Stunning Performance Quotes

She spoke to the bubbles gathered on the surface of the water. "If there's anyone I wish to stun at dinner, I'll hit him in the face.

I do this thing for Rosie, you sleep with me" I stared at him, open-mouthed and in stunned silence. I did, of course, understand what he meant but he explained further. "Not like last night, we'll both be naked and sexual acts will be performed." My expression didn't change except maybe my mouth opened wider. "I'll expect your participation." Holly shit. "Your avid participation." Dear Lord in Heaven. Eventually, I whispered, "You must be joking." He shook his head and watched me. I dropped my eyes, unable to hold his stqare. "I think I need more coffee," I told his throat.

I do this thing for Rosie, you sleep with me.” I stared at him, open-mouthed and in stunned silence. “Not like last night, we’ll both be naked and sexual acts will be performed.” My expression didn’t change except maybe my mouth opened wider. “I’ll expect your participation.” Holy shit. “Your avid participation.

So red teaming is: You take people who aren’t wedded to the plan and [ask them,] ‘How would you disrupt this plan or how would you defeat this plan?’ If you have a very thoughtful red team, you’ll produce stunning results.

If you have a team of five stunning employees and two adequate ones, the adequate ones will sap managers’ energy, so they have less time for the top performers, reduce the quality of group discussions, lowering the team’s overall IQ, force others to develop ways to work around them, reducing efficiency, drive staff who seek excellence to quit, and show the team you accept mediocrity, thus multiplying the problem.

His tired gaze - from passing endless bars - has turned into a vacant stare which nothing holds. to him there seem to be a thousand bars, and out beyond these bars exists no world. his supple gait, the smoothness of strong strides that gently turn in ever smaller circles perform a dance of strength, centered deep within a will, stunned, but untamed, indomitable. but sometimes the curtains of his eyelids part, the pupils of his eyes dilate as images of past encounters enter while through his limbs a tension strains in silence only to cease to be, to die within his heart. [the panther]

I was stunned to find that the ultimate proof of love for me was nothing heroic, but an easy and superfluous gesture performed just to make me smile. The love that I had to give someone had been packed too tightly and too long in a small box, and so it all tumbled out when opened. And there was more where that came from.

I dove into work showing that highly credentialed experts can become so narrow-minded that they actually get worse with experience, even while becoming more confident—a dangerous combination. And I was stunned when cognitive psychologists I spoke with led me to an enormous and too often ignored body of work demonstrating that learning itself is best done slowly to accumulate lasting knowledge, even when that means performing poorly on tests of immediate progress.

Without the restless insects the place seemed stunned, stupefied, shocked by the ballet of gossamer violence, the wonder of plain and simple things drawn together to conjure such beauty, transforming that bubble of urban air into a theatre where an astonishing performance was fleetingly played to an awed audience of one, the memory of which would sparkle for a lifetime. And he knew it then, in that moment of dead happiness, what a gift, what a thing he had seen, what a treasure he held.

I laboured hard at my book, without allowing it to interfere with the punctual discharge of my newspaper duties; and it came out and was very successful. I was not stunned by the praise which sounded in my ears, notwithstanding that I was keenly alive to it, and thought better of my own performance, I have little doubt, than anybody else did. It has always been in my observation of human nature, that a man who has any good reason to believe in himself never flourishes himself before the faces of other people in order that they may believe in him. For this reason, I retained my modesty in very self-respect; and the more praise I got, the more I tried to deserve.

And I was stunned when cognitive psychologists I spoke with led me to an enormous and too often ignored body of work demonstrating that learning itself is best done slowly to accumulate lasting knowledge, even when that means performing poorly on tests of immediate progress. That is, the most effective learning looks inefficient; it looks like falling behind.

...there was almost no opinion, however nonsensical, that wasn't tolerated, at least for long enough for it to be delivered. But it wasn't just that, nor his charm nor eccentricity, his sometimes slovenly, sometimes stunning intelligence, that made him so attractive as a tutor; it was the utterly unfamiliar sensation one got, as a student, of his respect for, or at least well-performed interest in, what one thought.

Grateful Dead performances were by design not consciously planned, often reaching their artistic peak when the collective stumbled upon something stunning, when "the music played the band," as it were. Instead of using set lists, the Grateful Dead chose songs by experimenting together until a pulse, rhythm, phrase, or riff emerged from the group, suggesting a song. Their collective, improvisatory musical works communicate felling like any other artwork.

On one such day, limping back to the home front beneath the anvil of the sun, I was accosted by my mother. "Patricia," my mother scolded, "put a shirt on!" "It's too hot," I moaned. "No one else has one on." "Hot or not, it's time you started wearing a shirt. You're about to become a young lady." I protested vehemently and announced that I was never going to become anything but myself, that I was of the clan of Peter Pan and we did not grow up. My mother won the argument and I put on a shirt, but I cannot exaggerate the betrayal I felt at that moment. I ruefully watched my mother performing her female tasks, noting herwell-endowed female body. It all seemed against my nature. The heavy scent of perfume and the red slashes of lipstick, so strong in the fifties, revolted me. For a time I resented her. She was the messenger and also the message. Stunned and defiant, with y dog at my feet, I dreamed of travel. Or running away and join the Foreign Legion, climbing the ranks and trekking the desert with my men.' p.10

dove into work showing that highly credentialed experts can become so narrow-minded that they actually get worse with experience, even while becoming more confident—a dangerous combination. And I was stunned when cognitive psychologists I spoke with led me to an enormous and too often ignored body of work demonstrating that learning itself is best done slowly to accumulate lasting knowledge, even when that means performing poorly on tests of immediate progress. That is, the most effective learning looks inefficient; it looks like falling behind.

I dove into work showing that highly credentialed experts can become so narrow-minded that they actually get worse with experience, even while becoming more confident—a dangerous combination. And I was stunned when cognitive psychologists I spoke with led me to an enormous and too often ignored body of work demonstrating that learning itself is best done slowly to accumulate lasting knowledge, even when that means performing poorly on tests of immediate progress. That is, the most effective learning looks inefficient; it looks like falling behind.

Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.

When Lana was finished, the audience clapped, whistled, and stomped, but I sat silent and stunned as she bowed and gracefully withdrew, so disarmed I could not even applaud. As the Poet introduced the next performer, all I heard was "bang bang," and when Lana returned to the table reserved for all the performers, with the seat next to her left empty by the singer who had replaced her, I told Bon I would be back in ten minutes. I heard him say, Don't do it, you stupid bastard, but without further thought I began my walk across the lounge. The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve.

In some ways it seemed wrong that he lived here now, in this solitary place. At least part of the time he ought to be walking into ballrooms and strolling into gardens in his superbly tailored black evening clothes, making feminine heartbeats triple. With a wan inner smile at her attempted impartiality, Elizabeth told herself men like Ian Thornton probably performed a great service to society-he gave them something to stare at and admire and even fear. Without men like him, ladies would have nothing to dream about. And much less to regret, she reminded herself. Ian had not so much as turned to glance her way, and so it was little wonder that she jumped in surprise when he said without looking at her, “It’s a lovely evening, Elizabeth. If you can spare the time from your letter, would you like to go for a walk?” “Walk?” she repeated, stunned by the discovery that he was evidently as aware of what she was doing as she had been aware of him, sitting at the table. “It’s dark out,” she said mindlessly, searching his impassive features as he arose and walked over to her chair. He stood there, towering over her, and there was nothing about the expression on his handsome face to indicate he had any real desire to go anywhere with her. She cast a hesitant glance at the vicar, who seconded Ian’s suggestion. “A walk is just the thing,” Duncan said, standing up. “It aids the digestion, you know.” Elizabeth capitulated, smiling at the gray-haired man. “I’ll just get a wrap from upstairs. Shall I bring something for you, sir?” “Not for me,” he said, wrinkling his nose. “I don’t like tramping about at night.” Belatedly realizing he was openly abdicating his duties as chaperon, Duncan added quickly, “Besides, my eyesight is not as good as it once was.” Then he spoiled that excuse by picking up the book he’d been reading earlier, and-without any apparent need for spectacles-he sat down in a chair and began reading by the light of the candles.

This,” said Slartibartfast, “is where we make most of our planets, you see.” “You mean,” said Arthur, trying to form the words, “you mean you’re starting it all up again now?” “No no, good heavens, no,” exclaimed the old man, “no, the Galaxy isn’t nearly rich enough to support us yet. No, we’ve been awakened to perform just one extraordinary commission for very … special clients from another dimension. It may interest you … there in the distance in front of us.” Arthur followed the old man’s finger till he was able to pick out the floating structure he was pointing out. It was indeed the only one of the many structures that betrayed any sign of activity about it, though this was more a subliminal impression than anything one could put one’s finger on. At that moment, however, a flash of light arced through the structure and revealed in stark relief the patterns that were formed on the dark sphere within. Patterns that Arthur knew, rough blobby shapes that were as familiar to him as the shapes of words, part of the furniture of his mind. For a few seconds he sat in stunned silence as the images rushed around his mind and tried to find somewhere to settle down and make sense. Part of his brain told him that he knew perfectly well what he was looking at and what the shapes represented while another quite sensibly refused to countenance the idea and abdicated responsibility for any further thinking in that direction. The flash came again, and this time there could be no doubt. “The Earth …” whispered Arthur. “Well, the Earth Mark Two in fact,” said Slartibartfast cheerfully. “We’re making a copy from our original blueprints.” There was a pause. “Are you trying to tell me,” said Arthur, slowly and with control, “that you originally … made the Earth?

Peopleware. A major contribution during recent years has been DeMarco and Lister's 1987 book, Peopleware: Productive Projects and Teams. Its underlying thesis is that "The major problems of our work are not so much technological as sociological in nature." It abounds with gems such as, "The manager's function is not to make people work, it is to make it possible for people to work." It deals with such mundane topics as space, furniture, team meals together. DeMarco and Lister provide real data from their Coding War Games that show stunning correlation between performances of programmers from the same organization, and between workplace characteristics and both productivity and defect levels. The top performers' space is quieter, more private, better protected against interruption, and there is more of it. . . . Does it really matter to you . . . whether quiet, space, and privacy help your current people to do better work or [alternatively] help you to attract and keep better people?[19]

I looked to Rei, wondering if his vague answer to Betsy meant he might let me slip away downstairs, but A’isha had once again engaged him, hooking one of the many melos scarves she wore around his waist in an attempt to draw him into the dance. The crow looked at it with shock. A’isha plucked the scarf away with a flourish. “No need to be shy, little crow,” A’isha said. “If the gods didn’t want people to admire you, they wouldn’t have made you so stunning.” I got to see Rei flush for the first time, blood creeping into his tanned skin. A’isha flipped her scarf around his neck. “One dance,” A’isha implored. “I’m sure Zane would go elsewhere; you would be performing only for the nest.” “I’m sure Zane would,” Rei said dryly, glancing at me. I shrugged. “What is your lady friend going to think, if she hears you are learning to dance but are ashamed to perform?” A’isha goaded the crow. “One dance,” Rei said, relenting. “And only because I know you’ll never forgive me if I don’t take my opportunity to make a public fool of myself.” He turned to me. “You get out of here and thank A’isha for giving me an excuse to leave you alone.” I would indeed.

I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.

Jane and Mr. Nobley entered the great hall, the ceiling dazzling with thousands of real candles that put fire into the white dresses and cravats. Five musicians were seated on a dais--a cello and two violins (or maybe a viola?), a harpsichord, and some kind of wind instrument. From keys and strings, they coaxed a grand prelude to the minuet. Jane looked at everything, smiling at the amusement park novelty of it all. She looked at Mr. Nobley. He was beaming at her. At last. “You are stunning,” he said, and every inch of him seemed to swear that it was true. “Oh,” she said. He kissed her gloved fingers. He was still smiling. There was something different about him tonight, and she couldn’t place what it was. Some new plot twist, she presumed. She was eager to roll around in all the plot she could on her last night, though once or twice her eyes strayed to spot Martin. Mr. Nobley stood opposite her in a line of ten men. She watched Amelia and Captain East perform the figures. They held each other’s gazes, they smiled with the elation of new love. All very convincing. Poor Amelia, thought Jane. It was a bit cruel, now that she thought about it, all these actors who made women fall in love with them. Amelia seemed so tenderhearted, and Miss Charming and her heaving breasts so delighted with this world. Jane caught sight of a very striking Colonel Andrews who, now that she watched him dance, might just be gay. Jane felt a thrumming of foreboding. All the ladies were so happy and open-hearted and eager to love. What would happen to them in the dregs of tomorrow?

can be horribly fallible, and is over-rated in courts of law. Psychological experiments have given us some stunning demonstrations, which should worry any jurist inclined to give superior weight to ‘eye-witness’ evidence. A famous example was prepared by Professor Daniel J. Simons at the University of Illinois. Half a dozen young people standing in a circle were filmed for 25 seconds tossing a pair of basketballs to each other, and we, the experimental subjects, watch the film. The players weave in and out of the circle and change places as they pass and bounce the balls, so the scene is quite actively complicated. Before being shown the film, we are told that we have a task to perform, to test our powers of observation. We have to count the total number of times balls are passed from person to person. At the end of the test, the counts are duly written down, but – little does the audience know – this is not the real test! After showing the film and collecting the counts, the experimenter drops his bombshell. ‘And how many of you saw the gorilla?’ The majority of the audience looks baffled: blank. The experimenter then replays the film, but this time tells the audience to watch in a relaxed fashion without trying to count anything. Amazingly, nine seconds into the film, a man in a gorilla suit strolls nonchalantly to the centre of the circle of players, pauses to face the camera, thumps his chest as if in belligerent contempt for eye-witness evidence, and then strolls off with the same insouciance as before (see colour page 8). He is there in full view for nine whole seconds – more than one-third of the film – and yet the majority of the witnesses never see him. They would swear an oath in a court of law that no man in a gorilla suit was present, and they would swear that they had been watching with more than usually acute concentration for the whole 25 seconds, precisely because they were counting ball-passes. Many experiments along these lines have been performed, with similar results, and with similar reactions of stupefied disbelief when the audience is finally shown the truth. Eye-witness testimony, ‘actual observation’, ‘a datum of experience’ – all are, or at least can be, hopelessly unreliable. It is, of course, exactly this unreliability among observers that stage conjurors exploit with their techniques of deliberate distraction.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

famous peak performance coach, used a version of it to propel the Los Angeles Kings hockey team to a stunning

Light in the room faded away like an actor exiting a stage on his role’s completion, and Dusk, the next character, took her place assuring his audience a stunning performance. Sifting through a few loosely arranged pages for a few hours, Bianca solved the jigsaw puzzle called Madeline.

As their host retreated, closing the bedroom gently behind her, they stood stunned, staring at the teddy bear–laden room. The bear brigade wasn’t restricted to the queen-sized bed: they graced shelves, the dressing table and the window sill. The brown glass eyes of the faux-antique toys seemed to follow their every move. “Bloody hell.” Luke breathed out. “I wasn’t counting on an audience.” “Worried they’ll rate you?” she spluttered. “I’ve already got performance anxiety.” It

When Solo went up to her coach’s room to talk with him, she found out she was right to be worried. Ryan was going to start Briana Scurry in goal for the semifinal instead of Solo. “Bri has a winning record against Brazil,” he told her. “Her style just matches up better with Brazil’s style.” Scurry had been a fantastic goalkeeper for the national team, to be sure, and some of her best performances had indeed come against Brazil. In 12 career matches versus Brazil, Scurry averaged just .41 goals conceded per game. Only three months earlier, Scurry recorded a shutout versus Brazil in a friendly when Solo was away dealing with the death of her father. The problem, however, was that friendly versus Brazil in June was the last time Scurry started for the national team. By now it was September and in the middle of the knockout round of a World Cup. There was no way Scurry could be at her sharpest. If Ryan’s decision wasn’t fair to Solo, who had done nothing to lose her spot, it really wasn’t fair to Scurry, who didn’t have the proper preparation to perform at her best. The decision—as stunning as it was—was bad enough. But making it worse was that Ryan admitted he made it with input from Abby Wambach and Kristine Lilly.

There was still another 75 minutes left to play. It didn’t matter. Those 75 minutes would end up as a footnote on Carli Lloyd’s stunning performance—one of the most dominant displays in a championship game anywhere, ever. The Americans won the World Cup, 5–2, but it was the performance of a lifetime for Lloyd. When the whistle blew, Lloyd dropped to her knees and cried. Heather O’Reilly ran from the bench straight to Lloyd and slid into her. Soon all the players found their way to one another for a frantic mishmash of hugs. Afterward, in the post-match press conference, Japanese coach Norio Sasaki told reporters: “Ms. Lloyd always does this to us. In London she scored twice. Today she scored three times. So we’re embarrassed, but she’s excellent.” Lloyd, for her part, almost downplayed the performance. She believed she could’ve scored one more goal. “I visualized playing in the World Cup final and visualized scoring four goals,” Lloyd said. “It sounds pretty funny, but that’s what it’s all about. At the end of the day, you can be physically strong, you can have all the tools out there, but if your mental state isn’t good enough, you can’t bring yourself to bigger and better things.

You testified that your son was drafted for the NFL," Zara said, the tone of her voice changing from demanding to conversational. "Did he get his love of the sport from you?" "I played in college," the witness said. "Wide receiver. I was a lock for a top-ten draft selection until I tore a ligament and that was the end for me." "You must have caught some good ones in your time." Now her voice was all warmth and sympathy, tinged with awe. The witness's eyes grew misty. "I miss those days." Plaintiff's counsel objected on the basis of irrelevance, and the judge sustained. Zara walked back to her table and consulted her notes. Was that it? He'd been expecting some theatrics, a smoking gun, or even a witness reduced to tears. Even without any legal training, he could see her cross-examination hadn't elicited any particularly useful information, and yet she didn't seem perturbed. Zara bent down to grab something from her bag. "Hut!" She spun around and threw a foam football at the plaintiff, her shout echoing through the courtroom, freezing everyone in place. The plaintiff shot out of his seat and took two steps to the side, hands in the air. "I got it. I got it." With a jump he grabbed the football and held it up, victorious. His smile faded as he stared at the stunned crowd, clearly realizing what he'd just done. "Objection." Plaintiff's counsel glared at Zara. "What was that?" "I believe it's called a Hail Mary pass." Zara smiled at the judge. "No further questions.

Birds may commemorate some human deaths. On June 12, 2016, Omar Mateen, a twenty-nine-year-old security guard, killed fortynine people and wounded fifty-three others in a mass shooting inside Pulse, a gay nightclub in Orlando, Florida. Orlando Police Department officers shot and killed him after a three-hour standoff. In a subsequent vigil, the names of the forty-nine victims were being read as a flock of birds flew by. A photographer noticed them and snapped a photo. Later, she counted the birds in the photo. There were forty-nine. The photographer showed other people and asked them to count. “We were all stunned,” she said. A spokesman for the Dr. Phillips Center for the Performing Arts, where the vigil was held, said that the center had not released the birds during the vigil. The mind was the collective and individual grief of the mourners of forty-nine deaths. The object was the forty-nine birds.

In late 2005, Salesforce was the first to launch a Long Tail software marketplace on its platform. Third-party developers could write a targeted niche application (focused on performance reviews or recruiting, for example) and it would run on Salesforce’s servers, integrating with Salesforce’s other software. The hope was that hundreds or even thousands of small developers would meet all the specialized needs of Sales-force’s customers, allowing Salesforce to concentrate on the more common needs. In other words, the tail would reinforce the head. By early 2006, there were more than two hundred applications selling on the marketplace, and Benioff confirms that the shape of the sales curves is just as predicted. “Even I was stunned,” he says. “It’s a perfect Long Tail. Textbook!

In my experience, whenever activists—especially black activists—challenged discriminatory or abusive policing or questioned state and federal budgets that shifted billions of dollars away from education, public housing, welfare, or drug treatment to brand-new, high-tech prisons, someone would inevitably interrupt the conversation to raise the subject of violent crime—especially “black-on-black crime.” This discursive maneuver was often performed casually in an offhand manner; yet it proved to be a stunningly effective way of refocusing attention on a relatively small number of individuals who cause harm, thus shielding from critique an entire system that inflicts incalculable harm on millions.

Studies show that the most effective business leaders are at their productive peak on the days when, even if they’ve faced some serious setbacks, they’ve actively engaged their mindset on the progress they’ve made. In so doing, they’ve inoculated themselves from the self-sabotaging influence of the brain’s negativity bias. One of the great keys to terrific performance, then, is to train your attention on making consistent 1% wins and micro-achievements throughout each hour of your workday. Small daily achievements, when done consistently over time, definitely do lead to stunning results. And by deliberately reflecting on the areas where you are moving ahead, you’ll insulate your ambition, guard your confidence and defeat the dangerous trickster of fear, so you get amazing feats done.

During the past decade, observant readers have seen many news items about stunning breakthroughs in battery designs, but I cannot find any ever-accelerating growth in the performance of these portable energy storage devices in the past fifty years. In 1900 the best battery (lead-acid) had an energy density of 25 watt-hours per kilogram; in 2022 the best lithium-ion batteries deployed on a large commercial scale (not the best experimental devices) had an energy density twelve times higher—and this gain corresponds to exponential growth of just 2 percent a year. That is very much in line with the growth of performances of many other industrial techniques and devices—and an order of magnitude below Moore’s law expectations. Moreover, even batteries with ten times the 2022 (commercial) energy density (that is, approaching 3,000 Wh/kg) would store only about a quarter of the energy contained in a kilogram of kerosene, making it clear that jetliners energized by batteries are not on any practical horizon.

On Creating a “Red Team” STAN: “The concept of ‘red team’ is designed to test a plan. What happens is, as you develop a plan—you’ve got a problem and you develop a way to solve that problem—you fall in love with it. You start to dismiss the shortcomings of it, simply because, I think, that’s the way the mind works. . . . Sometimes you’re actually skipping over real challenges to it, or vulnerabilities in it, because you just want it to work. As we describe it, sometimes a plan can end up being a string of miracles, and that’s not a real solid plan. So red teaming is: You take people who aren’t wedded to the plan and [ask them,] ‘How would you disrupt this plan or how would you defeat this plan?’ If you have a very thoughtful red team, you’ll produce stunning results.

Managers often devote more time to those who are struggling than to those who are succeeding. But that’s not fair to those who are succeeding—nor is it good for the team as a whole. Moving from great to stunningly great is more inspiring for everyone than moving from bad to mediocre. And seeing what truly exceptional performance looks like will help those who are failing to see more clearly what’s expected of them.

Christmas and the New Year were celebrated with vastly more acclaim and spontaneity than in most civilized countries, and there were many other gala days which no voyageur ever passed up without the celebration prescribed in the pays d’en haut. Harmon’s first Christmas in the interior came as somewhat of a shock to him, accustomed to the proprieties of the New England mode of celebration, for he says, “This day being Christmas, our people have spent it as usual in drinking and fighting.”11 Kennicott, however, was alive to the picturesqueness of this class of men and more in sympathy with their methods of self-expression. Consequently his remarks on a Christmas celebration in the Northwest are more detailed and full of interest. “The day after Christmas, Flett gave a Christmas ball…. The dancing was, I may say without vulgarity, decidedly ‘stunning.’ I should hardly call it graceful. The figures, if they may be called such, were only Scotch reels of four, and jigs; and … the main point to which the dancers’ efforts seemed to tend, was to get the largest amount of exercise out of every muscle in the frame…. The music consisted of a very bad performance of one vile, unvarying tune, upon a worse old fiddle, accompanied by a brilliant accompaniment upon a large tin pan.

Our mantra is that employees don’t need the boss’s approval to move forward (but they should let the boss know what’s going on). If Sheila comes to you with a proposal you think is going to fail, you need to remind yourself why Sheila is working for you and why you paid top of the market to get her. Ask yourself these four questions: Is Sheila a stunning employee? Do you believe she has good judgment? Do you think she has the ability to make a positive impact? Is she good enough to be on your team? If you answer NO to any of these questions, you should get rid of her (see the next chapter where we’ll learn that “adequate performance gets a generous severance”). But if your answer is yes, step aside and let her decide for herself. When the boss steps out of the role of “decision approver,” the entire business speeds up and innovation increases.

better idea would be to keep the same number of staff you have now and invest in high upside-leverage “performance enhancement” training, which would result in those same employees becoming as much as 50 to 100 percent more effective.

Instead, whatever we need, we just find someone who’s eager to be a performance-based, profit-based sharing partner, and we joint-venture. If the first one turns us down, we ask, “Why?” Sometimes they give us an answer that I had never thought about. So, I figure out a preemptive way to overcome that, and the second or third person I go to will be on board. If

Education was still considered a privilege in England. At Oxford you took responsibility for your efforts and for your performance. No one coddled, and no one uproariously encouraged. British respect for the individual, both learner and teacher, reigned. If you wanted to learn, you applied yourself and did it. Grades were posted publicly by your name after exams. People failed regularly. These realities never ceased to bewilder those used to “democracy” without any of the responsibility. For me, however, my expectations were rattled in another way. I arrived anticipating to be snubbed by a culture of privilege, but when looked at from a British angle, I actually found North American students owned a far greater sense of entitlement when it came to a college education. I did not realize just how much expectations fetter—these “mind-forged manacles,”2 as Blake wrote. Oxford upholds something larger than self as a reference point, embedded in the deep respect for all that a community of learning entails. At my very first tutorial, for instance, an American student entered wearing a baseball cap on backward. The professor quietly asked him to remove it. The student froze, stunned. In the United States such a request would be fodder for a laundry list of wrongs done against the student, followed by threatening the teacher’s job and suing the university. But Oxford sits unruffled: if you don’t like it, you can simply leave. A handy formula since, of course, no one wants to leave. “No caps in my classroom,” the professor repeated, adding, “Men and women have died for your education.” Instead of being disgruntled, the student nodded thoughtfully as he removed his hat and joined us. With its expanses of beautiful architecture, quads (or walled lawns) spilling into lush gardens, mist rising from rivers, cows lowing in meadows, spires reaching high into skies, Oxford remained unapologetically absolute. And did I mention? Practically every college within the university has its own pub. Pubs, as I came to learn, represented far more for the Brits than merely a place where alcohol was served. They were important gathering places, overflowing with good conversation over comforting food: vital humming hubs of community in communication. So faced with a thousand-year-old institution, I learned to pick my battles. Rather than resist, for instance, the archaic book-ordering system in the Bodleian Library with technological mortification, I discovered the treasure in embracing its seeming quirkiness. Often, when the wrong book came up from the annals after my order, I found it to be right in some way after all. Oxford often works such. After one particularly serendipitous day of research, I asked Robert, the usual morning porter on duty at the Bodleian Library, about the lack of any kind of sophisticated security system, especially in one of the world’s most famous libraries. The Bodleian was not a loaning library, though you were allowed to work freely amid priceless artifacts. Individual college libraries entrusted you to simply sign a book out and then return it when you were done. “It’s funny; Americans ask me about that all the time,” Robert said as he stirred his tea. “But then again, they’re not used to having u in honour,” he said with a shrug.

I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?

Then, with great relish, Lyndon Johnson spun a Texas tale. It was his pièce de résistance, the crescendo of an expansive, four-hour performance. “When I got [Kennedy] in the Oval Office,” Johnson began, “and told him it would be ‘inadvisable’ for him to be on the ticket as the Vice President-nominee, his face changed, and he started to swallow. He looked sick. His adam’s apple bounded up and down like a yo-yo.” For effect, the president gulped, audibly, at the reporters. He mimicked Bobby’s “funny voice” and proceeded to tell, in lavish detail and with evident delight, his version of the meeting. Finally, LBJ ran down a list of possible running mates and explained the ways each would hurt his chances. “In other words,” recalled Folliard, “he would do better in the November election if he had no running mate. This left Wicker, Kiker and me baffled—and that is just what the man evidently wanted us to be.” Within days Johnson’s story was the talk of Washington. His portrait of RFK as a “stunned semi-idiot” left columnist Joseph Alsop and other Washington insiders feeling rather stunned themselves. It was not long before the gossip found its way to Bobby Kennedy, who stormed back to the White House and accused the president of mistruths and a violation of trust. I knew the meeting was taped, he said, but I never expected this. Wasn’t our talk a matter of confidence? Aren’t we honorable men? LBJ was unrepentant: I’ve revealed nothing, he assured Kennedy, gesturing wanly at an empty page in his appointment book. He promised to check his notes for any conversations that might have slipped his mind. Bobby stalked out, seething, and caught a plane to Hyannis Port. “He tells so many lies,” Kennedy said of Johnson the next week, echoing the words of George Reedy, “that he convinces himself after a while he’s telling the truth. He just doesn’t recognize truth or falsehood.

Iggy and Alice. Alice and Iggy. Iggy was the total street-punk sex god—no shirt, his private parts sticking out of his pants. But he was a great performer. The band was so basic and raw, but it didn’t matter how well they played. In fact, the Stooges made the Ramones sound like a string quartet. The Stooges were relentless, and no matter what happened to Iggy out there in the crowd—somebody in the audience might knock him out cold, whatever—the band would never, ever stop playing. The roadies had to revive Iggy and set him back upon the stage, but meanwhile the band would go right into the next song. The Stooges were serious customers. I hated going on after Iggy! He wore the audience out. Musically maybe we were the better band, and visually we might have been more stunning, but the Stooges rocked.

Wordlessly, he took a long step closer. She drew in a sharp breath of anticipation. It was so hard to resist him when he looked at her that way. Those bright eyes and half-grin melted her insides. She found herself actually swaying. "Y-you must be tired," she stammered, as she gripped the curtain even tighter. The brocade dug its pattern into her palm, but she worried it was the only thing keeping her upright at the moment. The only thing grounding her. "I'm hungry," he whispered in that gravelly voice that touched her very core. She grasped at the lifeline his words offered. "Yes, well I could ring and see where the food is. Or we could go down and explore our new dining room." She flinched at the desperation in her voice. He cut her off with a wicked grin. "I wasn't talking about food. I'm hungry for you." Her knees buckled, but she managed to stay upright with a stunning show of self-control. A voice in her head screamed at her to resist, but her body didn't seem capable of listening. Everything tingled like he had already touched her, and her lips throbbed for his kiss. "I- I will perform my 'wifely duty' if I must," she said shakily, hoping her use of the term would put him off. His eyes lit up, but he chuckled rather than turn away. She cursed herself. Obviously he could see how much she wanted him, despite her protestations. She turned to face the window so he could no longer read the need in her eyes. "Was last night so terrible, then?" he asked. Suddenly, he was at her back, his breath caressing her neck before his lips descended to claim the skin left uncovered by her gown. She stiffened as hot sensation rushed through her, enveloping her in a web of desire. "I-it was fine." She fought to breathe as he unfastened one button at the back of her gown and flicked his tongue across the flesh he revealed. "If you like that sort of thing." He responded with a low laugh that reverberated across her skin. Her eyes fluttered shut as she barely held back her answering moan.

The praise I received for having a guy everyone hoped I would marry eclipsed any and all praise or congratulations or excitement that accompanied the births of my children and any of my many career accomplishments. It was stunning. The presence of a man at my side had people as apoplectic with joy as those old videos of people seeing Michael Jackson perform live. Where they are screaming and crying.

Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal gave Jankyn a disgusted look as he retook his seat. “I would be wary of teasing her too much. Dinnae forget those nails.” “Cathal?

Just tell me. What is odd about the Callans? Something that is carried in the blood?” Jankyn nodded. “Cats. The original source of the, er, taint is a wee bit obscure. Twas either brought back by a Crusader or from some ancient Celtic bride, a priestess in the old religion, a shape-shifter.” He shrugged. “Despite what I am, I find that a wee bit difficult to imagine. But, there it is. The Callans appear to have done what ye plan to do—bred it out. There are tales from the old, misty past that hint at some difficulties because of this trait, but the Callans began to be verra particular in their mates. Their family lines are kept meticulously complete right to the most distant of cousins. Intermarriage, no matter how rich the prize, is strictly forbidden for fear that this trait will blossom in its full glory again and pull them all back into danger.” “So, they have bred it out then?” Cathal could understand why Bridget might hide this fact about her clan, but still felt hurt and angry that she would hide it from him. “Most of it. There lingers a hint, though. In the coloring, for example. Twas the medallion that set me on the right path. It reminded me of a tale I had once been told. I found that and soon tracked down the rest. It also explains a lot of things such as how your wife hisses and scratches, how she can run as she does.” “How she purrs,” Cathal whispered. “Does she? How intriguing.” Jankyn met Cathal’s scowl with a sweet smile. “The way she seems to sense danger, her keen eyesight, especially in the dark, and that certain grace she has. All Callan women are rumored to be small, lovely, graceful, passionate, and fertile. Verra, verra fertile. Your wee wife comes from a verra big family.” “Do ye recall the first night she was here? The way she acted when she first awoke?” Jankyn nodded. “Verra like a cat.” “Aye, but for one fleeting moment there was something in her face, something verra catlike.” “Why didnae ye say so?” “I thought it a trick of the light. Now I think not. It also means it might be impossible to breed out all our MacNachton traits. The Callans havenae fully succeeded, have they?” “Would that be such a bad thing? I can think of a few that would only serve us weel and would only raise envy, nay fear.” “True. I suspicion some of the things in the Callan bloodline do the same. The more I think on it, the more I curse myself as a blind fool. Aye, some of what Bridget does could just be considered, weel, a female’s ways. But nay all of them. Certainly nay the way she fought Edmee. I was but stunned when Edmee tossed me aside. Couldnae move, but I could see how Bridget leapt at Edmee. She used those cursed long nails of hers on Edmee and it took Edmee a few moments to get a firm grasp on Bridget. I can now see that the way Bridget moved to try to stay out of Edmee’s grasp was verra like a cat. Then Edmee threw Bridget and, somehow, e’en as she was flying through the air, she curled that wee body of hers into a ball. That and the heather saved her.” “Aye. Raibeart and I were close enough to see that. Raibeart still mutters about it. That and the fact that your wee wife made sure to take a few large hanks of Edmee’s hair with her when she was thrown. Of course, a cat is said to land on its feet. For one wee minute, I truly thought she was about to perform that wondrous feat, but then she curled up into the ball. I wonder why.” “Mayhap when I have finished bellowing at her, I will ask her that question.” He smiled faintly when Jankyn laughed. “So, ye will keep her?” “Aye. E’en when I feared ye were about to tell me she had MacNachton blood, something that would near ruin all my grand plans, I meant to keep her.” He sighed, finished off his wine, then rose to refill his goblet. “I had best send for her, confront her with this, and hear what she has to say for herself.” “No need. I believe I hear the patter of wee paws approaching.” Cathal

A true fiction author is able to act through each character in their book and deliver stunning performances.

whenever activists—especially black activists—challenged discriminatory or abusive policing or questioned state and federal budgets that shifted billions of dollars away from education, public housing, welfare, or drug treatment to brand-new, high-tech prisons, someone would inevitably interrupt the conversation to raise the subject of violent crime—especially “black-on-black crime.” This discursive maneuver was often performed casually in an offhand manner; yet it proved to be a stunningly effective way of refocusing attention on a relatively small number of individuals who cause harm, thus shielding from critique an entire system that inflicts incalculable harm on millions.

And then Jack Irons, bless his heart, cocked his neck back and hit his sticks together and counted off “One, two, three, four.” When the music started, I didn’t know what I was going to do, but I had so much juice flowing through me that I did a flip in that tight space and nailed it. And we all just erupted. We had no idea what we were about until that moment, but right into the song, we realized that we were about exploding and killing it with everything we had. As we performed, everybody who was in that room who hadn’t been paying attention zombied all the way up to the stage. When we finished, the audience was completely stunned and speechless, frozen in their tracks.

One of the great keys to terrific performance, then, is to train your attention on making consistent 1% wins and micro-achievements throughout each hour of your workday. Small daily achievements, when done consistently over time, definitely do lead to stunning results.

You do sleight of hand, too?” I asked her. “No, I play his assistant. Hand him things on stage so the performance goes smoothly, with no gaps in the action and movement. It’s the best way to get through a talent show without having an actual talent.” What a brilliant idea. “Don’t happen to need any more assistants, do you?” I looked at Doran and hoped desperation was beaming out of my eyes. “Back off, Shield,” Lydia growled. “He’s my ticket through the Festival.” “And,” Karish tugged on my hair. “You’re doing something with me.” “We never agreed to that,” I protested. “We’re agreeing now.” High-handed bastard. “Neither of us have any talent.” Which was a pretty pathetic state of affairs. “You must be able to do something,” said Lydia. “You’d be stunned by the level of my ineptitude.

I believe this particular part of 1 Corinthians 7 is an important practical resource. Each partner in marriage is to be most concerned not with getting sexual pleasure but with giving it. In short, the greatest sexual pleasure should be the pleasure of seeing your spouse getting pleasure. When you get to the place where giving arousal is the most arousing thing, you are practicing this principle. When I was doing research for this chapter, I found some old talks that Kathy and I did together. I had forgotten some of the struggles we had in our early days, and some of the notes reminded me that in those years we started to dread having sex. Kathy, in those remarks, said that if she didn’t experience an orgasm during lovemaking, we both felt like failures. If I asked her, “How was that?” and she said, “It just hurt,” I felt devastated, and she did, too. We had a great deal of trouble until we started to see something. As Kathy said in her notes:   We came to realize that orgasm is great, especially climaxing together. But the awe, the wonder, the safety, and the joy of just being one is stirring and stunning even without that. And when we stopped trying to perform and just started trying to simply love one another in sex, things started to move ahead. We stopped worrying about our performance. And we stopped worrying about what we were getting and started to say, “Well, what can we do just to give something to the other?” This concept also has implications for a typical problem that many couples experience in their marital relationship—namely, that one person wants sex more often than the other. If your main purpose in sex is giving pleasure, not getting pleasure, then a person who doesn’t have as much of a sex drive physically can give to the other person as a gift. This is a legitimate act of love, and it shouldn’t be denigrated by saying, “Oh, no, no. Unless you’re going to be all passionate, don’t do it.” Do it as a gift. Related to this are the differences that many spouses experience over what is the most satisfying context for sex. While I am not saying this is universal, I will share that, as a male, context means very little to me. That means, to be blunt, pretty much anytime, anywhere. However, I came to see that that meant I was being oblivious to something that was very important to my wife. Context? Oh, you mean candles or something? And, of course, Kathy, like so many women, did not mean “candles or something.” She meant preparing for sex emotionally. She meant warmth and conversation and things like that. I learned this, but slowly. And so we learned to be very patient with each other when it came to sex. It took years for us to be good at sexually satisfying one another. But the patience paid off. Sex

The world is captivated by Hollywood superstars, music artists, and sports personalities. Hollywood is portrayed as the epitome of beauty and fashion capital of the world. Whatever the actors and actresses are wearing dictate the fashion trends and lifestyle being followed by fans in a global scale. The said movie and music characters never fail to amuse and amaze us with their clothes, shoes, bags, and hairstyles. The most popular shoes are the high heel booties studded with gems, gold, and anything sparkling in-between. You certainly wonder how they can perform dance and stage stunts with these booties heels. Women look so attractive donning high heel booties. They get few extra inches in height and look stunning from head to toe. If you are going for mall shopping or walking long distances, stay away from heeled bootiesas your feet will surely get hurt. However, if you are attending special occasions and corporate functions, heel bootiesis the perfect footwear.

Most of the cadets accepted an invitation to attend a reception at the Venezuelan Naval Academy in La Guaira. Don Silke and I had other ideas and figured on getting a cab to the capital city of Caracas. The ride would take about a half hour, if the car did not overheat going over the mountain pass on the newly constructed highway. The capital city had an elevation of 7,083 feet and we were at sea level. As we stepped off the gangway, I noticed two stunningly beautiful girls standing on the concrete dock looking at the ship. Neither of us could figure out why the girls were there. Perhaps they were tourists, but I would find out. Approaching them, I asked if we could help, but soon discovered that they didn’t speak English and we didn’t speak what seemed to be French. It could have led to an impasse but my knowledge of German saved the day. It turned out that both girls were from France and one of them came from the Alsace Province and spoke German. They were both quite bubbly and we soon found out that they were dancers with the Folies Bergère, on tour to South America. From what I understood, they would be performing in Caracas that night and could get us free tickets. It all sounded great except that we had to be back aboard by 10:00 p.m., since the ship would be leaving first thing in the morning. Rats! You win some and you lose some, but at least we were with them for now. Don and I offered to take them aboard for lunch. It all seemed exciting for them to board a ship with so many single men. Ooh là là. The girls attracted a lot of attention and the ship’s photographer couldn’t stop taking pictures. The rest of our classmates couldn’t believe what they saw and of course thought that we were luckier than we really were. For us, the illusion had to be enough and fortunately the lunch served that day was reasonably good.

630-680nm (the optimal healing spectrum of red light) 800 to 880nm (the optimal healing spectrum of near-infrared) or a combination of both Earlier, it was mentioned that wavelengths of 600 to 700nm and 780 to1070nm have been proven to have the most significant impact upon cytochrome c in the mitochondria, and thus, these are the wavelengths that will provide the most stunning results for anti-aging, arthritis, fat loss, reduced waist circumference, re-growing hair for individuals with hair loss, joint repair, bone repair, cancer recovery and prevention, cognitive enhancement and brain health. The therapeutic range is only within those specific wavelengths. I do not recommend devices that specify other wavelengths than the ones I mentioned above (or don’t specify any wavelengths at all). If you see a device offering wavelengths in the 700-770nm range, be aware that far fewer studies support health benefits at these wavelengths. Again, if the company doesn’t give you information about the wavelengths in their light devices (or you have to go searching for it), or they are not using optimal wavelengths, I don’t recommend it.

Jesus is often seen as someone who can “teach” you to play the piano, so that you can perform Mozart and Beethoven. But Jesus was more like someone who had just invented an entirely new musical instrument, had written some stunning music for it, and was now “teaching” people to play the new music on the new instrument. Jesus was announcing that a whole new world was being born and he was “teaching” people how to live within that whole new world.

The possible answers were: 1 = de-energizing; 2 = no effect/neutral; or 3 = energizing. The colleagues in their team or business were then listed, and each was rated by every coworker. Rob and his fellow researchers were stunned by how strongly this “energy” question predicted performance evaluations and promotions, and whether people stayed with or left an organization.

Mithoefer completed an FDA- and DEA-approved trial of MDMA for the treatment of severe PTSD, with stunning results. In 2011, with the support of MAPS, he and his team created a double-blind design in which twelve severely traumatized patients were given MDMA and psychotherapy, and eight patients were given an active placebo and psychotherapy. The researchers used the Clinician Administered PTSD Scale (CAPS) as a means of measuring symptom reduction after intervention. In the placebo group, only two out of the eight subjects had a significantly lowered CAPS score post-intervention, whereas in the MDMA group, ten out of the twelve subjects had significantly lowered CAPS scores and were able to maintain those scores at a two-month follow-up. Furthermore, in the MDMA group, ten of the twelve patients were so improved that they no longer met the DSM criteria for PTSD. The second phase of the study allowed seven subjects who had previously taken the placebo (six of whom had failed to respond to the placebo and one of whom had relapsed after the placebo) to now try MDMA. They found a clinical response rate of 100 percent, and the three people who had previously said they weren’t able to perform their jobs on account of their PTSD were now able to work once again.

The magician was coming alive. The illusionist, the eternal pacifier and eflector of ridicule, the dancer on eggshells and creator of impossible karma was answering the call of the footlights. The Oliver of the rain-swept bus shelters, children's hospitals and Salvation Army hostels was performing for his life and Tiger's, while Tinatin cooked, and Yevgeny half-listened and counted his misfortunes in the flames, and Hoban and his fellow devils dreamed their sour mischief and pondered their dwindling options. And Oliver knew his audience. He empathized with its disarray, its stunned senses and confused allegiances. He knew how often in his own life, at its absolutely lowest moments, he would have given everything he had for one lousy conjurer with a stuffed raccoon.

taping of the Hollywood Palace TV show. In America then, if you had long hair, you were a faggot as well as a freak. They would shout across the street, “Hey, fairies!” Dean Martin introduced as something like “these long-haired wonders from England, the Rolling Stones.… They’re backstage picking the fleas off each other.” A lot of sarcasm and eyeball rolling. Then he said, “Don’t leave me alone with this,” gesturing with horror in our direction. This was Dino, the rebel Rat Packer who cocked his finger at the entertainment world by pretending to be drunk all the time. We were, in fact, quite stunned. English comperes and showbiz types may have been hostile, but they didn’t treat you like some dumb circus act. Before we’d gone on, he’d had the bouffanted King Sisters and performing elephants, standing on their hind legs. I love old Dino. He was a pretty funny bloke, even though he wasn’t ready for the changing of the guard. On to Texas and more freak show appearances, in one case with a pool of performing seals between us and the audience at the San Antonio Texas State Fair. That was where I first met Bobby Keys, the great saxophone player, my closest pal (we were born within hours of each other).

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