Sunrise View Quotes

Her satellite made one full orbit around Planet Earth every sixteen hours. It was a prison that came with an endlessly breathtaking view— vast blue oceans and swirling clouds and sunrises that set half the world on fire.

Finished in a frenzy that reminded me of our last night in Cambridge. Watched my final sunrise. Enjoyed a last cigarette. Didn’t think the view could be any more perfect until I saw that beat-up trilby. Honestly, Sixsmith, as ridiculous as that thing makes you look, I don’t believe I’ve ever seen anything more beautiful. Watched you for as long as I dared. I don’t believe it was a fluke that I saw you first. I believe there is another world waiting for us, Sixsmith. A better world, and I’ll be waiting for you there. I believe we do not stay dead long. Find me beneath the Corsican stars, where we first kissed. Yours eternally, R.F.

Merripen, despite his fear of heights, had often climbed a ladder to wash the second floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her.

There is, I have heard, a little thing called sunrise, in which the sun reverses the process we all viewed the night before. You might assume such a thing as mythical as those beasts that guard the corners of the earth, but I have it on the finest authority, and have, indeed, from time to time, regarded it with my own eyes.

I had a dream about you. We couldn't decide on a sunrise. You wanted a tan, I only cared about the view. Then World War III fulfilled both our desires.

So soon? But I sup pose that is only to be expected. Lord Ramsay will want to see his estate." "Yes, Mrs. Hunt." Leo said. "I adore bucolic settings. One can never view too many sheep.

Basked in the view of sun rising and moon setting at the same time by the sea as the tender soft foam from the sea washing his feet.

Basked in the view of the sun rising and moon setting at the same time by the sea as the tender soft foam from the sea washed his feet.

The view backward showed you all the twists and turns your life had taken, all the contingencies and chances, the random elements of good luck and bad luck that made up one person’s existence.

The loveliness of the view outside stopped me in my tracks. The mountain fell away before me, a carpet of green made greener by the luminous dawn staining the clouds with pinks and golds. The mountains themselves were lightly ensnowed, though there was no threat of a sequel in that cerulean canopy. Within the hinterlands of the prospect heaved the great beast of the sea with its patchy pelt of ice floes.

During the next few years I wrote a series of Martian pensées, Shakespearean "asides," wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perce, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.

It’s not that the brilliance of a sunrise is dulled cold by thick clouds, or that it is left to fire a morning sky free of them. Regardless of how the day might begin, we can be thankful that the opportunities of any day always sit awaiting our arrival whether the hours of that day be spent in clouds or sun.

Sunrise and sunset are all the same from an observer's point of view. As life is the same at birth and at death. The true Self continues.

The fact that it’s a new day won’t matter if I don’t greet it with a new attitude.

His heart nearly stopped. A ship was outlined against the sky! Behind it, he saw two smaller ships. As the ships came into view, their bright sails were filled with wind and their serpent prows blazed in the new sunlight.

There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))

Dimly Kev remembered one of the mythology stories the Hathaways were so fond of... the Greek one about Hades, the god of the underworld, kidnapping the maiden Persephone in a flowery field and dragging her down through an opening in the earth. Down to his dark, private world where he could possess her. Although the Hathaway daughters had all been indignant about Persephone's fate, Kev's sympathies had privately been on Hades' side. Romany culture tended to romanticize the idea of kidnapping a woman for one's bride, even mimicking it during their courtship rituals. "I don't see why eating a mere half-dozen pomegranate seeds should have condemned Persephone to stay with Hades part of every year," Poppy had said in outrage. "No one told her the rules. It wasn't fair. I'm certain she would never have touched a thing, had she known what would happen." "And it wasn't a very filling snack," Beatrix had added, perturbed. "If I'd been there, I would have asked for a pudding or a jam pastry, at least." "Perhaps she wasn't altogether unhappy, having to stay," Win had suggested, her eyes twinkling. "After all, Hades did make her his queen. And the story says he possessed 'the riches of the earth.'" "A rich husband," Amelia had said, "doesn't change the fact that Persephone's main residence is in an undesirable location with no view whatsoever. Just think of the difficulties in leasing it out during the off-months." They had all agreed that Hades was a complete villain. But Kev had understood exactly why the underworld god had stolen Persephone for his bride. He had wanted a little bit of sunshine, of warmth, for himself, down in the cheerless gloom of his dark palace.

Every man should wake up alone and spend thirty minutes outside. He should spend thirty minutes with the rising sun listening for birds while pacing back and forth in ponderous thought, with a cool breeze on his nose and his arms stretched into the open air. He should spend thirty minutes alone with whatever view is available. Then he should go back to sleep.

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

pensées, Shakespearian “asides,” wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perse, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.

I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.

Darkness Always Ends No matter how your day goes, the sun always rises the next day. You get a fresh start. Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. I believe God created that sunrise-sunset pattern as a reminder for us when life gets difficult. For official records, we measure time by the midnight hour. Our calendar days go from midnight to midnight. We begin and end our days in darkness. And when we consider our days, we split them into two parts: daytime first, followed by nighttime. Light first, then the darkness. But not everyone views the cycle that way. The biblical account of creation reverses our cycle: “And there was evening and there was morning, one day” (Genesis 1:5). The Jewish calendar follows suit with that original creation account. That calendar runs from sunset to sunset. The full hours of darkness come first, followed by the full hours of light. In other words, from God’s perspective, each day ends with light. Year after year, I’ve derived such encouragement from that picture. I believe this is why the psalmist David wrote, “Weeping may last for the night, but a shout of joy comes in the morning” (Psalm 30:5). You have every reason to believe for a miracle. You have every reason to believe God won’t abandon you. Nothing in this life lasts forever. Your dark season will come to an end. And chances are, it won’t take until your dying day. It won’t kill you. Things might look bleak at first, but they can improve. With night and day, God has given us a picture of hope. The sun always rises. Things will always get brighter. “The end of a matter is better than its beginning” (Ecclesiastes 7:8). Whether it’s a day or a season in your life, it doesn’t matter how things look in the midst of it. What matters is how it ends. Oftentimes, for the circumstances to improve, we must take particular steps along the way. A bright outcome might depend, in part, on how we choose to respond to what has occurred. Or preemptive steps might put us at an advantage down the road. God give us a role to perform. But the breakthrough is available.

[OBSERVATIONS RELATED TO EXAMINING THE NATURE OF MIND] Be certain that the nature of mind is empty and without foundation. One’s own mind is insubstantial, like an empty sky. Look at your own mind to see whether it is like that or not. Divorced from views which constructedly determine [the nature of] emptiness, Be certain that pristine cognition, naturally originating, is primordially radiant – Just like the nucleus of the sun, which is itself naturally originating. Look at your own mind to see whether it is like that or not! Be certain that this awareness, which is pristine cognition, is uninterrupted, Like the coursing central torrent of a river which flows unceasingly. Look at your own mind to see whether it is like that or not! Be certain that conceptual thoughts and fleeting memories are not strictly identifiable, But insubstantial in their motion, like the breezes of the atmosphere. Look at your own mind to see whether it is like that or not! Be certain that all that appears is naturally manifest [in the mind], Like the images in a mirror which [also] appear naturally. Look at your own mind to see whether it is like that or not! Be certain that all characteristics are liberated right where they are, Like the clouds of the atmosphere, naturally originating and naturally dissolving. Look at your own mind to see whether it is like that or not! There are no phenomena extraneous to those that originate from the mind. [So], now could there be anything on which to meditate apart from the mind? There are no phenomena extraneous to those that originate from the mind. [So], there are no modes of conduct to be undertaken extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no commitments to be kept extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no results to be attained extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], one should observe one’s own mind, looking into its nature again and again. If, upon looking outwards towards the external expanse of the sky, There are no projections emanated by the mind, And if, on looking inwards at one’s own mind, There is no projectionist who projects [thoughts] by thinking them, Then, one’s own mind, completely free from conceptual projections, will become luminously clear. [This] intrinsic awareness, [union of] inner radiance and emptiness, is the Buddha-body of Reality, [Appearing] like [the illumining effect of] a sunrise on a clear and cloudless sky,. It is clearly knowable, despite its lack of specific shape or form. There is a great distinction between those who understand and those who misunderstand this point. This naturally originating inner radiance, uncreated from the very beginning, Is the parentless child of awareness – how amazing! It is the naturally originating pristine cognition, uncreated by anyone – how amazing! [This radiant awareness] has never been born and will never die – how amazing! Though manifestly radiant, it lacks an [extraneous] perceiver – how amazing! Though it has roamed throughout cyclic existence, it does not degenerate – how amazing! Though it has seen buddhahood itself, it does not improve – how amazing! Though it is present in everyone, it remains unrecognised – how amazing! Still, one hopes for some attainment other than this – how amazing! Though it is present within oneself, one continues to seek it elsewhere – how amazing!

If I had three lives, I’d marry you in two. And the other? That life over there at Starbucks, sitting alone, writing — a memoir, maybe a novel or this poem. No kids, probably, a small apartment with a view of the river, and books — lots of books and time to read. Friends to laugh with; a man sometimes, for a weekend, to remember what skin feels like when it’s alive. I’m thinner in that life, vegan, practice yoga. I go to art films, farmers markets, drink martinis in swingy skirts and big jewelry. I vacation on the Maine coast and wear a flannel shirt weekend guy left behind, loving the smell of sweat and aftershave more than I do him. I walk the beach at sunrise, find perfect shell spirals and study pockmarks water makes in sand. And I wonder sometimes if I’ll ever find you.

He had no desire to form attachments to people. That would have required more trust and intimacy than he could summon. But he did care for all the Hathaway brood, even Leo. And then there was Win, for whom Kev would have died a thousand times over. He would never degrade Win with his touch, or dare to assume a place in her life other than as a protector. She was too fine, too rare. As she grew into womanhood, every man in the county was enthralled by her beauty. Outsiders tended to view Win as an ice maiden, neat and unruffled and cerebral. But outsiders knew nothing of the sly wit and warmth that lurked beneath her perfect surface. Outsiders hadn't seen Win teaching Poppy the steps to a quadrille until they had both collapsed to the floor in giggles. Or frog-hunting with Beatrix, her apron filled with leaping amphibians. Or the droll way she read a Dickens novel with an array of voices and sounds, until the entire family howled at her cleverness. Kev loved her. Not in the way that novelists and poets described. Nothing so tame. He loved her beyond earth, heaven, or hell. Every moment out of her company was agony; every moment with her was the only peace he had ever known. Every touch of her hands left an imprint that ate down his soul. He would have killed himself before admitting it to anyone. The truth was buried deep within his heart.

You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.

Mrs. Barnstable took her to a beautiful room with windows overlooking the gardens. “This is yours,” the housekeeper said. “No one has occupied it before.” The bed was made of light blue upholstered panels, the bedclothes of white linen. There was a graceful lady’s writing desk in the corner, and a satin maple wardrobe with a looking glass set in the door. “Mr. Merripen personally selected the wallpaper,” Mrs. Barnstable said. “He nearly drove the interior architect mad with his insistence on seeing hundreds of samples until he found this pattern.” The wallpaper was white, with a delicate pattern of flowering branches. And at sparse intervals, there was the motif of a little robin perched on one of the twigs. Slowly Win went to one of the walls and touched one of the birds with her fingertips. Her vision blurred. During her long recuperation from the scarlet fever, when she had grown tired of holding a book in her hands and no one had been available to read to her, she had stared out the window at a robin’s nest in a nearby maple tree. She had watched the fledglings hatch from their blue eggs, their bodies pink and veined and fuzzy. She had watched their feathers grow in, and she had watched the mother robin working to fill their ravenous beaks. And Win had watched as, one by one, they had flown from the nest while she remained in bed. Merripen, despite his fear of heights, had often climbed a ladder to wash the second-floor window for her. He had wanted her view of the outside world to be clear. He had said the sky should always be blue for her. “You’re fond of birds, Miss Hathaway?” the housekeeper asked. Win nodded without looking around, afraid that her face was red with unexpressed emotion. “Robins especially,” she half-whispered.

Come here, you flea-ridden hair wad. You’ll have all the sugar biscuits you want, if you’ll give your new toy to me.” He whistled softly and clicked. But the blandishments did not work. Dodger merely regarded him with bright eyes and stayed at the threshold, clutching the vial in his tiny paws. “Give him one of your garters,” Leo said, still staring at the ferret. “I beg your pardon?” Miss Marks asked frostily. “You heard me. Take off a garter and offer it to him as a trade. Otherwise we’ll be chasing this damned animal all through the house. And I doubt Rohan will appreciate the delay.” The governess gave Leo a long-suffering glance. “Only for Mr. Rohan’s sake would I consent to this. Turn your back.” “For God’s sake, Marks, do you think anyone really wants a glance at those dried-up matchsticks you call legs?” But Leo complied, facing the opposite direction. He heard a great deal of rustling as Miss Marks sat on a bedroom chair and lifted her skirts. It just so happened that Leo was positioned near a full-length looking glass, the oval cheval style that tilted up or down to adjust one’s reflection. And he had an excellent view of Miss Marks in the chair. And the oddest thing happened—he got a flash of an astonishingly pretty leg. He blinked in bemusement, and then the skirts were dropped. “Here,” Miss Marks said gruffly, and tossed it in Leo’s direction. Turning, he managed to catch it in midair. Dodger surveyed them both with beady-eyed interest. Leo twirled the garter enticingly on his finger. “Have a look, Dodger. Blue silk with lace trim. Do all governesses anchor their stockings in such a delightful fashion? Perhaps those rumors about your unseemly past are true, Marks.” “I’ll thank you to keep a civil tongue in your head, my lord.” Dodger’s little head bobbed as it followed every movement of the garter. Fitting the vial in his mouth, the ferret carried it like a miniature dog, loping up to Leo with maddening slowness. “This is a trade, old fellow,” Leo told him. “You can’t have something for nothing.” Carefully Dodger set down the vial and reached for the garter. Leo simultaneously gave him the frilly circlet and snatched the vial.

They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided. He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try. The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed. She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big. Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes. She saw my book. "Excuse me. You know this artist?" Intimately just didn't seem as true anymore. "Pretty well," I answered. "He is famous here?" "Not very." "I like him." she said thoughtfully. "He has...oh, the word...personism?" "Personality?" I offered. "Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.

For seven months each year, the subarctic environment is transformed by a gift (or perhaps some would say a curse) of the weather. This, of course, is snow. By midwinter the land is covered by soft powder lying two to six feet deep in the forest, hardened to dunelike drifts on the broad lakes and rivers, creating a nivean world of its own. The coming of snow is forecast by many signs… When the sky is bright orange at sunrise there will be snow, "usually two mornings later." Perhaps the best sign of snow is a moondog, a luminous circle around a bright winter moon. When the Koyukon speak of it, they say, "the moon pulls his (parka] ruff around his face," as if he is telling them that snow is coming soon. The Koyukon people regard snow as an elemental part of their world, much like the river, the air, or the sun. It can be a great inconvenience at times, but mostly it is a benefit. Without snow, the ease and freedom of winter travel would be lost, the movements of animals would not be faithfully recorded, the winter darkness would be far deeper, and the quintessential beauty of the world would be lessened. I never heard Koyukon people complain about snow, even when it stubbornly refused to melt away in late spring.

That morning i awoke. I felt the rising sun. A glimpse of true restoration, with kings crying, emperors imploring mercy, world living, earth within. The light of the rays throughout magnificent pieces of hollow stone. I'm happy. I'm happy. The sun it did shine. The sunrise, it was beautiful, sitting in between the vast open crests of the mountains. The sky's color orange. The mountains a deep pink. This view was a sensation of the universal language. And the best part had to be the sun's fiery, multicolored, rays! Where the glory of this moment, this sunrise, originated. What a bountiful moment. It was filled with glory and strength. The firefly lighting inescapable and somewhat inexpressive. Because of this, all insecurities melted away. There was something comforting about this rise. It was as if it was a message from God. It had the energy of a new day. No, not a new day. Not another day to wake up. Not ANOTHER PLAIN DAY! No, this was a "new day". The beginning of a new era. That's what this sunlight told me. Situations will now explode and dissolve. In a benevolent way. It said, Feel the warmth of the sun. Let it's warm welcoming waves of light surround and caress your being. Feel its care and courage. Connect and let its power become yours. Once i connected i no longer reflected. The time for reflection ended. And being pushed aside, the time or immortality began. The invincible irresistible, sensational, nature of the sun brought a new wave. The nine waves of the sun, They touched me on that sunrise. They touched my heart. Just as they mixed and breed with the unusually blue but now pink mountains. The loving amalgamation of sunrise and environment. It was truly a spectacle to behold. This was a true sunrise. The first true sunrise of my life. THE SUNRISE OF THE NEW DAY. MAY YOU SEE IT AS WELL!

I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.

He and Shinsou followed his gaze to the horizon, and watched with interest as the sky became bluer and gold edged the distant mountains. Todoroki couldn't help a gasp as within minutes the sky was flooded with pinks and oranges, purples and golds. However when Shinsou also gasped he looked over, and froze. Izuku was leant forward, drinking in the view hungrily. The gold of the sunrise lit up his hair, a curly chaotic mass after sleep but angelic in the light. The sun picked out the different colours in his eyes, streaks of blue and flecks of gold among many shades of green. Those beautiful big eyes were wide and innocently fascinated with what they saw Izuku's lips parted in a broad smile. The sight of him like that took their breaths away.

I own an island, Constance—a private island in the Florida Keys. It’s west of No Name Key and northeast of Key West. It’s not a big island, but it’s a jewel. It is called Halcyon. I have a house there; a breezy mansion furnished with books and instruments and paintings; it offers both sunrise and sunset views; and it has been stocked with all the rare wines, champagnes, and delicacies you could ever wish for. I’ve been preparing this idyll over the years with painstaking, excessive care. It was to be a bastion; my last and final retreat from the world. But—as I was recovering in that hut in Ginostra—I realized that such a place, no matter how ideal, would be unbearably lonely without another person—the one, the perfect person—with whom to share it.” He paused. “Need I name that person?

I’m saying that we don’t know how God protects us. How he is there for us, but he is. We live our life seeing only our perspective—seeing our circumstances and judging God by what happens to us. But what if we judged God by what didn’t happen to us? What if we started asking . . . God, what is your view? What did you protect me from?

Astrology Course 101: The Ultimate Guide for Beginners to Professional Level Astrology Course - You should approach astrology with an open mind and a critical viewpoint if you're interested in knowing more about it. Here are some tips to get you started learning about astrology: Know Its Nature: A belief system that has not been proven by science is astrology. The scientific community discredits it as a pseudoscience because none of its tenets are supported by empirical data. Consider astrology as a sort of entertainment or personal belief rather than as a science. Basic Knowledge: Learn the basic principles of astrology, such as the meanings of the zodiac signs, natal charts, planets, aspects, and houses, before moving on. There are numerous publications, websites, and educational programmes that can offer a solid foundation. Analyze Your Natal Chart: Your birth date, time, and location can be used to make your own natal chart. You may create your chart for free with the aid of several online tools and programmes. A map of the celestial bodies' positions at the moment of your birth is called your natal chart. Analyze Your Natal Chart: Spend some time studying your natal chart once you have one. Find out what each house's planets mean and how they interact with one another. Your personality, weaknesses, and prospective life path will all be revealed by this. Observe Your Sun, Moon, and Rising Signs by Reading This: Your Sunrise (or Ascendant) sign affects your outward behavior, while your Moon sign and Sun sign both reflect your emotional nature. A more complete understanding of these signs might give you a better understanding of your astrological profile. Consult with Expert Astrologers: Consider speaking with a qualified astrologer if you want a more thorough examination of your chart or if you have specific queries. Based on your chart, they can provide unique insights and interpretations. Use astrology to reflect on yourself: Astrology is a useful tool for introspection and personal development. Examine how your own experiences and emotions align with the astrological insights. Use it to gain a deeper understanding of who you are and the course of your life. Keep in Mind That Symbolism: Numerous people have called astrology a symbolic language. Astrologers interpret the locations and aspects of celestial bodies as symbols in their own unique ways. It does not accurately describe how the cosmos affects your life. Learn to Think Critically: Keep a critical mindset while you research astrology. Recognise that connections drawn by astrology lack scientific support and that correlation does not imply causation. Consider several points of view and be willing to be skeptical. Respect for Various Beliefs: Regarding astrology, people hold a variety of beliefs and practices. Even if they differ from your own, respect other people's decisions and ideas. For some people, astrology holds significant personal value. Science and balance: Astrology is not a replacement for critical thinking or decision-making based on evidence. Use more trustworthy information and logic while making crucial life decisions. In Conclusion - Astrology has the potential to be a fascinating and contemplative activity that provides insights into personality and self-awareness. But it's crucial to approach it from a well-informed and impartial standpoint, mindful of its limitations and cognizant that it is largely a belief system rather than a science. For More Details : Click Here

The Mardi Himal Trek is a hidden gem in the Annapurna region, offering a quieter and more intimate experience compared to the ABC Trek. The trek starts from Kande and takes you through lush forests, traditional villages, and picturesque ridges. The trail gradually climbs up to the Mardi Himal Base Camp, where you'll be rewarded with stunning views of the Annapurna and Machhapuchhre mountains. The highlight of the trek is the panoramic sunrise view from the viewpoint near the base camp, where the golden rays illuminate the snow-capped peaks. The Mardi Himal Trek is perfect for those seeking tranquility and off-the-beaten-path adventure.

Age brings diminishments, but more than a few come with benefits. I’ve lost the capacity for multitasking, but I’ve rediscovered the joy of doing one thing at a time. My thinking has slowed a bit, but experience has made it deeper and richer. I’m done with big and complex projects, but more aware of the loveliness of simple things: a talk with a friend, a walk in the woods, sunsets and sunrises, a night of good sleep. I have fears, of course, always have and always will. But as time lengthens like a shadow behind me, and the time ahead dwindles, my overriding feeling is gratitude for the gift of life. Above all, I like being old because the view from the brink is striking, a full panorama of my life—and a bracing breeze awakens me to new ways of understanding my own past, present, and future. As one of Kurt Vonnegut’s characters says in Player Piano, “out on the edge you can see all kinds of things you can’t see from the center.

Dulles concluded that Wolff was, in effect, a member of his international club—a man with similar views, connections, and willingness to do business. Neither man was particularly interested in the clash of ideas or human tragedies associated with the war. They were fixed on the calculus of power; each understood the other’s intense ambition. Operation Sunrise was for both of them a bold, high-wire career move.

Mindfulness (A poem) *** MINDFULNESS ****** We're sitting on a hill, reminiscing about our deeds. These are mesmerising moments of ease; scenes are harmonising in keys. But we're in a state of oblivion, shunned from the view of fate in this period. We think about the nice days from our teens;   the things that we did at our free will. We're in sync with the future and past tensions.   Indeed, we could enjoy the present intentions.    But we're in a state of oblivion, shunned from the view of fate in this period. We envision our problems gone; with collisions exposed and pawned. Oh! We could enjoy this peaceful time, on this hill, watching the sunrise. But we're in a state of oblivion, shunned from the view of fate in this period. The beautiful birds stride pass our face. Thick cuticles blurred, striped by hours of grace. They flap their wings, forming art; tail lamps for us, bleeding hearts. But we're in a state of oblivion, shunned from the view of fate in this period. People of different cultures come to us. Simple, they offer their services; no Judas. Wave their hands with care;   give their food to share. But we're in a state of oblivion, shunned from the view of fate in this period. What a sad case this is; our mindfulness is butchered. Heads are swimming inbetween the past and the future. Opportunities to love others in truth are being missed. Communities could share love so true; limiting the rifts. But we're in a state of oblivion, shunned from the view of fate in this period.

Thanks again to Alan Butler's work, this time I was able to inspect the work of Hesiod in connection with the Phaistos Disc for being calendrical, and now I view it through the lens of ancient Egypt by projecting it directly onto the circular zodiac of Dendera. Hesiod has used three different references to the days in his work: (the first ..); (the middle ..); and (.. of the month). With this system which he had used, I linked the "first" references to the zodiac's portals on the East; the "middle" references to the Fullmoon days of the month which are located on the zodiac's western portals; and the "of the month" references to the zodiac's days which are located right after passing by and finishing the rotation beyond the eastern portals. Therefore, Hesiod has recognized Egypt's month's count of days (And tell your slaves the thirtieth is the month's best-suited day). He has also explicitly identified the beginning of the Equinox and Solstice portals on the zodiac based on the zodiac's anticlockwise orientation while emphasizing the more prominent role of the Summer Solstice in the calendar system (The first and fourth and seventh days are holy days to men, the eighth and ninth as well). Hesiod has also issued a warning against, Apophis, the snake demon (But shun the fifth day, fifth days are both difficult and dread). Hesiod has recognized Egypt's royal-cosmic copulation event that takes place at the culmination of the Summer Solstice (The first ninth, though, for human beings, is harmless, quite benign for planting and for being born; indeed, it's very fine For men and women both; this day is never bad all through) Hesiod has identified the exact position of the newly born infant boy on the zodiac (For planting vines the middle sixth is uncongenial but good for the birth of males) and also established the Minoan bull's head rhyton connection with Egypt (The middle fourth, which is a day to soothe and gently tame the sheep and curved-horned), (Open a jar on the middle fourth),(And on the fourth the long and narrow boats can be begun). Hesiod gave Osiris' role in the ancient Egyptian agrarian Theology to men (two Days of the waxing month stand out for tasks men have to do, the eleventh and the twelfth) and pointed out the right location of the boar on the zodiac (Geld your boar on the eighth of the month) and counted on top of these days the days of the mule which comes afterward (on the twelfth day of the month [geld] the long-laboring mule) - since the reference to the mule in the historical text comes right after that of the boar's and both are grouped together conceptually with the act of gelding. He has also identified the role of Isis for resurrecting Osiris after the Summer Solstice event (On the fourth day of the month bring back a wife to your abode) and even referred to the two female figures on the zodiac and identified them as, Demeter and Persephone, the two mythical Greek queens (Upon the middle seventh throw Demeter's holy grain) where we see them along with the reference to Poseidon (i.e. fishes and water) right next to them as the account exists in the Greek mythology. Even more, Hesiod knows when the sequence of the boats' appearances begins on the zodiac (And on the fourth the long and narrow boats can be begun). Astonishingly enough, he mentions the solar eclipse when the Moon fully blocks the Sun (the third ninth's best of all, though this is known by few) and also glorifies sunrise and warns from sunset on that same day (Again, few know the after-twentieth day of the month is best ..) and identifies the event's dangerous location on the west (.. at dawn and that it worsens when the sun sinks in the west).

Although we might experience the illusion of a self-contained environment, every day at sunrise and every night when the Moon and the far more distant stars come into view, we are reminded that our planet is not alone. Stars and nebulae are further evidence that we exist in a galaxy that resides within a far larger Universe. We orbit within a Solar System where the seasons remind us further of our orientation and placement within it. Our very measurement of time in terms of days and years signifies the relevance of our surroundings.

Emerging from beneath Merripen’s coat, Win took one look at him and began to gasp with laughter. White down had covered his black hair and clung to his clothes like new-fallen snow. Merripen’s expression of concern changed to a scowl. “I was going to ask if you had breathed any of the feather dust,” he said. “But judging from all the noise you’re making, your lungs seem quite clear.” Win couldn’t reply; she was laughing too hard. As Merripen raked his hand through the midnight locks of his hair, the down became even more enmeshed. “Don’t,” Win managed, struggling to restrain her laughter. “You’ll never … You must let me help you; you’re making it worse … and you s-said I was a pigeon to be plucked. … ” Still chortling, she snatched his hand and tugged him into one of the fabric corridors, where they were partially concealed from view. They went beyond the half-light and into the shadows. “Here, before anyone sees us. Oh, you’re too tall for me—” She urged him to the floor with her, where he lowered to his haunches. Win knelt amid the mass of her skirts. Untying her bonnet, she tossed it to the side. Merripen watched Win’s face as she went to work, brushing at his shoulders and hair. “You can’t be enjoying this,” he said. “Silly man. You’re covered in feathers—of course I’m enjoying it.” And she was. He looked so … well, adorable, kneeling and frowning and holding still while she de-feathered him. And it was lovely to play with the thick, shiny layers of his hair, which he never would have allowed in other circumstances. Her giggles kept frothing up, impossible to suppress.

The microbiome may vary from day to day, from sunrise to sunset, or even from meal to meal, but such variations are small compared to the early changes. This dynamism of the adult microbiome conceals a background of constancy.

We're sitting on a hill, reminiscing about our deeds. These are mesmerising moments of ease; scenes are harmonising in keys. But we're in a state of oblivion, shunned from the view of fate in this period. We think about the nice days from our teens; the things that we did at our free will. We're in sync with the future and past tensions. Indeed, we could enjoy the present intentions. But we're in a state of oblivion, shunned from the view of fate in this period. We envision our problems gone; with collisions exposed and pawned. Oh! We could enjoy this peaceful time, on this hill, watching the sunrise. But we're in a state of oblivion, shunned from the view of fate in this period. The beautiful birds stride pass our face. Thick cuticles blurred, striped by hours of grace. They flap their wings, forming art; tail lamps for us, bleeding hearts. But we're in a state of oblivion, shunned from the view of fate in this period. People of different cultures come to us. Simple, they offer their services; no Judas. Wave their hands with care; give their food to share. But we're in a state of oblivion, shunned from the view of fate in this period. What a sad case this is; our mindfulness is butchered. Heads are swimming between the past and the future. Opportunities to love others in truth are being missed. Communities could share true love; limiting the rifts. But we're in a state of oblivion, shunned from the view of fate in this period.

Ways To Break This Southern Girl’s Heart after Diane Lato's “Easy Ways To Break My Heart” – give her unsweetened tea. there are no two more terrible words to a southern girl when put together – tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter – tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it… and she wants to show you every sunlit, treelined, starkissed view – turn down the volume when ‘country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time – you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago – and if you wanna just completely shatter her into pieces… then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and to know her heart is finally safe… with you …she needs to know that breaking her heart is the very last thing you would ever want to do.

Ways To Break This Southern Girl’s Heart after Diane Lato's "Easy Ways To Break My Heart" - give her unsweetened tea. there are no two more terrible words to a southern girl when put together - tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter - tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it... and she wants to show you every sunlit, treelined, starkissed view - turn down the volume when 'country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time - you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago - and if you wanna just completely shatter her into pieces... then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and until her heart is finally safe... with you ...she needs to know that breaking her heart is the very last thing you would ever want to do.

Though the sun does not revolve the earth, the illusion that our vision provides is the sunrises and the sunsets, that is, our vision is always mirror-imaged, it is better to look into your view about your vision

This circular concept of time remains prevalent in the religion and philosophy of many indigenous and Eastern cultures. But in the West, our awareness of cycles has been overshadowed by a linear view of time, one that emphasizes beginnings and endings and strives for progress over repetition. Why did linear time come to dominate the Western way of thinking? Part of the reason is cultural, having to do with the way that Judeo-Christian thought describes the story of humanity not as a wheel but as a distinct trajectory through time. But equally important is that as we have come to see ourselves as separate from nature, we have built structures and systems that distance us from its circular rhythms. Electric light allows us to keep our own schedules, obscuring the phases of the moon and draining the sunrise and sunset of the meaning they once carried. Rather than matching our appetites to the harvests, we match the harvests to our desires. We have big watery strawberries all year round, forgetting that there was once a time when they were available only in June and tasted like sweet red fire. Our buildings heat and cool the air to a consistent temperature regardless of the weather outside. Our sound machines play any birdsong on demand, regardless of where those birds are in their migratory arc. Thus, disconnected from participation in these natural cycles, we have forgotten that time moves in loops as well as lines.

The second fundamental misconception in inductivism is that scientific theories predict that ‘the future will resemble the past’, and that ‘the unseen resembles the seen’ and so on. (Or that it ‘probably’ will.) But in reality the future is unlike the past, the unseen very different from the seen. Science often predicts – and brings about – phenomena spectacularly different from anything that has been experienced before. For millennia people dreamed about flying, but they experienced only falling. Then they discovered good explanatory theories about flying, and then they flew – in that order. Before 1945, no human being had ever observed a nuclear-fission (atomic-bomb) explosion; there may never have been one in the history of the universe. Yet the first such explosion, and the conditions under which it would occur, had been accurately predicted – but not from the assumption that the future would be like the past. Even sunrise – that favourite example of inductivists – is not always observed every twenty-four hours: when viewed from orbit it may happen every ninety minutes, or not at all. And that was known from theory long before anyone had ever orbited the Earth.

The doctrine of the supremacy of the individual to himself, of his originality and, as regards his own character, _unique_ quality, must have had a great charm for people living in a society in which introspection, thanks to the want of other entertainment, played almost the part of a social resource. In the United States, in those days, there were no great things to look out at (save forests and rivers); life was not in the least spectacular; society was not brilliant; the country was given up to a great material prosperity, a homely _bourgeois_ activity, a diffusion of primary education and the common luxuries. There was therefore, among the cultivated classes, much relish for the utterances of a writer who would help one to take a picturesque view of one’s internal possibilities, and to find in the landscape of the soul all sorts of fine sunrise and moonlight effects.

“Does your heart implode into an infinite care for your other?” “Does it explode into a million stars?” “Do you feel warm and hold the desire to harbor?” “Would you fly the biggest plane into war?” “Could you change the direction of the starboard?” “If all you understood could immediately be over?” “The dark blue sky is infinite and fast forward.” “How much do you want to keep him safe from harm?” “Would you cut the wires knowingly to disable a bomb?” “To which or what does your sun revolve?” “What do you call your world?” “How many of its problems would you willingly solve?” “How many flags of pride for him will you unfurl?” “How big is your once broken vestige?” “Can you heal from your fleshwounds?” “To carry him on and on, even covered in scars?” “To be shot for the only, To be the carrier and keep it going.” “Even when the sound of every blackhole in space roars?” “Can you question your unholy gods in the name of love?” “Can you hold on even when you can see the reaper settling in?” “Can you curse those who fly far up and above?” “Would your golden soul settle to make due and amend?” “The river of euphrates flows over the globe.” “White clouds, rainfall coming down, droplets from the overdome.” “Are you to agree that you can set fire and land in the aerodrome?” “Even when the shooting rocks from millions of miles away decay your airspace?” “Would you tense up your strings and hold an angry face.” “One that circles around back to the care you have to display?” “How much can you love one person?” “How instantaneous, like spontaneous combustion.” “Can you see why you care this much in their eyes?” “Can you see the water fall from the skies?” “Can you see the sun rising to revolve around them once more?” “Can you see the falls from the cliff ledges and the birds?” “Can you foresee what the future has in store?” “Every story has only one narrator, Every view sought through two eyes.” “Your care, your love for him is not a disguise.” “It is a ground shaking thing to feel, you fly.” “The tremors, the earth-shattering quakes under the plates.” “You can only care anymore, no longer do you despise.” “All the angry lines are gone from the sands of time.” “Can you wonder, can you tell anyone or even explain why?” “Can you hold true for the next million years, Right by his side?” “Can you lose your fears to continue to try?” “Jump a million worlds, fall a million skies.” “Infinite voids, infinite times.” “For one world’s sunrise.