Sunglasses At Night Quotes

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From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
What kind of a dork uses a lame stage name anyway? And why Shade? Because he wears sunglasses all the time?" "Yeah, he has to wear them. He has vision problems.." Melanie's stomach dropped and she covered her big, blabbering mouth with one hand. "He does? Shit. Now I feel bad." The guy chuckled. "I'm just fucking with you. He wears them because he enjoys looking like a douche twenty-four seven.
Olivia Cunning (Try Me (One Night with Sole Regret, #1))
No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is." "Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
I lost myself somewhere. And that’s a very sad thing. Losing yourself is sad and heartbreaking. Fucking sad and fucking heartbreaking. Losing yourself isn’t like losing a key to your house. It isn’t like losing an expensive pair of sunglasses or even the only copy of the greatest screenplay you’ve ever written.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
I used to pray you know, pray to God that He would somehow stop it. All the nights of listening to my mother scream and things breaking. Of holding my brother and sister and listening to them cry and begging me to stop it.' My voice is slow and steady like a freight train at night. 'I was too young, and we were always told that they'd put us in foster homes where people would rape us if we ever said anything. So we explained away the bruises and my mom wore big sunglasses whenever she left the house. And we invented car accidents if the bruising was too bad to cover with make-up.
Emily Andrews (The Finer Points of Becoming Machine (Cutting Edge))
At this time in his life Zinkoff sees no difference between the stars in the sky and the stars in his mother's plastic Baggie. He believes that stars fall from the sky sometimes, and that his mother goes around collecting them like acorns. He believes she has to use heavy gloves and dark sunglasses because the fallen stars are so hot and shiny. She puts them in the freezer for forty-five minutes, and when they come out they are flat and silver and sticky on the back and ready for his shirts.
Jerry Spinelli (Loser)
There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency watching her intently. One of them had a camera that kept going off, but the agent didn't seem to know how to deactivate the flash. The light against the tinted windows made the shots worthless, and the agent cursed and tried again and it flashed again. Jackie waved good night to them, as she always did.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
When I wear sunglasses, the day turns shades of night, and it’s as if the blocking of the sun to my eyes cools down my body too.
Jarod Kintz (This Book Has No Title)
Stupidity is when one refuses to take off sunglasses in the darkness of the night.
Dr. Lucas D. Shallua
Gathering her bags, Alani started around the side of her house to the front door. She drew up short at the sight of Jackson sprawled on her porch steps, a cowboy hat on his head, mirrored sunglasses hiding his eyes. He didn’t move, and neither did she. He had an utterly relaxed look about him. But then, Jackson had perfected a deceptively indolent pose that hid razor-sharp reflexes and phenomenal speed. Last night, all night, he’d been far from indolent. Breathing fast, Alani studied him. His continued stillness suggested sleep. Even when she inched closer, he didn’t move. He was now clean-shaven. A white T-shirt was pulled across his wide chest and shoulders, and hung looser around his taut abs. Awareness stiffened her knees. Memories of touching his body, tasting hit hot flesh, sent a tide of sensation through her veins. She swallowed audibly—and stared some more. He sat with his long legs loose, one foot braced on a step, the other stretched out, his elbows back, his breathing deep and even. Alani licked her lips and started to slowly, silently retreat. “Don’t make me chase you, darlin’.” Shock snapped her shoulders back. The big faker! He’d been watching her watch him. Teeth set, Alani asked, “What are you doing here?” He gave a slow smile. “Whatever it takes . . .
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
She stuck to side streets, riding slowly, with care. The trip took a little under an hour, and Diane was feeling a pulsing pain in her calf by the time sh pulled up to the front of the pawnshop. There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency. One of them raised her camera and tried to take a photo of Diane, but the camera flashed, only reflecting the car window back at the lens. The agent swore. Diane waved a cursory hello at them and walked into the store.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
The train was full of teenagers with good shoes and too much confidence. I wanted to put sunglasses on to block out their light. I'd felt younger than them once, and older than them now, but we'd never really been the same age. I didn't know what age I was.
Melissa Albert (The Night Country (The Hazel Wood, #2))
But at that moment all I could see was the wolf in the white van, so alive, so strong. Hidden from view, unnoticed, concealed. And I thought, maybe he's real, this wolf, and he's really out there in a white van somewhere, riding around. Maybe he's in the far back, pacing back and forth, circling, the pads of his huge paws raw and cracking, his thick, sharp claws dully clicking against the raised rusty steel track ridges on the floor. Maybe he's sound asleep, or maybe he's just pretending. And then the van stops somewhere, maybe, and somebody gets out and walks around the side to the back and grabs hold of the handle and flings the doors open wide. Maybe whoever's kept him wears a mechanic's jumpsuit and some sunglasses, and he hasn't fed the great wolf for weeks, cruising the streets of the city at night, and the wolf's crazy with hunger now; he can't even think. Maybe he's not locked up in the back at all: he could be riding in the passenger seat, like a dog, just sitting and staring out the open window, looking around, checking everybody out. Maybe he's over in the other seat behind the steering wheel. Maybe he's driving.
John Darnielle (Wolf in White Van)
I could see their menfolk patrolling nervously up and down toting sub-machine guns and draped in cartridge belts. They were wearing their trademark sunglasses, those gold rimmed feminine accessories which should look comic on a man but instead manage to look as sinister as the wedding dresses and blonde wigs worn by Liberia's drugged fighters. They are the modern equivalent of the wooden masks donned around night fires by warriors preparing to do battle, which turn their wearers into something utterly alien -- faceless instruments of violence capable of unspeakable acts.
Michela Wrong (In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo)
My friends were thin, pretty, naturally bronzed and accessorized with bug-eyed sunglasses. They slurped vodka straight from the bottle while they drove. They roamed the streets in bikinis by day and by night, skimpy dresses short enough to bare their ass cheeks when they bent over. They pushed up their breasts and snorted coke in the bathrooms of clubs before grinding their crotches into strangers until last call. And when the night came to an end, they romped through the filthy, gum-stained streets barefoot because they were too hammered to feel the glass shards beneath their soles. The PB girls were wild, edgy, and dangerously carefree.
Maggie Georgiana Young (Just Another Number)
These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged. But down on Main Street, down on Towne and San Pedro, and for a mile on lower Fifth Street were the tens of thousands of others; they couldn't afford sunglasses or a four-bit polo shirt and they hid in the alleys by day and slunk off to flop houses by night. A cop won't pick you up for vagrancy in Los Angeles if you wear a fancy polo shirt and a pair of sunglasses. But if there is dust on your shoes and that sweater you wear is thick like the sweaters they wear in the snow countries, he'll grab you. So get yourselves a polo shirt boys, and a pair of sunglasses, and white shoes, if you can. Be collegiate. It'll get you anyway. After a while, after big doses of the Times and the Examiner, you too will whoop it up for the sunny south. You'll eat hamburgers year after year and live in dusty, vermin-infested apartments and hotels, but every morning you'll see the mighty sun, the eternal blue of the sky, and the streets will be full of sleek women you never will possess, and the hot semi-tropical nights will reek of romance, you'll never have, but you'll still be in paradise, boys, in the land of sunshine. As for the folks back home, you can lie to them, because they hate the truth anyway, they won't have it, because soon or late they want to come out to paradise, too.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane’s case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh’s case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents. Then, after the clutch and the secret, the driver has to grab the stick shift, which is a splintered wood stake wedged into the dashboard, and shake it until something happens—anything really—and then simultaneously type a series of code numbers into a keyboard on the steering wheel. All this while sunglasses-wearing agents from a vague yet menacing government agency sit in a heavily tinted black sedan across the street taking pictures (and occasionally waving). This is a lot of pressure on a first-time driver.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character. The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!' How can that be: suffering is suffering, isn't it? In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer! In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs. Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately. That's why there are riders. Suffering you need; literature is baloney.
Tim Krabbé (The Rider)
Moon. Big white moon. White as milk moon. You’re all I can see from my window, here in the dark. Your light falls silver and white across the walls of my cell. The night-tide surges strong in me. So strong I can feel the grip of their drugs loosen. They fancy themselves high priests. Their gods have names like Thorazine and Lithium and Shock Therapy. But their gods are new and weak and cannot hope to contain me much longer. For I am the handiwork of far more powerful, far more ancient deities. Very soon my blood will learn the secret of the inhibiting factors the white-coated shamans pump into my veins. And then things will be very different, my beautiful moon. My white big moon. White as milk moon. Red as blood
Nancy A. Collins (Sunglasses After Dark (Sonja Blue, #1))
So are you, sunshine,” Paige replied. “Bad night?” Even though he didn’t take off his sunglasses, I knew he was staring straight at me. “I’ve had better,” he said with an entirely straight face, while I coloured up from head to toe. “I’ve had worse.” … “Now, now children,” Paige intervened, entirely oblivious to the extreme level of bitchy subtext flying across the table. “Let’s not have fisticuffs … Can we kiss and make up?” Nick turned up one corner of his mouth and nodded. “I’m game if you are, Vanessa.” “I think she means figuratively,” I said, adding cream to my coffee. “I’m a professional.” “Really?” He rested his elbows on the table and pushed his glasses up over his eyebrows. “I probably owe you some money then.
linsdey kelk
signs. Oh, to have been a rider then. Because after the finish all the suffering turns to memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature’s payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. ‘Good for you.’ Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lady with few suitors these days, and those who wish to make use of her charms she rewards passionately.
Tim Krabbé (The Rider)
Now Justin stood in our reading room, leaning up against the wall, arms crossed over his chest. He was tall, with a wiry athletic build. Usually, he was Mr. Ultra-Casual, with sun-kissed blond hair that he kept out of his eyes by pushing his sunglasses up on his forehead. Today, that messy blond hair was clean-cut, and he’d traded his typical board shorts and loose T-shirt for a striped shirt and khakis. His father, the mayor of Eastport, was running for re-election. Since the campaign started last month, Justin had become the mayor’s sixteen-year-old sidekick. I’d heard he was spending the summer working for his dad down at the town hall, which would explain the nice clothes. What sucked for me was that the new style fit him. He looked even better, the jerk. “I heard you and Tiffany got into a catfight over me at Yummy’s,” Justin announced with an overconfident grin that pissed me off. I slammed the door behind me. “First off, I dumped a soda over her head. That was it.” “Damn, a catfight sounded much hotter. I was picturing ripped shirts, exposed skin.” I rolled my eyes. “And second, it wasn’t over you, egomaniac. You can date every girl in town as far as I’m concerned. I hate you. I pray every night that you’ll fall victim to some strange and unusual castration accident.” I pointed to the door. “So get the hell out.” His lips twitched, fighting a smile. Ugh. I was going for “crazy ex filled with hate” not “isn’t she cute when she’s mad?” “Feel better after getting all that out?
Kim Harrington (Clarity (Clarity, #1))
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
At first Shuggie had recoiled and looked like he had never heard a worse idea. She had cried in the bath later that night, trying to dig the oil out from her skin and feeling like a fool. Shuggie had heard her there, sat in the cold water, crying to herself. She had been mostly sober, and to him it was different from the drunken poor me’s. He resolved to show an interest in the fishing, anything to make her happy again. He fixated on the planning of the day, the organizing, the list making and the list checking. He planned the lunch and the clothes, the things he would put in his school bag and the little things he would put in each pocket: tomato sandwiches, a toy robot for sharing, a little plasticky pair of sunglasses, and a Christmas cracker whistle. When he had laid out all the preparations and put everything neatly in its place, he sat on the edge of his bed like a patient little dog.
Douglas Stuart (Shuggie Bain)
Jethro had a scar near one of his eyes, an angry tear that scraped through his eyebrow and reached up to his forehead where it disappeared beneath his hairline. In winter he wore black motorcycle boots and a checked sheepskin jacket that was orange and brown. He had sideburns like a man and the other kids said his eyes were like laser beams in comics, that your face would explode if he even looked at you. That was why he wore those steel-rimmed reflective sunglasses, they said, as he cruised around in his car with his hairy arm out the window, fingers spread wide on the door. Jethro Sands was like the scariest crackers on Guy Fawkes Night. He was the loudest thunder, the meanest dog. Out of everyone she was scared of Jethro Sands the most. She imagined buildings and trees bursting into flame on either side of the road as he drove along, turning his head slowly from side to side. He was threatening, noxious. Dark.
Jenny Ackland (Little Gods)
Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.
Donna Tartt (The Goldfinch)
Why did I obsess over people like this? Was it normal to fixate on strangers in this particular vivid, fevered way? I don't think so. It was impossible to imagine some random passer-by on the street forming quite such interest in me. And yet it was the main reason I'd gone in those houses with Tom: I was fascinated by strangers, wanted to know what food they ate and what dishes they ate from, what movies they watched and what music they listened to, wanted to look under their beds and in their secret drawers and night tables and inside the pockets of their coats. Often I saw interesting-looking people on the street and thought about them restlessly for days, imagining their lives, making up stories about them the subway or the crosstown bus. Years had passed, and I still hadn't stopped thinking about the dark-haired children in Catholic school uniforms - brother and sister - I'd seen in Grand Central, literally trying to pull their father out the door of a seedy bar by the sleeves of his suit jacket. Nor had I forgotten the frail, gypsyish girl in a wheelchair out in front of the Carlyle Hotel, talking breathlessly in Italian to the fluffy dog in her lap while a sharp character in sunglasses (father? bodyguard?) stood behind her chair, apparently conducting some sort of business deal on his phone. For years, I'd turned those strangers over in my mind, wondering who they were and what their lives were like, and I knew I would go home and wonder about this girl and her grandfather the same way.
Donna Tartt (The Goldfinch)
We tend to be unaware that stars rise and set at all. This is not entirely due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution). I wondered what could be wrong. Our modern civilization does not ignore the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us. It is only the integral part of the landscape which can relate to the stars. Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans, and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there'). We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world. They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.
Robert K.G. Temple (The Sirius Mystery: New Scientific Evidence of Alien Contact 5,000 Years Ago)
That’s when his job got tough. Since that night, his shift had yet to go by without one of the inmates waking up with the night horrors. They all claimed the woman in Room 7 walked into their dreams. They couldn’t – or wouldn’t – elaborate on the details. Claude described the dreams to Dr. Morial, the ward’s on-call psychiatrist. Morial asked him if he liked his job. Claude let it drop. Life was complicated enough without trying to figure out why a bunch of loonies should fixate on a fellow inmate they had never seen. Or how they could describe her so well.
Nancy A. Collins (Sunglasses After Dark (Sonja Blue, #1))
They wore the uniform of the desert bro. Think frat boy who never went to college. Jersey Shore without the water. Farmer’s tans made by the sun instead of a cancer machine. Ed Hardy shirts and backward baseball caps. Oakley sunglasses, even at night. Goatees or shaped three-day growth. Essentially they all looked like middle relief pitchers on vacation. The kind of guys that thought they looked like MMA fighters, but really looked like assholes.
Johnny Shaw (Plaster City (A Jimmy Veeder Fiasco, #2))
We were sharing a rare point in time, contemplative, and the moment was made complete by his vintage sunglasses, bringing the night indoors.
Don DeLillo
The hallmark of originality is rejecting the default and exploring whether a better option exists. I’ve spent more than a decade studying this, and it turns out to be far less difficult than I expected. The starting point is curiosity: pondering why the default exists in the first place. We’re driven to question defaults when we experience vuja de, the opposite of déjà vu. Déjà vu occurs when we encounter something new, but it feels as if we’ve seen it before. Vuja de is the reverse—we face something familiar, but we see it with a fresh perspective that enables us to gain new insights into old problems. Without a vuja de event, Warby Parker wouldn’t have existed. When the founders were sitting in the computer lab on the night they conjured up the company, they had spent a combined sixty years wearing glasses. The product had always been unreasonably expensive. But until that moment, they had taken the status quo for granted, never questioning the default price. “The thought had never crossed my mind,” cofounder Dave Gilboa says. “I had always considered them a medical purchase. I naturally assumed that if a doctor was selling it to me, there was some justification for the price.” Having recently waited in line at the Apple Store to buy an iPhone, he found himself comparing the two products. Glasses had been a staple of human life for nearly a thousand years, and they’d hardly changed since his grandfather wore them. For the first time, Dave wondered why glasses had such a hefty price tag. Why did such a fundamentally simple product cost more than a complex smartphone? Anyone could have asked those questions and arrived at the same answer that the Warby Parker squad did. Once they became curious about why the price was so steep, they began doing some research on the eyewear industry. That’s when they learned that it was dominated by Luxottica, a European company that had raked in over $7 billion the previous year. “Understanding that the same company owned LensCrafters and Pearle Vision, Ray-Ban and Oakley, and the licenses for Chanel and Prada prescription frames and sunglasses—all of a sudden, it made sense to me why glasses were so expensive,” Dave says. “Nothing in the cost of goods justified the price.” Taking advantage of its monopoly status, Luxottica was charging twenty times the cost. The default wasn’t inherently legitimate; it was a choice made by a group of people at a given company. And this meant that another group of people could make an alternative choice. “We could do things differently,” Dave suddenly understood. “It was a realization that we could control our own destiny, that we could control our own prices.” When we become curious about the dissatisfying defaults in our world, we begin to recognize that most of them have social origins: Rules and systems were created by people. And that awareness gives us the courage to contemplate how we can change them. Before women gained the right to vote in America, many “had never before considered their degraded status as anything but natural,” historian Jean Baker observes. As the suffrage movement gained momentum, “a growing number of women were beginning to see that custom, religious precept, and law were in fact man-made and therefore reversible.
Adam M. Grant (Originals: How Non-Conformists Move the World)
THE EVENING before WrestleMania, Vince sent a memo around that instructed his entire crew to convene first thing in the morning at the arena. There were predictable grumblings, with the performers unhappy that their night of pre-show decadence would have to be cut short because of the early wake-up call. The unofficial rule amongst many of the boys was that when it came to doing pay-per-view, having a hangover was a prerequisite because it made you sulky and focussed. Of course, the risk was that someone would go too far and be in no condition to perform come show time, but Vince's meeting made sure there would be little chance of that. Sure enough, everyone was accounted for on that dreary Sunday morning, tired, but for the most part sober.               The boys sat with sunglasses covering their heavy eyes, sipping black coffee from the local Starbucks while wondering what was so urgent that Vince had dragged them out of bed at the crack of dawn. Those who had known McMahon for a while had a good inkling; the meeting wasn't about anything at all. It was simply a front to keep everyone in check and make sure there were no major problems caused by someone having a little too much fun the night before the biggest show of the year. "I betcha Vince doesn't even show," whispered Paul Bearer to no one in particular, and sure enough, he didn't. Instead J.J. Dillon wandered into the room, and told the amassed throng that Vince wasn't coming, but he just wanted to tell them all to have a good show. It was classic McMahon; keeping his troops in check and running things from afar under his authoritarian rule.   THE
James Dixon (Titan Sinking: The Decline Of The WWF In 1995 (Titan Trilogy Book 1))
I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.
Laura Moore (Night Swimming: A Novel)
I was sound asleep at the Oregon beach cabin one night when there was a knock at the door. A woman who said she was from the Red Cross stood on the front porch. I was foggy-headed. At first, I could not get through my brain what she was saying. “I don’t mean to alarm you,” she said. “But you need to call home immediately.” Terror struck me. My mind raced. Where was Steve? Bindi lay asleep in the bedroom. I asked the woman from the Red Cross to stay on the porch while I went across the street to the pay phone. The international calling procedure seemed immensely complicated that morning, and terribly slow. I tried to keep my fingers steady as I dialed. The sun had not yet risen. I was in my robe. It was February of 2000, and I remember thinking, It’s always the coldest just before the sun comes up. I heard Steve’s voice on the other end of the phone and experienced an immediate flood of relief. He’s alive. But something was terribly wrong. Steve was incoherent. I couldn’t figure out what had happened. Not long before, we had lost our favorite crocodile to old age, and I thought that something had happened to one of our animals. But the tone of Steve’s voice was different. He was sobbing, but finally managed to choke out the words. His mother had been killed in a car accident. I felt the blood drain from my face. I couldn’t believe it. I didn’t know what he was talking about. He tried to explain, but he couldn’t really talk. The next thing I knew, the line went dead. It took a few frantic calls to find out what had happened. In the process of moving to their new home on our property, Lyn had left Rosedale to make one last trip with a few remaining family possessions. She was driving with the family malamute, Aylic, in the passenger seat beside her, and Sharon, their bird-eating spider, in a glass terrarium tank in the back of the truck. Lyn left the Rosedale house early, about three o’clock in the morning. As she approached Ironbark Station, her Ute left the road traveling sixty miles an hour. The truck hit a tree and she died instantly. Aylic was killed as well, and the tank holding the bird-eating spider was smashed to pieces. Early in the morning, at the precise moment when the crash happened, Steve was working on the backhoe at the zoo. He suddenly felt as if he had been hit by something that knocked him over, and he fell violently off the machine, hitting the ground so hard that his sunglasses came off. He told me later that he knew something terrible had happened. Steve got in his Ute and started driving. He had no idea what had happened, but he knew where he had to go. It was still early. With uncanny precision, he drove toward where the accident occurred. His mobile phone rang. It was Frank. When his brother-in-law told him what had happened and where, Steve realized he was already headed there.
Terri Irwin (Steve & Me)
Our foam pads inside our sleeping bag, I situated water bottles beside our respective heads. Next to my water, I placed my upside-down sunhat, and inside that, my LED flashlight, 1200 mg of ibuprofen, urinary funnel, antiseptic wipe, watch, and sunglasses to put on the next morning. I arranged my camp slippers—mere inner soles with net on top—for getting up in the middle of the night, so I wouldn’t step barefooted on snakes or thorns.
Gail D. Storey (I Promise Not To Suffer: A Fool for Love Hikes the Pacific Crest Trail)
her sunglasses and opened the back door. “Good-bye.” “Emory?” Poised on the threshold, she turned. He leaned down and brushed his lips across hers. “Be careful.” * * * “Jeff? Hi. I made it.” The two-hour drive from Atlanta had left Emory tired, but most of the fatigue was due to stress, not the drive itself. The traffic on northbound Interstate 85 had thinned out considerably about an hour outside the city, when she took the cutoff highway that angled northwest. She’d arrived at her destination before dusk, which had made navigating the unfamiliar town a bit easier. She was already tucked into bed at the motel, but tension still claimed the space between her shoulder blades. Not wanting to exacerbate it, she’d considered not calling Jeff. Last night’s quarrel had been a skirmish. She sensed a much larger fight in their future. Along every
Sandra Brown (Mean Streak)
DJ, as ever, was wearing a pair of sunglasses on top of his black hood, and he, Mike, Oof and Darkest Night were taking on two huge smiles together;
Dave Villager (Dave the Villager 29: An Unofficial Minecraft Novel (The Legend of Dave the Villager))
Steph, I’m really not in the mood this morning for your attitude,” I growled.   “Too bad,” she shot at me. “Your girlfriend spent the night on my couch.”   “What?” My reaction got a snide little smirk out of her. I pushed my annoyance to side and questioned her about Bella.   “She’s fine. So far. Stubborn girl that one.” She pushed her sunglasses up on top of her head, pushing her chestnut curls out of the way of her eyes. “She told me about her kid.” Her voice dropped and she walked around her Camaro until she was standing in front of me. With the sun just starting to rise, her face looked soft. Like it used to before so much hatred and pain settled in her expression.   “Why is she by you? Why isn’t she here?” I sunk my hands into my front pockets, trying to keep my voice civil. Getting all hard on Steph would only send her packing back up into her car and heading out without giving me any information. And if Bella was hiding out there, Steph would make the fucking place a fortress to keep me out.   “She doesn’t want to see you, or want your help.” She leaned against her car. “Apparently, her friends are involved on the wrong side of this shit storm, and she doesn’t have anyone else.”   We never talked about family. She knew about my brother, but she didn’t talk about her family. Did she even have anyone other than that fucking ex of hers? “Did she finally get a hold of Ashley?”   “Yeah, well, sort of. Not that it was any help. The important call she got was from Shadow.”   “Shadow called her?” My hands came out of my pockets, balled into fists, and I took a step toward her. Stella weathered more than one shit storm, as she liked to call them, while married to Jaxson, she kept her ground, not even flinching.   “Yeah. He’s got the little girl. The fucking prick.” Her eyes widened and her mouth went taught. Jaxson never could get her to quit cursing like a biker, but I think it was one of the things he found so damn irresistible about her. She didn’t take shit from anyone, but she could sure as hell dish it out when she needed to.   “What did he want?”   “He wants to meet her. Said he’d give her back the kid if she meets him this morning at eleven.”   The little hairs on the back of my neck stood up. Bella wasn’t as seasoned as Stella.
Heather West (Monster: Angels' Blood MC)
Someone got laid last night. Dude! About time," Rodney said as Kane walked through the restaurant, officially three hours late. He had to give Rodney credit, his hands never stopped working the glasses into the ceiling rack of the bar. His eyes did narrow, examining Kane's face as he got closer. "You drank, too? A fuck and alcohol. Whoa, man! Give me five!" "You don't know that," Kane said, shoving his sunglasses up on his face, ignoring the outstretched hand. He'd only worn them in a lame attempt to hide his bloodshot eyes. Of course, a bartender could pick up on someone with a hangover—it was usually his handiwork that created the situation. "I absolutely do know. You're late, wearing sunglasses, squinting, and walking funny. Let me see your eyes," Rodney said, rounding the corner to get a better look.
Kindle Alexander (Always (Always & Forever #1))
Abalone stared into the fizzing glass. “My father served yours.” “Yeah. Very well, I might add.” “Through your blood’s generosity, mine has prospered.” Abalone took another sip, his shaking hand making the ice tinkle. “May I say something about your father?” The King seemed to stiffen. “Yeah.” Abalone looked up to the sunglasses. “The night he and your mother were killed, a part of my father died, too. He was never the same thereafter. I can remember our house being in mourning for a full seven years, the mirrors draped in black cloth, the incense burning, the threshold marked with a black jamb.” Wrath rubbed his face. “They were good people, my parents.” Abalone put the soda aside and shifted off the armchair, getting on his knees before his King. “I will serve you just as my father did, down to the bone and marrow.” Abalone was dimly aware that others had filed into the room and were looking at him. He cared naught. History had come full circle . . . and he was prepared to carry forward with pride. Wrath nodded once. “I’m making you my chief cleric. Right here and now. Saxton,” he barked out. “What do I need to do?” A cultured voice answered smoothly, “You just did it all. I’ll draw up the paperwork.” The King smiled and put out his palm. “You’re the first member of my court. Boom!
J.R. Ward (The King (Black Dagger Brotherhood, #12))
The juror selection was a slow, tedious process. It bored Richard, and he soon began falling asleep. He’d stay up late at night reading and would be tired for court. Judge Tynan didn’t like his sleeping and warned him to stay awake. Richard took to wearing large black Porsche-type sunglasses, also bought by Doreen, so he could close his eyes behind them.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
The next order of business for the Hernandezes was to get Judge Soper to appoint them as Richard’s counsel. When they appeared in court on Monday, the press was there in full force, as were Mercedes, Ruth, Robert, and Ruben. Mercedes kept her face covered by the black veil and sunglasses. At a sidebar Judge Soper explained patiently and slowly why she didn’t want to allow the Hernandezes to represent Richard Ramirez, citing contempt charges from previous cases, which both Hernandezes protested, saying the contempts weren’t their fault; they were unwarranted and unfair. The judge’s real objection was their very obvious lack of experience in capital crime cases. There were grave consequences at stake, she said. No matter what, Richard insisted, he wanted the Hernandezes.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
I rang out a couple more customers as I thought about it, and...he slowly walked up to the counter and set down two spools of line. I should really figure out what the point of one being thicker than the other was. “Hi, Mr. Rhodes,” I greeted him with a smile. He’d taken his sunglasses off and slid them through one of the gaps between the buttons of his work shirt. His gray eyes were steady on me as he said in that same uninterested, stern tone from before, “Hi.” I took the first package of fishing line and scanned it. “How is your day going?” “Fine.” I scanned the next package and figured I might as well go in for the kill since no one was around. “You remember that time you said you owed me?” A day ago. He didn’t say anything, and I peeked up at him. Since his eyebrows couldn’t talk, they formed a shape that told me exactly how distrustful he was feeling right then. “You do, okay. Well,” and I lowered my voice, “I was going to ask if I could redeem that favor.” Those gray eyes stayed narrowed. This was going well. I glanced around to make sure no one was listening and quickly said, “When you aren’t busy… could you teach me about all this stuff? Even if it’s just a little bit?” That got him to blink in what I was pretty sure was surprise. And to give him credit, he too lowered his voice as he asked slowly and possibly in confusion, “What stuff?” I tipped my head to the side. “All this stuff in here. Fishing, camping, you know, general knowledge I might need to work here so I have an idea of what I’m doing.” There was another blink. I might as well go for it. “Only when you aren’t super busy. Please. If you can, but if you can’t, that’s okay.” I’d just cry myself to sleep at night. No biggie. Worst case, I could hit up the library on my days off. Hang out in the grocery store parking lot and google information. I could make it work. I would, regardless. Dark, thick, black eyelashes dipped over his nice eyes, and his voice came out low and even. “You’re serious?” He thought I was shitting him. “Dead.” His head turned to the side, giving me a good view of his short but really pretty eyelashes. “You want me to teach you to fish?” he asked like he couldn’t believe it, like I’d asked him to… I don’t know, show me his wiener. “You don’t have to teach me to fish, but I wouldn’t be opposed to it. I haven’t been in forever. But more about everything else. Like, what is the point of these two different kinds of line? What are all the lures good for? Or are they called flies? Do you really need those gadgets to start a fire?” I knew I was whispering as I said, “I have so many random questions, and not having internet makes it hard to look things up. Your total is $40.69, by the way.” My landlord blinked for about the hundredth time at that point, and I was pretty sure he was either confused or stunned as he pulled his wallet out and slipped his card through the reader, his gaze staying on me for the majority of the time in that long, watchful way that was completely different from the way the older men had been eyeballing me earlier. Not sexually or with interest, but more like I was a raccoon and he wasn’t sure if I had rabies or not. In a weird way, I preferred it by a lot. I smiled. “It’s okay if not,” I told him, handing over a small paper bag with his purchases inside. The tall man took it from me and let his eyes wander to a spot to my left. His Adam’s apple bobbed; then he took a step back and sighed. “Fine. Tonight, 7:30. I’ve got thirty minutes and not one longer.” What! “You’re my hero,” I whispered. He looked at me, then blinked. “I’ll be there, thank you,” I told him. He grunted, and before I could thank him again, he was out of there so fast I had no chance to check out his butt in those work pants of his.
Mariana Zapata
Trip was wearing sunglasses again. It was nine-thirty at night, for everyone keeping score at home.
Jessie Thomas (Kiss Me Deadly (Nickel City Necromancer #1))
bathroom of that greasy all-night diner she’d stopped at somewhere in Virginia. It would be too strange to pull her sunglasses down now. Too…suspicious. “Margo Harper.” He shook his head, chuckling softly, the sound of it making something in her chest pull a little tighter than it should. “What brings you to town?” Shouldn’t she be saying that? But from the uniform, the answer would be obvious. Her heart was pounding so loudly she was almost convinced that he could hear it. Eddie was supposed to be gone. Long gone. “I didn’t realize you’d moved back,” she managed. Curse her sisters. Couldn’t one of them have mentioned this? “Only recently,” he said. More silence. He’d always been good at that. “You in town for long?” As if she’d be telling him the details of her arrival. He’d have to arrest her first. Put her under oath. No way would
Elana Johnson (A Sweet Escape: Seven Sweet Romances)
THE SON SHINES BRIGHT THE MOON SHINES BRIGHT . SO WHY DO WE WEAR SUNGLASSES IN THE DAY AND USE FLASHGLIGHTS AT NIGHT. DO WE SEE THE RIGHT LIGHT ?
SGG
I Woke Up and it was political. I made coffee and the coffee was political. I took a shower and the water was. I walked down the street in short shorts and a Bob Mizer tank top and they were political, the walking and the shorts and the beefcake silkscreen of the man posing in a G-string. I forgot my sunglasses and later, on the train, that was political, when I studied every handsome man in the car. Who I thought was handsome was political. I went to work at the university and everything was very obviously political, the department and the institution. All the cigarettes I smoked between classes were political, where I threw them when I was through. I was blond and it was political. So was the difference between “blond” and “blonde.” I had long hair and it was political. I shaved my head and it was. That I didn’t know how to grieve when another person was killed in America was political, and it was political when America killed another person, who they were and what color and gender and who I am in relation. I couldn’t think about it for too long without feeling a helplessness like childhood. I was a child and it was political, being a boy who was bad at it. I couldn’t catch and so the ball became political. My mother read to me almost every night and the conditions that enabled her to do so were political. That my father’s money was new was political, that it was proving something. Someone called me faggot and it was political. I called myself a faggot and it was political. How difficult my life felt relative to how difficult it was was political. I thought I could become a writer and it was political that I could imagine it. I thought I was not a political poet and still my imagination was political. It had been, this whole time I was asleep.
Jameson Fitzpatrick
She was in skintight black pants, a black V-neck T-shirt and a black leather jacket. She wore sunglasses--- even though it was the middle of the night--- and her hair was pulled into a tight ponytail. She was like a sexy assassin coming to make her kill. At least he'd go out with a nice view. He needed to speak so he'd stop staring. "You know, you made fun of me the other day for trying to look incognito. I think you've taken it to a new level." "I wore my best I-don't-want-to-be-here outfit.
Erin La Rosa (For Butter or Worse)
She decided not to mention that she’d spent most of the night dreaming about sparkly pineapples dancing around in hot pink tutus while wearing giant sunglasses and smiling at her.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
She rummages through her tote and pulls out a book—“Your new favorite contemporary romance,” claims the review scribbled across its orange cover—and flips it open to the bookmarked page. “Listen,” Lindsey says, holding her place with her index finger and lowering her sunglasses with her other hand to make direct eye contact with me, “I truly am very happy for you. You deserve this—to have someone worth dreaming about, to have dinners and walks through the park and late-night phone calls with someone who makes you feel special.” There’s an unspoken unlike Peter at the end of that sentence.
Megan Becker (Coffee Dates (The Mates and Dates Collection))
She decided not to mention that she’d spent most of the night dreaming about sparkly pineapples dancing around in hot pink tutus while wearing giant sunglasses and smiling at her. She could live with the outlandish imagery if it kept Silveny strong and healthy.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
her mind. Get away from here and sweat. That was all. Then she’d be all right. Then she could think straight again. Oh, God, please . . . Her hands shook violently as she twisted her hair up onto her head. Trying in vain to turn off the questions pounding through her brain, she stripped out of her clothes to don jogging bra, long-sleeved T-shirt, shorts and running shoes. Then, on impulse, she walked into her den, ignored the stacks of work and checked her e-mail. Maybe Kelly had sent her a message . . . She was surprised she hadn’t thought of it before. She clicked on her mailbox but saw nothing other than the usual offers of low-mortgage rates, discreet Viagra or a free peek at some porn site. Nothing from Kelly. ‘‘Damn.’’ She clicked off the computer and with Oscar at her heels, hurried downstairs, where she peeked out the front blinds and saw no trace of reporters on the street. Still, she’d be careful. She slapped a pair of sunglasses over her eyes and added a baseball cap to her disguise, as if she were some high-profile celebrity, for God’s sake, then clicked on Oscar’s leash. She
Lisa Jackson (The Night Before (Savannah #1))
Appreciate the comfortable (responsibly). Producing in the evening can be an experience like no other. With the comfortable, ongoing hum of the engine and the nights your atmosphere, generating can be almost like traveling through place. Producing in the evening seems unusual, fun, and even exciting — for some people, it’s one of life’s simplest yet most excessive entertainment. It’s definitely outstanding have fun with a evening produce, but don’t neglect to focus on what’s most important of all — your security and the security of other drivers. Always keep in ideas that getting sent straight while generating can be dangerous (especially at night), so keep your interest on the road. If you’re confident in your secured generating workouts, you’ll be able to successfully relax, notice in, and revel in your ride! Put your returning viewpoint reflection in its “flipped down” or “night” strategy to reduce returning front aspect part aspect lighting glare. Check all your car lighting constantly, especially if upcoming winter year time mean that you will be doing more generating after dark. To make the process simpler, you can take changes with a friend working the lighting and watching to see that they all come on, or you can notice your own reflection in the ms ms ms ms windows of a glass-fronted developing. You have purchased some car parts and accessories. Block out interruptions while generating, but don’t focus definitely on the road. Doing so may put you in a situation of hypnosis and you may even mentally “blank” for a few a few several weeks. Keep your viewpoint moving around the car and landscapes. Some car gadgets should be set progressively. Always use a car car car car seatbelt and encourage your guests to do the same.Do not produce drunk. Never produce without a legal drivers’ certification approved in your name. Don’t believe the town story that sunglasses with yellow-colored or bright orange sketchy connections help you see better in the evening. Wearing them in the evening may make aspects seem less heavy. Always carry around your drivers’ certification to prevent police from getting suspicious of a situation that isn’t there. Do not produce when you are tired. In some countries, generating while feeling sleepy issues as impacted generating. Regardless of the law, it’s dangerous.
angeladong
blonde walked into a bar. Sounded like a bad joke, right? Except nobody was laughing. A draft of cold air and expensive perfume billowed in the new arrival’s wake. The door swung shut behind her and the ambient noise petered out as all eyes settled on the strange creature invading our Thursday night routine. She wore sunglasses, blood-red lips and
Paula Black (The Rousing)
Unless under a doctor's orders to be a lady of the dark, a woman wearing sunglasses indoors or at night looks like nothing more than a satire of a Hollywood glamour queen- grade B.
Anne Fogarty (Wife Dressing: The Fine Art of Being a Well-Dressed Wife)
Thirty-Nine Ways to Lower Your Cortisol 1 Meditate. 2 Do yoga. 3 Stretch. 4 Practice tai chi. 5 Take a Pilates class. 6 Go for a labyrinth walk. 7 Get a massage. 8 Garden (lightly). 9 Dance to soothing, positive music. 10 Take up a hobby that is quiet and rewarding. 11 Color for pleasure. 12 Spend five minutes focusing on your breathing. 13 Follow a consistent sleep schedule. 14 Listen to relaxing music. 15 Spend time laughing and having fun with someone. (No food or drink involved.) 16 Interact with a pet. (It also lowers their cortisol level.) 17 Learn to recognize stressful thinking and begin to: Train yourself to be aware of your thoughts, breathing, heart rate, and other signs of tension to recognize stress when it begins. Focus on being aware of your mental and physical states, so that you can become an objective observer of your stressful thoughts instead of a victim of them. Recognize stressful thoughts so that you can formulate a conscious and deliberate reaction to them. A study of forty-three women in a mindfulness-based program showed that the ability to describe and articulate stress was linked to a lower cortisol response.28 18 Develop faith and participate in prayer. 19 Perform acts of kindness. 20 Forgive someone. Even (or especially?) yourself. 21 Practice mindfulness, especially when you eat. 22 Drink black and green tea. 23 Eat probiotic and prebiotic foods. Probiotics are friendly, symbiotic bacteria in foods such as yogurt, sauerkraut, and kimchi. Prebiotics, such as soluble fiber, provide food for these bacteria. (Be sure they are sugar-free!) 24 Take fish or krill oil. 25 Make a gratitude list. 26 Take magnesium. 27 Try ashwagandha, an Asian herbal supplement used in traditional medicine to treat anxiety and help people adapt to stress. 28 Get bright sunlight or exposure to a lightbox within an hour of waking up (great for fighting seasonal affective disorder as well). 29 Avoid blue light at night by wearing orange or amber glasses if using electronics after dark. (Some sunglasses work.) Use lamps with orange bulbs (such as salt lamps) in each room, instead of turning on bright overhead lights, after dark. 30 Maintain healthy relationships. 31 Let go of guilt. 32 Drink water! Stay hydrated! Dehydration increases cortisol. 33 Try emotional freedom technique, a tapping strategy meant to reduce stress and activate the parasympathetic nervous system (our rest-and-digest system). 34 Have an acupuncture treatment. 35 Go forest bathing (shinrin-yoku): visit a forest and breathe its air. 36 Listen to binaural beats. 37 Use a grounding mat, or go out into the garden barefoot. 38 Sit in a rocking chair; the soothing motion is similar to the movement in utero. 39 To make your cortisol fluctuate (which is what you want it to do), end your shower or bath with a minute (or three) under cold water.
Megan Ramos (The Essential Guide to Intermittent Fasting for Women: Balance Your Hormones to Lose Weight, Lower Stress, and Optimize Health)
So, now I know there’s a story. Spill the beans, girl.” Frankie sighed. “Fin used to bring his Naval Academy friends home in the summer. They seemed like gods to me.” She smiled, a little one, and thought maybe it was too sad to be real. “Rye Walsh was his best friend. The CO in the sunglasses last night? I had a huge crush on him.” “The guy who looks like Paul Newman? Wow. So, grab his hand and show him—” “He’s engaged.” “Shit. Not again.” Barb took a drink. “And you’re a damn good girl.” “When I danced with Jamie, I felt safe. Loved, I guess. It was like being home,
Kristin Hannah (The Women)