Plead Quotes

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You’re a storyteller. Dream up something wild and improbable," she pleaded. "Something beautiful and full of monsters." “Beautiful and full of monsters?" “All the best stories are.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
We are Born like this Into this Into these carefully mad wars Into the sight of broken factory windows of emptiness Into bars where people no longer speak to each other Into fist fights that end as shootings and knifings Born into this Into hospitals which are so expensive that it’s cheaper to die Into lawyers who charge so much it’s cheaper to plead guilty Into a country where the jails are full and the madhouses closed Into a place where the masses elevate fools into rich heroes
Charles Bukowski
Please—please get up—and lower your voice—” “Hell no.” “Why not?” I’m pleading now. “Because if I lower my voice, I won’t be able to hear myself speak. And that,” he says, “is my favorite part.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
He cleared his throat and held up one hand dramatically. “Green grass breaks through snow. Artemis pleads for my help. I am so cool.” He grinned at us, waiting for applause. "That last line was four syllables.” Artemis said. Apollo frowned. “Was it?” “Yes. What about I am so bigheaded?” “No, no, that’s six syllable, hhhm.” He started muttering to himself. Zoe Nightshade turned to us. “Lord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I’d had to hear one more poem that started with, There once was a godess from Sparta-" “I’ve got it!” Apollo announced. “I am so awesome. That’s five syllables!” He bowed, looking very pleased with himself.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Call us even. Call me crazy. I don’t care. Just…” His eyes are pleading, brimming with emotion. “Just call me yours.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
I'm Draco Malfoy, I'm Draco, I'm on your side!" Draco was on the upper landing, pleading with another masked Death Eater. Harry Stunned the Death Eater as they passed: Malfoy looked around, beaming, for his savior, and Ron punched him from under the cloak. Malfoy fell backward on top of the Death Eater, his mouth bleeding, utterly bemused. "And that's the second time we've saved your life tonight, you two-faced bastard!" Ron yelled.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself." "Are you trying to tempt me?" "Ha-ha.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I know you think you're a punk," Declan said. "But you aren't nearly as bad ass as you think you are." "Oh, go to hell," Ronan snapped, just as the alter boys broached the rear doors. "Guys," Matthew pleaded. "Be holy.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Whenever I talk to anyone I care about, I am always seeking approval. There is always a pleading lilt in my voice that demands love. Even the people I work with, the ones I am supposed to have a professional relationship with, all business, get pulled into my need. I can't help it. I want to be adored.
Elizabeth Wurtzel (Prozac Nation)
I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel, world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go.
Kazuo Ishiguro (Never Let Me Go)
Soon madness has worn you down. It’s easier to do what it says than argue. In this way, it takes over your mind. You no longer know where it ends and you begin. You believe anything it says. You do what it tells you, no matter how extreme or absurd. If it says you’re worthless, you agree. You plead for it to stop. You promise to behave. You are on your knees before it, and it laughs.
Marya Hornbacher (Madness: A Bipolar Life)
One day I would have all the books in the world, shelves and shelves of them. I would live my life in a tower of books. I would read all day long and eat peaches. And if any young knights in armor dared to come calling on their white chargers and plead with me to let down my hair, I would pelt them with peach pits until they went home.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Pain lanced through his neck. He gasped and his eyes flew open; Simon was sitting up on him, staring down with wide eyes, his hand across his own mouth. Simon's wounds were gone, though fresh blood stained the front of his shirt. Jace could feel the pain of his bruised shoulders again, the slash across his wrist, his punctured throat. He could no longer hear his heart beating, but he knew it was slamming away inside his chest. Simon took his hand away from his mouth. The fangs were gone. "I could have killed you," he said. There was a sort of pleading in his voice. "I would have let you," said Jace.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
We can't plead ignorance, only indifference. Those alive today are the generations that came to know better. We have the burden and the opportunity of living in the moment when the critique of factory farming broke into the popular consciousness. We are the ones of whom it will be fairly asked, What did you do when you learned the truth about eating animals?
Jonathan Safran Foer (Eating Animals)
My feelings are not God. God is God. My feelings do not define truth. God’s word defines truth. My feelings are echoes and responses to what my mind perceives. And sometimes - many times - my feelings are out of sync with the truth. When that happens - and it happens every day in some measure - I try not to bend the truth to justify my imperfect feelings, but rather, I plead with God: Purify my perceptions of your truth and transform my feelings so that they are in sync with the truth.
John Piper (Finally Alive)
But today’s society is characterized by achievement orientation, and consequently it adores people who are successful and happy and, in particular, it adores the young. It virtually ignores the value of all those who are otherwise, and in so doing blurs the decisive difference between being valuable in the sense of dignity and being valuable in the sense of usefulness. If one is not cognizant of this difference and holds that an individual’s value stems only from his present usefulness, then, believe me, one owes it only to personal inconsistency not to plead for euthanasia along the lines of Hitler’s program, that is to say, ‘mercy’ killing of all those who have lost their social usefulness, be it because of old age, incurable illness, mental deterioration, or whatever handicap they may suffer. Confounding the dignity of man with mere usefulness arises from conceptual confusion that in turn may be traced back to the contemporary nihilism transmitted on many an academic campus and many an analytical couch.
Viktor E. Frankl (Man's Search for Meaning)
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy. "We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -" But somebody else had spoken Snape's name, quite softly. "Severus ..." The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. "Severus ... please ..." Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Hua Cheng said quietly, "Your Highness, I understand your everything. "Your courage, your despair; your kindness, your pain; your resentment, your hate; your intelligence, your foolishness. "If I could, I would have you use me as your stepping stone, the bridge you take apart after crossing, the corpse bones you need to trample to climb up, the sinner who deserved the butchering of a million knives. But, I know you wouldn't allow it." (...) However, Hua Cheng only replied, "To die in battle for you is my greatest honour." Those words were like a fatal blow. The tears in Xie Lian's eyes could no longer be restrained, and they came pouring out. Like he was hanging on the thread of his life, he pleaded, "You said you would never leave me." However, Hua Cheng replied, "There is no banquet in this world that doesn't come to an end." Xie Lian bowed his head and buried it deep into his chest, his heart and throat in constricted agony, unable to speak. Yet soon after, he heard Hua Cheng say above him, "But, I will never leave you." Hearing this, Xie Lian's head shot up. Hua Cheng said to him, "I will come back. Your Highness, believe me.
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Human)