Stuck In The Middle Quotes

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I'll be famous one day, but for now I'm stuck in middle school with a bunch of morons." - Greg Heffley,
Jeff Kinney (Diary of a Wimpy Kid (Diary of a Wimpy Kid, #1))
Lets face it, you did steal me. But you saved my life too. And somewhere in the middle, you showed me a place so different and beautiful, I can never get it out of my mind. And I can't get you out of there either. You're stuck in my brain like my own blood vessels.
Lucy Christopher (Stolen (Stolen, #1))
Clowns to the left of me, jokers to the right, here I am -- not stuck in the middle, but hovering above the entire farcical spectrum, weeping as I behold my fellow man's devotion to political illusion and self-destruction.
Robert Higgs
Everything is hard in some way. It’s hard to be in the wrong relationship. It’s hard to be in the right one. It’s hard to be broke and miserable, it’s hard to achieve your dreams. It’s hard to be stuck in the middle, not really feeling anything at all. Everything is hard, but you choose your hard. You choose what’s worth it. You don’t choose whether or not you’ll suffer, but you do choose what you want to suffer for.
Brianna Wiest (101 Essays That Will Change The Way You Think)
This was a nightmare scenario for any bodyguard: stuck in the middle of a transparent tube, several miles underwater, with a murdering band of fugitives at one end and an enthralled but still highly skilled police officer at the other.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
I know that I stopped thinking about extreme grief as the sole vehicle for great art when the grief started to take people with it. And I get it. The tortured artist is the artist that gets remembered for all time, particularly if they if they either perish or overcome. But the truth is that so many of us are stuck in the middle. So many of us begin tortured and end tortured, with only brief bursts of light in between, and I'd rather have average art and survival than miracles that come at the cost of someone's life.
Hanif Abdurraqib (They Can't Kill Us Until They Kill Us)
And Grace calls out, 'You are not just a disillusioned old man who may die soon, a middle-aged woman stuck in a job and desperately wanting to get out, a young person feeling the fire in the belly begin to grow cold. You may be insecure, inadequate, mistaken or potbellied. Death, panic, depression, and disillusionment may be near you. But you are not just that. You are accepted.' Never confuse your perception of yourself with the mystery that you really are accepted.
Brennan Manning (The Ragamuffin Gospel)
I suppose it’s easier to see the way out of anything when you’ve found your way out of that maze. When you’re stuck in the middle, in a series of dead-ends making circles, it’s difficult to make any sense of anything.
Cecelia Ahern (The Book of Tomorrow)
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
Han Nolan (Dancing on the Edge)
It was a strange combination to absorb - the everyday concerns of the town doctor stuck in the middle of a discussion of his early days in seventeenth-century London.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Stuck in the middle of "I love you" and "I can't take this anymore.
Halsey (I Would Leave Me If I Could: A Collection of Poetry)
I like ordinary. People only wish for adventure until they're stuck in the middle of one. Haven't you ever seen The Fellowship of the Ring?
Kendare Blake (Mortal Gods (Goddess War, #2))
And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and blossomed into new life.
Leo Tolstoy (War and Peace)
Just once, I would like there to be something special about being the kid stuck in the middle.
Karen Tayleur (Love Notes From Vinegar House)
...I felt the stirring even of parts of me that had been dead since childhood, that sense of the child as a sort of antenna stuck in the middle of an infinite expanse of possibilities.
Denis Johnson (The Name of the World)
You can't do anything for a person who is stuck between being happy and being miserable. All you can do is get trapped in the middle, and anyone in the middle just gets squished.' -Grandma
Jack Gantos (What Would Joey Do? (Joey Pigza, #3))
Save the world. What a thought. Was this asteroid really speeding toward Earth on a collision course? Would it really wipe out everything? Could humans really do anything to stop it? It was just too incredible. As she considered the circumstances of her life right now, she felt like she’d just stuck her face into the middle of a tornado. But Jeremy wasn’t the tornado. He was an anchor for her heart, and a piece of her she knew she had been missing all her life. He was the kind of guy little girls dream of when they wish to grow up and marry a wonderful prince— strong, sensitive, smart, kind, the list just went on. She smiled at herself. It seems that it’s difficult to focus on the end of the world when you’ve just found love.    
Jody Summers (The Mayan Legacy)
I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are
John Green
When liberals equate criticizing Islamic doctrine with anti-Muslim bigotry, it leaves a vacuum that is too frequently filled by genuine right-wing anti-Muslim bigots who are even more disagreeable. Who gets stuck in the middle? Ex-Muslims.
Ali A. Rizvi (The Atheist Muslim: A Journey from Religion to Reason)
But the more we all stuck together, the more outside layers fell off, revealing that we all have insecurities, fears, and dreams. And that's perfectly normal. That's how God made us.
Allyson Kennedy (Speak Your Mind)
I’m not big on meeting new people, especially new people I’m never going to see again. There’s all kinds of uninteresting, insincere banter, I have to pretend to be a nice person, and because 96 percent of the world’s population are dim bulbs, odds are excellent that I’ll be stuck in the middle of a Spontaneous Freak Encounter.
Laurie Notaro (I Love Everybody (and Other Atrocious Lies))
How one can never truly leave. And never quite return. Do you understand?
Emma Richler (Be My Wolff)
I'm stuck in the middle Of the dream and the reality Not able to tell the difference Not able to wake up Did I dream you into my life Or were you always real And were you always present Within the endlessness of time Something tells me, we came together A set of dreamers, a couple even, We're separated by many miles But we are bonded to one another I'm stuck in love and I'm really helpless There is no you to be touched with fingers But here you are, my dream and my reality And I touch you perfectly with my heart.
Veronika Jensen
We were grown-ups, yet still children, and yet neither, stuck in that space between infancy and adulthood, confusing and murky, where some tried to grow up too fast, others too slow, and the rest of us were wedged in the middle, not sure which way to go.
Linda Kage (The Color of Grace)
Please don’t hug me. Please don’t hug me. But she did. And now Bram had two sets of black eyes glaring at him. Finally, he said out loud, “It’s not me! I swear!” Rhiannon laughed and leaned back from Bram. “So cute! Isn’t he cute, Bercelak?” “No.” “Bercelak’s only teasing.” “No, I’m not.
G.A. Aiken (Supernatural (Lords of Deliverance, #1.5; Demonica, #6.5; Guardians of Eternity, #7.6; Nightwalkers, #1.5; Dragon Kin, #0.4))
The termination; final chapter of endless road.
Usha Cosmico
[Her eyes] were like two perfect emeralds stuck in the middle of a large sausage pizza.
Bruce Newbold (The Baseball Box Prophecy)
For every action.... There is an equal and opposite reaction... Too Bad for anyone stuck in the middle!
Qwantu Amaru (One Blood)
Jesus is supposed to be the Alpha and the Omega, but in the Bible he's neither. He's stuck in the middle like the letter Q.
Jim Adam (Five Times More Jesus: Why Christians Should Decanonize the Old Testament)
Did you hear about the middle Eastern potentate?" he asked me. "This potentate called a meeting of the wise men in the kingdom, and said, "I want you to gather all the world's knowledge together in one place so that my sons can read it and learn."The wise men went off, and after year, they came back with twenty-five volumes of knowledge. This potentate looked at it and he said, "No. It's too long. Make it shorter." So the wise men went off for another year. When they came back, they gave the potentate a piece of paper with one sentence on it. A single sentence. You know what the sentence was?" Bob looked at me. I shook my head. "The sentence was: "This too shall pass." Bob paused, let it sink in: "I heard that when I was very young and it has always stuck with me.
A.J. Jacobs
The time of dangling insects arrived. White houses with caterpillars dangling from the eaves. White stones in driveways. You can walk at night down the middle of the street and hear women talking on the telephone. Warmer weather produces voices in the dark. They are talking about their adolescent sons. How big, how fast. The sons are almost frightening. The quantities they eat. The way they loom in doorways. These are the days that are full of wormy bugs. They are in the grass, stuck to the siding, hanging in the hair, hanging from the trees and eaves, stuck to the window screens. The women talk long-distance to grandparents of growing boys. They share the Trimline phone, beamish old folks in hand-knit sweaters on fixed incomes. What happens to them when the commercial ends?
Don DeLillo (White Noise)
Keeping The City "Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963. Once, in August, head on your chest, I heard wings battering up the place, something inside trying to fly out and I was silent and attentive, the watchman. I was your small public, your small audience but it was you that was clapping, it was you untying the snarls and knots, the webs, all bloody and gluey; you with your twelve tongues and twelve wings beating, wresting, beating, beating your way out of childhood, that airless net that fastened you down. Since then I was more silent though you had gone miles away, tearing down, rebuilding the fortress. I was there but could do nothing but guard the city lest it break. I was silent. I had a strange idea I could overhear but that your voice, tongue, wing belonged solely to you. The Lord was silent too. I did not know if he could keep you whole, where I, miles away, yet head on your chest, could do nothing. Not a single thing. The wings of the watchman, if I spoke, would hurt the bird of your soul as he nested, bit, sucked, flapped. I wanted him to fly, burst like a missile from your throat, burst from the spidery-mother-web, burst from Woman herself where too many had laid out lights that stuck to you and left a burn that smarted into your middle age. The city of my choice that I guard like a butterfly, useless, useless in her yellow costume, swirling swirling around the gates. The city shifts, falls, rebuilds, and I can do nothing. A watchman should be on the alert, but never cocksure. And The Lord - who knows what he keepeth?
Anne Sexton (45 Mercy Street)
Wade still lives here with us, just not in flesh and blood. He’s dead enough that I’m lonely . . . but alive enough that I can’t fathom moving on. I’m stuck in the middle, halfway between heaven and hell. Madly in love with my husband’s ghost.
T.L. Swan (The Takeover (Miles High Club, #2))
They both went to opposite sides of the bed, snapped on their bedside lamps and pulled back the cover in a smooth, practiced, synchronized move that proved, depending on Madeline's mood, that they either had the perfect marriage or that they were stuck in a middle-class suburban rut and they needed to sell the house and go traveling around India.
Liane Moriarty (Big Little Lies)
If I look way back to the beginning of ‘whatever this is’ that I’m stuck in the middle of, I suddenly realize that ‘whatever this is’ got started by ‘whatever it is’ that I was doing. And I can be utterly confident in the fact that ‘whatever it is’ that I was doing, it wasn’t thinking.
Craig D. Lounsbrough
When I’m stuck in the morning and I don’t know what to write about in my diary, I’ll modify the pros-and-cons list. I’ll draw a line down the middle of the page, and in one column I’ll list what I’m thankful for, and in the other column, I’ll write down what I need help with. It’s a paper prayer.
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad)
Why had he never tried hiding in a kitchen during a party before? You got to be around the party, but not, like, right in the middle of it, do something at least semihelpful, and not get stuck in prying conversations. Win-win.
Jasmine Guillory (The Wedding Party (The Wedding Date, #3))
Mulder, I want you to meet your new assistant. Special Agent Dana Scully, Fox Mulder.' 'An assistant? Nice to know I'm suddenly so highly regarded.' Mulder turned to Scully. 'Who did you tick off to get stuck with this detail, Scully?
Les Martin (X Marks the Spot (The X-Files: Middle Grade, #1))
Grandma says there's more of him." "What?" "Persons like him, in the world." "Ah," says Ma. "Is it true?" "Yeah. But the tricky thing is, there's far more people in the middle." "Where?" Ma's staring out the window but I don't know at what. "Somewhere between good and bad," she says. "Bits of both stuck together.
Emma Donoghue
What’s happened?” screamed Mrs. Twit. They stood in the middle of the room, looking up. All the furniture, the big table, the chairs, the sofa, the lamps, the little side tables, the cabinet with bottles of beer in it, the ornaments, the electric heater, the carpet, everything was stuck upside down to the ceiling. The pictures were upside down on the walls. And the floor they were standing on was absolutely bare. What’s more, it had been painted white to look like the ceiling.
Roald Dahl (The Twits)
Just as people live life out of order, they go through transitions out of order. While some people experience these phases sequentially, others experience them in reverse; others start in the middle and work their way out. Some finish one stage before going on to a new one; others move on to a new phase, then double back to the one they thought they had finished. Many get stuck in one phase for a very long time.
Bruce Feiler (Life Is in the Transitions: Mastering Change at Any Age)
Go out in the sunlight. Bright sunlight helps boost the production of serotonin. It also improves the release of melatonin, which helps you get a better night’s sleep. So if you’re stuck inside, make an effort to go outside for at least a few minutes in the middle of the day. Go for a walk, listen to some music, or just soak in the sun.
Alex Korb (The Upward Spiral: Using Neuroscience to Reverse the Course of Depression, One Small Change at a Time)
And on bad days when you feel like you're stuck on a rock in the middle of nowhere, with no earth beneath you to sink your roots in, and no breeze to push your life forward, reach out to all those who ever gave you love, and believe with the faith of a child.
Sandra Kring (A Life of Bright Ideas)
I just wondered why God hasn’t ever delivered chocolate ice cream to me.
Virginia Smith (Stuck in the Middle (Sister-to-Sister #1))
In the middle of the night, waiting for daylight feels like forever, a forever where you’re stuck going over every bad thought in your head with a fine-tooth comb.
Mike Gayle (Half a World Away)
A person taking stock in middle age is like an artist or composer looking at an unfinished work; but whereas the composer and the painter can erase some of their past efforts, we cannot. We are stuck with what we have lived through. The trick is to finish it with a sense of design and a flourish rather than to patch up the holes or merely to add new patches to it.
Harry S. Broudy
Julia could form no opinion of Robert, the bespectacled middle child, for he passed the entire journey with his nose stuck in a book, returning only monosyllabic answers to any questions put to him
Sheri Cobb South (Family Plot (John Pickett Mysteries, #3))
With every plus there must be a minus; with every tear there must be a smile; and for every skunk there must be a fragrant flower. We live our lives in fear of dying and we overlook the simple truth that living is all we can control. Never too high, never too low will get you stuck in the middle of the road. A sense of equilibrium is needed to see life as it is, not what you would like it to be.
Phil Wohl (BlueBalance)
[Maisie] "Tell me, Dr. Dene, if you were to name one thing that made the difference between those who get well quickly and those who don't, what would it be?" [Dr. Dene] "...In my opinion, acceptance has to come first. Some people don't accept what has happened. They think, 'Oh, if only I hadn't...' or... 'If only I'd known...' They are stuck at the point that caused the injury. "...I would say that it's threefold: One is accepting what has happened. Three is having a picture, an indea of what they will do when they are better or improved. Then in the middle, number two is a path to follow.
Jacqueline Winspear (Birds of a Feather (Maisie Dobbs, #2))
Stuck in the middle of the cold, endless expanse of forests and grasslands, their burning ardor was meaningless. Even if they spilled all of their blood, it would cool faster than a pile of cow dung, and not be as useful. But burning was their fate; they were the generation meant to be consumed by fire. And so, under their chain saws, vast seas of forests turned into barren ridges and denuded hills.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
I got myself to the middle and sort of groped along there with one hand out in front. And something groped back at me. It sort of dabbed at me, whatever it was, wet and cold and desperate. It groped at my hand and then at my face. I went backward with a shriek and sat down in a puddle. It had felt like a snake. But the thing shrieked and went backward too. The ground shook under my behind. I sat staring, shaking all over. There was just enough gray light for me to pick out what seemed to be a couple of small trees, with the snake coiling this way and that down from them. I thought I must have walked into a forest. "Oh, please!" said the forest--unless it was the snake. "Help me! I'm lost! I'm stuck!" "What kind of a snake are you?" I said. "I'm not a snake! I'm an elephant!" it said despairingly. Elephants that talked now! I thought. But I'd already met a panther that I could understand, so, why not? It was all one long, mad dream. "It's more like a nightmare, I think," the elephant objected. "And I"m not exactly talking. You must be good at picking up four-legged thoughts. Please help me!
Diana Wynne Jones (The Merlin Conspiracy (Magids, #2))
But we love you,” my parents said. “We love you very much.” I know, but they loved me as a girl. The boy within me was stuck with me. Not till much later did I find out that the boy within was really a girl.
Naomi Shihab Nye (The Flag of Childhood: Poems From the Middle East)
Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth. You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly. At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be. You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you. Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
Christopher Paul Curtis (Bud, Not Buddy)
When the two of them are paired up for a job out of town, they’ll be left on their own in the middle of nowhere. Being stuck inside a tiny tent, with no one to hear them… I wonder what could possibly happen? *cue dirty 70s music*
Alexa Riley (Riding Him (Ghost Riders MC, #5))
Part of what attracts us to artists is their otherness, their refusal to conform, their big middle finger stuck up in the face of Society, such that their very a- or immorality is what makes their art artistic rather than academic.
Jesse Kellerman (The Brutal Art)
We had nothing in common, except we both loved music. It was the first connection we had, and we depended on it to keep us together. We did a lot of work to meet in the middle. Music brought us together. So now music was stuck with us.
Rob Sheffield (Love is a Mix Tape)
Funny how my status seemed to change depending on the eyes of the beholder. To Drew I was a Nought and would never be anything else. Lucas called me a Cross. Where did that leave me? On one side or the other or stuck somewhere in the middle? ‘Lucas,
Malorie Blackman (Double Cross)
Are you going to the bonfire tonight?" he asked, shoving his papers in his bag. He had no organization at all. "No." He glanced up in surprise. "No?" Then he smiled. "Is fun not your thing?" I stuck out my tongue. "I didn't realize a fire in the middle of a field was considered fun." He was already standing, towering over me, but once I spoke, he dropped back into his chair and rotated so his body faced me. "It's not necessarily what you're doing. It's who you're doing it with." -Romeo & Rimmel
Cambria Hebert (#Nerd (Hashtag, #1))
Why should this matter? Why not accept the little fake church as a playful, harmless, adorable architectural oddity, as the lovers of kitsch do? Because it's a bad building, cheaply cute, out-of-scale, symbolically false, and stuck in the middle of a parking lot, a little noplace that contributes to the greater noplace. Because if the town had not been degraded by other bad buildings and bad design relationships, there would be no need for its mendacious symbolism, which cheapens the town a little more.
James Howard Kunstler (The Geography of Nowhere: The Rise and Decline of America's Man-Made Landscape)
For five days the city had wilted under a hard sky, sweltering in a temperature that stayed fixed in the middle nineties. Even at night there was no relief from the heat. Pyjamas and nighties stuck clammily to damp skin. Half-clad, self-pitying figures rose, exasperated by insomnia, to stumble through darkened rooms in search of a cooler plot than their bed, hoping that, all accidentally, they might waken any gross sleeper the house contained. Cold water ran hot from the taps, and the roads turned to tar.
Elizabeth Harrower (Down in the City)
If we're stuck on one world, we're limited to a single case; we don't know what else is possible. Then—like an art fancier familiar only with Fayoum tomb paintings, a dentist who knows only molars, a philosopher trained merely in NeoPlatonism, a linguist who has studied only Chinese, or a physicist whose knowledge of gravity is restricted to falling bodies on Earth—our perspective is foreshortened, our insights narrow, our predictive abilities circumscribed. By contrast, when we explore other worlds, what once seemed the only way a planet could be turns out to be somewhere in the middle range of a vast spectrum of possibilities. When we look at those other worlds, we begin to understand what happens when we have too much of one thing or too little of another. We learn how a planet can go wrong.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
Javier Marías (Tomorrow in the Battle Think on Me)
such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference. 17 THE FALL AFTER the European trip,
E. Lockhart (We Were Liars)
She didn't try to stop him when he closed the gap between them, his lips finding hers in a deep—and territorial—kiss. When he was finished, she couldn't find her voice for a long, breathless moment. "That was for him, wasn't it?" "The kiss? Nah, that was for you, Vi. Only for you." She giggled. "I feel like I'm stuck in the middle of some kind of tug-of-war. Only I'm the rope and you two are trying to pull me apart." "Don't kid yourself, you're not the rope, you're the prize." Jay's lazy grin reached all the way to his eyes. "And, for the record, I've already won.
Kimberly Derting (Dead Silence (The Body Finder, #4))
What big eyes you have. Eyes of an incomparable luminosity, the numinous phosphorescence of the eyes of lycanthropes. The gelid green of your eyes fixes my reflective face; It is a preservative, like a green liquid amber; it catches me. I am afraid I will be trapped in it for ever like the poor little ants and flies that stuck their feet in resin before the sea covered the Baltic. He winds me into the circle of his eye on a reel of birdsong. There is a black hole in the middle of both your eyes; it is their still centre, looking there makes me giddy, as if I might fall into it.
Angela Carter (The Erl-King)
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
During the Year of the Monkey, the press, which had hitherto generally supported the war or stuck to feel-good stories of heroism and mateship, vigorously changed its tune. The media reacted to growing middle-class disenchantment with the war: they did not initiate or promote anti-war feeling; they reflected and fed off it.
Paul Ham (Vietnam - the Australian War)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
I took a swallow of beer. “I’d put my wife in a chair when I’m supposed to pull off her garter, and I’d dance around her to ‘Stuck in the Middle with You’ like in Reservoir Dogs.” “Yes! And I’d want my husband to show up at the last minute all red like in The Hangover. The pictures would be awesome.” I turned back to the show with a smile. Thisis the date I should have been on tonight. This was a date I would have gone home with. “Hey,” she said, leaning her head back on the couch and looking at me. “I’m sorry I was rude to you when we first met.” I chuckled. “So you’re going to stop giving me shit about my driving?” “No. You’re a horrible driver. I meant that stuff.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
As I went to stand up, I felt a tiny point of pressure on my back. "Don't move," Kasey whispered. I stayed bent over. "Drop the knife," she said. "Excuse me, I'm using it," I said. She swallowed hard. "For what?" "Mom and Dad. You." The pressure on my back increased. "Drop it, Alexis." Drop it? Like I was a bad dog running around with a sock in my mouth. "How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something." Get in the bathroom," she said. The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light. "What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head. "What's happening to you?" she whispered. I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns. What's happening to me? What was she talking about? "So you have a pointy stick," I said. "Big deal. get out of my way." "What are you going to do?" I sneered. "Poke me?" 'I'll hit you, Lexi." Her face was stony. "As hard as I have to." Whatever. I'm really not in the mood. "Can we talk about this in the morning?" I asked. After I kill you? "No," her eyes hardened. "Get your toothbrush." "What?" "Pick up your toothbrush, and stick it down your throat." "Kasey-" "Do it," she said. "Ugh, fine. You're sick, you know that?" "Get in the tub." "Happy?" I stuck the toothbrush into my throat. Instantly, I gagged and doubled over. "Do it again," she said. "God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
I am always falling and when I look up, I can’t see the light and when I look down, I can’t see the bottom. I am just stuck here, somewhere in the middle, falling through darkness.
Amelia Mysko (Hold On)
Cracker Barrel’s dining room bustled with activity. Joan had to raise her voice to be heard by Eve, who sat at the
Virginia Smith (Stuck in the Middle (Sister-to-Sister #1))
had grown tonight, since Gordy and Crystal both brought friends. Joan was ecstatic at the popularity their little
Virginia Smith (Stuck in the Middle (Sister-to-Sister #1))
And for all that, look what happens when a man really does blow his top. Call the Troopers, get him out of sight quick, hustle him off and lock him up before he wakes the neighbors. Christ's sake, when it comes to any kind of a showdown we're still in the Middle Ages. It's as if everybody'd made this tacit agreement to live in a state of total self-deception. The hell with reality! Let's have a whole bunch of cute little winding roads and cute little houses painted white and pink and baby blue; let's all be good consumers and have a lot of Togetherness and bring our children up in a bath of sentimentality—Daddy's a great man because he makes a living, Mummy's a great woman because she's stuck by Daddy all these years—and if old reality ever does pop out and say Boo we'll all get busy and pretend it never happened.
Richard Yates (Revolutionary Road)
One recurrent factor that complicated the emotions of these very bright individuals was the ongoing discrepancy between what was expected of them by their parents, grandparents, and teachers and even themselves and their frequent failure to achieve the expected success. Most of these patients had struggled since early childhood with continuing conflict between their picture of themselves as exceptionally bright and talented and their view of themselves as disappointing failures, unable to “deliver the goods” expected of them. Some had been very successful in their childhood, earning high grades and strong praise during the elementary school years, then gradually lost status and self-esteem due to increasing evidence of their difficulty in coping with the escalating demands of middle school, high school, and postsecondary schooling.
Thomas E. Brown (Smart But Stuck: Emotions in Teens and Adults with ADHD)
Satisfaction. The satisfaction that comes from achievement. From having worked and produced and accomplished. Adults need it the way babies need milk. And like milk, satisfaction has a shelf life. People can feed off past accomplishments for a couple of weeks, but their mood starts to sour after that. “I have developed the theory that adults wean themselves off the need to achieve as they move beyond middle age. By the time they’re seniors, they can sustain a positive attitude off the energy of past accomplishments. But as Immortals, we’re stuck with the achievement appetite of youth.
Tim Tigner (The Price of Time (Watch What You Wish For #1))
I noticed Xander had subtly adjusted his posture. He slouched slightly to the side, let his head hang, and then looked up through his bangs to gaze at something in the middle distance. Uber James Dean. Xander managed to pull it off as if he was looking at nothing, just having deep thoughts about the far away adventures he would be having if he wasn’t stuck waiting for a flowered suitcase at Hopkins International. I casually let my eyes slide across the room. There had to be cute girls somewhere close at hand. Otherwise Xander wouldn’t have broken out his middle distance gazing Tyrone Power eyes.
Adrianne Ambrose (Fangs for Nothing (Vampire Hunting and Other Foolish Endeavors, #1))
On the other hand, men are sometimes wildly inappropriate in the way they share with women. By a show of hands, how many of you have seen a strange penis on the street? On the subway? At a sleepover? I was once walking with my friend Keri in the middle of the day and some guy asked us for the time. When we looked down at our watches, his dick was in his hands. We giggled and screamed and ran away. We were probably ten. I have been really drunk in high school and had a guy try to fool around with me. I have been called a bitch and a lesbian when I rejected a guy in college. I have locked eyes with various subway masturbators. I have been mugged but not raped, pushed and spit on by someone I knew, and forced to pull over in a road-rage incident where a man stuck his head into my car and told me he was going to “cum in my face.” And I count myself very lucky. That is what “very lucky” feels like. Oof.
Amy Poehler (Yes Please)
It was clear and frosty. A dark, starlit heaven looked down on the black roofs and the dirty, dusky streets. Only by looking up at the sky could Pierre distance himself from the disgusting squalor of all earthly things as compared with the heights to which his soul had now been taken. As he drove into the Arbat a vast firmament of darkness and stars opened out before Pierre's eyes. And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life.
Leo Tolstoy (War and Peace)
But Wordsworth stuck with me when he said, “Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity.” This book is a spontaneous overflow in the middle of chaos, not tranquillity. So it’s not a poem to you. It’s a half poem. It’s a “po.” It’s a Poehler po. Wordsworth also said that the best part of a person’s life is “his little, nameless, unremembered, acts of kindness and of love.” I look forward to reading a book one day in which someone lists mine. I feel like I may have failed to do so. Either way, it’s obvious I am currently on a Wordsworth kick and this should give you literary confidence as you read Yes Please. The
Amy Poehler (Yes Please)
In the middle of the room was the bed where he had lain after that bullet found his neck near the Piave River front. It was a stupid attack; they had walked right into it.But Daniel had only enlisted in the war because Lucia was a nurse, so it was just as well. He rubbed at the place where he'd been hit. He could feel the pain almost as if it had happened yesterday. If Daniel had stuck around long enough to let the wound heal, the doctors would have been amazed by the absence of a scar. Today,his neck was smooth and flawless,as if he had never been shot. Over the years,Daniel had been beaten, battered, flung over balconies, shot in the neck and the gut and the leg,tortured over hot coals, and dragged through a dozen city streets. But a close study of every inch of his skin would reveal only two small scars: two fine white lines above his shoulder blades where his wings unfurled. All of the fallen angels acquired these scars when they took their human bodies. In a way,the scars were all any of them had to show for themselves.
Lauren Kate (Passion (Fallen, #3))
There was a jug of creamy milk for the children (Mr Beaver stuck to beer) and a great lump of deep yellow butter in the middle of the table from which everyone took as much as he wanted to go with his potatoes, and all the children thought- and I agree with them- that there's nothing to beat good freshwater fish if you eat it when it has been alive half an hour ago and has come out of the pan half a minute ago. And when they had finished the fish Mrs. Beaver brought unexpectedly out of the oven a great and gloriously sticky marmalade roll, steaming hot, and at the same time moved the kettle onto the fire, so that when they had finished the marmalade roll the tea was made and ready to be poured out.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
I am slowly learning to disregard the insatiable desire to be special. I think it began, the soft piano ballad of epiphanic freedom that danced in my head, when you mentioned that "Van Gogh was her thing" while I stood there in my overall dress, admiring his sunflowers at the art museum. And then again on South Street, while we thumbed through old records and I picked up Morrissey and you mentioned her name like it was stuck in your teeth. Each time, I felt a paintbrush on my cheeks, covering my skin in grey and fading me into a quiet, concealed background that hummed everything you've ever loved has been loved before, and everything you are has already been on an endless loop. It echoed in your wrists that I stared at, walking (home) in the middle of the street, and I felt like a ghost moving forward in an eternal line, waiting to haunt anyone who thought I was worth it. But no one keeps my name folded in their wallet. Only girls who are able to carve their names into paintings and vinyl live in pockets and dust bunnies and bathroom mirrors. And so be it, that I am grey and humming in the background. I am forgotten Sundays and chipped fingernail polish and borrowed sheets. I'm the song you'll get stuck in your head, but it will remind you of someone else. I am 2 in the afternoon, I am the last day of winter, I am a face on the sidewalk that won't show up in your dreams. And I am everywhere, and I am nothing at all.
Madisen Kuhn (eighteen years)
My advice would be to find a good woman and steer well clear of the whole bloody business, and it’s a shame no one told me the same twenty years ago.” He looked sideways at Jezal. “But if, say, you’re stuck out on some great wide plain in the middle of nowhere and can’t avoid it, there’s three rules I’d take to a fight. First, always do your best to look the coward, the weakling, the fool. Silence is a warrior’s best armour, the saying goes. Hard looks and hard words have never won a battle yet, but they’ve lost a few.” “Look the fool, eh? I see.” Jezal had built his whole life around trying to appear the cleverest, the strongest, the most noble. It was an intriguing idea, that a man might choose to look like less than he was. “Second, never take an enemy lightly, however much the dullard he seems. Treat every man like he’s twice as clever, twice as strong, twice as fast as you are, and you’ll only be pleasantly surprised. Respect costs you nothing, and nothing gets a man killed quicker than confidence.” “Never underestimate the foe. A wise precaution.” Jezal was beginning to realise that he had underestimated this Northman. He wasn’t half the idiot he appeared to be. “Third, watch your opponent as close as you can, and listen to opinions if you’re given them, but once you’ve got your plan in mind, you fix on it and let nothing sway you. Time comes to act, you strike with no backwards glances. Delay is the parent of disaster, my father used to tell me, and believe me, I’ve seen some disasters.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
He turned off the bathroom light. They both went to opposite sides of the bed, snapped on their bedside lamps and pulled back the cover in a smooth, practiced, synchronized move that proved, depending on Madeline’s mood, that they either had the perfect marriage or that they were stuck in a middle-class suburban rut and they needed to sell the house and go traveling around India.
Liane Moriarty (Big Little Lies)
I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.
Cicely Tyson (Just as I Am)
But there’s no story like ours, Mom. People don’t write about what we went through. They don’t write about how we were abducted in the middle of the night by a sick motherfucker, handcuffed to pipes for three weeks, hungry, dirty, and scared out of our damn minds while I was forced to violate her with a gun to my head. “They don’t write about how I shredded a man’s face with my bare hands until I cut my knuckles on his skull. They don’t write about what the hell we’re supposed to do after something like that, when life goes back to normal and everyone around us is smiling and happy, but we’re still stuck in that hellhole, clinging to each other because we’re all we have.” I lower my hands to my face as I try not to break. “And the real kicker is that I was engaged to her sister. What the hell kind of twisted shit is that?
Jennifer Hartmann (Still Beating)
The old man was far older than the old lady, and it was obvious that he was also much crazier. He was bald, purplish, and completely toothless, his mouth like an obscene flabby asshole stuck into the middle of his face, and despite the coldness of the day, he wore neither a shirt nor an undershirt. His shoulders were rounded, and his chest was caved in as though he no longer had any vital organs, and his muscles were as shriveled as if he'd been drying out in the sun for weeks. All in all he was a pretty horrible sight a well as an alarming one. Lowell glanced round at the other yards that were visible from where he stood, half expecting to see more old people proliferating in various degrees of madness and nudity, like some kind of ghastly, pale fungus brought forth from the sterile soil by the sun, but there was no else to be seen. There weren't even any sounds.
L.J. Davis
What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
Joanna Russ (On Strike Against God)
Some secret of nurture withered a generation or two before I arrived, if it had ever existed before among the poor, marginalized people on the edges of Europe from whom I descend. Both my parents grew up with a deep sense of poverty that was mostly emotional but that they imagined as material long after they clambered into the middle class, and so they were more like a pair of rivalrous older siblings than parents who see their children as extensions of themselves and their hopes. They were stuck in separateness. I didn't realize anything was odd until I was already on my own and found out that not everyone's parents cut them off financially as soon as the law allowed. I tried to leave home unsuccessfully at fourteen and fifteen and sixteen and did so successfully at seventeen, heading off to another country, as far away as I could go, and once I got there I realized I was more on my own than I had anticipated: I was henceforth entirely repsonsible for myself and thus began a few years of poverty.
Rebecca Solnit (The Faraway Nearby)
I realize that it’s weird that this appendix is in the middle of the book instead of at the end where appendixes are supposed to be, but it works better here, and technically your appendix is in the middle of your body so it sort of makes sense. Probably God had the same issue when Adam was like, “I don’t want to sound ungrateful, but it sort of hurts when I walk. Is that normal? Is this thing on my foot a tumor?” And God was like, “It’s not a tumor. That’s your appendix. Appendixes go at the end. Read a book, dude.” Then Adam was all, “Really? Because I don’t want to second-guess you but it seems like a design flaw. Also that snake in the garden told me it doesn’t even do anything.” And God shook his head and muttered, “Jesus, that fucking snake is like TMZ.” And then Adam was like, “Who’s Jesus?” and God said, “No one yet. It’s just an idea I’m throwing around.” And then God zapped Adam’s appendix off his foot and stuck it in Adam’s midsection instead in case he decided to use it later. But the next day Adam probably asked for a girlfriend and God was like, “It’s gonna cost you a rib,” and Adam was all, “Don’t I need those? Can’t you just make her out of my appendix?” And the snake popped out and hissed, “Seriously, why are you so attached to this appendix idea? Don’t those things occasionally explode for no reason whatsoever?” and God was like, “THIS IS NONE OF YOUR BUSINESS, JEFFERSON. I’M STARTING TO QUESTION WHY I EVEN MADE YOU.” And Adam was like, “Wait … what? They explode?” And God was all, “I’M NOT NEGOTIATING WITH YOU, ADAM.” And that’s why appendixes go in the middle and should probably be removed.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Whoops. Wait a minute. I think my butt is stuck. I stand from the swing slowly. It feels pretty hard—like I said, my butt seems stuck. But I pull up my back-end from the swing. I feel it slowly detaching. I finally stand straight on my feet. “Ugh, what is on my butt?!” I say. It really does feel sticky! I reach behind to see what I might’ve sat on. I look at my fingers. Uh-oh. My fingers are blue! I turn around and look at the swing. Oh, no. There in the middle of the swing seat is a butt-shaped bare spot without paint on it. And the paint that should be there is on my butt.
Steve the Noob (Diary of an Iron Golem (An Unofficial Minecraft Series))
Callie scrambled from under the covers, dashed around the bed, and flung herself into Luce's arms. "They kept telling me you were going to be okay, but in that lying, we're-also-completely-terrified-we're-just-not-going-to-explain-a-word-to-you kind of way. Do you even realize how thoroughly spooky that was? It was like you physically dropped off the face of the Earth-" Luce hugged her back tightly. As far as Callie knew, Luce had been gone only since the night before. "Okay, you two," Molly growled, pulling Luce away from Callie, "you can OMG your faces off later. I didn't lie in your bed in that cheap polyester wig all night enacting Luce-with-stomach-flue so you guys could blow our cover now." She rolled her eyes. "Amateurs." "Hold on. You did what?" Luce asked. "After you...disappeared," Callie said breathlessly, "we knew we could never explain it to your parents. I mean, I could barely fathom it after seeing it with my own eyes. When Gabbe fixed up the backyard, I told your parents you felt sick and had gone to bed, and Molly pretended to be you and-" "Lucky I found this in your closet." Molly twirled a short wavy black wig around one finger. "Halloween remnant?" "Wonder Woman." Luce winced, regretting her middle school Halloween costume, and not for the first time. "Well, it worked." It was strange to see Molly-who'd once sided with Lucifer-helping her. But even Molly, like Cam and Roland, didn't want to fall again. So here they were, a team, strange bedfellows. "You covered for me? I don't know what to say. Thank you." "Whatever." Molly jerked her head at Callie, anything to deflect Luce's gratitude. "She was the real silver-tongued devil. Thank her." She stuck one leg out the open window and turned to call back, "Think you guys can handle it from here? I have a Waffle House summit meeting to attend.
Lauren Kate (Rapture (Fallen, #4))
There was Bonnie, the rabbit. His fur was a bright blue, his squared-off muzzle held a permanent smile, and his wide and chipped pink eyes were thick-lidded, giving him a perpetually worn-out expression. His ears stuck up straight, crinkling over at the top, and his large feet splayed out for balance. He held a red bass guitar, blue paws poised to play, and around his neck was a bow tie that matched the instrument’s fiery color. Chica the Chicken was more bulky and had an apprehensive look, thick black eyebrows arching over her purple eyes and her beak slightly open, revealing teeth, as she held out a cupcake on a platter. The cupcake itself was somewhat disturbing, with eyes set into its pink frosting and teeth hanging out over the cake, a single candle sticking out the top. “I always expected the cupcake to jump off the plate.” Carlton gave a half laugh and cautiously stepped up to Charlie’s side. “They seem taller than I remember,” he added in a whisper. “That’s because you never got this close as a kid.” Charlie smiled, at ease, and stepped closer. “You were busy hiding under tables,” Jessica said from behind them, still some distance away. Chica wore a bib around her neck with the words LET’S EAT! set out in purple and yellow against a confetti-covered background. A tuft of feathers stuck up in the middle of her head. Standing between Bonnie and Chica was Freddy Fazbear himself, namesake of the restaurant. He was the most genial looking of the three, seeming at ease where he was. A robust, if lean, brown bear, he smiled down at the audience, holding a microphone in one paw, sporting a black bow tie and top hat. The only incongruity in his features was the color of his eyes, a bright blue that surely no bear had ever had before him. His mouth hung open, and his eyes were partially closed, as though he had been frozen in song.
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
A low, angry growl hit Jatred’s ears like a hammer. He turned and saw a massive figure crashing its way through the snow. Although he’d only seen the drawings of the Winter monsters, he knew it was a Garhanan. There was nothing pleasing in the way the creature looked, smelled, or sounded. Even its movements were horrid. A flat nose sat in the middle of the meaty face. The Garhanan’s bushy white brows stuck out, shading small beady eyes. Its arms were muscular and swung down past its strong knees. The back, chest, and thighs were colossal too. The beast’s whole body was covered in white, sparse, long fur. “Great,” Jatred snarled, his jaws clenching. He tried not to show how much Garhanan scared him.
A.O. Peart
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The pathway is smooth. Why do you throw rocks before you?’ Using the Pain-to-Power Chart to help, you can begin to clear the rocks in front of you. These steps will help you clear the way: 1. Draw a large copy of the Pain-to-Power Chart and stick it on your wall. Just the simple act of making it larger will make you feel a little more powerful. You are already taking action! Remember that much of the trick of moving from pain to power is taking action – action is very powerful! Once the chart is on your wall it will always remind you of where you want to go in life – from pain to power. Awareness, knowledge, is half the battle. Having the chart on your wall will also help you to keep moving forward. 2. Put a pin at the place on the chart where you see yourself at this moment in your life. Are you in the middle, where you sometimes feel depressed and stuck, and at other times more in control? Or do you find yourself on the far left side, where there is little you are able to do to pull yourself out of the rut? Or perhaps you are already on the right side, where you feel you are really moving ahead with your life, with only a few areas that need to be worked on. I doubt that anyone reading this book has reached their goal of gaining total power over the self. Even the Buddhas don’t have power over their selves all the time! There are always new events that challenge a sense of personal power. 3. Each day look at the chart and ask yourself, ‘Do I see myself at the same place, or have I moved?’ Move the pin if you have moved. 4. If you keep in mind the way you want to go, it will help you make choices about what you are doing in your life. Before you take any action in life, ask yourself: ‘Is this action moving me to a more powerful place?’ If it isn’t, think again about doing it. A word of warning – if you go ahead anyway, knowing the action will keep you in a place of pain, don’t get angry with yourself about it. Use your mistakes to learn more about yourself. 5. Make your use of the chart fun. Having it as a game keeps you relaxed about how you are getting on. If you have children, they can create their own charts, and you can make a family game out of the fun of growing. 6. You might want to make different charts for different areas of your life. To be really powerful, you need to be in charge of all aspects of your life – your work, relationships, home, body, and so on. Often people are very powerful in some parts of their lives and very weak in others. For example, I am very powerful in terms of my career, but need to work on the area of exercise. To help you on your Pain-to-Power path, it’s important that you begin to develop Pain-to-Power words. The way you use words has a huge impact on the quality of your life. Certain words make you weaker; others make you powerful. Choose to move to Pain-to-Power Words as follows: PAIN-TO-POWER VOCABULARY • ‘I can’t’ suggests you have no control over your life, but ‘I won’t’ puts an issue in the area of choice. From this moment on, stop saying, ‘I can’t’.
Susan Jeffers (Feel the Fear and Do it Anyway (Quick Reads 2017))
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
Hilary Duff (Elixir (Elixir, #1))
Spot Rumination Triggered by Emails Email is a common trigger for rumination. Text messages, Facebook comments, and tweets can be too. All the nonverbal cues, and many of the context cues, are stripped out of this type of communication. The asynchronized nature of email often adds to the issue. For example, does a slow reply to an email mean the person is disinterested? Or might it mean something else? Is the person busy? A habitual slow replier? Waiting on some information before coming back to you with a reply? Still thinking about what you’ve said? Is the person disorganized and got distracted? Not checking messages? Did your message go to spam? If you get caught in email-induced rumination, recognize if you’re jumping to any negative conclusions about why the person hasn’t responded and try coming up with alternative explanations that are plausible. Use the next experiment as a guide. Remember that slowing your breathing will always help you think more clearly and flexibly, so do this too. Experiment: Can you recall a time when a nontimely response to an email set off rumination for you? What was (1) your worst-case scenario prediction for the person’s lack of response, (2) the best-case scenario, and (3) the most likely scenario? If you struggle to think of an answer for “most likely,” pick something that falls in the middle, between your answers for the best- and worst-case scenarios. In the email incident you just recalled, did you ever find out what the reason for the slow response was? Often you won’t find out the reasons for other people’s actions, which is part of why this type of rumination tends to be so futile.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)