Celebrity Crush Quotes

We've searched our database for all the quotes and captions related to Celebrity Crush. Here they are! All 94 of them:

Everyone knows Valentine's son." "I know, but - when Emma saw you, she acted like you were her celebrity crush. Like you were on the cover of Shadowhunters Weekly every month." "You know, when they asked me to pose, they said it would be tasteful..." "As long as you were holding a strategically placed seraph blade, I don't see the problem," Clary said, and Jace laughed, a cut-off sound that indicated that she had surprised the amusement out of him.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
My heart stops everytime our eyes met when you look at the camera.
xxdeadlyxxmemoriesxx
You possess the right to celebrate your victory, your healing, your recovery.
Dr. Patricia Dsouza Lobo (When Roses are Crushed)
The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism.
Donna Tartt (The Secret History)
RAINBOW VOICES I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I have a weird need to Google the heights of celebrities I have crushes on to make sure they are at least my height or taller.
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
...Puritanism has made life itself impossible. More than art, more than estheticism, life represents beauty in a thousand variations; it is indeed, a gigantic panorama of eternal change. Puritanism, on the other hand, rests on a fixed and immovable conception of life; it is based on the Calvinistic idea that life is a curse, imposed upon man by the wrath of God. In order to redeem himself man must do constant penance, must repudiate every natural and healthy impulse, and turn his back on joy and beauty. Puritanism celebrated its reign of terror in England during the sixteenth and seventeenth centuries, destroying and crushing every manifestation of art and culture. It was the spirit of Puritanism which robbed Shelley of his children, because he would not bow to the dicta of religion. It was the same narrow spirit which alienated Byron from his native land, because that great genius rebelled against the monotony, dullness, and pettiness of his country. It was Puritanism, too, that forced some of England's freest women into the conventional lie of marriage: Mary Wollstonecraft and, later, George Eliot. And recently Puritanism has demanded another toll--the life of Oscar Wilde. In fact, Puritanism has never ceased to be the most pernicious factor in the domain of John Bull, acting as censor of the artistic expression of his people, and stamping its approval only on the dullness of middle-class respectability.
Emma Goldman (Anarchism and Other Essays)
I know that life is busy and hard, and that there’s crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don’t. Please don’t. Please keep believing that life can be better, brighter, broader, because of the art that you make.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
And since when does Hell have royalty? I thought they were all bureaucrats.” “Oh, sweetie,” he says, patronizing. “That’s cute.” “What’s cute?” “That you think celebrity children of powerful people aren’t royalty.” “Are you accusing me of being a Hilton?” I sputter. “Or a, a–” my head might explode, “Kardashian?” “The Hellish equivalent.
Eliza Crewe (Crushed (Soul Eaters, #2))
Poetry and song lyrics might want us to believe that finding love is like uncovering buried treasure, but now I know the truth. There’s no joy or celebration in love. There are no happy endings. There is simply me and her and a crushing pain. What’s left after that? An entire life of mute should-haves and second-bests.
Erica Cope (The Bright Effect)
Just this past summer, I took online courses in introductory logic and law through civilization. Often the weight of history, with its facts heaped upon facts requiring complex chains of inference to sort through – I mean complex for someone with the soft brain of a tomato merchant; for me the premises are obvious and the conclusions dire and inescapable – threatened to crush me, and I was ultimately forced to abandon the whole undertaking. By way of recovery, I spent the rest of the summer immersed in a Freudian meditation on some choice tabloids. The mysterious lives of celebrities make for challenging induction. The reasoning process involves navigating many gaps in our knowledge of them. What is certain is that under the iceberg of glitz and glamor lie neurotic, depraved individuals with bizarre habits and hobbies, people who think they’re above the law.
Benson Bruno (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
Any curly-haired boy can write windswept ballads. You have to crush people's heads. That's the only way to make those fuckers listen.
Don DeLillo (Great Jones Street)
Lily Calloway and Loren Hale are having a vow renewal ceremony. Celebrity Crush is posting pics of her dress. It’s only been trending on Twitter all day.
Krista Ritchie (Love & Other Cursed Things)
Who’s your celebrity crush?” Savannah asks. Daisy smiles wide. “James Dean.” My eyes pierce the camera. “Audrey Hepburn.” Lily stares off in thought. “Uhhh…” She flushes. “Loren Hale.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
The path to accepting your sexuality has to start somewhere. For those identify as heterosexual, the childhood bliss of an early crush is typically encouraged and praised. Milestones such as your first date and the prom are celebrated by parents and friends. But when you’re anything other than straight, it’s more complicated; your growth gets shrouded and stunted. That’s why a lot of queer people, when they fall in love and get into a relationship for the first time, revert to a kind of prepubescent puppy love: spontaneous, impulsive, obsessive, and ecstatic. I’ve heard many people express annoyance at friends who “just came out and it’s totally cool and whatever, but do they have to talk about it all the time?” My answer to that is “Yes. Yes, they do. Don’t you remember puppy love? Well, imagine if you had to hide it for twenty years. So yeah, if they wanna gush about it, let them gush. There’s a first time for everything.
Hannah Hart (Buffering: Unshared Tales of a Life Fully Loaded)
They quit trying too hard to destroy everything, to humble everything. They blended religion and art and science because, at base, science is no more than an investigation of a miracle we can never explain, and art is an interpretation of that miracle. They never let science crush the aesthetic and the beautiful.
Ray Bradbury (Bradbury Stories: 100 of His Most Celebrated Tales)
You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
Kahlil Gibran (The Prophet)
Quentin took a deep breath. “My true name,” he said, “ . . . is SUN WUKONG.” A cold wind passed through the open window, rustling my loose papers like tumbleweed. “I have no idea who that is,” I said. Quentin was still trying to cement his “look at me being serious” face. It took him a few seconds to realize I wasn’t flipping out over whoever he was. “The Sun Wukong,” he said, scooping the air with his fingers. “Sun Wukong the Monkey King.” “I said, I don’t know who that is.” His jaw dropped. Thankfully his teeth were still normal-size. “You’re Chinese and you don’t know me?” he sputtered. “That’s like an American child not knowing Batman!” “You’re Chinese Batman?” “No! I’m stronger than Batman, and more important, like—like. Tian na, how do you not know who I am!?” I didn’t know why he expected me to recognize him. He couldn’t have been a big-time actor or singer from overseas. I never followed mainland pop culture, but a lot of the other people at school did; word would have gotten around if we had a celebrity in our midst. Plus that was a weird stage name. Monkey King? Was that what passed for sexy among the kids these days?
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
Adios Her pretty picture lying on the ground was like the toppling of some fascist regime And burning the photograph, was the celebration
Phil Volatile (Crushed Black Velvet)
His “wickedly selfish” Americans loved to celebrate their “own heritage, and on this condition are content to see others crushed in our midst.
David W. Blight (Frederick Douglass: Prophet of Freedom)
A person cannot take the strain of maintaining lifelong crushes on every last celebrity who has ever graced her adolescent walls. We all have our reasons to let them go: They become sullen drug users, or they come out as gay, or we come out as gay, or they go and do something so terrible, so heinous, that we must forget that we were ever attracted to them in the first place.
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
A study of fifty women conducted in 1887 revealed that the corset forcibly contracted their waists by anywhere between two and a half and six bodies. The pressure it applied to women's bodies averaged twenty-one pounds but could reach as high as eighty-eight pounds. Tight-lacing was thus akin to crushing oneself slowly from all sides. As a harsh critic of the corset noted, 'It is evident, physiologically, that air is the pabulum of life, and that the effects of a tight cord round the neck and of tight-lacing only differ in degree.... for the strangulations are both fatal. To wear tight stays is in many cases to wither, to waste and to die.
Joshua Zeitz (Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern)
Cocks had always been an incidental bonus to me, something I only cared about in proportion to how much I liked the guy it was attached to. Silly when flaccid, exciting or scary or off-putting when hard. It was a man’s words or expression or caresses that dominated my masturbatory fantasies—a specific man at that, be he a crush or a celebrity or a character from a movie. I never simply fixated on a dick. They were strictly secondary to the man himself.
Cara McKenna (After Hours)
Media, particularly social media, has distorted and inflated our egos. Here is the tough-love truth.  We all think we are way more important than we actually are – this includes athletes, actors, rock stars, billionaires, and celebrities. 
Nate Miyaki (Rise Above: 7 Strategies to Crush Adversity)
A second normal feature of religion is ritual, which was actually religion’s cradle, for anthropologists tell us that people danced out their religion before they thought it out. Religion arose out of celebration and its opposite, bereavement, both of which cry out for collective expression. When we are crushed by loss or when we are exuberant, we want not only to be with people; we want to interact with them in ways that make the interactions more than the sum of their parts—this relieves our isolation.
Huston Smith (The World's Religions, Revised and Updated (Plus))
The failed deal crushed McClure, precipitating a nervous breakdown in April 1900 that propelled him to Europe to undergo the celebrated “rest-cure” devised by an American physician, S. Weir Mitchell. Prescribed for a range of nervous disorders, the rest cure required that patients remain isolated for weeks or even months at a time, forbidden to read or write, rigidly adhering to a milk-only diet. Underlying this regimen was the assumption that “raw milk is a food the body easily turns into good blood,” which would restore positive energy when pumped through the body.
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans?
Donna Tartt (The Secret History)
In 1954 the gulag at Kengir witnessed an uprising by Christian and Muslim prisoners. The guards were driven out, and for forty days worship was freely practiced in the camp. Solzhenitsyn later documented the atmosphere of elation and idealism which prevailed in this doomed island of faith: the Muslims put on turbans and robes again, and 'the grey-black camp was a blaze of color'. The Chechens made kites from which they showered the neighboring villages with messages about the evils of the atheist system. Many marriages were celebrated. Survivors recall the forty days as a testimony to a possible way of living which had been suffocated by dreary unbelief. Delight in the present, and the knowledge of heaven outweighed the awareness of Khrushchev's inevitable revenge. The rebels were crushed under the attacks of tanks, but in the long term, this same spiritual outweighing insured the atheist dystopia's downfall.
Abdal Hakim Murad (Commentary on the Eleventh Contentions)
And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing. And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime. Show me a god that does not demand mortal suffering. Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them. Show me a god who understands the meaning of peace. In life, not in death. Show— 'Stop,' Gesler said in a grating voice. Blinking, Fiddler lowered the instrument. 'What?' 'You cannot end with such anger, Fid. Please.' Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination. Dear creature, do you now curse an indifferent god? 'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began. Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken. The four men laughed. Then fell silent once more.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
Poetry and song lyrics might want us to believe that finding love is like uncovering buried treasure, but now I know the truth. There’s no joy or celebration in love. There are no happy endings. There is simply me and her and a crushing pain. What’s left after that? An entire life of mute should-haves and second-bests.
Autumn Doughton
My friend tugged her husband’s arm with both hands. She used all her strength, and I who knew her thoroughly felt that if she could she would have wrenched it from his body, crossed the room holding it high above her head, blood dripping in her train, and she would have used it as a club or a donkey’s jawbone to crush Marcello’s face with a solid blow. Ah yes, she would have done it, and at the idea my heart pounded furiously, my throat became dry. Then she would have dug out the eyes of both men, she would have torn the flesh from the bones of their faces, she would have bitten them. Yes, yes, I felt that I wanted that, I wanted it to happen. An end of love and of that intolerable celebration, no embraces in a bed in Amalfi. Immediately shatter everything and every person in the neighborhood, tear them to pieces, Lila and I, go and live far away, lightheartedly descending together all the steps of humiliation, alone, in unknown cities. It seemed to me the just conclusion to that day. If nothing could save us, not money, not a male body, and not even studying, we might as well destroy everything immediately.
Elena Ferrante
Like a great waterwheel, the liturgical year goes on relentlessly irrigating our souls, softening the ground of our hearts, nourishing the soil of our lives until the seed of the Word of God itself begins to grow in us, comes to fruit in us, ripens in us the spiritual journey of a lifetime. So goes the liturgical year through all the days of our lives. /it concentrates us on the two great poles of the faith - the birth and death of Jesus of Nazareth. But as Christmas and Easter trace the life of Jesus for us from beginning to end, the liturgical year does even more: it also challenges our own life and vision and sense of meaning. Both a guide to greater spiritual maturity and a path to a deepened spiritual life, the liturgical year leads us through all the great questions of faith as it goes. It rehearses the dimensions of life over and over for us all the years of our days. It leads us back again and again to reflect on the great moments of the life of Jesus and so to apply them to our own ... As the liturgical year goes on every day of our lives, every season of every year, tracing the steps of Jesus from Bethlehem to Jerusalem, so does our own life move back and forth between our own beginnings and endings, between our own struggles and triumphs, between the rush of acclamation and the crush of abandonment. It is the link between Jesus and me, between this life and the next, between me and the world around me, that is the gift of the liturgical year. The meaning and message of the liturgical year is the bedrock on which we strike our own life's direction. Rooted in the Resurrection promise of the liturgical year, whatever the weight of our own pressures, we maintain the course. We trust in the future we cannot see and do only know because we have celebrated the death and resurrection of Jesus year after year. In His life we rest our own. ― Joan D. Chittister, The Liturgical Year: The Spiraling Adventure of the Spiritual Life - The Ancient Practices Series
Joan D. Chittister (The Liturgical Year (The Ancient Practices Series))
Wow. she is pretty,' Laila said. Her voice stuttered across the last word. The original thought had been, Wow she is hot, and the sentence had transformed on the way out. Laila couldn't talk about anybody like that. Not even her celebrity crushes, not even avatar of perfection Samuel Marquez. A barrier of shame as impermeable as plexiglas walled her off from everything sexual, every thought, every action, even something as small as the difference in connotation between 'pretty' and 'hot.' Hannah had teased her about this once and had stopped when Laila didn't come close to smiling. Her inexperience didn't feel charming or virtuous, like she was some good-girl persona from a movie. It felt furious and heated, humiliating and childish, as if physicality were a language she was supposed to have learned, and here she was in senior year, surrounded by a horde of native speakers, unable to translate the most basic concepts.
Riley Redgate (Final Draft)
I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness? Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for Truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The Roman genius, and perhaps the Roman flaw,' he said, 'was an obsession with order. One sees it in their architecture, their literature, their laws – this fierce denial of darkness, unreason, chaos.' He laughed. 'Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly – how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it.
Donna Tartt (The Secret History)
We rightly admire the celebrated artists of the past who created great work, knowing their prize would be a happy life and a generous reward. How much more, then, should we praise and exalt those rare men of genius who create priceless work and who live not merely unrewarded but in circumstances of wretched poverty! It is undeniably true that if the artists of our own time were justly rewarded they would produce even greater works of art, far superior to those of the ancient world. Instead, the artist today struggles to ward off famine rather than to win fame, and this crushes and buries his talent and obscures his name. This is a shame and disgrace to those who could come to his help but refuse to do so.
Giorgio Vasari (Lives of the Artists)
The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans?
Donna Tartt (The Secret History)
Truly, I advise you: depart from me, and guard yourselves against Zarathustra! And better still: be ashamed of him! Perhaps he has deceived you. The man of knowledge must be able not only to love his enemies, but also to hate his friends. One pays back a teacher badly if one remain merely a scholar. And why will you not pluck at my wreath? You venerate me; but what if your veneration should some day col- lapse? Take heed lest a statue crush you! You say, you believe in Zarathustra? But of what account is Zarathustra! you are my believers: but of what account are all believers! You had not yet sought yourselves: then did you find me. So do all believers; therefore all belief is of so little account. Now do I bid you lose me and find yourselves; and only when you have all denied me, will I return to you. Truly, with other eyes, my brothers, shall I then seek my lost ones; with another love shall I then love you. And once again shall you have become friends to me, and children of one hope: then will I be with you for the third time, to celebrate the great noontide with you. And it is the great noontide, when man is in the middle of his course between animal and overman, and celebrates his advance to the evening as his highest hope: for it is the advance to a new morning. At such time will the down-goer bless himself, that he should be an over-goer; and the sun of his knowledge will be at noontide. "Dead are all the Gods: now do we desire the overman to live." - Let this be our final will at the great noontide! - Thus spoke Zarathustra.
Friedrich Nietzsche (Thus Spoke Zarathustra)
The Roman genius, and perhaps the Roman flaw,” he said, “was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos.” He laughed. “Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans?
Donna Tartt (The Secret History)
The deaths of writers aren’t special deaths; they just happen to be described deaths. I think of Flaubert lying on his sofa, struck down – who can tell at this distance? – by epilepsy, apoplexy or syphilis, or perhaps some malign axis of the three. Yet Zola called it une belle mort – to be crushed like an insect beneath a giant finger. I think of Bouilhet in his final delirium, feverishly composing a new play in his head and declaring that it must be read to Gustave. I think of the slow decline of Jules de Goncourt: first stumbling over his consonants, the c’s turning to t’s in his mouth; then being unable to remember the titles of his own books; then the haggard mask of imbecility (his brother’s phrase) slipping over his face; then the deathbed visions and panics, and all night long the rasping breaths that sounded (his brother’s words again) like a saw cutting through wet wood. I think of Maupassant slowly disintegrating from the same disease, transported in a strait-jacket to the Passy sanatorium of Dr Blanche, who kept the Paris salons entertained with news of his celebrated client; Baudelaire dying just as inexorably, deprived of speech, arguing with Nadar about the existence of God by pointing mutely at the sunset; Rimbaud, his right leg amputated, slowly losing all feeling in the limbs that remained, and repudiating, amputating his own genius –‘Merde pour la poésie’; Daudet ‘vaulting from forty-five to sixty-five’, his joints collapsing, able to become bright and witty for an evening by giving himself five morphine injections in a row, tempted by suicide –But one doesn’t have the right.
Julian Barnes (Flaubert's Parrot)
It's eight, and it's time to prepare the filet mignons encrusted with pepper, sliced and served with an Israeli couscous salad with almonds, feta cheese, cherry tomatoes, roasted red peppers, preserved lemons, braised fennel, and artichoke bottoms. Funny, when I'd first made this meal for Caro, she didn't believe me when I'd presented the fine or medium grains at Moroccan or Algerian restaurants. Regardless of the name, Israeli couscous is more pasta-like and not crushed, but delicious all the same, and I love the texture---especially when making a Mediterranean-infused creation that celebrates the flavors of both spring and summer. While Oded preps the salad, I sear the steaks, and an aroma hits my nostrils---more potent than pepper---with a hint of floral notes, hazelnut, and citrus. I don't think anything of it, because my recipe is made up from a mix of many varieties of peppercorns---black, green, white, red, and pink. Maybe I'd added in a fruitier green?
Samantha Verant (The Spice Master at Bistro Exotique)
We have traded our intimacy for social media, our romantic bonds for dating matches on apps, our societal truth for the propaganda of corporate interests, our spiritual questioning for dogmatism, our intellectual curiosity for standardized tests and grading, our inner voices for the opinions of celebrities and hustler gurus and politicians, our mindfulness for algorithmic distractions and outrage, our inborn need to belong to communities for ideological bubbles, our trust in scientific evidence for the attractive lies of false leaders, our solitude for public exhibitionism. We have ignored the hunter-gatherer wisdom of our past, obedient now to the myth of progress. But we must remember who we are and where we came from. We are animals born into mystery, looking up at the stars. Uncertain in ourselves, not knowing where we are heading. We exist with the same bodies, the same brains, as Homo sapiens from thousands of years past, roaming on the plains, hunting in forests and by the sea, foraging together in small bands. Except now, our technology is exponentially increasing at a scale that we cannot predict. We are overwhelmed with information; lost in a matrix that we do not understand. Our civilizational “progress” is built on the bones of the indigenous and the poor and the powerless. Our “progress” comes at the expense of our land, and oceans, and air. We are reaching beyond what we can globally sustain. Former empires have perished from their unrestrained greed for more resources. They were limited in past ages by geography and capacity, collapsing in regions, and not over the entire planet. What will be the cost of our progress? We have grown arrogant in our comfort, hardened away from our compassion, believing that our reality is the only reality. Yet even at our most uncertain, there are still those saints who are unknown and nameless, who help even when they do not need to help. They often are not rich, don’t have their profiles written up in magazines, and will never win any prestigious awards. They may have shared their last bit of food while already surviving on so little. They may have cherished the disheartened, shown warmth to the neglected, tended to the diseased and dying, spoken kindly to the hopeless. They do not tremble in silence while the wheels of prejudice crush over their land. Withering what was once fertile into pale death and smoke. They tend to what they love, to what they serve. They help, even when they could fall back into ignorance, even when they could prosper through easy greed, even when they could compromise their values, conforming into groupthink for the illusion of security. They help.
Bremer Acosta
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal. Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder. "I saw him first," Nicky said. "I thought you had Erik," Neil said. "I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three." Neil pretended to understand and changed the topic. "How does anyone lose against the Foxes with Andrew in your goal?" "He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze." "Bribed?" Neil echoed. "Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive." "He can't play like that and not care." "Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life." "But why?" Neil asked. "Andrew hates Kevin's obsession with Exy." "The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it [...]." The stadium door slammed open as Andrew showed up at last. [...] "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. [...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting." [...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all [...].
Nora Sakavic (The Foxhole Court (All for the Game, #1))
Do you have any anchovies?" she asked. Enzo's mother looked as if she was about to explode. "Anchovies?" In Naples, anchovies were only added to tomatoes if you were making puttanesca, the sauce traditionally associated with prostitutes. "Please. If you have some," Livia said demurely. Quartilla appeared to be about to say something else, but then she shrugged and fetched a small jar of anchovies from a cupboard. The sauce Livia made was not puttanesca, but like puttanesca it was powerful and fiery. It was also remarkably simple, a celebration of the flavor of its main ingredients. She tipped the anchovies, together with their oil, into a pan, and added three crushed cloves of garlic and a generous spoonful of peperoncino flakes. When the anchovies and garlic had dissolved into a paste, she put in plenty of sieved tomatoes, to which she added a small amount of vinegar. The mixture simmered sluggishly, spitting little blobs of red sauce high into the air, like a pan full of lava. After three minutes Livia dropped a few torn basil leaves into the sauce.
Anthony Capella (The Wedding Officer)
Instead of a tax code that crushes innovation, that imposes burdens on families struggling to make ends met, imagine a simple flat tax that lets every American fill out his or her taxes on a postcard. Imagine abolishing the IRS. Instead of the lawlessness and the president’s unconstitutional executive amnesty, imagine a president that finally, finally, finally secures the borders. And imagine a legal immigration system that welcomes and celebrates those who come to achieve the American dream. Instead
Ted Cruz (TED CRUZ: FOR GOD AND COUNTRY: Ted Cruz on ISIS, ISIL, Terrorism, Immigration, Obamacare, Hillary Clinton, Donald Trump, Republicans,)
The thing was, I forgot that Valentine's Day when you were single was completely different from when you were in a relationship. If you were shacked up with someone and said you didn't celebrate, no biggie. But when you were single, you got the LOOK. And you got the comments about how you would find someone some day. After about six hours of that, well, even I was starting to feel a deep sense of unhappiness crushing down on me. I literally felt weighted by it, like there was something trying to drag me down to the floor where I was expected to cry and bemoan my singledom like any respectable woman steadily heading past acceptable marriageable age.
Jessica Gadziala (Peace, Love, & Macarons)
He’s been in and out of my life for as long as I can remember, never being anything more to me than a celebrity type crush.  Pure fantasy.  Unattainability.  I learned a long time ago to never consider Graham attainable. I’m
Beth Labonte (Summer at Sea (Summer #1))
Ruthledge himself was the guiding light, the good Samaritan. He had a daughter, Mary, who grew up without a mother. Helping him raise the child was a kindly housekeeper, Ellen. Then there was Ned Holden, abandoned by his mother, who just turned up one night; being about Mary’s age, he forged a friendship with the little girl that inevitably, as they grew up, turned to love. They were to marry, but just before the wedding Ned learned that his mother was convicted murderess Fredrika Lang. What was worse, Ruthledge had known this and had not told him. Feeling betrayed, Ned disappeared. He would finally return, crushing Mary with the news that he now had a wife, the vibrant actress Torchy Reynolds. Also prominent in the early shows was the Kransky family. Abe Kransky was an orthodox Jew who owned a pawnshop. Much of the action centered on his daughter Rose and her struggle to rise above the squalor of Five Points. Rose had a scandalous affair with publishing magnate Charles Cunningham (whose company would bring out Ned Holden’s first book when Ned took a fling at authorship), only to discover that Cunningham was merely cheating on his wife, Celeste. In her grief, Rose turned to Ellis Smith, the eccentric young artist who had come to Five Points as “Mr. Nobody from Nowhere.” Smith (also not his real name) took Rose in to “give her a name.” The Kransky link with the Ruthledges came about in the friendship of the girls, Rose and Mary. In 1939, in one of her celebrated experiments, Phillips shifted the Kranskys into a new serial, The Right to Happiness. The Ruthledge-Kransky era began to fade in 1944, when actor Arthur Peterson went into the service. Rather than recast, Phillips sent Ruthledge away as well, to the Army as a chaplain. By the time Peterson-Ruthledge returned, two years later, the focus had moved. For a time the strong male figure was Dr. Richard Gaylord. By 1947 a character named Dr. Charles Matthews had taken over. Though still a preacher, and still holding forth at Good Samaritan, Ruthledge had moved out of center stage. The main characters were Charlotte
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
...the French Revolution took away from justice the duty which it had previously performed of defending the individual against the encroachments of Power….the cribbing and cabining of justice and the baring of the individual were the work, not of the Reign of Terror, but of the Constituent Assembly. Also because this condition of things has been bequeathed by the Revolution to modern society, in which these principles are still in action. Just as the Revolution crushed any bodies whose authority was capable of limiting that of the state, so it deprived the individual of every constitutional means of making his right previal against that of the state. It worked for the absolutism of Power. The Russian Revolution offers the same contrast, but still more pronounced, between the liberty promised and the authority realized. It was not any particular Power, but Power itself, which was denounced and damned by the school of Marx and Engels, with a vigour nearly equal to that of the anarchists. In a justly celebrated pamphlet Lenin asserted that the Revolution must “concentrate all it forces against the might of the state; its task is not to improve the governmental machine but to destroy it and blot it out.
Bertrand de Jouvenel (ON POWER: The Natural History of Its Growth)
Douglass fashioned a withering chastisement of American self-centeredness that would match any modern complaint about the culture’s hyperindividualism. “Millions of a foreign race may be stolen from their homes, and reduced to hopeless and inhuman bondage among us,” he complained, “and we either approve the deed, or protest as gently as ‘sucking doves.’ ” His “wickedly selfish” Americans loved to celebrate their “own heritage, and on this condition are content to see others crushed in our midst.” They lived by the “philosophy of Cain,” ready with their bluntly evil answer to the famous question “Am I my brother’s keeper?
David W. Blight (Frederick Douglass: Prophet of Freedom)
The recovery of memory and culture in the 1960s by radical movements terrified the elites. It gave people an understanding of their own power and agency. It articulated and celebrated the struggles of working men and women and the oppressed rather than the mythical beneficence of the powerful. It exposed the exploitation and mendacity of the ruling class. And that is why corporatists spent billions to crush and marginalize these movements and their histories in schools, culture, the press, and in our systems of entertainment. “Not only does the people have no precise consciousness of its own historical identity,” Gramsci lamented under fascism, “it is not even conscious of the historical identity or the exact limits of its adversary.”78 If we do not know our history we have no point of comparison. We cannot name the forces that control us or see the long continuity of capitalist oppression and resistance.
Chris Hedges (America: The Farewell Tour)
His family fell upon him in a crush of hugs and celebration.
Jane Rollason (Hidden Figures (Book only) (Scholastic Readers))
Fae of the match,” she said and I flinched in surprise as her voice rang out over the whole stadium. “Goes to Geraldine Grus.” I could finally let my smile free as I looked around to see Geraldine leaping out of her spot in the line up, her eyes glimmering with emotion. “Oh sweet onion balls!” she gasped as she rushed towards us. “Congratulations!” I said enthusiastically as I placed the medal over her head. She crushed me in an embrace, lifting me clean off of my feet as she celebrated. Darcy wrapped her arms around us too and we laughed as Geraldine descended into happy tears. “And congratulations to the winners of the match: Starlight Academy!” Nova added loudly when we didn’t seem likely to break free of Geraldine any time soon. The crowd from Starlight went crazy, their applause deafening as the team jumped up and down in ecstatic celebration. A low growl caught my attention and I glanced to my right where Darius stood almost close enough to touch. His jaw was locked tight, his spine rigid and his eyes burning with rage. I looked away from him quickly, though I couldn’t help but feel glad that this was upsetting him. Poor little Darius lost his favourite game. Imagine how bad you’d feel if someone tried to drown you though? Not that I’m bitter at all... Nova passed Darcy a bunch of flowers and gave me a medal on a green ribbon as the Starlight Airstriker stepped up to claim them. The guy pulled both of us into an exuberant hug as he claimed his prizes and I couldn’t help but feel a bit pleased for the team as we worked our way through the line, handing over flowers and medals to each of them as they approached. I imagined beating a team filled with the Celestial Heirs was something that none of them would ever forget. I could feel heat radiating off of Darius beside me as he fought to maintain his composure while the line worked its way past us but I didn’t look his way again. The last Starlight player to approach us was the Captain, Quentin. He smiled widely as he accepted the flowers from Darcy, tossing her a wink. As I placed the medal around his neck he pulled me into a tight hug, his hand skimming my ass less than accidentally. I pushed him off with a laugh, his excitement infectious in a way that made me think he was a Siren but it didn’t feel invasive like the way it always did with Max. Maybe because he wasn’t trying to force any emotions onto me, just sharing his own. “Why don’t you two girls come back and party with us at Starlight tonight?” he offered and I didn’t miss his suggestive tone. “Why don’t you fuck off while you’ve still got some teeth left?” Darius said before we could respond. I frowned at him but his gaze was locked on Quentin. To my surprise, Quentin laughed tauntingly. “And to think, we were worried about facing off against the Celestial Heirs,” he said, aiming his comments at me and Darcy. “Turns out they really aren’t that impressive after all. It would be a shame if Solaria ended up in their loser hands. Maybe the two of you should reconsider the idea of taking up your crown?” I laughed at his brazen behaviour, wondering how much more it would take for Darius to snap. “Yeah,” I replied jokingly. “Maybe we should take our crowns back after all.” Darcy laughed too, flicking her long hair. “Oh yeah,” she agreed. “I think a crown would suit me actually.” Quentin yelled out in surprise as a shot of heated energy slammed into him like a freight train and he was catapulted halfway across the pitch before falling into a heap on the ground. Before I could react in any way, I found a severely pissed off Dragon Shifter snarling in my face. My breath caught in my lungs and I blinked up at him as he growled at me. Seth moved in on Darcy beside me, his face set with the same enraged scowl while the other two drew close behind them. “Do you want to say that again?” Darius asked, his voice low, the threat in it sending a tremor right through my core. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
A group of young women bustled past, brushing Marielle’s shoulder. She looked at them wistfully, wishing to be them once again. Young. Happy. Carefree. Was life better then? Or did young people just have the energy to better deal with its crushing disappointments
Steven Rowley (The Celebrants)
When Sasha was ten she had such an intense crush on Harrison Ford that sometimes she would lie in bed and cry with deep sorrow that they would never be together. She knew it was weird. He was a grown man and a famous actor and she was a child with a dawning awareness that little hairs were growing up and down her legs, and it all compounded into a tragedy so devastating that she could barely stand to watch him in movies when anyone else was in the room. Her brothers obviously noticed her mooning after him and taunted her mercilessly. Later in life, when she saw in some celebrity magazine at the nail salon that Harrison got an earring, she felt embarrassed all over again that she had been obsessed with someone so old.
Jenny Jackson (Pineapple Street)
I don't know why human life seems to require suffering for growth to take place, or why things have to be taken away from us if we are to expand. The pattern branded on the human heart seems to be that only pain brings lasting change, that we must learn how to grieve if we want to truly celebrate, that we have to get lost in order to be found again. The lesson of the grape seems to apply here: in order to get the life out, something has to be crushed.
Adam McHugh
This dating strategy is not very effective at securing sex—or at least a lot less effective than you may think (even many famous and super-wealthy individuals struggle to get laid). Even when executed by a local celebrity, Dominance Lures crush Status Lures in their effectiveness at securing sex.
Simone Collins (The Pragmatist's Guide to Relationships)
Look around—there are things in your life today that you dreamed about a month or even years ago. Take a moment to spot them & throw yourself a mini party for those wins, big & small. You’re living the dream—literally! Whether it's finally scoring that fancy coffee machine or crushing it at work, celebrate every victory. Those tiny triumphs stack up, turning your life into a highlight reel of awesome. So, give yourself a high-five and maybe even a happy dance—you’ve totally earned it!
Life is Positive
It is a wonderful lesson- this celebration. It comes at an auspicious time. The old world was getting tired, it seemed, and needed help to whip it into action. There was beginning a great deal of talk about man's no longer having the opportunities he once had of achieving greatness. Too many people were beginning to believe that all of the world's problems had been solved... Money was beginning to tell in the affairs of men, and some were wondering whether a poor boy might work for himself a place in commerce or industry or science. This celebration throws all such idle talk to the winds. It crowns anew the efforts of mankind. It crushes for another hundred years the suspicion that all of the secrets of nature have been solved or that the avenues of hope have been closed to those who would win new worlds. It points out to the ambitious young man that he labors not in vain, that genius knows no class, no condition... The modesty of the Wright brothers is a source of a good deal of comment... But above all there is a sermon in their life of endeavor which cannot be preached too often.
The Dayton Daily
I’ll be fine,” he said. “Tonight’s interaction with Miles will consist of saying hello, that’s it. Nothing will be fondled, sucked, or inserted.” I chuckled at that and he added, “Meanwhile, you have a celebrity crush to impress with your considerable charms.
Alexa Land (Belonging (Firsts and Forever #8))
Though everything that was not in the ark was destroyed (Genesis 7:21-23), the ultimate goal of the flood was not to destroy all life but to destroy the stranglehold of sin ... the flood did not aim to wipe out creation but to preserve it ... Destroying all creation would have signified the defeat of the Creator ... Not even the initial sin of Adam and Eve had derailed his plan, for he had immediately announced the future coming of the Saviour to crush the devil and bring in a new community that would celebrate his glory (Genesis 3:15).
Samuel Ngewa
So now that you’re in like with me, do you think we should start color coordinating our outfits?” She rolled her eyes and groaned. During the last half hour of our car ride, I’d hounded her about her confession. Mostly because I liked to see her squirm. Well, and because she liked me. I was freaking stoked. So I teased her about everything from the necessity of pet names to the value of posting couples’ selfies on various forms of social media to suggestions about our “celebrity” name—I was rooting for Macity. “For what it’s worth, I’m in serious dislike of you right now.” I laughed, enjoying this way too much. “We should also start having sleepovers…since you’re in like with me.” She pressed her palms to her forehead then dragged them down her face. “Oh. My. God. I’m going to kill you before we even make it out of this car.” “Tomorrow I’ll run to the store and get extra toothbrushes so we can keep them at each other’s places. Should I get his and hers towels too?” She banged her head on the headrest. “Too soon?” I pulled into the parking lot of the marina. “Okay, only toothbrushes.” “I’m going to murder you with that fucking toothbrush if you don’t stop saying ‘in like’ with you.” I parked the car. “You started it.” The overhead light popped on as I got out. “Mason!” I laughed as the car door shut. Grumbling, she got out, and I greeted her on the passenger side. “One more, then I promise I’m done.” I shut her door and pushed her up against it. “I’m happy you’re finally in like with me because I’ve been in like with you for a while
Renita Pizzitola (Just a Little Kiss (Crush, #3))
It is a wonderful lesson—this celebration. It comes at an auspicious time. The old world was getting tired, it seemed, and needed help to whip it into action. There was beginning a great deal of talk about man’s no longer having the opportunities he once had of achieving greatness. Too many people were beginning to believe that all of the world’s problems had been solved. . . . Money was beginning to tell in the affairs of men, and some were wondering whether a poor boy might work for himself a place in commerce or industry or science. This celebration throws all such idle talk to the winds. It crowns anew the efforts of mankind. It crushes for another hundred years the suspicion that all of the secrets of nature have been solved or that the avenues of hope have been closed to those who would win new worlds. It points out to the ambitious young man that he labors not in vain; that genius knows no class, no condition. . . . The modesty of the Wright brothers is a source of a good deal of comment. . . . But above all there is a sermon in their life of endeavor which cannot be preached too often.
David McCullough (The Wright Brothers)
When will you rest? Even in the heat of battle. I tell you, rest does not always look like a hammock stretched between two trees on a lazy summer evening. Rest can mean looking to Me and My grace even as you swing your weapon. Rest is simply being with Me. “I promise you this: I will be with you every step of the way. I will hold you together when you feel that you could fall apart. And I will be there to celebrate with you when at last your battles are at an end.” Even
Dennis Jernigan (Giant Killers: Crushing Strongholds, Securing Freedom in Your Life)
The church has an eschatological horizon and is, as proleptic manifestation of God's reign, the beachhead of the new creation, the vanguard of God's new world, and the sign of the dawning new age in the midst of the old (cf Beker 1980:313; 1984:41). At the same time it is precisely as these small and weak Pauline communities gather in worship to celebrate the victory already won and to pray for the coming of their Lord (“Marana tha !”), that they become aware of the terrible contradiction between what they believe on the one hand and what they empirically see and experience on the other, and also of the tension in which they live, the tension between the “already” and the “not yet.” “Christ the first fruits” has already risen from the dead (1 Cor 15:23) and the believers have been given the Spirit as “guarantee” of what is to come (2 Cor 1:22; 5:5), but there does not seem to be much apart from these “first fruits” and “pledge.” Like Abraham, they believe in hope against hope (Rom 4:18) and accept in faith the Spirit's witness that they are children and heirs of God and therefore fellow heirs with Christ—provided, says Paul, “we suffer with him in order that we may also be glorified with him” (Rom 8:17). God will triumph, notwithstanding our weakness and suffering, but also in the midst of and because of and through our weakness and suffering (cf Beker 1980:364f). Faith is able to bear the tension between the confession of God's ultimate triumph, and the empirical reality of this world, for it knows that “in all these things we are more than conquerors through him who loved us” (Rom 8:37) and that “in everything God works for good with those who love him, who are called according to his purpose” (8:28). Nowhere has Paul portrayed this unbearable (and precisely for this reason bearable!) tension more profoundly than in 2 Corinthians 4:7-10: But we have this treasure in earthen vessels, to show that the transcendent power belongs to God and not to us. We are afflicted in every way, but not crushed; perplexed, but not driven to despair, persecuted, but not forsaken; struck down, but not destroyed; always carrying in the body the death of Jesus, so that the life of Jesus may also be manifested in our bodies. Our Christian life in this world thus involves an inescapable tension, oscillating between joy and agony. Whereas, on the one hand, suffering and weakness become all the more intolerable and our agonizing, because of the terrifying “not yet,” intensifies, we can, on the other hand, already “rejoice in our sufferings” (Rom 5:2). This means that our life in this world must be cruciform; Paul bears on his body “the marks of Jesus” (Gal 6:17; cf Col 1:24), he carries “in the body the death of Jesus,” and while he lives he is “always being given up to death for Jesus’ sake” (2 Cor 4:10f) (cf also Beker 1980:145f, 366f; 1984:120).
David J. Bosch (Transforming Mission: Paradigm Shifts in Theology of Mission)
His body would be crushed, but the words would still remain: You are my Son, the Beloved; with you I am well pleased. The trajectory of Jesus' life and (in a real sense) the fate of the world hung on those few words. They were not the words of a Father celebrating the good things His Son had done, because He hadn't really done anything yet. Even though Jesus was perfect, it wasn't His perfection that brought the Father such delight. It was His very existence.
Jonathan Martin (Prototype: What Happens When You Discover You're More Like Jesus Than You Think?)
Muffin Batter ½  cup canola oil ½  cup unsalted butter, melted 1½  cups sugar 2     tablespoons honey 3     large eggs 1     tablespoon pure vanilla extract ¼  teaspoon orange oil, optional* 1     tablespoon finely minced lemon zest 1     tablespoon finely minced orange zest 2½  teaspoons ground cinnamon 1⁄3  cup buttermilk 3     cups, or a bit more, all-purpose flour 2½  teaspoons baking powder ½  teaspoon baking soda ½  teaspoon salt ½  cup finely chopped dates, optional ¾  cup golden raisins, plumped and dried (see here) ½  cup well-drained crushed pineapple 2     cups washed unpeeled shredded zucchini Orange-Lemon Glaze 2     cups confectioners’ sugar 1     tablespoon fresh lemon juice Orange juice concentrate or juice, as required, about 3 to 6 tablespoons
Marcy Goldman (A Passion for Baking: Bake to Celebrate, Bake to Nourish, Bake for Love)
One modern view of this situation is that Harold’s freedom was being crushed by the absurd strictures of civilization. The innocence and creativity of childhood was being impinged and bound by the conformities of an overwrought society. Man is born free but is everywhere in chains. But looking at her son, Julia didn’t really get the sense that the unsupervised Harold, the non-homework Harold, the uncontrolled Harold was really free. This Harold, which some philosophers celebrate as the epitome of innocence and delight, was really a prisoner of his impulses. Freedom without structure is its own slavery.
Anonymous
I wanted friends who talked about characters from books like they were real people, friends who would make up elaborate games with me because anything we imagined was better than something that already existed. I wanted friends who loved me even if I didn’t wear the right clothes or know the lyrics to the right songs or have crushes on the right celebrities.
Chelsea Sedoti (The Hundred Lies of Lizzie Lovett)
He has given Caspar flowers, has given him soft toys (however ridiculous that might be as a gesture.) Has written real actual poems, with fountain pen ink on nice expensive paper. (Ridiculous also. But everyone deserves a few ridiculous romantic gestures in life, Caspar feels. Including him. Especially him. He hasn’t had an over-abundance of them up until this point.) He likes Mack. Mack likes him. It’s so simple, really, although they have perhaps enjoyed complicating it more than strictly necessary.
Alex Ankarr (Cupcake Kissin')
Your ego does not need to be crushed, it needs to be redeemed.
Mensah Oteh (Unlocking Life's Treasure Chest: Wisdom keys to keep you inspired, encouraged, motivated and focused)
More importantly, it was a room Dee recognized. The Hemsworths and Michael B. Jordan were Monica’s celebrity crushes; Gucci Hangman, Monica’s obsession. The crocheted afghan on the bed. The cube-shaped mood-light alarm clock on the nightstand, glowing purplish blue. The half-empty bottle of lime sparkling water beside it. Every detail was exact. Dee was staring at Monica’s bedroom.
Gretchen McNeil (#Murdertrending (MurderTrending, #1))
Radiohead! Thom (we called him “Thom-with-an-H”) was cute, but it was the guitarist Jonny Greenwood we were really hot for. He was skinny and pale, with brown hair hanging in his eyes, long fingers, and terrible posture. We sat onstage and screamed every time he looked at us, which wasn’t too often (I think he was afraid).
Cat Marnell (How to Murder Your Life)
I just can’t believe you know Sebastian Kane.” “He’s a friend.” Jude squeezes me tighter. “So please tell me you don’t have a crush on him because I’d hate to have to do something about it.” “Very funny. He’s not you,” I whisper in his ear. And I mean it. Celebrities, other men. No one is, or could be, Jude Carlisle.
Eva Simmons (Lies Like Love (Twisted Roses #1))
Today we are stressing the strange phenomenon that in the minds of the people in general the importance and motivating influence of religion are slowly being undermined by an increasing emphasis on the discoveries of science. Personally, I cannot say that I approve of the change of emphasis, but the fact remains that it is taking place under our very eyes. A few years ago one of the great American universities decided to honor its president, a celebrated scientist, by erecting a statue of him on the campus while he was still alive. The statue was duly unveiled, and there under the left foot of the scientist was an overgrown lizard being crushed to death. I wonder if that excellent scholar ever thought what it all meant. Of course, it represented science destroying the bad influence of ignorance. But did the scientist realize that he was the direct successor of Enlil, Marduk, Ashur, Jehovah, and St. George? As I was contemplating that statue, a thought passed through my mind: who will fight the dragon next? If I could give the answer, I could also tell what direction human civilization will take in the next thousand years.
Edward Chiera (They Wrote on Clay: The Babylonian Tablets Speak Today)
My passion for cooking meals for loved ones originated when I was growing up. Because our family didn't have much materially, my siblings and I didn't get excited about gifts and Christmas and birthdays--but we were exuberant in anticipation of the food! I remember my mother preparing and cooking food for days before Christmas. You could smell the aromas wafting throughout the house, and if you were lucky, she would allow you to lick the spoon and taste a little bit beforehand. As a result, my wife and I now delight in showing the same love my mother put into the preparation of special meals into the celebrations we enjoy. From all those years of watching my mother prepare food for the family, and from my own limited experience in the kitchen, I've realized an important lesson: quality takes time. While most people tend to agree with me, no one particularly enjoys waiting patiently for the turkey to come out of the oven or for the pie crust to be made from scratch. We want the quality, but we don't want to wait for it. As I look around, it doesn't take much to see that this current generation is accustomed to fast foods, instant information, and new friendships at the click of a button. Because of such immediate results, we've ignored the diminishing quality of those things we recieve instantly and our subsequent lack of appreciation for them. Our desire for instant gratification has ushered us to the point that we sacrifice excellent quality because of the difficulty and time it takes to produce it.
T.D. Jakes (Crushing: God Turns Pressure into Power)
But May-belle was not normal. She had the observational skills of one forced to sit on the sidelines of life, the crushing sensitivity that goes with some kinds of introversion, and the depleted self-confidence of one constantly reminded that their differences were not something to be celebrated.
P.S. Ballantyne (Behind May-belle's Curtain)
For those who have a recording studio. What will happen If your studio crushes, burn or equipment Is stolen ? Do you do backups ? How often do you run your backups ? Where do you store your backups ? How easy is it to recover your backups ? These are questions you should ask yourself, If you have a recording studio. Remember the studio Is your business and business needs to be always protected.
D.J. Kyos
He longed, he said, for the glorious spirit of bipartisan consensus he had witnessed during the nation’s Bicentennial celebrations, and at Hubert Humphrey’s funeral. So he concluded with a challenge to his colleagues: “If you want to see the reputations of decent people sullied, stand aside and be silent. “If you want to see people of dignity, integrity, and self-respect refuse to seek public office for fear of what might be conjured or dredged up to attack them or their families, stand aside and be silent.… “If you want to see dissent crushed and expression stifled, stand aside and be silent. “If you want to see the fevered exploitation of a handful of highly emotional issues distract the nation from problems of great consequence, stand aside and be silent. “If you want to see your government deadlocked by rigid intransigence, stand aside and be silent. “If you want this nation held up to worldwide scorn and ridicule because of the outrageous statements and bizarre beliefs of its leaders, stand aside and be silent and let the Howard Phillipses, the Meldrim Thomsons, and the William Loebs speak for all of us.
Rick Perlstein (Reaganland: America's Right Turn 1976-1980)
Chris “ Because of you, I’m starting to be who I used to be, the person I was when I came to LA. The person I should’ve been all along, but I was misguided. I want to keep being the man I am when you’re with me.
Natasha Luxe (Off Camera (Celebrity Crush #3))
Alan “ you are now officially in a committed serious relationship” “ congratulations
Natasha Luxe (Off Camera (Celebrity Crush #3))
All my guilt over this execution, this celebration, was beginning to feel more like treason than empathy. Naturally I should want my people to dominate. I should be as Runa, filled with pride Timorans could crush the backs of the rest. But I could not deny the wretched desire for a different kind of change.
L.J. Andrews (Curse of Shadows and Thorns (The Broken Kingdoms, #1))
Bone beds turn up sporadically elsewhere, with spectacular examples in the Dinosaur National Monument in the USA and in Mongolia’s Gobi desert. In eastern England there are several within the early Cretaceous strata, which include, as well as bones, structures termed coprolites, some of which represent the petrified faeces of dinosaurs or marine reptiles. In the middle of the 19th century, when England’s population was booming and the farmers were struggling to feed everybody, it was discovered that these fragments (which, being bone, are phosphate-rich) made a superb fertilizer when crushed and acid-treated. A thriving and highly profitable industry formed to quarry away these ‘coprolite beds’. Some considerable figures were involved in this industry. John Henslow, Charles Darwin’s beloved mentor of his time at Cambridge, seems to have first encouraged the farmers of eastern England to use such fossil manure. William Buckland also became involved. An extraordinary combination of early savant of geology at Oxford and Dean of Westminster, he was the first to scientifically describe a dinosaur ( Megalosaurus); carried out his fieldwork in academic gown; reputedly ate his way through the entire animal kingdom; and coined the term ‘coprolite’, using these petrified droppings to help reconstruct the ecology of ancient animals. Later, he energetically collaborated with the celebrated German chemist Justus Liebig (who had worked out how to chemically treat these fossil phosphates to make fertilizer) to show how they could be used by agriculturalists, once demonstrating their efficacy by exhibiting, in Oxford’s Ashmolean Museum, a turnip, a yard in circumference, that he had grown with such prehistoric assistance. It is related strata (geologically rare phosphate-rich deposits, usually biologically formed) that are still a mainstay—if a rapidly depleting one—of modern agriculture. In a very real sense, these particular rocks are keeping us all alive.
Jan Zalasiewicz (Rocks: A Very Short Introduction (Very Short Introductions))
She saw him first. Twenty years first. Yes, yes: very junior high. But this whole thing feels very junior high. Maybe that's always how it feels when you are both grown, smart, articulate, mature women. Maybe you always feel like the other person cannot possibly love him, loves instead some fictionalised version of him.
Claire Handscombe (Unscripted)
I know, but—when Emma saw you, she acted like you were her celebrity crush. Like you were on the cover of Shadowhunters Weekly every month.” “You know, when they asked me to pose, they said it would be tasteful. . . .
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
And now the best couple I’ve ever known... they’re reunited. They’re together again, celebrating with Jesus. They’re both looking down on us, waiting for us to join them in the eternal joy Heaven offers. But right now, I’m here. I’m stuck navigating the dark and treacherous road that is life, now without the two greatest role models I’ve ever had. A sob escapes my throat, my palms failing to soak the spilling tears.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
His celebrity crush is Emma Watson
Jessica Stewart (Louis Tomlinson: 125 Facts You Need To Know!)
The big man glanced at him, a friendly look. Across the hogan, Leaphorn noticed, two of the women were smiling at him. He was a stranger, a policeman who had arrested one of them, a man from another clan, perhaps even a witch, but he was accepted with the natural hospitality of the Dinee. He felt a fierce pride in his people, and in this celebration of womanhood. The Dinee had always respected the female equally with the male — giving her equality in property, in metaphysics and in clan — recognizing the mother’s role in the footsteps of Changing Woman as the preserver of the Navajo Way. Leaphorn remembered what his mother had told him when he had asked how Changing Woman could have prescribed a Kinaalda cake “a shovel handle wide” and garnished with raisins when the Dinee had neither shovels nor grapes. “When you are a man,” she had said, “you will understand that she was teaching us to stay in harmony with time.” Thus, while the Kiowas were crushed, the Utes reduced to hopeless poverty, and the Hopis withdrawn into the secret of their kivas, the eternal Navajo adapted and endured.
Tony Hillerman (Listening Woman (Leaphorn & Chee, #3))
Agreed,’ the Witcher nodded. ‘That’s how it’s normally done. I don’t understand, though, why the panic? What, is this the first war ever, have there never been any others? Just like usual, the kings’ forces beat each other up and then the kings reach agreement, sign treaties and get plastered to celebrate. Nothing will really change for those having their ribs crushed on the jetty now. So why all this brutality?
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
At the end of the campaign, Subodei and Jebe led their soldiers down to spend a relaxing spring in the Crimea on the Black Sea. They celebrated their victory with a great drunken party that lasted for days. The guest of honor was the defeated Prince Mstislav and his two sons-in-law, but their treatment showed how much the Mongols had changed since the time of Genghis Khan. The Mongols wrapped the three of them in felt rugs, as befitted high-ranking aristocrats, and stuffed them beneath the floorboards of their ger, thereby slowly, but bloodlessly, crushing the men as the Mongols drank and sang through the night on the floor above them. It was important to the Mongols that the Russians understand the severe penalty for killing ambassadors, and it was equally as important for the Mongol leaders to reaffirm to their own men the extent to which they would always be willing to go to avenge the unjust killing of a Mongol.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
Wyllis Cooper, who created, wrote, and produced it, was then a 36–year-old staffer in Chicago’s NBC studios. Cooper, Newsweek continued, created his horror “by raiding the larder.” For the purposes of Lights Out sound effects, people were what they ate. The sound of a butcher knife rending a piece of uncooked pork was, when accompanied by shrieks and screams, the essence of murder to a listener alone at midnight. Real bones were broken—spareribs snapped with a pipe wrench. Bacon in a frypan gave a vivid impression of a body just electrocuted. And that cannibalism effect was actually a zealous actor, gurgling and smacking his lips as he slurped up a bowl of spaghetti. Cabbages sounded like human heads when chopped open with a cleaver, and carrots had the pleasant resonance of fingers being lopped off. Arch Oboler’s celebrated tale of a man turned insideout by a demonic fog was accomplished by soaking a rubber glove in water and stripping it off at the microphone while a berry basket was crushed at the same instant. The listener saw none of this. The listener saw carnage and death.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
you can use your personal brand—who you are—to market your business, or your personal brand can actually be the business. Socialites, celebrity progeny, and reality-TV stars have been doing it for years. Now it’s everyone else’s turn to learn how to get paid to do something they were going to do for free anyway
Gary Vaynerchuk (Crushing It!: How Great Entrepreneurs Build Their Business and Influence—and How You Can, Too)
though I didn’t really understand why everyone was in love with Timothée Chalamet. I had a theory that a lot of people’s “celebrity crushes” were faked just to fit in.
Alice Oseman (Loveless)
Perhaps it was because of this genuine bloodshed that the complainers, eventually, had their way. It might have been all but impossible to stamp out wild Kalends celebrations outside the church, but within it, after a few centuries of complaints from bishops, archbishops and the Pope himself, the ritual was banned. In the fifteenth century, the Council of Basel, as well as dealing with the issue of the power of the Pope and the provision of military assistance against the Ottoman Empire, also outlawed the Feast of Fools. The feast lingered for a while, but was helped into its decline (across some parts of Europe) by the coming Protestant Reformation, which took an extremely dim view of the entire business, and largely crushed it.
Sarah Clegg (The Dead of Winter: Beware the Krampus and Other Wicked Christmas Creatures)