Suited Booted Quotes

We've searched our database for all the quotes and captions related to Suited Booted. Here they are! All 100 of them:

Don’t mind me,” I said. “I’m just the person who tried to rob the place last July.” “No, you diddn’t,” Abby said, appearing on the roof. She was wearing a trim suit and tall black boots. Her hair was pulled into a sleek ponytail at the nape of her neck, and either i was imagining things or Townsend wasn’t quite as good a spy as I thought, because I could have sworn I saw him drool a little. Note to self: your aunt is a hottie.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
Is Bliss then, such Abyss, I must not put my foot amiss For fear I spoil my shoe? I'd rather suit my foot Than save my Boot -- For yet to buy another Pair is possible, At any store -- But Bliss, is sold just once. The Patent lost None buy it any more --
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
In a world of twelve-years-olds in sexy boots and nans in sparkly mini-dresses, the surest way to tell the prostitute walking into a hotel at Heathrow is to look for the lady in the designer suit.
Belle de Jour
Trousers don’t suit cats, messire,’ replied the cat with great dignity. ‘Why don’t you tell me to wear boots? Cats always wear boots in fairy tales. But have you ever seen a cat going to a ball without a tie? I don’t want to make myself look ridiculous.
Mikhail Bulgakov (The Master and Margarita)
I have challenged fate to chess and am now attempting to keep all my confidence from puddling in my boots. What if I’m the only one betting on myself because everyone but me can see I am not suited to play at all?
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
He was wearing brown leather trousers, a darker brown leather vest, and a silk shirt that matched my dress. The sleeves were almost piratical in style, and the collar was unlaced. His boots were the same shade as his vest, a few shades lighter than his hair. "Uh," I said again, before managing. "Weren't you wearing that the last time you came to Court?" "She always dresses me in some variation of this attire," said Tybalt. "I can't tell whether she likes the look of it, or whether she's trying to make a point. This would have been a stagehand's garb, once upon a time, and nothing suited for a King." "Uh," I said for a third time. Seeing my distress, Tybalt smirked, leaned in, and murmured in my ear, "I have a disturbing assortment of leather trousers, thanks to her. I'd be happy to show you, if you like.
Seanan McGuire (Chimes at Midnight (October Daye, #7))
The man gave him an appraising up and down. "You look like a witch." Loki looked down at himself. He'd forgone the glamoured clothes he'd been wearing and purchased an actual suit on the way here to save energy — all black, complete with a tiny dark pin through the tie and the highest-heeled boots that Paxton's had for men — disappointingly quite low. "Thank you." "Witches are girls." "Does that make it less of a compliment?
Mackenzi Lee (Loki: Where Mischief Lies)
SIT WITH ME I’m not trying to write a tailored suit. I’m trying to write boot socks, warm from the dryer. There’s an endless autumn in me, scenting my thoughts like campfire smoke. I write for the weather I know.
Jarod K. Anderson (Field Guide to the Haunted Forest)
Back inside the suite, I got into my jeans and boots, and my favorite hoodie. Then I checked the lock on the cabin door and huddled on the sofa with a cushion hugged to my chest. There was no possibility of sleep now.
Ruth Ware (The Woman in Cabin 10)
Here's a list of the things you'll need. I jotted it down in the parking lot." Keri unfolded the paper and read the list twice, trying to get a sense of what she was in for. BRING: Bug spray; jeans;T-shirts; several sweatshirts,at least one with a hood; one flannel shirt(mandatory); pajamas(optional); underwear(also optional); bathing suit(preferably skimpy); more bug spray; sneakers; waterproof boots; good socks; sunscreen; two rolls of quarters. DO NOT BRING: Cell phone; blackberry; laptop; camera,either still or video; alarm clock; voice recorder, or any other kind of electronic anything. She had no clue what it meant, other than Joe wanting her half naked and unable to text for help.
Shannon Stacey (Exclusively Yours (Kowalski Family, #1))
CYRANO:—of pride, of aspiration, Of feeling, poetry—of godlike spark Of all that appertains to my big nose, [He turns him by the shoulders, suiting the action to the word]: As. . .what my boot will shortly come and kick! THE BORE [running away]: Help! Call the Guard! CYRANO: Take notice, boobies all, Who find my visage's center ornament A thing to jest at—that it is my wont—An if the jester's noble—ere we part To let him taste my steel, and not my boot!
Edmond Rostand (Cyrano de Bergerac)
The 10's(2010) are a baby kangaroo, a bill overdue, a coal chute for staggering millions, a bowl of camphor punch, the fast-dissolving afterimages of a long night's exhausting dreams. Boys and girls, take off those space suits; the boot is lifted from your chest and you can safely resume the search for perfection.
Jim Woodring
But then, staring at the label on one crate, which read SWORD-CANE-DLUBECK SHOE TREE-HORA SUITS (3)-HORA ASSORTED HANDKERCHIEFS (6)-HORA Josef felt a bloom of dread in his belly, and all at once he was certain that it was not going to matter one iota how his father and the others behaved. Orderly or chaotic, well inventoried and civil or jumbled and squabbling, the Jews of Prague were dust on the boots of the Germans, to be whisked off with an indiscriminate broom. Stoicism and an eye for detail would avail them nothing. In later years, when he remembered this moment, Josef would be tempted to think that he had suffered a premonition, looking at those mucilage-caked labels, of the horror to come. At the time it was a simpler matter. The hair stood up on the back of his neck with a prickling discharge of ions. His heart pulsed in the hollow of his throat as if someone had pressed there with a thumb. And he felt, for an instant, that he was admiring the penmanship of someone who had died.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
For some, a hero wears a spandex suit and a cape. My heroes wear flak jackets, flight suits, and combat boots.
Oliver North (American Heroes: In the Fight Against Radical Islam)
Too many people wear suits and boots, In order to cover up the filth within. Those who have their character intact, Care not whether their clothes are shinin'.
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
Pirra kicked her leg out to show me more. “Knee-high boots, pink thermo suit, dark green top and shorts with the same dark green pinstripes, and you say ‘okay’? This is the top of the line.
Wyatt Davenport (Molly of Mars and the Alien Syndicate)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
Ripped Jeans & Twenty Dollar Shirt (The Sonnet) Ripped jeans and twenty dollar shirt, That's how we'll change the world. It is okay if your outside is dirty, Make sure your heart is without dirt. Too many people wear suits and boots, In order to cover up the filth within. Those who have their character intact, Care not whether their clothes are shinin'. The world needs purpose, integrity, honor, None of which is predicated on clothes. Those who think clothes make the person, Will never discover any of the civilized roads. Heart makes the person, heart makes the world. A world without dirt comes from a heart without dirt.
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
Beauty! Art! Wit! Wonderment! Humility! Arrogance! Style! Virtue! Decency! Patience! And all the others, Gone, trampled by the Newly-polished jack boots Of the clog-suited society. I'm a stranger here, from Another planet; Not spotted yet, but Getting peculiar stares> Forbidden entrance to All the places where Air remains, Where green is true and water unmolested. In any other time, (Excepting Attila's) I'd be a hero. Why, they'd even name An alley after me And put a blotting-paper Plaque on all my doors. Not because I was great But because I insisted on All the words and ways rejected by Those who wait ferally In the ancient trees.
Alec Wilder
Being in that suit means you are pretty much on your own. When I was being trained, the first thing I had to know how to do was fix it. From the boots to the helmet, there is nothing, given access to the spare parts, I can't fix.
G.R. Matthews (Silent City (Corin Hayes, #1))
Sit down," she ordered Peabody. "I prefer to stand." "And I prefer to give you a good boot in the ass, but I'm restraining myself." Eve reached up, fisted her hands in her own hair and yanked until the pain cleared most of the rage. "Okay, stand. You couldn't sit with that stick up your butt, anyway. One you shove up it every time Subject Monroe, Charles, is mentioned. You want to be filled in, you want to be briefed? Fine. Here it is." She had to take another deep breath to insure her tone was professional. "On the evening of March twenty-six, at or about nineteen-thirty, I, accompanied by Roarke, had occasion to visit Areena Mansfield's penthouse suite at The Palace Hotel, this city. Upon entering said premises, investigation officer found subject Mansfield in the company of one Charles Monroe, licensed companion. It was ascertained and confirmed that LC Monroe was there in a professional capacity and had no links to the deceased or the current investigation. His presence, and the salient details pertaining to it, were noted in the report of the interview and marked Level Five in a stupid, ill-conceived attempt by the investigating officer to spare her fat-headed aide any unnecessary embarrassment." Eve stomped back to her desk, snatched up her coffee, gulped some down. "Record that," she snapped. Peabody's lip trembled. She sat. She sniffled. "Oh, no." In genuine panic, Eve stabbed out a finger. "No, you don't. No crying. We're on duty. There is no crying on duty.
J.D. Robb (Witness in Death (In Death, #10))
At the top of the Queen’s Staircase at the Tuileries, there is a series of communicating chambers, crowded every day with clerks, secretaries, messengers, with army officers and purveyors, officials of the Commune and officers of the courts: with government couriers, booted and spurred, waiting for dispatches from the last room in the suite. Look down: outside there are cannon and files of soldiers. The room at the end was once the private office of Louis the Last. You cannot go in. That room is now the office of the Committee of Public Safety. The Committee exists to supervise the Council of Ministers and to expedite its decisions.
Hilary Mantel (A Place of Greater Safety)
Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.
Frederick Barthelme (Two Against One)
My brother clocked me before I made it two steps inside. He was in his standard uniform of jeans, battered motorcycle boots, beard, and an air of “fuck around and find out.” Knox always appeared to be looking for a fight. Beside him stood Lucian Rollins in a suit that probably cost more than my first car. He was tall, dark, and also dangerous, but in a different way.
Lucy Score (Things We Hide from the Light (Knockemout, #2))
Exploring the banquet hall downstairs, the two men had discovered a mysterious black carpet stretching from wall to wall, and it was only when the radioman had begun to cross it, sweltering in his rubber chemical protection suit, his boots crunching beneath him, that they realized the floor was covered with thousands of dozing flies, apparently intoxicated by radiation.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
Tim collected his gifts within the metal hoop and then pestered Santa for more, investigating pockets, sticking his hands into straw, lifting the sides of the red coat until he contacted a Smith and Wesson revolver. The boy snatched his hand back as if it were burnt and scowled at the man in the red suit. "You're not Santa Claus; you're Daddy." Charley called across the room, "He's one of Santa's helpers!" Jesse sat low in the chair with his boots kicked out, drew off the soft red cap by its cotton ball, then reached out and snuggled Tim close to his chest. He said, "Let me tell you a secret, son: there's always a mean old wolf in Grandma's bed, and a worm inside the apple. There's always a daddy inside the Santa suit. It's a world of trickery.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
The sound of his boots … It would pass. The occupation would end. There would be peace, blessed peace. The war and the tragedy of 1940 would be no more than a memory, a page in history, the names of battles and treaties children would recite in school, but as for me, for as long as I live, I will never forget the low, regular sound of those boots pacing across the floorboards.
Irène Némirovsky (Suite Française)
I would have no problem with you driving my car if you would keep it under ninety." "And I'd have no problem with riding in your car if you'd keep it over geriatric," Ronan replied." It was early November; the trees were handsome; the sky was clear; excitement was in the air. The three brothers debated in a Goodwill parking lot; those entering and leaving stared. they were an eye-catchingly mismatched threesome: Ronan, with his ominous boots and ominous expression; Declan, with his perfectly controlled curls and dutiful gray suit; Matthew, with his outstandingly ugly checked pants and cheerfully blue puffer coat. Ronan continued, "There are stains that spread faster than you drive. If you drive, it'll take fourteen years to get there. Seventeen. Forty. One hundred. We'll be driving to your funeral by the end.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
You can't wear those, I say. He strips and I do too...I take off my flight suit and give it to him. I put my PPE back on, roll up Dyer's suit under my arm, and walk back out into the main room wearing just my boots, my flak, my skivvies shorts, and my Kevlar. My legs and arms haven't seen the sun in a while and are pale as pigeon shit. Moore sees me and starts smiling. McKeown sees Moore smiling and starts cracking up. I'm like, f*** you, I look sexy.
Phil Klay
She bade her friends good-bye, and again started along the road of yellow brick. When she had gone several miles she thought she would stop to rest, and so climbed to the top of the fence beside the road and sat down. There was a great cornfield beyond the fence, and not far away she saw a Scarecrow, placed high on a pole to keep the birds from the ripe corn. Dorothy leaned her chin upon her hand and gazed thoughtfully at the Scarecrow. Its head was a small sack stuffed with straw, with eyes, nose, and mouth painted on it to represent a face. An old, pointed blue hat, that had belonged to some Munchkin, was perched on his head, and the rest of the figure was a blue suit of clothes, worn and faded, which had also been stuffed with straw. On the feet were some old boots with blue tops, such as every man wore in this country, and the figure was raised above the stalks of corn by means of the pole stuck up its back.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
On stage James Brown seemed like a wild man, but everything had to be perfect, offstage and on. Shoes shined, suits pressed, hairdos duded up to the copacetic nth degree. He’d fine the band if they played a wrong note. He’d fine them if they forgot shirts, shoes unlaced, if they swore. And I feel the same way! When one of Brown’s bands started to complain he just got rid of them in the middle of a tour and had another one sent out from Cincinnati. It was like boot camp. He was tough on his guys.
Paul Anka (My Way: An Autobiography)
In a town in Liberia, a young woman named Fatu Kekula, who was a nursing student, ended up caring for four of her family members at home when there was no room for them in a hospital—her parents, her sister, and a cousin. She didn’t have any protective gear, so she created a bio-hazmat suit out of plastic garbage bags. She tied garbage bags over her feet and legs, put on rubber boots over the bags, and then put more bags over her boots. She put on a raincoat, a surgical mask, and multiple rubber gloves, and she covered her head with pantyhose and a garbage bag. Dressed this way, Fatu Kekula set up IV lines for her family members, giving them saline solution to keep them from becoming dehydrated. Her parents and sister survived; her cousin died. And she herself remained uninfected. Local medical workers called Fatu Kekula’s measures the Trash Bag Method. All you needed were garbage bags, a raincoat, and no small amount of love and courage. Medical workers taught the Trash Bag Method, or variants of it, to people who couldn’t get to hospitals
Richard Preston (Crisis in the Red Zone: The Story of the Deadliest Ebola Outbreak in History, and of the Outbreaks to Come)
So the Germans looked down at the crowd of kids around their knees: all the village children were there, fascinated by the uniforms, the horses, the high boots. However loudly their mothers called them, they wouldn't listen. They furtively touched the heavy material of the soldiers' jackets with their dirty fingers. The Germans beckoned to them and filled their hands with sweets and coins. It felt like a normal, peaceful Sunday. The Germans added a strange note to the scene, but the essential remained unchanged, thought Lucile.
Irène Némirovsky (Suite Française)
Goggles but no bathing suit?" she asked. Daniel blushed. "I guess that was stupid. But I was in a hurry, only thinking about what you would need to get the halo." He drove the paddle back into the water, propelling them more quickly than a speedboat. "You can swim in your underwear, right?" Now Luce blushed. Under normal circumstances, the question might have seemed thrilling, something they both would have giggled at. Not these nine days. She nodded. Eight days now. Daniel was deadly serious. Luce just swallowed hard and said, "Of course." The pair of green-gray spires grew larger, more detailed, and then they were upon them. They were tall and conical, made of rusted slats of copper. They had once been capped by small teardrop-shaped copper flags sculpted to look like they were rippling in the wind, but one weathered flag was pocked with holes, and the other had broken off completely. In the open water, the spires' protrusion was bizarre, suggesting a cavernous cathedral of the deep. Luce wondered how long ago the church had sunk, how deep it sat below. The thought of diving down there in ridiculous goggles and mom-bought underwear made her shudder. "This church must be huge," she said. She meant I don't think I can do this. I can't breathe underwater. How are we going to find one small halo sunk in the middle of the sea? "I can take you down as far as the chapel itself, but only that far. So long as you hold on to my hand." Daniel extended a warm hand to help Luce stand up in the gondola. "Breathing will not be a problem. But the church will still be sanctified, which means I'll need you to find the halo and bring it out to me." Daniel yanked his T-shirt off over his head, dropping it to the bench of the gondola. He stepped out of his pants quickly, perfectly balanced on the boat, then kicked off his tennis shoes. Luce watched, feeling something stir inside her, until she realized she was supposed to be stripping down, too. She kicked off her boots, tugged off her socks, stepped out of her jeans as modestly as she could. Daniel held her hand to help her balance; he was watching her but not the way she would have expected. He was worried about her, the goose bumps rising on her skin. He rubbed her arms when she slipped off he sweater and stood freezing in her sensible underwear n the gondola in the middle of the Venetian lagoon. Again she shivered, cold and fear an indecipherable mass inside her. But her voice sounded brave when she tugged the goggles, which pinched, down over her eyes and said, "Okay, let's swim." They held hands, just like they had the last time they'd swum together at Sword & Cross. As their feet lifted off the varnished floor of the gondola, Daniel's hand tugged her upward, higher than she ever could have jumped herself-and then they dove. Her body broke the surface of the sea, which wasn't as cold as she'd expected. In fact, the closer she swam beside Daniel, the warmer the wake around them grew. He was glowing.
Lauren Kate (Rapture (Fallen, #4))
Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.
Jessica Fellowes (The World of Downton Abbey)
The poor fugitive had exchanged his reindeer-skin garments for a full suit of black, left at the Spladgest by a famous Throndhjem grammarian, who drowned himself in despair because he could not find out why "Jupiter" changed to " Jovis" in the genitive. His wooden shoes gave place to a stout pair of postilion boots, whose owner had been killed by his horses, in which his slender shanks had so much spare room that he could not have walked without the aid of half a truss of hay. The huge wig of an elegant young Frenchman, slain by thieves just outside the city gates, concealed his bald pate and floated over his sharp, crooked shoulders.
Victor Hugo (Complete Works of Victor Hugo)
It was Inspector Hewitt. “You’ve got goose-bumps,” he said, looking at me attentively. “Best go sit in the car.” He had already reached the far side of the bridge before he turned back. “There’s a blanket in the boot,” he said, and then vanished in the shadows. I felt my temper rising. Here was this man—a man in an ordinary business suit, without so much as a badge on his shoulder—dismissing me from the scene of a crime that I had come to think of as my very own. After all, hadn’t I been the first to discover it? Had Marie Curie been dismissed after discovering polonium? Or radium? Had someone told her to run along? It simply wasn’t fair.
Anonymous
The prosecutor nodded to the usher, who opened the door at the back of the room. There was a scraping of chairs outside, the door opened wide and a large man strolled in. Krohn noted that the man was wearing a suit jacket which was slightly too small, black jeans and large Dr Martens boots. The close-shaven head and the slim athletic body suggested an age somewhere around the early thirties – although the bloodshot eyes with bags underneath and the pale complexion with thin capillaries bursting sporadically into small red deltas pointed more in the region of fifty. ‘Police Officer Harry Hole?’ the judge asked when the man had taken a seat in the witness box.
Jo Nesbø (The Redbreast (Harry Hole))
This is just one version of how the world of successful people actually works. But social capital is all around us. Those who tap into it and use it prosper. Those who don’t are running life’s race with a major handicap. This is a serious problem for kids like me. Here’s a non-exhaustive list of things I didn’t know when I got to Yale Law School: That you needed to wear a suit to a job interview. That wearing a suit large enough to fit a silverback gorilla was inappropriate. That a butter knife wasn’t just decorative (after all, anything that requires a butter knife can be done better with a spoon or an index finger). That pleather and leather were different substances. That your shoes and belt should match. That certain cities and states had better job prospects. That going to a nicer college brought benefits outside of bragging rights. That finance was an industry that people worked in. Mamaw always resented the hillbilly stereotype—the idea that our people were a bunch of slobbering morons. But the fact is that I was remarkably ignorant of how to get ahead. Not knowing things that many others do often has serious economic consequences. It cost me a job in college (apparently Marine Corps combat boots and khaki pants aren’t proper interview attire) and could have cost me a lot more in law school if I hadn’t had a few people helping me every step of the way.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Every year Grandma Ann (not blood related but our grandmother all the same) made extravagant paper hats out of recycled material; the mesh netting of pears, colored comics, indigo feathers, origami flowers. She sold them at street fairs and donated the proceeds to local organizations, including Grateful Garments, which provided clothes for survivors of sexual violence. Had this organization not existed, I would have left the hospital wearing nothing but a flimsy gown and boots. Which meant all the hours spent cutting and taping hats at the dinner table, selling them at a little booth in the sun, had gifted me a gentle suit of armor. Grandma Ann wrapped herself around me, told me I was ready.
Chanel Miller (Know My Name: A Memoir)
If you’re the cook,” he said between mouthfuls, “I’m your captain. You can’t continue speaking to me that way.” “You aren’t dressed like a captain.” Gray looked down at his homespun tunic and the loose-fitting trousers cinched with a knotted cord. The clothes of a common seaman,, borrowed from a sailor now dead. He hadn’t the luxury of fine attire on the Kestrel. With the ship so undermanned, he had to be everywhere-climbing the rigging, down in the hold. “Don’t look apologetic. They suit you.” Her gaze glanced off his shoulders, then dropped to the floor. “But I see you’ve kept the detested boots.” He shrugged, spooning up another bite of chowder. “I’ve broken them in now.” “And here I hoped you were keeping them for sentimental reasons.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Cheat propped his elbows on his knees and gazed up at Kestrel. He scrutinized her: the long, loosely clasped hands, the folds of her dress. Kestrel’s clothes had mysteriously appeared in the suite’s wardrobe, probably while she had slept, and she was glad. The dueling ensemble had served well enough, but wearing a dress fit for society made Kestrel feel ready for different kinds of battle. “Where is Arin?” Cheat said. “In the mountains.” “Doing what?” “I don’t know. I imagine that, since the Valorian reinforcements will come through the mountain pass, he is analyzing its values and drawbacks as a battleground.” Cheat gave her a gleeful smirk. “Does it bother you, being a traitor?” “I don’t see how I am.” “You just confirmed that the reinforcements will come through the pass. Thank you.” “It’s hardly worth thanking me,” she said. “Almost every useful ship in the empire has been sent east, which means there is no other way into the city. Anyone with brains could figure that out, which is why Arin is in the mountains, and you are here.” A flush began to build under Cheat’s skin. He said, “My feet are dusty.” Kestrel had no idea how to respond to that. “Wash them,” he said. “What?” He took off his boots, stretched out his legs, and leaned back against the bench. Kestrel, who had been quite still, became stone. “It’s Herrani custom for the lady of the house to wash the feet of special guests,” said Cheat. “Even if such a custom existed, it died ten years ago. And I’m not the lady of the house.” “No, you’re a slave. You’ll do as I command.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I have to say that the situation didn't look very promising. There was a woman in the bed right enough. But there was a man there too. Fully clothed, enormous in midnight-blue serge suit and peaked cap, he knelt above her rhythmically slapping her face with a pendulum action of his heavy-gloved hand. No, this didn't look like our kind of thing at all. Warily John slipped out of his socks and shirt. You have to give him credit: he keeps his cool and works the percentages. Now the two mean moved strangely past each other; and with some diffidence John climbed into bed. The other guy stared at us, with raised, with churning face. Then he did some shouting and strode out of there - though he paused, and thoughtfully dimmed the lights, as he left the room. We heard his boots on the stairs. The lady clutched me. "My husband!" she explained.
Martin Amis (Time's Arrow)
He was tall and broad-shouldered, wore a dark overcoat and black boots, a bowler hat. He had a dark-pointed beard and gold-rimmed eyeglasses.” “Take away the overcoat, the beard and the eyeglasses, and there wouldn’t be much to know him by,” grumbled the inspector. “He could alter his appearance easily enough in five minutes if he wanted to—which he would do if he’s the swell pickpocket you suggest.” I had not intended to suggest anything of the kind. But from this moment I gave the inspector up as hopeless. “Nothing more you can tell us about him?” he demanded, as I rose to depart. “Yes,” I said. I seized my opportunity to fire a parting shot. “His head was markedly brachycephalic. He will not find it so easy to alter that.” I observed with pleasure that Inspector Meadows’s pen wavered. It was clear that he did not know how to spell brachycephalic.
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
He was dressed in black broadcloth, a tall man, towering over the officers who stood near him, bulky in the shoulders but tapering to a small waist and absurdly small feet in varnished boots. His severe black suit, with fine ruffled shirt and trousers smartly strapped beneath high insteps, was oddly at variance with his physique and face, for he was foppishly groomed, the clothes of a dandy on a body that was powerful and latently dangerous in its lazy grace. His hair was jet black, and his black mustache was small and closely clipped, almost foreign looking compared with the dashing, swooping mustaches of the cavalrymen near by. He looked, and was, a man of lusty and unashamed appetites. He had an air of utter assurance, of displeasing insolence about him, and there was a twinkle of malice in his bold eyes as he stared at Scarlett, until finally, feeling his gaze, she looked toward him.
Margaret Mitchell (Gone with the Wind)
She held up three hangers inside a vinyl garment bag and hooked them sideways on the coatrack to unzip. "Raw silk. Vintage. Sort of a purple-black." "Aubergine," he declared and cracked the opening wider. "I love a man who can make colors sound dirty." She grinned. "Cross-dyed." He wondered if Trip had helped pick this out, if he'd seen her model it and convinced her to splurge. "Great suit." "I gotta stand next to J.R. Ward. Feel me?" She fluttered her short nails at him. "Baby, I went and bought a pair of Givenchy boots I cannot even afford because the Warden is gonna be there in full effect, and you know what that means!" He didn't really, but he got the gist. "So you want nighttime for daytime." "Extra vampy, hold the trampy. Like, more Lust For Dracula than Breaking Dawn." Rina squeezed her shoulders together to amp her cleavage. "If I'm hauling the girls out, no way can I do sparkly anorexia.
Damon Suede (Bad Idea (Itch #1))
Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
I'm angry at the lies that hide behind my eyes But untangling them scares me, so I keep them alive. I'm angry at the chip in my tooth and the crick in my back, And the fact that it's too late to change my track. I'm angry that my heart beat is a stutter and my mouth follows suit And that the rain seeps in through the holes in my boots I'm angry that not one of you will know what I mean Even if I break it into syllables and put it on a screen I'm angry that the world keeps its answers under lock and key If it's revealing them to anyone, it sure isn't me I'm angry that there's more of us on Earth than there has been before And though it's doubtful we can take it, people still want more I'm angry at the idleness that you call industry Call it caution, call it planning, but it looks like lethargy I'm angry that my friends are strangers, even after we meet As though we know we'll never ever see the other one's street I'm angry that we hide behind the media-sphere Though all of us are present, there is nobody here I'm angry that the world demands I stay on the ball I'm angry that I'm not angry-- at all.
Bryarly Bishop
The darkness around him was overwhelming. The Rocinante was a raft of metal and paint on an ocean. More than an ocean. The stars wrapped around him in all directions, the nearest ones hundreds of lifetimes away, and then more past those and more past those. The sense of being on a tiny little asteroid or moon looking up at a too-wide sky flipped and he was at the top of the universe, looking down into an abyss without end. It was like a visual illusion flipping between a vase and then two faces, then back again at the speed of perception. Prax grinned up, spreading his arms into the nothingness even as the first taste of nausea crawled up the back of his tongue. He’d read accounts of extravehicular euphoria, but the experience was unlike anything he’d imagined. He was the eye of God, drinking in the light of infinite stars, and he was a speck of dust on a speck of dust, clipped by his mag boots to the body of a ship unthinkably more powerful than himself, and unimportant before the face of the abyss. His suit’s speakers crackled with background radiation from the birth of the universe, and eerie voices whispered in the static. “Uh, Doc?” Amos said. “There a problem out there?
James S.A. Corey (Caliban's War (Expanse, #2))
Religion is therefore well suited to be the handmaiden of groupishness, tribalism, and nationalism. To take one example, religion does not seem to be the cause of suicide bombing. According to Robert Pape, who has created a database of every suicide terrorist attack in the last hundred years, suicide bombing is a nationalist response to military occupation by a culturally alien democratic power.62 It’s a response to boots and tanks on the ground—never to bombs dropped from the air. It’s a response to contamination of the sacred homeland. (Imagine a fist punched into a beehive, and left in for a long time.) Most military occupations don’t lead to suicide bombings. There has to be an ideology in place that can rally young men to martyr themselves for a greater cause. The ideology can be secular (as was the case with the Marxist-Leninist Tamil Tigers of Sri Lanka) or it can be religious (as was the case with the Shiite Muslims who first demonstrated that suicide bombing works, driving the United States out of Lebanon in 1983). Anything that binds people together into a moral matrix that glorifies the in-group while at the same time demonizing another group can lead to moralistic killing, and many religions are well suited for that task. Religion is therefore often an accessory to atrocity, rather than the driving force of the atrocity.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
In addition, of course, they would be taken to a bath and in the bath vestibule they would be ordered to leave their leather coats, their Romanov sheepskin coats, their woolen sweaters, their suits of fine wool, their felt cloaks, their leather boots, their felt boots (for, after all, these were no illiterate peasants this time, but the Party elite—editors of newspapers, directors of trusts and factories, responsible officials in the provincial Party committees, professors of political economy, and, by the beginning of the thirties, all of them understood what good merchandise was). "And who is going to guard them?" the newcomers asked skeptically. "Oh, come on now, who needs your things?" The bath personnel acted offended. "Go on in and don't worry." And they did go in. And the exit was through a different door, and after passing through it, they received back cotton breeches, field shirts, camp quilted jackets without pockets, and pigskin shoes. (Oh, this was no small thing! This was farewell to your former life—to your titles, your positions, and your arrogance!) "Where are our things?" they cried. "Your things you left at home!" some chief or other bellowed at them. "In camp nothing belongs to you. Here in camp, we have communism! Forward march, leader!" And if it was "communism," then what was there for them to object to? That is what they had dedicated their lives to.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
form of Banks. “I’m not a dog, Banks. My name’s Sophia.” Craig Banks, head guard and all-around asshole, grinned as his eyes traveled the length of her. Sophia fought the shiver running down her spine as the six-foot-one guard puffed out his broad chest, trying to impress her. The man could be dressed in the finest wool suit instead of the camo pants, blank t-shirt, and combat boots he was wearing, and she’d still want to throw up at the sight of him. The man enjoyed hurting others. Last month when he’d tortured that poor bear shifter for information, Banks had been cracking jokes the entire time. “No, cupcake, you’re certainly not a dog, not with that body and that gorgeous face.” Banks ran his fingers across her bruised cheek. She flinched, but not from the pain of her cheek. “And that’s a compliment. I don’t usually go for brunettes, but you’re the exception.” Lucky me. For once, she was glad for all the people still hanging out talking nearby. Banks wouldn’t touch her here, well, no more than he had already. Her eyes started to drift in the direction of the prison, but she caught herself. Ironic how the shifter felt trapped in there and she felt trapped out here. Right now, she’d gladly switch places with him. “I’m still waiting for that walk in the woods you promised me,” Banks added, letting his hand slide down her neck to the top of her blouse. Resisting the urge to bite his hand, Sophia subtly stepped out of his reach.
Julie K. Cohen (Lethal Wolf (White Wolves #2))
It got to the point where he didn’t even look up at the sky any more as he blundered back and forth. The human mind had evolved for just one universe, he thought. How much of this crap was he supposed to take? He felt exhausted, resentful, bewildered. “Wait.” He paused. He had loped out of the portal onto another stretch of scuffed, anonymous regolith. She was lying in his arms, her weight barely registering. He looked down into her face, and pushed up her gold sun visor. “Emma?” She licked her lips. “Look. Up there.” No Galaxy visible, but a starry sky. The stars looked, well, normal. But he’d learned that meant little. “So what?” Emma was lifting her arm, pointing. He saw three stars, dull white points, in a row. And there was a rough rectangle of stars around them—one of them a distinctive red—and what looked like a Galaxy disc, or maybe just a nebula, beneath … “Holy shit,” he said. She whispered, “There must be lots of universes like ours. But, surely to God, there is only one Orion.” And then light, dazzling, unbearably brilliant, came stabbing over the close horizon. It was a sunrise. He could actually feel its heat through the layers of his suit. He looked down at the ground at his feet. The rising light cast strong shadows, sharply illuminating the miniature crevices and craters there. And here was a “crater” that was elongated, and neatly ribbed. It was a footprint. He stepped forward, lifted his foot, and set it down in the print. It fit neatly. When he lifted his foot away the cleats of his boot hadn’t so much as disturbed a regolith grain. It was his own footprint. Good grief. After hundreds of universes of silence and remoteness and darkness, universes of dim light and shadows, he was right back where he started.
Stephen Baxter (Time (Manifold #1))
(about Pilgrims) It would be difficult to imagine a group of people more ill-suited to a life in the wilderness. They packed as if they had misunderstood the purpose of the trip. They found room for sundials and candle snuffers, a drum, a trumpet, and a complete history of Turkey. One William Mullins packed 126 pairs of shoes and 13 pairs of boots. Yet, between them they failed to bring a single cow or horse or plough or fishing line. Among the professions represented on the Mayflower's manifest were two tailors, a printer, several merchants, a silk worker, a shopkeeper and a hatter- occupations whose importance is not immediately evident when one thinks of surviving in a hostile environment. Their military commander, Miles Standish, was so diminutive of stature that he was known to all as "Captain Shrimpe" hardly a figure to inspire awe in the savage natives from whom they confidently expected to encounter. With the uncertain exception of the little captain, probably none in the party had ever tried to bring down a wild animal. Hunting in seventeenth century Europe was a sport reserved for the aristocracy. Even those who labelled themselves farmers generally had scant practical knowledge of husbandry, since farmer in the 1600s, and for some time afterwards, signified an owner of land rather than one who worked it. They were, in short, dangerously unprepared for the rigours ahead, and they demonstrated their manifest incompetence in the most dramatic possible way: by dying in droves. Six expired in the first two weeks, eight the next month, seventeen more in February, a further thirteen in March. By April, when the Mayflower set sail back to England just fifty-four people, nearly half of them children, were left to begin the long work of turning this tenuous toe-hold into a self-sustaining colony.
Bill Bryson (Made in America an Informal History Of)
She was a new world - a place of endless mysteries and unexpected delights, an enchanting mixture of woman and child. She supervised the domestic routine with deceptive lack of fuss. With her there, suddenly his clothes were clean and had their full complement of buttons; the stew of boots and books and unwashed socks in his wagon vanished. There were fresh bread and fruit preserves on the table; Kandhla's eternal grilled steaks gave way to a variety of dishes. Each day she showed a new accomplishment. She could ride astride, though Sean had to turn his back when she mounted and dismounted. She cut Sean's hair and made as good a job of it as his barber in Johannesburg. She had a medicine chest in her wagon from which she produced remedies for every ailing man or beast in the company. She handled a rifle like a man and could strip and clean Sean's Mannlicher. She helped him load cartridges, measuring the charges with a practised eye. She could discuss birth and procreation with a clinical objectivity and a minute later blush when she looked at him that way. She was as stubborn as a mule, haughty when it suited her, serene and inscrutable at times and at others a little girl. She would push a handful of grass down the back of his shirt and run for him to chase her, giggle for minutes at a secret thought, play long imaginative games in which the dogs were her children and she talked to them and answered for them. Sometimes she was so naive that Sean thought she was joking until he remembered how young she was. She could drive him from happiness to spitting anger and back again within the space of an hour. But, once he had won her confidence and she knew that he would play to the rules, she responded to his caresses with a violence that startled them both. Sean was completely absorbed in her. She was the most wonderful thing he had ever found and, best of all, he could talk to her.
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
But what should he wear? I thought about having him laid to rest in his uniform. But the truth is he hated wearing it. He really needed to be dressed in something he was comfortable in. And that wasn’t going to be in a suit, either: he hated being in a jacket and tie even more than in a uniform. Tie? Ha! I got a pair of his best pressed jeans. They had a nice crease in the pants leg, just like he liked. I found one of his plaid button-down shirts, another favorite. Kryptek, which produces tactical gear and apparel and was one of Chris’s favorite companies, had presented him with a big silver belt buckle that he loved. It was very cowboy, and in that way very much who Chris was. “You think I can pull this off?” he’d asked, showing me how it looked right after he got it. “Hell, yeah,” I told him. I made sure that was with him as well. But if there was any item of clothing that really touched deep into Chris’s soul, it was his cowboy boots. They were a reminder of who he was when he was young, and they were part of who he’d been since getting out of the military. He had a really nice pair of new boots that had been custom made. He hadn’t had a chance to wear them much, and I couldn’t decide whether to bury him in those or another pair that were well worn and very comfortable. I asked the funeral director for his opinion. “We usually don’t do shoes,” he said. It can be very difficult to get them onto the body. “But if it’s important to you, we can do it.” I thought about it. Was the idea of burying them with Chris irrational? The symbolism seemed important. But that could work the other way, too--they would surely be important to Bubba someday. Maybe I should save them for him. In the end, I decided to set them near Chris’s casket when his body was on view, then collect them later for our son. But Chris had the last word. Through a miscommunication--or maybe something else--they were put in the casket when he was laid to rest. So obviously that was the way it should have been.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
the greatest inspiration for institutional change in American law enforcement came on an airport tarmac in Jacksonville, Florida, on October 4, 1971. The United States was experiencing an epidemic of airline hijackings at the time; there were five in one three-day period in 1970. It was in that charged atmosphere that an unhinged man named George Giffe Jr. hijacked a chartered plane out of Nashville, Tennessee, planning to head to the Bahamas. By the time the incident was over, Giffe had murdered two hostages—his estranged wife and the pilot—and killed himself to boot. But this time the blame didn’t fall on the hijacker; instead, it fell squarely on the FBI. Two hostages had managed to convince Giffe to let them go on the tarmac in Jacksonville, where they’d stopped to refuel. But the agents had gotten impatient and shot out the engine. And that had pushed Giffe to the nuclear option. In fact, the blame placed on the FBI was so strong that when the pilot’s wife and Giffe’s daughter filed a wrongful death suit alleging FBI negligence, the courts agreed. In the landmark Downs v. United States decision of 1975, the U.S. Court of Appeals wrote that “there was a better suited alternative to protecting the hostages’ well-being,” and said that the FBI had turned “what had been a successful ‘waiting game,’ during which two persons safely left the plane, into a ‘shooting match’ that left three persons dead.” The court concluded that “a reasonable attempt at negotiations must be made prior to a tactical intervention.” The Downs hijacking case came to epitomize everything not to do in a crisis situation, and inspired the development of today’s theories, training, and techniques for hostage negotiations. Soon after the Giffe tragedy, the New York City Police Department (NYPD) became the first police force in the country to put together a dedicated team of specialists to design a process and handle crisis negotiations. The FBI and others followed. A new era of negotiation had begun. HEART
Chris Voss (Never Split the Difference: Negotiating As If Your Life Depended On It)
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.
Ernest Cline (Ready Player One (Ready Player One, #1))
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.
Karen Marie Moning (Shadowfever (Fever, #5))
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
He sent messages to all fifteen of my former suitors, asking if they were still interested in marrying me-“ “Oh, my God,” Alex breathed. “-and, if they were, he volunteered to send me to them for a few days, properly chaperoned by Lucinda,” Elizabeth recited in that same strangled tone, “so that we could both discover if we still suit.” “Oh, my God,” Alex said again, with more force. “Twelve of them declined,” she continued, and she watched Alex wince in embarrassed sympathy. “But three of them agreed, and now I am to be sent off to visit them. Since Lucinda can’t return from Devon until I go to visit the third-suitor, who’s in Scotland,” she said, almost choking on the word as she applied it to Ian Thornton, “I shall have to pass Berta off as my aunt to the first two.” “Berta!” Bentner burst out in disgust. “Your aunt? The silly widgeon’s afraid of her shadow.” Threatened by another uncontrollable surge of mirth, Elizabeth looked at both her friends. “Berta is the least of my problems However, do continue invoking God’s name, for it’s going to take a miracle to survive this.” “Who are the suitors?” Alex asked, her alarm increased by Elizabeth’s odd smile as she replied, “I don’t recall two of them. It’s quite remarkable, isn’t it,” she continued with dazed mirth, “that two grown men could have met a young girl at her debut and hared off to her brother to ask for her hand, and she can’t remember anything about them, except one of their names.” “No,” Alex said cautiously, “it isn’t remarkable. You were, are, very beautiful, and that is the way it’s done. A young girl makes her debut at seventeen, and gentlemen look her over, often in the most cursory fashion, and decide if they want her. Then they apply for her hand. I can’t think it is reasonable or just to betroth a young girl to someone with whom she’s scarcely acquainted and then expect her to develop a lasting affection for him after she is wed, but the ton does regard it as the civilized way to manage marriages.” “It’s actually quite the opposite-it’s rather barbaric, when you reflect on it,” Elizabeth stated, willing to be diverted from her personal calamity by a discussion of almost anything else. “Elizabeth, who are the suitors? Perhaps I know of them and can help you remember.” Elizabeth sighed. “The first is Sir Francis Belhaven-“ “You’re joking!” Alex exploded, drawing an alarmed glance from Bentner. When Elizabeth merely lifted her delicate brows and waited for information, Alex continued angrily, “Why, he’s-he’s a dreadful old roué. There’s no polite way to describe him. He’s stout and balding, and his debauchery is a joke among the ton because he’s so flagrant and foolish. He’s an unparalleled pinchpenny to boot-a nipsqueeze!” “At least we have that last in common,” Elizabeth tried to tease, but her glance was on Bentner, who in his agitation was deflowering an entire healthy bush. “Benter,” she said gently, touched by how much he obviously cared for her plight, “you can tell the dead blooms from the live ones by their color.” “Who’s the second suitor?” Alex persisted in growing alarm. “Lord John Marchman.” When Alex looked blank, Elizabeth added, “The Earl of Canford.” Comprehension dawned, and Alex nodded slowly. “I’m not acquainted with him, but I have heard of him.” “Well, don’t keep me in suspense,” Elizabeth said, choking back a laugh, because everything seemed more absurd, more unreal by the moment.
Judith McNaught (Almost Heaven (Sequels, #3))
on the armor shut behind him, cutting the master chief off for a moment as the suit booted up. From
Evan Currie (The Heart of Matter (Odyssey One, #2))
Sunday's Best Times are tough for English babies Send the army and the navy Beat up strangers who talk funny Take their greasy foreign money Skin shop, red leather, hot line Be prepared for the engaged sign Bridal books, engagement rings And other wicked little things Chorus: Standing in your socks and vest Better get it off your chest Every day is just like the rest But Sunday's best Stylish slacks to suit your pocket Back supports and picture lockets Sleepy towns and sleeper trains To the dogs and down the drains Major roads and ladies smalls Hearts of oak and long trunk calls Continental interference At death's door with life insurance Chorus Sunday's best, Sunday's finest When your money's in the minus And you suffer from your shyness You can listen to us whiners Don't look now under the bed An arm, a leg and a severed head Read about the private lives The songs of praise, the readers' wives Listen to the decent people Though you treat them just like sheep Put them all in boots and khaki Blame it all upon the darkies
Elvis Costello
The cowboy suit hung behind the bedroom door in its plastic covering. With great care Neville lifted it down and laid it upon the bed. Carefully parting the plastic, he pressed his nose to the fabric of the suit, savouring the bittersweet smell of the dry cleaner’s craft. Gently he put his thumbs to the pearl buttons and removed the jacket from the hanger. He sighed deeply, and with the reverence a priest accords to his ornamentum, he slipped into the jacket. The material was crisp and pure, the sleeves crackled slightly as he eased his arms into them, and the starched cuffs clamped about his wrists like loving manacles. Without further hesitation the part—time barman climbed into the trousers, clipped on the gunbelt, and tilted the hat on to his head at a rakish angle. Pinning the glittering badge of office carefully to his breast he stepped to the pitted glass of the wardrobe mirror to view the total effect. It was, to say the least, stunning. The dazzling white of the suit made the naturally anaemic Neville appear almost suntanned. The stetson, covering his bald patch and accentuating his dark sideburns, made his face seem ruggedly handsome, the bulge of the gunbelt gave an added contour to his narrow hips, and the cut of the trousers brought certain parts of his anatomy into an unexpected and quite astonishing prominence. ‘Mighty fine,’ said Neville, easing his thumbs beneath the belt buckle and adopting a stance not unknown to the late and legendary ‘Duke’ himself. But there was something missing, some final touch. He looked down, and caught sight of his carpet-slippers; of course, the cowboy boots. A sudden sick feeling began to take hold of his stomach. He did not remember having seen any boots when the suit arrived. In fact, there were none. Neville let out a despairing groan and slumped on to his bed, a broken man. The image in the mirror crumpled away and with it Neville’s dreams; a cowboy in carpet-slippers? A tear entered Neville’s good eye and crept down his cheek. ==========
Anonymous
These women, your fans read your books, but they really buy into the fantasy that you sell. Sex. You’re a sweet-talking pimp with a pen, paper and PC minus the loud suit, shoes and matching hat.
Electa Rome Parks (These Boots Were Made for Stalking)
The Spirit of Christmas The Boys finished their cider and handed the vendor the cups, smacking their lips and wiping their mouths on their sleeves. The towering Vendor smiled down on them. “And a Very Merry Christmas to you two young Gents.” Jonas scowled up at him, “Christmas is a bunch of bunk, just meant for the rich. Come on Jamey.” Little James Nicholas tipped his hat to the Vendor and his eyes shined angelically when he replied, “And a Merry Christmas to you too Sir!” Jonas led the way as they raced the snowy sidewalks of New York. In his heart Jonas knew that they were late but the cider warmed him inside and he didn’t mind the risk. Mr. Angel watched them run, knowing his work was cut out for him. “Christmas a bunk, hm-mmm! I’ve some work to do with these lads and not much time to do it in.” He glanced up at the heavens calculating the time before Christmas. He then tipped his hat to the vendor as he munched the delicious cheese. The Cheese Vendor watched the kindly man depart, knowing there was indeed goodness abound in the world tonight. “Thank ye kind Sir!” The tall Toymaker waved back at him over his shoulder, while keeping the two young dashing lads in sight. “And may the Spirit of Christmas haunt your home with joy.” The Cheese Vendor chuckled to himself. “A joyful haunting? Be there such a thing?” Mr. Angel followed along after the boys. He passed a poor couple and thrust the bag of cheese into their hands. The Poor Man’s face shined with pleasure, “Thank you and bless you sir.” He nodded back at them with a smile. Ahead of him, Jonas and James rushed towards the corner. They raced past a fruit vendor and each of them snatched a piece of fruit from the boxes on display. The Fruit Vendor screamed after them, “Hey, you! Stop thieves!” A New York Policeman witnessing the theft and blew his whistle. Then he shouted after them. “Stop thieves!” He immediately took up the chase, through the down pouring snow. Mr. Angel could be seen in the background keeping pace behind the policeman. The two young boys raced along the sidewalk, twisting their way between passers-by, their eyes frantically glancing behind them at the large pursuing policeman. Suddenly Mr. Thorn, a large, burley man dressed in black blocked their way and took them both by the collars. “So there you are!” He snatched the apple quickly from James’ hand. “What have we here?” He was about to take a bite of it, when he saw the officer racing towards them. “It’s all right officer. I have the young scoundrels and I’ll make full restitutions for their thievery.” He quickly fished coins from his pocket and with a conning smile, put them in the hand of the frowning Policeman. “And a little extra for your trouble, my good man. It’s such a small crime and the criminals so . . . minor.” The burly policeman rocked back and forth considering and then grunted, after all it was Christmas. “Very well sir. I’ll give these to the Vendor but I catch either of you snatching again, it’s behind bars with you and a good strong workhouse. You got me!” Jonas glanced down at his worn out boots, his face red with shame. “Oh yes sir.” James followed suit and then glanced up into the gruff face of the law. “Sorry, we were just hungry!
John Edgerton (The Spirit of Christmas)
The two young boys raced along the sidewalk, twisting their way between passers-by, their eyes frantically glancing behind them at the large pursuing policeman. Suddenly Mr. Thorn, a large, burley man dressed in black blocked their way and took them both by the collars. “So there you are!” He snatched the apple quickly from James’ hand. “What have we here?” He was about to take a bite of it, when he saw the officer racing towards them. “It’s all right officer. I have the young scoundrels and I’ll make full restitutions for their thievery.” He quickly fished coins from his pocket and with a conning smile, put them in the hand of the frowning Policeman. “And a little extra for your trouble, my good man. It’s such a small crime and the criminals so . . . minor.” The burly policeman rocked back and forth considering and then grunted, after all it was Christmas. “Very well sir. I’ll give these to the Vendor but I catch either of you snatching again, it’s behind bars with you and a good strong workhouse. You got me!” Jonas glanced down at his worn out boots, his face red with shame. “Oh yes sir.” James followed suit and then glanced up into the gruff face of the law. “Sorry, we were just hungry!” Mr. Thorn smiled and tipped his hat to the Policeman, who shaking his head, sauntered away. Immediately Mr. Thorn slapped Jonas hard across the face, drawing blood from his nose and then smacked James on the head, crushing his cap. He snatched the apple from James’ hand and pocketed them both. “So here you two no-accounts are? I’ve been searching high and wide for the lot of you. I left you at this corner and I expected to find you right where I left ya!” He then snatched the cup from Jonas’ hand with a scowl. He poured the coins into his hand and his greedy eyes took in the meager profits. Jonas immediately stammered justification for their absence. “We-we found a better corner to beg at, Mr. Thorn. I think we done all right.” Mr. Thorn cleared his throat considering and then his boisterous laughter echoed. He put his big arms around the two young lads. “Well, you done fine for us boys! We needs the money! We’ll have to have you two young Sirs representing our fine establishment again tomorrow, I do believe.” He chuckled cruelly. “We’ve great charity in our hearts for you kiddies but a soulful heart won’t put bread and molasses on the table.” He greedily poured the coins into his coat pocket. Both lads coughed mischievously at mention of such charitable actions. Thorn eyed them both to see if they are making fun of him, which they were. Jonas cleared his throat. “A bit of a tickle.” Thorn growled and gruffly took hold of the boy’s arm. “I’d tickle you both with a whip if I thought you was funning with me! Now boys, you’ve roughed my gentle nature. You know that I has nothing but love for the lot of you. My big heart swells at the sight of each and every one of you little bastards . . . I mean kiddies. Shall we on home?” “Here Jamey lad, you hold the cup. Give us a song the two of you, to beg alms by. I think I’m in the mood for “Oh Come All Ye Faithful”, but make it sweet or there’s a lashing for the both of ya!” Jonas and James exchanged tortured looks. Together the young Nicholas boys sweetly began to sing the song, as they moved through the crowd. The Tall Toymaker followed them down the sidewalk, trying not to be observed by Thorn. ”And a villain enters the scene, an ugly villain at that!
John Edgerton (The Spirit of Christmas)
A draft she hadn’t noticed before swirled around her. The hairs on the back of her neck prickled. Pulling her legs beneath her, she rocked slowly to her feet. Then turned. Hunter stood inside the closed door, the fabric of his cassimere suit outlining his broad shoulders, trim waist, and muscular legs. He leaned with one shoulder against the wall and one ankle crossed in front of the other, showcasing his armadillo boots. He gave her a wicked grin. “Goin’ somewhere?
Deeanne Gist (Fair Play)
It doesn’t have to look stupid. I’m not going to make you don a cape and wear your underpants on the outside of your clothes. I’d settle for a nice spandex suit and some tall lace-up boots.” “No! No spandex, Ryan. I am not kidding.” Ryan grinned. “So, the tall boots are a go?” “No!” I
Kelly Oram (More Than Jamie Baker (Jamie Baker Trilogy Book 2))
Using the satellite phone connection, I finally reached Croc One. The captain, Kris, was in tears. I finally tracked down John Stainton, and he assured me that he hadn’t left Steve’s side. “I’ve got a charter plane coming,” John said. “I’ll get him home, Terri.” I asked about Steve’s personal effects. Steve had had on his khakis and wet-suit boots while he was diving, but because he had no jewelry or anything of value, the medical examiner had destroyed all his clothing. I was devastated. It’s completely unpredictable what one will hold dear in a time of grief, particularly in the case of an accident. I remember thinking, I’ve got to sit down with the powers that be and change these regulations. The family should decide what should be destroyed and what should be kept. I needed to focus on something other than losing Steve. That fact was just too hard to get my head around. As John arranged to bring Steve home, the media pressure steadily increased. I told Wes I wanted to go meet the plane, but that I wouldn’t take the kids. This was my time to be with my soul mate, and I needed to do it on my own. I headed out with a police escort. The Queensland police were considerate and professional, and an officer named Annie was personally assigned to make sure the overwhelming media attention did not interfere with my private moment to say good-bye to Steve. Wes accompanied me. It was night. As the seaplane came in, I recognized it as the same one that had taken Steve on many South Pacific adventures, in search of sea snakes, crested iguanas, or sharks. The ranks of police stood at attention. Many of them had met Steve previously. Once again, I was overwhelmed to see the looks of grief on their faces. The plane landed, and I had a moment to sit with Steve on my own. It was a bit of an effort to clamber up into the back of the plane. A simple wooden casket rested inside, still secured. I knew that who Steve was, his spirit and his soul, were no longer there, but it was strange how I couldn’t cry. I sat down and leaned my head against the wooden box that held his body and felt such strange peace. In some way, we were together again.
Terri Irwin (Steve & Me)
If I tarted up in a nice suit and a clean collar, I could spend hours and hours every week jawing to Rotary Clubs about what fine music is and how I am just as good as they are. I'm not as good as they are, praise be God! I am a honest citizen, I am not fit to black their boots.
Robertson Davies (Leaven of Malice (Salterton Trilogy, #2))
The crescent kick is one of the most difficult kicks to master in Tae Kwon Do, but when executed properly, it is one of the most dangerous.  Detective Sergeant Jamie Johansson had been practising it for nearly six years, and despite being only five-foot-six, she could comfortably slam her heel into the ear of someone that was over six feet. And now she had it down to a science. She knew she couldn’t do enough damage with a punch to put someone down if she had to, but a well-executed crescent kick would do the job. Especially from her lightweight trail boots. Her partner made fun of her for wearing them — said that detectives shouldn’t be wearing hiking boots, especially not in the city, but they were tough and she was as fast in them as she was in her trainers. Which she thought made them a lot more suited to tracking down scumbags than Roper’s black leather Chelsea boots.  He disagreed. She didn’t really care.  Smoking thirty a day meant that he wasn’t going to be doing much running anyway. ‘Come on,’ Cake said, jerking the pad. ‘Again. Like you mean it.’ She flicked her head, throwing sweat onto the matt, wound up, lifted her leg, snapped her knee back, and then lashed out. Her shin smashed into the training pad with a dull thwap and she sank into her knees, panting.  Cake clapped them together and grinned with wide, crooked teeth. ‘Good job,’ he said. ‘You’re really getting some power into those, now. But make sure to ice that foot, yeah?’ She caught her breath quickly and stood up, nodding, strands of ash-blonde hair sticking to her forehead, the thick plait running between her lithe shoulders coming loose. ‘Sure,’ she said, measuring her trainer. Cake was six-two and twice her weight. He was Windrush, in his fifties, and ran a mixed martial arts gym just near Duckett’s Green. He was a retired boxer turned trainer that scored his nickname after winning a fight in the late nineties on his birthday. When the commentator asked what he was going to do to celebrate, he said that he was going to eat a birthday cake. Everyone thought that was funny, and it stuck. He had a pretty bad concussion at the time, which probably contributed to the answer. But there was no getting away from it now.  He pulled the pads off his forearms and rubbed his eyes. ‘Coffee?’ he asked, looking over at the clock on the wall. It was just before seven.  He yawned and stretched, cracking his spine. The gym wouldn’t open until midday to the public, but he lived upstairs in a tiny studio, and he and Jamie had an arrangement. It kept him fit and active, and she could train one-on-one. Just how she liked it. She paid her dues of course, slid him extra on top of the monthly for his time. But he said that
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Impa and Genison stood back, as Link looked at himself in the mirror. Wearing a white waistcoat tuxedo with gleaming silver trim and polished black riding boots, Link looked like one of those bold, valiant knights in the Disney movies. A Sheikah crest of dark blue enamel on sterling silver had been pinned to his chest, and his hair had been trimmed and styled so as not to appear as scruffy as it normally did. "You clean up nice, man," Genison laughed, and next to him Impa chuckled. Genison himself stood in a similar white tux, but without any extra decoration. "Hey, Hans from Frozen called, he wants his suit back." Link smirked at his best man. "Is all of this really necessary?" Link asked, not truly recognizing himself in the mirror.
J. Row (The Legend of Zelda: A Sword in the Time of Guns: Vol. 6)
flashers on. Moving to the back of the car, she popped the trunk to get to her crime scene kit. It was Monday morning, her first shift of a week running solo, and Ballard knew she would need to get at least one more wear out of her suit and possibly two. That meant not fouling it with the stink of decomp. At the trunk she slipped off her jacket, folded it carefully, and placed it in one of the empty cardboard evidence boxes. She removed her crime scene coveralls from a plastic bag and pulled them on over her boots, slacks, and blouse. She zipped them up
Michael Connelly (Dark Sacred Night (Renée Ballard, #2; Harry Bosch, #21; Harry Bosch Universe, #32))
I was fortunate to grow up in a place where snowfall was abundant, exclusion from private property was frowned upon, and outside my door were thousands of acres of forested hills to explore. By the time I was ten my feet were as big as my mother's, and I pinched her leather cross-country ski boots and a set of wooden skis and poles from Finland that had stood neglected in the cellar for years. I never had any instruction in Nordic skiing technique, but as soon as I pushed off it was obvious that this was an easier way to move about in the winter woods. To this day I have a hard time thinking of skiing as a sport and have felt self-conscious the few times I've skied in prepared tracks among the athletic and sleek-suited crowd that frequents Nordic centers. For me skiing is just the way you walk when there's snow on the ground. It's walking in cursive, and I love to walk.
Anders Morley (This Land of Snow: A Journey Across the North in Winter)
Virgil was a tall man, thin, athletic, with longish blond hair and an easy smile. He was wearing a “got mule?” T-shirt, purchased in the parking lot at a Gov’t Mule show a year earlier in Des Moines, an inky-blue corduroy sport coat, and bootcut blue jeans over cordovan cowboy boots. As an agent of the Bureau of Criminal Apprehension, he should have been wearing a suit with a blue or white oxford cloth shirt, a dull but coordinated nylon necktie, and high-polished black wingtips. What the BCA didn’t know, he figured, couldn’t hurt him.
John Sandford (Holy Ghost (Virgil Flowers, #11))
Tolstoy was always as keen to do as to teach. As with most intellectuals, there came a time in his life when he felt the need to identify himself with ‘the workers’. It popped up intermittently in the 1860s and 1870s, then began in earnest in January 1884. He dropped his title (though not his authoritative manner) and insisted on being called ‘plain Leo Nikolayevich’. This mood coincided with one of those sartorial gestures intellectuals love: dressing as a peasant. The class transvestism suited Tolstoy’s love of drama and costume. It also suited him physically, for he had the build and features of a peasant. His boots, his smock, his beard, his cap became the uniform of the new Tolstoy, the world-seer. It was a prominent part of that instinctive talent for public relations which most of these great secular intellectuals seem to possess. Newspaper reporters came thousands of miles to see him. Photography was now universal, the newsreel just beginning in Tolstoy’s old age. His peasant dress was ideally suited to his epiphany as the first media prophet.
Paul Johnson (Intellectuals: A fascinating examination of whether intellectuals are morally fit to give advice to humanity)
I wouldn’t want to be treading too close behind you with the Pyms and the Fermanaghs in this Lobster Quadrille. You never know, I might wear me brown boots with me blue suit, and that would never do.
John Lawton (Black Out (Inspector Troy, #1))
Dexter Vex, he of the chiselled abs and the scuffed boots, and Saracen Rue, of the winning smile and the designer suits,
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
Ode to Bees Multitude of bees! in and out of the crimson, the blue, the yellow, of the softest softness in the world; you tumble headlong into a corolla to conduct your business, and emerge wearing a golden suit and quantities of yellow boots. The waist, perfect, the abdomen striped with dark bars, the tiny, ever-busy head, the wings, newly made of water; you enter every sweet-scented window, open silken doors, penetrate the bridal chamber of the most fragrant love, discover a drop of diamond dew, and from every house you visit you remove honey, mysterious, rich and heavy honey, thick aroma, liquid, guttering light, until you return to your communal palace and on its gothic parapets deposit the product of flower and flight, the seraphic and secret nuptial sun! Multitude of bees! Sacred elevation of unity, seething schoolhouse. Buzzing, noisy workers process the nectar, swiftly exchanging drops of ambrosia; it is summer siesta in the green solitudes of Osorno. High above, the sun casts its spears into the snow, volcanoes glisten, land stretches endless as the sea, space is blue, but something trembles, it is the fiery, heart of summer, the honeyed heart multiplied, the buzzing bee, the crackling honeycomb of flight and gold! Bees, purest laborers, ogival workers fine, flashing proletariat, perfect, daring militia that in combat attack with suicidal sting; buzz, buzz above the earth's endowments, family of gold, multitude of the wind, shake the fire from the flowers, thirst from the stamens, the sharp, aromatic thread that stitches together the days, and propagate honey, passing over humid continents, the most distant islands of the western sky. Yes: let the wax erect green statues, let honey spill in infinite tongues, let the ocean be a beehive, the earth tower and tunic of flowers, and the world a waterfall, a comet's tail, a never-ending wealth of honeycombs! Pablo Neruda, Odes to Common Things. (Bulfinch; Illustrated edition, May 1, 1994)
Pablo Neruda (Odes to Common Things)
Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Highlights of the Brunel featured the likes of Mr. Iraci, our landlord, coming around and being greeted by myself, stark naked, painting cartoons on my bedroom wall to liven the place up a bit; or Eddie showing another pretty girl his technique for marinating venison in a washing-up bowl full of Bordeaux wine. Our housekeeping kitty of funds would miraculously evaporate due to Hugo’s endless dinner parties for just him and up to ten different girls that he had been chatting up all week. Stan developed a nice technique for cooking sausages by leaving them on the grill until the hundred decibel smoke alarm went off, indicating they were ready. (On one occasion, Stan’s sausage-cooking technique actually brought the fire brigade round, all suited and booted, hoses at the ready. They looked quite surprised to see all of us wandering down in our dressing gowns, asking if the sausages were ready, while they stood in the hall primed for action, smoke alarm still blaring. Happy days.) I also fondly remember Mr. Iraci coming round another time, just after I had decided to build a homemade swimming pool in the ten-foot-by-ten-foot “garden” area out the back. I had improvised a tarpaulin and a few kitchen chairs and had filled it optimistically with water. It held for about twenty minutes…in fact just about until Mr. Iraci showed up to collect his rent. Then it burst its banks, filling most of the ground floor with three inches of water, and soaking Mr. Iraci in the process. Truly the man was a saint.
Bear Grylls (Mud, Sweat and Tears)
As she descended below the floor level of the loft, her former partner in juvenile crime was revealed to her from scuffed paniolo boots, up a long, muscled body that appeared to go on forever, to a venerable black Stetson. His cowboy look was new to her and it suited him. When she backtracked to his Hawaiian-sky blue eyes, she swayed under the impact and abruptly sat down. Any stair step would do." Noelani Beecham, Pele's Tears
Sharon K. Garner (Pele's Tears)
Kishore knew that he had to bring a quality senior management team, but was a bit hesitant about the kind of people he wanted. He would say, 'I don't want the fancy MBA-types. They don't fit in to our organisation because they are too proud of the fact that they are an MBA. Suit, boot pahen ke baith jayenge par product nahi bikega.
Kishore Biyani (It Happened in India)
How a man, dressed in a suit, and a yuppie lawyer to boot, could smile and manage to look so predatory, so dangerous, Megan couldn’t have said. But he managed it. And damn, but he wore it well.
Eve Langlais (Growl (Feral Passions, #1))
Good things never come in suits and make-up, that person you diverge from because they are in sweat, overalls and boots - will be the first person you'd want to converge with. You know that person, he is a success in progress.
Kabelo A. Mabona
Abrams voice cut in over the comm. “My God, this place is breath-taking!” “It is a palace for the gods,” added Brock. The group stood gawking at the magnificence of the hall surrounding them. Delanda went to the table, placed her helmet and pack on it, and began pulling tablets, scanners, and other accessories out. She wrestled off her gloves, but had trouble with the suit torso so Wilson had to intervene and help. Without a thought to the revealing fit of the white stretch suit liner, she escaped the spacesuit bottom and placed it on the table. Then, with still no self-consciousness at all, she stripped the suit liner off down to athletic bra and slim panties and pulled her pink, rolled up vacuum-packed flight coveralls and cloth boots from the suit pack. After excitedly dressing, she hurriedly grabbed a scanner from her pack and began investigating the hall. Show over, one by one we all removed our suits and became visitors in white suit liners. Wilson gave his fatherly warning. “Everyone be very careful removing and folding those liners. If you tear or damage the thermal control system in any way you could have an unpleasant trip back to the ship. Also, be careful to tuck in your suit communicator since we’ll all be using wrist coms from now on. That is if they actually work here.” Delanda ignored his comments and headed for the far end of the hall. Wilson pulled on black coveralls, R.J.’s were farmhouse blue, Brock and Wen light green, Abrams in hospital scrubs green, and Sharma’s and Ansara’s in tan. Mine were captain’s blue. As we studied our celestial surroundings, Delanda returned and spoke in a commanding voice. “Gentlemen, if you would grab your tablets and gather around me here at this magnificent table we should get started.” For the first time there was a unanimous look of annoyance, although everyone quickly complied. R.J. and I stood opposite her feeling like two school kids being ushered around on a field trip. Delanda checked to be sure everyone was paying attention. “Okay, I’m assuming our intranet will work in here even though we’re out of contact with the ship. Let’s try it. All of you use your tablets to access mine and copy the file titled: Translations. Let me know if anyone has trouble.” Delanda’s tablet appeared on our screens. As she had guessed, there were no problems getting in. Once copied, I opened the file and found dozens of Altair symbols, some highlighted, most grayed-out. “Okay, everyone got in? Right? Okay, the symbols you see highlighted are the ones I believe I have a rudimentary translation for. Those that are in gray, your guess is as good as mine.” “How do you propose we proceed?” asked Brock. “Speaking as an experienced field researcher, I would suggest one of us photographs and documents this first chamber thoroughly while the rest of us split up and do the same with other chambers, periodically reporting back here after each excursion. We should have one central person remain here to monitor the progress of everyone in the event they get into trouble. I would think that would be you, Commander Mirtos, since you are the best at rescue. Does anyone have any objections?” R.J. leaned over. “I believe this is a non-hostile takeover. Are you going to step in?” “Not until she says something I disagree with.” Delanda continued. “So, if no one has any objections the first order of business will be to photograph every wall symbol we find along with any artifacts possibly associated
E.R. Mason (Mu Arae (Adrian Tarn Book 5))
She felt in need of protection. She pictured the suits of armour in the Castle, and thought: my armour is of the twenty-first century variety. Claudia Sträter silk jacket and skirt, Kyrie Eleison suede boots.
Daniel Blythe (This is the Day)
The swim requirements were even harder. We had to be able to swim a mile and tread water for fifteen minutes, in full flight suit and boots. I got through the mile easily, but I found treading water murderously difficult. Other guys seemed to be naturally buoyant; I seem to have the buoyancy of a brick. I practiced and practiced and was finally able to pass the requirement, though just barely.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
For those who have never visited it, the downtown Powell’s takes up a whole city block. A giant concrete split-level sarcophagus of books. There is a ghost that haunts the water fountain. An urn of cremated remains that moves from room to room. The shelves spill books, used and new, and the aisles buzz with the kind of diversity you’ll only find at the DMV: dudes in suits and dudes in mud-caked cowboy boots, a woman with dreads and a woman with a tiara and a woman with bright blue hair. A carnival of wonders for a kid from the boonies.
Benjamin Percy (Thrill Me: Essays on Fiction)
Jesse sat low in the chair with his boots kicked out, drew off the soft red cap by its cotton ball, then reached out and snuggled Tim close to his chest. He said, “Let me tell you a secret, son: there’s always a mean old wolf in Grandma’s bed, and a worm inside the apple. There’s always a daddy inside the Santa suit. It’s a world of trickery.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
.."So you know everything now." Julian raised an eyebrow. "I can't believe that," he drawled. "There are no more secrets, no more illicit little plots percolating in your devious mind? You'll have to forgive me if I find that hard to credit, Violette." "Oh, there's one more secret," she said dully. "But only one, and you might as well know it. I love you. I love you so much it hurts. And I'll never love anyone else in the same way"..."There ,now," she said. That's all of it. I've tricked you and I've used you. I've lied to you, and rearranged your life to suit my own purposes. I forced you to leave Spain, and I'm the illegitimate daughter of a Penhallan and a robber baron. But I love you with my heart and soul, and I'd give my last drop of blood if you ever needed it." ..."But of course you won't ever need it, so I'll go now. And you need never fear that our paths will cross again." Turning from him, she began to walk back across the sand. "You omitted to mention puking all over my boots in that catalog of wrongs," Julian said. ..."I suppose you're entitled to that," she said. "Entitled to mock. Why should you believe in my love? Anyway, it's a poor thing. I know it can't excuse or make up what I've done to you." "Dear God," he said. "I'm assuming this extraordinary show of humility was brought on by that drug Penhallan gave you. I trust it's effect isn't permanent." ..."Oh you despicable bastard! You are an unmitigated cur!" She swooped down, grabbed a handful of sand, and threw it at him. Darting sideways, she picked up the empty cognac bottle. It flew through the air and caught him a glancing blow on the shoulder... ... Diabillo ! Virago! Termagant!" Julian taunted, grinning as he ducked one of Gabriel's boots. "Espadachin! Brute! Bully! Unchivalrous pig!" she hurled back.. ...He'd fought the knowledge ..he'd been fighting it for weeks..and now he'd lost the battle. She was a lawless, manipulative, illegitimate half-breed, no possible wife for a St Simon, and he didn't give a damn.
Jane Feather
Suits and boots are not sentience, Manners and etiquettes are not culture. Intellect and technology are not progress, Faith and tradition are not character.
Abhijit Naskar (Giants in Jeans: 100 Sonnets of United Earth)
Unlike his neighbors, who toiled in dirt-crusted coveralls and work boots, Kehoe kept himself as neatly groomed as a banker. He rode his tractor in a business suit, vest, and polished shoes. He would hurry home to wash up if his hands got too greasy and was known to change his shirt in the middle of the day if he noticed a sweat stain or smudge of dirt. When finished with his tools, he made sure to put them back in perfect order, each in its rightful place. His barn, as Ellsworth observed, was “cleaner than a great many houses.”6
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
Remember that ladylike behaviour of yours?” I call out, letting her hear the smile in my voice. “This is the time for it. No pushing, shoving, screaming, or—“ I don’t get any further. She’s heard the shift in my voice and crossed the hallway in a heartbeat. She wastes only a moment in gaping, then shoves past me to dash across the pile of clothes, laughing. “Tarver, Tarver. There are—can you see them all?” She’s running the flashlight over the offerings, revealing swaths of fabric of every colour. I’ve got my mouth half open to reply when she starts unzipping the mechanic’s suit, and then my mouth falls the rest of the way open by itself. It’s dark inside the room, but I catch a quick glimpse of pale skin beneath the remnants of her dress before I remember myself, and decide to take a good, hard look at my boots. To judge by the sounds over on the other side of the room, she’s forgotten I exist. The mechanic’s suit must have been really uncomfortable, even wearing it over her dress, if she’s that eager to get it off while I’m standing here. “There’s dresses,” she whispers, and I catch a movement in my peripheral vision. Oh, God, come on. It’s the mechanic’s suit and the ruined green dress being kicked across the floor away from her. So what does that mean she’s wearing right now? She didn’t actually say I couldn’t look. “Don’t look,” she cautions me, as though she just read my mind. Dammit.
Amie Kaufman & Meagan Spooner
lady?” My whole body tenses. Damn it, I’m caught, my disguise didn’t work! Abort! “You’re no horse buyer. You’re a regular horse whisperer.” I spin, and see an elderly man—a real one—smiling at me with a set of pearl-white veneers. From his tailored three-piece suit, shiny snakeskin boots, and even shinier gold Rolex watch, I can tell right away he’s got money. But his demeanor is friendly. Gentlemanly. Almost bashful. “And such a lovely one, too,” he adds, with the tip of his felt cowboy hat. I realize this old-timer isn’t trying to blow my cover. Far from it. He’s trying to hit on me. “You’re very kind, sir,” I say, forcing an innocent smile. “My name’s Wyland. Cole Wyland.” He gestures at the stallion. “Always been partial to Belgian warmbloods too. Gorgeous creatures, ain’t they?” I’m confused.
James Patterson (13-Minute Murder: Dead Man Running / 113 Minutes / 13 Minute Murder)
He was the eye of God, drinking in the light of infinite stars, and he was a speck of dust on a speck of dust, clipped by his mag boots to the body of a ship unthinkably more powerful than himself, and unimportant before the face of the abyss. His suit’s speakers crackled with background radiation from the birth of the universe, and eerie voices whispered in the static.
James S.A. Corey (Caliban's War (Expanse, #2))
He takes my wounded hand in his. He's wearing black gloves, the leather warm even through the silk over my fingers, and black suit of clothes. Raven feathers cover the upper half of his doublet, and his boots have excessively pointed metal toes that make me conscious of how easy it will be to kick me savagely once we've begun dancing. At his brow, he wears a crown of woven metal branches, cocked slightly askew. Dark silver paint streaks over his cheekbones, and black lines run along his lashes. The left one is smeared, as though he forgot about it and wiped his eye.
Holly Black (The Cruel Prince (The Folk of the Air, #1))