Suppressed Voice Quotes

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We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
The institutions of human society treat us as parts of a machine. They assign us ranks and place considerable pressure upon us to fulfill defined roles. We need something to help us restore our lost and distorted humanity. Each of us has feelings that have been suppressed and have built up inside. There is a voiceless cry resting in the depths of our souls, waiting for expression. Art gives the soul's feelings voice and form.
Daisaku Ikeda
All discomfort comes from suppressing your true identity.
Bryant McGill (Voice of Reason)
You don’t have to be afraid—" "I am always afraid!" I don’t know what shocks me more—the power in my voice or the words themselves. Afraid. I am always afraid. It’s a truth I locked away years ago, a fact I fought hard to overcome.
Tomi Adeyemi (Children of Blood and Bone (Legacy of Orïsha, #1))
Why do you want me?" I asked, suppressing the trembling of my voice. "I’m strange, definitely not perfect, and fucked up. Actually, a lot of the latter.” “Perfect is boring and overrated.” He smiled that lopsided grin of his that made my lower abdomen twist and curl with delicious desire. “I’m looking for sexy, fun, kind, and honest. And you tick all the right boxes, Brooke.
J.C. Reed (Surrender Your Love (Surrender Your Love, #1))
We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth?
Yaa Gyasi (Homegoing)
People have moments of consciousness and epiphanies throughout their lives, but then suppress the realization.
Bryant McGill (Voice of Reason)
Sensation precedes manifestation and is the foundation upon which all manifestation rests. Be careful of your moods and feelings, for there is an unbroken connection between your feelings and your visible world. Your body is an emotional filter and bears the unmistakable marks of your prevalent emotions. Emotional disturbances, especially suppressed emotions, are the causes of all disease. To feel intensely about a wrong without voicing or expressing that feeling is the beginning of disease – disease – in both body and environment. Do not entertain the feeling of regret or failure for frustration or detachment from your objective results in disease.
Neville Goddard (Feeling is the Secret)
That doesn't sound fair," says Peter. "What if one person only has seven fears and someone else has twenty? That's not their fault." Four stares at him for a few seconds and then laughs. "Do you really want to talk to me about what's fair?" The crowd of initiates parts to make way for him as he walks toward Peter, folds his arms,and says,in a deadly voice, "I understand why you're worried, Peter.The events of last night certainly proved that you are a miserable coward." Peter stares back,expressionless. "So now we all know," says Four, quietly, "that you are afraid of a short, skinny girl from Abnegation." His mouth curls in a smile. Will puts his arm around me. Christina's shoulders shake with suppressed laughter. And somewhere within me,I find a smile too.
Veronica Roth (Divergent (Divergent, #1))
Dude, you don't look so hot." "That's because I'm stuck in a freezer!" Liam shouted. His voice echoed off the walls. "Do you want someone to put you out of your misery?" Kelly asked, suppressed laughter in his voice.
Abigail Roux (Crash & Burn (Cut & Run, #9))
I found a secret place,” he whispers. His hand finds mine under the water, tugging on my wrist. “Come with me.” I’m unable to suppress a laugh. “Where are you taking me?” I say in a mock scolding voice. “I’ll beg your forgiveness later, Your Majesty,” he teases back, flashing me a grin as he pulls us toward the far end of the pool.
Marie Lu (The Midnight Star (The Young Elites, #3))
Professor Lyall looked modestly proud. "I am considered a bit of an expert on the procreative practices of Ovis orientalis aries." "Sheep?" "Sheep." "Sheep!" Madame Lefoux's voice came over suddenly high, as though she were suppressing an inclination to giggle. "Yes, as in baaaa." Professor Lyall frowned. Sheep were a serious business, and he failed to see the source of Madame Lefoux's amusement. "Let me understand this correctly. You are a werewolf with a keen interest in sheep breeding?" A little bit of French accent trickled into Madame Lefoux's speech in her glee. Professor Lyall continued bravely on, ignoring her flippancy. "I preserve the nonviable embryo in formaldehyde for future study. Lord Maccon has been drinking my samples. When confronted, he admitted to enjoying both the refreshing beverage and the 'crunchy picked snack' as well. I was not pleased.
Gail Carriger (Blameless (Parasol Protectorate, #3))
Every day, people engaged in the clever defiance of their own intuition become, in mid-thought, victims of violence and accidents. So when we wonder why we are victims so often, the answer is clear: It is because we are so good at it. A woman could offer no greater cooperation to her soon-to-be attacker than to spend her time telling herself, “But he seems like such a nice man.” Yet this is exactly what many people do. A woman is waiting for an elevator, and when the doors open she sees a man inside who causes her apprehension. Since she is not usually afraid, it may be the late hour, his size, the way he looks at her, the rate of attacks in the neighborhood, an article she read a year ago—it doesn’t matter why. The point is, she gets a feeling of fear. How does she respond to nature’s strongest survival signal? She suppresses it, telling herself: “I’m not going to live like that, I’m not going to insult this guy by letting the door close in his face.” When the fear doesn’t go away, she tells herself not to be so silly, and she gets into the elevator. Now, which is sillier: waiting a moment for the next elevator, or getting into a soundproofed steel chamber with a stranger she is afraid of? The inner voice is wise, and part of my purpose in writing this book is to give people permission to listen to it.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Idiot.” Harrowhark’s voice was distant and full of badly suppressed adrenaline. “Here. Take this veil.” Gideon kept mopping at her eyes. “I’m all good.” “I said put it on. I’m not having you struck blind when the door opens.” “I came prepared, my sweet.” “What are you even saying half the time—
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Professor Lyall looked modestly proud. "I am considered a bit of an expert on the procreative practices of Ovis orientalis aries." "Sheep?" "Sheep." "Sheep!" Madame Lefoux's voice came over suddenly high, as though she were suppressing an inclination to giggle. "Yes, as in baaaa." Professor Lyall frowned.
Gail Carriger (Blameless (Parasol Protectorate, #3))
It’s a romantic novel,” Jaenelle said in a small voice as he called in his half-moon glasses and started idly flipping the pages. “A couple of women in a bookseller’s shop kept talking about it.” Romance. Passion. Sex. He suppressed—barely—the urge to leap to his feet and twirl her around the room. A sign of emotional healing? Please, sweet Darkness, please let it be a sign of healing.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
Did he hurt you?” The emotion I was trying to suppress clawed at my throat, unleashed by the gentleness in Philip’s voice. Without warning, a tear slipped down my cheek. I swiped it away.
Julianne Donaldson (Edenbrooke)
However, Saudi Arabia quickly discovered what the rest of the world would soon learn. Fundamentalism, in all religious traditions, is impervious to suppression. The more one tries to squelch it, the stronger it becomes. Counter it with cruelty, and it gains adherents. Kill its leaders, and they become martyrs. Respond with despotism, and it becomes the sole voice of opposition. Try to control it, and it will turn against you. Try to appease it, and it will take control.
Reza Aslan (No god but God: The Origins, Evolution and Future of Islam)
I know your race. It is made up of sheep. It is governed by minorities, seldom or never by majorities. It suppresses its feelings and its beliefs and follows the handful that makes the most noise. Sometimes the noisy handful is right, sometimes wrong; but no matter, the crowd follows it. The vast majority of the race, whether savage or civilized, are secretly kind-hearted and shrink from inflicting pain, but in the presence of the aggressive and pitiless minority they don't dare to assert themselves. Think of it! One kind-hearted creature spies upon another, and sees to it that he loyally helps in iniquities which revolt both of them. Speaking as an expert, I know that ninety- nine out of a hundred of your race were strongly against the killing of witches when that foolishness was first agitated by a handful of pious lunatics in the long ago. And I know that even to-day, after ages of transmitted prejudice and silly teaching, only one person in twenty puts any real heart into the harrying of a witch. And yet apparently everybody hates witches and wants them killed. Some day a handful will rise up on the other side and make the most noise--perhaps even a single daring man with a big voice and a determined front will do it--and in a week all the sheep will wheel and follow him, and witch-hunting will come to a sudden end. Monarchies, aristocracies, and religions are all based upon that large defect in your race--the individual's distrust of his neighbor, and his desire, for safety's or comfort's sake, to stand well in his neighbor's eye. These institutions will always remain, and always flourish, and always oppress you, affront you, and degrade you, because you will always be and remain slaves of minorities. There was never a country where the majority of the people were in their secret hearts loyal to any of these institutions.
Mark Twain (The Mysterious Stranger)
So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.” The
Yaa Gyasi (Homegoing)
Emotional disturbances, especially suppressed emotions, are the causes of all disease. To feel intensely about a wrong without voicing or expressing that feeling, is the beginning of disease- dis-ease-in both body and environment. Do not entertain the feeling of regret or failure for frustration or detachment from your objective results in disease.
Neville Goddard (Feeling Is The Secret)
Drop something?" he asked, trying to suppress a smile but failing miserably at the act. I nodded and smiled back at him sheepishly, unable to find my voice to respond in any other way. "Interested in locks, I see," he commented. I nodded again. "Well, here you go," he said, and he handed the book to me. I nodded. Oh crap, why did I just nod? Take the book! I screamed inside my head. Take it! I took it slowly. He kept looking at me, smiling.
Markelle Grabo (The Elf Girl (Journey into the Realm, #1))
Deep within our souls we know that God exists and that He has given His law to us. We seek to suppress this knowledge in order to escape God’s commands. But no matter how hard we try, we cannot silence this inner voice. It can be muffled but not destroyed.
R.C. Sproul (Essential Truths of the Christian Faith)
So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
Recently we have seen a level of public protest unlike anything we have witnessed in decades. Dissent is about marching, and making one’s voice heard in the streets and at the ballot box. But at the same time, there are strong voices calling this dissent unpatriotic and dangerous. We cannot let the forces of suppression win. America works best when new thoughts can emerge to compete, and thrive, in a marketplace of ideas.
Dan Rather (What Unites Us: Reflections on Patriotism)
It's not good, is it?" Galen's reply was convincingly nonchalant. "I've seen worse." "Yes-on a dead man." Galen averted his eyes for a moment before giving a reply. "Don't talk like that." "Sorry." "Don't apologize, either." Steldor gave a wry laugh. "Would you mind telling me what I am allowed to do?" Galen couldn't suppress a smirk, thought it was laced with sadness, as he recognized the beginning of one of their classic bickering contests. "Sure-you can shut your trap." Steldor was smirking, too, then he grimaced, arching his back as unexpected pain shot through him, and new drops of sweat materialized on his forehead. "Steldor-" Galen started, humor lost, reaching toward him with undetermined intent. Steldor smacked his hand away with as much vigor as he could muster. "No," he growled, gritting his teeth. "Ignore it.I don't want to think about it." Galen nodded, thought he looked uneasy. "Just tell me what to do," he said in a small voice. "Tell me to shut my trap again.
Cayla Kluver (Allegiance (Legacy, #2))
The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long long ago. So entirely had it lost the life and resonance of the human voice, that if affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would remember home and friends in such a tone before lying down to die.
Charles Dickens (A Tale of Two Cities)
Arousing a woman is something that comes from within the man. It’s in his eyes – the smoldering way he looks at her. And it’s in his voice – the confidence and command in his manner. It’s in his hands – the way he turns a touch into a caress… and it’s in his imagination. It’s the way a man kisses, and where he kisses. It’s the sensuality, and the suppressed passion… all those things make a man a lover. They’re things you learn, not objects you can purchase. Making love to a woman is a skill and a craft…
Jason Luke (Vignettes of a Master (Interview with a Master, #1.5))
You follow voice of masses, Possibly you suppress your inner voice.
Bikash Bhandari
You’re suppressing my first amendment rights,” she said, voice muffled.               “You don’t live in America; you live in the United States of Teague.
Lauren Gilley (Fearless (Dartmoor, #1))
We must make space for the subaltern voices, the suppressed narratives.
R.F. Kuang (Yellowface)
Wat’s tes-tees?” inquired a small voice. Jemmy had abandoned his rocks and was looking up at me in profound interest. “Er …” I said. I glanced round the room in search of aid. “That’s Latin for your balls, lad,” Roger said gravely, suppressing a grin.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
Yes. It’s there. It’s all there. She’s my blood mate, Jeb. I’ve found my blood mate.” He couldn’t suppress the joy rising inside him, knowing he had finally been blessed.             Jeb chuckled at hearing his brother’s happiness. “I remember it wasn’t too long ago when I was in your pants, Simon.”             “Shoes,” a sleepy voice interrupted, more amused than annoyed. “You were in his  shoes, t’kor. Not his pants.
Linda Mooney (Runner's Moon: Simolif)
I’ve come to learn that stigma is always an effort to suppress someone’s voice. It forces people to hide in shame. The best way to fight back is to speak up—to say openly the very thing that others stigmatize. It’s a direct attack on the self-censorship that stigma needs to survive.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
Stalin made one fatal error: he neglected to suppress the works of Tolstoy. [...] If you scoured the literature of the centuries of Christendom for the books that might most help an oppressed people in relation to our Lord and the Christian faith, you could find nothing better than the short stories and the later novels of Tolstoy. The efforts of Radio Free Europe, Radio Liberation, the Voice of America, and the Oversees Service of the BBC, all put together, wouldn't equal one single short story of Tolstoy in keeping alive in the hearts of human beings the knowledge of the love of God.
Malcolm Muggeridge (The End of Christendom)
Midlife dynamically, for both straight and gay males, is often challenging as we face the reality that many of the dreams we had for our lives might not become a reality and unresolved conflicts come to the surface. For us to successfully transition in to the next phase of our lives we must find reconciliation of these issues. And for the gay male there is a sense that the gay self we have tried to keep in the closet or so many years begins to scream out. "Time is running out. When do I get to live?" You can't ignore that voice in the end, you can try and suppress it, and you can try and deny it, you can try and silence it by filling your life with other noises and diverting attention ......but that voice still exists. "Will my entire life be a lie?
Anthony Venn-Brown OAM (A Life of Unlearning - a journey to find the truth)
I thought of all of us who have been trained to suppress our rage—women, especially women of color. Rage is a healthy, normal, and necessary response to trauma. It is a rightful response to the social traumas of patriarchy, white supremacy, misogyny, homophobia, transphobia, and poverty. But we live in a culture that punishes us when we show our teeth—we are called hysterical when we raise our voice; we are less likely to be believed when we tell our story with fury; and, if we are anything other than deferential with an officer, we might get hurt or shot, and even then, our deference might not make a difference.
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
I don’t believe you,’ he says. He takes a step towards me, fluster-ing me with his nearness, with his smell, which shouldn’t be so damn familiar after so much time and which shouldn’t still affect me the way it does. ‘I think you still love me,’ he says, ‘even though you don’t want to.’I glare at him, fury battling my instincts. ‘Because that kind of love, Jessa,’ Kit continues, ‘doesn’t just disappear. It doesn’t just fade. I still love you. I’ll always love you. And I think you feel the same way about me. And hell, I know I don’t deserve it. I know all I deserve is your hatred. But if there’s a chance, a single chance that you might still love me, then I’m not going to throw it away. Because I’ve been through hell and you’re the only reason I’m still standing.’ He pauses. ‘So tell me the truth. Do you love him?’I don’t answer. ‘Does he know you like I do? Does he know exactly how you like your eggs in the morning – just a little bit runny?’ he asks. ‘Does he know that you’re allergic to roses? Does he know that when your nostrils flare like that it’s because you’re trying to stop from crying and that when you say “yeah, sure” it usually means “no”?’ He takes a step nearer. ‘Does he make you see stars?’ he asks in a low voice. ‘Does he call you his north star? Because that’s what you are to me. You’re the reason I made it home.’ I squeeze my eyes shut. ‘Does he know exactly where to kiss you?’ Kit mur-murs and startles me by brushing his hand just beneath my ear. ‘Just here?’ My eyes flash open as I suppress a shudder. ‘Does he know exactly how to touch you?’ he asks, his gaze falling to my mouth. ‘Does he tell you that you’re all he thinks about? Does he tell you that he lives for you? That he breathes for you? That he dreams of you every damn moment, awake and asleep? Does he tell you any of that?’ He pauses to look at me and I try to keep a blank face. ‘No, I didn’t think so,’ he says quietly
Mila Gray (Come Back to Me (Come Back to Me, #1))
Emotional disturbances, especially suppressed emotions, are the causes of all disease. To feel intensely about a wrong without voicing or expressing that feeling is the beginning of disease – disease – in both body and environment. Do not entertain the feeling of regret or failure for frustration or detachment from your objective results in disease.
Neville Goddard (Feeling is the Secret)
Lottie stared blindly at the dark canopy overhead. “Nick,” she asked raggedly, “is this the usual way that people h-have relations?” His voice was muffled. “What is the usual way?” She inhaled sharply as he nipped at the inner curve of her thigh. “I’m not entirely certain. But I don’t think this is it.” His voice thickened with amusement. “I know what I’m doing, Lottie.” “I was not implying that you didn’t… oh, please don’t kiss me there!” Then she felt him shake with suppressed laughter. “For someone who has never done this before, you’re rather opinionated. Let me make love to you the way I want, hmmn? The first time, at least.” He grasped both her wrists and pinned them at her sides. “Lie still.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
The suppression of doubt contributes to overconfidence in a group where only supporters of the decision have a voice.
Daniel Kahneman (Thinking, Fast and Slow)
Behind the sternness of his voice there was a shackled anger, and beneath that shackled anger there was a buried pain.
Dean F. Wilson (Hopebreaker (The Great Iron War, #1))
I’ve come to learn that stigma is always an effort to suppress someone’s voice. It forces people to hide in shame.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
It's so important to think about what perspectives aren't embraced by Anglophone readers, you know? We must make space for the subaltern voices, the suppressed narratives.
R.F. Kuang (Yellowface)
stigma is always an effort to suppress someone’s voice. It forces people to hide in shame.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse. It was like the last feeble echo of a sound made long and long ago. So entirely had it lost the life and resonance of the human voice, that it affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.
Charles Dickens (A Tale of Two Cities)
The US is doing the opposite of what the Philippines and the UK did. It is using policy to shrink the conversation, suppress voices, and allow the powerful to impose their will on the poor.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Allegations that Medieval Studies is somehow hostile to women, or that it suppresses female voices, don’t hold water: today the field is dominated by female academics. Claims that Medieval Studies professors are just as backstabbing and careerist as those in the rest of the academy, however, would appear to be true. For every Julian of Norwich, there is a Countess Mahaut of Artois.
Milo Yiannopoulos (Middle Rages: Why the Battle for Medieval Studies Matters to America)
No matter how loud the voice, no matter how many people are saying it doesn’t make it true. But how can you tell? One tell tale sign is if your voice is suppressed when you try to question that truth.
Charles F Glassman
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
There are strawberries growing among my bulbs. Wild ones, seeded from God knows where, poking their pale little fingers among the tulips and crocuses. Wild strawberries are invasive; not quite as invasive as dandelions, but those little heart-shaped leaves conceal a powerful hunger for conquest, sending their runners everywhere, each one an outpost preparing itself for a future invasion. And yet I cannot bring myself, père, to curb their cheery exuberance. Though more or less worthless in terms of fruit, the little white flowers and pretty leaves make excellent ground count cover, keeping the thistles and ragwort at bay without suppressing my daffodils. And besides, in summer, there may be enough of the tiny red berries to put on a tart, or flavor a glassful of sweet white wine. That is, if the birds do not steal them first. They too enjoy their sweetness. Those strawberries will creep, Reynaud, said Narcisse's voice in my mind. Let them stay, and in a month, your beds will be nothing but strawberries.
Joanne Harris (The Strawberry Thief (Chocolat, #4))
I’ve come to learn that stigma is always an effort to suppress someone’s voice. It forces people to hide in shame. The best way to fight back is to speak up—to say openly the very thing that others stigmatize
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
I was easily led by the sympathy which he evinced to use the language of my heart, to give utterance to the burning ardour of my soul and to say, with all the fervour that warmed me, how gladly I would sacrifice my fortune, my existence, my every hope, to the furtherance of my enterprise. One man's life or death were but a small price to pay for the acquirement of the knowledge which I sought, for the dominion I should acquire and transmit over the elemental foes of our race. As I spoke, a dark gloom spread over my listener's countenance. At first I perceived that he tried to suppress his emotion; he placed his hands before his eyes, and my voice quivered and failed me as I beheld tears trickle fast from between his fingers; a groan burst from his heaving breast. I paused; at length he spoke, in broken accents: "Unhappy man! Do you share my madness? Have you drunk also of the intoxicating draught? Hear me; let me reveal my tale, and you will dash the cup from your lips!
Mary Wollstonecraft Shelley (Frankenstein)
Republicans also screamed bloody murder about the censorship by social media platforms of conservative voices and negative news stories about Democrats. They were horrified by a media complex that moved from extreme partisan bias to unabashed propaganda in defense of the Democratic Party. They watched as a completely legitimate story about international corruption involving the Biden family business—and implicating Joe Biden himself—was crushed by media and tech companies colluding to suppress it.
Mollie Ziegler Hemingway (Rigged: How the Media, Big Tech, and the Democrats Seized Our Elections)
Anyone who speaks through electronic media has had his or her patter carefully shaped by a script; the delivery - tone, intonation, emphasis - has been rehearsed:' He adds, "TV kills the human voice. People cannot argue with anything on the screen. TV images pass by too fast for young minds to consider or analyze them." No matter how "lively" the conversation modeled on television, the medium itself works to suppress the spontaneity, imagination, and attentive listening required in actual conversation.
Marilyn Chandler McEntyre (Caring for Words in a Culture of Lies)
In the former Soviet Union in the years following 1989, nationalism was still popularly believed to be progressive; nationalist leaders were still believed, at least in the beginning, to speak for the many people whose voices had been suppressed in the past.
Anne Applebaum (Between East and West: Across the Borderlands of Europe)
Whose story do we believe, then? We believe the one that has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, whose story am I missing? Whose voice was suppressed so that this voice could come forth?
Yaa Gyasi (Homegoing)
Even if your inner voice is friendlier, the dialogues you have with yourself often have to do with what’s weighing on you—things like relationship problems, professional disappointments, health concerns, and the like. Human beings are by nature problem solvers, so in quiet moments, this is where our minds go. Our fixation on what needs to be fixed is why some people can’t abide downtime and always have to have something to do so they won’t think about what’s wrong. However, trying to suppress your inner voice only gives it more power. It gets louder and more insistent, which makes some people get even busier and overscheduled to drown it out. It never works, though. Your inner voice is always there and, if it can’t get your attention during the day, it will roust you at 4:00 a.m. Hello! Remember me?
Kate Murphy (You're Not Listening: What You're Missing and Why It Matters)
You listen to anybody who suppresses you. And your personality fractures into thousands of pieces. Until you begin to listen to the inner voice, you cannot be an integrated whole. I call him a sannyasin who has begun to heed the inner voice and is ready to stake everything on it. But you cannot hear the inner voice as long as you are unconscious. Until then whatever you might take to be the inner voice will not be the inner voice; it will be a voice from outside The voice that satisfies you is the voice of your desires, but you call it your inner voice. Only the awakened person has an inner voice. Once this voice comes within range of your hearing, all that is sinful, all that is impure and dirty, all the chaos and confusion within you, will cease at once. You will then realize what a collection of personalities you have been.
Osho (Bliss: Living beyond happiness and misery)
The last time you gave me ‘Hightower detail’ he caught me with his underwear in my hands.” “I’m sorry I missed that.” Nicole’s voice rang with suppressed laughter. “We’re all sorry we missed that,” Deirdre added. “I can’t tell you how much I wish I’d missed that,” Maddie said drily.
Wendy Wax (The House on Mermaid Point (Ten Beach Road, #3))
When a great truth gets abroad in the world, no power on earth can imprison it, or prescribe its limits, or suppress it. She could see an orchestra in him, a whole range of instruments and sound. His voice was loud and booming. It is bound to go on until it becomes the thought of the world.
Colum McCann (TransAtlantic)
this consciousness I’m describing is gendered (and I think it is), it is clearly feminine. The single most damaging and distorting thing that religion has done to faith involves overlooking, undervaluing, and even outright suppressing this interior, ulterior kind of consciousness. So much Western theology has been constructed on a fundamental disfigurement of the mind and reality. In neglecting the voices of women, who are more attuned to the immanent nature of divinity, who feel that eruption in their very bodies, theology has silenced a powerful—perhaps the most powerful—side of God.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
Professor Lyall looked modestly proud. "I am considered a bit of an expert on the procreative practices of Ovis orientalis aries." "Sheep?" "Sheep." "Sheep!" Madame Lefoux's voice came over suddenly high, as though she were suppressing an inclination to giggle. "Yes, as in baaaa." Professor Lyall frowned.
Gail Carriger (Blameless (Parasol Protectorate, #3))
Their Biggest Fear   What is a narcissist afraid of most? Narcissist who have had some insight into their own disorder will tell you that the biggest fear of the narcissist is BEING FOUND OUT.   They fear that you will recognize their facade. They fear you will realize that much of their bad behavior is intentional. When the narcissist realizes that YOU KNOW the truth about his lack of empathy; that is when you will be cut off, and he will work to turn all of your mutual relationships against you that he can.   I have written several times thus far about how most of the narcissist's motivations and behavior are subconscious. However, – from time to time, the narcissist does recognize, in brief glimpses, the truth about his envious and angry nature. The truth will rise to the surface of his conscience if he allows you to confront him. Therefore you and your voice absolutely must be suppressed. You also must not be allowed access to his other relationships – the ones he can still control, the relationships he still has fooled. For the narcissist, the  easiest way to suppress your voice is to launch a  character attack against you. He decides he must spread lies about you to everyone so that 1) he can explain your sudden absence in his life (He tells everyone that he discovered you were really a mean, hateful person, and he had to cut you off to maintain his own sanity. There is no way he can allow others to think you cut him off – as that would indicate there might be something wrong with him); and 2) he must convince others that you are a terrible, or at least an unstable person – so that if you ever have a chance to talk
Ellen Cole (The Covert Narcissist in the Family: Their Common Tactics, How to Protect Yourself, and Personal Stories)
In the Moonies, I was taught to suppress negative thoughts by using a technique called thought stopping. I repeated the phrase “Crush Satan” or “True Parents” (the term used to describe Moon and his wife, Hak Ja Han) whenever any doubt arose in my mind. Another way to control thoughts is through the use of loaded language, which, as Lifton pointed out, is purposely designed to invoke an emotional response. When I look at the list of thought-controlling techniques—reducing complex thoughts into clichés and platitudinous buzz words; forbidding critical questions about the leader, doctrine, or policy; labeling alternative belief systems as illegitimate or evil—it is astounding how many Trump exploits. As I have mentioned, one of the most effective techniques in the thought control arsenal is hypnosis. Scott Adams, the creator of the cartoon Dilbert, described Trump, with his oversimplifications, repetitions, insinuating tone of voice, and use of vivid imagery, as a Master Wizard in the art of hypnosis and persuasion.
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
Desire is a mighty force, one of your most divine attributes! Whatsoever things ye desire when ye pray, believe that ye have received them and ye shall have them! See the Godlike quality of desire. For it is part of the Atomic energy of the soul. The Kingdom of Heaven within you is operated through desire. Do not quench it or crush it or suppress it. Rather offer it to Me. Offer Me your most elementary desires, your craving for happiness, for love, for self-expression, for well-being, for success, for joy, on any level of your being-offer these freely and without shame to Me and I will transmute them so that you shall achieve release and fulfillment and complete freedom from frustration.2
Leanne Payne (Listening Prayer: Learning to Hear God's Voice and Keep a Prayer Journal)
Still lying on the ground, half tingly, half stunned, I held my left hand in front of my face and lightly spread my fingers, examining what Marlboro Man had given me that morning. I couldn’t have chosen a more beautiful ring, or a ring that was a more fitting symbol of my relationship with Marlboro Man. It was unadorned, uncontrived, consisting only of a delicate gold band and a lovely diamond that stood up high--almost proudly--on its supportive prongs. It was a ring chosen by a man who, from day one, had always let me know exactly how he felt. The ring was a perfect extension of that: strong, straightforward, solid, direct. I liked seeing it on my finger. I felt good knowing it was there. My stomach, though, was in knots. I was engaged. Engaged. I was ill-prepared for how weird it felt. Why hadn’t I ever heard of this strange sensation before? Why hadn’t anyone told me? I felt simultaneously grown up, excited, shocked, scared, matronly, weird, and happy--a strange combination for a weekday morning. I was engaged--holy moly. My other hand picked up the receiver of the phone, and without thinking, I dialed my little sister. “Hi,” I said when Betsy picked up the phone. It hadn’t been ten minutes since we’d hung up from our last conversation. “Hey,” she replied. “Uh, I just wanted to tell you”--my heart began to race--“that I’m, like…engaged.” What seemed like hours of silence passed. “Bullcrap,” Betsy finally exclaimed. Then she repeated: “Bullcrap.” “Not bullcrap,” I answered. “He just asked me to marry him. I’m engaged, Bets!” “What?” Betsy shrieked. “Oh my God…” Her voice began to crack. Seconds later, she was crying. A lump formed in my throat, too. I immediately understood where her tears were coming from. I felt it all, too. It was bittersweet. Things would change. Tears welled up in my eyes. My nose began to sting. “Don’t cry, you butthead.” I laughed through my tears. She laughed it off, too, sobbing harder, totally unable to suppress the tears. “Can I be your maid of honor?” This was too much for me. “I can’t talk anymore,” I managed to squeak through my lips. I hung up on Betsy and lay there, blubbering on my floor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As children and into our tumultuous teen years, we feel our way through the world. We may be told our intuition is wrong by peers and family. We act on our intuition and are quieted, shushed, or made fun of. In abusive situations, children raise their voice in objection and are silenced by adults who supposedly know better. Our childhood intuition is stuffed down, ignored or suppressed. When you lie to a child, you send the message that their intuition is worthless and unreliable. This same child grows into adulthood questioning and doubting themselves. One of the most empowering things you can do is start to heal, trust and cultivate your intuition. You have the ability to reignite that candle inside yourself. You can reclaim your intuitive facilities. To do so is your birthright.
Sasha Graham (Tarot Diva: Ignite Your Intuition Glamourize Your Life Unleash Your Fabulousity!)
He had to teach me to be more disciplined without dampening my love for chess or suppressing my natural voice. Many teachers have no feel for this balance and try to force their students into cookie-cutter molds. I have run into quite a few egomaniacal instructors like this over the years and have come to believe that their method is profoundly destructive for students in the long run—in any case, it certainly would not have worked with me. I
Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
The challenge was not the lack of answers, but the lack of freedom to ask them within a world bent on controlling minds. Minds that were free to think were dangerous, for they questioned what others blindly accepted, regardless of authenticity or legitimacy. They rocked the boat of corruption, voicing questions that were buried in the hearts of people everywhere and terrifying those who worked restlessly to keep those very questions suppressed.
Mick Mooney (God's Grammar)
You should have never let him in the house.” Noah stopped in front of the counter. “For God’s sake, Sabella, I thought you would know better than to confront that son of a bitch while you’re carrying my mark.” She kept her head down. How many times had she laughed at Nathan when he had said something similar? When he had been irritated with her, or was just being a man. She should have known better than to go four-wheeling with Sienna that first year they were married, without him, because when she wrecked, she wrenched her ankle and he hadn’t been tere to make sure she was okay. She should have known better than to try to fix a busted pipe in the basement on her own, because she’d ended up drenched and the basement had gotten wet. So many instances. And she should have always known better. She lifted her head. “Now you can leave. You should know better than to piss off an already angry woman.” She should have known better than to give Rory a say in the hiring. “Sabella, sweetheart, look at me.” His voice roughened. “If he had hurt you, I would have had to kill him. I would have enjoyed killing him.” “And it would have been my fault.” She nodded with a bitter smile. “Sure, I understand.” “No, it would have been his fault for being stupid enough to touch you. But haven’t you figured out that yet that men aren’t always smart enough to keep their hands off things that don’t belong to them?” Her head jerked up in surprise. “So you think I belong to you now?” She didn’t flinch when he reached out to touch her. Over the years, she had always had to suppress a flinch when another man tried to stroke her, kiss her. “You don’t belong to him,” he told her, his fingertip stroking over the rasp of his beard that he had left on her jaw. “Testosterone is a dangerous thing sometimes.
Lora Leigh (Wild Card (Elite Ops, #1))
I’ve sat at the piano for hours already, looking for lyrics and melodies, but everything sounds the same and I feel as uninspired as ever. Does it mean I’m finished? A more sobering thought: if I’m finished, would I miss it? But the truth is, I’ve been here before. Many times. We all have. So how do we find the faith to press on? Remember. Remember, Hebrew children, who you once were in Egypt. Remember the altars set up along the way to remind yourselves that you made the journey and God rescued you from sword and famine, from chariots and pestilence, that once you were there, but now you are here. It happened. Our memories are fallible, residing in that most complex and mysterious organ in the human body (and therefore the known universe), capable of being suppressed, manipulated, altered, but also profoundly powerful and able to transport a person to a place fifty years ago all because of a whiff of your grandfather’s cologne or an old book or the salty air. As often as you do this, do it in remembrance of me. Remember with every sip of wine that we shared this meal, you and I. Remember. So I look at the last album, the last book, and am forced to admit that I didn’t know anymore then than I do now. Every song is an Ebenezer stone, evidence of God’s faithfulness. I just need to remember. Trust is crucial. So is self-forgetfulness and risk and a measure of audacity. And now that I think about it, there’s also wonder, insight, familiarity with Scripture, passion, a good night’s sleep, breakfast (preferably an egg sandwich), an encouraging voice, diligence, patience. I need silence. Privacy. Time—that’s what I need: more time. But first I need a vacation, because I’ve been really grinding away at this other stuff and my mental cache is full. A deadline would be great. I work best with deadlines, and maybe some bills piling up. Some new guitar strings would help, and a nice candle. And that’s all I need, in the words of Steve Martin’s The Jerk. This is the truth: all I really need is a guitar, some paper, and discipline. If only I would apply myself.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
I had first thought of Milly's absurdities, to which, in description, I cannot do justice, simply because so many details have, by distance of time, escaped my recollection. But her ways and her talk were so indescribably grotesque that she made me again and again quiver with suppressed laughter. But there was a pitiable and even a melancholy meaning underlying the burlesque. This creature, with no more education than a dairy-maid, I gradually discovered had fine natural aptitudes for accomplishment - a very sweet voice, and wonderfully delicate ear, and a talent for drawing which quite threw mine into the shade. It was really astonishing.
J. Sheridan Le Fanu (Uncle Silas)
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?" He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage." "I think you will fall in love someday." "Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness. "Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons. Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her." "Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw." "Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run. Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
A brittle laugh left his lips. “That’s exactly why I can’t be late. See you later, guys.” He strode toward the door briskly, hoping Ryan would leave it alone. But of course he didn’t. Ryan caught up with him outside before James could reach his car. “Jamie!” Suppressing a sigh, James put on a neutral face and turned to Ryan. “I’m really running late—” “Listen to me, you git,” Ryan said, his eyes dark and hard. “I’m not sure what’s going on in that head of yours lately, but don’t do anything stupid, okay? Don’t agree to Arthur ’s plans only because you think you have to.” Ryan lifted his hands to cradle James’s face. Jamie went still, his heart hammering as Ryan looked him in the eye intently. “You deserve better. You deserve marrying someone you’re crazy about. Someone who would love you for being you—not for your money or your family name, but because you’re the best person I know.” Ryan smiled at him crookedly. “Being in love is pretty fucking great, actually. You deserve to find your Hannah.” Jamie wondered if it would actually hurt more if Ryan stuck a knife in his gut and twisted it slowly. He thought he smiled. He hoped he was smiling. His face hurt, so he must be. He said, “Sure I will. Later, mate.” He was surprised by how absolutely normal his voice sounded. He smiled again and turned away. He walked to his car. He got in. He closed the door. He put his hands on the steering wheel. His throat worked as he tried to swallow the painful lump in his throat. He couldn’t. A terrible, choked sound came from his throat. His chest began to heave. He pressed his hands to his eyes and breathed in, breathed out.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
At the moment, however, she had an ever larger problem: what to do now, when two defenseless women were completely lost in the wilds of Scotland, at night, in the rain and cold. Shuffling footsteps sounded on the gravel path, and both women straightened, both suppressing the hope soaring in their breasts and keeping their faces carefully expressionless. “Well, well, well,” Jake boomed. “Glad I caught up with you and-“ He lost his thought as he beheld the utterly comic sight of two stiff-backed women seated on a trunk together, prim and proper as you please, beneath a black umbrella in the middle of nowhere. “Uh-where are your horses?” “We have no horses,” Lucinda informed him in a disdainful voice that implied such beasts would have been an intrusion on their tete-a-tete. “No? How did you get here?” “A wheeled conveyance carried us to this godforsaken place.” “I see.” He lapsed into daunted silence, and Elizabeth started to say something at least slightly pleasant when Lucinda lost her patience. “You have, I collect, come to urge us to return?” “Ah-yes. Yes, I have.” “Then do so. We haven’t all night.” Lucinda’s words struck Elizabeth as a bald lie. When Jake seemed at a loss as to how to go about it, Lucinda stood up and assisted him. “I gather Mr. Thornton is extremely regretful for his unforgivable and inexcusable behavior?” “Well, yes, I guess that’s the way it is. In a way.” “No doubt he intends to tell us that when we return?” Jake hesitated, weighing his certainty that Ian had no intention of saying anything of the kind against the certainty that if the women didn’t return, he’d be eating his own cooking and sleeping with a bad conscience and a bad stomach. “Why don’t we let him make his own apologies?” he prevaricated.
Judith McNaught (Almost Heaven (Sequels, #3))
Do me a favor, Ro,” Day said calmly. “What’s that?” Ronowski peeked around Johnson again. “Johnson won’t be with you all the time. Remind me to kick your ass later,” Day said. Ronowski came to stand in front of Day, looked at his watch and smirked. “Sure, what time works for you?” Day looked at his watch too. “Uhhh, let’s see. How’s five thirty, is that good?” “I just remembered I’m busy at five thirty.” “So what time can you be there?” “I can do five thirty-five.” “Damn, that’s cutting it close. I might be a little late, but wait on my ass whippin’.” “Will you dumb asses shut up? Lord help us…they’ve bonded.” The captain tried to suppress his laugh. “God, how the hell do you put up with Day’s mouth?” “I got something that’ll make him shut him up,” God said in a deep voice. Everyone groaned and scrunched their faces up in disgust. “We don’t want to hear that shit, God. Ugh,” the captain said while pouring his cup of coffee. God looked at Day and saw he wasn’t the slightest bit fazed and if he knew his lover—which he most certainly did—Day would not let him get the last word. “It’s all a mind game that I play with God. He thinks he’s shutting me up…but when he’s finished with my mouth…I start talking again.” Day winked. “I’m leaving. I should write your asses up for inappropriate conduct in front of a superior.” The captain hauled ass out of the room. Johnson and Ronowski were shaking their heads too and telling Day “he sure knew how to clear a room.” “I got to get back across town,” Johnson said and bent down and whispered something in Ronowski’s ear that made the man turn red. God tried to pull Day away but he refused to budge. When Johnson said good-bye to them and left out the room, Day mock whispered to Ronowski. “I told you. One good pounding is all you—” “For fucks sake, Leo,” Ronowski groaned, grabbing his soda hightailing it out of there before Day could finish his sentence.
A.E. Via
History is storytelling,’” Yaw repeated. He walked down the aisles between the rows of seats, making sure to look each boy in the eye. Once he finished walking and stood in the back of the room, where the boys would have to crane their necks in order to see him, he asked, “Who would like to tell the story of how I got my scar?” The students began to squirm, their limbs growing limp and wobbly. They looked at each other, coughed, looked away. “Don’t be shy,” Yaw said, smiling now, nodding encouragingly. “Peter?” he asked. The boy who only seconds before had been so happy to speak began to plead with his eyes. The first day with a new class was always Yaw’s favorite. “Mr. Agyekum, sah?” Peter said. “What story have you heard? About my scar?” Yaw asked, smiling still, hoping, now to ease some of the child’s growing fear. Peter cleared his throat and looked at the ground. “They say you were born of fire,” he started. “That this is why you are so smart. Because you were lit by fire.” “Anyone else?” Timidly, a boy named Edem raised his hand. “They say your mother was fighting evil spirits from Asamando.” Then William: “I heard your father was so sad by the Asante loss that he cursed the gods, and the gods took vengeance.” Another, named Thomas: “I heard you did it to yourself, so that you would have something to talk about on the first day of class.” All the boys laughed, and Yaw had to stifle his own amusement. Word of his lesson had gotten around, he knew. The older boys told some of the younger ones what to expect from him. Still, he continued, making his way back to the front of the room to look at his students, the bright boys from the uncertain Gold Coast, learning the white book from a scarred man. “Whose story is correct?” Yaw asked them. They looked around at the boys who had spoken, as though trying to establish their allegiance by holding a gaze, casting a vote by sending a glance. Finally, once the murmuring subsided, Peter raised his hand. “Mr. Agyekum, we cannot know which story is correct.” He looked at the rest of the class, slowly understanding. “We cannot know which story is correct because we were not there.” Yaw nodded. He sat in his chair at the front of the room and looked at all the young men. “This is the problem of history. We cannot know that which we were not there to see and hear and experience for ourselves. We must rely upon the words of others. Those who were there in the olden days, they told stories to the children so that the children would know, so that the children could tell stories to their children. And so on, and so on. But now we come upon the problem of conflicting stories. Kojo Nyarko says that when the warriors came to his village their coats were red, but Kwame Adu says that they were blue. Whose story do we believe, then?” The boys were silent. They stared at him, waiting. “We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.
Yaa Gyasi (Homegoing)
I’m willing to bargain with you,” he said gently, “for the same reason anyone tries to bargain-you have something I want.” Desperately trying to prove to her she wasn’t powerless or empty-handed, he added, “I want it badly, Elizabeth.” “What is it?” she asked warily, but much of the resentment in her lovely face was already being replaced by surprise. “This,” he whispered huskily. His hands tightened on her shoulders, pulling her close as he bent his head and took her soft mouth in a slow, compelling kiss, sensually molding and shaping her lips to his. Although she stubbornly refused to respond, he felt the rigidity leaving her; and as soon as it did, Ian showed her just how badly he wanted it. His arms went around her, crushing her to him, his mouth moving against hers with hungry urgency, his hands shifting possessively over her spine and hips, fitting her to his hardened length. Dragging his mouth from hers, he drew an unsteady breath. “Very badly,” he whispered. Lifting his head, he gazed down at her, noting the telltale flush on her cheeks, the soft confusion in her searching green gaze, and the delicate hand she’d forgotten was resting against his chest. Keeping his own hand splayed against her lower back, he held her pressed to his rigid erection, torturing himself as he slid his knuckles against her cheek and quietly said, “For that privilege, and the others that follow it, I’m willing to agree to any reasonable terms you state. And I’ll even forewarn you,” he said with a tender smile at her upturned face, “I’m not a miserly man, nor a poor one.” Elizabeth swallowed, trying to keep her voice from shaking in reaction to his kiss. “What other privileges that follow kissing?” she asked suspiciously. The question left him nonplussed. “Those that involve the creation of children,” he said, studying her face curiously. “I want several of them-with your complete cooperation, of course,” he added, suppressing a smile. “Of course,” she conceded without a second’s hesitation. “I like children, too, very much.” Ian stopped while he was ahead, deciding it was wiser not to question his good fortune. Evidently Elizabeth had a very frank attitude toward marital sex-rather an unusual thing for a sheltered, well-bred English girl.
Judith McNaught (Almost Heaven (Sequels, #3))
Mr. Pinter!" He turned to find Lady Celia approaching. "Yes, my lady?" To his surprise, she glanced nervously at the open door to the library and lowered her voice. "I must speak to you privately. Do you have a moment?" He ruthlessly suppressed the leap in his pulse. Lady Celia had never asked to talk to him alone. The singularity of that made him nod curtly and gesture to a nearby parlor. She preceded him, then stood looking about her with uncharacteristic anxiousness as he entered and left the door open, wanting no one to accuse him of impropriety. "What is it?" he asked, trying not to sound impatient. Or intrigued. He'd never seen Lady Celia looking unsure of herself. It tugged annoyingly at his sympathies. "I had a dream last night. That is, I'm not sure if it actually was a dream. I mean, of course it was a dream, but..." "What's your point, madam?" Her chin came up, and a familiar martial light entered her gaze. "There's no need to be rude, Mr. Pinter." He couldn't help it; being this close to her was doing uncomfortable things to him. He could smell her perfume, a tempting mix of...whatever flowery things noblewomen wore to enhance their charms. Her charms needed no enhancement.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of those in every color.” Her eyes lifted from his smiling lips, dropped to the enormous jewel on her finger, and then widened in shock. “Oh, but-“ she exclaimed, staring at it and straightening in his arms. “It’s glorious. I do mean that, but I couldn’t let you-really, I couldn’t. Ian,” she burst out anxiously, sending a tremor through him when she called him by name, “I can’t let you do this. You’ve been extravagantly generous already.” She touched the huge stone almost reverently, then gave her head a practical shake. “I don’t need jewels, really I don’t. You’re doing this because of that stupid remark I made about someone offering me jewels as large as my palm, and now you’ve bought one nearly that large!” “Not quite,” he chuckled. “Why, a stone like this would pay for irrigating Havenhurst and all the servants’ wages for years and years and years, and food to-“ She reached to slide it off her finger. “Don’t!” he warned on a choked laugh, linking his hands behind her back. “I-“ he thought madly for some way to stop her objections-“I cannot possibly return it,” he said. “It’s part of a matched set.” “You don’t mean there’s more!” “I’m afraid so, though I meant to surprise you with them tonight. There’s a necklace and bracelet and earrings.” “Oh, I see,” she said, making a visible effort not to stare at her ring. “Well, I suppose…if it was a purchase of several pieces, the ring alone probably didn’t cost as much as it would have…Do not tell me,” she said severely, when his shoulders began to shake with suppressed mirth, “you actually paid full price for all of the pieces!” Laughing, Ian put his forehead against hers, and he nodded. “It’s very fortunate,” she said, protectively putting her fingers against the magnificent ring, “that I’ve agreed to marry you.” “If you hadn’t,” he laughed, “God knows what I would have bought.” “Or how much you would have paid for it,” she chuckled, cuddling in his arms-for the first time of her own volition. “Do you really do that?” she asked a moment later. “Do what?” he gasped, tears of mirth blurring his vision. “Spend money heedlessly when you’re disturbed about something?” “Yes,” he lied in a suffocated, laughing voice. “You’ll have to stop doing it.” “I’m going to try.” “I could help you.” “Please do.” “You may place yourself entirely in my hands.” “I’m very much looking forward to that.” It was the first time Ian had ever kissed a woman while he was laughing.
Judith McNaught (Almost Heaven (Sequels, #3))
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
the world needs the US administration to be a leader for women’s rights, not an opponent of them. The administration’s new policies are not trying to help women meet their needs. There isn’t any reliable research that says women benefit when they have children they don’t feel ready to raise. The evidence says the opposite. When women can decide whether and when to have children, it saves lives, promotes health, expands education, and creates prosperity—no matter what country in the world you’re talking about. The US is doing the opposite of what the Philippines and the UK did. It is using policy to shrink the conversation, suppress voices, and allow the powerful to impose their will on the poor. Most of the work I do lifts me up, some of it breaks my heart, but this just makes me angry. These policies pick on poor women. Mothers struggling in poverty need the time, money, and energy to take care of each child. They need to be able to delay their pregnancies, time and space their births, and earn an income as they raise their children. Each one of these steps is advanced by contraceptives, and each one is jeopardized by these policies. Women who are well off won’t be harmed, and women with a stable income have options. But poor women are trapped. They will suffer the most from these changes and can do the least to stop them.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Miss Milborne rose to her feet somewhat suddenly. '"I" send for George?' she repeated, in stupefied notes. 'Have you taken leave of your senses?' 'No, of course I have not! You must know that there can be nothing he would not do for your sake! You have only to beg him-' 'I would sooner die an old maid!' Startled by the suppressed passion in the Beauty's voice, Hero could only blink at her in surprise. Miss Milborne pressed her hands to her hot cheeks. 'Upon my word, I had not thought it possible! So I am to send for George, and to supplicate him not to engage in a duel! After he has been making shameless love to you! Nothing- "nothing" could prevail upon me to do it! I am astonished you should ask it of me! Pray tell me why you, who are on such intimate terms with him, do not supplicate George yourself! I am persuaded your words must carry quite as much weight with him as mine. More, I dare say!' Hero sprang up, her hands tightly locked together within her ermine muff, quite as angry a flush as Isabella's in her cheeks. 'You are right! I "will" go to George! He does not make shameless love to me; no, for he has no love for me! but he is fond of me, a little, and he did say he would not wish to make me unhappy! I do not know how I can have been so foolish as to think that you would help me, for there is nothing behind your beauty but vanity and spite, Isabella!
Georgette Heyer (Friday's Child)
I,” he said, a faint note of derision in his voice, “am the least favored scion of our ruling house, House Mara Sant.” He was from Brontes, then. Which might explain the eyes…she thought again of certain differences, and suppressed a shudder. “I am a Prince of the Blood,” he continued, sounding both embittered and proud, “third in line for the Dragon Throne, and grand nephew to the Emperor. Owing to a…political dispute, I am now also an exile. Presented with a choice between resigning my commission in the na-vy and leaving to become governor of a mining planet and staying to face my uncle’s as-sassins….” He shrugged slightly, as if the choice were of no consequence. “A…political dispute?” “I gambled,” he said bluntly. “I lost.” “You seem…sanguine,” she remarked, surprise blunting the instinct to guard her tongue. “He shouldn’t have let me live.” That anyone could discuss their own murder with such cold calculation horrified her. He horrified her. She chewed her lip, digesting all that he’d told her: not merely a naval officer, but a prince—and a maverick one at that. She wondered what he could have done. “So you see,” he finished, “I’m no more free than you.” He laughed, then, but without humor. “We can be prisoners together. I am en route to a wretched planet called Tarsonis to assume governorship and as you have no other, more pressing engagement, you are coming with me.
P.J. Fox (The Price of Desire (The House of Light and Shadow, #1))
José Martí, born on January 28, 1853, is known as the George Washington of Cuba, or is perhaps better identified with Simon Bolivar, the liberator of South America. Although he admired and visited the United States, José Martí realized that not only would he have to free his country from Spain, he would also have to prevent the United States from interfering in Cuba’s internal affairs. By his admirers, he was considered a great Latin American intellectual, and his newspaper Patria became the voice of “Cuban Independence.” After years of suppression, the Cuban struggle for independence began in 1868. At the age of 17, José Martí was jailed in Cuba and then exiled to Spain because of his revolutionary activities. It was during this time in his life that he published a pamphlet describing the atrocities he had experienced while being imprisoned in Cuba. He strongly believed in racial equality and denounced the horrors of people having to live under a dictatorship. In 1878, Martí was allowed to return to Cuba under a general amnesty, but was once again banished from Cuba after being accused of conspiracy against the Spanish authorities. From 1881 to 1895, he lived and worked in New York City. Moving to Florida, he organized forces for a three-pronged attack supporting the smoldering Cuban War of Independence. It was during one of the first battles that he was killed at the Battle of Dos Ríos in Cuba, and thus became a national hero and martyr when he was only 42 years old.
Hank Bracker
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?" "Of course not. That's what I have you for." Her private lackey to jump at her commands. He was already regretting this. "Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys." "I wouldn't know." She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well." A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme." Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..." "Honest?" he prodded. "Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly." He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations. "I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this." She frowned. "Must you make it sound so sordid?" He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid." "Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself." "There isn't enough money in all the world for that." Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show. She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable." He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum." "Thank you." She thrust out her hand. "Shall we shake on it?" The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview. He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin. But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens. Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something." He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
The Manifestation Manifesto Meditation” "Right now, I find a quiet and comfortable space where I can easily concentrate on these words as I gently read them aloud. "With the sound of my voice I soothe my nervous system … calm my entire body and relax my thoughts. I speak slowly … with a gentle but resonant tone. And as I do, I start to relax now. "I keep my eyes open and let them blink naturally when they want to … and they might start to feel slightly heavy and droopy … as they would feel when I read a book before going to sleep. “I use my imagination so that with every word I become more relaxed and drowsier. (Imagine feeling drowsy.). I keep my eyes open just enough to take in the following words. "I turn my attention to my breathing, and use this opportunity to relax my mind and body more deeply. "As I count my exhalations backwards from five to one, I let each number represent a gradually deeper level of relaxation and heightened focus. (Draw a breath before reading each number, and count as you exhale.) "Five … I double my relaxation and increase my concentration. "Four … With every number and every breath, I relax. "Three … I count slowly as I meditate deeper … deeper still. "Two … I use my imagination to double this meditative state. "One … My body is relaxed as my mind remains focused. (Pause for five seconds and breathe normally.) "At this level of meditation, people experience different things. Some notice interesting body sensations … such as a warmth or tingling in their fingers. I might also have that experience. (Pause five seconds.) "Some people feel a floating sensation … with a dreamy quality. I may experience that. (Pause five seconds.) "Whatever sensations I experience are exactly right for me at this moment. Whether I feel something unusual now or at some other time, I let that process happen on its own as I focus on the following manifesto. “I allow my subconscious to absorb the manifesto as I read each affirmation with purpose and conviction. (Pause for five seconds.) “The power to manifest is fully mine, here and now. “I acknowledge and embrace my power to manifest. “All human beings have this power, yet I choose to use it consciously and purposefully. “From the unlimited energy of the Universe, I attract all that I need to experience joy and abundance. “I recognize and consider the consequences of all that I manifest. I take full responsibility. “With awareness and intention, I apply my power for my highest good and for the welfare of others. “All of my manifestations reflect my inner state of being. Therefore, I ever seek to grow in wisdom and to become a better person. “With relaxed confidence, I employ the powers of Thought, Emotion and Vital Energy to manifest my desires.  “I let go of beliefs and ideas that suppress or encumber me and I cultivate those which empower me. “I accept what I manifest with appreciation and satisfaction. I am thankful. “I go forth with great enthusiasm with the realization that I manifest my life and circumstances. “I am ready to take charge of my manifestations from this moment onward.” “Day by day, I grow in awareness of my power to manifest my desires with speed and accuracy.” RECOMMENDED READING * Mastering Manifestation: A Practical System for Rapidly Creating Your Dream Reality - Adam James * Banned Manifestation Secrets - Richard Dotts * Manifesting: The Secret behind the Law of Attraction - Alexander Janzer * The Secret Science Behind Miracles - Max Freedom Long * The Kybalion - Three Initiates
Forbes Robbins Blair (The Manifestation Manifesto: Amazing Techniques and Strategies to Attract the Life You Want - No Visualization Required (Amazing Manifestation Strategies Book 1))
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish." This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder. "What's so funny?" he muttered. "I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end." Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you." "Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly. "You're a lovely woman with the figure of a Venus and a mouth that could make a man-" "You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you." Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?" "Only if you're sincerely trying to seduce me." He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?" She pitched her voice over the music. "I'm a respectable woman, you know." "What has that got to do with anything?" She arched an eyebrow at him as they moved in consort. "Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-" "Lord Devonmont!" "Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening." "There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?" "How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The sight of the duke taking liberties had made something boil up inside Jackson that he couldn't suppress. He'd uncharacteristically acted on impulse, and already regretted it. Because the duke now pulled back with the languid motion of all such men of high rank to fix him with a contemptuous stare. "I don't believe we've met, sir." Jackson fought to rein in the wild emotions careening through him. Lady Celia was glaring at him, and the duke was clearly irritated. But now that Jackson had stuck his nose in this, he would see it out. "I'm Jackson Pinter of the Bow Street Office. This lady's brother has hired me to...to..." If he said he'd been hired to investigate suitors, Lady Celia would probably murder him on the spot. "Mr. Pinter is investigating our parents' deaths," she explained in a silky voice that didn't fool Jackson. She was furious. "And apparently he thinks that such a position allows him the right to interfere in more personal matters." When Jackson met her hot gaze, he couldn't resist baiting her. "Your brother also hired me to protect you from fortune hunters. I'm doing my job." Outrage filled the duke's face. "Do you know who I am?" An imminently eligible suitor for her ladyship, damn your eyes. "A man kissing a young, innocent lady without the knowledge or permission of her family." Lady Celia looked fit to be tied. "Mr. Pinter, this is His Grace, the Duke of Lyons. He is no fortune hunter. And this is none of your concern. I'll thank you to keep your opinions to yourself." Jackson stared her down. "As I said the other day, madam, there isn't enough money in all the world for that." The duke cast him a considering glance. "So what do you plan to do about what you saw, sir?" Jackson tore his gaze from Lady Celia. "That depends upon you, Your Grace, if you both return to the ballroom right now, I don't plan to do anything." Was the relief or chagrin he saw on the duke's face? It was hard to tell in this bad light. "As long as you behave yourself with propriety around Lady Celia in the future," Jackson went on, "I see no reason for any of this to pass beyond this room." "That's good of you." The duke offered Lady Celia his arm. "Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Besides the fact that you’re a scoundrel at the gaming tables,” she responded tartly, “I’m beginning to suspect that you’re a womanizing rake.” Christopher grinned leisurely as his perusal swept her. “I’ve been a long time at sea. However, I doubt that in your case my reaction would vary had I just left the London Court.” Erienne’s eyes flared with poorly suppressed ire. The insufferable egotist! Did he dare think he could find a willing wench at the back door of the mayor’s cottage? “I’m sure that Claudia Talbot would welcome your company, sir. Why don’t you ride on over to see her? I hear his lordship traveled off to London this morning.” He laughed softly at her sneering tones. “I’d rather be courting you.” “Why?” she scoffed. “Because you want to thwart my father?” His smiling eyes captured hers and held them prisoner until she felt a warmth suffuse her cheeks. He answered with slow deliberation. “Because you are the prettiest maid I’ve ever seen, and I’d like to get to know you better. And of course, we should delve into this matter of your accidents more thoroughly, too.” Twin spots of color grew in her cheeks, but the deepening dusk did much to hide her blush. Lifting her nose primly in the air, Erienne turned aside, tossing him a cool glance askance. “How many women have you told that to, Mr. Seton?” A crooked smile accompanied his reply. “Several, I suppose, but I’ve never lied. Each had their place in time, and to this date, you are the best I’ve seen.” He reached out and taking a handful of the cracklings, he chewed the crisp morsels as he awaited her reaction. A flush of anger spread to the delicate tips of her ears, and icy fire smoldered in the deep blue-violet pools. “You conceited, unmitigated boor!” Her voice was as cold and as flat as the Russian steppes. “Do you think to add me to your long string of conquests?” Her chilled contempt met him face to face until he rose and towered above her. His eyes grew distant, and he reached out a finger to flip a curl that had strayed from beneath the kerchief. “Conquest?” His voice was soft and deeply resonant. “You mistake me, Erienne. In the rush of a moment’s lust, there are purchased favors, and these are for the greater part forgotten. The times that are cherished and remembered are not taken, are not given, but shared, and are thus treasured as a most blissful event.” He lifted his coat on his fingertips and slung it over his shoulder. “I do not ask that you yield to me, nor do I desire to conquer you. All I plead is that you grant me moments now and then that I might present my case, to the end that we could share a tender moment at some distant time.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened. Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious. “I’m so sorry,” she croaked. No reply. Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?” Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…” “How much of it was the truth?” “All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.” Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?” She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer. “Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--” Her words were abruptly smothered. He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything. His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan. Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?” “Present tense,” she managed to say. “You told me to find you.” “I didn’t mean to send you that note.” “But you did. You wanted me.” “Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief. Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.” Maybe she was capable of swooning after all.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.” Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.” “Gray.” “Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.” He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple. “Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.” “Your mother?” He grinned again. “No.” She blinked. “Oh, now don’t look so disappointed,” he said. “It’s my sister.” Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look. But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves. He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum. “And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.” Sophia sucked in her breath. “So call me Gray.” He released her hand abruptly. Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well. She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’” He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram. S.H. “You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.” His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
Judith McNaught (Almost Heaven (Sequels, #3))