Hawthorne Show Quotes

Be true! Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred!

To the untrue man, the whole universe is false- it is impalpable- it shrinks to nothing within his grasp. And he himself is in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.

Some attribute had departed from her, the permanence of which had been essential to keep her a woman. Such is frequently the fate, and such the stern development, of the feminine character and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or—and the outward semblance is the same—crushed so deeply into her heart that it can never show itself more.

If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or--and the outward semblance is the same--crushed so deeply into her heart that it can never show itself more. The latter is perhaps the truest theory.

Before I could get the word daughter out, Grayson leaned his head down and crushed his lips to mine. He kissed me to save me from what I’d been about to say. For a small eternity, nothing in the world existed outside of that kiss. His lips. Mine. For show.

When the friend shows his inmost heart to his friend; the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!

Among many morals which press upon us from the poor minister's miserable experience, we put only this into sentence: Be True! Be True! Be True! Show freely to the world if not the worst, yet some trait whereby the worst can be inferred.

It is the unspeakable misery of a life so false as his, that it steals the pith and substance out of whatever realities there are around us, and which were meant by Heaven to be the spirit’s joy and nutriment. To the untrue man, the whole universe is false—it is impalpable—it shrinks to nothing within his grasp. And he himself in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.

Such is frequently the fate, and such the stern development, of the feminine character and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or--and the outward semblance is the same--crushed so deeply into her heart that it can never show itself more.

There are some people who argue that we are too sensitive these days, that because we’re so afraid of causing offence, we no longer engage in any serious sort of argument at all. But that’s how it is. It’s why political chat-shows on television have become so very boring. There are narrow lines between which all public conversations have to take place and even a single poorly chosen word can bring all sorts of trouble down on

The shame lay in the commission of the sin, and not in the showing of it forth.

Some attribute had departed from her, the permanence of which had been essential to keep her a woman. Such is frequently the fate, and such the stern development, of the feminine character and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or—and the outward semblance is the same—crushed so deeply into her heart that it can never show itself more. The latter is perhaps the truest theory. She who has once been a woman, and ceased to be so, might at any moment become a woman again, if there were only the magic touch to effect the transformation.

She said that it had always been thus with Clifford when the humming-birds came, -always, from his babyhood,-and that his delight in them had been one of the earliest tokens by which he showed his love for beautiful things.

Aylmer had long laid aside in unwilling recognition of the truth—against which all seekers sooner or later stumble—that our great creative Mother, while she amuses us with apparently working in the broadest sunshine, is yet severely careful to keep her own secrets, and, in spite of her pretended openness, shows us nothing but results.

Heaven would show mercy,” rejoined Hester, “hadst thou but the strength to take advantage of it.

Be true! Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred.

If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or—and the outward semblance is the same—crushed so deeply into her heart that it can never show itself more.

To the untrue man, the whole universe is false⁠—it is impalpable⁠—it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist

unless there be real affection in his heart, a man cannot,—such is the bad state to which the world has brought itself,—cannot more effectually show his contempt for a brother mortal, nor more gallingly assume a position of superiority, than by addressing him as "friend.

There are some people who argue that we are too sensitive these days, that because we’re so afraid of causing offence, we no longer engage in any serious sort of argument at all. But that’s how it is. It’s why political chat-shows on television have become so very boring.

The angel and apostle of the coming revelation must be a woman, indeed, but lofty, pure, and beautiful; and wise, moreover, not through dusky grief, but the ethereal medium of joy; and showing how sacred love should make us happy, by the truest test of a life successful to such an end!

Her simple, careless, childish flow of spirits often made me sad. She seemed to me like a butterfly at play in a flickering bit of sunshine, and mistaking it for broad and eternal summer. We sometimes hold mirth to stricter accountability than sorrow; it must show good cause, or the echo of its laughter comes back drearily.

There are some people who argue that we are too sensitive these days, that because we’re so afraid of causing offence, we no longer engage in any serious sort of argument at all. But that’s how it is. It’s why political chat-shows on television have become so very boring. There are narrow lines between which all public conversations have to take place and even a single poorly chosen word can bring all sorts of trouble down on your head.

These men deceive themselves," said Roger Chillingworth, with somewhat more emphasis than usual, and making a slight gesture with his forefinger. "They fear to take up the shame that rightfully belongs to them. Their love for man, their zeal for God's service—these holy impulses may or may not coexist in their hearts with the evil inmates to which their guilt has unbarred the door, and which must needs propagate a hellish breed within them. But, if they seek to glorify God, let them not lift heavenward their unclean hands! If they would serve their fellowmen, let them do it by making manifest the power and reality of conscience, in constraining them to penitential self-abasement! Would thou have me to believe, O wise and pious friend, that a false show can be better—can be more for God's glory, or man' welfare—than God's own truth? Trust me, such men deceive themselves!" "It

Man’s finest workmanship, the closer you observe it, the more imperfections it shows; as in a piece of polished steel a microscope will discover a rough surface. Whereas, what may look coarse and rough in Nature’s workmanship will show an infinitely minute perfection, the closer you look into it. The reason of the minute superiority of Nature’s work over man’s is, that the former works from the innermost germ, while the latter works merely superficially.

Usually given to mortals in exchange for their service, geases grant power, with a kick-in-the-teeth exception that comes upon you when you least expect it. Like, you're invulnerable, except to an arrow made of the heartwood of a hawthorn tree, which just so happens to be the exact kind of arrow that your worst enemy favours. Or you'll win every battle you're in, but you're not allowed to refuse invitations to dinner, so if someone invites you to dinner right before a battle, you're not going to be able to show up for that fight.

relationship and twenty-five years later we are still together. I had written four shows for her: Foyle’s War, Injustice, Collision and Menace. She was the first person to read my books, even before Hilda Starke. It feels odd to be writing about her and the truth is she has made it clear that she’s uncomfortable being a character in my book. Unfortunately, truth is what it’s all about. She is the main character in my life. ‘You’re working with that detective again, aren’t you?’ she said as we sat there, eating. ‘Yes.’ I hadn’t wanted her to know but I never tell her lies. She can see right through me. ‘Is that a good idea?’ ‘Not really. But I have a three-book deal and a case came up.’ I felt guilty. I knew she was waiting for my script. ‘I think it’s over anyway,’ I went on. ‘Hawthorne knows who did it.’ He hadn’t said as much but I could tell. There was something quite animalistic about Hawthorne. The closer he got to the truth, the more you could see it in his eyes, in the way he sat, in the very contours of his skin. He really was the dog with the bone. I’d hoped we might

Doth the universe lie within the compass of yonder town, which only a little time ago was but a leaf-strewn desert, as lonely as this around us? Whither leads yonder forest-track? Backward to the settlement, thou sayest! Yes; but, onward, too! Deeper it goes, and deeper into the wilderness, less plainly to be seen at every step; until some few miles hence the yellow leaves will show no vestige of the white man's tread. There thou art free! So brief a journey would bring thee from a world where thou hast been most wretched, to one where thou mayest still be happy!

To have a life devoted to art, to spiritual practice, to service to one’s community and ecosystem, restores faith in our collective human enterprise. Work on the culture is work on the self. Art can serve activism by teaching an attentiveness to existence and by enriching the culture in which our roots are set down. Culture is both the crop we grow and the soil in which we grow it. And human culture is the most powerful evolutionary force on Earth these days…art is necessary because it gives us a new way of thinking and speaking, shows us what we are and what have been blind to, and gives us a new language and forms in which to see ourselves

Why do you tremble at me alone? cried he, turning his veiled face round the circle of pale spectators. Tremble also at each other! Have men avoided me, and women showed no pity, and children screamed and fled, only for my black veil? What but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best-beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!

Then, halfway down the little lane, I stood still, as the soft flutter of a childhood memory brushed my heart: I had just recognized, from the indentations of the shiny leaves overhanging the threshold, a hawthorn bush, which since the end of spring, alas, had been bare of all blossom. A fragrance of forgotten months of Mary and long-lost Sunday afternoons, beliefs, and fallacies surrounded me. I wished I could grasp it as it passed. Andrée, seeing me pause, showed her charming gift of insight by letting me commune for a moment with the leaves of the little tree: I asked after its blossom, hawthorn flowers like blithe young girls, a little silly, flirtatious, and faithful.

Some attribute had departed from her, the permanence of which had been essential to keep her a woman. Such is frequently the fate, and such the stern development, of the feminine character and person. When the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or - and the outward semblance is the same - crushed so deeply into her heart that it can never show itself more. The latter is perhaps the truest theory. She who has once been a woman, and ceased to be so, might at any moment become a woman again, if there were only the magic touch to effect the transfiguration.

Sometimes, moreover, he made personal application to individuals, holding out his small black palm, and otherwise plainly signifying his excessive desire for whatever filthy lucre might happen to be in anybody’s pocket. The mean and low, yet strangely manlike expression of his wilted countenance; the prying and crafty glance, that showed him ready to gripe at every miserable advantage; his enormous tail (too enormous to be decently concealed under his gabardine), and the deviltry of nature which it betokened, — take this monkey just as he was, in short, and you could desire no better image of the Mammon of copper coin, symbolizing the grossest form of the love of money. Neither was there any possibility of satisfying the covetous little devil.

The plant he’d brought home wasn’t a currant, like I’d first thought. It was hawthorn, and while the blossoms had stronger medicinal properties than the berries, the bark and the leaves were what you really wanted. “For what?” My blood pumped with hope and fear. “For hearts!” he said, holding a ruby-colored berry between his thumb and pointer finger. The sun caught it just right, illuminating its heart shape and blood color, illustrating the rule that nature always showed us how to harvest its treasures. Walnuts, shaped like a brain, were exceptional for cerebral health. Slice a carrot crossway and what did you see? An eye, and there was no vegetable better suited to improving sight. Avocadoes worked wonders on the uterus, celery on the bones, grapefruit on the breasts. And this ruby berry, apparently, was a miracle cure for hearts.

He liked how brave she was—that dauntless courage she’d had when she faced off against Gargoyle at the trials. The lack of hesitation to chase after Hawthorn or take out the Detonator. The bravery that veered just a bit toward recklessness. Sometimes he wished he could be more like her, always so confident in her own motivations that she didn’t mind bending the rules from time to time. That’s how Adrian felt when he was the Sentinel. His conviction that he knew what was right gave him the courage to act, even when he would have hesitated as Adrian or Sketch. But Nova never hesitated. Her compass never seemed to falter. He liked that she defied the rules of their society—refusing to bend for the Council, when so many others would have been falling over themselves to impress them. Refusing to apologize for their decision to go after the Librarian, despite the protocols, because she believed wholeheartedly that they made the right choice with the options they’d been given. He liked that she’d destroyed him at every one of those carnival games. He liked that she hadn’t flinched when he brought a dinosaur to life in the palm of her hand. He liked that she’d raced into the quarantine to help Max, despite having no clue what she was going to do when she got there, only that she had to do something. He liked that she showed compassion for Max, sometimes even indignation for the way his ability was being used—but never pity. He even liked the way she feigned enthusiasm for things like the Sidekick Olympics, when it was clear she would have rather been doing just about anything else. But no matter how long the growing list of things that attracted him to Nova McLain had become, he still found her feelings toward him to be a mystery, with an annoying shortage of evidence to support the theory that maybe, just maybe, she sort of liked him too. A smile here. A blush there. It was an infuriatingly short list. He was probably reading into things. It didn’t matter, he told himself again and again. He couldn’t risk getting too close to anyone right now.

The team is showing its appreciation to the host families by taking them to a water park on Sunday. I know Mac is going out of town, but I thought you might still want to go. I mean, not as a date or anything. I’m going to invite the whole family.” “You don’t have to work Sunday?” “I got scheduled off.” “Sounds like fun. We could pack a picnic lunch--” “I’ll take care of that. As my thank you. All you have to do is bring yourself.” “And a bathing suit.” He grinned. “Yeah, and a bathing suit.” “And a towel. And suntan lotion…” “Maybe it’d be simpler if I just said I’ll take care of the tickets and eats.” “Okay, but I’ll go ahead and warn you not to take it personally that Mom and Dad aren’t really into water parks. It’s that whole not-using-the-exercise-equipment-as-intended thing Dad has going.” His grin grew. “I won’t take it personally.” “Okay, then, Sunday.” As though suddenly realized how intimate it seemed to be in my bedroom, he cleared his throat and took a step back. He gave my room one more look and took another step back. “It’s amazing what a room can reveal.” Then he walked down the hallway and knocked on Tiffany’s door. I wondered what he’d discover looking into her room.

I remember only too well, since I had only a moment to tell you, given the danger of being seen by your parents and mine, how I showed you so crudely what I wanted that I’m ashamed of it now. But you looked at me so fiercely that I realized that you didn’t want to.” And suddenly I thought that the real Gilberte and the real Albertine were perhaps those who offered themselves up in a single glance, one by a hedgerow of pink hawthorn, the other on the beach. And it was I, unable to understand something which I was to retrieve only later in my memory, after a delay during which the whole emotional undercurrent of my conversation had made them fear to be as frank as they had been in the first instance, who had spoiled everything with my clumsiness. I had “bungled” things more completely with them than Saint-Loup had with Rachel, and for the same reasons, although I have to say that my relative failure with them was less absurd. “And the second time,” continued Gilberte, “was years later when I saw you in your doorway, the day before I met you at my aunt Oriane’s; I didn’t recognize you straight away, or rather I recognized you without realizing it, since I felt the same urges that I had at Tansonville.—But in between, there was the Champs-Elysées.—Yes, but then you were too much in love with me, I felt that you were spying on my every move.

What are you going to do?” I asked. “Throw his things off the balcony.” She started gathering up his clothes, tossing them onto the bed into a pile. “I’ll show him, I’ll—” She let out a bloodcurdling scream. I snapped my head around to look where she was looking—at the balcony door. Noah was pressed up against it. “Come on, babe, let me explain.” Chelsea glared at me accusingly. “I thought you said only Spider-Man could climb onto the balcony.” “I guess if he backed his truck up, climbed in the bed of it, it would give him enough height—

We spoke of you. According to Joel, you make him very happy." She bristled at his mocking tone but couldn't help the blush creeping up her neck. "Bite me, Hawthorne." The corner of his mouth curved upwards. His eyes glittered, as if he was imagining doing exactly that. In the silence, his gaze traced over her. Moving slowly across her jaw, down her throat, and along her collarbones topping to linger on the curve of her shoulder. As if showing her all the places he longed to bite most. Emeline couldn't help but imagine it: His teeth on her bare skin. Soft little bites in between kisses.

Such is frequently the fate, and such the stern development, of the feminine characters and person, when the woman has encountered, and lived through, an experience of peculiar severity. If she be all tenderness, she will die. If she survive, the tenderness will either be crushed out of her, or--and the outward semblance is the same--crushed so deeply into her heart that it can never show itself more.

Everything else our grandfather did—everything he gave us, everything expected of us—was about molding the next generation of Hawthornes to be something extraordinary. But Saturday mornings, those games—they were about showing us that we already were.

No building snowmen for you?” “Sure, I build snowmen, and make snow angels. It’s the magic of snow. It’s gotta be done.” “You don’t agree with Sam that playing in snow is just for kids?” “The way I play in snow isn’t for kids. Maybe I’ll show you sometime.” Those hazel eyes of his darkened, and I thought maybe he was thinking about things that would warm up a girl. Dangerous things.

Hey, Aunt Sue. Were you calling to make sure we still had survivors over here?” She laughed. “This could be a reality show. A brother and sister snowed in together. How long can they survive?

There’s a limestone cavern over there that I want to show you.” “Is it safe?” “No, Ash, it’s incredibly dangerous. That’s the reason I want to eat first. In case it’s our last meal.

There’s a limestone cavern over there that I want to show you.” “Is it safe?” “No, Ash, it’s incredibly dangerous. That’s the reason I want to eat first. In case it’s our last meal.” I decided to totally ignore the fact that he called me Ash, which only my best friends did. “You want your last meal to be pimento cheese?” He grinned. “Nah, I’d want it to be steak. So I guess we’d better survive.

You can either dab or swirl,” he said, leaning forward to show me. Which put him even closer, close enough that it was almost an embrace. So close that my mouth went dry. “Personally”--he cleared his throat--“I like the swirl.

What are you doing here?” “My dad called and--what the hell is that?” He pointed to the cleaver. I angled my chin. “I was in the middle of cutting my peanut butter and jelly sandwich.” “With a meat cleaver?” “It’s quick and makes a perfectly straight cut.” He grinned. “Yeah, right. You’ve obviously watched too many movies. Who’d you think I was? Freddy Krueger?” “What are you doing here?” I repeated, not in the mood for his sarcasm or teasing. Plus I was feeling a little silly holding my weapon of choice. “Like I said, my dad called. The ferry shut down before they could get back. I decided to check to make sure that you were okay.” “Why wouldn’t I be okay?” “The storms here can get pretty intense, and if you’ve never been through one”--he dropped his gaze back to the cleaver--“I just thought you might get freaked if you were all alone.” It was nice of him to worry about me but totally unnecessary. I sighed. “I’m fine, thanks. You can go back home now.” “You’re kidding, right? Did you not look out there?” “It’s snowing.” “It’s a blizzard. I’m not going back out.” “You’re not staying here.” He raised an eyebrow. “This is an inn.” “Not yet. We’re not officially open for business.” “Tough. It’s easy to get disoriented out there. Last year a guy froze to death three feet from his front porch.” “Call a taxi.” The other eyebrow shot up. “Is this any way to thank me for showing concern?” “You know, I think you probably came over here because you were afraid to be alone.” “I really did want to make sure you were okay.” “You could have called.” “It’s not the same.” I didn’t want to admit to him that a little part of me was glad not to be alone anymore. Because the wind was loud and now that it was right, it was scary. “Oh, all right.” Besides, if the ferry wasn’t running, the taxi probably wasn’t either. “Come on. I’ll split my sandwich with you.” “I make a mean grilled cheese sandwich, and I’m really in the mood for something warm.

All the Queen had to do was show up. Cyn and the rest of the staff at Hawthorne Manor had to worry about the rest. No pressure there, considering how exacting the Queen was about every detail down to the volume of the bumblebees' buzzing.

The soles of Cynthia Sawyer's shoes squeaked on the damp flagstone walkway that meandered through Hawthorne Manor's formal gardens. Hazy rays of sun kissed the sprint morning dew, glistening on the early-blooming flowers and foliage soon to blossom into a Southern Living-worthy wonderland. Perfect for tiny Maple Creek, Maryland's annual garden party - the most exciting event of the season, especially for the quirky retirees. Last year, crazy old Mrs. Osworth got lost in the winding boxwood maze and called 911 to get "one of those strong young firemen" to come rescue her. She'd said she felt faint, and claimed she'd need mouth-to-mouth resuscitation the moment they showed up.

The ceiling was high, like maybe a thousand feet. Okay, closer to ten, but still…The ladder was a little shaky, especially when Josh started to climb it. “Uh…what are you doing?” I asked. “Coming up to show you how to do it.” And suddenly he was there, his arms coming around me as he put the plate of paint and a brush on the top step of the ladder. Or was it the top of the ladder? Would I really want to stand on the very top of the ladder with nothing to hold on to? I was obsessing about the ladder and what its various parts were called because that was a lot safer than thinking about the fact that Josh and I were so close. He smelled really good. Not like paint, as I’d expected. He smelled like a lumberjack, like pine. Woodsy. And even though it was winter, his skin had a brown hue, so I figured in the summer, he spent a lot of time outdoors. He looked the type. “Are you listening?” he asked. “Huh?” I sounded breathless. Probably because I was. Having his chest pressed to my back felt so good. I grew warm, kinda dizzy. Maybe it was the height. But I didn’t think so. “I’ve been showing you how to prepare the brush, how to make sure you don’t have too much paint,” he said. I nodded. “I got it.” “You can either dab or swirl,” he said, leaning forward to show me. Which put him even closer, close enough that it was almost an embrace. So close that my mouth went dry. “Personally”--he cleared his throat--“I like the swirl.” He was giving me other pointers, but I was barely listening. All I could think about was the swirl. The type of swirl that might take place if we were kissing.

Anyhow, I've begun on the story we discussed. I will not refer specifically to what you said, but I've decided that it will have as its author Hawthorne Abendsen, the novelist in my novel MAN IN THE HIGH CASTLE who wrote THE GRASSHOPPER LIES HEAVY. I wrote & wrote . . . after all, I wrote my 4th novel EYE IN THE SKY in two weeks, so this merely shows I'm in love with what I'm doing. The title of Abendsen's yarn is, "A Man For No Countries," because he is unwanted in the USA where the Asshole Axis rule, and certainly not in Europe where Germany rules from . . . I did bio notes, the uncorrected carbons of which I'm enclosing; they were improved in a second draft, and can/will be cut as needed. And, as to the story, I finished the holographic first draft last night about the time our tomcat Pinky wants indoors to be fed, which is quite late, and at which time nothing, even Pinky, gets me out of bed. It is a short story, but I think a lot of it, Phil. I really do, and when I turn out a lousy one I usually know it and the other way around. I'll send you a carbon of the final, not of the rough, since the rough is in holo. Now, a technical problem. To whom do I send the yarn when I'm done? By contract, it must be to Scott Meredith; that is determined by law. But my own name must be on it, on the far left upper corner, not under the title, so he can see who sent it, and hence pay me. That is, receive pay. Who does pay, by the way? Ed Ferman or whoever buys it (if anyone)? Does it just go onto the market like all stories, OR—and this is crucial, maybe—should I mention to Scott Meredith that you should be involved . . . without mentioning certain details held in confidence between us? How do I handle it? I will sell it, in any case; I wrote MAN IN THE HIGH CASTLE in 1961 and ever since "they" have begged (well, asked me) to do more as a sequel. This story is in fact a follow-up, of Abendsen's life since, besides being an intrinsic plot-idea-theme story. So it'll sell, and Ed Ferman does like my stuff; he has commissioned a set of three stories from me, the last three I have done, including one for FINAL STATE or EDGE or whatever with Malzberg, and so would tend to want to buy it. So advise me, as I type up the final. And thanks for getting my literary ass in gear; God bless, Phil. [The story was never completed or published.]

So the "Meseglise way" and the Guermantes way" remain for me linked with many of the little incidents of the life which, of all the various lives we lead concurrently, is the most episodic, the most full of vicissitudes; I mean the life of the mind. Doubtless it progresses within us imperceptibly, and we had for a long time been preparing for the discovery of the truths which have changed its meaning and its aspect, have opened new paths for us; but that preparation was unconscious; and for us those truths date only from the day, from the minute when they became apparent. The flowers which played then among the grass, the water which rippled past in the sunshine, the whole landscape which surrounded their apparition still lingers around the memory of them with its unconscious or unheeding countenance; and, certainly, when they were contemplated at length by that humble passerby, by that dreaming child - as the face of a king is contemplated by a memorialist buried in the crowd - that piece of nature, that corner of a garden could never suppose that it would be thanks to him that they would be elected to survive in all their most ephemeral details; and yet the scent of hawthorn which flits along the hedge from which, in a little while, the dog-roses will have banished it, a sound of echoless footsteps on a gravel path, a bubble formed against the side of a water-plant by the current of the stream and instantaneously bursting - all these my exaltation of mind has borne along with it and kept alive through the succession of the years, while all around them the paths have vanished and those who trod them, and even the memory of those who trod them, are dead. Sometimes the fragment of landscape thus transported into the present will detach itself in such isolation from all associations that it floats uncertainly in my mind like a flowering Delos, and I am unable to say from what place, from what time - perhaps, quite simply, from what dream - it comes. But it is pre-eminently as the deepest layer of my mental soil, as the firm ground on which I still stand, that I regard the Meseglise and the Guermantes ways. It is because I believed in this and in people while I walked along those paths that the things and the people they made known to me are the only ones that I still take seriously and that still bring me joy. Whether it is because the faith which creates has ceased to exist in me, or because reality takes shape in the memory alone, the flowers that people show me nowadays for the first time never seem to me to be true flowers.

Heaven to be the spirit’s joy and nutriment. To the untrue man, the whole universe is false,—it is impalpable,—it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist. The only truth that continued to give Mr. Dimmesdale a real existence on this earth, was the anguish in his inmost soul, and the undissembled expression of it in his aspect.