Mule Sayings Quotes

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Papa says if you don’t watch it people will force you one way or the other, into doing what they think you should do, or into just being mule-stubborn and doing the opposite out of spite.
Ken Kesey (One Flew Over the Cuckoo's Nest)
Papa says if you don't watch it people will force you one way or the other, into doing what they think you should do, or into just being mule stubborn and doing the opposite out of spite.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
Something’s up,’ I say, handing the phone back. ‘Not necessarily,’ Jack says. ‘You think this is the first time Lila’s been hot-headed? Seriously, dude, you do remember my sister, right? Short, blonde, impulsive as shock therapy? Stubborn as a mule who won’t take no for an answer?’ Does Jack ever listen to himself? Does he appreciate the irony of this statement? I shake my head at him in wonder. ‘Hey, I’m not short or blond,’ Jack protests as he catches the look on my face.
Sarah Alderson (Losing Lila (Lila, #2))
Well, the devil’s in the alley, mule’s in the stall Say anything you wanna, I have heard it all".
Bob Dylan
You cannot murder interns, but other than that, they are the same as mules. You can rob them, abuse them, debase them. There are no limits. When a man agrees to be intern, he is saying, “I am no longer human being with rights, I am like dog or monkey. Use me for labor until my body breaks and then consume all of my meats.” I
Simon Rich (Spoiled Brats: And Other Stories)
The mule,” he was fond of saying, “is as much smarter than a horse as a raven is smarter than a falcon. Neither a raven nor a mule will go charging into combat just because some human tells him to.
Randall Garrett (Lord Darcy Investigates (Lord Darcy, #3))
I had to find the courage to start saying no to things I didn't want to do because once you turn thirty, pretending starts taking a toll on your immune system. I had to learn how to say no to others and yes to myself, and today I no longer feel ashamed for not being "fun" and being down for every draining activity I'm asked to do. I'm no longer terrified I'll be judged, abandoned, rejected, or left out. And if I am, good. Turns out it's kind of my dream to be left out of doing things I don't want to do. What this means is that unless your invite involves cheese, Netflix, Mexican wrestling, Moscow mules, or actual mules, chances are, in the words of Randy Jackson, "That's gonna be a no for me, dog.
Whitney Cummings (I'm Fine...And Other Lies)
Besides she had been raised in a house of women whose skill at not saying a difficult thing verged on professional. The truth had become such an elusive entity, she could as easily talk about her feelings as ride a mule.
Rachel Joyce (Miss Benson's Beetle)
The Thing Is to love life, to love it even when you have no stomach for it and everything you've held dear crumbles like burnt paper in your hands, your throat filled with the slit of it. When grief sits with you, its tropical heat thickening the air, heavy as water more fit for gills than lungs; when grief weights you like your own flesh only more of it, an obesity of grief, you think , how can a body withstand this? Then you hold like life a face between your palms, a plain face, no charming smile, no violet eyes, and you say, yes, I will take you I will love you, again Ellen Bass
Bonnie Shimko (You Know What You Have To Do)
Miss Dearheart gave him a very brief look, and shook her head. There was movement under the table, a small fleshy kind of noise and the drunk suddenly bent forward, colour draining from his face. Probably only he and Moist heard Miss Dearheart purr: ‘What is sticking in your foot is a Mitzy “Pretty Lucretia” four-inch heel, the most dangerous footwear in the world. Considered as pounds per square inch, it’s like being trodden on by a very pointy elephant. Now, I know what you’re thinking: you’re thinking, “Could she press it all the way through to the floor?” And, you know, I’m not sure about that myself. The sole of your boot might give me a bit of trouble, but nothing else will. But that’s not the worrying part. The worrying part is that I was forced practically at knifepoint to take ballet lessons as a child, which means I can kick like a mule; you are sitting in front of me; and I have another shoe . Good, I can see you have worked that out. I’m going to withdraw the heel now.’ There was a small ‘pop’ from under the table. With great care the man stood up, turned and, without a backward glance, lurched unsteadily away. ‘Can I bother you?’ said Moist. Miss Dearheart nodded, and he sat down, with his legs crossed. ‘He was only a drunk,’ he ventured. ‘Yes, men say that sort of thing,’ said Miss Dearheart.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Well, the devil’s in the alley, mule’s in the stall Say anything you wanna, I have heard it all". -Bob Dylan
Bob Dylan
After all, as it says on a needlepoint sampler or throw pillow or the occasional bumper sticker: Good girls go to heaven, but bad girls go everywhere. In high heels. Or mules by Manolo Blahnik, the strappy, tangly kind that give you blisters. And when their feet start to hurt, they bitch about it a lot, until someone agrees to carry them home. Bad girls understand that there is no point in being good and suffering in silence. What good has good ever done? We women still only make seventy-one cents, on average, for every man's dollar. We still have to listen to studies telling us that a single woman over the age of 35 had best avoid airplanes because she is more likely to die in a terrorist attack than get married.
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
Everybody's entitled to that forty acres and a mule. You're going to do the work, but you have to have something to work with. If you don't have a job, where do you go from there? You hear people say Pull yourself up by your bootstraps, and you don't even have shoes. You're barefooted. What are you going to pull yourself up by? Our country owes every citizen of the United States of America a means of livelihood. Not a handout, but a way to make it.
Studs Terkel
Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?" Sure," said Joad. "Less somebody stole it, like Pa stole it." Your pa stole it?" Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got.
John Steinbeck (The Grapes of Wrath)
As they were speaking, a dog that had been lying asleep raised his head and pricked up his ears. This was Argos, whom Odysseus had bred before setting out for Troy, but he had never had any enjoyment from him. In the old days he used to be taken out by the young men when they went hunting wild goats, or deer, or hares, but now that his master was gone he was lying neglected on the heaps of mule and cow dung that lay in front of the stable doors till the men should come and draw it away to manure the great close; and he was full of fleas. As soon as he saw Odysseus standing there, he dropped his ears and wagged his tail, but he could not get close up to his master. When Odysseus saw the dog on the other side of the yard, dashed a tear from his eyes without Eumaeus seeing it, and said: 'Eumaeus, what a noble hound that is over yonder on the manure heap: his build is splendid; is he as fine a fellow as he looks, or is he only one of those dogs that come begging about a table, and are kept merely for show?' 'This dog,' answered Eumaeus, 'belonged to him who has died in a far country. If he were what he was when Odysseus left for Troy, he would soon show you what he could do. There was not a wild beast in the forest that could get away from him when he was once on its tracks. But now he has fallen on evil times, for his master is dead and gone, and the women take no care of him. Servants never do their work when their master's hand is no longer over them, for Zeus takes half the goodness out of a man when he makes a slave of him.' So saying he entered the well-built mansion, and made straight for the riotous pretenders in the hall. But Argos passed into the darkness of death, now that he had fulfilled his destiny of faith and seen his master once more after twenty years…
Homer (The Odyssey)
If you'd told me even a year before...that I'd wind up whispering my sins in the confessional or on my knees saying the rosary, I would've laughed myself cockeyed. More likely pastime?Pole dancer. International spy. Drug mule. Assassin. I drive under a sky black as graphite to meet my new spiritual director...a bulky Franciscan nun named Sister Margaret, patiently going blind behind fish-tank glasses that magnify her eyes like goggles.
Mary Karr (Lit)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
Tell me again why we’ve hated each other all these years?” “Because we’re both stubborn as mules?” he offers. I can’t help but laugh. “Yeah, I’d say that about covers it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Do you know, Caroline,” Pa stopped singing to say, “I’ve been thinking what fun the rabbits will have, eating that garden we planted.” “Don’t, Charles,” Ma said. “Never mind, Caroline!” Pa told her. “We’ll make a better garden. Anyway, we’re taking more out of Indian Territory than we took in.” “I don’t know what,” Ma said, and Pa answered, “Why, there’s the mule!
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
They came three times for the old man. At first it was just the Sheriff and Gifford. They were one foot up the porch steps when he swung the door open and threw down on them and they could see the mule ears of the old shotgun laid back viciously along the locks. They turned and went back down the yard, not saying anything or even looking back, and the old man closed the door behind them.
Cormac McCarthy (The Orchard Keeper)
I’ve never skydived, bungee-jumped, or parasailed. As I remove the headset, I try to calculate the fall and can’t. Maybe my brain is protecting me from myself and what I’m about to do. I’m not sure of the exact numbers, but I’ve heard hitting the water from such-and-such height feels like hitting concrete at such-and-such miles per hour. In other words, it’s a bone-shattering experience. I seriously doubt those calculations are based on the Syrena bone structure though. In fact, I’m counting on it. “No lower, okay?” Dan says, looking out his window to the water below. “Oh, you see sharks! Wow, it looks like a feeding frenzy down there. Hey, don’t touch that!” I grip the handle harder, but the door won’t budge. Leaning back, I get in the mule-kick position. “Emma, don’t!” Toraf yells. “Those are sharks, Emma!” I take a deep breath. “Wait until I have them under control before you jump.” A joint effort from two half-Syrena legs sends the door flying to a watery grave. “They want proof?” I grumble to myself as I lean into the wind, “I’ll show them proof.” Right before I hit the water, I can still hear Toraf screaming.
Anna Banks (Of Triton (The Syrena Legacy, #2))
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
Spring was coming, either way, even in nasty old March---in like a lion, out like a lamb. That's what folks say. But that year, it came less like a lion and more like a mule with a skittish streak and muscly haunches; one solid kick and that was all. One hard, white freeze and that was all.
Allie Ray (Holler)
You monosyllabic Neanderthal, I am not some little helpless female who can't walk across the brewery." He shrugged. "I did what was needed." "What the what?" She dropped the clipboard from beneath the hoodie and shoved her arms through its sleeves before rubbing her hands up and down her arms to warm them. "That doesn't even make sense." Sean doubted there were half-crazed mules more stubborn than Natalie Sweet. "If I hadn't, you would have stayed in that cooler, freezing your ass off until you'd said everything you wanted to say - which, by the way, is usually more words than most people use in a year.
Avery Flynn (Hollywood on Tap (Sweet Salvation Brewery, #2))
They would tell you that governments could not manage things as economically as private individuals; they would repeat and repeat that, and think they were saying something! They could not see that “economical” management by masters meant simply that they, the people, were worked harder and ground closer and paid less! They were wage-earners and servants, at the mercy of exploiters whose one thought was to get as much out of them as possible; and they were taking an interest in the process, were anxious lest it should not be done thoroughly enough! Was it not honestly a trial to listen to an argument such as that? And yet there were things even worse. You would begin talking to some poor devil who had worked in one shop for the last thirty years, and had never been able to save a penny; who left home every morning at six o’clock, to go and tend a machine, and come back at night too tired to take his clothes off; who had never had a week’s vacation in his life, had never traveled, never had an adventure, never learned anything, never hoped anything—and when you started to tell him about Socialism he would sniff and say, “I’m not interested in that—I’m an individualist!” And then he would go on to tell you that Socialism was “paternalism,” and that if it ever had its way the world would stop progressing. It was enough to make a mule laugh, to hear arguments like that; and yet it was no laughing matter, as you found out—for how many millions of such poor deluded wretches there were, whose lives had been so stunted by capitalism that they no longer knew what freedom was! And they really thought that it was “individualism” for tens of thousands of them to herd together and obey the orders of a steel magnate, and produce hundreds of millions of dollars of wealth for him, and then let him give them libraries; while for them to take the industry, and run it to suit themselves, and build their own libraries—that would have been “Paternalism”!
Upton Sinclair (The Jungle)
Rory, I want to say that death is what you've always wanted. But that can't be the Truth. [This time] we can blame it on me. I'll be the packing mule, carry all the burden. & you, you can be a child again; fold your church hands like dirty laundry [crease them tight]. Nobody has to know about us, not my father nor yours -- No, not even God
Christopher Soto (Sad Girl Poems)
We must freely admit that our minds, being finite, cannot possibly discover God by their own efforts. We depend on God to make himself known. I am not saying that we should suspend rational thinking. On the contrary, the psalmist encourages us not to be ‘like the horse or the mule which have no understanding’. We must use our minds; but we must also admit their limitations
John R.W. Stott (Basic Christianity (IVP Classics))
No one can say what the inner life is, but poetry tries to, and no one can say what poetry is, but let's be bold and claim that there are two major streamings in consciousness, particularly in the ecstatic life, and in Rumi's poetry: call them fana and baqa, Arabic words that refer to the play and intersection of human with divine. Rumi's poetry occurs in that opening, a dervish doorway these energies move through in either direction. A movement out, a movement in. Fana is the streaming that moves from the human out into mystery-the annihilation, the orgasmic expansion, the dissolving swoon into the all. The gnat becomes buttermilk; a chickpea disappears into the flavor of the soup; a dead mule decays into salt flat; the infant turns to the breast. These wild and boundaryless absorptions are the images and the kind of poem Rumi is most well known for, a drunken clairvoyant tavern voice that announces, "Whoever brought me here will have to take me home.
Coleman Barks (The Soul of Rumi: A New Collection of Ecstatic Poems)
It was that boy. I said “Here; you better take a holt of my hand” and he waited and held to me. I be durn if it wasn’t like he come back and got me; like he was saying They wont nothing hurt you. Like he was saying about a fine place he knowed where Christmas come twice with Thanksgiving and lasts on through the winter and the spring and the summer, and if I just stayed with him I’d be all right too. When I looked back at my mule it was like he was one of these here spy-glasses and I could look at him standing there and see all the broad land and my house sweated outen it like it was the more the sweat, the broader the land; the more the sweat, the tighter the house because it would take a tight house for Cora, to hold Cora like a jar of milk in the spring: you’ve got to have a tight jar or you’ll need a powerful spring, so if you have a big spring, why then you have the incentive to have tight, wellmade jars, because it is your milk, sour or not, because you would rather have milk that will sour than to have milk that wont, because you are a man. And
William Faulkner (As I Lay Dying)
Miss Caroline printed her name on the blackboard and said, “This says I am Miss Caroline Fisher. I am from North Alabama, from Winston County.” The class murmured apprehensively, should she prove to harbor her share of the peculiarities indigenous to that region. (When Alabama seceded from the Union on January 11, 1861, Winston County seceded from Alabama, and every child in Maycomb County knew it.) North Alabama was full of Liquor Interests, Big Mules, steel companies, Republicans, professors, and other persons of no background.
Harper Lee (To Kill a Mockingbird)
If they want to buy fish they buy them back at the highway; they don’t come to the village because they probably think we still scalp people and burn them around a post. They don’t know some of our people are lawyers in Portland, probably wouldn’t believe it if I told them. In fact, one of my uncles became a real lawyer and Papa says he did it purely to prove he could, when he’d rather poke salmon in the fall than anything. Papa says if you don’t watch it people will force you one way or the other, into doing what they think you should do, or into just being mule-stubborn and doing the opposite out of spite.
Ken Kesey (One Flew Over the Cuckoo's Nest)
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
Lobsang sighed. ‘But I think I need you too, Joshua. I often think back to our days together on the Mark Twain.’ ‘Watched any old movies recently?’ ‘That’s another thing about Agnes. She won’t let me show any movies that don’t have nuns in.’ ‘Wow. That’s brutal.’ ‘Something else that’s good for me, she says. Of course there aren’t that many movies that qualify, and we watch them over and over.’ He shuddered. ‘Don’t talk to me about Two Mules for Sister Sara. But the musicals are the worst. Although Agnes says that the freezer-raiding scene in Sister Act is an authentic detail from convent life.’ ‘Well, that’s a consolation. Musicals with nuns in, huh . . .’ A voice rang out across the park, a voice Joshua remembered only too well from his own past. ‘Lobsang? Time to come in now. Your little friend will keep until tomorrow . . .’ ‘She has loudhailers everywhere.’ Lobsang shouldered his rake and sighed as they trudged across the grass. ‘You see what I’m reduced to? To think I hired forty-nine hundred monks to chant for forty-nine days on forty-nine mountain tops in stepwise Tibets, for this.’ Joshua clapped him on the shoulder. ‘It’s tough, Lobsang. She’s treating you like you’re a kid. Like you’re sixteen, going on seventeen.’ Lobsang looked at him sharply. ‘You can pack that in for a start,’ he snapped. ‘But I’ve got confidence you can overcome these difficulties, Lobsang. Just face up to every obstacle. Climb every mountain—’ Lobsang stalked off sulkily. Joshua waved cheerfully. ‘So long! Farewell!
Terry Pratchett (The Long War (The Long Earth #2))
That family of Elliotts has always been more stubborn than natteral. Marshall's brother Alexander had a dog he set great store by, and when it died the man actilly wanted to have it buried in the graveyard, 'along with the other Christians,' he said. Course, he wasn't allowed to; so he buried it just outside the graveyard fence, and never darkened the church door again. But Sundays he'd drive his family to church and sit by that dog's grave and read his Bible all the time service was going on. They say when he was dying he asked his wife to bury him beside the dog; she was a meek little soul but she fired up at THAT. She said SHE wasn't going to be buried beside no dog, and if he'd rather have his last resting place beside the dog than beside her, jest to say so. Alexander Elliott was a stubborn mule, but he was fond of his wife, so he give in and said, 'Well, durn it, bury me where you please. But when Gabriel's trump blows I expect my dog to rise with the rest of us, for he had as much soul as any durned Elliott or Crawford or MacAllister that ever strutted.
L.M. Montgomery
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
Tell me again why we’ve hated each other all these years?” “Because we’re both stubborn as mules?” he offers. I can’t help but laugh. “Yeah, I’d say that about covers it.” “I love you, Jemma. I’ll wait as long as it takes for you to feel the same. I’ll wait forever if I have to.” I suck in a breath. He doesn’t know. How would he? He’s said it to me, but I’ve never once said it back. “Trust me, you had me at ‘prettiest girl in all of Magnolia Branch,’ and then you sealed the deal with that whole ‘best shot’ thing.” “Wait…Are you saying…I mean--” “Shhh.” I put my finger against his lips. “Though you’re really cute when you’re stuttering like that.” “Hey, I don’t stutter.” “Neither do I. I love you, Ryder Marsden. See?” I rise up on tiptoe and press my lips against his. His arms encircle my waist, drawing me closer, till there’s no space whatsoever between our bodies, till I can’t tell where he ends and I begin. His mouth moves against mine, and he kisses me hungrily. Thoroughly. Expertly. And so very hotly. This kiss is somehow different from the ones that have come before it. It’s a promise that he is mine, that I am his. It’s an acceptance of our fate. It’s the ultimate acknowledgement of something that’s been there all along, just waiting for us to discover it. To enjoy it. To celebrate it. So we do.
Kristi Cook (Magnolia (Magnolia Branch, #1))
You can’t do that again, Josie. I don’t want you to take care of me. I know you did it because you do care….but don’t take my pride from me.” “Is pride more important than friendship?” I said sadly. “Yes!” Samuel’s voice was harsh and emphatic. “That is so ridiculous!” I threw my arms wide in frustration. “Josie! You are just a little girl! You don’t know how helpless and weak and stupid it made me feel to stand there while you arranged my life like I was some kind of charity case!” Samuel fisted his hands in his hair and growling, turned towards the door. “I am not a little girl! I haven’t been a little girl for years…forever! I don’t think like a little girl, I don’t act like a little girl. I don’t LOOK like a little girl, do I? Don’t you dare say I am a little girl!” I pounded down on the piano keys - playing a violent riff, reminiscent of Wagner himself. Now I knew what Sonja meant by letting out the beast! I wanted to throw something, or smash something, and scream at Samuel. He was so impossible! Such a stubborn, mule-headed jerk! I played hard for several minutes, and Samuel stood at the door, dumbfounded. Suddenly Samuel sat down beside me on the piano bench and put his hands over the top of mine, bringing the din to a halt. “I’m sorry, Josie,” Samuel said softly. I was crying, tears dripping down onto the keys, making them slippery. I was a terrible beast, not fierce at all - just a blubbering baby beast. Samuel seemed at a loss. He sat very still, his hands covering mine. Slowly, his hands rose to my face and gently wiped the tears from my cheeks. “Will you play something else?” He requested softly, his voice remorseful. “Will you play something for me....please?
Amy Harmon (Running Barefoot)
He's like a little boy again now for the first time in years because he's like let out of school, no job, the bills paid, nothing to do but gratefully amuse me, his eyes are shining -- In fact ever since he's come out of San Quentin there's been something hauntedly boyish about him as tho prison walls had taken all the adult dark tenseness out of him -- In fact every evening after supper in the cell he shared with the quiet gunman he'd bent his serious head to a daily letter or at least every-other-day letter full of philosophical and religious musings to his mistress Billie... And when you're in bed in jail after lights out and you're not sleepy there's ample time to just remember the world and indeed savor its sweetness if any (altho it's always sweet to remember it in jail tho harder in prison, as Genet shows) with the result that he'd not only come to a chastisement of his bashing bitternesses (and of course it's always good to get away from alcohol and excessive smoking for two years) (and all that regular sleep) he was just like a kid again, but as I say that haunting kidlikeness I think all ex cons seem to have when they've just come out -- In seeking to severely penalize criminals society by putting the criminals away behind safe walls actually provide them with the means of greater strength for future atrocities glorious and otherwise -- "Well I'll be damned" he keeps saying as he sees those bluffs and cliffs and hanging vines and dead trees, "you mean to tell me you ben alone here for three weeks, why I wouldn't dare that... must be awful at night ... looka that old mule down there... man, dig the redwood country way back in... reminds me of old Colorady b'god when I used to steal a car every day and drive out to hills like this with a fresh little high school sumptin" -- "Yum Yum, " says Dave Wain emphatically turning that big goofy look to us from his driving wheel with his big mad feverish shining eyes full of yumyum and yabyum too --
Jack Kerouac (Big Sur)
Where will you go if you don’t get into NYU?” he asks. “Where else?” I say. “Ole Miss, with Lucy and Morgan.” “Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.” “Why?” The word just tumbles out of my mouth before I can stop myself. “You’re going to be some kind of college superstar, whether it’s the SEC or the Ivy league. You’ll probably win a freaking Heisman.” “And you just might win an Oscar,” he counters. I roll my eyes. “Yeah, right. Please.” “Why not? God, Jemma, you don’t even see it. How strong and smart and tenacious you are. Everything you do, you do well. I’ve never seen you put your mind to something and not come out on top. You win that trophy at cheer camp every single summer--what’s it called, the superstar award? Only three people at the whole camp get it or something like that, right?” “How’d you know about that?” “Miss Shelby told my mom. I think they put it in the yearbook, too, don’t they?” “Maybe,” I say with a shrug. It’s not that big of a deal. It’s just a cheerleading trophy. “And how long did it take you to win your first shooting tournament after your dad bought you that gun? Six months, tops? From what I hear, you’re the best shot in all of Magnolia Branch.” “Okay, that’s true,” I say, a smile tugging at the corners of my mouth. He reaches for my hand. “And then there’s those dresses you make, like the one you wore to homecoming. You take something old and make it new--turn it into something special. My mom says you and Lucy could make a fortune selling ’em, and I bet she’s right. Don’t you see? You’re not just good at the stuff you do--you’re the best. That’s just the way you are. So I have no doubt that you’re going to be some award-winning filmmaker if you put your mind to it.” My heart swells unexpectedly. “You really think that?” He nods, his dark eyes shining. “I really do.” “Tell me again why we’ve hated each other all these years?” “Because we’re both stubborn as mules?” he offers. I can’t help but laugh. “Yeah, I’d say that about covers it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The air without is impregnated with raindew moisture, life essence celestial, glistening on Dublin stone there under starshiny coelum. God’s air, the Allfather’s air, scintillant circumambient cessile air. Breathe it deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty deed and no botch! Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle. Astounding! In her lay a Godframed Godgiven preformed possibility which thou hast fructified with thy modicum of man’s work. Cleave to her! Serve! Toil on, labour like a very bandog and let scholarment and all Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping under thy load, bemoiled with butcher’s bills at home and ingots (not thine!) in the countinghouse? Head up! For every newbegotten thou shalt gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy Darby Dullman there with his Joan? A canting jay and a rheumeyed curdog is all their progeny. Pshaw, I tell thee! He is a mule, a dead gasteropod, without vim or stamina, not worth a cracked kreutzer. Copulation without population! No, say I! Herod’s slaughter of the innocents were the truer name. Vegetables, forsooth, and sterile cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever, bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious attacks, gallstones, cold feet, varicose veins. A truce to threnes and trentals and jeremies and all such congenital defunctive music! Twenty years of it, regret them not. With thee it was not as with many that will and would and wait and never—do. Thou sawest thy America, thy lifetask, and didst charge to cover like the transpontine bison. How saith Zarathustra? Deine Kuh Trübsal melkest Du. Nun Trinkst Du die süsse Milch des Euters. See! it displodes for thee in abundance. Drink, man, an udderful! Mother’s milk, Purefoy, the milk of human kin, milk too of those burgeoning stars overhead rutilant in thin rainvapour, punch milk, such as those rioters will quaff in their guzzling den, milk of madness, the honeymilk of Canaan’s land. Thy cow’s dug was tough, what? Ay, but her milk is hot and sweet and fattening. No dollop this but thick rich bonnyclaber. To her, old patriarch! Pap! Per deam Partulam et Pertundam nunc est bibendum!
James Joyce (Ulysses)
The air without is impregnated with raindew moisture, life essence celestial, glistering on Dublin stone there under starshiny coelum. God's air, the Allfather's air, scintillant circumambient cessile air. Breathe it deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty deed and no botch! Thou art, I vow, the remarkablest progenitor barring none in this chaffering allincluding most farraginous chronicle. Astounding! In her lay a Godframed Godgiven preformed possibility which thou hast fructified with thy modicum of man's work. Cleave to her! Serve! Toil on, labour like a very bandog and let scholarment and all Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping under thy load, bemoiled with butcher's bills at home and ingots (not thine!) in the countinghouse? Head up! For every newbegotten thou shalt gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy Darby Dullman there with his Joan? A canting jay and a rheumeyed curdog is all their progeny. Pshaw, I tell thee! He is a mule, a dead gasteropod, without vim or stamina, not worth a cracked kreutzer. Copulation without population! No, say I! Herod's slaughter of the innocents were the truer name. Vegetables, forsooth, and sterile cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever, bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious attacks, gallstones, cold feet, varicose veins. A truce to threnes and trentals and jeremies and all such congenital defunctive music! Twenty years of it, regret them not. With thee it was not as with many that will and would and wait and never do. Thou sawest thy America, thy lifetask, and didst charge to cover like the transpontine bison. How saith Zarathustra? Deine Kuh Trübsal melkest Du. Nun Trinkst Du die süsse Milch des Euters. See! it displodes for thee in abundance. Drink, man, an udderful! Mother's milk, Purefoy, the milk of human kin, milk too of those burgeoning stars overhead rutilant in thin rainvapour, punch milk, such as those rioters will quaff in their guzzling den, milk of madness, the honeymilk of Canaan's land. Thy cow's dug was tough, what? Ay, but her milk is hot and sweet and fattening. No dollop this but thick rich bonnyclaber. To her, old patriarch! Pap! Per deam Partulam et Pertundam nunc est bibendum!
James Joyce (Ulysses)
Have you talked about how many children you’d like to have?” “Yes, sir,” Marlboro Man said. “And?” Father Johnson prodded. “I’d like to have six or so,” Marlboro Man answered, a virile smile spreading across his face. “And what about Ree?” Father Johnson asked. “Well, she says she’d like to have one,” Marlboro Man said, looking at me and touching my knee. “But I’m workin’ on her.” Father Johnson wrinkled his brow. “How do you and Ree resolve conflict?” “Well…,” Marlboro Man replied. “To tell you the truth, we haven’t really had much conflict to speak of. We get along pretty darn well.” Father Johnson looked over his glasses. “I’m sure you can think of something.” He wanted some dirt. Marlboro Man tapped his boot on the sterile floor of Father Johnson’s study and looked His Excellence straight in the eye. “Well, she fell off her horse once when we went riding together,” he began. “And that upset her a little bit. And a while back, I dragged her to a fire with me and it got a little dicey…” Marlboro Man and I looked at each other. It was the largest “conflict” we’d had, and it had lasted fewer than twelve hours. Father Johnson looked at me. “How did you deal with that, Ree?” I froze. “Uh…uh…” I tapped my Donald Pliner mule on the floor. “I told him how I felt. And after that it was fine.” I hated every minute of this. I didn’t want to be examined. I didn’t want my relationship with Marlboro Man to be dissected with generic, one-size-fits-all questions. I just wanted to drive around in his pickup and look at pastures and curl up on the couch with him and watch movies. That had been going just fine for us--that was the nature of our relationship. But Father Johnson’s questioning was making me feel defensive, as if we were somehow neglecting our responsibility to each other if we weren’t spending every day in deep, contemplative thought about the minutiae of a future together. Didn’t a lot of that stuff just come naturally over time? Did it really serve a purpose to figure it out now? But Father Johnson’s interrogation continued: “What do you want for your children?” “Have you talked about budgetary matters?” “What role do your parents play in your life?” “Have you discussed your political preferences? Your stances on important issues? Your faith? Your religion?” And my personal favorite: “What are you both going to do, long term, to nurture each other’s creativity?” I didn’t have an answer for him there. But deep down, I knew that, somehow, gravy would come into play.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Would you say that that man is at leisure who arranges with finical care his Corinthian bronzes, that the mania of a few makes costly, and spends the greater part of each day upon rusty bits of copper? Who sits in a public wrestling-place (for, to our shame I we labour with vices that are not even Roman) watching the wrangling of lads? Who sorts out the herds of his pack-mules into pairs of the same age and colour? Who feeds all the newest athletes? Tell me, would you say that those men are at leisure who pass many hours at the barber’s while they are being stripped of whatever grew out the night before? while a solemn debate is held over each separate hair? while either disarranged locks are restored to their place or thinning ones drawn from this side and that toward the forehead? How angry they get if the barber has been a bit too careless, just as if he were shearing a real man! How they flare up if any of their mane is lopped off, if any of it lies out of order, if it does not all fall into its proper ringlets! Who of these would not rather have the state disordered than his hair? Who is not more concerned to have his head trim rather than safe? Who would not rather be well barbered than upright? Would you say that these are at leisure who are occupied with the comb and the mirror? And what of those who are engaged in composing, hearing, and learning songs, while they twist the voice, whose best and simplest movement Nature designed to be straightforward, into the meanderings of some indolent tune, who are always snapping their fingers as they beat time to some song they have in their head, who are overheard humming a tune when they have been summoned to serious, often even melancholy, matters? These have not leisure, but idle occupation. And their banquets, Heaven knows! I cannot reckon among their unoccupied hours, since I see how anxiously they set out their silver plate, how diligently they tie up the tunics of their pretty slave-boys, how breathlessly they watch to see in what style the wild boar issues from the hands of the cook, with what speed at a given signal smooth-faced boys hurry to perform their duties, with what skill the birds are carved into portions all according to rule, how carefully unhappy little lads wipe up the spittle of drunkards. By such means they seek the reputation for elegance and good taste, and to such an extent do their evils follow them into all the privacies of life that they can neither eat nor drink without ostentation. And
Seneca (On The Shortness of Life)
On the way to market, an old man and his young grandson meet a man going the other way. The stranger says, “Old man, you should have your grandson riding the mule.” So he puts his grandson on the mule. They go a little farther, they’re stopped again, and a different man says, “Boy, you should let your poor grandfather ride the mule while you guide it.” So they switch, go a little farther, and they’re stopped again by a man who tells them, “You should both be riding the mule,” so both get on the mule and continue toward market. They meet a fourth man who tells them. “Hey, you two, it’s not very kind of you to be riding and creating that much of a burden for your poor mule.” So they get off, and they all go a little farther before a fifth man says, “You know, grandfather and grandson, that mule looks tired to me. You two ought to carry the mule.” So grandfather and grandson pick up the mule and trudge along. As they’re crossing a bridge over a river, the old man slips, they both lose their balance and fall, and they accidentally drop the mule over the bridge into the water, and it drowns. Which I think just extends Lincoln’s point: If you try to please everybody, you’re going to lose your ass.
Bob Knight (The Power of Negative Thinking: An Unconventional Approach to Achieving Positive Results)
Tobacco,' Jig said. 'I used to raise tobacco once. But I quit. I was plowing one morning, and the Lord said, "Jig, how'd you like for your daughter to smoke?" And I said, "I wouldn't like it, Lord. It's a sin for a woman to smoke." And I unhitched the mule right there in the middle of the row and left.' 'You say you left?' 'Left,' Jig said. 'I went fishing then. You know that's where He called them from. From fishing. One of these mornings He'll come and stand on the riverbank and He'll say, "Jig." And I'll say, "Yes, Lord?" And He'll say, "Follow me, Jig." And I will arise and follow Him. Aw, He ain't come yet. But He's coming. He's got to get my mansion ready first, but He'll be here.' Then Jig told us about Heaven. He said it was a million miles square and a million miles high, and every street was gold and every house was a mansion. And at night every star was brighter than the sun. 'Do you know why He made the stars?' Uncle Burley said he didn't know. 'He liked to hear them sing,' Jig said.
Wendell Berry (Nathan Coulter)
In Tristram Shandy there is a passage which describes how two nuns, believing that the only way to shift an obstinate mule was to say “bugger,” are hampered by the knowledge that to utter such a word was most sinful. They split it up between them. Neither syllable on its own could possibly be sinful, so one shouts “bou, bou, bou” and the other “ger, ger, ger.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
If My People Pray If my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then will I hear from heaven and will forgive their sin and will heal their land. —2 CHRONICLES 7:14     Among the many myths associated with Alexander the Great is the tale of a poor Macedonian soldier who was leading before Alexander the Great a mule laden with gold for the king’s use. The mule became so tired that he could no longer carry the load, so the mule driver took it off and carried it himself, with great difficulty, for a considerable distance. Finally Alexander saw him sinking under the burden and about to throw it to the ground, so he cried out, “Friend, do not be weary yet; try to carry it to your tent, for it is now all yours.” This blessing is much better than the lottery. Who says good guys finish last? Humility certainly has its blessings. Ezra, the writer of 1 and 2 Chronicles, certainly knew the importance of humility, because he directed this passage to his people, people whom God called by name. He states that in order for God’s people to receive His blessings, there are four basic requirements: • humility • prayer • devotion • repentance This is an appropriate prayer for all of us. We shake our heads in disbelief at the depravity of mankind. Each day the headlines in the media scream out stabbings, shootings, murder, rape, and betrayal. Where have we gone wrong as a nation? Are our families breaking apart along with the moral fiber of this country? How can we get back on track to recapture the blessings of God? Ezra says we are to humble ourselves, pray, seek God’s face, and repent of our sins. Then God will • answer our prayers, • forgive our sins, and • heal our land. As you guide your family spiritually, may you recognize the truths of this passage and come to God with all humility, committing your lives again to the righteousness of God. Make a vow that in your
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
A good example of ill-conceived (and premature) training approaches is seen in the many calls I get to conduct training programs to help people become better managers. I put my callers through a standard set of questions: •Did you choose people for managerial roles because they were the type of people who could get their fulfillment and satisfaction out of helping other people shine rather than having the ego-need to shine themselves? (No!) •Did you select them because they had a prior history of being able to give a critique to someone in such a way that the other person responds: "Wow, that was really helpful, I'm glad you helped me see all that." (No!) •Do you reward these people for how well their group has done, or do you reward them for their own personal accomplishments in generating business and serving clients? (Both, but with an emphasis on their personal numbers!) People can detect immediately a lack of alignment between what they are being trained in and how they are being managed. When they do detect it, little of what has been discussed or "trained" ever gets implemented. "So, let's summarize;' I say. "You've chosen people who don't want to do the job, who haven't demonstrated any prior aptitude for the job, and you are rewarding them for things other than doing the job?" Thanks, but I'll pass on the wonderful privilege of training them! Here's a good test for the timing of training: If the training was entirely optional and elective, and only available in a remote village accessible only by a mule, but your people still came to the training because they were saying to themselves, "I have got to learn this-it's going to be critical for my future; then, and only then, you will know you have timed your training well. Anything less than that, and you are doing the training too soon.
David H. Maister (Strategy and the Fat Smoker; Doing What's Obvious But Not Easy)
Well, Arminius, I can’t say you’re the most natural horseman I’ve ever seen.’ Arminius sneered down at the men standing around him, then leaned out of the saddle and put a sausage sized finger in Double-Pay Silus’s face. ‘Just so we’re clear, I hate horses. Tribune Scaurus says I ride like a mule tender with bleeding piles, and that I have all the skill in the saddle of a sack full of shit. And despite that, before you open your mouth, I’m one of your thirty-one horsemen and that’s official. You don’t like it, I don’t like it, but the tribune couldn’t give a toss what either of us think. Wherever Centurion Corvus goes, I go. So there it is.
Anthony Riches (Fortress of Spears (Empire, #3))
What in the Dan Tucker you think you’re doin’ here?” Grandpa growled. Rebel yipped out a soft bark and waved his tail hesitantly. His big brown eyes pleaded for understanding. “I orta take a brush to you and wear you out. Sneakin’ off and waylayin’ us like this.” Old Rebel didn’t drop his eyes, not even once. He whined way down deep in his throat and it sounded just like he was saying, “I wanta go.” “Sure, you wanta go.” Grandpa cut his eye up to see if Toby and Jim were taking in this intelligent conversation. Old Dave looked around at Rebel and whickered. “You stay out of this,” Grandpa spoke shortly to his mule. Turning back to Rebel, he went on, “I don’t like it, don’t like it a tall, but it looks like you got us where the wool’s short.
Robinson Barnwell (Head Into the Wind)
Jim Allen laughed just as loud as anybody else and then he said: "We better hurry on to work befo' de buckra [white people] get in behind us." "Don't never worry about work," says Jim Presley. "There's more work in de world than there is anything else. God made de world and de white folks made work.
Zora Neale Hurston (Mules and Men)
God let down two bundles 'bout five miles down de road. So de white man and de n****r raced to see who would git there first. Well, de n****r out-run de white man and grabbed de biggest bundle. He was so skeered de white man would git it away from him he fell on top of de bundle and hollered back: "Oh, Ah got here first and dis biggest bundle is mine." De white man says: "All right, Ah'll take yo' leavings," and picked up de li'l tee-ninchy bundle layin' in de road. When de n****r opened up his bundle he found a pick and shovel and a hoe and a plow and chop-axe and then de white man opened up his bundle and found a writin'-pen and ink. So ever since then de n****r been out in de hot sun, usin' his tools and de white man been sittin' up figgerin', ought's a ought, figger's a figger; all for de white man, none for de n****r.
Zora Neale Hurston (Mules and Men)
The theory behind our [Negro] tactics: "The white man is always trying to know into somebody else's business. All right, I'll set something outside the door of my mind for him to play with and handle. He can read my writing but he sho' can't read my mind. I'll put this play to in his hand, and he will seize it and go away. Then I'll say my say and sing my song.
Zora Neale Hurston (Mules and Men)
You know they say a white man git in some kind of trouble, he'll fret and fret until he kill hisself. A n****r git into trouble, he'll fret for a while, then g'wan to sleep.
Zora Neale Hurston (Mules and Men)
For now let us note this: Jesus is indeed making a royal claim. He wants his path and his action to be understood in terms of Old Testament promises that are fulfilled in his person. The Old Testament speaks of him—and vice versa: he acts and lives within the word of God, not according to projects and wishes of his own. His claim is based on obedience to the mission received from his Father. His path is a path into the heart of God’s word. At the same time, through this anchoring of the text in Zechariah 9:9, a “Zealot” exegesis of the kingdom is excluded: Jesus is not building on violence; he is not instigating a military revolt against Rome. His power is of another kind: it is in God’s poverty, God’s peace, that he identifies the only power that can redeem. Let us return to the narrative. The donkey is brought to Jesus, and now something unexpected happens: the disciples lay their garments on the donkey. While Matthew (21:7) and Mark (11:7) simply say: “and he sat upon it”, Luke writes: “They set Jesus upon it” (19:35). This is the expression that is used in the First Book of Kings in the account of Solomon’s installation on the throne of his father, David. There we read that King David commanded Zadok the priest, Nathan the prophet, and Benaiah: “Take with you the servants of your lord, and cause Solomon my son to ride on my own mule, and bring him down to Gihon; and let Zadok the priest and Nathan the prophet there anoint him king over Israel” (1 Kings 1:33
Pope Benedict XVI (Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection)
Is every, every?’ ‘Everything’s fine,’ I say, sensing her struggle with the words.
Sarah Ladipo Manyika (Like A Mule Bringing Ice Cream To The Sun)
Mama’s voice shook. “You listen, girl. I’m gonna tell you what happens when you say no to a white man. I watch my own daddy get shot when he saddle up and ride out on a mule to get help for my own sick mama. She havin’ a baby, cryin’ out for help. I standin’ right there when that
Kathleen Grissom (The Kitchen House)
masta say to my daddy to get down from that mule. When my daddy say, ‘No, I’s going for help,’ that old masta shoot him in the back. That night all I know to do is keep the flies away when I watch my mama die.
Kathleen Grissom (The Kitchen House)
The revolver was chambered for .442 rounds, which meant there was only room for five. "These are large caliber bullets for such a short gun," Merritt remarked. "It's designed to stop someone at close range," Ethan said, absently arching up to rub a spot on his chest. "Being hit by one of those bullets feels like a kick from a mule." "Why is the hammer bobbed?" "To keep it from catching on the holster or clothing, if I have to draw it fast." Keeping the muzzle of the gun pointed away from him, Merritt reassembled the revolver, slid the extractor rod into place, and locked it deftly. "Well done," Ethan commented, surprised by her assurance. "You're familiar with guns, then." "Yes, my father taught me. May I shoot it?" "What are you going to aim for?" By this time, the others had come out from the parlor to watch. "Uncle Sebastian," Merritt asked, "are those pottery rabbits on the stone wall valuable?" Kingston smiled slightly and shook his head. "Have at it." "Wait," Ethan said calmly. "That's a twenty-yard distance. You'll need a longer-range weapon." With meticulous care, he took the revolver from her and replaced it in his coat. "Try this one." Merritt's brows lifted slightly as he pulled a gun from a cross-draw holster concealed by his coat. This time, Ethan handed the revolver to her without bothering to disassemble it first. "It's loaded, save one chamber," he cautioned. "I put the hammer down to prevent accidental discharge." "A Colt single-action," Merritt said, pleased, admiring the elegant piece, with its four-and-a-half-inch barrel and custom engraving. "Papa has one similar to this." She eased the hammer back and gently rotated the cylinder. "It has a powerful recoil," Ethan warned. "I would expect so." Merritt held the Colt in a practiced grip, the fingers of her support hand fit neatly underneath the trigger guard. "Cover your ears," she said, cocking the hammer and aligning the sights. She squeezed the trigger. An earsplitting report, a flash of light from the muzzle, and one of the rabbit sculptures on the wall shattered. In the silence that followed, Merritt heard her father say dryly, "Go on, Merritt. Put the other bunny out of its misery." She cocked the hammer, aimed and fired again. The second rabbit sculpture exploded. "Sweet Mother Mary," Ethan said in wonder. "I've never seen a woman shoot like that." "My father taught all of us how to shoot and handle firearms safely," Merritt said, giving the revolver back to him grip-first.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Life's chaos," the woman says, sounding suddenly like an oracle. "It's all just a runaway mule hell-bent on destruction.
Jason Mott (Hell of a Book)
Fo' de Lawd!' he say, 'dat mule drunk! he be'n drinkin' de wine.' En sho' 'nuff, de mule had pas' right by de tub er fraish grape-juice en push' de kiver off'n de bairl, en drunk two er th'ee gallon er de wine w'at had been stan'in' long ernough fer ter begin ter git sha'p.
Charles W. Chesnutt (The Conjure Woman and Other Conjure Tales [with Biographical Introduction])
Embury was the first true cocktailian of the modern age, and he took time to analyze the components of a cocktail, breaking them down into a base (usually a spirit, it must be at least 50 percent of the drink); a modifying, smoothing, or aromatizing agent, such as vermouth, bitters, fruit juice, sugar, cream, or eggs; and “additional special flavoring and coloring ingredients,” which he defined as liqueurs and nonalcoholic fruit syrups. Embury taught us that the Ramos Gin Fizz must be shaken for at least five minutes in order to achieve the proper silky consistency, suggested that Peychaud’s bitters be used in the Rob Roy, and noted that “for cocktails, such as the Side Car, a three-star cognac is entirely adequate, although a ten-year-old cognac will produce a better drink.” In the second edition of his book, Embury mentioned that he had been criticized for omitting two drinks from his original work: the Bloody Mary, which he described as “strictly vile,” and the Moscow Mule, as “merely mediocre.” On the subject of Martinis, he explained that although most cocktail books call for the drink to be made with one-third to one-half vermouth, “quite recently, in violent protest of this wishy-washy type of cocktail, there has sprung up the vermouth-rinse method of making Martinis.” He describes a drink made from chilled gin in a cocktail glass coated in vermouth. Embury didn’t approve of either version, and went on to say that a ratio of seven parts gin to one part vermouth was his personal favorite. While Embury was taking his drinking seriously, many Americans were quaffing Martinis by the pitcher, and Playboy magazine commissioned cocktail maven Thomas Mario and, later, Emanuel Greenberg to deliver cocktail news to a nation of people who drank for fun, and did it on a regular basis. Esquire magazine issued its Handbook for Hosts as early as 1949, detailing drinks such as the Sloe Gin Fizz, the Pan American, the “I Died Game, Boys” Mixture, and the Ginsicle—gin with fruit juice or simple syrup poured over chipped ice in a champagne glass. A cartoon in the book depicts a frustrated bartender mopping his fevered brow and exclaiming, “She ordered it because it had a cute name.” The world of cocktails was tilting slightly on its axis, and liquor companies lobbied long and hard to get into the act. In the fifties, Southern Comfort convinced us to make Comfort Manhattans and Comfort Old-Fashioneds by issuing a booklet: How to Make the 32 Most Popular Drinks. By the seventies, when the Comfort Manhattan had become the Improved Manhattan, they were bringing us Happy Hour Mixology Plus a Primer of Happy Hour Astrology, presumably so we would have something to talk about at bars: “Oh, you’re a Virgo—discriminating, keenly analytical, exacting, and often a perfectionist. Wanna drink?
Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
They say a heart breaks, but it doesn't. It goes on working, mute and stubborn as a mule.
Rupert Thomson (Never Anyone But You)
Your brothers say to buy the mule!
Tom McCaffrey (The Wise Ass (The Claire Trilogy, #1))
If'n I took a mule from the side of the road and I knowed who it belonged to, wouldn't that be stealin'?" "I ain't a mule, Huck." "Ain't I doin' wrong, though?" Huck said. He was troubled. "How am I s'posed to know what good is?" "Way I sees it is dis. If'n ya gots to hab a rule to tells ya wha's good, if'n ya need sum kinda God to tells ya right from wrong, den you won't never know." "But the law says..." "Good ain't got nuttin' to do wif da law. Law says I'm a slave.
Percival Everett (James)
Early motorcycles were not very convenient. They may have been more convenient than a horse (I can’t say), but surely not by much. More than today’s machines, they made an issue of certain intellectual and moral qualities of the rider; forgetfulness and overcautiousness would show themselves when the rider applied oil “as he thought fit.” One was drawn out of oneself and into a struggle, by turns hateful and loving, with another thing that, like a mule, was emphatically not simply an extension of one’s will.
Matthew B. Crawford (Shop Class as Soulcraft: An Inquiry into the Value of Work)
Rural Free Delivery (RFD) Home, upon that word drops the sunshine of beauty and the shadow of tender sorrows, the reflection of ten thousand voices and fond memories. This is a mighty fine old world after all if you make yourself think so. Look happy even if things are going against you— that will make others happy. Pretty soon all will be smiling and then there is no telling what can’t be done. Coca-Cola Girl Mother baked a fortune cake pale yellow icing, lemon drops round rim, hidden within treasures, a ring—you’ll be married, a button—stay a bachelor, a thimble—always a spinster, and a penny—you’re rich. Gee, but I am hungry. Wait a second, dear, until I pull my belt up another notch. There that’s better. So, you see, Hon, I am straighter than a string around a bundle. You ought to see my eye, it’s a peach. I am proud of it, looks like I’ve been kicked by a mule. You know, dear, that they can kick hard enough to knock all the soda out of a biscuit without breaking the crust Hogging Catfish This gives you a fighting chance. Noodle your right hand into their gills, hold on tight while you grunt him out of the water. This can be a real dogfight. Old river cat wants to go down deep, make you bottom feed. Like I said, boys, when you tell a whopper, say it like you believe it. Saturday Ritual My Granddad was a cobbler. We each owned two pairs of shoes, Sunday shoes and everyday shoes. When our Sunday shoes got worn they became our everyday shoes. Main Street Saturday Night We each were given a dime on Saturday opening a universe of possibilities. All the stores stayed open and people flocked into town. Mr. and Mrs. Reynolds set up a popcorn stand on Reinheimer’s corner and soon after lighting a little stove, sounding like small firecrackers, popping began. Dad, laughing shooting the breeze with a group of farmers, drinking Coca Cola, finding out if any sheds needed to be built or barns repaired, discussing the price of next year’s seed, finding out who’s really working, who’s just looking busy. There is no object I wouldn’t give to relive my childhood growing up in Delavan— where everyone knew everyone— and joy came with but a dime. Market Day Jim Pittsford’s grocery smelled of bananas ripening and the coffee he ground by hand, wonderful smoked ham and bacon fresh sliced. He’d reward the child who came to pick up the purchase, with a large dill pickle Biking home, skillfully balancing Jim Pittsford’s bacon, J B’s tomatoes and peaches, while sniffing a tantalizing spice rising from fresh warm rolls, I nibbled my pickle reward.
James Lowell Hall
The Gaffer once told me how it was when he was a child and someone died in the Endlands. The relatives of the deceased would blacken one of their mules from tail to lips with wet peat and sent it wandering down the valley to let the other families know that death had paid a visit. When the mule was found, it was washed in the river and taken back to where it belonged. And with them they'd bring bread and meat and soul's cake. In those days, the Gaffer said, the body was not considered unclean or frightening and before it went to the undertaker's the loved one was laid out in the front room for touch and kisses. Yuck, says Adam. But think of it like this, I say: Death would have plenty of time with them. The least we could do was let them stay in the house with their family for a little while longer. Special candles, thick as leeks, were placed at the head and the feet, and the floor was strewn with salt and rosemary. And then the soul's cake would be laid on the chest over the heart and the living would each take their share. Not a speck could be left, no hidden under shirt buttons or between the fingers of folded hands. It was a privilege of the dead to pass on with all their sins eaten away. The burden now rested with the living.
Andrew Michael Hurley (Devil's Day)
And so Andy was feeling what he could not yet know, but what in his old age, looking back in his tenderness upon that day, he completely knows. While he was there with Dick and the team of mules, trying his poor best to learn a skill and a patience already doomed, he was beginning to awaken in the rift rapidly widening between worlds of two different kinds. One was the world of town and school and automobility, a world forever tilted toward the future that would be always arriving and would never arrive, in which a man like Uncle Andrew could come to rest only by dying. The other world was the one that Andy at that moment stood in, which at that moment was still intact around him. There would be a few more moments and days yet in which he would know its coherence, but it was a world, as he would learn to see, that he had been born barely in time to know, and where for just a little while it still could be known. Maybe it was a foretaste of a dividing of time that caused Andy to say almost to his surprise, “Dick, if I didn’t have to go to school, I could live out here and work with you every day. Wouldn’t that be good?” Dick laughed his laugh of grownup responsibility. “Ho ho ho, now no, buddy. You got to keep in school.” But now that he had heard himself speak his wish, Andy could not easily give it up. “I don’t like it. If they didn’t make me, I wouldn’t go.
Wendell Berry (How It Went: Thirteen More Stories of the Port William Membership)
Don't you ever say that again about your fathers, because they are not cowards! You think I am brave because I carry a gun? Well, your fathers are much braver because they carry responsibility, for you, your brothers, your sisters, and your mothers. And this responsibility is like a big rock that weighs a ton. It bends and it twists them until finally it buries them under the ground. And there's nobody says they have to do this. They do it because they love you, and because they want to. I have never had this kind of courage. Running a farm, working like a mule every day with no guarantee anything will ever come of it. This is bravery. That's why I never even started anything like that... that's why I never will.
Charles Bronson
There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
One day one of the girls, Felt, says to the group: You know how they say rich people have red heels? You have, in fact, always heard this growing up: that poor people have dusty, gray heels, and rich people have smooth, moisturized heels, red with health. You have a tendency to hide your feet, even though you've always rubbed cream into them religiously so they won't look like your mother's heels, desert-cracked. Well, I have a trick, Fely says, showing all of you her smooth, impossibly red heels. You just put merthiolate on it! Not iodine, that makes it orange. Merthiolate is the secret! After that, all of you take to staining your heels with the liquid antiseptic. From then on, you love wearing slingbacks, mules, cropped trousers. Years later, even as an adult nurse in California, sometimes you'll still put merthiolate on your heels.
Elaine Castillo (America Is Not the Heart)
I needed fifteen dollars to buy a burro...the thing was to buy a burro from some older boy who was moving up to a horse, and the going rate was fifteen dollars. They were remarkable little animals...Old-timers used to say, "A mule knows three times as much as a horse, and a burro is smarter than a mule." Of course it's true that every burro had a mind of its own, and sometimes the only way to get it moving was to bite its ear. But I didn't know a boy in school who didn't have or hanker for one. So one autumn afternoon I presented myself at the office of the Victor Daily Record, was assigned a route and began saving my earnings in a tin box labeled "Burro.
Lowell Thomas (Good Evening Everybody: From Cripple Creek to Samarkand)
Captain Phelan,” Amelia asked, noticing the direction of his gaze, “what do you think of the change in Albert?” “Nearly inconceivable,” Christopher replied. “I had wondered if it would be possible to bring him from the battlefield to a peaceful life here.” He looked at Beatrix, adding gravely, “I am in your debt.” Beatrix colored and smiled down at her plate. “Not at all.” “My sister has always had a remarkable ability with animals,” Amelia said. “I’ve always wondered what would happen if Beatrix took it in her head to reform a man.” Leo grinned. “I propose we find a really revolting, amoral wastrel, and give him to Beatrix. She would set him to rights within a fortnight.” “I have no wish to reform bipeds,” Beatrix said. “Four legs are the absolute minimum. Besides, Cam has forbidden me to put any more creatures in the barn.” “With the size of that barn?” Leo asked. “Don’t say we’ve run out of room?” “One has to draw the line somewhere,” Cam said. “And I had to after the mule.” Christopher looked at Beatrix alertly. “You have a mule?” “No,” she said at once. Perhaps it was merely a trick of the light, but the color seemed to leave her face. “It’s nothing. That is, yes, I have a mule. But I don’t like to discuss him.” “I like to discuss him,” Rye volunteered innocently. “Hector is a very nice mule, but he has a weak back and he’s sickle-hocked. No one wanted him after he was born, so Aunt Beatrix went to Mr. Caird and said--” “His name is Hector?” Christopher asked, his gaze locked on Beatrix. She didn’t answer. A strange, severe sensation took over Christopher’s body. He felt every hair lift, felt every distinct pulse of blood in his veins. “Did his sire belong to Mr. Mawdsley?” he asked. “How did you know?” came Rye’s voice. Christopher’s reply was very soft. “Someone wrote to me about it.” Lifting a glass of wine to his lips, Christopher tore his gaze from Beatrix’s carefully blank face. He did not look at her for the rest of the meal. He couldn’t, or he would lose all self-control.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I love a lounging pajama." You also love a marabou mule slipper and a satin robe with a train. "It is elegant." It is insane. "It is sophisticated." Sure, if you're Nora Charles. It isn't 1940. "Yeah, but look at yourself." I look in the mirror. The silk and cashmere blend fabric has just the right amount of drape to conceal the lumpier parts of me without clinging, but enough weight to seem more substantial than sleepwear. The color is somewhere halfway between cream and ballerina pink, a color I would never pick, but is a lovely counterpoint to my pale skin and dark hair. All in all, I look fairly adorable for this hour, certainly good enough to warrant a little morning attention. "Told you so." Yeah, yeah. "Didn't I give you a matching robe for that?" Don't push it. "I'm just saying." Fine. I grab the matching robe. It has a wide band of gathered elastic in the back that hits right above my tush, giving me shape, even though the robe isn't tied. Made of the same fabric as the pajamas, it doesn't add bulk the way most robes do, but instead almost serves as the same elegant look a long trench provides. "HA!" You are such a bad gloater. "Too bad. You look utterly shaggable.' Well I hope so, since I'm pretty sure Brian doesn't think he is coming over for an actual meeting.
Stacey Ballis (Out to Lunch)
The guardsmen dragged him to the Detour; the mules they had ridden were there. The corpse was buried near here or the buzzards ate it. The authorities were laughing as they left. One could see the laughter in their eyes, the only place where they are allowed to laugh. Because the authorities cannot laugh. It is prohibited; at least they never laugh with their mouths. They're made to denounce, interrogate and capture. Laughing is a weakness. They themselves say, 'Laughter abounds among fools.' An official must not show any weakness before a civilian, otherwise he'll thereby lose precisely his authority. The authorities are short on words; they don't want to lose their strength by speaking to civilians. They act. That's the only way they can defend property, which is sacred. That's why many of them are paid by landowners. How big a bonus they get depends on how well they behave.
Manlio Argueta (One Day of Life)
Andy said, "You're worried because they've left the membership...They've gone over from the world of membership to the world of organization. Nathan would say the world of employment." And I said, "Yes. That's the trouble I have in mind." One of the attractions of moving away into the life of employment, I think, is being disconnected and free, unbothered by membership. It is a life of beginnings without memories, but it is a life too that ends without being remembered. The life of membership with all its cumbers is traded away for the life of employment that makes itself free by forgetting you clean as a whistle when you are not of any more use. When they get to retirement age, Margaret and Mattie and Caleb will be cast out of place and out of mind like worn-out replaceable parts, to be alone at the last maybe and soon forgotten. "But the membership," Andy said, "keeps the memories even of horses and mules and milk cows and dogs.
Wendell Berry (Hannah Coulter)
People who have been hunting all their lives with no compunction to consider the exchange they make and the gravity of the trade, I don't know where to put them. I just remind myself there are too many mule deer for the earth to handle, and before my inner dialogue says we took their space, not the other way around, I try to change the channel.
Liz Stephens (The Days Are Gods (American Lives))
A couple drove down a country road for several miles, not saying a word. An earlier discussion had led to an argument and neither of them wanted to concede their position. As they passed a barnyard of mules, goats, and pigs, the husband asked sarcastically, "Relatives of yours?" "Yep," the wife replied , "in-laws
Robert Allans (FUNNY ENGLISH: A NEW & RELIABLE METHOD OF ENGLISH MASTERY WITH THE AID OF JOKES)
Mrs. Singe passed on,” said Gammer Brevis. “And Gammer Peavey passed on.” “Did she? Old Mabel Peavey?” said Nanny Ogg, through a shower of crumbs. “How old was she?” “One hundred and nineteen,” said Gammer Brevis. “I said to her, ‘You don’t want to go climbing mountains at your age’ but she wouldn’t listen.” “Some people are like that,” said Granny. “Stubborn as mules. Tell them they mustn’t do something and they won’t stop till they’ve tried it.” “I actually heard her very last words,” said Gammer. “What did she say?” said Granny. “As I recall, ‘oh bugger,’” said Gammer. “It’s the way she would have wanted to go,” said Nanny Ogg. The other witches nodded.
Terry Pratchett (Witches Abroad (Discworld, #12))
Anyway she’s becoming a friend.” Link drops her fork. “Now, sister, you don’t want no part of that,” Link says. “Not a half of a part, nor a quarter. Our people can’t be friends with theirs, you know that. They’re not capable of it. They think friend mean mule. They think friend means they can take and take and you never get tired of giving. Suppose you don’t give her what she think she deserve,” she goes on. “All that disappointment gon’ turn to rage and all that rage gon’ fall on you.
Margaret Wilkerson Sexton (The Revisioners)
8 The LORD says, “I will guide you along the best pathway for your life. I will advise you and watch over you. 9 Do not be like a senseless horse or mule that needs a bit and bridle to keep it under control.
Anonymous (Holy Bible Text Edition NLT: New Living Translation)
I mean that it is an easy matter for him to instil into a capable general, say, the emotion of utter loyalty to the Mule and complete belief in the Mule’s victory. His generals are emotionally controlled. They can not betray him; they can not weaken – and the control is permanent. His most capable enemies become his most faithful subordinates. The warlord of Kalgan surrenders his planet and becomes his viceroy for the Foundation.
Isaac Asimov (Foundation and Empire (The Foundation Trilogy #2))
Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An
Finley Peter Dunne (Mr. Dooley in Peace and in War)
Kiernan and baseball—it’s like waving a carrot in front of a mule. Put tickets to a ballgame in front of Kiernan’s face and he’ll follow you pretty much wherever you want to go. After that first game we attended in 1905, it didn’t take much for me to convince him to see another game in 1912, and then one in 1924, and so on.
Rysa Walker (Simon Says: Tips for the Intrepid Time Traveler (The Chronos Files, #3.5))
So, young lady, you want to hear this baby’s heartbeat. Well, let’s just see what we can find. How about that?” He used a strange thick wand over her tummy, turning it this way and that. Then, just when she thought she wouldn’t hear it, a heartbeat echoed through the room. Then a second heartbeat kicked up a rhythm almost as fast as the first. Shannon gasped and almost bolted upright. “Is that my heartbeat too?” Dr. Wehrum blinked, then a slow grin cracked his face. “No, I believe that’s a second baby.” Shannon’s mouth dropped open in shock and she looked at John. Her big, strong, tough as nails former Marine looked like he’d just been mule-kicked. “Did you say two babies?” His voice was too quiet. John didn’t speak that quietly unless he was really out of his depth. “You have two babies. This kind of steps up your care. Let’s see if we can get our ultrasound tech in here to get some pictures. I know it’s a little early but let’s see what we can see.” Shannon
J.M. Madden (Embattled Ever After (Lost and Found #5))
Before she realized what he meant to do, Cade was on his horse, towing the mule while riding at right angles away from the road and the army on the move. The rain had let up and the air was warm, and Cade wore only the white full-sleeved shirt and tight trousers he had worn every day since they had left. The shirt was open halfway down his copper chest and accented by a bright-red sash at his waist that held his knife. Lily thought he looked a pirate or worse, but the soldiers striking out after him weren't reaching for their weapons. "He looks like a damned Spaniard," Travis whispered at Lily's side. "How does he do that?" With years of practice and an Indian talent for deception—but Lily didn't say that out loud. She was gradually learning that Cade was like a chameleon, able to blend in with his surroundings for safety. She didn't like to think of the child he must have been to grow up that way, but it certainly helped to survive in this chaos that was Texas. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
The LORD says, “I will guide you along the best pathway for your life.        I will advise you and watch over you.    9 Do not be like a senseless horse or mule        that needs a bit and bridle to keep it under control.”    10 Many sorrows come to the wicked,        but unfailing love surrounds those who trust the LORD.    11 So rejoice in the LORD and be glad, all you who obey him!        Shout for joy, all you whose hearts are pure!
Anonymous (The One Year Chronological Bible NLT)
my office that I can’t really transport.” “What the hell are you talking about?” “Just trust me, sir.” “I don’t see why I should. I’ve already gotten an earful from the DD about you.” Pine drew a deep breath. “I think the DD might be involved in what’s going on.” Which is the reason I’m calling you and not him, she said to herself. “What in the hell are you saying? That sort of talk could cost you your shield, Pine.” “Why else would he have intervened and had you call me off this case, sir? Wasn’t that extraordinary on his part? I mean, what does the DD care about a dead mule?” Dobbs didn’t say anything for a long moment. Then: “What the hell are you involved in, Pine?” “Something bigger than I could have ever imagined, sir. That’s why I need your help and support. I can’t do it alone. And if the DD won’t do it, I need you to have my back, sir.” “And why do I need to bring reinforcements?” asked Dobbs after another few moments of silence. “Because I expect company here.” “Company? What do you mean, some criminals? A gang?” “Depends on how you define that, sir, but this company might actually be more dangerous.” “Look, Pine, this is beyond ridiculous. If you think—” She broke in, “Sir, I would not be asking this if it were not absolutely critical. Once you get here you will understand exactly what is going on. It’s a matter of national security. Not just for this country, but for the world.” She paused. “I’m trying to do my job, sir, as an FBI agent. I gave an oath. I intend to carry that oath out.” She once more listened to him breathing. “You’re really not joking, are you?” “I have never been more serious in my life.
David Baldacci (Long Road to Mercy (Atlee Pine, #1))
have to tell that cook to scatter his hits. He’s bunching ’em too much in my direction,” and Tom wiped the tears from his eyes. “To answer your question,” said Professor Bumper, “I will say that I have made partial arrangements for men and animals, and boats if it is found feasible to use them. I’ve been in correspondence with one of the merchants here, and he promised to make arrangements for us.” “When do we leave?” asked Mr. Damon. “As soon as possible. I am not going to risk anything by delay,” and it was evident the professor referred to his young rival whose arrival might be expected almost any time. As the party was about to leave the table, they were approached by a tall, dignified Spaniard who bowed low, rather exaggeratedly low, Ned thought, and addressed them in fairly good English. “Your pardons, Senors,” he began, “but if it will please you to avail yourself of the humble services of myself, I shall have great pleasure in guiding you into the interior. I have at my command both mules and boats.” “How do you know we are going into
Victor Appleton (The Tom Swift MEGAPACK®: 25 Complete Novels)
There was this new minister who went to the cemetery sorry, cemetery and he got his PhD and his DD and he’s got assign to his first church. I’ll never forget this. When he got there the church was a little lively but he was dead and he told the people now that am your new pastor we gonna do things a little different around here. He said, no more shouting, we’re going to do things in order. And theres going to be a quietness. He said I want you to follow my lead. He said I’ve graduated from the seminary and I’ve been educated and we’re going to do things in order and we’re going to take away this noise. It took him about 6 months to get things all tone down, he thought. He never even bothered to write his sermons out because some of the people were still shouting. But after 6 months he had everything under control and everything was dead. Dead quite. I mean quite. And finally he worked on his message all week long, had it all type written out on 15 pages, double space. Had everything perfect and now he is going to demonstrate his educational powers. Ready to wax eloquent and have them know they have an educated preacher/minister. He got into his message that he was reading. And he got to page 5, there was an ooooooooooooold fashion deacon in the back and let out one of them big old weeeeeeeeeeellllllllllllll gloryyyyyyyyyyyyyyy !!!!!. that was like an atom bomb that struck. And he became frustrated and all 15 pages of notes fell on the ground and he lost his place. He was never been so humiliated in all of his life. He could not finish his sermon. The only thing he could do is stop and pray and put the benediction on. He became so aggravated at the brother at the back. He said I did not know what I said to make him shout but he said am going to visit him in the morning and am going to found out what I said. And whatever I said am going to cut it out of my mind and I’ll never say it again so he won’t shout. Monday morning he headed out and he went to this brother who was a farmer. He didn’t even bother to go to the house. He wanted to handle this man to man. The brother offered a cup of coffee but the pastor refused it. He said I came out here to talk man to man sir. Do you remember when I first came to the church I said we were going to do things differently. He said yes sir I do remember. You remember I said nobody was going to make some noice. He said yes sir I remember that. He said yesterday you embarrassed me. I only got half way through my sermon. He said I want you to be honest with me brother. What was it that I said that made you shout because whatever it is am not going to say it no more. The brother breathed and said let get one thing straight pastor, you’ve been here six months. aint nothing you ever said made me shout. Nothing at all. But when I get to thinking how deep I was in sin and Jesus brought me out and cleaned me and wrote my name the book of life. How so good He’s been to me. When I was thinking of what He done for me, I couldn’t help but shoouuuuuuuuuuuuuuut to His gloryyyyyyyyyyyyyyyyyyyy. I don’t just shout in church, here with my mules thinking of Jesus, I feel another shouuuuuuuuuuuuut coming up.
RW SCHAMBACH
That gizmo's been nothing but trouble..." [Walking Mule] "Why don't you get a human?" [McGill Feighan] "A human? Say, boy, you been out in the sun too long? You got any idea what a living breathing receptionists costs?" [WM] "Haven't the foggiest. Your predecessor had one, though." [MF] "And my predecessor damned near bankrupted the NAC." [WM] "There is that..." [MF]
Kevin O'Donnell, Jr.