Summer Haze Quotes

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The summer of 2019 had overstayed its welcome in Florida, lingering well into September. As if to make a point about global warming, the rabid sun scorched the waters of Biscayne Bay for weeks, generating a haze of humidity that blurred the line between the windless sea and the sky above. Not to be accused of playing favorites, the sun’s rays beat down on the land with equal spite, pummeling grass, palms, and bushes into limp submission. The heat weaponized asphalt roads and cement sidewalks, the shimmery mirages above them a clear warning to all living things to stay away or burn.
J.K. Franko (Eye for Eye (Talion #1))
What a strange thing it is to wake up to a milk-white overcast June morning! The sun is hidden by a thick cotton blanket of clouds, and the air is vapor-filled and hazy with a concentration of blooming scent. The world is somnolent and cool, in a temporary reprieve from the normal heat and radiance. But the sensation of illusion is strong. Because the sun can break through the clouds at any moment . . . What a soft thoughtful time. In this illusory gloom, like a night-blooming flower, let your imagination bloom in a riot of color.
Vera Nazarian (The Perpetual Calendar of Inspiration)
The sun had set, but a faint pastel haze lingered in the mid-summer sky.
R.J. Lawrence (The Fortunate Only)
And here for the first time in my life I saw my beloved Mississippi River, dry in the summer haze, low water, with its big rank smell that smells like the raw body of America itself because it washes it up.
Jack Kerouac (On the Road)
Everyone tends to think of October as being an autumn month. Not so much in south Alabama, usually. There, it's another warm, if not hot, summer month. But the Alabama summer heat will sometimes get broken by cooler days. The haze of the depth of summer lifts, the humidity backs off, and the sky takes on a clearer, sharper blueness that the more languid summer days rarely could manage. And sometimes, there will be a day where the temperature gives a clear peek of what's coming.
J.F. Smith
He’s brought you back to us. The Farm and him. You’ve been in this sleepy haze this last year and a half—I know we all have—and I don’t think I’ve seen you so awake and alive since that awful day. When the two of you are together…” She shook her head.
K.L. Walther (The Summer of Broken Rules)
For a long while she had been oppressed by the indefiniteness which hung in her mind, like a thick summer haze, over all her desire to make her life greatly effective.
George Eliot (Middlemarch: A Study of Provincial Life)
Well did the traveler know those garden lands that lie betwixt the wood of the Cerenerian Sea, and blithely did he follow the singing river Oukranos that marked his course. The sun rose higher over gentle slopes of grove and lawn, and heightened the colors of the thousand flowers that starred each knoll and dingle. A blessed haze lies upon all this region, wherein is held a little more of the sunlight than other places hold, and a little more of the summer's humming music of birds and bees; so that men walk through it as through a faery place, and feel greater joy and wonder than they ever afterward remember.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
The garden has wrapped itself in autumn haze. An unusual autumn, lacking that thrill of vegetal warmth when the sap is still alive and holds up the trees, drunk on solar gold. It is the sorrowful climax of a summer's drought. Never before was I so struck by the cancerous emaciation in a garden. The leaves started turning yellow in July and began falling, like a dance of prematurely withered bodies.
Emil Dorian (Quality of Witness: A Romanian Diary, 1937-1944)
I first saw Lucas at the end of July last summer. Of course, I didn't know who he was then... in fact, come to think of it, I didn't even know what he was. All I could see from the backseat of the car was a green-clad creature padding along the Stand in a shimmering haze of heat; a slight and ragged figure with a mop of straw-blond hair and a way of walking - I smile when I think of it - a way of walking that whispered secrets to the air.
Kevin Brooks (Lucas)
Yellow is the true color of spring, not green; the new grass, the clouds, the misty, sunny air, the sticky buds like little feathers on the trees, all are mixed with yellow tone, with the haze of sun and earth and water. Green is for summer; blue, for fall.
Robert Nathan (Portrait of Jennie)
In the evening, the summer haze hovers over the fields like a translucent amber blanket waiting to put the crops to bed, tucking them in sweetly before the chill of the night descends over all. The locusts buzz in the distance and the mosquitoes gather around the porch lights as we play cards and sip lemonade. It's muggy, but a comfortable kind of humid, like natures hug on your sun-kissed skin.
Sky Ashton (10 Sexy Stories Thank You Our Readers Erotica Bundle)
During the night a fine, delicate summer rain had washed the plains, leaving the morning sky crisp and clean. The sun shone warm—soon to bake the earth dry. It cast a purple haze across the plain—like a great, dark topaz. In the trees the birds sang, while the squirrels jumped from branch to branch in seeming good will, belying the expected tension of the coming days.
Cate Campbell Beatty (Donor 23)
Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother's love, a father's love, a lover's love, a friend's love, an enemy's love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-pushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love is overlaying another, thick and hot and stinking of beds. It's an unreadable mess.
Chelsea G. Summers (A Certain Hunger)
A ricefield near Vercelli under creamy summer haze. the wings of her drooping hat shadow her false smile. Shadows streak her falsely smiling face, smitten by the hot creamy light, grey wheyhued shadows under the jawbones, streaks of eggyolk yellow on the moistened brow, rancid yellow humour lurking within the softened pulp of the eyes.
James Joyce (Giacomo Joyce)
These are secrets hidden from those who escape the Himalaya when it is at its bleakest: the mountains do not reveal themselves to people who come here merely to escape the heat of the plains. Through the summer they veil themselves in a haze. The peaks emerge for those devoted to them through the coldest of winters, the wettest of monsoons. The mountains, Diwan Sahib said in an uncharacteristic rush of sentimentality fueled by a few drinks at his fireplace, believe that love must be tested by adversity.
Anuradha Roy (The Folded Earth)
It was one of those sweltering summer days in which the air itself seems to decline as a haze suffocates the outside world. It is painfully bright whether you are looking up at that ball of burning hydrogen or down at its vivid reflection on sheer pavement.
Moonie
It’s what we’re all trying to do, right? Remember a time that was better. Re-create a moment of that memory as we let the crisp Coke bubble down our throats. Riding bikes on a summer day. Sitting on the curb and watching the streetlights come on. Playing in the sprinklers with a group of neighbor kids. We’re all trying to salvage a time when we dreamed beyond our reality and thought monsters were under our beds instead of peppering our family trees. We’re trying to harness those fleeting moments that turned our ordinary lives into something extraordinary. In the sepia haze of those memories, we are beautiful.
Liza Palmer (Nowhere But Home)
Poetry is no less than this: An unexpected workplace kiss The brandy in the spirit cage A salve upon our wounded age That lustful swell, the secret damp The yellow of the attic lamp The drifting, smoky, hazel haze Of wooded hills on autumn days Between the thoughts of summer lost And anvil of the winter frost
Martin Newell
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
The days were brief and attenuated and the season appeared to be fixed - neither summer nor winter, spring nor fall. A thermal haze of inexpressible sweetness, though bearing tiny bits of grit or mica, had eased into the Valley from the industrial region to the north and there were nights when the sun set at the western horizon as if it were sinking through a porous red mass, and there were days when a hard-glaring moon like bone remained fixed in a single position, prominent in the sky. ("Family")
Joyce Carol Oates (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
I just gazed at the smoke haze above Lundene, the darkness darkening a summer sky, and wished I were a bird, high in that nothingness, vanishing.   Haesten
Bernard Cornwell (The Burning Land (The Saxon Stories, #5))
slumberous haze of an Island summer,
Beatriz Williams (The Summer Wives)
Who am I?” Laia muttered to her invisible audience, and they knew the answer and told it to her with one voice. She was the little girl with scabby knees, sitting on the doorstep staring down through the dirty golden haze of River Street in the heat of late summer, the six-year-old, the sixteen-year-old, the fierce, cross, dream-ridden girl, untouched, untouchable. She was herself
Ursula K. Le Guin (The Day Before the Revolution)
The time of the year has come when on warm summer days Each flower spreads its scent like a censer of gold The sounds and fragrances in harmony enfold The melancholic languor of the evening haze
Charles Baudelaire (Les Fleurs du Mal)
This was where I thrived, in the moments of haze: the dancing, the music, the collective buzz. Chaos was intimacy; distraction was intimacy. Watching a friend do blow off the dresser was intimacy. My
John Glynn (Out East: Memoir of a Montauk Summer)
Even through the haze of summer you can see the cleared pockets of land that were once forest, now logged into oblivion. They look like a disease, but to the north and west, the untouched hills are a calm reminder.
Victoria Aveyard
Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother's love, a father's love, a lover's love, a friend's love, an enemy's love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-pushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love is overlaying another, thick and hot and stinking of beds. It's an unreadable mess.
Chelsea G. Summers (A Certain Hunger)
Origin Story Outside my window is the beginning of half my poems. The others start outside my door. In cach case the window is my body. I am always on the other side of the door. All summer every place around me caught fire. The flames orange haze spilled into my blood.
Camille T. Dungy (Soil: The Story of a Black Mother's Garden)
This time of year, the purple blooms were busy with life- not just the bees, but butterflies and ladybugs, skippers and emerald-toned beetles, flitting hummingbirds and sapphire dragonflies. The sun-warmed sweet haze of the blossoms filled the air. "When I was a kid," said Isabel, "I used to capture butterflies, but I was afraid of the bees. I'm getting over that, though." The bees softly rose and hovered over the flowers, their steady hum oddly soothing. The quiet buzzing was the soundtrack of her girlhood summers. Even now, she could close her eyes and remember her walks with Bubbie, and how they would net a monarch or swallowtail butterfly, studying the creature in a big clear jar before setting it free again. They always set them free. As she watched the activity in the hedge, a memory floated up from the past- Bubbie, gently explaining to Isabel why they needed to open the jar. "No creature should ever be trapped against its will," she used to say. "It will ruin itself, just trying to escape." As a survivor of a concentration camp, Bubbie only ever spoke of the experience in the most oblique of terms.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable... One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love overlaying another, thick and hot and stinking of beds. It’s an unreadable mess.
Chelsea G. Summers (A Certain Hunger)
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort. The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from? There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
Thomas Pynchon (Gravity’s Rainbow)
In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence. Wait for the early owl. In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament. Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde. Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn. Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts. Feet rising and falling. Eating and drinking. Dung and death. Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.
T.S. Eliot (Four Quartets)
Sirius Sojourn by Stewart Stafford Cottage in an aromatic meadow, Summer's languid haze hanging, The old windmill's sundial stilled, Chirping birds and insect drones. Flowing brooks at a funereal pace, A bloated lull duels exiguous energy, Thick air's blanketing somnolence, Liquid refreshment soothes inertia. Salmon sundown slithers to a siesta, In a clear purple sky nodding assent, The intense day imperceptibly eased, As the night's humid embrace begins. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
Have you ever watched a storm approaching on a hot summer’s day? It’s especially spectacular in the mountains. At first there’s nothing to see, but you feel a sort of weariness that tells you something is in the air. Then you hear thunder - just a rumble here and there- you can’t quite tell where it is coming from. All of a sudden, the mountains seem strangely near. There isn't a breath of wind, yet dense clouds pile up in the sky. And now the mountains have almost vanished behind a wall of haze. Clouds rush in from all sides, but still there’s no wind. There’s more thunder now, and everything around looks eir and menacing. You wait and wait. And then, suddenly, it erupts. At first it is almost a release. The storm descends into the valley. There’s thunder and lightning everywhere. The rain clatters down in huge drops. The storm is trapped in the narrow cleft of the valley and thunderclaps echo and reverberate off the steep mountain sides. The wind buffets you from every angle. And when the storm finally moves away, leaving in its place a clear, still, starlit night, you can hardly remember where those thunderclouds were, let alone which thunderclap belonged to which flash of lightning.
E.H. Gombrich (A Little History of the World)
They reached the summit of a shallow incline and were greeted with a surprising vista of bluebells that blanketed the forest floor. It was like stumbling into a dream, the cerulean haze seeping between the trunks of oak and beech and ash. The smell of bluebells was everywhere, the perfumed air feeling heavy and rich in her lungs. Pausing by a slender tree trunk, Annabelle curled her arm around it loosely and stared at the stands of bluebells with surprised pleasure. "Lovely," she murmured, her face gleaming in the shadow cast by the canopy of ancient, interlaced branches. "Yes." But Hunt was looking at her, not the bluebells, and one glance at his expression caused the blood to tingle in her veins.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
There’s no way around August. In the sweltering dog days of summer in the deep South mornings haze with humidity that doesn’t end with the coming of dark. Cuts don’t heal. Grudges fester. Mold grows on damp sheets and dogs don’t bother to come out from under the house and bark. What would be the point? In more cultivated times people closed the shutters midday and sallied forth when the worst was over. The river is a different story. And if you are fortunate enough to have a dock with hammocks hanging under it and boats tied at the end of it and all of Jericho waiting to enfold you, not to mention the Perseid meteor showers to keep you company at night, why would you be anywhere else? Especially if you have peaches.
Ellen Malphrus (Untying the Moon)
For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother’s love, a father’s love, a lover’s love, a friend’s love, an enemy’s love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-hushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love overlaying another, thick and hot and stinking of beds. It’s an unreadable mess.
Chelsea G. Summers (A Certain Hunger)
Hakan was a chieftain ready for battle. Fear, the haze of it like when the Danes had attacked her village, skittered across her skin. "Break the fast with me," she pleaded softly. He hooked a finger under her chin. "You've convinced me to do many things I've not done before." He looked at the trees where her loom sat idle. "Like spend a summer day in the shade, and now you want me to keep my ship, my men, waiting. What will you have me do next?"He paused as if drinking in the sight of her. He hadn't shaved, and his jaw bore several days' growth. She itched to know the feel of those blonde whiskers. Her lips parted with bold, unspoken invitation.
Gina Conkle (Norse Jewel (Norse, #1))
By the time we had passed St Clement Dane’s, the pavements had grown less crowded, and as we drew by the Temple, thick woolly clouds of vapour were curling up from the steep lanes leading down to the river on our right and were beginning to suffuse the light from the gas-lamps and to deepen the gloom of the quieter streets of that quarter. Past St Paul’s, on through the sepulchral City and up beyond Bishopsgate, the breeze had dropped and the haze grew thicker and heavier. By the time we had arrived at our rendezvous with Lestrade in a warren of dismal backstreets in Spitalfields, we were mired in the drab wraiths of a summer fog.
Séamus Duffy (Sherlock Holmes and the Four Corners of Hell)
A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.
Victor Hugo
I’ve returned to summer after a long ramble. Forest leaves mingle Into one green bouquet. I hover in your days Like an old familiar haze. Bright bars of sunlight Break through. Softer, The body is softer in sunlight, Like wax that will melt At your touch. From the ground I look up At unobstructed sky. Skirts float by. I breathe And float in thin air. All is clear. Silence Sings me to sleep.
Yi Lei (My Name Will Grow Wide Like a Tree: Selected Poems)
I've been in a 12-hour pain medication haze and coming out of that, realizing that I'm back home in my bed. It's impossible not to think that maybe last night wasn't real. Maybe I dreamed it. Maybe school hasn't even started and it's still summer, but the shooting pain across my chest and down my left arm tells me otherwise.
Julie Cross (On Thin Ice (Juniper Falls #3))
A rule of thumb is (change your hummingbird feeder water) every three days in the summer in LA because the sun and heat make them go bad fast. If the sugar water gets a milky haze, it means the feeder is slimy inside and the sugar water has gone sour. And if you see black spots on the glass that's fungus and then the feeder becomes a deathtrap.
Terry Masear (Fastest Things on Wings: Rescuing Hummingbirds in Hollywood)
Them, graves, the city in late-August haze: a twenty-first-century American Gothic.
A.D. Aliwat (In Limbo)
The beginning of June was hot. I took a journey, and of course, immediately everything was new. When you travel your first discovery is that you do not exist. The phlox bloomed in its faded purples; on the hillside, phallic pines. Foreigners under the arcades, in the basket shops. A steamy haze blurred the lines of the hills. A dirty, exhausting sky. Already the summer seemed to be passing away. Soon the boats would be gathered in, ferries roped to the dock.
Elizabeth Hardwick (Sleepless Nights)
A month had passed since Roz left the island. According to her calculations, she had traveled hundreds of miles, but she still had hundreds more to go. The tireless robot continued north, on and on, toward the waters where the Ancient Shark roamed. If you travel far enough north, you’ll reach an area where the sun never sets in summer. And Roz had traveled far enough north. Up at the surface, there was constant daylight, all day, every day, until autumn. However, our robot was at a depth below the reach of the sun. And yet there were occasional glimmers. Certain deep-sea fish had glowing fins, while others had glowing teeth, and still others had spindly glowing lures that dangled from their heads. Jellyfish came in every shape imaginable, and many of them gave off a ghostly light. Most gleaming creatures kept their distance. Roz would see a flicker, and as her headlights swept toward it, the creature vanished into the murky haze. She was marching down a long slope that descended to the deepest trenches of the ocean when she felt her Survival Instincts tingling. The weight of all the water above was becoming too great. If she went much deeper, she’d be crushed from the pressure. So Roz stopped marching downhill and started swimming at a safer depth, and the ocean floor quickly faded from view. The robot’s limbs paddled automatically, which left her mind free to wander. Specks of debris floated all around, like a gentle snowfall, and suddenly she was recalling the snowfalls she’d experienced on land. She thought
Peter Brown (The Wild Robot Protects (The Wild Robot 3))
Alla faced the woman. Her heart skipped a beat. The already lush shade of Viktoriya’s simple thigh-length jacket, paired with equally plain trousers, were now a deeper blue. And she glowed-a faint shimmer like haze off a summer pond.
Aldrea Alien (Someone Else's Shoes (Princesses of the Sands, #1))
Something in me snapped and I accepted my life was over and I’d have to move to Siberia to escape my shame after this. If I had to do that, I might as well spell everything out for them. “I have a dildo glued inside me and I can’t get it out!
Summer Haze (Silver Fox Firefighters Next Door (Forbidden Reverse Harems of Harmony Valley #4))
He gripped my thighs and held them tight as he fucked me. He drove into me like he’d die if he didn’t. His eyes bore into mine as he took me hard. “Say it again, Evie.” I tipped my head back and moaned through my teeth. “I’m yours!” “Again!” My bed slammed into the wall behind it and creaked like it would collapse at any minute. He pumped into me harder and faster, gritting his teeth as he stared down at me. “Louder, Evie!
Summer Haze (Silver Fox Firefighters Next Door (Forbidden Reverse Harems of Harmony Valley #4))
He smirked. “I wouldn’t let you choke, Eve. Not on food, anyway.
Summer Haze (Silver Fox Firefighters Next Door (Forbidden Reverse Harems of Harmony Valley #4))
As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Her mum is leaning against the wall, arms crossed, when Summer exits. “Gage left from here a few minutes ago,” she says, tone neutral. “His hair was ruffled.” She gestures with her hand above her head. The haze Gage left Summer in vanishes. She frowns. Her mum sighs and steps forward. Smooths her daughter’s hair. “If he hurts you,” she says in a mild tone, “I’ll kill him.
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
So beautiful was that summer that those who survived it invested it with a golden haze; it assumed a retrospective poignancy, as if before it, all had been beautiful, and after it, nothing ever was again. It became the summer that the world ended, and it was somehow fitting that it should therefore be the most glorious summer ever.
James L. Stokesbury (A Short History of World War I)
The unchecked growth of many summers, rising and declining, has lessened the penetration of the light in a way one rarely sees in farmland now. The hazed-over raggedness of sky above these lush, neglected fields gives a sense of mystery, of something rare and wild that has run away to hide, of something infinitely regretful fretting at the edge of the light, like a big moth fumbling at a window. This is a place where the last of the persecuted may for a time find refuge and seclusion. In the amber of the sunlight that lies between the high hedges, there is preserved an air of the past, the presence of an older summer. Under the surface of the visible world I can always hear the soft wolf-stride of the rapacious world beyond.
J.A. Baker (The Peregrine: The Hill of Summer & Diaries: the Complete Works of J. A. Baker)
The day was stifling, humidity in the high nineties, a threat of rain on the horizon. Though it was full light, the sun was not shining. A thick miasma of haze blanketed the sky, turning the blue to gray. Nashville in the summer. The
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
Once the solar years blended into my rhythmic patterns on stone and critical screens, millions telling me the same old twisted scenes, glimmering glances of delight disguised as silver lining pause and model frames. Be very careful which universe you dwell in from now on, for even my own territory is casted within many phrases gone into the cracks where smoke can't escape, many have slit their tongues and throats for a splash of Spanish haze, and lost thick jungle heat only chest and breath could ever match in mid sonic reframe of resonance imagined in west coast hues scanning my pupils to yours, at once and foreseen many summer moons ago when the unknown was merely an oasis of water falling from heavenly thrones, getting off on this planet; getting off on your tones in phantom cosmic zones.
Brandon Villasenor (Prima Materia (Radiance Hotter than Shade, #1))
During the past 70 years, the Earth has been hotter than at any other time in the last millennium, and the warming has accelerated dramatically in just the past few decades. No doubt everyone has at least one older relative who is constantly harking back –through a rose-tinted haze –to a time when summers were hotter and the skies bluer. Meteorological records show, however, that this is simply a case of selective memory, and in fact 19 of the hottest years on record have occurred since 1980, with the late 1990s seeing the warmest years of all across the planet as a whole. The Earth is now warmer than it has been for over 90 per cent of its 4.6 billion year history, and by the end of the twenty-first century our planet may see higher temperatures than at any time for the last 150,000 years.
Bill McGuire (Global Catastrophes: A Very Short Introduction (Very Short Introductions;Very Short Introductions;Very Short Introductions))
Teddy felt her in him, pressed at the base of his throat. He could see her sitting in the early July haze, in that dark orange light a city gets on summer nights just after sundown, looking up as he pulled to the curb and the kids returned to their stickball game in the middle of the street, and the laundry flapped overhead, and she watched him approach with her chin propped on the heel of her hand and the cigarette help up by her ear, and he'd brought flowers for once, and she was so simply his love, his girl, watching him approach as if she were memorizing him and his walk and those flowers and this moment, and he wanted to ask her what sound a heart made when it broke from pleasure, when just the sight of someone filled you the way food, blood, and air never could, when you felt as if you'd been born for only one moment, and this, for whatever reason, was it.
Dennis Lehane