Struggle Tattoo Quotes

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Scripture scholars contend that the original language of the Beatitudes should not be rendered as "Blessed are the single-hearted" or "Blessed are the peacemakers" or "Blessed are those who struggle for justice." Greater precision in translation would say, "You're in the right place if...you are single-hearted or work for peace." The Beatitudes is not a spirituality, after all. It's a geography. It tells us where to stand.
Gregory J. Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
I'm mad because girls as young as eight years old are being shamed about their bodies. Fifth graders go on diets and admire Instagram pics of celebs in waist trainers. Some of the people I'm closest to have struggled with eating disorders. I'm mad at an industry that suggests that painfully thin is the only acceptable way to be. Please don't get on me for skinny shaming. If that's how you are shaped, God bless, but we gotta mix it up, because it's upsetting and confusing to women with other body types.
Amy Schumer (The Girl with the Lower Back Tattoo)
The tattoo artist inflicts pain and I take it. With each breath I count to one again. Each inhale, each exhale, time passes in the smallest of pieces, and pieces still smaller than those. This is how you count a life. This is how you go through it. Each second of hurt is a second that's already passed, one you never have to go through again. I have counted in pieces that small, when walking from the bed to the fridge seemed an insurmountable goal. I have counted my breaths, my steps, my eye-blinks, my hiccups, the tiny pulse in my thumb. And when I started getting tattooed, two of the things I used to need were gone: to write on myself, and to find irrelevant things to count. A second of intense pain is the most profound thing you can live through. And another, and another, and another, and then you know what it is to feel, and to struggle through that feeling one small agonizing increment at a time, and if you know that, you know what it is to live with mental illness.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
I’m glad I struggled. I think I’d be an asshole if my money were anything other than the “new” kind.
Amy Schumer (The Girl with the Lower Back Tattoo)
Carry me away. To where I can breathe. To where my soul can thrive again. To where I can be free. To where I can live again. Give me life. The ability to span my wings. And fly. Not fall. I never want to fall again. So help me survive. Allow me to flourish. And then let me forgive. (tattoo inscription)
Jessica Sorensen (Wreck Me (Nova, #4))
Things I've Learned in 18 Years of Life   1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play.   2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul.   3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way.   4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him.   5) I fail daily, and that is why I succeed.   6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well.   7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human.   8) If someone makes you think, keep them. If someone makes you feel, keep them.   9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game.   10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you.   11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's.   12) There is no wrong way to feel.   13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not.   14) Selfless actions always benefit you more than the recipient.   15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on.   16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being.   17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’   18) Mental health and sanity above all.   19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us.   20) From destruction comes creation. Beauty will rise from the ashes.   21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier.   22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
Scott Hildreth (Broken People)
I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you're in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you're home.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
I look at the marks of my past family every day, the visible ones, the ones that live on my skin. They’ve long since healed over; they no longer open me to anything. But they’re a part of me, of my experience, as much a record of what has come before as any of the others and in some ways more so since I took them on purposefully. They’re choices I made. Even if it is true that we’re counselled to pack away our love letters and our old photos of our lost loves if we want to truly heal from breakups or divorce, my wearing the tokens I couldn’t just pack away ensured that I have struggled and mourned until I healed. That’s worth something. It’s also worth something to remember that even if things ended (and not even all that well), I loved and was loved, risked and was safely caught. In the end, I don’t want to cover that or erase it—I want to celebrate it and carry it forward. The tattoo of Stanley’s left foot on my right thigh is a centimetre at most from the constellation on the same thigh. Like an old tree, I wear every year that I’ve lived inside me, drought or flood, long winter or warm fall, all of them legible in my rings and—like on any old tree—once they become part of the whole, they’re beautiful.
S. Bear Bergman (Blood, Marriage, Wine, & Glitter)
PRECIOUS” The Hebrew word for “precious” means to carry weight, to be scarce or esteemed. When something is precious, one places more value on it than on other things, making it “weighty.” When “precious” appears in other Old Testament passages, it’s surrounded by danger, notions of redemption, the human soul, and the eyes of the beholder (1 Sam. 26:21; 2 Kings 1:13–14; Ps. 49:8 KJV; 72:14). The precious soul must be saved before it’s too late. When the word precious is called upon, it’s usually because something is at stake. What is at stake? According to Søren Kierkegaard, despair.3 When humans are overwhelmed by their finitude and blemishes, they lose sense of their God-given greatness. We need to be reminded, lest we forget. After all, we were created in God’s image; isn’t that enough? Why do we weep over our appearance, struggle with acceptance, and burn with envy toward others? We were created in God’s image! There’s nothing nobler, more beautiful, or more stunning than that. Yet we treat our souls as if they were garbage. We desperately need to be reminded of the weight that our souls carry before it’s too late. I was waiting in line behind a man and his son at a café. The man was middle-aged and fairly rugged. His teenage son had Down syndrome, but his eyes were bright and he wore excitement on his face. Dad was getting him hot chocolate with whipped cream. As the two were waiting for the barista to hand them their drinks, the dad reached out his arm and placed his hand on the back of his son’s hair. He gently folded his fingers into his son’s hair and said, “Hey, beautiful.” Both puzzled and innocent, the son answered simply, “What?” Staring deeply into his son’s face, the dad said, “I love you.” This father saw the weight of his son’s preciousness. In the world’s eyes, this boy would never be a great athlete or a top student. He would never attain the world’s standard of beauty. He’d probably live at home for longer than usual, depending on the care of his parents. He was most likely demanding and had surely required more of his parents as a baby. He probably had more than a few idiosyncrasies that tested his family’s nerves. He was probably messy.4 But his dad loved him. His dad didn’t label him as a burden, but as beautiful. His dad loved him just the way he was—I could see that plainly. Our souls are sick from head to toe, yet our Father finds a way to love us anyway. Picture God raising his hand to your head and sifting your hair between his fingers. He looks into your eyes—knowing full well what you are—and says, “Hey, beautiful. I love you.” That’s enough to melt my heart in joy. There are no conditions to meet in order to earn God’s love. He is in love with you just as you are. “You carry a lot of worth in my eyes, you are heavy-laden with beauty, and I love you.
Samuel Kee (Soul Tattoo: A Life and Spirit Bearing the Marks of God)
He lives with his brothers. Shoot. I’m not going to an apartment filled with men I don’t know. “I can’t,” I say, but he rolls his eyes at me. Then he bends at the waist and drives his shoulder very gently into my midsection. He hefts me over his back like I’m a sack of potatoes. I’m still holding on to my guitar, and I knock him against the backs of his legs with it. I could be screaming at him right now, and he would have no idea. I can’t talk to him. I can’t tell him to put me down. He carries me like that up four flights of stairs, and he’s huffing a little when we get to the fourth floor. I expect him to keep climbing, but he doesn’t. He stops and opens a door, and we’re suddenly in a hallway. My struggling has ceased because it’s no good. He can’t hear me. He can’t respond. So, I brush my hair out of my face with one hand and try not to drop my guitar with the other. He opens a door and steps inside, closing it behind him. Four men turn to look at me, flopped there over his shoulder. I’m turned to face them as he closes the door, so I wave. What else can I do? The one I met at the tattoo parlor gets to his feet. “Who’s that?” the biggest one asks. The tattoo guy bends over to look in my face. “Shit, Logan, that’s the girl who clocked you.” The other men get up and walk over, too. One of them says, “Dude, she’s got Betty Boop on her panties.” I can’t even reach back to cover my ass. Logan lowers me to my feet. I stumble as he sets me upright, when all the blood rushes back from my head. He reaches out to steady me, and he smiles.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
PRECIOUS” The Hebrew word for “precious” means to carry weight, to be scarce or esteemed. When something is precious, one places more value on it than on other things, making it “weighty.” When “precious” appears in other Old Testament passages, it’s surrounded by danger, notions of redemption, the human soul, and the eyes of the beholder (1 Sam. 26:21; 2 Kings 1:13–14; Ps. 49:8 KJV; 72:14). The precious soul must be saved before it’s too late. When the word precious is called upon, it’s usually because something is at stake. What is at stake? According to Søren Kierkegaard, despair.3 When humans are overwhelmed by their finitude and blemishes, they lose sense of their God-given greatness. We need to be reminded, lest we forget. After all, we were created in God’s image; isn’t that enough? Why do we weep over our appearance, struggle with acceptance, and burn with envy toward others? We were created in God’s image! There’s nothing nobler, more beautiful, or more stunning than that. Yet we treat our souls as if they were garbage. We desperately need to be reminded of the weight that our souls carry before it’s too late.
Samuel Kee (Soul Tattoo: A Life and Spirit Bearing the Marks of God)
Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –
Teresa Driscoll (I Am Watching You)
I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length. The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather. “Ah, nei mah-tao-yo,” he whispered. “You tremble.
Catherine Anderson (Comanche Moon (Comanche, #1))
Maybe it’s my tattoos talking, but this is my favorite missional mandate. Because the perception of Christians as self-righteous segregationists is so prevailing, it is such a pleasure to represent a new expression of faith. For me this is not hard, this is not work, this is not a sacrifice, this is not uncomfortable. A missional approach to a disoriented world has made discipleship fun again. To put it into highly intelligent terms, I get to skip all the church-speak and level with people authentically. I can accept a lovely glass of red wine at a neighbor’s house and later get an earful about her marriage struggles. Brandon organizes neighborhood Texas Hold ’em nights to show those men another face of the pastorate; consequently, he’s the first person they call in crisis. The eight families in our community group throw Halloween bashes and Christmas extravaganzas and potluck dinners and pool parties in our little subdivision. It’s the smallest corner of the world, but it’s the one we’ve been sent to, and we consider ourselves missionaries here.
Jen Hatmaker (Interrupted: When Jesus Wrecks Your Comfortable Christianity)
People say it’s unhealthy to live in the past. But what choice do I have when it defines my every moment? It’s with me when I hurt, when I struggle for breath. It’s written on my skin, in scars and tattoos. It’s in the ’68 Mustang that’s broken down in my driveway. It’s in everything I do. It’s all around me, always. But fuck it, that’s all right. I don’t mind the past too much. After all, it had one hell of a soundtrack. ACKNOWLEDGMENTS My wonderful agent and dreamweaver, Shannon Hassan, for her unwavering belief in a cynical, foulmouthed first-time author like me.
Rob Rufus (Die Young with Me: A Memoir)
What happened during the Great Recession was that those with money and power became even more wealthy and powerful, and those who were already struggling were left with nothing.
Thomas Fincham (The Rose Tattoo (Echo Rose #2))
We fall into a familiar rhythm of filthy kisses and eager hands. Soon we're shedding our clothing onto the floor. "Mmm, shower," Max mutters against my lips. "I need a shower. I'm so dirty right now." I lean away, playfully pulling out of his hold, and walk down the hallway to stand by the bathroom door. "You know, if I'm gonna move in, first I think I'd like a tour of the bathroom, specifically the shower. I need to know what kind of water pressure this place has before I commit to anything." A mischievous gleam flashes in his eyes. "You've been in that shower once or twice before. And you seemed to enjoy your time in there, if I remember correctly." "True, but I think I need to test it out one more time. Just to be sure I know what I'm getting." That half smile I love so much appears. As I stand there, I soak in the bliss of this moment. Max and I are together. After eighteen months of harboring secret crushes on each other, a million friendly conversations---and a few super-awkward ones---and all the conflict and work upheaval and family struggles, we're here. Together. Back in each other's arms and crazy in love. The motion of his muscled, beautifully tattooed arm yanking off his shirt pulls me back to the very hot moment unfolding. He walks over to me and hoists me over his shoulder. I squeal before falling into a fit of giggles. "Allow me to give you an up-close-and-personal grand tour of the shower," he says. "And the bedroom after that?" "Absolutely." And for the next few hours, Max Boyson gives me one hell of a grand tour.
Sarah Echavarre Smith (The Boy With the Bookstore)
As Miliann Kang and Katherine Jones argue in their article, ‘Why do people get tattoos?’, rather than simply being acquired as acts of defiance and sublimated aggression, many tattooed people regard their tattoos as expressions of distinctly unique aspects of themselves, and that tattoos have manifold inspirations that transcend mere provocation or membership of subcultural rebellious groups. As such, [t]he tattoo speaks to the ongoing, complex need for humans to express themselves through the appearance of their bodies. The tattooed body serves as a canvas to record the struggles between conformity and resistance, power and victimization, individualism and membership. (2007, p. 47) Alternatively, tattoos may have no immediate signification beyond the desire for the skin to be marked by the tattooist’s needle, as Christine Braunberger observes, ‘One does not become immanently “knowable” by virtue of being tattooed. Tattoos can be as inexplicable to the selves who wear them as they are to their viewers. Skin cannot so easily speak for the self that inhabits it’ (2000, p. 3).
Lee Barron (Tattoo Culture: Theory and Contemporary Contexts)
after the Meiji Period, which lasted from 1869 to 1912, these persecuted artists led lives of bare subsistence in slums and narrow alleys. Struggling to elude the vigilant eyes of the government, which had outlawed tattooing, they kept their skills alive by creating works of art that could never be shown in public. The names that spring to mind are Horiuno I and II, followed by Horikane, Horikin, Horigoro, Horiyasu, and a couple of others. “Of course, no list of post-Meiji tattoo artists would be complete without the renowned Honcho the First. As you may know, he created a nationwide scandal in Japan in 1900 by committing ‘love suicide’ with a woman who was not his wife. Horicho had already left his mark on posterity, not just in Japan but overseas as well, by tattooing highly publicized dragons on the forearms of the English Duke of York, who became King George V, and the czarevitch of Russia, later Czar Nicholas II. At the time, Horicho’s was the only legal tattoo parlor left open in Yokohama. It was there—attracted, no doubt, by a sign that read ‘For Foreigners Only’—that both George and Nicholas got their dragons.
Akimitsu Takagi (The Tattoo Murder Case)
Wambach's concerns raised questions about the impact that deaf signers could have on Project Nim, and perhaps inadvertently about how Terrace's study might compare with the work done by the Gardners in Nevada, who had expressly designed their experiments to include deaf signers. Simply having Falitz sign at the weekly meetings and interpret for Wambach in the discussions brought a new dimension to their work. Wambach was not particularly critical of Terrace, who was older and far more established than she, but she wanted the staff to have a better understanding of the world of deaf speakers—those who used ASL because they needed a language. Thanks to Wambach, the chimp project began attracting deaf volunteers (including one who is remembered for having love and hate tattooed on his knuckles), who formed a small subculture within Terrace's staff. In an attempt to bridge these two worlds, one night the deaf volunteers arranged to plug up the ears of the hearing staff and take them out to a restaurant for dinner. They were instructed to communicate exclusively in ASL from the moment the plugs were placed in their ears on the way to the restaurant, during the meal, and all the way back to Delafield. The hearing group found the experience to be a terrible struggle. But what made an indelible impression on Johnson was the way that everybody in the restaurant spoke really slowly and loudly to them, treating them as if they were all mentally incapacitated.
Elizabeth Hess (Nim Chimpsky: The Chimp Who Would Be Human)
Contrary to that Japanese notion of tattooing called irezumi, which means to soften, we are the ones who have gotten too soft with modern living. Comfort has become the goal and a status symbol of Western culture. To grow we have to be aware of and rebel against these tendencies. A line I’ve lived by is, “Beware of comfort.” We’re compromised with our passions, and too civilized. We turn away from vulnerability, discomfort, and struggle. Our inhibitions have made us weaker.
Roger Sparks (Warrior's Creed: A Life of Preparing for and Facing the Impossible)
We read books and highlight the lines that speak to us, we listen to music and tattoo the lyrics that touch us, we turn to poetry and learn the lines that become us; we’re all hopelessly inept people, struggling in vain to coherently express ourselves. We know what we want to say but we don’t know how.
Anonymous
She didn’t freak. Maybe I’ll be okay. I walked around him and said, “Hi, Mom . . . what did you do this afternoon?” Mom gaped in stunned silence. Brooks and I busted up laughing, hoping that making light of it would go over better with Mom. She stammered a bit. Because she always liked being a cool mom, I figured she was struggling between that and being really ticked at me. “Well, at least you didn’t get a tattoo,” she said under her breath. “You can’t get rid of a tattoo.” She scowled, took a deep breath and put her hands on my shoulders so that she could look me directly in the eye. “Kirk, it’s not that you got your ear pierced—it doesn’t look bad. I even sort of like it. It’s that you went off and deliberately did it without asking.” She turned around and went into the other room. I felt horrible. She didn’t talk to me for two days.
Kirk Cameron (Still Growing: An Autobiography)
After the season, I applied for a position with the North Cascades smoke jumpers in Washington State and got a new tattoo on my left forearm, a tattoo of my life, with the motto “Mundis Ex Igne Factus Est,” which means “The World Is Made of Fire” in Latin, a quote from a Helprin book (A Soldier in the Great War) that I had read maybe five years earlier. It captured the idea that life is born of struggle and striving, that true joy and understanding do not come from comfort and safety; they come from epiphany born in exhaustion (and not exhaustion for its own sake). Safety and comfort are mortal danger to the soul.
Sam Sheridan (A Fighter's Heart: One Man's Journey Through the World of Fighting)
Just then I looked up to see Chef Pascal standing over our table. "Excuse me for one moment." He reached over me, and I think Emerald and I both gasped aloud at him. He smelled like bacon and caramelized onions and had a movie-star-perfect face, soft but still chiseled. A little stubble. Dark skin and big eyes with long, thick lashes. And the gold streaks in his eyes? Even better in person, luminous and crackling with light. Now I felt like Melinda in the living room, asking me what I was. Was he Egyptian? Mexican? Spanish? But of course he wasn't like me at all. He was closer to a model or an actor than anyone like me. Pascal didn't appear to notice our gawking. He removed the housemade kimchi-ghee hot sauce from our table and replaced it with a new bottle. He gave a soft, barely there smile, then continued to the other tables, leaving almost every girl- and many guys- shivering in his wake. "Ha!" Emerald said, clearly exhilarated. "That was a rush, huh?" "Yeah..." Elliott struggled. "That guy... has a lot of tattoos." I watched Pascal march back into the kitchen. From the pass, where the dining room met the kitchen, I thought I saw him look back at me, too. Yeah, right, Tia, I thought just as quickly. Like that could ever happen.
Jessica Tom (Food Whore)
By the midpoint, he’d shot up to my waist, but his muttered curses told me he’d underestimated how good I was--or overestimated how good he was--and it was clear he wasn’t going to catch up in time. So I stopped. Daniel leaned over and mouthed, “What are you doing?” Below, the others yelled, a cacophony of shouts and cheers and jeers. Rafe reached up, his bracelet hitting the rock with a ping. I glanced at it. A worn rawhide band with a cat’s-eye stone. I could see his tattoo better, too, as he pulled himself up, and I recognized the symbol. A crow mother kachina. Hopi. As he drew up alongside me, he cocked one brow. “You really want that kiss don’t you?” he said. “No, I just want to see what you can really do.” He smiled then, a blaze of a grin that made me forget I was hanging twenty feet above the ground. “All right then,” he said. “No holds barred. On my count?” I nodded. “One, two, three…” We took off. I kept my face to the wall, throwing everything I had into the climb, certain I’d pull away to victory. But he stayed alongside me, his grunts and labored breathing telling me he was trying just as hard. I struggled to concentrate, but all I could hear was his breathing. It was weirdly relaxing, like the ticking of a metronome, and I found myself moving faster, smoother, the rock seeming to glide under me, hands and feet finding the notches and grips automatically, like climbing a tree, that blissful feeling of going higher and higher, the earth and everything earthly vanishing below me, the air getting thinner, the world quieter as I pulled away until-- My hand hit the top ledge and I jolted out of it, and looked over to see Rafe beside me, sweat dripping down his face, eyes glowing, face glowing, his gaze locked on mine again, lips parting to say something-- A jerk on my harness made me look up sharply as Daniel adjusted the rope, preparing to let me belay down. The look on his face told me who’d won.
Kelley Armstrong (The Gathering (Darkness Rising, #1))