Summer Shakes Quotes

We've searched our database for all the quotes and captions related to Summer Shakes. Here they are! All 200 of them:

Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.
William Shakespeare (Shakespeare's Sonnets)
Some of us aren't meant to belong. Some of us have to turn the world upside down and shake the hell out of it until we make our own place in it.
Elizabeth Lowell (Remember Summer)
You Are The Milk To My Shake, forever and ever. Love, J
Jenny Han (We'll Always Have Summer (Summer, #3))
...though she had not had the strength to shake off the spell that bound her to him she had lost all spontaneity of feeling, and seemed to herself to be passively awaiting a fate she could not avert.
Edith Wharton (Summer)
Another yap shook the room. Broken branches tumbled to the floor. “Wh-what’s up there?” I asked, my knees shaking. I thought about the Norns’ prophecy, naming me a harbinger of evil. “Is it—the Wolf?” “Oh, much worse,” Blitzen said. “It’s the Squirrel.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter.
Elle Kennedy (The Score (Off-Campus, #3))
Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
Sometimes looking at Frankie is like seeing Matt through a glass of water - a distorted composition of him with all the right parts, but mixed up and i the wrong order. As I watch her sing his old song, I can't shake the feeling that he just stopped by to say hello.
Sarah Ockler (Twenty Boy Summer)
Shall I compare thee to a summer's day? E'en in Australia art thou still more hot Rough winds do shake the darling buds of May (Since that's your winter it don't mean a lot) Sometimes too bright the eye of heaven shines And bushfires start through half of New South Wales Just so, when I do see thy bosom's lines A fire consumes me and my breathing fails But thine eternal summer shall not fade This is in no way due to global warming; Nay, from thy breasts shall verses fair be made So damn compulsive they are habit-forming So long as men can read and eyes can see So long lives this, thou 34DD (Based on an idea by William Shakespeare. I'm sure he'd agree that I've improved it)
Manny Rayner
I have hope in who I am becoming. I have belief in every scar and disgraceful word I have ever spoken or been told because it is still teaching me and I have hope in who I am becoming. They say it takes 756 days to run to someone you love and they also say that the only romance worth fighting for is the one with yourself and I know by now that they say a lot of things, people talking everywhere without saying a word, but if it took me all those years to learn myself or teach myself how to look into the mirror without breaking it I know for a fact that it was a fight worth fighting. I stood up for my own head and so did my heart and we are coming to terms with ourselves. Shaking hands, saying ”let’s make this work for we have places to go and people to see and we will need each other” So I have hope in who I am becoming. It’s July and I have hope in who I am becoming.
Charlotte Eriksson
But the thing about love languages,” Charlie says, “is it’s not just about how we express love, but how we receive love. You need someone to do something for you that makes you feel loved. Someone to help you.” I shake my head. “I hate asking for help.” “That’s because deep down, you want someone to see what you need before you have to ask.
Carley Fortune (One Golden Summer)
I could almost feel Meghan against me, shaking with sobs as she mourned her Winter prince. I could feel my arms around her as I whispered that it would be okay, that she still had me, and I would never leave. Ant then I wanted to kick myself in the head for thinking that
Julie Kagawa (Summer's Crossing (Iron Fey, #3.5))
I've lived to see my longings die" I've lived to se my longings die: My dreams and I have grown apart; Now only sorrow haunts my eye, The wages of a bitter heart. Beneath the storms of hostile fate, My flowery wreath has faded fast; I live alone and sadly wait To see when death will come at last. Just so, when the winds in winter moan And snow descends in frigid flakes, Upon a naked branch, alone, The final leaf of summer shakes!
Alexander Pushkin
Over the summer we chatted one night while Angie stripped a bed, changed wet sheets, comforted and repajamaed a toddler, and chased down a car of speeding teenagers while shaking a brick at them, never once interrupting the conversation or setting down her margarita. The only reason this woman isn't president of General Motors is because she's chosen not to be.
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
She’d come to the hospital. In his clothes. Did she realize tears were spilling down her cheeks and she was shaking, head to toe? No, she didn’t. Based on her flirty shoulder shrugs and attempts to wink, she thought she was playing it cool, and it made his chest burn. This girl. He’d be keeping her. There was no way around it.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
It didn't seem to be summer any more. I could feel the winter shaking my bones and banging my teeth together, and the big white hotel towel I had dragged down with me lay under my head, numb as a snowdrift.
Sylvia Plath (The Bell Jar)
Summer had always had a crush on Nat, though, ever since she was five years old. No one, no boy had ever been able to shake her out of her crush on Nat, so at least that was a good thing about Drew. ", Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
The huge round lunar clock was a gristmill. Shake down all the grains of Time—the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes—and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine…dispensed Time in blowing weathers.
Ray Bradbury (Farewell Summer)
I know what I have to say. I think of Hillary's advice, how she has been telling me to say something all along. But I am not doing this for her. This is for me. I formulate the sentences, words that have been ringing in my head all summer. "I want to be with you, Dex" I say steadily. "Cancel the wedding. Be with me." There it is. After two months of waiting, a lifetime of passivity, everything is on the line. I feel relieved and liberated and changed. I am a woman who expects happiness. I deserve happiness. Surely he will make me happy. Dex inhales, on the verge of responding. "Don't," I say, shaking my head. "Please don't talk to me agian unless it's to tell me that the wedding is off. We have nothing more to discuss until then." Our eyes lock. Neither of us blinks for a minute or more. And then, for the first time, I beat Dex in a staring contest.
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
You're the milk to my shake.
Jenny Han (The Summer I Turned Pretty Trilogy)
That's the beauty of the summer holidays. It's as if life is just a big Etch-a-Sketch, and once a year you get to shake it vigorously up and down and start again.
Holly Smale (Model Misfit (Geek Girl, #2))
The summer came to life. It burst from gray to fierce blue and gold in the blink of an eye; the air pealed with grasshoppers and lawnmowers, swirled with branches and bees and dandelion seeds, it was soft and sweet as whipped cream, and over the wall the wood was calling us in the loudest of silent voices, it was shaking out all its best treasures to welcome us home. Summer tossed out a fountain of ivy tendrils, caught us straight under the breastbones and tugged; summer, redeemed and unfurling in front of us, a million years long.
Tana French (In the Woods)
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
I remember when I was twenty-five,” he said. “No client comes to you when you’re twenty-five. It’s like when you are looking for a doctor. You don’t want the new one that just graduated. You don’t want the very old one, the one shaking, the one twenty years past his prime. You want the seasoned one who has done it so many times he can do it in his sleep though. Same thing with attorneys.
Daniel Amory (Minor Snobs)
Oh. My. God. Astor Fairway.” She looks from him to me, to Aunt Sookie. “You’re actually bringing Astor Fairway home for dinner?” “If we can get through the door,” Aunt Sookie says gently. “It’s all right,” Astor says. He holds out a hand. “Hi. You’re Rachel, right? Summer’s best friend?” Rachel shakes his hand and then looks at her hand. “I just shook Astor Fairway’s hand. I…” “Rachel,” I say, taking her back inside and letting the others past. “Will you try to maybe not act like a total fan for a moment?”, Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
I've lived to see my longings die I've lived to see my longings die: My dreams and I have grown apart; Now only sorrow haunts my eye, The wages of a bitter heart. Beneath the storms of hostile fate, My flowery wreath has faded fast; I live alone and sadly wait To see when death will come at last. Just so, when the winds in winter moan And snow descends in frigid flakes, Upon a naked branch, alone, The final leaf of summer shakes!...
Alexander Pushkin
Oh, all right,” she said balefully, beginning to shake all over. “I’ll admit it—I want you. There, are you satisfied? I want you.” “In what capacity? Lover, or husband?” Annabelle stared at him in shock. “What?” His arms slid around her, holding her quivering frame securely against his. He said nothing, only watched her intently as she tried to grasp the implications of the question. “But you’re not the marrying kind,” she managed to say weakly. He touched her ear, his fingertip tracing the fragile outer curve. “I’ve discovered that I am when it comes to you.” The subtle caress set fire to her blood, making it difficult to think. “We would probably kill each other within the first month.” “Probably,” Hunt conceded, his smiling mouth brushing over her temple. The warmth of his lips sent a rush of dizzying pleasure through her. “But marry me anyway, Annabelle. As I see things, it would solve most of your problems …and more than a few of mine.” His big hand slid gently down her spine, calming her tremors. “Let me spoil you,” he whispered. “Let me take care of you. You’ve never had anyone to lean on, have you? I’ve got strong shoulders, Annabelle.” A deep laugh rumbled in his chest. “And I may possibly be the only man of your acquaintance who’ll be able to afford you.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
She liked the feeling that Maine was basically inhospitable, that it would soon shake out its summer visitors, like a dog on a beach.
Edward St. Aubyn (Mother's Milk (Patrick Melrose, #4))
Sun, and sky, and breeze, and solitary walks, and summer holidays, and the greenness of fields, and the delicious juices of meats and fishes, and society, and the cheerful glass, and candle-light, and fire-side conversations, and innocent vanities, and irony itself-- do these things go out with life? Can a ghost laugh, or shake his gaunt sides, when you are pleasant with him?
Charles Lamb
No. The two kinds of fools we have in Russia," karkov grinned and began. "First there is the winter fool. The winter fool comes to the door of your house and he knocks loudly. You go to the door and you see him there and you have never seen him before. He is an impressive sight. He is a very big man and he has on high boots and a fur coat and a fur hat and he is all covered with snow. First he stamps his boots and snow falls from them. Then he takes off his fur coat and shakes it and more snow falls from them, Then he takes off his fur hat and knocks it against the door. More snow falls from his fur hat. Then he stamps his boots again and advances into the room. Then you look at him and you see he is a fool. That is the winter fool." "Now in the summer you see a fool going down the street and he is waving his arms and jerking his head from side to side and everybody from two hundred yards away can tell he is a fool. that is a summer fool. This economist is a winter fool.
Ernest Hemingway (For Whom the Bell Tolls)
Don’t you dare say it,” Wilder says, shaking his head. “Don’t you fucking dare.” I run my tongue over my teeth and very slowly and deliberately say, “Bologna.” His nostrils flare. His chest heaves. And in a very maniacal voice, his eyes boring holes into me, he says, “You son of a bitch.
Meghan Quinn (Till Summer Do Us Part)
Can you get a summer snow-globe instead of a winter one with green grass and flowering azalea bushes and blue sky? Because I'm here, inside it. If you shake it, perhaps it fills with black smoke, not swirling snowflakes.
Rosamund Lupton (Afterwards)
There are two girls around my age, maybe a little older, checking them out. I can’t blame them, but they’re pretty obvious about it, just watching them and talking in low voices to one another. One, a dark-haired girl whose tight clothes do a lot to emphasize the curves she has, even comes over and pushes what looks like a slip of paper into Drew’s hand. They both walk off then, giggling. “What just happened?” I ask. Nat shakes his head with a smile. “Just the Drew effect. I’ll be back in a second. I just need one more ingredient.” He heads off, leaving me with Drew. I look at him. “The Drew effect? Seriously?” “I get it most places,” he says, starting to grin but then stopping himself. “Honestly, it can get pretty annoying.”, Loving Summer by Kailin Gow
Kailin Gow (Loving Summer (Loving Summer, #1))
The pageant of the river bank had marched steadily along, unfolding itself in scene-pictures that succeeded itself in stately procession. Purple loosestrife arrived early, shaking luxuriant locks along the edge of the mirror whence its own face laughed back at it. Willow-herb, tender and wistful, like a pink sunset-cloud was not slow to follow. Comfrey, the purple hand-in-hand with the white, crept forth to take its place in the line; and at last one morning the diffident and delaying dog-rose stepped delicately on the stage, and one knew, as if string music has announced it in stately chords that strayed into a gavotte, that June at last was here. One member of the company was still awaited; the shepherd-boy for the nymphs to woo, the knight for whom the ladies waited at the window, the prince that was to kiss the sleeping summer back to life and love. But when meadow-sweet, debonair and odorous in amber jerkin, moved graciously to his place in the group, then the play was ready to begin.
Kenneth Grahame (The Wind in the Willows)
We must have several word-signs," said Syme seriously -- "words that we are likely to want, fine shades of meaning. My favourite word is 'coeval.' What's yours?" "Do stop playing the goat," said the Professor plaintively. "You don't know how serious this is." "'Lush,' too, " said Syme, shaking his head sagaciously, "we must have ' lush' -- word applied to grass, don't you know?" "Do you imagine," asked the Professor furiously, "that we are going to talk to Dr. Bull about grass?" "There are several ways in which the subject could be approached," said Syme reflectively, "and the word introduced without appearing forced. We might say, ' Dr. Bull, as a revolutionist, you remember that a tyrant once advised us to eat grass; and indeed many of us, looking on the fresh lush grass of summer--"' "Do you understand," said the other, "that this is a tragedy?" "Perfectly," replied Syme; "always be comic in a tragedy. What the deuce else can you do? I wish this language of yours had a wider scope. I suppose we could not extend it from the fingers to the toes? That would involve pulling off our boots and socks during the conversation, which however unobtrusively performed -- " "Syme," said his friend with a stern simplicity, "go to bed!
G.K. Chesterton (The Man Who Was Thursday)
Beside me, Brenna lowers her voice. “How was it?” “It was intense.” “I meant size, Summer. How was the dick? Big? Small? Long? Thick? Happy? Sad?” I bury my face in my lap, shaking with laughter. When I’ve calmed down, I ask, “How can a dick be sad?” “Trust me, I’ve seen some sad sausage.” She waves a hand, flashing her red-painted nails. “Fine, we can discuss measurements later."...
Elle Kennedy (The Chase (Briar U, #1))
How do you greet a god? If there’s an etiquette guide for that, I haven’t read it. I’m never sure if I’m supposed to shake hands, kneel, or bow and shout, “We’re not worthy!” I knew Hermes better than most of the Olympians. Over the years, he’d helped me out several times. Unfortunately last summer I’d also fought his demigod son Luke, who’d been corrupted by the Titan Kronos, in a mortal combat smack-down for the fate of the world. Luke’s death hadn’t been entirely my fault, but it still put a damper on my relationship with Hermes. I decided to start simple. “Hi.
Rick Riordan (The Heroes of Olympus: The Demigod Diaries)
It wasn’t Dean’s fault,” Allie insists. “Seriously, it’s all on me. I freaked out for no reason.” She finally looks over at me. “See? This is why I don’t like horror movies! You watch one scary movie when you’re a kid and suddenly everyone who comes to your door is a serial killer.” “Are you kidding me right now? You’ll watch a horror movie with my sister but not me? We have to watch the cancer movie?” “Dicky,” Summer chides. “You’re being grumpy.” I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter. The EMT blocks my line of sight by squatting in front of me. “I need to examine you for a concussion.” Oh for fuck’s sake.
Elle Kennedy (The Score (Off-Campus, #3))
I feel like the lightning that splits the sky. I feel like the thunder that's shaking the ground. I am the black cloud ready to erupt.
Carley Fortune (This Summer Will Be Different)
Your chances of getting hit by lightning go up if you stand under a tree, shake your fist at the sky, and say “Storms suck!” —Johnny carson
Ann Brashares (Girls In Pants: The Third Summer Of The Sisterhood (The Sisterhood of the Traveling Pants, #3))
Garnet was very happy. She was so happy, for no especial reason, that she felt as if she must move carefully so she wouldn't jar or shake the feeling of happiness.
Elizabeth Enright (Thimble Summer)
Ow.” Pulling out the Magic 8 Ball, Judy asked a question, shaking it hard: “Dear Magic 8 Ball: Could this summer get any worse?” The window cleared: Without a doubt.
Megan McDonald (Judy Moody and the Not Bummer Summer (Judy Moody, #10))
Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May
C.D. Reiss (HardBall)
She could hear the wind in the trees, shaking the leaves, a warning whisper, Summer is over, summer is over.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
Anytime something bad happens to a woman close to me, it’s how I think. I have a daughter.” “You have a son.” She shakes her head. “It’s not the same.
Courtney Summers (All the Rage)
Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
It didn’t seem to be summer any more. I could feel the winter shaking my bones and banging my teeth together, and the big white hotel towel I had dragged down with me lay under my head numb as a snowdrift.
Sylvia Plath (The Bell Jar)
Oh, you sweet summer child.” Gideon shakes his head. “There’s no introducing when it comes to Ramon. I can guarantee you, if William Larkin is on the roundtable agenda, Ramon already knows more about his case than you ever will.
Karen M. McManus (Nothing More to Tell)
But you know, a wizard with black hair and a thick mustache put a curse on Moscow, and Petrograd, too, so that no one would be able to tell the truth without lying. If a novelist wrote a true story about how things really happened, no one would believe him, and he might even be punished for spreading propaganda. But if he wrote a book full of lies about things that could never really happen, with only a few true things hidden in it, well, he would be hailed as a hero of the People, given a seat at a writers' café, served wine and ukha, and not have to pay for any of it. He'd get a salaried summer on the dacha, and be feted. Even given a medal by the wizard with the thick mustache." The waiter whistled. "That's a good curse. I should like to shake that wizard's hand and buy him a vodka or two.
Catherynne M. Valente (Deathless)
I haven't had time to have a real freak-out." He shakes his head, determined. "I'm not going to give you time. Don't think. Oreos or M&Ms?" "Oreos!" "Summer or fall?!" "Fall!" "Tator tots or French fries?!" "Both!" "Do you want to marry me, yes or no?" "YES!" Then I jump across the car and kiss him so hard he falls back and crashes against the window. The kids in the rap car holler at us to get a room.
R.S. Grey (Not So Nice Guy)
Where's your dad now?" Thomas asked. "He's gone." The word gone echoed all over the reservation. The reservation was gone itself, just a shell of its former self, just a fragment of the whole. But the reservation still possessed the power and rage, magic and loss, joys and jealousy. The reservation tugged at the lives of its Indians, stole from them in the middle of the night, watched impassively as the horses and salmon disappeared. But the reservation forgave, too. Sam Bone vanished between foot falls on the way to the Trading Post one summer day and reappeared years later to finish his walk. Thomas, Chess, and Checkers heard the word gone shake the foundation of the house.
Sherman Alexie (Reservation Blues)
Child, [death] is with us always,” said Cadfael, patient beside him. “Last summer ninety-five men died here in the town, none of whom had done murder. For choosing the wrong side, they died. It falls upon blameless women in war, even in peace at the hands of evil men. It falls upon children who never did harm to any, upon old men, who in their lives have done good to many, and yet are brutally and senselessly slain. Never let it shake your faith that there is a balance hereafter. What you see is only a broken piece from a perfect whole.” “Such justice as we see is also but a broken shred. But it is our duty to preserve what we may, and fit together such fragments as we find, and take the rest on trust.
Ellis Peters (St. Peter's Fair (Chronicles of Brother Cadfael, #4))
I saw them,” he said. I frowned. “Saw what?” He took a deep breath as he eyed me. “The paintings.” For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me. “The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?” “Of me?” he supplied. I squeezed my eyes shut. “Oh my God. Seriously?” “Yes.” Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?” “Looking for a psycho stalker,” he answered. My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.” Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.” “Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.” “I don’t think you’re a stalker, babe.” His voice was dry. I screwed up my face. “I can’t believe you saw them.” He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.” My brows flew up. “I thought you were all-knowing.” Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes on me.” “Oh dear baby Jesus in a manger,” I muttered. “But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
Aunt Jayne asks if we'd like to stop somewhere for dessert, and since nodding and smiling is easier than shaking our heads and inventing a reason for not wanting dessert, we okay it without thinking. And since the universe has worked in its own mysterious way all vacation, tonight shouldn't be any different, which is why neither of us is particularly surprised to discover that Jayne is craving a smoothie. ... Once Sam returns to his post behind the counter, Frankie stops kicking me and we slurp down our drinks in about two minutes, anxious to get out of here before anyone recognizes us. Uncle Red and Aunt Jayne, on the other hand, act like this is the last smoothie shop they'll ever see, like smoothies are an endangered species to be appreciated and savored and drawn out as long as possible. With each passing minute, Frankie and I sink lower in our chairs, praying to the God of Annoying Coincidences that Jake doesn't show up and blow our cover.
Sarah Ockler (Twenty Boy Summer)
See, boys?” Moundshroud’s face flickered with the fire. “The days of the Long Cold are done. Because of this one brave, new-thinking man, summer lives in the winter cave.” “But?” said Tom. “What’s that got to do with Halloween?” “Do? Why, blast my bones, everything. When you and your friends die every day, there’s no time to think of Death, is there? Only time to run. But when you stop running at long last—” He touched the walls. The apemen froze in mid-flight. “—now you have time to think of where you came from, where you’re going. And fire lights the way, boys. Fire and lightning. Morning stars to gaze at. Fire in your own cave to protect you. Only by night fires was the caveman, beastman, able at last to turn his thoughts on a spit and baste them with wonder. The sun died in the sky. Winter came on like a great white beast shaking its fur, burying him. Would spring ever come back to the world? Would the sun be reborn next year or stay murdered? Egyptians asked it. Cavemen asked it a million years before. Will the sun rise tomorrow morning?” “And that’s how Halloween began?” “With such long thoughts at night, boys. And always at the center of it, fire. The sun. The sun dying down the cold sky forever. How that must have scared early man, eh? That was the Big Death. If the sun went away forever, then what?
Ray Bradbury (The Halloween Tree)
She definitely wasn’t paying attention to a damn thing I was saying once you stepped in the shop. I could’ve asked her to carry my children and she probably would’ve agreed without knowing it.” He shakes his hair out of his eyes and registers my annoyed expression. “Not that I would’ve asked her that. I’m sure you’ve claimed that uterus.
J. Daniels (Where I Belong (Alabama Summer, #1))
I look at Enki, my face wild with questions, but he just shakes his head
Alaya Dawn Johnson (The Summer Prince)
Rough winds do shake the darling buds of May, / And summer’s lease hath all too short a date.
Michael Robotham (When You Are Mine)
It was very, very peaceful, and all of a sudden I found myself shaking so hard that I had to sit down on the stream bank. Anytime. It could happen anytime, and just this fast. I wasn’t sure which seemed most unreal; the bear’s attack, or this, the soft summer night, alive with promise. I rested my head on my knees, letting the sickness, the residue of shock, drain away.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Man, I wish God wasn't starting to shake us up like this. Wouldn't it just be easier to care about stuff like dinnerware, golf, school uniforms, and getting to that new resturant that just opened?
Lisa Samson (Quaker Summer)
He sticks out his hand. Billy shakes it. He has shaken with Nick before and never likes it because Nick is a bad guy. Hard not to like him a little, though. Nick is also a pro, and that grin works.
Stephen King (Billy Summers)
Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.
Kahlil Gibran (The Prophet)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Aubade with a Broken Neck" The first night you don’t come home summer rains shake the clematis. I bury the dead moth 1 found in our bed, scratch up a rutabaga and eat it rough with dirt. The dog finds me and presents between his gentle teeth a twitching nightjar. In her panic, she sings in his mouth. He gives me her pain like a gift, and I take it. I hear the cries of her young, greedy with need, expecting her return, but I don’t let her go until I get into the house. I read the auspices the way she flutters against the wallpaper’s moldy roses means all can be lost. How she skims the ceiling means a storm approaches. You should see her in the beginnings of her fear, rushing at the starless window, her body a dart, her body the arrow of longing, aimed, as all desperate things are, to crash not into the object of desire, but into the darkness behind it.
Traci Brimhall (Rookery (Crab Orchard Series in Poetry))
sometimes, as you ought to remember, you want some conversation, some meat along with the sizzle. Bonnie had the sizzle, but I knew it wasn’t going to be enough, even for the summer, when she picked up a copy of East of Eden I had on the nightstand and said she didn’t know I was religious.” “Religious?” “She figured Eden—so it must be a biblical story. She didn’t even know who Steinbeck was.” And he could still shake his head over that. “Even an overbite can’t make up for that.
Nora Roberts (The Obsession)
Anna, you miss him.” “All the time. I still can’t believe he’s gone.” The words come out in a whoosh, tasting funny in my mouth. No matter how many times I say them, they still feel like a garbled, impossible language. My chest hurts, and I have to hold my breath to keep from inhaling a deep sob. “He was more than your best friend.” I nod absently, forgetting myself for a moment, forgetting that I’m talking to Jayne and not my journal. “I – I mean, he was like a brother to me. You know, like Frankie. Well, she’s the sister. I mean–” Jayne reaches for my hands across the table, shaking her head softly. “Sweetheart, when you say Matt’s name, you have the same look in your eyes that he’d get whenever he’d say yours.
Sarah Ockler (Twenty Boy Summer)
Song for the Last Act Now that I have your face by heart, I look Less at its features than its darkening frame Where quince and melon, yellow as young flame, Lie with quilled dahlias and the shepherd's crook. Beyond, a garden. There, in insolent ease The lead and marble figures watch the show Of yet another summer loath to go Although the scythes hang in the apple trees. Now that I have your face by heart, I look. Now that I have your voice by heart, I read In the black chords upon a dulling page Music that is not meant for music's cage, Whose emblems mix with words that shake and bleed. The staves are shuttled over with a stark Unprinted silence. In a double dream I must spell out the storm, the running stream. The beat's too swift. The notes shift in the dark. Now that I have your voice by heart, I read. Now that I have your heart by heart, I see The wharves with their great ships and architraves; The rigging and the cargo and the slaves On a strange beach under a broken sky. O not departure, but a voyage done! The bales stand on the stone; the anchor weeps Its red rust downward, and the long vine creeps Beside the salt herb, in the lengthening sun. Now that I have your heart by heart, I see.
Louise Bogan (Collected Poems 1923-1953)
Something else you should really know about me. When I get nervous, my fingers shake. I’ve noticed this a lot recently. When mother and father argue and their voices are falling around the small family apartment, when their voices are banging against my bedroom door, I can feel my fingers start to move. I tell my fingers to stop and, sometimes, they do. But if I look at my hands closely, once I’ve told them to stop, and I try to focus on keeping them as still as possible, I notice that they are still moving.
Kerem Mermutlu (My Last Summer)
I really liked it.” She covers her mouth in horror. “If I like sex, do you think it means I can’t be a feminist?” “No.” I shake my head. “Because being a feminist -- I think it means being in charge of your sexuality. You decide who you want to have sex with. It means not trading your sexuality for… other things.” “Like marrying some gross guy who you’re not in love with just so you can have a nice house with a picket fence.” “Or marrying a rich old geezer. Or a guy who expects you to cook him dinner every night and take care of the children,” I say, thinking of Samantha. “Or a guy who makes you have sex with him whenever he wants, even if you don’t,” Miranda concludes. We look at each other in triumph, as if we’ve finally solved one of the world’s great problems.
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
Taylor and I are going to go to the boardwalk tonight. Will one of you guys drop us off?” Before my mother or Susannah could answer, Jeremiah said, “Ooh, the boardwalk. I think we should go to the boardwalk too.” Turning to Conrad and Steven, he added, “Right, guys?” Normally I would have been thrilled that any of them wanted to go somewhere I was going, but not this time. I knew it wasn’t for me. I looked at Taylor, who was suddenly busy cutting up her scallops into tiny bite-size pieces. She knew it was for her too. “The boardwalk sucks,” said Steven. Conrad said, “Not interested.” “Who invited you guys anyway?” I said. Steven rolled his eyes. “No one invites anyone to the boardwalk. You just go. It’s a free country.” “Is it a free country?” my mother mused. “I want you to really think about that statement, Steven. What about our civil liberties? Are we really free if-“ “Laurel, please,” Susannah said, shaking her head. “Let’s not talk politics at the dinner table.” “I don’t know of a better time for political discourse,” my mother said calmly.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
I was at least four-hundred miles from life of any kind on this particular night when it began to rain. It was one of those summer rains that come down in buckets but pass quickly. I had a full load and no desire to slide off into a ditch so I gradually slowed, the air brakes whining like a lonely animal in the deep darkness. I pulled off onto the gravel shoulder and that's when I saw her. I came close to rolling over her because of the rain as she lay curled up in a fetal position. Her entire body was shaking so hard it frightened me. The rain was pouring but she made no effort to move.
Bobby Underwood (Night Run)
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.
Jung Chang (Wild Swans: Three Daughters of China)
When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"' This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.' Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village. After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure. 'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.' 'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.' We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama. Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .' 'Before we were born!' 'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!' 'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." ' 'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.' We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed. 'I, of course, addressed your father as Mister Binewski.
Katherine Dunn (Geek Love)
In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence. Wait for the early owl. In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament. Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde. Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn. Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts. Feet rising and falling. Eating and drinking. Dung and death. Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.
T.S. Eliot (Four Quartets)
Eighteen," he repeated, shaking his head. "When I was your age I was dropping acid and cutting high school. I was working summers in a fish factory in Secaucus. Secaucus, New Jersey." He looked at me disapprovingly, as though I were somehow behind schedule. "Maybe that's what I'll be doing when I'm your age," I suggested.
Elif Batuman (The Idiot)
I have learned this for certain: if discontent is your disease, travel is medicine. It resensitizes. It open you up to see outside the patterns you follow. Because new places require new learning. It forces your childlike self back into action. When you are a kid, everything is new. You don't know what's under each rock, or up the creek. So, you look. You notice because you need to. The world is new. This, I believe, is why time moves so slowly as a child - why school days creep by and summer breaks stretch on. Your brain is paying attention to every second. It must as it learns that patters of living. Ever second has value. But as you get older, and the patterns become more obvious, time speeds up. Especially once you find your groove in the working world. The layout of your days becomes predictable, a routine, and once your brain reliably knows what's next, it reclines and closes its eyes. Time pours through your hands like sand. But travel has a way of shaking the brain awake. When I'm in a new place, I don't know what's next, even if I've read all the guidebooks and followed the instructions of my friends. I can't know a smell until I've smelled it. I can't know the feeling of a New York street until I've walked it. I can't feel the hot exhaust of the bus by reading about it. I can't smell the food stands and the cologne and the spilled coffee. Not until I go and know it in its wholeness. But once I do, that awakened brain I had as a kid, with wide eyes and hands touching everything, comes right back. This brain absorbs the new world with gusto. And on top of that, it observes itself. It watches the self and parses out old reasons and motives. The observation is wide. Healing is mixed in.
Jedidiah Jenkins (To Shake the Sleeping Self: A Journey from Oregon to Patagonia, and a Quest for a Life with No Regret)
Alex sets his book down. “I tell you what. You can have my summer breaks. I’ll keep those wide open for you, and we’ll go anywhere you want, that we can afford.” “Really?” I say, dubious. “Promise.” He holds out his hand, and we shake on it, then sit there grinning for a few seconds feeling like we’ve signed some life-alteringly significant contract.
Emily Henry (People We Meet on Vacation)
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since. I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since. But it came to me very simply one day at school, aged only sixteen. As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal. But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong. Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant. The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too. The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up. I mean, what does a child know about faith? It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known. Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about. Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg. I was devastated. I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life. ‘Please, God, comfort me.’ Blow me down … He did. My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.) To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies. This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes. The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life. This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being. Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree. I had found a calling for my life.
Bear Grylls (Mud, Sweat and Tears)
I stood up to walk the long way back home in my wrinkled dress, legs shaking and throat burning with contained tears. As the torn lace of the white skirt I was wearing grazed my thighs, I knew for certain two things: I had no panties on, and there was a hollow space where my soul used to be. The soft and warm summer breeze punched me repeatedly, swaying my frail body around.
Tammy Faith (Broken Heart)
I watched him make his way through the crowd, feeling proud I could call him mine. My boyfriend, my Jeremiah. The first boy I had ever fallen asleep next to. The first boy I ever told about the time I accidentally walked in on my parents doing it when I was eight. The first boy to go out and buy me Midol because my cramps were so bad, the first boy to paint my toenails, to hold my hair back when I threw up that time I got really drunk in front of all his friends, the first boy to write me a love note on the whiteboard hanging outside my dorm room. YOU ARE THE MILK TO MY SHAKE, forever and ever. Love, J. He was the first boy I ever kissed. He was my best friend. More and more, I understood. This was the way it was supposed to be. He was the one. My one.
Jenny Han (We'll Always Have Summer (Summer, #3))
When I couldn’t take the hunger anymore, I called Taylor and told her everything. She screamed so loud, I had to hold the phone away from my ear. She came right over with a black-bean burrito and a strawberry-banana smoothie. She kept shaking her head and saying, “That Zeta Phi slut.” “It wasn’t just her, it was him, too,” I said, between bites of my burrito. “Oh, I know. Just you wait. I’m gonna drag my nails across his face when I see him. I’ll leave him so scarred, no girl will ever hook up with him again.” She inspected her manicured nails like they were artillery. “When I go to the salon tomorrow, I’m gonna tell Danielle to make them sharp.” My heart swelled. There are some things only a friend who’s known you your whole life can say, and instantly, I felt a little better. “You don’t have to scar him.” “But I want to.” She hooked her pinky finger with mine. “Are you okay?” I nodded. “Better, now that you’re here.” When I was sucking down the last of my smoothie, Taylor asked me, “Do you think you’ll take him back?” I was surprised and really relieved not to hear any judgement to her voice. “What would you do?” I asked her. “It’s up to you.” “I know, but…would you take him back?” “Under ordinary circumstances, no. If some guy cheated on me while we were on a break, if he so much as looked at another girl, no. He’d be donzo.” She chewed on her straw. “But Jeremy’s not some guy. You have a history together.” “What happened to all that talk about scarring him?” “Don’t get it twisted, I hate him to death right now. He effed up in a colossal way. But he’ll never be just some guy, not to you. That’s a fact.” I didn’t say anything. But I knew she was right. “I could still round up my sorority sisters and go slash his tires tonight.” Taylor bumped my shoulder. “Hmm? Whaddyathink?” She was trying to make me laugh. It worked. I laughed for the first time in what felt like a long time.
Jenny Han (We'll Always Have Summer (Summer, #3))
Diary entry, summer 1973. It may be there in a distracted glance out of an open window or in the split second of an absent look when you speak to her, or in the guarded inflections of her voice as she replies, or in the subtle chemistry of touch or smell or the taste of her skin in your mouth, or in some unspecified sixth sense that you can’t name, but when love is over, its signals are louder than disclosure, if only you are willing and open enough to acknowledge them. But of course we shake off these feelings as if they were mere irritations, as if they were unimportant and uninvited guests at a feast. “Not now,” you say, fobbing them off with shallow excuses and feigning more urgent business elsewhere. But they linger long after the party, and skulk in a corner where they plot and fester and return to ask their impertinent questions in the still of night, when she’s sleeping and wearing her child’s face. When she looks so beautiful and vulnerable with her mouth slightly open, and her hair a mess on the pillow, but as you reach to touch her, she turns unconsciously away toward the window, and then the questions start again, and you can’t sleep….
Sting (Broken Music: A Memoir)
Look, all your reasons are really stupid,” I say. “People in relationships need each other like I need you. I know it’s exhausting taking care of me, and I’m sorry. I can try to give you a break, and we can use this summer to get back on track. I really think this is just a rough patch.” Jamie shakes his head. I finally turn and look at him. He’s looking at his hands again. “So that’s it? You’re not even going to try? After all this time together?” “I can’t do it anymore, Autumn.” “You said you would love me forever.” I’m not going to let him off easy. “I do love you, just not that way anymore,” Jamie says. “You still love me,” I say. “You just can’t feel it right now. Sometimes that happens to me, and I just wait and it always comes back. I don’t break up with you. I just give it time.
Laura Nowlin (If He Had Been with Me)
My life began by flickering out. It may sound strange but it is so. From the very first moment I became conscious of myself, I felt that I was already flickering out. I began to flicker out over the writing of official papers at the office; I went on flickering out when I read truths in books which I did not know how to apply in life, when I sat with friends listening to rumours, gossip, jeering, spiteful, cold, and empty chatter, and watching friendships kept up by meetings that were without aim or affection; I was flickering out and wasting my energies with Minna on whom I spent more than half of my income, imagining that I loved her; I was flickering out when I walked idly and dejectedly along Nevsky Avenue among people in raccoon coats and beaver collars – at parties, on reception days, where I was welcomed with open arms as a fairly eligible young man; I was flickering out and wasting my life and mind on trifles moving from town to some country house, and from the country house to Gorokhovaya, fixing the arrival of spring by the fact that lobsters and oysters had appeared in the shops, of autumn and winter by the special visiting days, of summer by the fêtes, and life in general by lazy and comfortable somnolence like the rest. ... Even ambition – what was it wasted on? To order clothes at a famous tailor's? To get an invitation to a famous house? To shake hands with Prince P.? And ambition is the salt of life! Where has it gone to? Either I have not understood this sort of life or it is utterly worthless; but I did not know of a better one. No one showed it to me.
Ivan Goncharov (Oblomov)
As an apology for deceiving you, and my mother kidnapping you to make you fight in the Fae Games, I will bring you Dick’s liver. Warm.” She licked her lips like a maniac. I felt less pride. “All right, let’s try to rein in our crazy. But seriously, if you kill or bring me Dick, I’ll forgive you for all your lies,” I said dramatically. Aran nodded, spit into her hand, and held it out for me to shake. I grimaced at her spit. It was probably a weird fae custom, an enchantment to bind our promise. I spit into my hand and held it out. She shook my hand aggressively. “So, are we now bound to our promise forever or something?” I asked. Aran grinned. “Nah, I saw it in a bootleg human movie about a camp during the summer months. Apparently, it makes a promise extra solid.” I regretted touching her hand.
Jasmine Mas (Psycho Fae (Cruel Shifterverse, #2))
At one-thirty in the deep dark morning, the cooking odors blew up through the windy corridors of the house. Down the stairs, one by one, came women in curlers, men in bathrobes, to tiptoe and peer into the kitchen- lit only by fitful gusts of red fire from the hissing stove. And there in the black kitchen at two of a warm summer morning, Grandma floated like an apparition, amidst bangings and clatterings, half blind once more, her fingers groping instinctively in the dimness, shaking out spice clouds over bubbling pots and simmering kettles, her face in the firelight red, magical, and enchanted as she seized and stirred and poured the sublime foods. Quiet, quiet, the boarders laid the best linens and gleaming silver and lit candles rather than switch on electric lights and snap the spell. Grandfather, arriving home from a late evening's work at the printing office, was startled to hear grace being said in the candlelit dining room. As for the food? The meats were deviled, the sauces curried, the greens mounded with sweet butter, the biscuits splashed with jeweled honey; everything toothsome, luscious, and so miraculously refreshing that a gentle lowing broke out as from a pasturage of beasts gone wild in clover. One and all cried out their gratitude for their loose-fitting night clothes.
Ray Bradbury (Dandelion Wine)
Teller would pay dearly for what he had said. Later that summer, on a visit to Los Alamos, Teller spotted an old friend, Bob Christy, in the dining hall. Walking over to greet him with outstretched hand, Teller was stunned when Christy refused to shake hands and abruptly turned his back. Standing close by was a furious Rabi, who said, “I won’t shake your hand, either, Edward.” Stunned, Teller went back to his hotel room and packed his bags.
Kai Bird (American Prometheus)
Did a horse kick you in the head as a child when I wasn’t watching?” Cade asks. “Beau beat your ass too hard one time? If I shake you hard enough, will it get you thinking straight?” Cade is mad, but my dad just looks sad. His blink lasts a few beats too long as he nods his head and folds his newspaper. “When is Summer coming back?” he asks as he pushes himself up from the table. “I don’t know.” I stare at my feet when I say it. Cade scoffs.
Elsie Silver (Flawless (Chestnut Springs, #1))
Just the sight of Ben in his uniform is enough to make my legs shake. Pairing that with us crammed into the back of his car, him pinning me down or me grinding in his lap, his pants undone just enough to reveal his cock, the harsh chill of his handcuffs pressing into my skin, biting my flesh, the smell of sex and sweat growing thick around us and lingering there after we’re done, reminding him every time he gets in what we did and how it felt . . .
J. Daniels (Where We Belong (Alabama Summer, #3.5))
Hey!” The male voice sliced through the noise. Terri ignored him, determined to get back to the bar for her next order. A harsh hand gripped her arm, jerking her back into a firm chest. “I asked your name.” Hot breath reeking of stale beer permeated her sinuses, making her stomach turn, as the tenor of his voice burrowed into her ear. Fear gripped her. Memories of the way Randy would grab her, and where it always ended, slammed into her, making her head spin. Shaking it off, Terri narrowed her eyes and whirled around, jabbing a red lacquered nail into his powder blue polo. “Back off,” she warned, snatching her arm back. He advanced on her, his large frame towering over her. “Just wanna know your name, sweetheart,” he said with a sleazy smile. “No need to get testy.” “You haven’t seen me testy.” As she turned her back on him and continued on her way, he called out to her. “Yet.” Terri--from Spring Cleaning--Coming Summer 2012
Brandi Aquino (Spring Cleaning)
Murhder lowered his head . . . and kissed her. Oh . . . wow. His lips were velvet on her own, all summer-breeze soft and slow as an August sunrise as they caressed hers. And she would have called the contact sweet, except no. His enormous body . . . his mysterious, other-than-human, incredibly powerful body . . . trembled, and that was what made everything utterly erotic: The subtle shaking meant he was holding himself in strict control, clamping down on his drive, chaining, jailing what was inside of him. There was a beast on the far side of his will, a wild creature rattling at the iron bars of his restraint, a force so much greater than she could understand. And she wanted the monster in him. The unleashed. The crazed. Against everything that made any kind of sense, she wanted him to devour her, master her, take her down onto the hard floor right here, right now, and pin her under his naked, pumping body until she had no thoughts of who or even what he was.
J.R. Ward (The Savior (Black Dagger Brotherhood, #17))
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep? - Ode to a Nightingale
John Keats (The Complete Poems)
The work lifts his spirits, when spirits can be lifted, but darkness still catches him now and then. That’s the nature of darkness. It comes at the end of every day, predictable as the striking of a clock’s chime, even in the heart of summer, when the light is full and lingering. You can never quite escape the night. Perhaps that’s as God wills; this must be His design. How are we to know when our lives are good and when we are blessed, if we have no sorrow, no deprivation for comparison’s sake? There is, he believes, a purpose to all the Creator’s ways. But the mind and heart of God are beyond the understanding of Man. You can know your suffering serves a purpose—that the suffering of others plays some inscrutable part in the grand drama of Creation. But knowing brings you little comfort. When night drops its heavy curtain across the world, darkness is cruel and unforgiving. The way all your happiness can snuff itself in an instant, like the flame of a candle pinched between a licked finger and thumb—it can shake your faith, or strip faith away entirely, if you let it.
Olivia Hawker (The Ragged Edge of Night)
Tell me what to do, Summer. Tell me, and I’ll do it. Was I unclear before? Because I want to be crystal clear now. I love you. I loved you the moment you walked into that boardroom and smirked at me like you knew something I didn’t. It bothered me, and I couldn’t stop thinking about it. Wanting to know what you know. I fixated on it, but I think I was just fixated on you.” I process his words, soaking them in like a cat soaks up the sun. His cheeks flush, and his feet shift nervously. This is a lot of feeling talk for someone like Rhett Eaton. “And I still am. I always will be. This thing between us? For me? It’s everything. It’s it. You’re it. I’ve spent years thinking I didn’t have someone who really supported me. But that was only because I hadn’t met you yet. You were out there, wanting me. And all it took was one meeting with you for me to want you too. A few weeks for me to know that I’d do anything to support you too.” He shakes his head and peers out the window. “You were out there this whole time, and now I know you exist, and I can never go back. Wouldn’t want to if I could.
Elsie Silver (Flawless (Chestnut Springs, #1))
I like to watch Peter when he doesn’t know I’m looking. I like to admire the straight line of his jaw, the curve of his cheekbone. There’s an openness to his face, an innocence--a certain kind of niceness. It’s the niceness that touches my heart the most. It’s Friday night at Gabe Rivera’s house after the lacrosse game. Our school won, so everyone is in very fine spirits, Peter most of all, because he scored the winning shot. He’s across the room playing poker with some of the guys from his team; he is sitting with his chair tipped back, his back against the wall. His hair is still wet from showering after the game. I’m on the couch with my friends Lucas Krapf and Pammy Subkoff, and they’re flipping through the latest issue of Teen Vogue, debating whether or not Pammy should get bangs. “What do you think, Lara Jean?” Pammy asks, running her fingers through her carrot-colored hair. Pammy is a new friend--I’ve gotten to know her because she dates Peter’s good friend Darrell. She has a face like a doll, round as a cake pan, and freckles dust her face and shoulders like sprinkles. “Um, I think bangs are a very big commitment and not to be decided on a whim. Depending on how fast your hair grows, you could be growing them out for a year or more. But if you’re serious, I think you should wait till fall, because it’ll be summer before you know it, and bangs in the summer can be sort of sticky and sweaty and annoying…” My eyes drift back to Peter, and he looks up and sees me looking at him, and raises his eyebrows questioningly. I just smile and shake my head. “So don’t get bangs?” My phone buzzes in my purse. It’s Peter. Do you want to go? No. Then why were you staring at me? Because I felt like it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It is summer, and we are in a house That is not ours, sitting at a table Enjoying minutes of a rented silence, The upstairs people gone. The pigeons lull To sleep the under-tens and invalids, The tree shakes out its shadows to the grass, The roses rove through the wilds of my neglect. Our lives flap, and we have no hope of better Happiness than this, not much to show for love Than how we are, or how this evening is, Unpeopled, silent, and where we are alive In a domestic love, seemingly alone, All other lives worn down to trees and sunlight, Looking forward to a visit from the cat.
Douglas Dunn (Selected Poems 1964-1983)
Plenty of twelve-year-olds spend a little time in a lake, of course; in a very real sense there’s nothing particularly unusual about my having been briefly dunked underwater the summer after sixth grade, and subsequently I have little to complain about. But I cannot shake the sense that I have only recently sprung from being held underwater, unsure whether I have been released or struggled my own way out or simply found myself, like all human beings, naturally and instinctively buoyant. If one finds ground to stand upon, it so follows that the rest of the river is but shallow; thus we get over.
Daniel Mallory Ortberg (Something That May Shock and Discredit You (A Collection of Essays and Observations))
Sounds of The Fleetwoods singing, “Come Softly to Me” and Robin Luke singing “Susie Darlin” and Little Anthony popping the vocal on “I Ran All the Way Home.” Were they all hits in that summer of 1960? Yes and no. Mostly yes. In the long purple evenings when rock and roll from WLAM blurred into night baseball from WCOU, time shifted. I think it was all 1960 and that the summer went on for a space of years, held magically intact in a web of sounds: the sweet hum of crickets, the machine-gun roar of playing-cards riffling against the spokes of some kid’s bicycle as he pedaled home for a late supper of cold cuts and iced tea, the flat Texas voice of Buddy Knox singing “Come along and be my party doll, and I’ll make love to you, to you,” and the baseball announcer’s voice mingling with the song and with the smell of freshly cut grass: “Count’s three and two now. Whitey Ford leans over ... shakes off the sign ... now he’s got it ... Ford pauses ... pitches ... and there it goes! Williams got all of that one! Kiss it goodbye! RED SOX LEAD, THREE TO ONE!” Was Ted Williams still playing for the Red Sox in 1960? You bet your ass he was—.316 for my man Ted. I remember that very clearly. Baseball
Stephen King (Different Seasons)
A man once made it a reproach that I should be so happy, and told me everybody has crosses, and that we live in a vale of woe. I mentioned moles as my principal cross, and pointed to the huge black mounds with which they had decorated the tennis–court, but I could not agree to the vale of woe, and could not be shaken in my belief that the world is a dear and lovely place, with everything in it to make us happy so long as we walk humbly and diet ourselves. He pointed out that sorrow and sickness were sure to come, and seemed quite angry with me when I suggested that they too could be borne perhaps with cheerfulness. ‘And have not even such things their sunny side?’ I exclaimed. ‘When I am steeped to the lips in diseases and doctors, I shall at least have something to talk about that interests my women friends, and need not sit as I do now wondering what I shall say next and wishing they would go.’ He replied that all around me lay misery, sin, and suffering, and that every person not absolutely blinded by selfishness must be aware of it and must realise the seriousness and tragedy of existence. I asked him whether my being miserable and discontented would help any one or make him less wretched; and he said that we all had to take up our burdens. I assured him I would not shrink from mine, though I felt secretly ashamed of it when I remembered that it was only moles, and he went away with a grave face and a shaking head, back to his wife and his eleven children. I heard soon afterwards that a twelfth baby had been born and his wife had died, and in dying had turned her face with a quite unaccountable impatience away from him and to the wall; and the rumour of his piety reached even into my garden, and how he had said, as he closed her eyes, ‘It is the Will of God.’ He was a missionary.
Elizabeth von Arnim (The Solitary Summer (Elizabeth))
She set butter and sugar to warm in a sauté pan, and then turned to core, peel, and slice the apples, the sluicing sound of the knife against the crisp flesh of the fruit giving her whirling mind finally something to clutch. She dropped the apples into the pan, shaking it gently by the handle to coat the apples until they were slightly caramelized. Then she added a splash of cider and let the buttery, sweet liquid reduce before seasoning with cinnamon and pouring the softened apples into a serving bowl. She leaned over the bowl as she customarily did when making cinnamon apples to breathe the earthy-sweet aroma.
Karen Weinreb (The Summer Kitchen)
Beauty And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror
Kahlil Gibran
There were four ways out of Nickel. One: serve your time. A typical sentence fell between six months and two years, but the administration had the power to confer a legal discharge before then at its discretion. Good behavior was a trigger for a legal discharge, if a careful boy gathered enough merits for promotion to Ace. Whereupon he was released into the bosom of his family, who were very glad to have him back or else winced at the sight of his face bobbing up the walk, the start of another countdown to the next calamity. If you had family. If not, the state of Florida's child-welfare apparatus had assorted custodial remedies, some more pleasant than others. You could also serve time by aging out. The schools showed boys the door on their eighteenth birthday, quick hand-shake and pocket change...Boys arrived banged up in different ways before they got to Nickel and picked up more dents and damage during their term. Often graver missteps and more fierce institutions waited. Nickel boys were f***** before, during, and after their time at the school, if one were to characterize the general trajectory... Three: You could die. Of 'natural causes' even, if abetted by unhealthy conditions, malnutrition, and the pitiless constellation of negligence. In the summer of 1945, one young by died of heart failure while locked in a sweatbox, a popular corrective at that time, and the medical examiner called it natural causes.
Colson Whitehead (The Nickel Boys)
 . . . Today I got to tidying up around the property a bit. There were leaves everywhere, so I gave the yard a good blow job.” Cade’s eyes widen. Comically wide. Playfully wide. And I can’t help the hysterical little giggle that bubbles up out of me. I slap a hand over my mouth to cover it. Rhett chokes on a piece of his food, and Summer slaps his back and coos at him like he’s a baby choking on applesauce while trying to suppress her giggles. “I’m sorry, Dad,” Beau says with a playful glint in his eye. “You’re gonna have to explain that one to us again.” Harvey shakes his head and rolls his eyes. “You not wearing ear protection at the shooting range? I said the yard was a mess. Next time you can make yourself useful and blow it yourself, Beau.
Elsie Silver (Heartless (Chestnut Springs, #2))
For many years, a family of ospreys lived in a large nest near my summer home in Maine. Each season, I carefully observed their rituals and habits. In mid-April, the parents would arrive, having spent the winter in South America, and lay eggs. In early June, the eggs hatched. The babies slowly grew, as the father brought fish back to the nest, and in early to mid August were large enough to make their first flight. My wife and I recorded all of these comings and goings with cameras and in a notebook. We wrote down the number of chicks each year, usually one or two but sometimes three. We noted when the chicks first began flapping their wings, usually a couple of weeks before flying from the nest. We memorized the different chirps the parents made for danger, for hunger, for the arrival of food. After several years of cataloguing such data, we felt that we knew these ospreys. We could predict the sounds the birds would make in different situations, their flight patterns, their behavior when a storm was brewing. Reading our “osprey journals” on a winter’s night, we felt a sense of pride and satisfaction. We had carefully studied and documented a small part of the universe. Then, one August afternoon, the two baby ospreys of that season took flight for the first time as I stood on the circular deck of my house watching the nest. All summer long, they had watched me on that deck as I watched them. To them, it must have looked like I was in my nest just as they were in theirs. On this particular afternoon, their maiden flight, they did a loop of my house and then headed straight at me with tremendous speed. My immediate impulse was to run for cover, since they could have ripped me apart with their powerful talons. But something held me to my ground. When they were within twenty feet of me, they suddenly veered upward and away. But before that dazzling and frightening vertical climb, for about half a second we made eye contact. Words cannot convey what was exchanged between us in that instant. It was a look of connectedness, of mutual respect, of recognition that we shared the same land. After they were gone, I found that I was shaking, and in tears. To this day, I do not understand what happened in that half second. But it was one of the most profound moments of my life.
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
I press the blue glass triangle to my lips and smile for Matt, my best-friend-that’s-a-boy, my last goodbye to the brokenhearted promise I carried like my journal for so long. Somewhere below the black frothy ocean, a banished mermaid reads my letters and weeps endlessly for a love she’ll never know – not for a single moment. Before the trip, Frankie and I set out to have the Absolute Best Summer Ever, the summer of twenty boys. We’ll never agree on the final count – whether the boys from Caroline’s should be included in the tally, whether the milk-shake man was too old to be considered a “boy,” whether her tattooed rock star interlude was anything other than a rebound. But in the end, there were only two boys who really mattered. Matt and Sam. When I close my eyes, I see Sam lying next to me on the blanket that first night we watched the stars – the night he made me look at everything in a different way; the breeze on my skin and the music and the ocean at night. But I also see Matt; his marzipan frosting kiss. All the books he read to me. His postcard fairy tales of California, finally coming to life in Zanzibar Bay. When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He’ll always be part of me – just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away – it just changes into something else. Something beautiful.
Sarah Ockler (Twenty Boy Summer)
Reck-Malleczewen, whom I mentioned before, tells of a female "leader" who came to Bavaria to give the peasants a pep talk in the summer of 1944. She seems not to have wasted much time on "miracle weapons" and victory, she faced frankly the prospect of defeat, about which no good German needed to worry because the Führer "in his great goodness had prepared for the whole German people a mild death through gassing in case the war should have an unhappy end." And the writer adds: "Oh, no, I'm not imagining things, this lovely lady is not a mirage, I saw her with my own eyes: a yellow-skinned female pushing forty, with insane eyes. . . . And what happened? Did these Bavarian peasants at least put her into the local lake to cool off her enthusiastic readiness for death? They did nothing of the sort. They went home, shaking their heads.
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
Neil Gaiman (Norse Mythology)
Have you found it different having girls in the house?” He cleared his throat. “Oh, yeah.” “Would you care to elaborate?” “Nope.” I looked up from my writing. “If you don’t elaborate, it’s going to be a very short article.” “Look, I’ve already gotten into it once tonight--” “Are you implying I’m hard to live with? Is that why you won’t comment further? Because you think I’ll be offended? I won’t be.” “No further comment.” I sighed, tempted to toss the recorder at him. “Okay, then, we’ll move on. What’s been the most difficult aspect of living with us?” There was silence, but it was the kind where you can sense someone wants to speak but doesn’t. Jason was so incredibly still, as though he was weighing consequences. “Not kissing you,” he finally said, quietly. My heart did this little stutter. I just stared at him as the recorder continued to run, searching for sound. My hand was shaking when I reached over and turned it off. “But you did kiss me, and you said it was a mistake.” “Because getting involved with you is a bad idea, on so many levels.” “Care to share one of those levels?” “I’m living in your house. Your parents are giving me a roof over my head. Your mom brings home extra takeout. I’m here only for the summer. Then I’m back at school.” He reached up, removed the ice pack from around his shoulder, and set it on the table. “And Mac? After we went to Dave and Bubba’s, he comes out to the mound and tells me he thinks you’re hot. And I know you like him, so I was willing to bunt.” “Bunt?” “Willing to sacrifice my happiness.” “You thought you’d be happy being with me?” “Are you kidding? You’re cute, easy to talk to. You love baseball. You make me smile, make me laugh. And we won’t even mention how much I liked kissing you.” Only he had mentioned it. And now I was thinking about it when I really shouldn’t be.
Rachel Hawthorne (The Boyfriend League)
Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end. It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell. "Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Garnet was very happy. She was so happy, for no especial reason, that she felt as if she must move carefully so she wouldn’t jar or shake the feeling of happiness. She descended from the roof cautiously, and walked with even steps down through the vegetable garden and across the pasture to the slough. A green light, tranquil and diffused, glowed among the willow saplings. The water was clear and motionless. Garnet leaned against a tree. She was so quiet that a great blue heron, fancying itself alone, flew down between the branches and paused at the water’s edge. She watched the handsome creature, with his blue crest and slender long legs, wading and darting his bill into the water. She was so near that she could see the jewel color of his little eye. He stood for a contemplative moment on one foot, still as a bird of carven stone; and in that moment it seemed to Garnet that he had become her companion; a creature who understood and shared her mood of happiness. For a second or two they stood like that in perfect stillness: and then the heron spread his heavy wings and flew away.
Elizabeth Enright (Thimble Summer)
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Georges was in a rage. It is a spectacle to comtemplate, his rage. He tore off his cravat, strode about the room, his throat and chest glistening with sweat, his voice shaking the windows. “This bloody so-called Revolution has been a waste of time. What have the patriots got out of it? Nothing.” He glared around the room. He looked as if he would hit anyone who contradicted him. Outside there was some far-off shouting, from the direction of the river. “If that’s true—” Camille said. But he couldn’t manage it, he couldn’t get his words out. “If this one’s done for—and I think it always was done for—” He put his face into his hands, exasperated with himself. “Come on, Camille,” Georges said, “there’s no time to wait around for you. Fabre, please bang his head against the wall.” “That’s what I’m trying to say, Georges- Jacques. We have no more time left.” I don’t know whether it was the threat, or because he suddenly saw the future, that Camille recovered his voice: but he began to speak in short, simple sentences. “We must begin again. We must stage a coup. We must depose Louis. We must take control. We must declare the republic. We must do it before the summer ends.
Hilary Mantel (A Place of Greater Safety)
Hey, Buddy,” he said to me. I got a close-up view of his strange, light blue eyes and golden skin as he threw his arms around me and kept walking right over me. I had to throw my arms around him, too, to keep from thudding flat on my back on the dock. “Oh, pardon me!” he said, pulling me out from under him and setting me on my feet again. “I didn’t even see you there.” “That’s quite all right,” I managed in the same fake-formal tone. His warm hands still held my waist. This was the first time a boy had ever touched my bare tummy. My happy skin sent shocked messages to my brain that went something like, He’s touching me! Are you getting this? He’s touching me! Eeeeeeee! My brain got it, all right, and put the rest of my body on high alert. My heart thumped painfully, just like in my dream. But as I looked into his eyes, I saw he was already gone, glancing up the stairs to the marina. If I didn’t know better, I’d say he’d been flirting with me. I knew better. He treated all girls this way. He slid out of my grasp. He may have had to shake one hand violently to extricate it from my friendly vise-like grip. “See you later, Junior,” he threw over his shoulder at me as he climbed the steps to the marina.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
THE POWER OF FIVE These portions contain roughly 5 grams of carbohydrates. Food groups are arranged in the general order in which they should be added. Vegetables 3/4 cup cooked spinach 1/2 cup red peppers 1 medium tomato 2/3 cup cooked broccoli 8 medium asparagus 1 cup cauliflower 1/3 cup chopped onions 1/2 California avocado 2/3 cup summer squash Dairy 5 ounces farmer's cheese or pot cheese 5 ounces mozzarella cheese 1/2 cup cottage cheese 2/3 cup ricotta cheese 1/2 cup heavy cream Nuts and Seeds 1 ounce of: macadamias (approximately ten to twelve nuts) walnuts (approximately fourteen halves) almonds (approximately twenty-four nuts) pecans (approximately thirty-one nuts) hulled sunflower seeds (three tablespoons) roasted shelled peanuts (approximately twenty-six nuts) 1/2 ounce of cashews (approximately nine nuts) Fruits 1/4 cup blueberries 1/4 cup raspberries 1/2 cup strawberries 1/4 cup cantaloupe, honeydew Juices 1/4 cup lemon juice 1/4 cup lime juice 1/2 cup tomato juice Convenience Foods You can select from the variety of convenience foods (bars and shakes are the two most available), but be sure to determine the actual number of digestible carbohydrate in any particular product (see Chapter 8, page 68).
Robert C. Atkins (Dr. Atkins' New Diet Revolution, Revised Edition)
Song for the Last Act Now that I have your face by heart, I look Less at its features than its darkening frame Where quince and melon, yellow as young flame, Lie with quilled dahlias and the shepherd's crook. Beyond, a garden. There, in insolent ease The lead and marble figures watch the show Of yet another summer loath to go Although the scythes hang in the apple trees. Now that I have your face by heart, I look. Now that I have your voice by heart, I read In the black chords upon a dulling page Music that is not meant for music's cage, Whose emblems mix with words that shake and bleed. The staves are shuttled over with a stark Unprinted silence. In a double dream I must spell out the storm, the running stream. The beat's too swift. The notes shift in the dark. Now that I have your voice by heart, I read. Now that I have your heart by heart, I see The wharves with their great ships and architraves; The rigging and the cargo and the slaves On a strange beach under a broken sky. O not departure, but a voyage done! The bales stand on the stone; the anchor weeps Its red rust downward, and the long vine creeps Beside the salt herb, in the lengthening sun. Now that I have your heart by heart, I see.
Louise Bogan (The Blue Estuaries)
IN THE SMALL Ohio town where I grew up, many homes had parlors that contained pianos, sideboards, and sofas, heavy objects signifying gentility. These pianos were rarely tuned. They went flat in summer around the Fourth of July and sharp in winter at Christmas. Ours was a Story and Clark. On its music stand were copies of Stephen Foster and Ethelbert Nevin favorites, along with one Chopin prelude that my mother would practice for twenty minutes every three years. She had no patience, but since she thought Ohio—all of it, every scrap—made sense, she was happy and did not need to practice anything. Happiness is not infectious, but somehow her happiness infected my father, a pharmacist, and then spread through the rest of the household. My whole family was obstinately cheerful. I think of my two sisters, my brother, and my parents as having artificial, pasted-on smiles, like circus clowns. They apparently thought cheer and good Christian words were universals, respected everywhere. The pianos were part of this cheer. They played for celebrations and moments of pleasant pain. Or rather, someone played them, but not too well, since excellent playing would have been faintly antisocial. “Chopin,” my mother said, shaking her head as she stumbled through the prelude. “Why is he famous?
Charles Baxter (Gryphon: New and Selected Stories (Vintage Contemporaries))
when expressing her own. Despite what happened in August, there is still something in her soft brown eyes—a cheerfulness and curiosity—that reminds me of the daughters I lost so many years ago. It’s what drew me to Rebecca in the first place. Every interaction with her since has made me wonder what my daughters would be doing now had they survived that long, horrid summer. She cups her tea in both hands and holds it to her lips, letting the steam curl around her cheeks, before taking a sip. “So what is this news you have for me?” Instead of answering Rebecca’s question, I once again look to the door, listen for a beat, then ask one of my own. “Do you happen to know where Isaac was last night?” “I don’t. In his study, I suppose. But I wasn’t feeling well, and I went to bed early. Why?” I can remember a time, when my sons were younger, when they loved throwing stones over the bridge into the river. They loved the splash and the noise. Being boys, they loved the disturbance that it caused. I study Rebecca’s face and take no pleasure in upsetting the still waters of her soul. “Joshua Burgess is dead. They found his body in the river this morning.” Rebecca shakes her head, as though unable to comprehend. “Was he…? Did…?” Whatever questions she means to ask won’t form. “It was not an accident. He didn’t drown,” I tell her. “He was hanged.” Rebecca goes completely still, except for her hands, which begin a frantic
Ariel Lawhon (The Frozen River)
But my dreaming self refuses to be consoled. It continues to wander, aimless, homeless, alone. It cannot be convinced of its safety by any evidence drawn from my waking life. I know this because I continue to have the same dream, over and over. I’m in the other place, a place that’s very familiar to me, although I’ve never lived in it or even seen it except in this dream. Details vary – the space has many different rooms, mostly bare of furniture, some with only the sub-flooring – but it always contains the steep, narrow stairway of that distant apartment. Somewhere in it, I know – as I open door after door, walk through corridor after corridor – I’ll come upon the gold mirror, and also the green satin bedspread, which has taken on a life of its own and is able to morph into cushions, or sofas, or armchairs, or even – once – a hammock. It’s always dusk, in this place; it’s always a cool dank summer evening. This is where I’ll have to live, I think in the dream. I’ll have to be all by myself, forever. I’ve missed the life that was supposed to be mine. I’ve shut myself off from it. I don’t love anyone. Somewhere, in one of the rooms I haven’t yet entered, a small child is imprisoned. It isn’t crying or wailing, it stays completely silent, but I can feel its presence there. Then I wake up, and retrace the steps of my dream, and try to shake off the sad feeling it’s left me with. Oh yes, the other place, I say to myself. That again. There was quite a lot of space in it, this time. It wasn’t so bad.
Margaret Atwood (Moral Disorder and Other Stories)
In judging of that tempestuous wind called Euroclydon," says an old writer—of whose works I possess the only copy extant—"it maketh a marvellous difference, whether thou lookest out at it from a glass window where the frost is all on the outside, or whether thou observest it from that sashless window, where the frost is on both sides, and of which the wight Death is the only glazier." True enough, thought I, as this passage occurred to my mind—old black-letter, thou reasonest well. Yes, these eyes are windows, and this body of mine is the house. What a pity they didn't stop up the chinks and the crannies though, and thrust in a little lint here and there. But it's too late to make any improvements now. The universe is finished; the copestone is on, and the chips were carted off a million years ago. Poor Lazarus there, chattering his teeth against the curbstone for his pillow, and shaking off his tatters with his shiverings, he might plug up both ears with rags, and put a corn-cob into his mouth, and yet that would not keep out the tempestuous Euroclydon. Euroclydon! says old Dives, in his red silken wrapper (he had a redder one afterwards) pooh, pooh! What a fine frosty night; how Orion glitters; what northern lights! Let them talk of their oriental summer climes of everlasting conservatories; give me the privilege of making my own summer with my own coals. But what thinks Lazarus? Can he warm his blue hands by holding them up to the grand northern lights? Would not Lazarus rather be in Sumatra than here? Would he not far rather lay him down lengthwise along the line of the equator; yea, ye gods! go down to the fiery pit itself, in order to keep out this frost?
Herman Melville (Moby-Dick or, The Whale)
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
I didn’t think we were being quiet, particularly. High heels may have looked dainty, but they didn’t sound that way on a tile floor. Maybe it was just that my dad was so absorbed in the convo on his cell phone. For whatever reason, when we emerged from the kitchen into the den, he started, and he stuffed the phone down by his side in the cushions. I was sorry I’d startled him, but it really was comical to see this big blond manly man jump three feet off the sofa when he saw two teenage girls. I mean, it would have been funny if it weren’t so sad. Dad was a ferocious lawyer in court. Out of court, he was one of those Big Man on Campus types who shook hands with everybody from the mayor to the alleged ax murderer. A lot like Sean, actually. There were only two things Dad was afraid of. First, he wigged out when anything in the house was misplaced. I won’t even go into all the arguments we’d had about my room being a mess. They’d ended when I told him it was my room, and if he didn’t stop bugging me about it, I would put kitchen utensils in the wrong drawers, maybe even hide some (cue horror movie music). No spoons for you! Second, he was easily startled, and very pissed off afterward. “Damn it, Lori!” he hollered. “It’s great to see you too, loving father. Lo, I have brought my friend Tammy to witness out domestic bliss. She’s on the tennis team with me.” Actually, I was on the tennis team with her. “Hello, Tammy. It’s nice to meet you,” Dad said without getting up or shaking her hand or anything else he would normally do. While the two of them recited a few more snippets of polite nonsense, I watched my dad. From the angle of his body, I could tell he was protecting that cell phone behind the cushions. I nodded toward the hiding place. “Hot date?” I was totally kidding. I didn’t expect him to say, “When?” So I said, “Ever.” And then I realized I’d brought up a subject that I didn’t want to bring up, especially not while I was busy being self-absorbed. I clapped my hands. “Okay, then! Tammy and I are going upstairs very loudly, and after a few minutes we will come back down, ringing a cowbell. Please continue with your top secret phone convo.” I turned and headed for the stairs. Tammy followed me. I thought Dad might order me back, send Tammy out, and give me one of those lectures about my attitude (who, me?). But obviously he was chatting with Pamela Anderson and couldn’t wait for me to leave the room. Behind us, I heard him say, “I’m so sorry. I’m still here. Lori came in. Oh, yeah? I’d like to see you try.” “He seems jumpy,” Tammy whispered on the stairs. “Always,” I said. “Do you have a lot of explosions around your house?” I glanced at my watch. “Not this early.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
O God of heaven! The dream of horror, The frightful dream is over now; The sickened heart, the blasting sorrow, The ghastly night, the ghastlier morrow, The aching sense of utter woe. The burning tears that would keep welling, The groan that mocked at every tear, That burst from out their dreary dwelling, As if each gasp were life expelling, But life was nourished by despair. The tossing and the anguished pining, The grinding teeth and starting eye; The agony of still repining, When not a spark of hope was shining From gloomy fate's relentless sky. The impatient rage, the useless shrinking From thoughts that yet could not be borne; The soul that was for ever thinking, Till nature maddened, tortured, sinking, At last refused to mourn. It's over now—and I am free, And the ocean wind is caressing me, The wild wind from the wavy main I never thought to see again. Bless thee, bright Sea, and glorious dome, And my own world, my spirit's home; Bless thee, bless all—I cannot speak; My voice is choked, but not with grief, And salt drops from my haggard cheek Descend like rain upon the heath. How long they've wet a dungeon floor, Falling on flagstones damp and grey: I used to weep even in my sleep; The night was dreadful like the day. I used to weep when winter's snow Whirled through the grating stormily; But then it was a calmer woe, For everything was drear to me. The bitterest time, the worst of all, Was that in which the summer sheen Cast a green lustre on the wall That told of fields of lovelier green. Often I've sat down on the ground, Gazing up to the flush scarce seen, Till, heedless of the darkness round, My soul has sought a land serene. It sought the arch of heaven divine, The pure blue heaven with clouds of gold; It sought thy father's home and mine As I remembered it of old. Oh, even now too horribly Come back the feelings that would swell, When with my face hid on my knee, I strove the bursting groans to quell. I flung myself upon the stone; I howled, and tore my tangled hair; And then, when the first gust had flown, Lay in unspeakable despair. Sometimes a curse, sometimes a prayer, Would quiver on my parchèd tongue; But both without a murmur there Died in the breast from whence they sprung. And so the day would fade on high, And darkness quench that lonely beam, And slumber mould my misery Into some strange and spectral dream, Whose phantom horrors made me know The worst extent of human woe. But this is past, and why return O'er such a path to brood and mourn? Shake off the fetters, break the chain, And live and love and smile again. The waste of youth, the waste of years, Departed in that dungeon thrall; The gnawing grief, the hopeless tears, Forget them—oh, forget them all!
Emily Brontë (The Bronte Sisters: Selected Poems (Fyfield Books))
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
Wounded" The guy who put his hands on you Has got nothing to do with me And the bruises that you feel will heal And I hope you'll come around 'Cause we're missing you And you used to speak so easy Now you're afraid to talk to me It's like walking with the wounded Carrying that weight way too far The concrete pulled you down so hard Out there with the wounded Missing you Well I never claimed to understand what happens after dark But my fingers catch sparks at the thought of touching you When you're wounded Let me break it down 'till I force the issue We miss your face and you know I wish you Would come back down the the Dalva Bar You tell 'em, that's just my battle scar I want to kiss you And knock 'em down like we used to You're the marigold Till you're walking down shaking that ass again And then you walk on, baby walk on, you walk on, on and on You're an angel in the pit with her hands in the air And we're missing you Now it's fall, and your shoulders get tighter Nervous flicks on the lighter, boots Your pissed off poets, your women's groups And the friends with you, we should have known this fool Well I guess we missed the mark Still my fingers catch the sparks at the thought of them touching you Now you're wounded Let me break it down 'till I force the issue You never come around, and you know we miss you Well nobody took your pride away I said, that's something people say Back down the bully to the back of the bus 'Cause it's time for them to be scared of us 'Till you're yelling, how we living cause you got the ball Then you rock on baby, rock on, you rock on, on and on You're a summer time hottie with her socks in the air You're screaming I don't care baby I don't care You say you don't know You say you can't grow All I know is we're missing you You say you don't know You say you can't grow All I know is we're missing you Show up, show up wounded Show up, show up wounded
Third Eye Blind (Third Eye Blind - Blue)
Let me amend that. Of course I’m sure it was done. Every generation likes to think that they discovered sex, but I’m sure that far more sophisticated people than me were experiencing cunnilingus in 1940, all over New York City—especially in the Village. But I’d never heard of it. God knows, I’d had everything else done to the flower of my femininity that summer, but not this. I’d been palmed and rubbed and penetrated, and certainly fingered and probed (my heavens, how the boys liked to poke about, and so vigorously, too)—but never this. His mouth had ended up between my legs so fast, and the sudden realization of his destination and his intent had shocked me to the point that I said “Oh!” and started to sit up, but he reached up one of his long arms, placed his palm on my chest, and firmly pressed me back down again, without once stopping what he was doing. “Oh!” I said again. Then I felt it. There was a sensation occurring here that I didn’t even know could occur. I took the sharpest inhale of my life, and I’m not sure I let my breath out for another ten minutes. I do feel that I lost the ability to see and hear for a while, and that something might have short-circuited in my brain—something that has probably never been fully fixed since. My whole being was astonished. I could hear myself making noises like an animal, and my legs were shaking uncontrollably (not that I was trying to control them), and my hands were gripping down so hard over my face that I left fingernail divots in my own skull. Then it became more. And after that, it became even more still. Then I screamed as though I were being run over by a train, and that long arm of his was reaching up again to palm my mouth, and I bit into his hand the way a wounded soldier bites on a bullet. And then it was the most, and I more or less died.
Elizabeth Gilbert (City of Girls)
He drags his hand over his face. “Would you be pissed if I already had condoms?” “Huh?” The question strikes me as weird at first, because he's the guy and he should have condoms and why the hell would I be mad about that and oh—oh. Okay. He already had condoms. That's why I should be mad. I mean, we haven't yet had sex in our several months of dating and he has condoms, presumably in the nightstand drawer because that's where he keeps flicking his gaze. And they're probably condoms from sexual exploits with another girl—a prettier girl, a better girl than I am. And now he finally won over his new girlfriend enough to do the deed so he'll just cock an eyebrow and flash that cute smile and ask if it's okay if he uses another relationship's leftovers for our first time. “Okay, whatever is going on in your head is wrong,” Jace says with a small chuckle. “Gosh, your face is adorable when you're internally freaking out.” “What am I supposed to think about this?” I ask in frustration. He leans over me and pulls open the nightstand drawer, taking out an unopened box of condoms. He shakes the box like a maraca to prove his point. “They're unopened. I bought a box a few weeks ago, you know, just in case.” “Why would I get pissed about that?” I ask. “It's much sexier than a guy wanting to jump my bones with no protection.” He shrugs. “I didn't want you thinking I was assuming we'd have sex, or I was pressuring you too soon by buying them, or—shit, I don't know.” He runs a hand through his hair. It makes his bicep grow taunt and the sight of it sends a fire through my belly. “I don't want to screw up anything with you.” His voice is resigned, hopeful and desperate all at the same time. “I love you so much, Bayleigh. And it sucks because it feels like everything I do or don't do has the potential to screw up this thing we have going on.” “This thing,” I say with a roll of my eyes, “is perfect.” I move closer and nuzzle against his chest. He wraps his arm around me. “We both overthink everything way too much,” he says.
Amy Sparling (Autumn Unlocked (Summer Unplugged, #2))
Adults with ADHD as a group have often experienced more than their fair share of disappointments and frustrations associated with the symptoms of ADHD, in many cases not realizing the impact of ADHD has had on them. When you reflect on a history of low grades, forgetting or not keeping promises made to others, repeated exhortations from others about your unfulfilled potential and the need to work harder, you may be left with a self-view that “I’m not good enough,” “I’m lazy,” or “I cannot expect much from myself and neither can anyone else.” The end result of these repeated frustrations can be the erosion of your sense of self, what is often called low self-esteem. These deep-seated, enduring self-views, or “core beliefs” about who you are can be thought of as a lens through which you see yourself, the world, and your place in the world. Adverse developmental experiences associated with ADHD may unfairly color your lens and result in a skewed pessimistic view of yourself, at least in some situations. When facing situations in the here-and-now that activate these negative beliefs, you experience strong emotions, negative thoughts, and a propensity to fall into self-defeating behaviors, most often resignation and escape. These core beliefs might only be activated in limited, specific situations for some people with ADHD; in other cases, these beliefs color one’s perception in most situations. It should be noted that many adults with ADHD, despite feeling flummoxed by their symptoms in many situations, possess a healthy self-view, though there may be many situations that briefly shake their confidence. These core beliefs or “schema” develop over the course of time from childhood through adulthood and reflect our efforts to figure out the “rules for life” (Beck, 1976; Young & Klosko, 1994). They can be thought of as mental categories that let us impose order on the world and make sense of it. Thus, as we grow up and face different situations, people, and challenges, we make sense of our situations and relationships and learn the rubrics for how the world works. The capacity to form schemas and to organize experience in this way is very adaptive. For the most part, these processes help us figure out, adapt to, and navigate through different situations encountered in life. In some cases, people develop beliefs and strategies that help them get through unusually difficult life circumstances, what are sometimes called survival strategies. These old strategies may be left behind as people settle into new, healthier settings and adopt and rely on “healthy rules.” In other cases, however, maladaptive beliefs persist, are not adjusted by later experiences (or difficult circumstances persist), and these schema interfere with efforts to thrive in adulthood. In our work with ADHD adults, particularly for those who were undiagnosed in childhood, we have heard accounts of negative labels or hurtful attributions affixed to past problems that become internalized, toughened, and have had a lasting impact. In many cases, however, many ADHD adults report that they arrived at negative conclusions about themselves based on their experiences (e.g., “None of my friends had to go to summer school.”). Negative schema may lay dormant, akin to a hibernating bear, but are easily reactivated in adulthood when facing similar gaffes or difficulties, including when there is even a hint of possible disappointment or failure. The function of these beliefs is self-protective—shock me once, shame on you; shock me twice, shame on me. However, these maladaptive beliefs insidiously trigger self-defeating behaviors that represent an attempt to cope with situations, but that end up worsening the problem and thereby strengthening the negative belief in a vicious, self-fulfilling cycle. Returning to the invisible fences metaphor, these beliefs keep you stuck in a yard that is too confining in order to avoid possible “shocks.
J. Russell Ramsay (The Adult ADHD Tool Kit)
Ode to Bees Multitude of bees! in and out of the crimson, the blue, the yellow, of the softest softness in the world; you tumble headlong into a corolla to conduct your business, and emerge wearing a golden suit and quantities of yellow boots. The waist, perfect, the abdomen striped with dark bars, the tiny, ever-busy head, the wings, newly made of water; you enter every sweet-scented window, open silken doors, penetrate the bridal chamber of the most fragrant love, discover a drop of diamond dew, and from every house you visit you remove honey, mysterious, rich and heavy honey, thick aroma, liquid, guttering light, until you return to your communal palace and on its gothic parapets deposit the product of flower and flight, the seraphic and secret nuptial sun! Multitude of bees! Sacred elevation of unity, seething schoolhouse. Buzzing, noisy workers process the nectar, swiftly exchanging drops of ambrosia; it is summer siesta in the green solitudes of Osorno. High above, the sun casts its spears into the snow, volcanoes glisten, land stretches endless as the sea, space is blue, but something trembles, it is the fiery, heart of summer, the honeyed heart multiplied, the buzzing bee, the crackling honeycomb of flight and gold! Bees, purest laborers, ogival workers fine, flashing proletariat, perfect, daring militia that in combat attack with suicidal sting; buzz, buzz above the earth's endowments, family of gold, multitude of the wind, shake the fire from the flowers, thirst from the stamens, the sharp, aromatic thread that stitches together the days, and propagate honey, passing over humid continents, the most distant islands of the western sky. Yes: let the wax erect green statues, let honey spill in infinite tongues, let the ocean be a beehive, the earth tower and tunic of flowers, and the world a waterfall, a comet's tail, a never-ending wealth of honeycombs! Pablo Neruda, Odes to Common Things. (Bulfinch; Illustrated edition, May 1, 1994)
Pablo Neruda (Odes to Common Things)
My mother caught my eye and she mouthed, Shake on it like a man, and I knew she was thinking how sexist Mr. Fisher was.
Jenny Han (It's Not Summer Without You (Summer, #2))
Belly’s gonna cry,” Steven said in a singsong voice. Then he and Jeremiah started to dance a jig together. “Leave her alone,” Conrad said. Steven stopped dancing. “What?” he said, confused. “You guys are so immature,” Conrad said, shaking his head.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Mom, I love you! I'm going to stay here a few more days and fill in for you at the Lantern. We can talk later. I hope you feel better. I'm sorry... for your loss." I looked at Alice, who was shaking her head. "Oh, fuck off, Maggie," my mom said, spinning around. "That is enough!" Alice said in a louder voice than I'd ever heard her use. "Lillian Grace, you listen to me. We know you are sad, but sadness can't be a weapon you use against your own family. Maggie is your child! You can't drag the world down with you because you have a broken heart. Those things you said... she might never forget them! You are being selfish and foolish, and I know your momma taught you better than this. You lay yourself down and I'll be back to check on you in a few hours. You think long and hard about what you said. You owe your daughter an apology, because what you said is just not true. Come on, Maggie." "I'm not a child, Alice," my mom said. "That so? Then grow up," Alice said.
Victoria Benton Frank (My Magnolia Summer)
You're shaking," he commeted softly. "Yeah, well." "Pretty girl," James murmured, tugging her face back up to meet his eyes. "You're not the side girl. The only girl that is ever on my mind is you." -- Page 100
Cassidy Hudspeth (Red Summer)
Belly—,” he started. Then he stopped and let out a breath, shaking his head. “What? What were you going to say?” “Nothing,” he said. Then I reached across, and I took his hand and laced my fingers around his. It felt like the most right thing I’d done in a long time. I worried he’d let go, but he didn’t. We held hands like that the whole rest of the way home.
Jenny Han (It's Not Summer Without You (Summer, #2))
Looking back, everything was so obvious. Sometimes I want to shake that girl on the beach that night, it was so obvious. But then everything looks inevitable in hindsight.
Beatriz Williams (The Beach at Summerly)
I tried to shake him off, but he was strong. He clung to me like I was a raft and he was at sea. “I love you so much,” he said, his whole body shaking. “It’s always been you, Belly.
Jenny Han (We'll Always Have Summer (Summer, #3))
Also, Summer told me to never go in that hot tub again. The fuck you been doing in there?” “Get fucked, Rhett. I use chlorine tabs in there and test the water regularly.” “Is the water pregnant yet?” he tosses over his shoulder while jogging away. “Dick,” I mutter, gingerly holding my hand and feeling my arms shake.
Elsie Silver (Heartless (Chestnut Springs, #2))
He caught her staring at him and gave her a sly look. "Super impressed with being with a real live criminal, huh?" he asked, smiling with surprisingly nice white teeth. "I'm super impressed with anyone who can fight and knows these woods and the world so well. I guess Gina does, too." "Yes, Gina." He frowned. "She's kind of a weirdo. Nice weirdo, mind you. But very, very odd." A flurry of thoughts winged their way through Rapunzel's head like a confused flock of birds on a late summer test flight. She couldn't separate the different feathered things out. She was also puzzled by the look on Flynn's face: he raised his eyebrows and sort of gazed at her, turning his head so it was a little sideways. He smiled so that his lips stretched wide at the corners but remained partially closed over his teeth. Obviously it was some sort of expression Gothel didn't make but that other people commonly used. So she tried to copy him. "What are you doing?" Flynn asked. "I 'on't ow," Rapunzel responded, keeping her lips in the same half position. "'at are oo oing?" "Okay, you're kind of a weirdo, too. No wonder you two get along so well," Flynn said, shaking his head and dropping the look. "Usually the smolder works on all the ladies." "Oh, you were trying to..." Rapunzel began to giggle. Books #27 and #28 were tales of knights and damsels and adventures--- with more than a touch of romance. Flynn looked offended. "No, please try again!" Rapuunzel begged. "Oh, the mood's gone. Forget it," he said, rolling his eyes. But he smiled-- a real smile this time, a natural one.
Liz Braswell (What Once Was Mine)
SPECULATION In the coolness here I care Not for the down-pressed noises overhead, I hear in my pearly bone the wear Of marble under the rain; nothing is truly dead, There is only the wearing away, The changing of means. Nor eyes I have To tell how in the summer the mourning dove Rocks on the hemlock’s arm, nor ears to rend The sad regretful mind With the call of the horned lark. I lie so still that the earth around me Shakes with the weight of day; I do not mind if the vase Holds decomposed cut flowers, or if they send One of their kind to tidy up. Such play I have no memories of, Nor of the fire-bush flowers, or the bark Of the rough pine where the crows With their great haw and flap Circle in kinned excitement when a wind blows. I am kin with none of these, Nor even wed to the yellowing silk that splits; My sensitive bones, which dreaded, As all the living do, the dead, Wait for some unappointed pattern. The wits Of countless centuries dry in my skull and overhead I do not heed the first rain out of winter, Nor do I care what they have planted. At my center The bone glistens; of wondrous bones I am made; And alone shine in a phosphorous glow, So, in this little plot where I am laid.
Ruth Stone (The Essential Ruth Stone)
Samuel had spoken softly, his voice a tired rasp, but tragedy has its own terrible volume. It rolls and cracks, shakes the ground beneath your feet, lingers in the air like summer thunder.
Alix E. Harrow (The Ten Thousand Doors of January)
You’ll get through it.” “What if I don’t?” I squeezed her fingers. “Then I will personally make fun of you every day for the rest of your life,” I said. “I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day.
Jim Butcher (Summer Knight (The Dresden Files, #4))
my knees shaking. I thought about the Norns
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I love you so much,” he said, his whole body shaking. “It’s always been you, Belly.
Jenny Han (We'll Always Have Summer (Summer, #3))
Why is it that every time I imagined Wyatt drinking coffee, it was black like mine? Why is it that I’ve ever imagined Wyatt drinking coffee? I am on the precipice of mortified. I shake my head. “I must have been thinking of someone else.” This wounds him a little; I can see it in the set of his mouth. It would wound me too if Wyatt confused anything about me with someone else.
Annabel Monaghan (Same Time Next Summer)
Violet Everly is twelve years old, and dreaming of other worlds. This usually involves climbing into the old wardrobe at the back of the library, and shutting the door in a whirl of cedar and dust. There she sits, with a thin torch between her teeth and a fat book spread across her lap, its thick and creamy pages layered in old-fashioned type and rich with glossy sentences. Every one of them whispering adventure. The worlds spring up behind her eyelids: cities of gold and silver filigree buildings; lands of intertwining waterways with bright boats sculling through the water; a forest of witches, their skin shades of eggshell blue all the way to deepest twilight, constellations twinkling across their shoulders. All of this a siren song that she can’t quite shake. It’s because of her desire to escape into a good book that she finds herself inside the wardrobe, as Ambrose converses with a stranger in his midst.
Georgia Summers (The City of Stardust)
You can’t go.” “Give me a reason why I shouldn’t.” “Because what was the point in anything if you just disappear forever?” she hissed, splaying her arms. “The point in what, Celaena?” How could he be so calm when she was so frantic? “The point in Skull’s Bay, and the point in getting me that music, and the point in… the point in telling Arobynn that you’d forgive him if he never hurt me again.” “You said you didn’t care what I thought. Or what I did. Or if I died, If I’m not mistaken.” “I lied! And you know I lied, you stupid bastard!” He laughed quietly. “You want to know how I spent this summer?” She went still. He ran a hand through his brown hair. “I spent every single day fighting the urge to slit Arobynn’s throat. And he knew I wanted to kill him. The moment I woke up after he beat me, I realized I had to leave. Because I was going to kill him if I didn’t. But I couldn’t.” He studied her face. “Not until you came back. Not until I knew you were all right—until I saw that you were safe.” Breathing became very, very hard. “He knew that, too,” Sam went on. “So he decided to exploit it. He didn’t recommend me for missions. Instead, he made me help Lysandra and Clarisse. He made me escort them around the city on picnics and parties. It became a game between the two of us—how much of his horseshit I could take before I snapped. But we both knew he’d always have the winning hand. He’d always have you. Still. I spent every day this summer hoping you’d come back in one piece. More than that—I hoped you’d come back and take revenge for what he’d done to you.” But she hadn’t. She’d come back and let Arobynn shower her with gifts. “And now that you’re fine, Celaena, now that you’ve paid off your debt, I can’t stay in Rifthold. Not after all the things he’s done to us.” “Please don’t go.” “You’ll be fine without me. You always have been.” Maybe once, but not now. “How can I convince you to stay?” “You can’t.” She threw down the torch. “Do you want me to beg, is that it?” “No—never.” “Then tell me—” “What more can I say?” he exploded, his whisper rough and harsh. “I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I’ll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer water. “You’re a damned idiot,” she breathed. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, “Because I’d pick you.” And then she kissed him.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
YOU ARE THE MILK TO MY SHAKE, forever and ever. Love, J.
Jenny Han (We'll Always Have Summer (Summer, #3))
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.
Italo Calvino (If on a Winter's Night a Traveler)
blueberry margarita It’s a stretch, but I like to think of this drink as the boozy almost-equivalent of an açai bowl, since it’s made with pomegranate juice and fresh blueberries. You can take it all the way healthy by omitting tequila, if you like your drinks dry, and subbing in ginger ale, club soda, or a nonalcoholic spirit. Either way, it’s perfect for a summer (or, if you live in Los Angeles, spring/summer/fall/winter) day. TIME: 3 MINUTES SERVES: 1 2 tablespoons Himalayan pink salt 1 lime wedge 4 fresh mint leaves ¼ cup rinsed fresh blueberries, plus 4 blueberries for garnish 2 ounces tequila ½ ounce fresh lime juice 1 ounce pomegranate juice ½ ounce Ginger Syrup Pour the Himalayan salt into a small dish. Run the wedge of lime around the rim of a highball glass, then twist the rim in the salt until fully coated. Fill the salt-rimmed glass with ice and set aside. Clap the mint to bring out its flavor, then put it and the blueberries into a shaker. Muddle them until pulverized. Add a handful of ice, the tequila, lime juice, pomegranate juice, and ginger syrup. Shake vigorously until chilled; strain into the prepared glass. Skewer 4 blueberries onto a cocktail pick and use to garnish the drink. Serve and enjoy.
Moby (The Little Pine Cookbook: Modern Plant-Based Comfort)
she listened to Thom play his harp, singing love songs like “The First Rose of Summer” and “The Wind That Shakes the Willow,” and funny songs like “Only One Boot” and “The Old Gray Goose.” His
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
His snowshoe paws are encased in chains as he hops on his hind legs. On his forehead was placed a wreath of thorns, crimson and blasphemous it was. His eyes were drenched in white, no colors can be discerned whatsoever in the reflection of his pupils, only a harrowing stillness of nothingness can be glimpsed through his gaze. He was the image of a ghostly figure, his silhouette swirling like the clouds in the loftiest mountains in eternal Paradise; a divine messenger before all animals and humanity. He wears shimmering chest armor resembling the scorching rays of the sunlight, with a fire crown of thorns burning on his forehead, which embodies the colors of the Earth's horizon, showcasing seventeen stars in its center. He had a voluminous, metallic beard, which was made of arctic sand from the Northern Winter lands - it was wizardly like - something out of a mythical folk tale that comes from a children's novel. His body glistens like the shattered fragments from the Moon, with his fur appearing like green moss surrounded by waterfalls flowing from each corner on his appearance - evolving into snowflakes, ice, as well as winter storms if you inflict your might at his anguish. He’s a supernatural being that all the Witches of the globe worshiped. He is greater, more superior, more virtuous than all deities people pray to on Earth. He’s the lunar father of all the Heavens and Earth, the All-father of all Animals and Mankind. When you see the Hare flying in the skies of the Universe, He’s bestowing the blessings of Sprout, Summer, Autumn, Winter. As the Hare Lunar King steps on the green grass, the mountains will begin to shake, the oceans will become huge typhoons, earthquakes will rumble across the nations as mankind annihilates each other in the guise of the Hare Lunar Emperor. However, the hare will grieve for all humankind, for he knows that the Earth is devoid of vengeance, so he must demolish it in preparation to reconstruct it from a pristine foundation. That future is nigh, that soon will arrive - it’s unfolding as I converse. The Lunar Rabbit King is coming back with his swarm of rabbits - mankind will not evade the menace of long ears - for their King will tell the sinister world with a voice of a thundering lion roar, ‘it is completed! go into the depths of your abysmal eternity, and enslave yourself as the locust of the earth in the fires of tribulation, for you will be tormented from sunrise to sunset, where sunlight is no more; forevermore.
Chains On The Rabbit, The Lunar God Of All, The Fall Of Mankind Fantasy Poem by D.L. Lewis
Hate sex is the best sex.” I make a face. “That’s not even a thing.” Everyone in the foyer looks at me. Even the super discreet valet gives me a glance. “Oh, my sweet summer child,” Harry says, shaking his head, a gorgeous grin on his dumb, condescending face. “My innocent little lamb. My clueless, naïve—” “Okay,” I say, my voice a little strangled. Is the cameraman catching this? “I get it. I don’t know anything about anything. Can we go inside and get a drink or something?
Skye Warren (Concerto (North Security, #2))
After what Sam told her, Amy wants to shake her fist at the world; she wants to scream with rage. She wants to track down Evil Alice and poke out her eyeballs, or at least give her a very stern talking-to, and maybe ask to speak with her mother.
Meg Mitchell Moore (Summer Stage)
She turned back to me shaking her head. “I think she wanted to see you.” I gave Maddy a wave over Emma’s shoulder and the woman’s smile vanished. Then she dragged a finger across her neck in the universal sign for I’ll kill you. I blinked. Emma saw my face and turned back around to see what I was looking at, and Maddy beamed and waved enthusiastically at her best friend. Okay…
Abby Jimenez (Just for the Summer (Part of Your World, #3))
Sometimes at the height of a summer day, when the sun is warm and the bees hum and all seems set for an endless season, suddenly for some slight thing, almost unconsciously discerned, the end is determined, the first breath of autumn is drawn in the midst of summer. I have known the same thing in the depth of winter, a twitter of birdsong, hazel catkins shaking loose their gold dust, perhaps the scent of mimosa or just a patch of blue sky, and one hears the first rustle of spring's awakening. Winter is doomed.
Walter J.C. Murray (Copsford)
YOU ARE THE MILK TO MY SHAKE, forever and ever. Love,
Jenny Han (We'll Always Have Summer (Summer, #3))
MARY HARRON: You could really feel the world moving and shaking that autumn of 1976 in London. I felt that what we had done as a joke in New York had been taken for real in England by a younger and more violent audience. And that somehow in the translation, it had changed, it had sparked something different. What to me had been a much more adult and intellectual bohemian rock culture in New York had become this crazy teenage thing in England. I remember going to see the Damned play that summer, who I thought were really terrible. I was wearing my Punk magazine T-shirt and I got mobbed. I mean I can’t tell you the reception I got. Everyone was so excited that I was wearing this T-shirt that said “Punk.” I was just speechless. There I was backstage, and there were hundreds of little kids, like nightmares, you know, like little ghouls with bright red dyed hair and white faces. They were all wearing chains and swastikas and things stuck in their head, and I was like, Oh my god, what have we done? What have we created? I
Legs McNeil (Please Kill Me: The Uncensored Oral History of Punk)
It hurts,” Summer cries, head shaking back and forth. “Please, make it stop.” Sweat beads on her forehead. “What hurts?” Cameron asks. “My eyes.” Summer’s eyes open. Everyone gasps. They’re no longer blue; they appear bionic, like a circuit board’s inside her eyes. Panicked now, Summer reaches for her face. “What is it? What’s wrong?
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
That man out there loves you, and you’re playing cat and mouse. I don’t understand the reason.” Heat flooded Summer’s cheeks. She flapped her jaw, but no words came out. “For months I’ve watched you finger the letters from the little boy, and each time you mentioned the father’s name, your expression changed.” Summer was amazed by Nadine’s observations. Had she really been so transparent? “Do you love him?” Nadine demanded. Summer dropped her chin, and Nadine gave her a little shake. “I said, do you love him?” Summer gave her a brief, painful nod. “Then why are you holding yourself aloof?” “I … I …” “Well? What!” “I’m afraid.” Nadine pulled back and lowered her brows. “Afraid? Of what?” Tears filled Summer’s eyes. “Oh, Nadine, he’s hardly spoken two words to me. We used to talk so easily, Peter and I. But now … He’s different. And I don’t know why.” She swallowed, and one tear spilled down her cheek. “I’m afraid his heart has changed.” “Nonsense.” Though the word was curt, Nadine’s tone was gentle. “He loves you—I could see it on his face at the train depot, and I saw it on his face at his house. His heart hasn’t changed—not one bit. Something is making him keep his distance, and you must find out what it is. I’ll take the boy away for a while. You talk. You work things out.
Kim Vogel Sawyer (Waiting for Summer's Return (Heart of the Prairie #1))
Can I ask you something?” I say quietly. I try not to get into his personal business, but I can’t help it. “You can ask. I can’t promise I’ll answer.” “What’s going on with you and Friday?” He groans. “Nothing. Why? What did she tell you?” I try to play it off. “She didn’t tell me anything. There’s just, like, this undercurrent when you’re in a room together. What did you do to her?” “I kissed her,” he blurts out. I choke. “You kissed Friday?” I thump my fist against my chest, trying to restart my heart. “Well, we kind of kissed each other.” I grin. “How was it?” “Amazing,” he breathes. But then he realizes what he said, and he sobers. “I mean, it was okay.” He’s such a bad liar. “You should ask her out,” I say. He shakes his head. “I did. She told me no. She’s been telling me no for years.” “You know she’s not a lesbian, right?” I ask. He raises one brow. “No thanks to you, yes.” I chuckle. “Sorry about that.” “No you’re not.” But he’s grinning. “She’s got some issues,” he finally says. “I would love to know what they are.” “What kind of issues?” I ask. “I don’t know. The I-don’t-have-any-family kind. The girl is completely alone. You know she doesn’t even go home in the summer?” “Well, she didn’t get picked out of a cabbage patch.” I stay quiet for a minute because it looks like he’s thinking. “What happened when you kissed her?” “Sparks,” he says. “Fucking sparks.” He blows out a breath. “What about Kelly?” His gaze jerks up. “What about her?” “I’m guessing that Friday wouldn’t like kissing you when you’re still sleeping with Kelly. Was that the problem?” Getting information out of Paul is like pulling teeth. “I haven’t slept with Kelly since you and I talked about it that morning. Haven’t slept with anybody since I kissed Friday. I can’t get her off my fucking mind.” “So go for it.” He shakes his head. “She said no way. Her exact words were no fucking way, Paul, you stupid son of a bitch. Then she told me to go fuck myself.” That’s Friday for you. You have to love her.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Standing in front of my bathroom mirror while music blares from my speakers, I wipe away the third crooked line I’ve drawn beneath my eye. My hands are shaking, damn it. Starting senior year of high school and seeing my boyfriend after a summer apart shouldn’t be so nerve-racking, but I’ve gotten off to a disastrous start. First, my curling iron sent up smoke signals and died. Then the button on my favorite shirt popped off. Now, my eyeliner decides it has a mind of its own. If I had any choice in the matter, I’d stay in my comfy bed and eat warm chocolate chip cookies all day.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
And when Valentine let the last tender melody fade up into the stars, he put his hands in his lap and hoped it was good enough for the woman he loved. He shifted to straddle the piano bench and wrapped his arms around Ellen’s waist. She curled up against his chest and held on to him as if she were drowning. “Damn you, Val Windham,” she breathed against his neck. “Damn you, damn you. All summer…” She stopped and drew in a shaking sob. He listened, his soul calm enough to absorb any reaction, as long as she was in his arms. “All summer,” she went on, “you climbed around on the roofs and in the trees, hanging bat houses, mucking stalls, wrecking your hands, when you can… My God, Valentine. My God.” She was shocked, Val got that much, but he wasn’t sure what the rest of her reaction was. “I have listened to you,” Ellen said earnestly. Not, I have listened to you play, or I have listened to your music. I have listened to you.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Upon arriving at Annandale’s luxuriously appointed London house, Christopher was shown to the library, where a fire had been lit in the hearth despite the fact that it was the height of summer. "Good God, Grandfather,” he said, nearly recoiling at the blast of heat as he entered the library. “You’ll have us braised like a pair of game hens." Striding to the window, he flung it open and drew in a breath of outside air. “You could easily heat yourself with a walk out-of-doors.” His grandfather scowled at him from a chair beside the hearth. “The doctor has advised against outside air. I would advise you to negotiate your inheritance before you try to finish me off.” “There’s nothing to negotiate. Leave me whatever you wish--or nothing, if it pleases you.” “Manipulative as always,” Annandale muttered. “You assume I’ll do the reverse of whatever you say.” Christopher smiled and shrugged out of his coat. He tossed it to a nearby chair as he approached his grandfather. He went to shake his hand, enclosing the frail and cold fingers in his own warm grasp. “Hello, sir. You’re looking well.” “I am not well,” Annandale retorted. “I’m old. Navigating life with this body is like trying to sail a shipwreck.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Making my way across the restaurant to clear off an empty table, my body froze and all the air left my lungs in one hard rush when I heard him directly behind me. “To refresh your memory, sweetheart, you belong to me.” Please let this be a nightmare. His large hand touched my lower back as he came up to my side and my body began shaking. “Long time, no see,” he said, and lowered his voice. “Hiding, Rachel?” Oh God, did Candice tell him where I work? “Leave me alone.” I hated how small my voice sounded, but I couldn’t force out anything more than a whisper. I refused to look over at him, and when he stepped closer, I dropped my head to stare at the floor. His other hand came up to my stomach and brushed gently back and forth, just above the top of my shorts, and I prayed I wouldn’t start dry-heaving in the middle of the restaurant. “Never. I gave you the summer to realize that you needed me, wanted me. Obviously you need more time, but make no mistake, you are mine. What I’m not okay with is someone else touching you. Kissing you.” “Please leave.” “Who is he, Rachel? Boyfriend? Fuck buddy? And before you answer that, know that either of those two answers would be the wrong one.” “Rach, everything okay here?” Kash grabbed the arm farthest from Blake and pulled me into him. Blake’s fingers dug into my back momentarily, but he let me go. I still couldn’t take my eyes off the floor. “Everything’s fine. We were just catching up for a second,” Blake answered. His voice had dropped the threatening tone and was the smooth and silky voice everyone else knew and loved. “I haven’t seen Rachel since school ended.” “Babe . . . ,” Kash whispered softly. Blake’s arm shot out in front of me and I cringed back. “Blake West. Rach and I go way back.” “Logan . . . Hendricks. Rachel’s boyfriend.” He accepted Blake’s hand and shook it hard once before dropping it. “You’re a very lucky guy,” Blake said tightly. “Rachel is extremely picky when it comes to dating and has broken more than a few hearts with her rejections.” No one said anything as I was caught in the middle of a testosterone-filled staring contest. Kash’s hand ran up and down my back slowly and Blake finally cleared his throat. “It was good to meet you, Logan. Take care of Rachel for me, will you?” He took a step closer and Kash’s hand stopped on my back. I could feel his body vibrating as it tensed up. “I’ll be talking to you very soon, Rach.” As
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana. His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest. In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time. He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.
Hank Bracker
I dare you to…” He pauses, and I want him to say it. I want him to want a kiss, because I realize I’d do it so fast it’d make his head spin. “I dare you to do your happy dance,” he says instead. “Happy dance?” “Come on, everyone has a happy dance.” “But… I have to be extremely happy to do a happy dance. It’s not something I can just, you know, jump into.” “How about I give you some inspiration.” He pulls his phone out of his pocket and presses a few buttons. A song with an upbeat keyboard begins, and Logan stands up. The happy lyrics say something about a birdhouse and a bee. He waves his hand at me to follow. Bouncing on the balls of his feet, he looks at me expectantly. I stand up to face him and try to sway a little. He shakes his head as he turns the volume up. “I just can’t, I’m not happy enough.” “Pretend like the Natchitoches Central Chiefs just won the Super Bowl.” He bounces a little more enthusiastically. “That’s good, I guess.” My sway becomes a little more pronounced. A smile takes hold, not because of the thought of the Chiefs winning the Super Bowl, but because Logan is such an awkward dancer. He’s gone from bouncing to alternating snaps of his fingers as he bobs his head. Plus, he’s a little off rhythm. “There’s a Tangled marathon on in two minutes!” He has to yell over the music now. “That’s better.” I start nodding my head to the beat. “It’s Christmas! You just got your Hogwarts acceptance letter, a copy ofAction Comics #1, and a brand new car that runs on water!” “Hell yeah!” I scream and let go.
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
Uncle Jarrod groaned. “What are you doing here?” “I came to have a word. Good thing I did, too, I see you’re up to your usual tyranny. Do me a favor and get that blade away from her throat.” “Gerda!” the duke barked. “Go home at once! This is not your concern!” “Not my concern, eh?” Miss Gerda approached Uncle Jarrod, her arms folded. “I assure you, what I have to say concerns every one of us. Jarrod, do you not recognize this child?” “Nothing you say is going to spare her. She is arrested for treason.” Miss Gerda watched him. Being much shorter, she had to look up to meet his eyes. Her plain dress and apron looked very drab beside the king, but she regarded him without embarrassment. “You’ve been friendly with the duke a long time, Jarrod. Came an awful lot in your younger days. And you liked me then, remember? Especially that summer when you came for a long stay. You like me… quite often. And I was stupid enough to think it would last.” “Silence, woman, your words are meaningless. Nobody wants to hear this.” A trace of dread lurked behind Uncle Jarrod’s eyes. “That fall, I left the duke’s manor and returned to my home kingdom of Clerlione. I had told the duke my mother was ill, but that wasn’t it. You see, Jarrod, something came of the time you and I spent together.” She raised a hand to the duke and his prisoner. “Briette.” Briette, still pinned against the duke, suffered a jolt so hard it nearly stopped her heart. She could not have moved even if the duke had let her. Uncle Jarrod’s face was pinched with contempt. “Don’t be a fool.” “Think about it, Jarrod. That summer. It was eighteen years ago. Briette is seventeen. Look at her face, you’ll see.” Uncle Jarrod cleared his throat and stared at the floor. He raised a hand and stroked his beard. It seemed a long time before he spoke. “Let the child come here.” The duke lowered his hands. Briette started walking, though she felt separated from herself, as if watching this happen to somebody else. She made the mistake of letting her eyes drift to her sisters. They stared at her with a mixture of wide-eyed horror and pale disbelief. Arialain had covered her face and was shaking. It seemed a very long walk though in truth it was only six or seven paces. Uncle Jarrod gripped her chin and lifted her face. Briette stared into his clear blue eyes and tried not to think. He looked deeply troubled. Shaken. He released her chin. “It is hard to say. There are little things…. But I’m not sure.” “Then you must take my word,” said Miss Gerda. “If she is what you say, then why didn’t you raise her? She came here as an orphan.” Miss Gerda grew somber. “I wasn’t ready to have a child. Without a husband to support me, how could I care for it? I had to work. I left the baby with my sister in Clerlione. She was married but had no children, and was happy to take Briette. I returned to work for the duke and for two years, all was well. And then came the Red Fever plague.” Briette hugged her sides, her eyes shut. This was too much to bear. She wanted Miss Gerda to stop talking. “By the time I reached Clerlione, my sister and her husband were dead. I was frantic, thinking Briette had died too. But I found a neighbor who told me that my sister had given the baby to the king of Runa Realm. I was shocked. And for a while, quite miserable. But in time, I came to be glad of it. As a princess, she would never know poverty or hardship. So I stayed at the duke’s and kept my silence. But occasionally, at a festival or in the market square, I’d see her. And I was proud.” She smiled at Briette. A short silence followed. Then Heidel spoke up. “Let me be quite clear on this. Briette is Uncle Jarrod’s daughter?” “And
Anita Valle (Briette)
Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.” “What?” He ignores me and looks behind us. “That’s the journal on your chair, right?” he holds out a hand, demanding to see it. “Show me this list.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.” I lift my chin until our lips meet in a sweet, gentle kiss. And then I ruin it when I surrender to another giggle fit. He leans away to look at me, alarmed. “Why is that funny?” “No no no, I’m not laughing at you.” I stroke his wrist with my thumb. “It’s just…I actually brought a guy home from Italy. This is crazy.” He relaxes a little. “What do you mean?” “Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
That’s the journal on your chair, right?” he holds out a hand, demanding to see it. “Show me this list.” I grab it and turn directly to the page with the list. He takes it from me and holds out his hand again. “Pen?” I eye him curiously but he doesn’t say anything, so I hand the pen over too. He makes a humming sound in his throat as he studies my handwriting, then says, “Ciao.” When I don’t respond, he says it again and holds out his hand for me to shake. “Sono Darren.” My eyes widen when I realize what he’s doing. “Ciao. Sono Pippa.” He squeezes my hand. “Che bel nome, Pippa.” I blush because I can’t help myself. He thinks my name is pretty. And I forgot how hot it is when he speaks Italian. “Grazie.” “Arrivederci.” I wave as if we really are going to part ways. “Arrivederci.” Darren clicks the pen into action and strikes though “Have a conversation with someone in only Italian.” It wasn’t exactly my original plan, and it’s elementary at best, but it had a beginning, middle, and end. And summer’s not over yet, so I’m counting it.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Boom! Boom! Boom! Briette lifted her head. She had fallen asleep on her crossed arms, resting over the book. What was that? Were they having a summer storm? Boom! Boom! Boom! The door. The main door of the manor. How strange! Briette looked at the guttering candle on her table. It wasn’t much shorter, she might have slept an hour. Still, it was very late for the house to have a caller. Briette waited, listened for footfalls on the stairs. It was normally Calister who answered the door. He would be asleep now, four floors above, and probably could not hear a thing. Boom! Boom! Boom! Boom! Boom! And the caller was not patient. Briette sighed and rose stiffly from the bench. She wasn’t sure if chambermaids should answer the door, but given the circumstances, she hoped Miss Gerda would forgive her. She took the staircase that led up from the kitchen to the grand dining room. Her candle sputtered and in the near-blackness, Briette jammed her small toes against the leg of a chair. She winced, grinding her teeth, and hobbled through to the entrance hall. If this was merely a messenger who could have come at daylight, she intended to give him an earful. The front door was large, heavy and stern. Briette slid back the latch and gave the iron ring a hard tug. It swung back, whining softly on its hinges. “Holy Noses, that took an age,” said a deep voice. “Where’s the steward?” Briette looked at the caller, lit by her candle. In an instant, her whole body turned to pudding. “I – I – I think he’s asleep. They all are. Um – uh – won’t you come in?” She stepped back, lowering the candle, and hoped he did not see her shaking. The man stepped inside. He was a tall man, grandly stout, with a well-shaped salt-and-pepper beard. He wore robes of blue velvet, heavy jewelry, and above his stern face, a magnificent crown. King Jarrod of Grunwold. Chapter 18 He
Anita Valle (Briette)
Do you two have boyfriends?” she asks us. Kelly shakes her head and I shake mine, a little embarrassed at being put on the spot. “Cool!” she continues, to my surprise. “Kendra doesn’t either. And I just broke up with someone. Or he sort of broke up with me. I think. We had a fight and it was all kinda messed up. Anyway, who cares?” She throws her arms wide, smiling so happily I can see almost every one of her big white perfect teeth. “It’s summer! You should never have a boyfriend in the summer. You get a boyfriend in the autumn, so you have someone over Christmas! And then you break up with him in the spring so you can party in the summer again!” Kelly and I stare at her, eyes wide. There’s a mad kind of logic to this, I suppose.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
The caterpillars are coming. They’re coming. As they passed a blunt rolled with marijuana shake around the bonfire, filled plastic cups with beer from a keg in the back of John Anderson’s Bronco, snuck cigarettes at the red doors that led to the make-out woods behind school. As they waited on line at the cafeteria for pizza and Tater Tots, warmed up during choral practice, and changed for gym in the locker room. Until Maddie felt something titanic rushing toward the island, gathering steam like a nor’easter barreling toward shore, and the waiting filled with a tingling urgency she knew they all felt. She felt it. Car engines revved harder, highs soared higher, buzzes and crushes burned brighter. “Look.” She lifted her palm as the insect inched across. The two lines of blue and red dots on its back glimmered like spots of blood rising after a pinprick. “They’re here.
Julia Fierro (The Gypsy Moth Summer)
But most scientists studying the western climate believe the freak will become the norm. Researchers recently concluded that the extended dry period in the West over the last ten years is the worst in eight hundred years—that is, since the years between 1146 and 1151. Eight hundred years! If we were just talking about another decade of this or, worse, a decade of the type of heat we were seeing in the summer of 2012, the results would be catastrophic. But climate scientists believe it will keep getting hotter. If so even drought-resistant plants will die, reservoir levels will continue to fall, crop production will drop. Worse, as vegetation withers, it will no longer be able to absorb carbon dioxide, further exacerbating climate change. And now to this precarious and combustible mix we have decided to add fracking. We have chosen to do this not with caution but on a massive scale, and to do it right next to our precious rivers, right smack in the middle of aquifers. We go into these places and use, mixed with the millions of gallons of water, a secret recipe of chemicals, many of them poisonous to humans, which we then force into fissures of rock with high-powered blasts to flush out the fuel we are seeking. The man in the bar had warned about earthquakes, but fracking is, in essence, a small seismic event, designed to blast out minerals. We have decided to inject poisons into the ground, then shake that ground, in a region where potable water is more precious than gold. But not, we have decided, more precious than oil. One thing is crystal clear. Though fracking is unproven technology, we are not treating it that way. Instead we are conducting a vast experiment all over the country, from the hills of Pennsylvania to the deserts of Utah. Since we are moving into unfamiliar territory you would think, if we were wise, that we would carefully monitor any and all results. We are not. When people in the fracked area complain that their water is fizzling out of their taps in a foamy mix, smelling of petroleum, the companies are quick to offer other water sources, like cisterns, but not quick, of course, to question the enterprise itself. In fact, the corporate response to the contaminated water supplies and groundwater has been consistent. They tell the landowners and anyone else who complains that they are concerned but that they will not slow down until there is conclusive proof that what they are doing is dangerous and poses a health risk. This is standard operating procedure in today’s world, but it is also, to anyone with a dollop of common sense, an ass-backwards way of doing things. “Despite the troubles people are having, we’ll keep going full-speed ahead until someone proves to us the trouble is real,” they tell us. Never, “Maybe we should slow down until we learn the facts.
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
It was very, very peaceful and all of a sudden I found myself shaking so hard that I had to sit down on the stream bank. Anytime. It could happen anytime and just this fast. I wasn’t sure which seemed most unreal... the bear’s attack or this, the soft summer night alive with promise. I rested my head on my knees letting the sickness, the residue of shock, drain away. But, it didn’t matter. I told myself – not only anytime but anywhere. Disease, car wreck, random bullet. There was no true refuge for anyone. But like most people, I managed not to think of that most of the time. I shuddered, thinking of the claw marks on Jamie’s back. Had he been slower to react – not as strong – had the wounds been slightly deeper. For that matter, infection was still a major threat, but at least against that danger I could fight! The thought brought me back to myself.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Memories of our lives, of our works and our deeds will continue in others. From a small seed a mighty trunk may grow. In a gentle way, you can shake the world. All you need is the plan, the road map, and the courage to press on to your destination. Tears of joy are like the summer rain drops.
Aesha K. Shah
Phoebe Kitzke?” The man had stopped in front of her. He had a deep, beautiful voice that made her thigh muscles quiver. This close she could see the multiple shades of deep blue that made up his eyes. He didn’t smile. On the whole she would say he looked about as far from happy as it was possible to be while still breathing. “I’m Phoebe,” she said, afraid she sounded as tentative as she felt. Why hadn’t Maya warned her? Saying Zane was good-looking was like saying summer in the desert was warm. “Zane.” He held out his hand. She wasn’t sure if he wanted to shake or take her luggage. She erred on the side of good manners and found her fingers engulfed in his. The instant heat didn’t surprise her, nor did the melting sensation. Everything else was going wrong in her life--it made sense for her body to betray her, too. She mentally jerked her attention away from her traitorous thighs and noticed that he had a really big hand. Phoebe tried not to think about those old wives’ tales. She tried not to think about anything except the fact that she was going to kill Maya the next time she saw her. “Nice to meet you,” she said when he’d released her. “Maya says the ranch is some distance from the airport, and I really appreciate you coming all this way to collect me.” His only response was to pick up her luggage. He didn’t bother with the wheels, instead carrying the bags out as if they weighed as much as a milk carton. Uh-huh. She’d nearly thrown out her entire back just wrestling them into the car. While in the past she’d never been all that interested in men with muscles, she could suddenly see the appeal of well-developed biceps. Zane headed for the parking lot, and Phoebe trailed after him. He didn’t seem to be much of a talker. That could make the drive to the ranch incredibly long.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Anyway, as soon as I got accepted to Grant this past summer my friend had doubtsabout Old Blue’s skills in the snow. She was rear wheel drive, you know. So I sold her and bought his aunt’s old car. It’s all-wheel drive, so it should be good when we get a big snow, right?” Keller shakes his head. “When did you get so soft, Katie? I thought you were a strong, independent woman. You’re scared of snow?” I widened my eyes for effect. “Dude, I’m not soft, I’m from Southern California. I was raised in captivity; I’ve never seen snow in the wild.
Kim Holden (Bright Side (Bright Side, #1))
at me and shake his head.’ ‘You’ll have to give up work sooner or later.’ ‘I know that.’ When the time came, the responsibility for their keep would devolve entirely on her mother with the help of the small savings she had managed to accumulate, and the prospect of that worried her constantly. Mum was looking tired, almost gaunt. The fat had dropped off her, so there was nothing much left of the plump, cheerful woman she had once been. She said it was the war, but Laura suspected it was more than that. She had tried several times to persuade her to see a doctor, but she had refused. ‘I’m not going to the doctor just because
Mary Nichols (The Summer House: The moving and heartwarming family story)
Someday Tatiana must tell Alexander how glad she is that her sister Dasha did not die without once feeling what it was like to love. Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breathtaking, aching youth. And yet, the war was on, and his men had already died and frozen and starved... and his mother and father were gone... and he was far away from home, and getting farther and farther, and every day was his last—one way or another, every day was his last. And yet, he smiles, he shines, he is happy. Anthony is gone so long that his daughters say something must have happened to him. But then he appears. Like his father, he has learned well the poker face and outwardly remains imperturbable. Just as a man should be, thinks Tatiana. A man doesn’t get to be on the President’s National Security Council without steeling himself to some of life’s little adversities. A man doesn’t go through what Anthony went through without steeling himself to some of life’s little adversities. In this hand Anthony carries two faded photographs, flattened by the pages of the book, grayed by the passing years. The kitchen falls quiet, even Rachel and Rebecca are breathless in anticipation. “Let’s see...” they murmur, gingerly picking up the fragile, sepia pictures with their long fingers. Tatiana is far away from them. “Do you want to see them with us, Grammy? Grandpa?” “We know them well,” Tatiana says, her voice catching on something. “You kids go ahead.” The grandchildren, the daughter, the son, the guests circle their heads, gaping. “Washington, look! Just look at them! What did we tell you?” Shura and Tania, 23 and 18, just married. In full bloom, on the steps of the church near Lazarevo, he in his Red Army dress uniform, she in her white dress with red roses, roses that are black in the monochrome photo. She is standing next to him, holding his arm. He is looking into the camera, a wide grin on his face. She is gazing up at him, her small body pressed into him, her light hair at her shoulders, her arms bare, her mouth slightly parted. “Grammy!” Rebecca exclaims. “I’m positively blushing. Look at the way you’re coming the spoon on Grandpa!” She turns to Alexander from the island. “Grandpa, did you catch the way she is looking at you?” “Once or twice,” replies Alexander. The other colorless photo. Tania and Shura, 18 and 23. He lifts her in the air, his arms wrapped around her body, her arms wrapped around his neck, their fresh faces tilted, their enraptured lips in a breathless open kiss. Her feet are off the ground. “Wow, Grammy,” murmurs Rebecca. “Wow, Grandpa.” Tatiana is busily wiping the granite island. “You want to know what my Washington said about you two?” Rebecca says, not looking away from the photograph. “He called you an adjacent Fibonacci pair!” She giggles. “Isn’t that sexy?” Tatiana shakes her head, despite herself glancing at Washington with reluctant affection. “Just what we need, another math expert. I don’t know what you all think math will give you.” And Janie comes over to her father who is sitting at the kitchen table, holding her baby son, bends over Alexander, leans over him, kisses him, her arm around him, and murmurs into his ear, “Daddy, I’ve figured out what I’m going to call my baby. It’s so simple.” “Fibonacci?” She laughs. “Why, Shannon, of course. Shannon.” The
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Above her, the triple summit of Ben Cruachan overhung the loch like a thundercloud; and the hills lay piled against one another, more purple than the heather, bluer than the still loch waters, lifting against the heart-shaking blue of a summer sky. It was no longer the Scotland of rain and mist, and whaups crying before a high wind; it was an enchanted place, touched with magic, as if each moor and hill had taken to itself the gay wild lilt of the Gaelic heart
Jan Cox Speas (Bride of the MacHugh)
Shaking his head, he continues, “It’s harder than ever to convince the business to do the right thing. They’re like kids in a candy store. They read in an airline magazine that they can manage their whole supply chain in the cloud for $499 per year, and suddenly that’s the main company initiative. When we tell them it’s not actually that easy, and show them what it takes to do it right, they disappear. Where did they go? They’re talking to their Cousin Vinnie or some outsourcing sales guy who promises they can do it in a tenth of the time and cost.” I laugh. “A couple of years ago, someone in Marketing asked my group to support a database reporting tool that one of their summer interns wrote. It was actually pretty brilliant, given that she only had a couple of months to work on it, and then it started being used in daily operations. How in the hell do you support and secure something that’s written in Microsoft Access? When the auditors found out that we couldn’t secure access to all the data, we spent weeks cobbling together something that satisfied them. “It’s like the free puppy,” I continue. “It’s not the upfront capital that kills you, it’s the operations and maintenance on the back end.
Gene Kim (The Phoenix Project: A Novel About IT, DevOps, and Helping Your Business Win)
Ula thought that unicorns might sleep in grassy glades with ferns for covering. In summer they might lie on a lawn. We walked round quietly on hands and feet, shaking imaginary horns. Ula pawed the air looking solemn; she made little humming sounds. Being fond of moonlight it was probable that they sang at night. They would eat rose petals with jam, and a little fruit in the summer months.
Ursula Holden (Unicorn Sisters)
Shall I compare thee to a summer’s day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, and summer’s lease hath too short a date.
Cheryl Bolen (The Bride Wore Blue (The Brides of Bath, #1))
Come on, you two,” she called to them weakly, struggling to her feet. “Let’s head home. It’s getting late. Stop your horsing around. Anthony, please. What did I tell you? Be careful, I said!” Can’t you see what your father looks like? Suddenly her two men, one little, one big, both with the straight posture, the unwavering gazes, came and stood in front of her, their legs in the sand, each in an A, their hands on their hips like kettles. “Ready to go then?” she said, lowering her gaze. “Mommy,” said her son firmly, “come and play.” “Yes, Mommy,” said her husband firmly, “come and play.” “No, it’s time to go home.” She blinked. A mirage in the setting sun made him disappear for a second. “That’s it,” said Alexander, lifting her into his arms. “I’ve had just about enough of this.” He carried her and flung her into the water. Tatiana was without breath and when she came up for air, he threw himself on her, shaking her, disturbing her, implacably laying his hands on her. Perhaps he wasn’t a mirage after all, his body immersed in water that was so salty he floated and she floated, too, feeling real herself, remembering cartwheeling at the Palace of the Tsars for him, sitting on the tram with him, walking barefoot through the Field of Mars with him while Hitler’s tanks and Dimitri’s malice beat down the doors of their hearts. Alexander picked her up and threw her in the air, only pretending to catch her. She fell and splashed and shrieked, and scrambling to her feet, ran from him as he chased her onto the sand. She tripped to let him catch her and he kissed her wet and she held on to his neck and Anthony jumped and scrambled onto his back, break it up, break it up, and Alexander dragged them all deeper in and tossed them into the ocean, where they bobbed and swayed like houseboats.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Damned thing, self-consciousness, like a pitiful stray dog tagging you down the road—so hard to shake off. So easy to get back.
Barbara Kingsolver (Prodigal Summer)
Sonnet. What the hell kinda name is Sonnet?” “My mom was into Shakespeare when she had me—a May birthday. I’m named after Sonnet number 18. Do you know it?” “‘Shall I compare thee to a summer’s day,’” Jezebel quoted, her voice taking on the cadence and tone of the syncopated sound that had made her famous. “‘Thou are more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath too short a date. Sometimes too hot the eye of heaven shines...
Susan Wiggs (Return to Willow Lake (The Lakeshore Chronicles #9))
I have a very happy announcement to make,” he said, and the blood drained from Emma’s face. “Miss Emma Chalmers and I will be married before the summer’s out.” Emma sucked in her breath and closed her eyes as a murmur of speculation moved through the crowd. This was followed by a burst of somewhat hesitant applause, and while the women held back, fanning themselves, the men pushed forward to shake Fulton’s hand. Emma felt as though she might throw up. God knew, Fulton was used to getting his own way, no matter what objections might be raised, but this time he’d gone too far. He came to her like a conquering hero and steered her toward the door. “Come now, Emma, dear,” he said through his teeth, his hand tight on her elbow. “It’s time we were alone together.” Fury mingled with the bile burning the back of Emma’s throat. “You will go back up there, Mr. Whitney, and explain that you were only joking. There will be no wedding!” His fingers bit into her flesh, and again she saw that hostile wraith move in the depths of his eyes. “I’ve had one humiliation already today,” he said, pulling her along like a half-wit who couldn’t be expected to find her own way. “And I will not suffer another.” Emma
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Shura, I did quit. I want you to quit, too.” He sat and considered her. His brow was furled. “You’re working too hard,” she said. “Since when?” “Look at you. All day in the dank basement, working in cellars... what for?” “I don’t understand the question. I have to work somewhere. We have to eat.” Chewing her lip, Tatiana shook her head. “We still have money— some of it left over from your mother, some of it from nursing, and in Coconut Grove you made us thousands carousing with your boat women.” “Mommy, what’s carousing?” said Anthony, looking up from his coloring. “Yes, Mommy, what’s carousing?” said Alexander, smiling. “My point is,” Tatiana went on, poker-faced, “that we don’t need you to break your back as if you’re in a Soviet labor camp.” “Yes, and what about your dream of a winery in the valley? You don’t think that’s back-breaking work?” “Yes . . .” she trailed off. What to say? It was just last week in Carmel that they’d had that wistful conversation. “Perhaps it’s too soon for that dream.” She looked deeply down into her plate. “I thought you wanted to settle here?” Alexander said in confusion. “As it turns out, less than I thought.” She coughed, stretching out her hand. He took it. “You’re away from us for twelve hours a day and when you come back you’re exhausted. I want you to play with Anthony.” “I do play with him.” She lowered her voice. “I want you to play with me, too.” “Babe, if I play with you any more, my sword will fall off.” “What sword, Dad?” “Anthony, shh. Alexander, shh. Look, I don’t want you to fall asleep at nine in the evening. I want you to smoke and drink. I want you to read all the books and magazines you haven’t read, and listen to the radio, and play baseball and basketball and football. I want you to teach Anthony how to fish as you tell him your war stories.” “Won’t be telling those any time soon.” “I’ll cook for you. I’ll play dominoes with you.” “Definitely no dominoes.” “I’ll let you figure out how I always win.” A Sarah Bernhardt-worthy performance. Shaking his head, he said slowly, “Maybe poker.” “Absolutely. Cheating poker then.” Rueful Russian Lazarevo smiles passed their faces. “I’ll take care of you,” she whispered, the hand he wasn’t holding shaking under the table. “For God’s sake, Tania... I’m a man. I can’t not work.” “You’ve never stopped your whole life. Come on. Stop running with me.” The irony in that made her tremble and she hoped he wouldn’t notice. “Let me take care of you,” Tatiana said hoarsely, “like you know I ache to. Let me do for you. Like I’m your nurse at the Morozovo critical care ward. Please.” Tears came to her eyes. She said quickly, “When there’s no more money, you can work again. But for now... let’s leave here. I know just the place.” Her smile was so pathetic. “Out of my stony griefs, Bethel I’ll raise,” she whispered. Alexander was silently contemplating her, puzzled again, troubled again. “I honestly don’t understand,” he said. “I thought you liked it here.” “I like you more.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
When you get to Tatogga, or the cliffs of Cape Breton, or the Alberta badlands, pause long enough to find an open ridge where the sky seems to shelter the Earth, or a valley where horses shake manes that quiver like sheets of distant rain. Watch for pollen in the wind, an eagle circling, ice forming on a summer lake. When you find a place where the clouds and mist envelop the peaks, creating that special illusion of depth that grants meaning to all travel, tip your hat to those who have come before you, breaking trail.
Wade Davis (Shadows in the Sun: Travels to Landscapes of Spirit and Desire (Shearwater))
That made sense to me. More than any sport I know golf provides an all-encompassing code. The game's unwritten rules elicit socially redeeming behavior; when a match is over, you shake your opponent's hand. The game's written regulations place all players on an equal footing; everybody starts from behind the tee markers. Golf is a world unto itself. Standing at the head of a course in the early light of a late-summer day, with the fog lifting and the sheep bleating grass clippings sticking to the sides of your shoes and the air smelling of damp wool, the golf course is a sanctuary. You wonder: What's in store for me today? There's hope in your voice, of course. Without hope, there is no golf.
Michael Bamberger (To the Linksland: A Golfing Adventure)
How? How do you pull the sun from her sky? Watch her spiral into darkness as planets shake and cry How do you separate a star from her moon? And ponder why nights are restless, blackened skies filled with an eerie doom How do you contain the rain that aches to pour and play? A summer’s day is lesser than she is because you took her rain away How? How can lovers so profound end in such shock and dismay, Ripped from each other, Just as love felt she'd found the one to stay, How?
Christine Evangelou (The Stars In Our Scars: A Collection of Unique, Healing and Inspirational Poetry)
The room where she now stayed faced out on to a garden that was yellowed with the parched desolation of winter. The dried and leafless stalks of flowers that had bloomed in the summer stood black against the world that did not want them any more, and of whose existence they had forgotten long ago, after the last flowers had faded. Hannah Theron felt at home with these tattered stalks. Her life hung in the same sort of tatters. Only she still tried to cover herself with the rags. That was where she felt that the winter-tarnished stalks standing in a hard bitterness in a garden that did not want them any more were stronger than she was. They were defiant and they did not care, and they had shed all their pretences. They would be pulled up before the spring rains and the first sowings. They did not look forward to any future summer. In the cold wind shaking their brittleness they had no dreams of a slow life sap stirring, flowing, beating. If only she could lose this useless emotion, this wan thing that was not a hope and that had in it no element of caressingness, then she could at least stand on level terms with those things that did not regret the passing of their coloured times.
Herman Charles Bosman (Jacaranda in the Night)
Whiskers taut, front teeth bared Shaking breath, round eyes scared Winter kept falling from the sky, building up under the windowsills, and crawling with frost over the panes. When clouds kept the sun from burning the frost away, Miri could see the outside world only as a grayish blur. So much time indoors, so much time with no one to talk to, was making her feel wretched. Her body ached, her skin itched as though she were wrapped tight in wool and could not stretch. The next time Olana dismissed the girls outside, Esa turned to Miri before leaving the classroom and gestured that she should follow. Miri sighed with anticipation. If Esa forgave her, perhaps the others would as well. Her determination to be just fine alone melted under the bright hope of making everything all right. She had one small task first. After waiting until all the girls left the classroom, Miri crept to the book shelf for a chance to return the volume of tales. She was standing on her tiptoes, inching the book back into place, when a sound at the door startled her. She jumped and dropped the book. "What are you doing?" asked Olana. "Sorry," said Miri, picking up the fallen book and dusting it off. "I was just . . ." "Just dropping my books on the floor? You weren't planning on stealing one, were you? Of course you were. I would have allowed you to borrow a book, Miri, but I won't tolerate stealing. In the closet with you." "The closet?" said Miri. "But I wasn't . . ." "Go," said Olana, herding Miri like a sulky goat. Miri knew the place, though she had never been in it. She looked back before stepping inside. "For how long?" Olana shut the door on Miri and clicked the lock. The sudden lack of light was terrifying. Miri had never been any place so dark. In winter Marda, Pa, and Miri slept by the kitchen fire, and in summer they slept under the stars. She lay on the floor and peered under
Shannon Hale (Princess Academy (Princess Academy #1))
She cursed aloud and sat up. Damned thing, self-consciousness, like a pitiful stray dog tagging you down the road—so hard to shake off. So easy to get back. No man had ever spoken to her
Barbara Kingsolver (Prodigal Summer)
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
But my own style, I'd say, is more homestyle, with Jewish influences? Not kosher cooking; that's a different thing. I'm inspired by traditional Jewish cuisine." Paper rustled on the other end. "Right, the matzah ball ramen you cooked in your video looked fantastic. We were all drooling in the room!" I perked up. Forgot that I was naked. Forgot that lately I was a walking disaster. "That's one of my go-tos and will definitely be on my future menu. I've been experimenting lately with putting a spin on kugels..." As I chattered on, I could practically see my grandma shaking her head at me. Grandma Ruth had cooked up a storm for every Passover, Yom Kippur, and Chanukah, piling her table till it groaned with challah rolls, beef brisket in a ketchup-based sauce, and tomato and cucumber salad so fresh and herby and acidic it could make you feel like summer in the middle of winter.
Amanda Elliot (Sadie on a Plate)
Dad had gone ballistic when Ruby got suspended from school for smoking, but not Nora. Her mother had picked Ruby up from the principal’s office and driven her to the state park at the tip of the island. She’d dragged Ruby down to the secluded patch of beach that overlooked Haro Strait and the distant glitter of downtown Victoria. It had been exactly three in the afternoon, and the gray whales had been migrating past them in a spouting, splashing row. Nora had been wearing her good dress, the one she saved for parent–teacher conferences, but she had plopped down cross-legged on the sand. Ruby had stood there, waiting to be bawled out, her chin stuck out, her arms crossed. Instead, Nora had reached into her pocket and pulled out the joint that had been found in Ruby’s locker. Amazingly, she had put it in her mouth and lit up, taking a deep toke, then she had held it out to Ruby. Stunned, Ruby had sat down by her mother and taken the joint. They’d smoked the whole damn thing together, and all the while, neither of them had spoken. Gradually, night had fallen; across the water, the sparkling white city lights had come on. Her mother had chosen that minute to say what she’d come to say. “Do you notice anything different about Victoria?” Ruby had found it difficult to focus. “It looks farther away,” she had said, giggling. “It is farther away. That’s the thing about drugs. When you use them, everything you want in life is farther away.” Nora had turned to her. “How cool is it to do something that anyone with a match can do? Cool is becoming an astronaut…or a comedian…or a scientist who cures cancer. Lopez Island is exactly what you think it is—a tiny blip on a map. But the world is out there, Ruby, even if you haven’t seen it. Don’t throw your chances away. We don’t get as many of them as we need. Right now you can go anywhere, be anyone, do anything. You can become so damned famous that they’ll have a parade for you when you come home for your high-school reunion…or you can keep screwing up and failing your classes and you can snip away the ends of your choices until finally you end up with that crowd who hangs out at Zeke’s Diner, smoking cigarettes and talking about high-school football games that ended twenty years ago.” She had stood up and brushed off her dress, then looked down at Ruby. “It’s your choice. Your life. I’m your mother, not your warden.” Ruby remembered that she’d been shaking as she’d stood up. That’s how deeply her mother’s words had reached. Very softly, she’d said, “I love you, Mom.
Kristin Hannah (Summer Island)
Baby, I bet your daddy would’ve loved to be in your life, but he’s not well.” “Mama,” I said, and the tears just fell, “why some kids get to have their daddy and others don’t?” Mama was crying; I could feel her shaking.
Toya Wolfe (Last Summer on State Street)
You have a career that’s still in motocross. I wish I had a talent that paid me a lot of money.” Jace smiles and shakes his head as he swirls his chopstick around his plate. “Oh you have talent…but I’m not going to let anyone pay you for it.
Amy Sparling (Spring Unleashed (Summer Unplugged #4))
Carole’s amazing roast chicken. Because how better to deal with fears of bird flu than by eating a bird, am I right? Here’s how you can make it yourself. You’ll need a chicken, first of all. Carole cuts it up herself but I’m lazy, so I buy a cut-up chicken at the store. You’ll need at least two pounds of potatoes. You’ll need a lemon and a garlic bulb. You’ll need a big wide roasting pan. I use a Cuisinart heavy-duty lasagna pan, but you can get by with a 13x9 cake pan. Cut up the potatoes into little cubes. (Use good potatoes! The yellow ones or maybe the red ones. In the summer I buy them at the farmer’s market.) Spray your pan with some cooking spray and toss in the potatoes. Peel all the garlic (really, all of it!) and scatter the whole cloves all through with the potatoes. If you’re thinking, “All that garlic?” just trust me on this. Roasted garlic gets all mild and melty and you can eat it like the potato chunks. Really. You’ll thank me later. Finally, lay out the chicken on top, skin-down. You’ll turn it halfway through cooking. Shake some oregano over all the meat and also some sea salt and a few twists of pepper. Squeeze the lemon, or maybe even two lemons if you really like lemon, and mix it in with a quarter cup of olive oil. Pour that over everything and use your hands to mix it in, make sure it’s all over the chicken and the potatoes. Then pour just a tiny bit of water down the side of the pan—you don’t want to get it on the chicken—so the potatoes don’t burn and stick. Pop it into a 425-degree oven and roast for an hour. Flip your chicken a half hour in so the skin gets nice and crispy.
Neil Clarke (The Best Science Fiction of the Year, Volume 1)