexier doing a second scam before he’d completely gotten away with the first one. The lucky few passengers on board were already going into their cries of “whiplash,” holding their necks and moaning out loud. He limped to an empty seat and held his knee as if it had been painfully slammed in the impact. Even the bus driver was faking injuries as he called into his dispatcher to report the accident, exaggerating the speed he had been going to make it sound worse. Daryl knew he was surrounded by fellow swindlers and felt, for the first time, part of a community.
John Waters (Liarmouth: A Feel-Bad Romance)
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
When I was younger, I remember taking pride in people’s well-meaning remarks: “You’re so lucky that no one would ever know!” or “You don’t even look like a guy!” or “Wow! You’re prettier than most ‘natural’ women!” They were all backhanded compliments, acknowledging my beauty while also invalidating my identity as a woman. To this day, I’m told in subtle and obvious ways that I am not “real,” meaning that I am not, nor will I ever be, a cis woman; therefore, I am fake. These thoughts surrounding identity, gender, bodies, and how we view, judge, and objectify all women brings me to the subject of “passing,” a term based on an assumption that trans people are passing as something that we are not. It’s rooted in the idea that we are not really who we say we are, that we are holding a secret, that we are living false lives. Examples of people “passing” in media, whether through race (Imitation of Life and Nella Larsen’s novel Passing), class (Catch Me if You Can and the reality show Joe Millionaire), or gender (Boys Don’t Cry and The Crying Game), are often portrayed as leading a life of tragic duplicity and as deceivers who will be punished harshly by society when their true identity is uncovered. This is no different for trans people who “pass” as their gender or, more accurately, are assumed to be cis or blend in as cis, as if that is the standard or norm. This pervasive thinking frames trans people as illegitimate and unnatural. If a trans woman who knows herself and operates in the world as a woman is seen, perceived, treated, and viewed as a woman, isn’t she just being herself? She isn’t passing ; she is merely being.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Smile and let your Heart Shine! :-) Once you realize that people around you have nothing to do with your faults and losses, you will never have to wear a fake smile. Smile and emit the positive energy. Smile and Love your Surroundings... :-)
Mahsati Abdul
Smile and let your Heart Shine! Once you have realized that people around you have nothing to do with your faults and losses, you will never have to wear a fake smile. Smile and emit the Positive Energy. Smile and Love your Surroundings.
Mahsati Abdul
If we continue to surround ourselves with all of the world's fakeness, will we eventually not know when something or someone real appears?
Kathryn S. Carrington (Inner Visions From the Heart: A Collection of Poetry)
The way we deal with death depends on how it's imagined for us beforehand, by our parents and the people who surround them, and what happens to us early on.[...] Instead, we believe the lie, that death, unlike taxes, can be postponed indefinitely, and we spend our lives defending that belief. Some people are very good at it, and they become our nation's heroes. Some, like me, see the lie early for what it is, fake it for a while and grow bitter, and then go beyond bitterness to...to what? To this, I suppose. Cowardice. Adulthood.
Russell Banks (The Sweet Hereafter)
Happy synthesizer, for you I’ll play this one time melody In hopes that it will one day reach deep into your heart. Think back to all the miseries and fakeness that surrounds you. I’ll make it all disappear with this song you hear. Although I have no other strength and I may still be weak inside. But there is one thing that I surely can do. With this electro-melody, I’ll make your heart skip-a-beat. With words straight from my soul, I’ll send this to you
Luka and Gumi
I prefer to surround myself with people who reveal their imperfection, rather than people who choose to fake perfection.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
This other Alice, this Wonderland Alice, on the other side of the glass, was someone very different. She had dark hair, for one; stringy, long, unkempt. The rest of her features were hard to distinguish because a thick, ratty white blindfold was tied around her head. Streaked and streaming down her cheeks from beneath it was thick black blood. Her lips were cracked and also bleeding, her bare neck and shoulders smudged with dirt. Alice swallowed. She had never seen anything like it. Even at the theater the blood was bright red and flowed easily and didn't cake up so. This was not a tableau; this was not fake blood. It was all too real- like something out of a scene of war, of a horror story, of a nightmare worse than any Alice ever had. And then the picture moved. Suddenly the other Alice was either screaming or grinning- impossible to tell which with her teeth outlined in more blood, her lips pulled away from them. She was holding up a banner that was delicately penned despite the poverty of her apparent surroundings. MERRY UNBIRTHDAY
Liz Braswell (Unbirthday)
His eyes drifted shut. without opening them, he murmured, "I like the sound of your laugh. It's real and genuine. A lot of girls have this fake laugh. Not you." "I like your laugh, too." I whispered, feeling pulled in, cozy in the cacoon of his bed. "Yeah?" I flattened my palm over his chest, enjoying the sensation of the firm flesh, even warm as it was. He sighed, like my cool hand offered him some relief. "I laugh more since you came around," he said quietly, his lips barely forming the words. He did? I frowned. He must not have laughed at all before, then, because I didn't think he was particularly jovial. I held him through the night. And he held me back, tucking my head beneath his chin. His arms surrounded me and kept me close to his overly warm body. Almost like I was some kind of lifeline. I felt the moment his fever broke around one in the morning. I finally relaxed and fell asleep.
Sophie Jordan (Foreplay (The Ivy Chronicles, #1))
Morrowseer’s spiteful words kept going around and around in her head. “I made up the whole prophecy…. Now the war will drag on endlessly, and more dragons will die every day, probably for generations. All of them wondering what happened to the amazing dragonets who were supposed to save them, but obviously failed.” Sunny clenched her talons and crouched low to the ground. He was lying, he was lying, he was lying. She wouldn’t let these NightWings see her cry. Glory climbed onto a boulder and flapped her wings loudly. Even up there, and even with her queenliest face on, Glory still looked like a dragonet, smaller than almost all the NightWings surrounding her. If the prophecy is fake, then why was everyone so awful to Glory about not being in it? Sunny thought, feeling another surge of fury at Morrowseer. Why make her feel so useless — if we’re all useless? Because it is real. It has to be. But how can I prove it? “NightWings,” Glory said firmly, speaking up to be heard over the shuffling dragons and the rainstorm.
Tui T. Sutherland (The Brightest Night (Wings of Fire, #5))
So that girl you told us about at the will reading... She's real?" "Very real. Her name's Daisy. She's the sister of an old friend. She knows what it's all about and she's okay with it because the arrangements benefits her, too." "I thought she hated you." Joe leaned against the faded white picket fence that surrounded the visitor center. "I think we may have worked that out." He wasn't sure how Daisy felt about him, but after the other night, he was pretty sure hate wasn't at the top of her list. "Well, good for you. I won't say anything. As far as I'm concerned, you've known her forever." "I have known her forever, but we've gone on dates to make it seem more real." He pulled out his phone to show Joe the pictures of him and Daisy at the clothing store, the restaurant, the hockey game, and the one he'd taken when he'd declared her the winner of their Guitar Hero marathon. Joe gave him a quizzical look. "You sure it's fake? Looks like you two are having fun." Liam stared at the picture they'd taken at the hockey game. She'd kissed him, not the other way around. And it hadn't been for show. He'd seen something in her face---something soft and raw and real. And then, just when he'd thought it was all over, when his past had come back to haunt him, she'd shown him just how strong she really was, and made him want her even more.
Sara Desai (The Dating Plan (Marriage Game, #2))
The simulated perfection that surrounds us is mediated by screens. On every screen we look at it, perfection stares out at us. Screens are everywhere. We are always staring at screens. Cinema screens, TV screens, iPhone screens, computer screens… Screens are omnipresent in our lives. And they are the delivery mechanisms of perfect images of perfect lives. Celebrities, the nobility and the super rich are those with the perfect lives we so envy. They rule the screens.
Adam Weishaupt (Hypersex)
If you feel like you’re pretending all the time, maybe it’s more about who you’ve surrounded yourself with rather than the race itself. The game is the game, the race is the race, but who you’re with—your team, your family, the people you love, the people you trust—that’s how you stop faking all the time. Surround yourself with people who want to be with you, the real you.
Penny Reid (Totally Folked (Good Folk: Modern Folktales, #1))
taking pictures was an activity that I could do alone, which encouraged me to take in and engage with my surroundings.
Rachel DeLoache Williams (My Friend Anna: The true story of Anna Delvey, the fake heiress of New York City)
that made her nervous. She was sure to break something she couldn’t afford that night. Staying quiet wasn’t normally her thing, but it helped when she had to observe her surroundings. Almost everyone there wanted a piece of her date. And not the best piece. It was interesting to see how they all approached him, fake smiles and insincere words following. There’d been a tightness to Nicholas’s jaw all night, as if he wanted to be there less than she did, and he continuously
Amber Warden (Finding Instinct (The Last Shot Tavern))
I hate the fakeness surrounding socialites. Everyone’s always trying to one-up the other. It’s all about status and money.
Michelle Heard (Restrain Me (Corrupted Royals, #4))
-Do you know the difference between intellectual telepathy and emotional reincarnation? -Yes, telepathy is reading thoughts, and reading feelings and sensations. -Did it ever occur to you that someone is telepathy to you against your will? -Some people have this talent, or so they claim. Baibars: It is not a talent, but a knowledge. Physiognomy was never a talent, but rather an experience. People who travel a lot, social people, who have an appetite for information, and details, are the owners of physiognomy, who acquire it as a result of their experiences, all of which are stored in their subconscious mind, and the latter gives them results. In the form of emphatic feelings, we call it physiognomy, or talent. And basically, it’s based on data: we do not hear or know about anyone who has insight, who has earned this talent while sitting at home, but who is a frequent traveler. The more data you have, the more precise you are able to telepath with your target, and now telepathy is happening at every moment. With the technical revolution and the development and diversity of the means of all information, in many ways, social networking sites are not the first and will not be the last. With the development of computers, and their ability to process huge amounts of data, in a relatively acceptable time, and with the development of artificial intelligence software, and self-learning software, our privacy has become violated by many parties around the world, not only the intelligence services, but even studies and research centers, and decision-making institutions. They all collect an awful lot of data every day, and everyone in this world has a share of it. These software and computers will stand powerless if you strip them from their database, which must be constantly updated. Telepathy became available, easy, and possible, as never before. Physiognomy became electronic in the literal sense of the word. However, our feelings, and our emotions, remain our impenetrable fortress. If you decide to make your entire electronic life a made-up story, contrary to the reality of what you feel, such as expressing joy when you feel sad, this software will expect you from you other than what you really feel, it will fail. The more you are cunning, and deceitful in reincarnation, the more helpless it stands in knowing the truth of your feelings that no one else knows. All that is required of you is to express the opposite of what you feel. The randomness of humans, their spontaneity, and those they think are their free decisions, have been programmed by a package of factors surrounding them, which were imposed on them, including society, environment, conditions, and education. The challenge is to act neither spontaneously nor randomly, and here lies the meaning of the real free will. Can you imagine that? Your spontaneity is pre-programmed, and your random decisions that you think are absolutely free, are in fact not free, and until you are able to imagine this and believe in it, you will remain a slave to the system. To be free you must first overcome it, you must rebel against what you think is your free self. He was silent for a moment, took a breath from his cigarette, and what he was about to say now almost made him inevitable madness, a few years ago… -But, did it occur to you, Robert, that there is someone who can know the truth about your feelings, no matter how hard you try to fake them! And even knows it before you even feel it! A long moment of silence…
Ahmad I. AlKhalel
Look, Dad. I’m okay. I like this girl. Everything’s normal. “Only my father,” I say to Tina, “would imagine that anyone could find paperwork arousing.” “What?” Her smile is a touch too wide, a little too faked. “Don’t tell me your media training didn’t cover this, either.” I set the stack of papers on the flat surface of my desk and gesture Tina to sit in the leather-bound executive chair. “What am I supposed to say, then? Come on, baby. It’s a nondisclosure agreement. You’ll like it. I promise.” She gives me an unimpressed look. “God,” she says. “And I thought you were supposed to be a good liar. That’s not how you do it.” She bites her lip and then she leans toward me. Her eyelashes sweep down, and when she talks, she lowers her voice toward sultry. “I don’t know, Blake.” She bites her lip and reaches gingerly for the papers, stroking her thumb along the edge. “It’s so…big. I’m not sure it will fit.” I almost choke. She looks up with a touch of a smile. Fuck. I started this. “We’ll go nice and slow.” I pull a chair beside her and sit down, and very slowly take a pen from the holder. “Tell me if it hurts and I can stop anytime. I promise.” “Be gentle.” I know we’re just joking. I know this doesn’t mean anything. Still, my body doesn’t know this is a show when I lean toward her. I don’t feel like I’m lying when I inhale the sent of her hair. It goes straight to my groin, a stab of lust. “Trust me,” I murmur. She’s sitting in my chair. She’s smaller than me and all that dark leather surrounds her, blending in with her hair. But when she looks up, tilting her head toward me, she doesn’t seem tiny. She pulls the first paper-clipped section of pages to her, glances at the first paragraph, and wrinkles her nose. “Ouch,” she says in a much less sensual tone of voice. “It hurts already.” “It basically says that if you tell anyone anything about Cyclone business, we get one of your kidneys,” I translate helpfully. “How sweet.” She hasn’t looked up from the document. “Do your lawyers know you summarize their forms like that?” “Disclose two things,” I say, “and we get two kidneys.” “Mmm. Playing rough. What happens if I disclose three? You shut down my dialysis machine?” “You get a commemorative Cyclone pen,” I say mock-seriously. “Come on. We’re not monsters.” She cracks a smile at that. She’s not one of those girls who always smiles, and that means that when she does smile, it means something. Her whole face lights up and my breath catches at the sight. I lean in, as if I could breathe in her amusement. But then she drops her head and goes back to reading. When she finishes, she signs with a flourish. “What’s next?” she says. “Bring it on.” I hand over the next few pages. She holds it up and looks at me. “Don’t lie to me, baby. I bet you make all the girls you bring in here sign this.” You know what? I have never before found SEC regulations this sexy. I lean close to her. “No way,” I murmur. “This is just for you.” “Really?” She manages that look of hurt skepticism so well. I reach out, almost touching her cheek—until I remember that this isn’t real. “No,” I whisper back. “Not really. Everyone does sign it; it’s company policy.” “Oh, too bad.” She’s still reading the page. “I was hoping you had a selective disclosure just for me.” Selective, I realize, is a sexy word when drawn out the way she does it, her tongue touching her lips on the l sound. So is disclosure. “I can disclose,” I hear myself saying. “Selectively.” “Maybe you can give it to me in a material and nonpublic place.” I lean toward her. “You know me. I put the inside in insider trading.” She’s still holding the pen poised above the paper. I touch my finger to the cap and then slowly slide it down the barrel until my hand meets hers. A shock of electricity hits me, followed by a jolt of lust.
Courtney Milan
But Rebecca grew up in a city on the East Coast, where she was extremely isolated from people who looked like her. That made her instinctively competitive when, all of a sudden, she finally was surrounded by women that looked exactly like her only because they were waiting to audition for the role of the wet-haired ghost from The Ring or Angry Waitress with Fake-Ass Accent #2. The “specialness” she was used to feeling from looking different vanished instantly.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets & Advice for Living Your Best Life)
I hate that phrase... 'It is what it is.'" She releases a puff of air through her lips. "It's depressing. It insinuates we can't change a situation, so we have to accept it, but a person can change almost every situation - or their attitude surrounding said situation. So in that sense, nothing has to stay being what it is.
Winter Renshaw (Fake-ish)
SHOPPING TIPS Most of the fakery surrounding the King of Cheese has to do with the misleading use of “Parmesan,” not Parmigiano-Reggiano, so when you see the full Italian name and it says “Made in Italy” and has the PDO seal, it is usually the real deal. The same is true of Prosciutto di Parma. However, the cheese is made in very large wheels that begin to deteriorate once cut, so it is important to buy from retailers with a lot of volume turnover who are constantly opening new wheels and storing it right. More than many other cheeses, it’s usually better to buy from a specialty cheese shop like Murray’s in New York—most cities have these. If you go mail order/online, you cannot beat Zingerman’s in Ann Arbor, Michigan, which buys whole wheels directly from
Larry Olmsted (Real Food/Fake Food: Why You Don't Know What You're Eating and What You Can Do About It)
Commenting on the future of poetry and art in a democratic society, Alexis de Tocqueville wrote that he was not worried about a lapse into safe realism so much as a flight into unanchored fantasy. "I fear that the productions of democratic poets may often be surcharged with immense and incoherent imagery, with exaggerated descriptions and strange creations; and that the fantastic beings of their brain may sometimes make us regret the world of reality."We are surrounded now by the realization of Tocqueville's predictions: gleaming, bulbous golden arches;impossibly smooth backlit billboards; squishy cartoon characters roaming fantastically fake theme parks.When I was growing up, these strange creations awakened something in me that I've since come to think of as deep longing for the seductions of fake; I wanted to disappear into shiny, perfect, unreal objects.
Naomi Klein (No Logo)
Superman – Moses in a costume, with his underpants on the outside. Captain America – the poster boy of the mad American patriot. Wonder Woman wore a bathing suit bearing the American flag. She was as beautiful as Aphrodite, as wise as Athena, as strong as Hercules, and as swift and as great a warrior as Diana. Superheroes fought enemy spies at home. They battled reds under the beds. America is a mythological country in the modern world. By surrounding itself with modern myths, it has made itself less and less real. America simulates being a real country via its modern myths, but only succeeds in become phonier.
David Sinclair (Superheroes and Presidents: How Absurd Stories Have Poisoned the American Mind)
Surround yourself with quality people……to live life…..or see yourself suffering with bunch of fake ones around you
Ankith Reddy
I threw up my hands in fake frustration. "Why am I always surrounded by men who live to infuriate me?" "Maybe you just frustrate easy. Ever think of that?
Ivy Wild (Beautiful Surrender (Kings of Capital))
thanks to Kayla. We walk around the mall with Julie in front of us. “So what was the deal with her?” I ask Kayla, bringing her hand to my lips and kissing it quickly. I can’t seem to keep my hands and lips off her. If we can’t be intimate in the way I want, I’ll take whatever I can get. “She’s just growing up. She wanted us to spend some girl time together today. She thinks she needs a training bra and wants to start wearing makeup.” Kayla giggles. “What?” I yell. Kayla nudges me and tells me to shut up. Julie turns around and eyes us suspiciously. She keeps walking when I fake a smile at her. “She’s frickin’ eight years old, Kayla!” “I know. I’m just going along with it to amuse her. Trust me, okay?” “Fine. But my eight-year-old sister better not end the day looking like a whore.” “Oh my God!” Kayla laughs out loud. “I can’t believe you just said ‘eight-year-old sister’ and ‘whore’ in the same sentence.” “Shut up! I’m not kidding.” We walk around for a bit longer before Julie decides to walk into a store. I don’t pay attention until we’re inside, and I’m surrounded by lingerie. “What the f—” A hand covers my mouth. “Shut up, Jake,” Kayla whispers fiercely. “Just play along, please.” “Fine, but I’ll wait outside.” They
Jay McLean (More Than This (More Than, #1))
The illusions are fabrications of fragmented data, designed to appease the soul and entice the flesh, even in the real world we are always surrounded by illusions. Mindplant is not that different when you actually think about it. People's misrepresentations, false advertising and false media projections, Visual just created a fake world that's not so different from our own." Spiral explained.
Jill Thrussell (Mindplant: Trimorphia (Glitches #3))
Most of the fakery surrounding the King of Cheese has to do with the misleading use of “Parmesan,” not Parmigiano-Reggiano, so when you see the full Italian name and it says “Made in Italy” and has the PDO seal, it is usually the real deal.
Larry Olmsted (Real Food/Fake Food: Why You Don't Know What You're Eating and What You Can Do About It)
Where? Where have all those moments disappeared, Where to has her smile escaped, When was the last time when on her face a smile had appeared, When was it that she in her flashing radiance was draped, Nobody knows nothing, Nobody seems to care about anything, Until one day she was lost like that insignificant Something, Until that fateful day when her beautiful smile was reduced to nothing, Where was she lost, her smile and she with it, Where did her tormentors mislead her to, When she realised it, she was already drowning in it, When her mind screamed frantically, “whereto!” Her heart had forgotten to feel, Her feelings were dealing with fears of escalating anxieties, Everything appeared fake to her in the surroundings real, She had sunk deep in the abyss of perplexities, Where was the lover who loved her and kissed her so many times, Where was the guardian who vowed to protect her, When she faced exceptionable and unwelcoming times, When every reason that made her smile was dying within her, Maybe the lover was busy kissing her beauty, Maybe it was the only wish he wanted to fulfill, And it seems he accomplished it with a sense of unwavering duty, And today her absence with false sympathy he tries to fill, Where was the sympathy when she needed it the most, Where was the lover who feels, when she was alive, When he was supposed to be with her, he was somewhere else, thus her smile was lost, When he began kissing the smileless face, he had already killed her when she was alive, So do not tell me you loved her with your heart, So, she suffered more when you did not realise she was suffering, Then she decided to leave and finally depart, Then she left you long after you had learned to kiss her in ways more voluptuous than loving! Where is she now, remains to be a bafflement for the lover in you, Where are those smiles that her mirror sometimes reflects, When she escaped from the prison created by you, When you completely avoided acknowledging her emotional facts, She left you, as for the rest of us, she is everywhere, She is here, she is everywhere we wish to see her, And for you when she was physically with you, you never learned to seek her spirit anywhere, And since then you began losing a part of her, until one day, when she was right in front of you, you could not recognise her!
Javid Ahmad Tak (They Loved in 2075!)
I wait for the consuming, proud feeling in my chest that this moment should bring. Nothing. Fans rattle the glass and the team surrounds me, but I experience blank, silent emptiness. Shit.
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
They want your body They want your soul They want fake smiles That's rock and roll The wolves surround you A fever dream The wolves surround you So start the scream
Matt Haig (The Midnight Library / Hamnet / Shuggie Bain)
He wants to know more about Magda. He imagines her in a dirt yard, surrounded by a picket fence and a dozen yelping children, smoking a cigarette and glowering at a detective novel. He sees the youngest boy tugging at her skirt, saying, Mama, Mama, look at this, look what I can do, Mama, look at me. He sees her refusing to see him, reserving her beautiful, solemn attention for the fake paper world in her hands. He sees her in a Grim Reaper costume. It
Tess Gunty (The Rabbit Hutch)
You know how you sometimes want to believe the fairy tale you are seeing right in front of you is indeed the perfect story you always wished for and not just in your mind? No matter how much you try, fake and even insist, in the end of the day everyone needs to wake up, and that's when you really see the human being who you surround yourself with, realizing how much you don't belong, don't like and even don't have the energy to keep up with the façade.
Thaise Wolff (The Cursed Ones)