Moist Eyes Quotes

Zweisamkeit’ is the feeling of being alone even when you’re with other people.” Simon turned to look in his husband’s eyes. “Before I met you, I felt this constantly. I felt it with my family, my friends, and every boyfriend I ever had. I felt it so often that I thought this was the nature of living. To be alive was to accept that you were fundamentally alone.” Simon’s eyes were moist. “I know I’m impossible, and I know you don’t care about German words or marriage. All I can say is, I love you and thank you for marrying me anyway.

What a wonderful phenomenon it is, carefully considered, when the human eye, that jewel of organic structures, concentrates its moist brilliance on another human creature!

She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak and moist eyes with the sympathetic expression of wet stones.

I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last. AM will be all the madder for that. It makes me a little happier. And yet ... AM has won, simply ... he has taken his revenge ... I have no mouth. And I must scream.

My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.

Heavily and hypnotically,with her soul flattening itself back like the ears of a hissing cat,Kizzy leaned in and drank of Jack Husk's full,moist mouth,and his red,red lips were hungry against hers,drinking her in return.Their eyes closed.Fingers clutched at collars and hair,at the picnic blanket,at the grass.And as they sank down,pinning their shadows beneath them,the horizon tipped on its side,and slowly,thickly,hour by hour,the day spilled out and ebbed away. It was Kizzy's first kiss, and maybe it was her last, and it was delicious.

A man need not be ashamed of moist eyes when he gazes on the face of some loved one who is far away. It's human. It shows a kindly heart, an impressionable mind! ("The Doomed Man")

The green-eyed angel came in less than a half hour and fell docile as a lamb into my arms. We kissed and caressed, I met no resistance when I unlaced the strings to free her dress and fill myself in the moist and hot bed nature made between her thighs. We made love outdoors—without a roof, I like most, without stove, my favorite place, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with dew, and our love for each other was seen. Our love for the world was new.

Let's do what you fear most That from which you recoil But which still makes your eyes moist

They were indeed what was known as 'old money', which meant that it had been made so long ago that the black deeds which had originally filled the coffers were now historically irrelevant. Funny, that: a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of.

Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.

Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.

But [Stanley Wade] instead removed his glasses and wiped his eyes. They were moist not from fear but from the harsh reality of being confronted by one of his victims. How many others were out there? Why had he chosen to spend his career screwing these people? ~from "Michael's Room"~

Sooner or later your fingers close on that one moist-cold spud that the spade has accidentally sliced clean through, shining wetly white and giving off the most unearthly of earthly aromas. It's the smell of fresh soil in the spring, but fresh soil somehow distilled or improved upon, as if that wild, primordial scene has been refined and bottled: eau de pomme de terre. You can smell the cold inhuman earth in it, but there's the cozy kitchen to, for the smell of potatoes is, at least by now, to us, the smell of comfort itself, a smell as blankly welcoming as spud flesh, a whiteness that takes up memories and sentiments as easily as flavors. To smell a raw potato is to stand on the very threshold of the domestic and the wild. (241)

Her eyes opened then. They were drowsy, slumberous, staring up at him with a hunger that was impossible to miss. “I felt you,” she whispered, a smile tilting her moist lips. “Watching me. Should I feel you watching me?” Was she asleep or awake? “Of course.” He found the growl building in his throat. “Every time I look at you, baby, I touch you.

Her half-closed eyes were moist and tremulous and languid with desire. I began to drink love from them with thirsty kisses; which revived her spirits a litle.

The eyes were certainly memorable and beautiful, moist calves' eyes heavily lashed and with the same look of troubled pain at the unpredictability of the world's terrors.

The eyes of his friend were moist and dark, and in them he saw the little rectangled pictures of himself that he had watched a thousand times.

He sat. The white cat still contemplated him with large, moist eyes.

There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-

Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain.

I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.

You haven't lost Iraki, you know. I don't know if it helps to say that. I lost a friend once myself, and I know how it goes. 'He'll find his way inside you, and you'll carry him onward. Behind your heartbeat, you'll hear another one, faint and out of step. People will say you are speaking his opinions, or your hair has turned like his. 'There are no more facts about him, that part is over. Now is the time for essential things. You'll see visions of him wherever you go. You'll see his eyes so moist, his intentions so blinding, you'll think he is more alive than you. You will look around and wonder if it was you who died. 'Gradually you'll grow older than him, and love him as your son. 'In the future, you'll live astride the line separating life from death. You'll become experienced in the wisdom of grief. You won't wait until people die to grieve for them. You'll give them their grief while they are still alive, for then judgement falls away, and there remains only the miracle of being.'

Call me its successor Of slippery little world Hanging on the hedge With moist rim eyes I lay upon my couch With confusing sleep Of my stretched life.

The spring breeze With coffee cups, No words said Only eyes catch-up, On green fields With trembling lips, Our hearts collide On the moist mud.

It was one of those things they keep in a jar in the tent of a sideshow on the outskirts of a little, drowsy town. One of those pale things drifting in alcohol plasma, forever dreaming and circling, with its peeled, dead eyes staring out at you and never seeing you. It went with the noiselessness of late night, and only the crickets chirping, the frogs sobbing off in the moist swampland. One of those things in a big jar that makes your stomach jump as it does when you see a preserved arm in a laboratory vat.

No one could hear them over the carriage wheels, yet somehow it felt right to whisper. His eyes dropped to her gaping bodice. One nipple was reddened and still moist. He averted his eyes, swallowing. His erection, silly thing, didn’t know the show was over.

He ran his fingers over the moist ends of her hair and across her face. Her eyes were wet. Jesus Christ. How many nights had he heard Lily crying. As some parents sleep through fire, thunderstorms, and voices at the back door only to wake at a child’s whisper, so Everett heard Lily crying at night. Her muffled sobs seemed to have broken his dreams for years. He had heard her even at Fort Lewis, even in Georgia, finally at Bliss. That was Lily crying in the wings whenever the priest came to tear up his mother’s grave. Lily cried in the twilight field where he picked wild poppies with Martha; Lily’s was the cry he heard those nights the kiln burned, the levee broke, the ranch went to nothing.

The boat was vacuum-packed with Albanians, four generations to a family: great-grandmother, air-dried like a chilli pepper, deep red skin and a hot temper; grandmother, all sun-dried tomato, tough, chewy, skin split with the heat; getting the kids to rub olive oil into her arms; mother, moist as a purple fig, open everywhere - blouse, skirt, mouth, eyes, a wide-open woman, lips licking the salt spray flying from the open boat. Then there were the kids, aged four and six, a couple of squirs, zesty as lemons.

For Past is never buried- It just shines with a brighter ray, Perhaps because now we look at it as a third person Ushering in a smile with moist eyes Which is but a reflection of an array of infinite emotions. Indeed, Past is never buried- It breathes silently, Deep inside, Distant yet alive.

I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven - the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it - it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition - make haste - oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still - ubi saeoa indignatio ulterius cor lacerate nequit; the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them ("The Lifted Veil")

I saw you there, In a dress of virgin white. Like an angel descended from heaven To be here amongst ordinary mortals. I saw you there, Your big, brown eyes. Like the moist soil after the rains Full of hope, courage & life. I saw you there Your dark hair, curly. Like the dark clouds trying vainly to mask The moons eternal beauty. I saw you there Inspiring hope and life. Like the rainbow that brings a smile after thunder Lighting and the dull grey sky. I saw you there and realised the purpose of this life. Like the firely loves the light, to love you for the rest of my life. I saw you there and met my true self. I never knew Love This was Love. Love at first sight.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

You don’t understand.” His bulgy eyes are getting moist. “I miss Wonderland. I am like a child who became a scientist, only to learn that all he really wanted was to never grow up in the first place. I wanted to stay in Wonderland. I wanted to find Alice again.

You saved my life," I mutter. "I ... I don't know what to say?" I swallow hard. "How can I thank you?" "No thank-you necessary," he says. I search his moist eyes, and wipe away tears from mine. "I will always be indebted to you." "Better plan," he says. "How about you just save my life someday, then we'll be even?" "I will," I say, smiling through tears. "I will.

Mom and Dad were killed in a car accident on their way home from the tournament.” Mr. Terupt’s eyes were moist, but he kept going. “Fortunately, I was headed to college, which was the best place for me. Wrestling saved my life. The challenge it provided kept me going when I could have easily given up. I have no brothers or sisters, or any other extended family, so I was alone after my parents died. You saw that last year at the hospital. But now I have all of you. Sometimes answers come at unexpected times, in unexpected ways and unexpected places. I never

Then, at a meeting, Petal Bear. Thin, moist, hot. Winked at him. . . . Grey eyes close together, curly hair the color of oak. The fluorescent light made her as pale as candle wax. Her eyelids gleamed with some dusky unguent. A metallic thread in her rose sweater. These faint sparks cast a shimmer on her like a spill of light. She smiled, the pearl-tinted lips wet with cider. . . . As she spoke she changed in some provocative way, seemed suddenly drenched in eroticism as a diver rising out of a pool gleams like chrome with a sheet of unbroken water for a fractional moment.

He had her alone in the garden. Her moist lips. The moonlight in her eyes. A lesser man would be merely tempted. A greater man would surely resist. A man like him would indulge, and without regret. —From The Dulcet Duke

I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow. "You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace. "No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze. "I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?" "No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet." "I'm not too late, then." He smiled and settled back in the bed. "Too late for what?" I asked. "To stop you, of course." Still smiling, he closed his eyes. "Is that why you're here?" I asked, failing to point out how near we were to my nuptials. "I told you why I'm here," Loki said. "What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises. "Are you crying?" Loki asked and opened his eyes. "No, I'm not crying." I wasn't, but my eyes were moist. "Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down. "You need to rest," I said. "I will be fine." He put his hand over mine again, and I let him. "Eventually." "Can you tell me what happened?" I asked. "Why do you need amnesty?" "Remember when we were in the garden?" Loki asked. Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider. "I see you do." He grinned. "What does that have to do with anything?" I asked. "That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute. "The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?" "Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine." "Why?" I asked. "Why does the King hate you? Why did he do this to you?" "Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?" "Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?" "As you wish, Princess," he conceded, and he was already drifting back to sleep again. I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.

He had torn a ragged wound in it, laying open its moist white meat, but it wouldn’t break, it wouldn’t give, and it made the children laugh each time the shovel bounced and rang in his hands. The delicate noise of their laughter, the look of their tulip-soft skin and of their two sunny skulls, as fragile as eggshell, made a terrible contrast to the feel of biting steel and shuddering pulp, and it was his sense of this that made his eyes commit a distortion of truth.

I know you are afraid, mon amour," he whispered softly, his hands sliding up her rib cage to her breasts. "But I am no longer a beast. You leashed the demon. There is only me, a man who very much wants to make love to his lifemate." She felt his breath against her nipple. "Let me show you how it is supposed to be. Beautiful. Such pleasure.I can bring you so much pleasure,ma petite." His mouth closed over her breast, hot and moist. The sound of his voice was memerizing, enticing. She could get caught up forever in the mere sound of it. There was no thought in his mind for his own burning body, his own urgent demands; he wanted to show her the beauty and pleasure of true mating. Flames raced through her blood and licked down her skin at the intensity of the eroticism, the craving his mouth at her breast created. She moaned, low and soft, the note brushing at his soul like the flutter of butterfly wings. Her hands slid over his back, tracing each defined muscle with her fingertips, commiting him to memory. Tears filled her eyes. How could a man be so sensual, so perfect? He was stealing her will as easily as he was stealing her body. "Want me, Savannah," he whispered softly. "Want me the way I want you.

Did I weep? Yes: tears came out of my two visible eyes, my moist weeping human eyes. But I had a third eye, in the middle of my forehead. I could feel it: it was cold, like a stone. It did not weep: it saw. And behind it someone was thinking: I will get you back for this. I don’t care how long it takes or how much shit I have to eat in the meantime, but I will do it.

Well, then, say you’re staying.” Derry blinked against the moist gleam in his eyes. “Did I not just say it’s where you belong, you great damn fool—” He choked off the sentence as he smothered Ez in a fierce hug and kissed his cheek. Ezra hugged him back and wheezed out an agreement to stay put. I couldn’t help marveling at the sight; it was something rare in my own time, fearless physical affection between guys. In trying to label each other and the whole world, we’d lost something precious. 

In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep

And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.

Old Azureus's manner of welcoming people was a silent rhapsody. Ecstatically beaming, slowly, tenderly, he would take your hand between his soft palms, hold it thus as if it were a long sought treasure or a sparrow all fluff and heart, in moist silence, peering at you the while with his beaming wrinkles rather than with his eyes, and then, very slowly, the silvery smile would start to dissolve, the tender old hands would gradually release their hold, a blank expression replace the fervent light of his pale fragile face, and he would leave you as if he had made a mistake, as if after all you were not the loved one - the loved one whom, the next moment, he would espy in another corner, and again the smile would dawn, again the hands would enfold the sparrow, again it would all dissolve.

The chicken kebab is moist and fragrant; the chicken chunks fall apart when I bite into them, and the aromas of turmeric and parsley flood my senses. I have to close my eyes to take in all the flavors- spicy, salty, meaty. The doogh is equally delicious; I swear I've never drunk something so creamy, so minty, so refreshing.

Mma Ramotswe had a gift for the American woman, a basket which on her return journey from Bulawayo she had bought, on impulse, from a woman sitting by the side of the road in Francistown. The woman was desperate, and Mma Ramotswe, who did not need a basket, had bought it to help her. It was a traditional Botswana basket, with a design worked into the weaving. "These little marks here are tears," she said. "The giraffe gives its tears to the women and they weave them into the basket." The American woman took the basket politely, in the proper Botswana way of receiving a gift with both hands. How rude were people who took a gift with one hand, as if snatching it from the donor; she knew better. You are very kind, Mma," she said. "But why did the giraffe give its tears?" Mma Ramotswe shrugged; she had never thought about it. "I suppose that it means that we can all give something," she said. "A giraffe has nothing else to give--only tears." Did it mean that? she wondered. And for a moment she imagined that she saw a giraffe peering down through the trees, its strange stilt-borne body among the leaves; and its moist velvet cheeks and liquid eyes; and she thought of all the beauty that there was in Africa, and of the laughter, and the love. The boy looked at the basket. "Is that true, Mma?" Mma Ramotswe smiled. "I hope so," she said.

The troll rumbled away in the direction of the coal store and his place in front of Billy was taken by a smartly dressed young lady with an air of authority. ‘Sir, I think the railway is going to need a translator. I know every language and dialect on the Disc.’ Her voice was firm but there was a glint of excitement in her eyes as she looked at Iron Girder and the other engines in the compound and Billy knew she was hooked. He also knew that ‘translator’ was not on his list of vacancies and sent her off to Sir Harry’s office, while he returned to his search for shunters, tappers and other workers. And so the line moved on again. It seemed everybody wanted to be part of the railway.

She leant over him, touched him. He felt her hair, smelling of lilac and gooseberries, brush his face and he suddenly knew that he’d never forget that scent, that soft touch, knew that he’d never be able to compare it to any other scent or touch. Yennefer kissed him and he understood that he’d never desire any lips other than hers, so soft and moist, sweet with lipstick. He knew that, from that moment, only she would exist, her neck, shoulders and breasts freed from her black dress, her delicate, cool skin, which couldn’t be compared to any other he had ever touched. He gazed into her violet eyes, the most beautiful eyes in the world, eyes which he feared would become . . . Everything. He knew.

They [stag's eyes] were moist and pink, which gave then a strangely intelligent mien--kind, sad eyes that seemed to carry with them the secret wisdom of the earth.

Clevinger was already on the way, half out of his chair with emotion, his eyes moist and his lips quivering and pale. As always occurred when he quarreled over principles in which he believed passionately, he would end up gasping furiously for air and blinking back bitter tears of conviction. There were many principles in which Clevinger believed passionately. He was crazy.

Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.

I still miss him so much, dude,” he says, his voice breaking. “It’s been almost a year and I still just can’t—I’m sorry, man, you don’t wanna hear all this.” “Nah, it’s cool.” Now Jus’s eyes are moist. “I understand, man. I really do.” “He’s never gonna visit me at college or be my best man, you know?”... "He was my first real friend. I thought we’d grow old together and shit, you know?

Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage … “That’s good, you know. That’s damned good.” … when I stood Adam-naked before a federal law and all its stinging stars “Oh, grand stuff!” … Because you took advantage of a sin when I was helpless moulting moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas … “Didn’t get that.” Because you took advantage of my inner essential innocence because you cheated me— “A little repetitious, what? Where was I?” Because you cheated me of my redemption because you took her at the age when lads play with erector sets “Getting smutty, eh?” a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

Her fingers dug into the flesh of his hips as his own passion peaked. His face was buried in her neck and her skin felt his rapid, moist breath as he chanted her name. He didn’t leave her. He couldn’t forsake the paradise just yet. Nestled within her body, he raised himself on his elbows and looked down at her. Tenderly he kissed each feature of her face. “Is this possible?” she breathed, referring to the enormity of her rapture. “Yes, yes,” he murmured against her lips. He raised his head and his eyes searched her face once again. His expression was difficult to define, but it closely resembled love.

It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling

Robb got to his feet slowly and sheathed his sword, and Catelyn found herself wondering whether her son had ever kissed a girl in the godswood. Surely he must have. She had seen Jeyne Poole giving him moist-eyed glances, and some of the serving girls, even ones as old as eighteen . . . he had ridden in battle and killed men with a sword, surely he had been kissed. There were tears in her eyes. She wiped them away angrily.

I read somewhere that the coin represents a promise to hand over a dollar’s worth of gold,’ said Moist helpfully. Mr Bent steepled his hands in front of his face and turned his eyes upwards, as though praying. ‘In theory, yes,’ he said after a few moments. ‘I would prefer to say that it is a tacit understanding that we will honour our promise to exchange it for a dollar’s worth of gold provided we are not, in point of fact, asked to.

Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth. About half–past six, however, the grooms began to come down to air their masters’ horses—first one, and then another, till there were some dozen horses and five or six riders: but that need not trouble me, for they would not come as far as the low rocks which I was now approaching. When I had reached these, and walked over the moist, slippery sea–weed (at the risk of floundering into one of the numerous pools of clear, salt water that lay between them), to a little mossy promontory with the sea splashing round it, I looked back again to see who next was stirring. Still, there were only the early grooms with their horses, and one gentleman with a little dark speck of a dog running before him, and one water–cart coming out of the town to get water for the baths. In another minute or two, the distant bathing machines would begin to move, and then the elderly gentlemen of regular habits and sober quaker ladies would be coming to take their salutary morning walks. But however interesting such a scene might be, I could not wait to witness it, for the sun and the sea so dazzled my eyes in that direction, that I could but afford one glance; and then I turned again to delight myself with the sight and the sound of the sea, dashing against my promontory—with no prodigious force, for the swell was broken by the tangled sea–weed and the unseen rocks beneath; otherwise I should soon have been deluged with spray. But the tide was coming in; the water was rising; the gulfs and lakes were filling; the straits were widening: it was time to seek some safer footing; so I walked, skipped, and stumbled back to the smooth, wide sands, and resolved to proceed to a certain bold projection in the cliffs, and then return.

Unlike the summer sun, my life has started to fade Forsaken by the memories of thee, which once shone like the jade. My eyes elude the moist fear, and are now as dry as hay Melancholy cries are all I hear, 'Will you be there?' I daresay!

Love sees ten million fathoms down, till dazzled by the floor of pearls. The eye is Love's own magic glass, where all things that are not of earth, glide in supernatural light. There are not so many fishes in the sea, as there are sweet images in lovers' eyes. In those miraculous translucencies swim the strange eye-fish with wings, that sometimes leap out, instinct with joy; moist fish-wings wet the lover's cheek. Love's eyes are holy things; therein the mysteries of life are lodged; looking in each other's eyes, lovers see the ultimate secret of the worlds; and with thrills eternally untranslatable, feel that Love is god of all. Man or woman who has never loved, nor once looked deep down into their own lover's eyes, they know not the sweetest and the loftiest religion of this earth. Love is both Creator's and Saviour's gospel to mankind; a volume bound in rose-leaves, clasped with violets, and by the beaks of humming-birds printed with peach-juice on the leaves of lilies.

He checked her face first to see if she was all right, then dropped his eyes to the keyboard. It was like someone had plugged him in. His eyes widened, his mouth dropped open, and he stretched his fingers. “Will you play it, Blake? Will you?” Livia almost jumped with excitement. Blake covered his smile. He nodded. Livia plopped the keyboard on the kitchen table, which was still moist from where he’d wiped it with the kitchen sponge. Blake kissed her and then spoke solemnly. “I’ll play it for you.

Watching her, I remembered a girl I'd known in school, a grind, Mildred Grossman. Mildred: with her moist hair and greasy spectacles, her strained fingers that dissected frogs and carried coffee to picket lines, her flat eyes that only turned toward the stars to estimate their chemical tonnage. Earth and air could not be more opposite than Mildred and Holly, yet in my head they acquired a Siamese twinship, and the thread of thought that had sewn them together ran like this: the average personality reshapes frequently, every few years even our bodies undergo a complete overhaul--desirable or not, it is a natural thing that we should change. All right, here were two people who never would. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic. I imagined them in a restaurant of the future, Mildred still studying the menu for its nutritional values, Holly still gluttonous for everything on it. It would never be different. They would walk through life and out of it with the same determined step that took small notice of those cliffs at the left.

The woman, one of those usually known as a good-time girl, was famous for the premature portliness which had earned her the nickname Boule de Suif. Small, round as a barrel, fat as butter and with fingers tightly jointed like strings of small sausages, her glowing skin and the enormous bosom which strained under the constraints of her dress — as well as her freshness, which was a delight to the eye — made her hugely desirable and much sought after. She had a rosy apple of a face, a peony bud about to burst into bloom. Out of it looked two magnificent dark eyes shaded by thick black lashes. Further down was a charming little mouth complete with invitingly moist lips and tiny, gleaming pearly-white teeth. She was said to possess a variety of other inestimable qualities.

Our dollars are not pure gold, though, are they?” “Aha, yes. Gold-colored, Mr. Lipwig,” said Bent. “Less gold than seawater. Gold-ish. We adulterated our own currency! Infamy! There can be no greater crime!” His eye twitched again. “Er…murder?” Moist ventured.

At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin… Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive… Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.

I hate that word,” she says between fits of laughter. “Moist?” “I always change it on the manuscripts I edit … If should only be used when describing the consistency of baked goods. It should never be used to describe any part of a woman’s anatomy.” “You mean…” Inadvertently, my eyes drift to her crotch and then I shake the thought away. “Wait? What?” “Yes, I’ve seen it used to describe the women who are…” She looks up, apparently trying to think of the best word to use here, but I see where this is going. “Turned on.” “They must not be that turned on if they are just moist,” I point out… “A man should be able to get a woman wet. Drenched. Not moist.” I want to add that I’d give my right nut to see how wet I could make her. But I keep my thoughts to myself, because we’re supposed to be keeping things friendly. But fuck friendship.

He kissed her before he knew he would do it. Cupped her small head against his hand and bent to touch her lips with his own, lightly tasting that sensuous mouth. He closed his eyes to feel it better—the moist plumpness of unseasoned lips, flavored with coffee and sugar and something that belonged only to her. And like an exhausted man sinking with gratitude into the down of a pillow, he sank into the softness, losing himself as he explored the edges and corners, the sensitive inner edge. He suckled gently and heard her sigh as she inclined her head to take him more fully.

After an hour my senses begin to vibrate in a definite rhythm, I tune into the great stillness, I tune in. I gaze at the crescent moon sitting like a white shell in the sky, and I have a feeling of love for it, I feel I’m blushing. It’s the moon, I say softly and passionately, it’s the moon! And my heart beats toward it with a gentle throbbing. It lasts for several minutes. It blows a little, a strange wind is coming, an unusual blast of air. What is it? I look around and see no one. The wind calls me and my soul bows in answer to the call,37 I feel myself lifted out of my sphere, pressed to an invisible breast, my eyes are moist with tears, I tremble—God is somewhere near looking at me. This lasts for another few minutes. I turn my head, the strange blast of air is gone, and I see something like the back of a spirit wandering soundlessly through the forest. . . .

Singing is of course a form of aggression. The wet open mouths and glistening teeth of the singers are ardent to devour the victim-hearer. Singers crave hearers as animals crave their prey. Intoxicated by their own voices they now roared it out, round and round, Gilbert's fruity baritone, Titus's pseudo-Neapolitan tenor and Rosina's strong rather harsh contralto. I shouted, 'Stop! Stop that bloody row!' But they went on singing at me, their bright eyes, moist with laughter, fixed upon me, waving their arms in time to the tune; until at last they wearied, stopped, and went off into another crazy laughing fit.

I am going to hate New Orleans," he whispered against her silken hair before she began lowering her head. Her breath warmed the velvet tip of him, sending fire racing through his blood. "Maybe we can think of something interesting to make it more enjoyable for you," she ventured. Her mouth was satin soft, moist and hot. Gregori pressed his hips forward, forcing her back on the bed, his knees on the thick blanket above her. She was so beautiful, her flawless skin like cream, her thick hair spilling around her slender shoulders. Sitting up, she slowly peeled off the cotton shirt, baring her full breasts to his silver gaze. She looked lush and sexy in the dark of the night, a mysterious,erotic gift to him. "You think you might make New Orleans more bearable for me then?" His eyes were saying more than his mouth, touching her here and there, dwelling on every curve of her body. Her hand spanned his flat stomach and lingered there. "I'm sure I can be inventive enough to make you forget your dread of crowds. Take off my jeans." "Your jeans?" he echoed. "You put them on me, and they're definitely in the way. Take them off." Her hand was wandering lower, her fingeres walking lightly over his clenching muscles, a deliberate persuasion. His hands made quick work of unfastening her jeans and tugging them down her legs. She kicked them aside and leaned forward to press a kiss onto his stomach. Her hair slid over his heavy fullness, a silken tangle that nearly drove him out of his mind. "Sometimes your orders are very easy to follow,ma cherie," he murmured, his eyes closing as her mouth wandered lower.

They all watched as Genya checked his pulse, his breathing. She shook her head. “Zoya,” said Sturmhond. His voice had the ring of command. Zoya sighed and pushed up her sleeves. “Unbutton his shirt.” “What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder. “I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.” They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina. “I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist. Inej inhaled deeply. “It smells like a storm.” Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly. Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.” “Is that safe?” asked Inej. “Not remotely,” said Sturmhond. “Has she at least done it before?” said Kaz. “For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before. “Ready?” Zoya asked. Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue. “I really hope she gets this right,” murmured Nina. “Not as much as Kuwei does,” said Kaz. “It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.” “She didn’t strike me as the type,” Kaz said. “You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him. She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer. A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.

Lalie had helped her undress, down to her sheer silk shift, and Marisa had removed even that, feeling stifled by the moist heat and the netting over her bed. She slept, but there were strange dreams hovering on the edge of her unconsciousness. She dreamed that Inez came back from the city with a stocky, red-faced man with a sheaf of papers in his hand, and that while they stood looking down at her and talking about her she tried to move and protest, but she was caught in the netting that stopped up her eyes and her mouth. The netting turned into a sea of sand under which she was buried. And somewhere above her, booted feet astride her face, she knew that Dominic stood scowling, as she remembered him last.

In his apartment, he finds Maya by herself. Her eyes look moist. "I threw up, Daddy." "I'm sorry." A.J. locates the lighter in his drawer. He slams the drawer shut. "Where's Amelia?" "Are you going to propose?" Maya asks. "No, darling. Not at this particular moment. I've got to deliver a lighter to an alcoholic." She considers this information. "Can I come with you?" she asks.

He dropped to one knee before her. "Sophia MacFarlane, though I've been every sort of fool there is, and though I've stolen from you and lied to you, as you've stolen from me and lied to me, will you please marry me? To keep me out of trouble, if nothing else." She gave a hiccup of a laugh, her eyes moist with tears. "Only if you, Dougal MacLean, will have me. After all I did to save MacFarlane House, I now realize that without people in it, the people I love, it's nothing more than an empty building. My home is with you, inside your heart." Dougal swept Sophia into his arms and kissed her thoroughly. Then, laughing, he set her back on her feet. "Come, my love, let's find my sister. She spent a good part of the afternoon telling me what a fool I was.I have to show her that she was wrong." "And you need my help to do that?" "It would be a great boon if you'd cling to my arm and look absurdly happy." Sophia chuckled. "I think I can manage that." It was a noisy, contentious group that moved down the hall, as the earl and Red continued to snipe at each other, and Sir Reginald felt he needed to explain his improper embrace with Sophia even though everyone attempted to dissaude him.

I fall down on my back and instantly feel the pain of my tail splitting in two. The two parts glow a bright green that fades to a dull white glow. I cannot believe my eyes. My black scales turn to skin the same color as my torso. I reach down and touch the space between them that never existed before. It is a moist opening, like a perpetual wound. I insert a finger. It doesn't hurt. It feels just like the inside of a clam.

I’m sorry for your loss, Harry. I—” “I once looked into the science of tears. Did you know Charles Darwin once declared emotional crying purposeless? I tend to agree with him… Anyway, don’t get me wrong, I have tear ducts and can keep my eyes moist.” “Uh-huh.” Tom worked hard to keep a straight face. “I just rarely feel things. I think. I infer. I predict. But I’m failing; Sibyl is causing problems because humans and their emotions get in the way.

A kiss with Lenore is a scenario in which Iskate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess onthe doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage when I stood Adam-naked before a federal law and all its stinging stars Because you took advantage of a sin when I was helpless moultng moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas Because you took advantage of my inner essential innocence because you cheated me-- Because you cheated me of my redemption because you took her at the age when lads play with erector sets a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die

You don’t know me.” “I do! The way you write, it makes me feel things. I walked in her shoes and felt what she felt. It changed me. I-I almost, almost cried when I watched your movie. I was so close. And, ya know, I never cry, not even when my family…” “I’m sorry for your loss, Harry. I—” “I once looked into the science of tears. Did you know Charles Darwin once declared emotional crying purposeless? I tend to agree with him… Anyway, don’t get me wrong, I have tear ducts and can keep my eyes moist.” “Uh-huh.” Tom worked hard to keep a straight face.

all by its nearness to the earth, its white light, and its long uplifted tail, shone the enormous and brilliant comet of 1812—the comet which was said to portend all kinds of woes and the end of the world. In Pierre, however, that comet with its long luminous tail aroused no feeling of fear. On the contrary he gazed joyfully, his eyes moist with tears, at this bright comet which, having traveled in its orbit with inconceivable velocity through immeasurable space, seemed suddenly—like an arrow piercing the earth—to remain fixed in a chosen spot, vigorously holding

What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Baby,” Day said softly, his throat still sore from being choked. God turned around slowly and faced him. Day choked up at the pained expression on his man’s face. He could see that God’s eyes were moist and red-rimmed. Day inched toward him and didn’t stop until he was pressed against that broad chest. God’s strong arms came around him and squeezed him hard. The guttural moan the man released against his temple made Day’s heart seize. God pulled back and gripped a handful of Day’s hair pulling so that he was looking up at him. God bent down and oh so gently grazed his soft lips across his. Day’s body vibrated from the sensual feeling. God rubbed his face all over Day’s as if he was marking him with his scent. God’s grip tightened in his hair and he moaned again. Day could feel God’s body trembling and Day didn’t know at that moment if the shaking was from residual fear or need, so he didn’t move as he let his lover do what he needed to do. God released the punishing grip and his large palms shook as they ghosted over Day’s face. His chin was tilted up by firm fingers and again was blessed with feathery-soft kisses. God leaned back in and draped his arms completely around him and Day embraced him back. The soft piano from the album serenaded them and God just barely rocked their bodies back and forth in a very slow dance. Every few seconds he’d stop to place kisses on his forehead before leaning back in.

them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.

La Belle Dame sans Merci O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’. She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’ I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.

A kiss with Lenore is a scenario in which I skate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess on the doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

You came for me. You saved me.” She clung to him and shuddered from fear. “You’re okay,” he murmured. “We got through it.” Red brushed her hair back off her forehead and chucked her under the chin so she’d lift her head from where it was burrowed against his chest. “You were so smart, Cass honey. So brave and strong. You saved yourself. I’m so proud of you.” Confusion warred with doubt. She shook her head slightly. “No. I was so afraid. I was such a coward. Running and hiding like a stupid—” “Cass honey,” Red interrupted softly. “Yes, Red?” Her eyes flickered to his lips and back to his eyes. “Shut up.” Red kissed her. It worked. She shut up. Then he pulled away from her. His lips were moist from her kisses. She knew because she couldn’t quit glancing at them to see if he might be going to kiss her again.

When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre

Domenico appeared to lie against the door, and in the shadowy dark, his face was luminous and delicate. When he smiled the hollows of his cheeks deepened, the light played more beautifully on the bones, and when he spoke, it was that of a woman's voice again, husky and stroking. "Don't be afraid if him." he whispered. Tonio realized he had taken a step backwards. His heart was making a tumult inside of him. "Afraid of whom?" he asked. "Lorenzo, of course," said the roughened velvet voice. "I won't let him do anything to do." "Don't come any closer!" Tonio said sharply. Again he took a step backwards, But Domenico only smiled, his head falling a little to the left so that the white powdered curls spilled over his shoulder onto that flaring breast. "You mean I am the one you're afraid of?" Tonio looked away in confusion. "I have to leave here," he said. Domenico let out a long beguiling breath. And then suddenly he put his arms around Tonio; he pressed the soft ruffles of his breast against Tonio. Tonio stumbled back and found himself against the mirror, the candles flickering on either side of him. He reached back for the glass, his hands down, to get his balance. "You are afraid of me," Domenico whispered. "I don't know what you want!" Tonio said. "Ah, but I know what you want. Why are you afraid to take it?" Tonio was going to shake his head but he stopped, staring into Domenico's eyes. It was inconceivable that anything of a man existed under this froth, this magic. And when he saw the lips moist and parting and drawing near to him, he shut his eyes, straining away. Surely he could knock this creature to the floor with one blow, and yet he was shrinking back as if he might be burned here!

So Callie is a rake." She blushed. "I don't think so." Silence fell between them as he watched the wash of pink across her cheeks. He lifted her wounded arm in his hand, placing a soft kiss on the back of her hand. She breathed deeply at the feel of his lips on her skin, so warm and soft, and her eyes flew to his, intently focused on her. He held her gaze, and she felt a shock of liquid heat as his tongue circled one of her knuckles. He registered her surprise, smiling against her and turning her hand palm up, then setting his tongue and lips to work on the soft, sensitive spot at its center. Her breath quickened, and she closed her eyes to the sensation, unable to watch the erotic movement of his mouth across her skin. He lifted his lips from her hand and, when she opened her eyes again, it was to find him watching her, a wicked smile on his lips. Reaching out, he traced one finger along the line of her jaw, sending a shiver through her. When he spoke, his voice was thick and liquid, and it sent a shock of heat down her spine. "I shouldn't give up on that part of her just yet, Empress." She caught her breath at the endearment, which brought with it a hazy memory from long ago. He chased the vision away with the vivid present as he clasped her chin, bringing her face closer to his. "You forget, I've met the women several times... In carriages..." His lips hovered just above hers, sending a tremor of anticipation through her, "And in theatres..." She tried to close the distance between them and he pulled back just enough to drive her slightly mad. "And in bedchambers. In fact," he added, his words a caress along the sensitive skin of her lips, "I rather like the rakish side of her." And then he settled his lips upon hers, and she was lost. She was consumed by the softness of his mouth, the gentleness of the caress- so very different than the kisses they had shared before. This kiss consumed her, made her forget herself, their surroundings, everything but the magnificent pressure of his lips on hers. His thumb stroked her jaw as his mouth ate at hers, sending waves of pulsing pleasure through her. She gasped at the feeling, and he took advantage of her open lips to plunder her mouth with deep, drugging kisses that made her dizzy. She reached for him, her anchor in a sea of sensuality, wrapping her arms around his neck and plunging her fingers into his heavy, soft hair. He made a deep, satisfied sound at the feeling of her wrapped around him, and traced a path across her cheek and down the column of her throat with soft, moist kisses that sent explosions of pleasure through her.

she throws herself into her safest refuge: herself; this moist trace on her cheeks, this burning in her eyes, are the tangible presence of her suffering soul; gentle on one's skin, barely salty on one's tongue, tears are also a tender and bitter caress; the face burns under a stream of mild water; tears are both complaint and consolation, fever and soothing coolness. They are also a supreme alibi; sudden as a storm, coming out in fits, a cyclone, shower, deluge, they metamorphose the woman into a complaining fountain, a stormy sky; her eyes can no longer see, mist blurs them: they are no longer even a gaze, they melt in rain; blinded, the woman returns to the passivity of natural things. She must be vanquished: she is lost in her defeat; she sinks, she drowns, she escapes man who contemplates her, powerless as if before a cataract. He judges this way of behaving as unfair: but she thinks that the battle has been unfair from the beginning because no effective weapon has been put into her hands.

You creep, this shirt cost me two-hundred dollars from Neiman Marcus, I just bought it” and then I lowered him to eye level and sunk my razor sharp jagged teeth into his pulsating moist neck and found that massive vein, the carotid artery that brought me so much pleasure. “Oh, I had been so hungry, there is nothing in the world like the taste of blood”, I thought while I continued sucking the blood from his body. I wondered if he realized how he fulfilled my every need and passion with his warm lush thick liquid that seeped from his artery. I could never stop once I started, it was impossible - I was thirsty and this had been long overdue, shopping always made me hungry. I savored the moment and took my time, while he twitched under my grip and thrashed his legs about from side to side while they hit the ground. I still had his body pressed tightly against the wall of the building, the same wall where he had me pinned just a few minutes ago and had intended to murder me. His eyes rolled back in his head and his body went limp.

Ben stands just behind me, and we begin to wedge out a fresh piece of clay. I try my best to concentrate, to ignore the fact that my heart is beating at five times its normal speed. I watch his arms as he kneads the clay—almost a little too hard—and as the muscles in his forearms flex. “That’s good,” I say, in an effort to stay focused. I dip a sponge into a bowl of water and squeeze the droplets down over his hands to keep things moist. After several minutes, Ben lets me take the lead. I place my palms over the clay mound and close my eyes. Meanwhile, Ben’s chest grazes my shoulders, and his clay-soaked fingers stroke the length of my arms. “You’re doing great,” he whispers in my ear. We continue to sculpt for another hour, working the mound down into a flattened surface—until we have a total of four tiles. And until I can no longer hold myself back. I turn around to face him. “Camelia?” He squints slightly. I bite my lip, wishing that he could read my mind, and that he would kiss me until my lips ache. “What are you thinking?” I ask, slipping my hand inside the waistband of his jeans and pulling him closer.

Did they have all the ingredients for the seed cake, Miss Sophia? The caraway and rye, and the currants for the top?" "Yes," Sophia replied as the cook-maid disappeared into the larder. "But we could find no red currants, and-" Suddenly her words were smothered into silence as Sir Ross pulled her into his arms. His lips descended to hers in a kiss so tender and carnal that she could not help responding. Stunned, she struggled to retain her hatred of him, to remember the wrongs of the past, but his lips were utterly warm and compelling, and her thoughts scattered crazily. The pink rose dropped from her nerveless fingers. Sophia swayed against him, groping for his hard shoulders in a futile bid for balance. His tongue searched her mouth... delicious... sweetly intimate. Sophia inhaled sharply and tilted her head back in utter surrender, her entire existence distilled to this one burning moment. Through the pounding heartbeat in her ears she dimly heard Eliza's concerned voice echoing from the larder. "No red currants? But what will we top the seed cake with?" Sir Ross released Sophia's mouth, leaving her lips moist and kiss-softened. His face remained close to hers, and Sophia felt as if she were drowning in the silver pools of his eyes. His hand came to the side of her face, his fingers curving over her cheek, his thumb brushing the corner of her mouth. Somehow Sophia managed to answer Eliza. "We f-found golden currants instead-" As soon as the words left her mouth, Sir Ross kissed her again, his tongue exploring, teasing. Her groping fingers touched the back of his neck, where the thick black hair curled against his nape. Sensation rustled through her, spurring her pulse to an intemperate pace. Taking advantage of her surrender, he kissed her more aggressively, hunting for the deepest, sweetest taste of her. As her knees weakened, his arms wrapped securely around her, supporting her body as he continued to ravish her mouth. "Golden currants?" came Eliza's dissatisfied voice. "Well, the flavor won't be quite the same, but they will be better than nothing." Sir Ross released Sophia and steadied her with his hands at her waist. While she stared at him blankly, he gave her a brief smile and left the kitchen just as Eliza reemerged from the larder.

Sophie was now tied to the massage table with her legs spread and her feet in stirrups. The three men had left the room and the little elfish servant was standing between her taut legs and examining her private parts closely. She closed her eyes. The strange little pervert moved in with his nimble fingers and started to explore her private parts and all the beautiful little nuances between her legs. His head was bent over and very close to her entrance while his fingers probed softly and meticulously but creepily around her delicate flower. Soon he was spreading her moist lips and his fingers began probing alongside and just inside her opening. It was feeling astonishingly rude and lecherous at this point and Sophie was embarrassed at how aroused she felt. She lifted her head to look and ..EEK.. she saw his pointy face between her legs ...and OMG... she was extremely startled to see the length of his huge purple pointed tongue that darted in and out of his mouth while he drooled and masterly fingered her opening. Sophie was now close to delirious. Was this for real? She looked again and yes, it was his tongue and it was a giant, purple, throbbing appendage, thrusting rapidly in and out of his little mouth.

If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.

Twirling on the sand, she quotes Emma Goldman to him in a song. “If I can’t dance, I don’t want to be in your revolution.” He steps up. Come on, Gia, he says, be in my revolution. She is barefoot on the sand. Where are her stockings? She hasn’t taken them off; they’re not lying in a heap nearby. When his open palm goes around her waist, he can’t feel her corset, he feels velvet and under it the curve of her natural waist and lower back. Suddenly he has three left feet and, usually such a capable dancer, can’t move backward or forward. She steps on his awkward toes a few times, laughs, and they trip and fall to their knees on the sand. What’s gotten into you, Harry, she says. I can’t imagine, he says, his eyes roaming wildly over her flushed and eager face. Both his hands are entwining the narrow space from which her hips begin. It’s late afternoon on the wide Hampton beach; it’s gray and foggy when he kisses her. He’s never kissed Sicilian lips before, only Bostonian. There is a boiling ocean of contrast between the two. Boston girls were born and raised on soil that was frozen from October to April and breathed through perfectly colored mouths that took in chill winds and fog from the stormy harbor. But his Sicilian queen has roamed the Mediterranean meadows and her abundant lips breathed in fearsome fire from Typhonic volcanoes. He kisses her as if they are alone at night—as if she is already his. His arms wrap around her back and press her to him. They become suspended, he floats like a phantom around her in the moist air. He won’t let her go, he can’t.

In the middle of the night, Alexander—with the moist towel still on his face—was startled out of sleep by the cheerful drunken whisper of Ouspensky, who was shaking him awake, while taking his hand and placing into it something soft and warm. It took Alexander a moment to recognize the softness and warmness as a large human breast, a breast still attached to a human female, albeit a not entirely sober human female, who breathed fire on him, kneeled near his bed and said something in Polish that sounded like, “Wake up, cowboy, paradise is here.” “Lieutenant,” said Alexander in Russian, “you’re going on the rack tomorrow.” “You will pray to me as if I’m your god tomorrow. She is bought and paid for. Have a good one.” Ouspensky lowered the flaps on the tent and disappeared. Sitting up and turning on his kerosene lamp, Alexander was faced with a young, boozy, not unattractive Polish face. For a minute as he sat up, they watched each other, he with weariness, she with drunken friendliness. “I speak Russian,” she said in Russian. “I’m going to get into trouble being here?” “Yes,” said Alexander. “You better go back.” “Oh, but your friend…” “He is not my friend. He is my sworn enemy. He has brought you here to poison you. You need to go back quickly.” He helped her sit up. Her swinging breasts were exposed through her open dress. Alexander was naked except for his BVDs. He watched her appraise him. “Captain,” she said, “you’re not telling me you are poison? You don’t look like poison.” She reached out for him. “You don’t feel like poison.” She paused, whispering, “At ease, soldier.” Moving away from her slightly—only slightly—Alexander started to put on his trousers. She stopped him by rubbing him. He sighed, moving her hand away. “You left a sweetheart behind? I can tell. You’re missing her. I see many men like you.” “I bet you do.” “They always feel better after they’re with me. So relieved. Come on. What’s the worst that can happen? You will enjoy yourself?” “Yes,” said Alexander. “That’s the worst that can happen.” She stuck out her hand holding a French letter. “Come on. Nothing to be afraid of.” “I’m not afraid,” said Alexander. “Oh, come on.” He buckled his belt. “Let’s go. I’ll walk you back.” “You have some chocolate?” she said, smiling. “I’ll suck you off for some chocolate.” Alexander wavered, lingering on her bare breasts. “As it turns out, I do have some chocolate,” he said, throbbing everywhere, including his heart. “You can have it all.” He paused. “And you don’t even have to suck me off.” The Polish girl’s eyes cleared for a moment. “Really?” “Really.” He reached into his bag and handed her some small pieces of chocolate wrapped in foil. Hungrily she shoved the bars into her mouth and swallowed them whole. Alexander raised his eyebrows. “Better the chocolate than me,” he said. The girl laughed. “Will you really walk me back?” she said. “Because the streets are not safe for a girl like me.” Alexander took his machine gun. “Let’s go.